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#dr stone medusa
senkusphone · 1 year
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Warning: Gifs with flashing lights after the break
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Don't take your eyes off it.
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You'd think I looped these poorly but no, the vertical sync in the CRT snaps back when the image reaches the lower quarter or so, even after I messed with its adjustment to make the image roll.
This tube is from 1977 yet it's exceedingly bright still. It's a video display for a TRS-80 model 1 computer connected to a laptop with a composite converter and an adapter cable I made.
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kristamagness · 4 months
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What if Senku discovered Atlantis?
Check it out:
https://archiveofourown.org/works/53094463/chapters/134335051/
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ermitanyoh · 1 year
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Happy Birthday, Senku Ishigami
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froqpi-art · 1 year
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i have this silly little dcst modern au where everyone is their real age (since their ages get so messed up with the medusa) but it mostly circles around uni student ukyo who somehow gets roped into babysitting/chaperoning a bunch of the neighborhood kids. it’s so funny to me that ukyo, hyoga, sai, xeno, and stan are all around the same age
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alfirino · 9 months
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Dr Stone Kirimedusa
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drstonetrivia · 5 months
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Chapter 227 Trivia (Part 2)
(Previous part)
People seemed to be muddling the events of the last few pages, so I'll share my observations here. They're by no means the complete, definitive answer and my conclusions can obviously be flawed, but here we go:
The Medusa activates, and all three astronauts watch as it goes off. I believe Senku and Stanley then turn back to start righting the rover, but Kohaku notices something about the beam, prompting them to stop.
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She then confirms that what she had seen on the monitors on Earth matches the resulting haze left by the activation.
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The point of view then switches to Senku who, upon viewing the haze and hearing Kohaku's comment, puts the pieces together and declares that he knows who Whyman was.
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Note that the reactions of the people on Earth are because Senku has said this, not necessarily because they see and recognize someone. We don't even know if the astronauts have live video feeds, only that they have radio communication.
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Now obviously this has been translated to English so there could be slight misunderstandings happening, but I believe Senku hasn't actually seen anyone at this point. He uses "was" rather than "is" when accusing.
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He's only added another piece to what Kohaku had said: that a Medusa had been activated on the moon previously, and it was visible from Earth.
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If this is the case, then Whyman is most likely using the device (possibly frequently) to depetrify and repetrify themselves as needed. The other option is that they used it once around the original petrification, and the smog has lasted for 3,700 years.
It's speculation, but it could also explain why Senku says "closer than we knew": everyone on Earth at this point has experienced petrification. If Senku is simply assuming they're looking for a stone statue, it makes sense to say they were always close by.
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It doesn't entirely answer why Senku says Whyman was "you", unless he's talking directly to the Medusa or it's sensationalist.
Note also that the speech bubbles for "The perpetrator […] thousands of years ago" are different, and probably aren't being said by Senku.
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It's also amusing to consider that if Whyman is in fact a petrified human, then what was basically the very first thought about them was correct.
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Unfortunately I don't have the Japanese raws yet so I can't compare languages, but it does seem that this is the first time Whyman uses Japanese rather than English to communicate.
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I present to you,,,,, Sneku
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silveragelovechild · 1 year
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Minerva Urecal as Mrs Lindquist and Tony Randall as the Medusa in “7 Faces of Dr. Lao” (1964).
The movie nicely foreshadows Mrs. Linquist’s encounter with the Medusa in an early scene when she used green fabric strips to curl her hair.
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senku4reals · 2 years
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Day 26 of my Drawlloween and Senku sketch mashup. The prompt was Don’t Look at it so I drew Senku as Medusa as his hair was perfect for it!
