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#eleven x martha
leikeliscomet · 6 months
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“But We Love Martha Jones!” - The Doctor Who Fandom’s Selective Memory of Racism
Be aware that this article contains explicit examples of anti-black racism and misogynoir.
Chapter 2 - Utopia-ish
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The constant nitpicking of Martha Jones for reasons white female companions could get away with was blatant anti-black racism. Let’s get that bit clear first and foremost. As a Black person in fandom, watching Black characters get torn apart while never being given the grace of their non-Black castmates is an experience that’s too common. Microaggressions are more subtle so the easiest way to shut down any mentions of racism is to accuse Black fans of making things up or telling us “Well it’s not like REAL racism”. Luckily Doctor Who Tumblr birthed the Martha Jones affirmative action and Aunt Jemima “memes” so I can cross both covert and overt racism off the list. As mentioned in extensive detail in the previous chapter, plus the various Martha Jones articles written before me, the treatment Martha experienced was racist. I don’t care if you personally didn’t like her. I don’t care that you missed Rose. I don’t care that Ten is your smol bean. Martha’s treatment was racist. Freema Agyeman’s treatment was racist. It might not have been everyone. It might not have been you personally. But it was there. The fandom can never be a safe space for POC, specifically Black people if this elephant in the room can’t be addressed over a decade after it arrived.
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On paper, you’d assume Martha’s rep was good because “at least she wasn’t a Black stereotype”. Some fans praised her for having a present father, not speaking MLE and not being from the ends. This goes into respectability politics but the fandom’s weirdness about Black Brits and class is not the point of this article. The point is the revisionist history of how Martha was really treated and to do that it helps to know what Black tropes are. The Mammy trope is a Black woman whose main purpose is to serve her white counterparts and during slavery, she mainly cared for the slave owners' children. She is usually fat, dark skin and asexual, not as a representation of those things but as a statement of how if she isn’t used for sexual exploitation like the Jezebel (the promiscuous, reckless, sexualised Black woman), she has no sexual value at all. Her value is serving the needs of others only. Martha doesn’t fit this trope in theory but in practice, she fulfils the sub-categories of this trope both in show and fandom: the disposable Black (girl)friend trope. She is used as Ten’s emotional punching bag before he’s ready for Donna and then Rose again. She had to endure edgy moody S3 Ten so no one else had to. She’s the excuse people use to deflect any critical analysis of how race was handled in RTD1. She’s the fandom’s excuse to deflect from their own racial biases. Racism? No way! Everybody loves Martha Jones! What do you mean?
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Some parts of the fandom have tried to mend things by suggesting Martha be paired with other doctors or romantically shipping her with other characters a bit better than Mickey Smith. But does this hold up? As much as I’m a big fan NineMartha as a concept and as someone who honestly saw one-off characters like Riley Vashtee from 42 or Tallulah from Daleks in Manhattan having way more romantic chemistry with Martha than Mickey ever did, simply re-shipping Martha isn’t enough. Doctor Who’s racism isn't exclusive to one doctor, one series or one era and new Martha pairings suggest the issue was “right person, wrong doctor” instead of what the issue actually was: racism. Moffat and Chibnall’s eras weren’t full of golden Black representation either so I doubt the Martha issue would’ve magically disappeared under those two. From Nine’s hostility to Mickey, to Twelve’s hostility to Danny Pink to Thirteen handing a South Asian Spymaster to the Nazis and Eleven only travelling with POC in comics most fans haven’t heard of and being besties with Churchill, simply putting Martha with another Doctor isn’t the serve fans think it is. Even RoseMartha seems like putting a bandaid on a bullet hole. If it's not enough for Martha to be compared to Rose, put down in favour of Rose, told she isn’t Rose and told she's worse than Rose in fandom and in show over and over and over, she has to be shipped with Rose too. Martha’s a great character… as long as you can tie her to Rose… again. Even in my own article I have to talk about Rose because Rose is centred in what was supposed to be Martha’s story. A doctor-to-be Black girl from London with a hectic family meets a Time Lord and gets abducted by space rhino police at work in one day. Her main conflict isn’t balancing work and time traveller life, or fighting to get her family back together, or seeing what’s out there in the universe - it's that she isn’t “Rose” enough. The Mammy and her sons’ main thing in common is simple; how well they serve and centre the white characters. In attempts to mend Martha’s treatment she is still only valued in relation to white characters. She should’ve been with Eleven because he would’ve fucked a Black woman. Or maybe Dilfy Twelve. Or a sapphic romance with another female companion who she saw twice or doesn’t actually know. Or maybe Ten in an alternate universe where he supports #nubianqueens. None of this is done to explore sexuality or romance with Black women and is definitely not to centre Black lesbianism and bisexuality. It’s Mammy with a dash of Jezebel. It's adding romantic and sexual value on top of physical and emotional value like a crappy meal deal.