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heavenly-delusions · 8 months
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xeno n stanley r meant to be bc theyre both balding
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determunition · 7 months
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i took the switcheroo week as an excuse to finally try my hand at some scrybeswap designs! got a bit carried away as you can see, i love doing character design so much
decided to keep their species/major design elements fairly consistent (e.g. grimora's makeup, mag being vague and indistinct, leshy having nonhuman legs, p03 only having one arm) while still switching up their aesthetics as needed; super happy with all of these as a result!
design notes for each scrybe under the cut! def open to any further questions or curiosities, i always think way too hard about characters while designing them lmao
P03:
scrybe of the dead: i went for a possessed tv vibe; he's still mechanical but those bones do have a living soul trapped in them...also shoutout to @squid-hug for suggesting the x-ray machine, i was very tickled by that lmao
scrybe of beasts: overgrown old bot was kind of a given for this one, but i was also thinking that the plants are part of what's keeping him running somehow
scrybe of magicks: the magic eye is the core powering that top monitor, and the two side monitors display what he's seeing with that eye at any given time
grimora:
scrybe of beasts: she's a witch! like a chill terry pratchett kind of witch, she works with a lot of herbs and such; also her makeup is meant to mimic blood drops
scrybe of magicks: magick grimora is more of a warlock type, her magic is a lot more sinister and she almost never opens her eyes (whereas her third eye is basically always open)
scrybe of tech: tech grimora is kind of a wacky machinist-flavored dr. frankenstein; she inscribes by writing on circuitboards!
leshy:
scrybe of the dead: this leshy is a gargoyle/vampire hybrid! i thought a mirror would be fun for him bc you can get two different cultural refs; medusa (bc stone gargoyle), and the idea that vampires don't appear in mirrors!
scrybe of magicks: i decided to make him a bird guy (kinda harpy-esque) bc he's basically a more whimsical baba yaga hermit; the baba yaga thing carries over from slavic folklore obvs. also he has polycoria!
scrybe of tech: tech leshy was super fun, bc he's steampunk! rather than animal legs i gave him digitigrade robot legs, but other than that he's the most like, normal human guy here probably lmao; despite his well-adjusted appearance though i still think he's got a bit of freaky wonk in him
magnificus:
scrybe of the dead: this one was very ring-inspired lol, got those clump of hair you found in the shower drain vibes
scrybe of beasts: bush magnificus real! i think he'd be a bit more quirky trickster fae in this form
scrybe of tech: one of my favorites; tech mag is an emaciated cyborg draped in so many loose cords and wires that you can't tell what he looks like anymore. a lot of those cords are connected to him, and he plugs them in wherever as needed! he also has a drawing stylus, making him just an average art student tbh lmao
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gizaoyas · 5 months
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↳ @animangacreators challenge #26 : FALL 2023
⋙ Dr. Stone : New World part II + Medusa
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fabuloustrash05 · 7 months
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TMNT 2012: Monster AU
Remember that 2012 Halloween toy line where the Turtles were monsters? So I made a little AU based around that where the Turtles and all their friends are monsters or something else...
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Leonardo - Mummy, was a royal that was given new life thanks to the Egyptian gods. Often bickers with Raph over who’s the superior royal (Leo’s actual royalty, Raph just claims he is causs ego)
Raphael - Vampire, calls himself the Prince of Darkness. Massive ego. He’s in love with the vampire slayer who’s hunting him down and wants to drink her blood to make her his vampire queen.
Donatello - Frankenstein’s Monster, created by Casey and very intelligent despite just been created and given life. Struggles to speak. Has a special connection and bond with April who uses to her powers to mentally communicate with him so she can hear him speak fully.
Michelangelo - Werewolf, his wolf transformation only comes out at a full moon so he’s his regular self the rest of the time but people think he’s more fun when transformed
April - Basically Carrie minus the abusive parent. Her father worries for her and her powers losing control and hurting those she loves, she feels like a freak but then she meets the Turtles and feels at home and slowly learns to control her powers.
Casey - Dr Frankenstein. A mediocre scientist, he created Donnie to prove he’s the best but turns out his creation is smarter than him and he hates it.
Karai - Gorgon (basically Medusa) and yes she can turn peoples into stone if you look into her eyes. Often wears shades or a blind fold to avoid eye contact.
Splinter - Ghost, a wise spirit who’s haunts the Turtles and friends.
Shinigami - Witch (shocker), usually everyone ago to for spells to solve their problems (Ex: Raph once went to her to make him a love potion, and once Slash asked her to help cure his “condition”), but she just messes with them and makes spells that just make their situation even worse.
Mona Lisa - Vampire Hunter. A Van Helsing and is hunting Raph down. Refuses to fall for his tactics and tricks (no matter how charming he is!)
Leatherhead - A sea monster like creature (like the creature of the black lagoon). Was an outsider and loner, bad social skills, but then met and befriended Mikey. He’s slowly opening up more and more when with him.
Slash - Something similar to Dr Jekyll and Mr Hyde, he’s got two personalities that clash (Spike and Slash), he hates it and wishes to be freed from this “cruse”.
Renet - Average human, she’s dating Mikey and he desperately tries to hide the fact he’s a werewolf from her. She already knows.
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(Some of) The Achievements of Dr. Ratio
And Elaborations on Their Significance: A Review
As transcribed from the Keeping Up with Star Rail video because that shit was hard to read
Medicine: Developed serum for lithogenesis, completely lifting the shadow of the "King of Diseases"
Philosophy: Published What is Knowledge, acclaimed as the "ultimate answer to all 'epistemological' questions."
Natural Theology: Published the work Aeons: A Natural Phenomenon, hailed as the "most sacred prophet of Aeon non-theism."
Mathematics: Published a paper entitled "A Solution to the Marta-Cishian Undirected Connectivity Problem in Metric Spaces," successfully solving three of the "Seven Challenges in Contemporary Mathematics" left by Genius Society #56, Elias Salas.
Physics: Established the Ratio Unified Field Theory, thoroughly elucidating the spaciotemporal discrete structure that was once obscure to humanity.
Computer Science: Published a paper entitled "Existence Proof of the Fyangu Function," opening the doors to solving numerous problems in computer science.
Engineering: Led the research on the Energy Black-Body Radiation Generator, resolving the energy crisis of the century (multiple Amber Eras).
Biology: Published papers on "The Neurobiological Mechanisms of the Nesting Behavior of Witherflies" and "The Metabolism of the Ahriman Archaea." As Genius Society member #55 Yu Qingtu once said, these two papers "accelerated the scientific world's understanding of species evolution by 1000 years."
This sounds like a load of honky, right? Yeah. So let's break it down and address what we can here. Keep in mind that while I am a biologist (officially, in five months) and intimately familiar with evolution and ecology, I know Very Fucking Little about everything else! I am looking into sources while I go through this.
So, the first thing: what is lithogenesis?
Looking into the breakdown of the word, we can split it into its prefix particle and the suffix particle: 'litho' and 'genesis'. The prefix 'litho-' refers to stones, such as in lithiasis, which is the pathological creation of stones (like kidney stones) in the body. -genesis refers, obviously, to the beginning, development, or production of something, such as in osteogenesis, the production of bone. But if lithiasis already exists, then what might lithogenesis mean? Given that it is referred to as the King of Diseases (which is another interesting note), my guess is that it is perhaps a more literal version of scleroderma (an autoimmune disease that causes the skin to thicken and harden), where the skin or other parts of the body literally turns to stone. This is significant for another reason, which is that Ratio is Greek (as well as Roman, but we'll get into the points of his character design with another post). Some of the most famous monsters of Greek mythology are the Gorgons, of which Medusa is the most notorious. What did the Gorgons do? Turn people to stone. I'd like to propose that lithogenesis is perhaps a degenerative disease that previously had no cure in which the body undergoes accelerated petrification caused by a creature not dissimilar to the Gorgon, though I hesitate to suggest that the disease is as fast acting as the Gorgons' stare is.