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I’m tired of Black women being treated as extensions of white women both in media and in real life. I’m tired of our value being determined by how well we serve white people emotionally, physically, platonically and sexually. And I'm even more tired of white feminism especially in this fandom. It would be so easy to label this article as anti-Rose, anti-Ten or anti-Tenrose to invalidate my whole racial analysis because it's the easy way out. I’ll admit I like both characters individually but not the ship but this isn’t something I decided on since birth - it's my conclusion as a Black fan in a predominantly white fandom, watching a predominantly white show, watching the first companion of my race be told she isn’t good enough compared to the white characters, and that the hatred of her is justified for the greater good of its popular white ship. Black fans can never have this conversation without being told we’re “pitting women against each other” and that Martha and Rose hugged once in S4 so everything's hunky dory. Martha’s happy that Ten found Rose again so what’s the problem? It sends a clear message that Black women’s pain will never matter a much as white women’s feelings. “Rose is amazing! Martha’s amazing! Stop pitting women against women!” but who was pit against who in the first place? These faux girl power posts fail to acknowledge the overlap of race and gender which separates the treatment of Black and white women. It fails to acknowledge Martha’s hate was rooted in anti-black racism. It fails to acknowledge the anti-Rose pushback was in response to how the show and fandom convinced us Rose was the untouchable bar this Black woman failed to meet. It fails to acknowledge Freema Agyeman the actress was targeted not just her character. It fails because the female empowerment rhetoric that leaves the Black ones at the bottom of the pile only “empowers” women of a certain demographic.
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The harassment Martha experienced was swept under the rug of “stan wars” but it was so much deeper than that. I’m not saying Martha stans are angels but there was no “Great Stan War” because the sides were never even. At the end of the day no amount of “Martha’s better than Rose” tweets will ever compare to the fact that Martha hate was rooted in misogynoir. Rose was and still is considered the greatest companion of nuwho, whilst Martha is constantly erased and undervalued. Rose’s video views and hashtags have always been bigger than Martha’s. Amy and Clara came after Martha but still surpassed her in popularity and got plenty of fan edits of “The Girl Who Waited” and “The Impossible Girl” whilst Martha was conveniently skipped in the companion lineup. The fandom’s bias still shines clearly in favour of Rose over Martha. Rose’s jealousy towards other women is justifiable and just the ups and downs of a 19-year-old whilst Martha’s is entitled bitterness. Rose’s flaws are compelling character moments and depth, Martha’s are “holding her back from being a good companion”. Hell, even Donna calling out Ten’s BS was entertaining accountability whilst Martha was just the angry Black woman. Fans will weaponise Rose’s working-class roots to imply a pro-Martha bias, failing to acknowledge the working-class to poor background of the average Black Brit, the anti-blackness middle-class Black people are not spared from, the many working-class Black characters of the show like Mickey, Bill, Rigsy and Ryan or how most fans don’t consider Martha middle class because she doesn’t fit the white British cultural stereotypes. You can't be the most loved and hated at the same time. The hard truth is Billie Piper wasn’t racially abused by Martha stans but Freema was absolutely racially abused by Rose’s and the effects of this are still around. Go into Martha Jones tags today and you’ll see snarky posts of how Ten could never love another companion like Rose. Even when Freema bravely shared her experiences of literal racism, fans were quick to yell “But I wanted Ten and Rose though” as a justification for years of misogynoir. Again, we need to address the elephant in the room instead of covering our eyes and ears to act like it’s not there. A Black character and actress was collateral damage in order for a popular white ship to rise and whilst I’m not an anti, I as a Black Doctor Who fan, I’ll never be a supporter. At the end of the day, only one of these actresses is still carrying the burden of misogynoir over 10 years since RTD1 ended. A lonely walk across the Earth yet again.
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<- Chapter 1 Chapter 3 ->
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Ten/Martha/Riley: Eleventh Hour fic!
Listen, will the update order of this series make sense? Maybe not. But I had so much fun writing Ten's regeneration fic/Eleven's changed motivations in Eleventh Hour, especially how even with scrambled memories, he knows that he needs to find a doctor- his Doctor. (And a mechanic who can help fix things.) Ft. a nice dash of Eleven&Amy friendship too!
@boo-mite @dream-beyond-the-fantasy @lady-of-the-spirit @mack-anthology-mp3 @jordiepouts @a-shard-of-quartz-lol @khruschevshoe
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khruschevshoe · 1 month
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You know what? I'm gonna say it. As someone who is asexual and on the aromantic spectrum myself, I'm a bit tired of the Doctor Who fans who all say that Donna is the best companion of Ten's just because they were best friends and nothing more and that automatically makes her the best companion of RTD and for a lot of you, the best companion overall.
Listen, I LOVE Donna. Adore her. And I also think that her friendship with the Doctor is amazing. But it has always rubbed me the wrong way that the companions who have a romantic interest in the Doctor (and let me tell you, there is textual evidence for every one of them that the feelings were reciprocated in some way) are somehow considered lesser BECAUSE of that interest. That just because they fell for the Doctor means that their relationship with the Doctor is cheapened in some way.
I personally think that just as platonic relationships should not be considered lesser than romantic ones, the same goes in reverse. Amy, Clara, Martha, Rose, River, and Yaz's feelings may have some weak writing decisions attached to them, but so does Donna.
Personally, I love Donna's character arc/the tragedy of her ending, but I've always felt a little disappointed by the fact that her becoming the DoctorDonna in Journey's End was not predicated on her strong characterization/choices (Ala Planet of the Ood/Fires of Pompeii) but by "fate" pushing it to happen. It's honestly more Dalek Caan than Donna making all that happen.
This is NOT to say that I don't love Donna, but just to say that the fact that she had no romantic feelings for the Doctor doesn't automatically catapult her above the rest. Romantic feelings can lead to just as interesting, well-developed character arcs/complicated dynamics as platonic ones can, from the creator/created reciprocated question mark wanting but unable to choose each other over everything dynamic of 11amy to the fascinating destroying each other saving each other one taking all of the emotional toll but honestly craving that prophet-god relationship of 10martha to the shaping each other making each other kinder and braver reminding each other there is hope dooming and saving each other of 9rose to the full dooming each other but running straight at it full tilt because we are purposefully ignoring the turn back now signs of 10rose to the batshit insane codependent reflecting each other refracting each other who is Orpheus and who is Eurydice of 12clara to the there was always someone else in the room keeping us apart but you somehow became my whole world and I knew you from birth to death and we will never be anything more than a shut door of 13yaz to the you doomed me and saved me and you hate me but you might have loved me once and i will spend the rest of my life devoted to you dynamics of 10jack 11river and 12river.