Second: What is Knowledge and epistemology
I don't have much to say about this one as I am not well versed in philosophy, but a quick google search says that epistemology is "the theory of knowledge, especially with regard to its methods, validity, and scope. Epistemology is the investigation of what distinguishes justified belief from opinion." AKA: What do people know, and how do they know what they know? Further digging says that epistemological debates revolve around four main areas: 1) the analysis of the nature of knowledge, as well as the conditions for belief to constitute as knowledge (truth, reason); 2) sources of knowledge or belief (memory, reason, perception, testimony); 3) the structure of knowledge or belief (foundations of belief vs. coherent justification); 4) skepticism, which basically questions all of that, and the implications for such skepticism. I found this to be neat because this is Ratio's fundamental approach to teaching, and I just thought that was fun. Epistemology has been debated since ancient Greek philosophy, and that tie-in to his entire character was nice.
Third: Aeon non-theism
Now this was real fun to see, and I ended up laughing about it to some friends because from the outside, it looks like Nous' rejection of Ratio left him so petty he became an atheist, and perhaps that is true, but it holds far more significance to his character than that. The Aeons, all of them, are higher-dimensional entities widely worshiped as gods by all sorts of people across the galaxies (also called Gods of the Stars in Chinese), and even the Genius Society treat Nous as a god with more than some level of fanaticism. The Aeons are prayed to, sworn by, given offerings, and bless followers with their powers. It's not hard to see why they are considered gods. Yet Dr. Ratio basically challenges that with a reference to the Aeons as natural phenomena, rather than divine beings. The idea of natural theology in general is interesting, and I guess it has to do with the fact that the Aeons, while perceived as gods, do have direct and tangible impacts and effects on the natural world. I imagine that Dr. Ratio argues that Aeons are the product of an entity (or multiple) embodying a belief, movement, or philosophy to its utter and exhaustive extreme, and that what makes a god is whether or not they are perceived as worthy of worship, yet every single thing in the universe is subject to scrutiny and criticism. Worship introduces blindness, tunnel vision, fanaticism, and ignorance, and erases scrutiny and reason. It is as he says: "the Path of Erudition has neither reason nor logic." As Ratio scrutinizes all things, he therefore worships nothing, thus directly challenging the widespread worship of not just the Aeons, but those they favor and choose to represent them (hi Genius Society ;) ).
Fourth: ....Math.
Again, not much to say here (I don't even know if the problems addressed are mentioned in-game as readables, but I might do some digging tomorrow to find out) but I find it especially significant to point out that he solved problems that even Elias Salas, one of the most famous Genius Society members, did not (or left behind). I need to stress that Ratio is a genius. He is. What gatekeeps him from the Genius Society is not capability, but principle. Elias Salas (along with #22, Aiden) is incredibly unique among the Genius Society members for being someone who actively shared his findings and inventions with the public, handing the rights to the Synesthesia Beacon as well as long-range communications technology to the Intelligentsia Guild. But Ratio's focus is less on the pursuit and breakthrough of uncharted knowledge and more on the sharing and use of knowledge to educate and help others. Though he's certainly made breakthroughs himself, it's clear he does so with the intent of bettering lives, not just because he can. Maybe one could argue that he isn't "genius enough," but really? I just think that he cares too much. This point just goes to show that he is on par with the Geniuses of the Society, and that the existence of said Society introduces elitism into the picture more than the word already does -- hence Ratio's repeated use of the phrase "ivory tower."
Five: ...Physics.