Every relationship is interesting and personal preference might steer you in a certain way due the character arcs/ending preferences/etc., but elevating one over the other because the companion wasn't "foolish" enough to fall in love with the mad genderfluid alien in a box who ran away with you and stole you away to the stars doesn't sit well with me. Romance doesn't cheapen a relationship just as it doesn't automatically make it the ultimate relationship, either.
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twinge-of-cosmicangst · 5 months
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gingerteaonthetardis · 4 months
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holy shit!!! okay, heard y'all loud and clear. time to work out What Would Happen if Twelve Did S2
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smartycvnt · 4 months
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I'm getting back into Doctor Who, so if anyone wants to send me some headcanon or blurb requests, I'm definitely open to that.
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wrens-writings · 1 month
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ˏˋ°•*⁀➷ Doctor Who
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ೃ⁀➷ Nine
ೃ⁀➷ Ten
ೃ⁀➷ Eleven
ೃ⁀➷ Twelve
ೃ⁀➷ Martha Jones
ೃ⁀➷ Donna Noble
ೃ⁀➷ Amy Pond
ೃ⁀➷ Rory Williams
ೃ⁀➷ River Song
ೃ⁀➷ Clara Oswald
ೃ⁀➷ Bill Potts
ˏˋ°•*⁀➷ Ships
ೃ⁀➷ Whouffaldi
ೃ⁀➷ The Ponds
ೃ⁀➷ Twiver
ೃ⁀➷ Yowzah
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macfrog · 6 months
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you'll hurt me if you don't trust me sex on fire chapter eight
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super special sparkly shoutout to @chloeangelic ✨💛✨ whose influence inspired a whole load of intimacy in this. it is, unashamedly, eleven thousand words of sheer self-indulgence. so. love u guys. see u soon
pairing: ceo!joel x fem!reader
summary: you’re unwell. joel makes you feel better. until he doesn’t.
warnings: age gap (reader is late 20s, joel late 40s), workplace relationship, imbalanced power dynamic, cursing, sugardaddy!joel, softsoftsoft!joel, they eat chinese food together, reader has her period + mention/description of used tampon, discussion of abandonment/absent parents & parental death, discussion of cheating, lying, thigh riding, unprotected piv period shower sex (that is a mouthful thatswhatshesaid), VERY needy reader, SLIGHT dacryphilia (kinda not really?), creampie, aftercare joel, praise kink, daddy kink, angst & fluff & angst all over again
word count: 11k
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Martha had been pretty good about it. She’d watched you near-doubled in pain most of yesterday, hobbling to the kitchen every four hours to top up on pain meds. She knew you weren’t making it up. She made a conservative two jokes about you calling in this morning, and then told you to rest up. She’d let Joel know you’d be back tomorrow.
“You owe me, though. Joel’s got that shareholders meeting today. If I’m forced to sit in with him ‘n his cronies talkin’ numbers and takin’ notes, sweetheart, all so you can catch up on The Bachelorette…”
Alright. Three jokes.
You hang up and slide the phone back across your nightstand; roll over and stuff a pillow between your thighs as if that’ll do anything against the dull throb gnawing at your belly. Your shades are tilted upward, shrinking your bedroom into a foggy gray save for the shards of light which split across the ceiling.
There’s a heavy ache tugging behind your eyes, an irritating weight which shoves you into the arms of sleep and then pulls you back by the hair before you’re taken off by it. You’re dozing, fingertips massaging your eyelids and stretching the skin back and forth when the doorbell slices the stillness of your apartment in two, shrill in your sleep-deprived ears.
You ignore it at first. Fuck that. Fuck whoever that is. You’re not planning on leaving your cocoon today unless it’s to go pee, grab a snack, or maybe if you lose the remote in your sheets.
But it rings out again. Twice, this time. And in a blur of hormonal rage, you whip the sheets back, throw yourself out of bed and stagger down the hallway. You straighten up only enough to peer through the peephole, your palms pressed to the back of the door, and that’s when you see him.