So I did end up looking into unified theories for a more comprehensive understanding of what the fuck was so significant, and this is... admittedly far beyond the scope of anything I comprehend (obviously). But from what I could understand of current theoretical physics is that the unified theory is a goal of modern physicists, some single theory that can be used to marry the concepts of electromagnetism and gravity, as they're currently under two separate theories with no relation to one another. There is no singular, widely agreed upon theory as of right now, while the String Theory (vibrations of one-dimensional "strings" determine the properties of these strings, and each vibrational state corresponds to a particle) is one such attempt to do so it is not without its many criticisms. The idea of a unified theory was one that Einstein himself had tried, even on his deathbed, to formulate, but never managed to solve. It's been almost 70 years since then in our time, yet we can assume from the wording of the achievements that a unified theory that concisely joined forces (gravity) with fields (electromagnetism) was not proposed until Dr. Ratio, or at least was not improved until he posited his theory. ...In normal English: that's fucking huge. Truly, I wish I had more insight into the topic so that I could explain its applications, but I don't. Maybe this will be something I can return to later? I dunno. I'm not a quantum physicist adslkfjhsad
Six: ...Computer Science.
Okay this one actually genuinely holds no substance that I can write about aside from wow did you know Dr. Ratio is a polymath and super smart and cool and-
Seven: Energy crisis and black-body radiation
Back to the interesting things! So, to put it simply, black-body radiation refers to the light (electromagnetic radiation) a black-body emits when it is heated, as higher temperatures mean higher velocity of the charged particles on the surface of the black-body. The thing is that a black-body in the true sense is only a idealized object, not a realized one -- though black holes are predicted to get pretty close as they absorb almost all radiation rather than reflect it. After doing some reading, the reason this is so significant is that most real-world objects are not black-bodies, and thus only radiate a fraction of the energy that they theoretically would if they were black-bodies. Stars and planets are approximated as black-bodies when estimating their surface temperature, so... My guess is that Dr. Ratio was able to manufacture a material as close to a black-body as he possibly could, or discovered a celestial black-body that he could harness the radiation of, and engineered a generator that could use that power as efficiently as possible -- utilizing an isolated vacuum, the amount of radiated energy lost to gas particles or escaping the system would be reduced or near-entirely eliminated, thus providing far more energy than any systems or generators applied today.
Eight: Neurobiology and metabolism.
Now this is more my speed. The relation of neurobiological activity to cognition and behavior is actually specifically my major, but admittedly there is not much I can discuss without a mode of comparison. What are witherflies? What are they related to? How does their nesting behavior differ from that of other species related to them, and why is that significant for the understanding of cognition or their evolution? I could talk at length about sexual selection and intrasexual competition, about wars of attrition and the handicap hypothesis, but without something to compare to it's a bit of a moot point, especially since none of these nesting behaviors are described. Nesting is also very different from courtship, while both can (and do) affect the neurobiology (and physiology!) of both male and female individuals of a species, how and when they do so differs between each scenario. The metabolism of the Ahriman Archaea is an entirely different look into organisms which I find interesting for a different reason: archaea are single-celled organisms that, unlike bacteria, have genes (like us!) and unlike us are capable of utilizing far more energy sources than just organic compounds, such as metal ions or even hydrogen gas. Dr. Ratio's discoveries about the metabolism(s) of the species within the Ahriman Archaea could very well have provided immense insight into the evolution of life in that ecosystem, or whether or not said life can be traced to another galaxy or another point of origin. Another thing that I do want to point to here is the fact that he was acknowledged and praised by Yu Qingtu, someone that Ruan Mei mentions and I believe she considered a friend, or at least someone worthy of admiration.
TLDR: Dr. Ratio is absolutely a big deal and his spite towards the Genius Society is entirely justified, fuck you Screwllum.
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that-ari-blogger · 6 months
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Medusa, A Myth Set In Stone?
CW: Mention of sexual assault.
Medusa is possibly the single most iconic monster from Ancient Greek Mythology. To the point where if you are writing a story drawing from that history, you need to namedrop her at least once. Stray Gods: The Role Playing Musical includes her as a character, although that's actually a confusing addition.
Stray Gods is about family, and trauma, and choice, and Medusa doesn't have a direct link to that. Does she? We'll get back to this.
Medusa's mythology is varied, and adaptations pick and choose elements to include. So, this post will take a look at how Stray Gods goes about adapting her to fit its themes and narrative. But I'd like to examine the musical in comparison to another take on the character that I found fascinating. One Piece, and Boa Hancock.