He’s cradling a brown bag in his left arm, a second dangling from his wrist. His head is huge in comparison to his body, owing to the distorted fisheye glass. He shifts from foot to foot impatiently, awkwardly glancing down the hall. You’d recognize that jawline fucking anywhere.
Your breath pushes nervously against the door. You click the lock and curl around the heavy wood, your fingers clamping on the edge.
The two of you eye one another up and down before Joel speaks.
“Hi, darlin’.”
“What are you doing here?”
“Martha said you were sick?”
You pause. Look down to the bunch of wild flowers sat in the crook of his elbow, and then back up to his face, painted with – what is it – concern? There are lines you rarely see when he’s looking at you, carved deep between his brows.
A fire strikes in your belly.
“…I’m fine. I’m – I’m all good. Just – feeling a little…”
“What is it? Is it the flu? I brought flu stuff.” He nods into the bag, and reaches inside for a box of cold tablets and a pack of tissues. He tosses them across the threshold and you catch them, holding them close against your shoulder.
You smile, trying to hold back on a laugh, but also because what the fuck? He’s so sweet. The flames lick at the bottom of your lungs.
“It’s not…it’s not the flu, no.”
Joel nods, looking back into the bag. “Good thing I also brought these, then.”
He tilts it forward and you unhook from the door, leaning over to peer in. A box of Tampax, two bottles of painkillers, green packets of face masks and floral sachets of herbal teas. You fish one out.
“Chamomile,” you muse, pouting.
He shrugs. “Lady at the store said it’s a good muscle relaxant, I don’t know.”
“Don’t you have a meeting today?”
“Cancelled it. You freaked me out.”
Your heart knocks on your chest wall. Did you fucking hear that? You freaked him out. You gulp in response. Swallow hard to shut it the hell up.
“So, Martha’s in the office by herself?”
“She’s a big girl. Told her she could leave early if she got my to-do list done. I give it until one,” he mutters, glancing down at his watch. “Oh,” he says then, spotting the brush of green and burst of purple in his arm, “got you these. I don’t know what you like yet, but…”
Yet. Yet yet yet.
You take the posy delicately between your fingers, as if it might fall apart at the mere touch of your hand. The brown paper crinkles as it lifts from Joel’s arm, and you tilt them in the hallway’s milky light.
The sprigs shoot in wild directions, tangling and twisting around one another. Daisies, lazy in their climb, swirling around the gentle brush of lavender, wrapped tightly to some other flower you don’t recognize. They’re tied together in a neat, white lace bow.
You imagine Joel stood in the middle of some fragrant florist, rotating on the spot. Dumbfounded before some assistant in a flowing skirt and tinkling bracelets sweeps over to him. I don’t know what she likes – yet, he tells them. And your heart screams into the pillow of muscle surrounding it.
“Thank you.” The smile on your lips threatens to break into a grin. At the same time, a shot of pain rips across your belly. “Come in,” you groan through a wince, taking his shirt in your fist and pulling him inside.
Your apartment is probably a couple years too small for you. You’ve accumulated so much in the time you’ve lived here that you could do with finding a bigger place – but you’re comfortable. It feels like home, when nowhere did for so long. It’s snug, and humble, and as you lead him down your hallway, you imagine you’re feeling how Joel probably did when he showed you around his childhood home.
Your cheeks flush with something a little blunter than embarrassment, but prickled with nerves. Your living room rolls its eyes inward, every object looking over in suspicion and wonder. Who the hell is this man, in your space, armed with toiletries and a ten-grand watch on his wrist?
You pause by the sink, filling a glass with water for the flowers. Your teeth bite down on your lip. There are dishes on the counter, there’s laundry piled on stools, blankets and cushions strewn messily across your couch. Joel shakes his head when you apologize, holds a palm up when you try to explain how you’d gotten home from work last night and gone straight to bed. I haven’t had the energy to clean.
He won’t hear it. Says he’s not here to see your clean apartment. Here to see you.