Let me explain.
SPOILERS AHEAD
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The first thing to point out about Medusa is that she's not a historical figure, she's a mythological one. So there is no exact character to draw on. Also, because Ancient Greece was such a diverse place, the myth has also diversified.
So, lets start with what we know. Medusa has snakes for hair. Well... no. In his Theogony, Hesiod described her and her sisters as women with snakes hanging from their belts.
She had sisters? Yes. Two of them. They were all the daughters of Phorcys and Ceto, both primordial sea deities.
I've found references to older stories in which she couldn't petrify people, only kill them. But these references are dubious and do not cite their sources. Which is frustrating.
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This all leads to Ovid, who wrote Metamorphoses. And before I explain his take on this, I need to point out his biases. Ovid was a Roman poet who lived until the 1st century AD (notably seven centuries after Medusa's first reference), and he was exiled from Rome during the writing of his most famous work, according to Britanica.
As such, Metamorphoses has a tendency to either embellish or completely make up features of stories, as well as being noticeably anti-authoritarian and anti-deity. The gods in Metamorphosis are more callous than usual. For example, this is the book in which the usually level-headed Athena turns a lady into a spider, simply for addressing Zeus' infidelity.
The point is: In my opinion, Ovid seems to have gone out of his way to make the gods and goddesses of ancient Greek mythology seem as cruel and impersonal as possible.
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Which finally leads us to Medusa. In Ovid's tale, Medusa is a beautiful woman who earns the attention of Poseidon who sexually assaults her in Athena's temple. Athena then decides to punish Medusa for this and transforms her into the snake haired monster that the modern world recognises.
Later interpretations have pretty much used this story, but with one majour adjustment brought on by poet Percy Shelley's On The Medusa Of Leonardo DaVinci in the Florentine Gallery. The transformation by Athena becomes a blessing, not a curse. Athena bestowed upon Medusa a way of protecting herself. As Dr Emily Zarka put it in the youtube video, Medusa, Victim Or Villain?:
"A creature that could literally turn the leering male gaze back on itself."
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Boa Hancock is one of the most interesting characters in One Piece who isn't a Strawhat. There is so much going on with her character that I can't mention here because this is meant to be a post about Stray Gods. If you want a full breakdown of the character, @melonteee has a fantastic video on the subject, that I would highly recommend.
In essence, Boa is a victim. She was forced to eat the devil fruit for the entertainment of the world government, so now she has a distrust of men and an ability to turn people to stone. The medusa references in her story are not subtle, and the allegory inherent in being forced to eat the fruit is rather blatant.
The interesting thing about Boa is how she is introduced. Boa is initially shown as a terrible human being. She kicks a small animal for the fun of it, because she is evil, and because she can get away with it. People look at her and just see her beauty, and they expect things of her. They don't care to look at the story or the character or the trauma, it's just the beauty. People within One Piece do this, and an uncomfortable amount of people who read or watch it have the same view of her.
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Boa is a protector, Amazon Lilly is her home, and she protects it from shame, and from trauma. She protects her people from having to bear the same scars as her, physically and psychologically.
That's why she acts the way she does and dresses the way she does, its a mask to draw attention, to scare people away. Like Medusa, she weaponises the idolisation of beauty in order to protect.
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Contrast this with Stray Gods, and the Medusa portrayed by Anjali Bhimani. And we see a remarkably similar take on the character.
This is a character with a level of self-loathing that render the entirety of the rest of the cast egomaniacal, but that is almost hidden by a veneer of confidence.
Medusa slithers as she walks. She gets close to Grace and in her face, she's revelling in her power. But the second Grace pushes the right buttons, that entire demeanour changes. Those buttons being two words: Monster and Athena.
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This is why Medusa is in the story. Because the relationship between her and Athena is, at least in my reading, analogous to an abusive parent and child dynamic. Athena professes to protect Medusa, but she is the reason Medusa is the way she is, she controls Medusa's every move, and Medusa fears what might happen if Athena would find out about her actions.
I said Medusa and Boa are similar, and I meant it. Both put up a facade of confidence as a means of defence. And when that facade cracks, then we see what that character truly is.
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"Don't look at me"
Medusa couldn't be further from her facade. That's what this line signifies, the transition from "look into me" to "don't look at me" shows in no uncertain terms the breaking away of that mask. Although it does come back for a brief moment, in a fascinating way.
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"You're lost little girl, no more Hail Mary's"
This is a repeated line in the musical, the idea of being directionless. We keep hearing it, in variations of the same tune. And now we hear Medusa say it. But there's two things going on here.
First up, this is projecting, Medusa is lost, and she is shifting the blame for that onto Grace.
Second, this is just what others have said. Medusa is simply repeating what she has heard and has no defence of her own.
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"The "not unhot" girl is you, the monster is me"
Medusa is clutching onto her idea of self, she has to be the monster, because otherwise everything Athena did to her was unwarranted. She has to have deserved it, right? She's rationalising, and projecting, and avoiding.
I've seen people do this in real life.
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The mirror is a fascinating little detail here. The visual focus of a large portion of this song is the flipping between who is in the mirror and who is on the outside. Because the two characters are trying to connect, and they are mirrors of each other as victims of Athena's meddling.
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The wording of Grace's offer here is interesting.
"Appollo could get you free"
Not cure or fix, but free. That's what Medusa needs, freedom.
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In conclusion, Medusa is a monster and Medusa is also a woman and a victim and many other things. Those who say a story must abide by the canon of mythology don't understand mythology at all. There is no canon. Sure, stick to the spirit of the myth, don't make the minotaur into a bird, but a character like Medusa can be anything, and adapting the myth isn't remotely a new thing. Ovid did it, One Piece did it, and Stray Gods has done it. All of them taking a different part of the myth and creating a story out of it for their own purposes.
I am excited to see who tries their hand at it next.
Previous - Next
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senkusphone · 6 months
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Dr. Stone chapter 1D Trivia post
Spoilers ahead
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We knew there was a slippery slope but we didn't know which one it was.
First things first, as we saw, Kaseki was not dead after all, and neither was Francois.
This clears things from chapter 232.5 (Dr. Stone Terraforming) where Kaseki was not shown at all, and although Francois was shown to be at the plane at the moment of the crash, they were never shown to be rescued.
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We do get a glimpse at Senku throughout his lifetime (hypothetically at least). The pictured time machine, just like the large one they are building, features the telltale disk from the movie "The time machine" (duh) from 1960, based on a novel by H.G. Wells, written in 1895.
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We also see him using a bunch of yagi antennas again, as well as a small satellite dish, all pointed in different directions in his homebrew setup, perhaps in an attempt to catch the signal regardless of which direction it's coming from. A concern I've heard is why would Byakuya contact Senku's future attempt but not the one from his childhood, and the answer likely boils down to the technology. As Xeno said they used a specialized detector to spot tiny bursts of petrification beam
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I am not sure what such a detector might entail, but since the petri beam involves a flash of light, perhaps something like a photomultiplier tube could do it, as they can detect individual photons
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The Tokyo Sky Tree is a radio tower, housing a restaurant and an observation deck, it is also the tallest manmade structure in Japan with a height of 634 meters, or 532.7 times the canon height of Suika in chapter 178.
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Here it looks like they've drawn the wrong design for the medusa capsule, this one has a speaker on the inside like the original that was sent to the moon, whereas once whyman was discovered, they changed the design to one with a small antenna in its place, and a speaker/microphone on the outside for them to communicate.
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This is what I feel like in university
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Yes we are
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next up, energy
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1.21 Exawatts has no basis I know of other than being a reference to the 1.21 Gigawatts used by the time machine from Back to the Future. 1 exawatt = 1000000000 gigawatts, so I guess Dr. Brown's machine was actually very fuel efficient.