He sets the bags on the worktop and looks around the room. Blinks from the sheer curtains guarding the balcony doors, to the pastel candles on your coffee table. Smiles when he notices the Pretty Woman poster framed above the couch.
“What?” you ask, when his eyes finally land back on you. You tug at the hem of your shirt, pulling it further down your bare thighs.
“Nothin’. Just – knew there was somethin’ more to you.”
You fold your arms and rock forward gently on the balls of your feet. Your head tilts. Your brows knit.
Joel clarifies, “I knew you weren’t as put together as you pretend to be at work. This – looks like your place. That’s all.”
“Oh, yeah? ‘n what does my place look like?
His cheeks lift. “Little all over the place. Little surprising. But bright. Cozy. You.”
“Bright ‘n cozy,” you echo.
He nods. Purses his lips, then adds, “And great in bed.”
You cough a laugh, reach out to shove his arm, and he catches your hand. He reels you in against his body and cups your head, fixing some flyaway strands of hair. You stare up at him, eyelashes slowly blinking him in and out of focus. His mottled beard and hazel eyes. The flecks of honeydew and amber swimming around his pupil. His shirt wrinkles beneath your chin.
“You hungry?” he asks, voice rumbling through his chest. You seem to understand the vibrations sooner than the words, these days. He reaches for the handles of the white bag, sliding it over towards you. “I brought lunch.”
“You brought lunch.” You scoff, grinning to yourself. It quickly fades, though, when your hand lowers into the bag and meets a warm, flat surface – two halves of a folded lid. Your brows pull. “You brought…”
Joel smiles as you lift the box, popping it open. Hot steam escapes the minute the lid folds back.
“Chinese okay? I didn’t wanna ruin the surprise by callin’ to ask what you wanted. I can run out and grab somethin’ else if you’re not –”
“How did you know to get…?” Your voice whittles to nothing as you stare down at the fresh-cooked meal, the bed of greasy noodles mixed with fried vegetables. Your tongue swipes at the corners of your mouth.
“’cause I know you,” Joel says, digging for a second box from the bag. “Anytime you’re stressed with work, anytime I give you a hard day, that’s what you order in for lunch, right?” He nods to the container as he tosses an egg roll into his mouth.
You giggle, lifting the box to hide your swollen cheeks. Your heartbeat hammers below your jaw.
“Right?” Joel laughs. “Chow mein? I’m right, ain’t I? You know I’m right.”
He nudges against you, taking his own lunch from the bag, and casts a familiar glance – the same one you saw a few days ago in Lavender Oaks. Like the decades-old mask slips just for a second and suddenly, a younger, shyer Joel shines through. He’s almost imperceptible, almost concealed by the cocky smirk and witty remarks of his older self, but you’ve seen him once, and now – he’s impossible to lose sight of.
“You’re weird,” you note, spinning off towards your bedroom.
Joel’s hot at your heels. “I’m weird?”
“Uhuh. For noticing that.”
He snorts, and then you feel a slap to your ass cheek. “Nice underwear, by the way. Who’d you steal them from?” he murmurs close to your ear, averting your gaze when you turn back, beaming.
You pad across the soft rug to your bed, dropping down and pulling the sheets back to make room for Joel. He’s setting his food down. You think to offer him a change of clothes – something more comfortable than a dress shirt and suit trousers – but the best you’d have is an oversized tee, and not much else.
The thought almost dizzies you. Joel, in his boxers and a t-shirt from your wardrobe. A shirt that smells like you, feels like you, belongs to you. A piece of you, hung from his shoulders like it was always meant to be shared between you. The way it’d still smell of him even after the sun had set and he’d peeled it from his body, folded it into a pile at the end of your bed and left in his button up.
He sits on the edge of your mattress to kick his shoes off, and marvels some more at the room just like he did in the kitchen. The fire in your chest is slowly turning your lungs to ash, stealing breath each time his dimples appear – squinting at the framed photographs on your dresser, tilting his head to read the titles of the books on your shelves.