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The (exa)watt is technically not a unit of energy but rather of the rate of energy transfer (or how fast energy's being delivered in layman's terms).
I assume he means (exa) watt-hours, a multiple of the watt-hour, which is an energy unit handy for working with electricity calculations. This amount of energy is equivalent to a bit shy of 900000 megatons of TNT. However, if you could capture 100% of the sun's output (and I mean all of it, a la dyson sphere, not just what hits the earth, and with 100% efficiency) and store it, you could collect that amount of energy in just under 30 seconds. This amount is also probably larger than the consumption of humanity over the last 60 years. It is in fact larger than the energy consumed wordwide between 1800 and 2010 by a factor of about two, going from adding and converting the data here.
https://www.encyclopedie-energie.org/en/world-energy-consumption-1800-2000-results/
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Helium 3 is an isotope of helium with a nucleus made of 2 protons and 1 neutron (unlike normal helium which consists of 2 and 2 of each).
Because it's a very light gas, it tends to float away from the earth and get swept off into space much like regular helium does, and it is believed that larger amounts of it will be available on the moon, where it is formed naturally in a slow but steady supply when natural lithium is bombarded with neutrons from cosmic rays. Helium 3 can theoretically function as fuel in a fusion reactor, having the advantage that it does not release neutrons in the reaction, meaning it does not bombard other materials inside the reactor making them radioactive (and He-3 is not radioactive itself either).
The big issues are its low availability and the fact that a reactor for this fuel would need even higher temperatures than the reactors we are experimenting with today, and we are barely starting. On that note, Tsukasa eating chip
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These robots are very strange, they walk on their claws, only having wheels at the back and carrying what looks a lot like an old time minecart. If anyone knows what the name Johnny 7 might be referring to, let me know. So far I can see that there was a sentient robot named Johnny 5 in the 1986 film Short Circuit, which looked like this.
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I could also note that the robots have "Battery A" and "Battery B" noted on them.
It might just be a coincidence, but I like to think it might be a nod to an early project in the series, the cellphone.
The cellphone had two battery packs, the lead acid pack to run the vacuum tube filament, and Gen's manganese battery pack, which ran the tube anode. Historically these two battery packs were designated "A" and "B".
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For the record this is also the reason you can buy AAA, AA, C, and D size cells, but no B batteries. Those batteries used to exist, but they don't anymore, since the equipment they powered is long obsolete. Next up, Chrome has a flashback to Ruri's flashback.
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Kirisame's headpiece has reverted to the seldom seen spiral horn version, she is most typically seen with the one shaped like cat ears.
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Next up:
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No, I will not apologise
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This does not seem to be the same restaurant mentioned in chapter 43, though I guess it could have changed, since Senku seems older (might it be the restaurant in the sky tree?)
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Also Senku puts on Byakuya's coat that was on the back of his chair.
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Speaking of chapter 43...
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Ukyo is not well
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It's no longer Nanami Corp, it's just Ryusui
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To conclude, my take on what is happening
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It's been hinted multiple times that we may see the involvement of alternate timelines, which comes as an answer to the occurence of a paradox if Senku were to travel back in time or even just contact himself. The title of the chapter comes to echo this. Higher dimensions have been a bit of a popular topic lately with people making games in four dimensions, etcetera. This however is not that by the looks of it, the fourth dimension mentioned would be an additional time dimension, which can be interpreted as the existence of convergent or divergent timelines. One of the less obvious things that remain to be seen is how Byakuya (or someone pretending to be him) knew when and where to contact someone in a different timeline. We also don't know where in time they are located. It is assumed at first that the incoming message is from the future but if we are dealing with a parallel universe it may as well be coming from the past or even be coming in in "real time" (as if such concepts of relative time held up in multidimensional time).
Suika cute pose
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