When he catches sight of the paint-splattered easel in the corner, he turns back. Your eyes are already locked back on your chow mein, refusing to meet his. He doesn’t say anything. Just shuffles up against the headboard, nudges your knee with his own.
“You get that at the concert?” he asks, eyes a little south of yours.
You glance down. You’re wearing an old Queen tour tee, graphic print accompanied by 1986 in multicolored lettering. A little before your grand entrance on the planet. A little after Joel’s.
“Rod’s Retro, eastside,” you reply. “You find some cool stuff in there, Mr. CEO.”
Joel’s chin lifts, considering. “Hm,” he says, “you gonna take me someday?”
You nod. Maybe a little too eagerly. It doesn’t feel like you ought to care. “Um, yes. You would fucking love it. Half my wardrobe is thrifted.”
He nods once – banking the information. “Every day, I learn somethin’ new.”
“Shut up,” you quip, kicking him gently. “How come I never get to learn anything new about you?”
He shrugs, chewing. “Self-absorbed.”
You kick him for real this time. He laughs into his takeout box.
“I’m messing with you. You know plenty about me. You met my mom the other day, for cryin’ out loud.”
“Not enough. Don’t know where you get all your clothes from, or what your comfort food is.”
He replies through a mouthful of chop suey. “Then, ask.”
Your voice is high, defensive. “No. That’s too easy.”
Joel snorts.
You reach for the remote and click the screen opposite to life. Joel lifts his arm to let you sink against his body, and you flick through the channels. Shark Tank, Grey’s Anatomy, Wendy fucking Williams, and then –
You gasp. Joel looks up from his food. His brows arch, eyes flitting from you to the screen. You swear a groan escapes from his lips. You feel the thunder against your ear.
“You ever seen it?”
“Dirty Dancing? Yeah, I’ve seen Dirty Dancing, pretty girl.”
“You probably saw it at the movies, right? When it came out? In the eighties?”
“Careful.”
You smile. “What did you think of it?”
Joel’s shoulders lift. His eyes are back on the screen. Be My Baby is crooning from the TV. “I liked Patrick Swayze,” he says.
You watch him, waiting for him to continue. When he doesn’t, you lean closer. “You…you liked Patrick Swayze?”
“Yeah,” Joel says, like it’s obvious. He turns back to you, one eyebrow raised. “He was cool. You don’t like ‘im in it?”
“No, I like Patrick Swayze,” you tell him. “Just…if that’s all you like about it, then…we might have a problem.”
He scoffs. “I don’t remember much of it, to tell you the truth.”
“Good. We’re watching it.”
Your head moves with his chest as he sucks in a deep, defeated breath. “Baby, I –”
“Ah,” you tap the remote on his knuckles, “you remember the Baby part.”
With a laugh which sounds an awful lot like approval and a grunt which sounds an awful lot like Alright, Joel sinks lower into the mattress. You drape your legs across his, and when he finishes eating, his fingers draw round shapes on your hot skin, daring past the hem of his own boxers on your thighs.
Somewhere around the lake scene, you notice your hand intertwined with his. Locked together, surfing over one another, squeezing and then loosening. Tracing the curve of each other’s palms and learning the lines scored into the skin. Fingertips becoming fluent in the landscape of one another’s bodies. Mapping them, like you’re afraid to forget.
Your eyes glass over, whether from fatigue, or from the now smoldering fire inside you, or from something harder to pinpoint. Your head feels heavy, leaning on Joel’s chest, listening to the drum of his heart against your ear. It sounds familiar, like you’ve known it forever. Like you can almost hear the whisperings between the soft thudding.
You start when you feel him moving beneath you. He groans, stretches his arms, and then snakes them around your body. The end credits are rolling. The movie’s over. You weren’t asleep, but you missed half of it. Your mind elsewhere – though you have no idea where.
Maybe you do. Maybe that’s not something you can bear – yet. Yet yet yet.
You crane your neck and look up to your boss. He’s already staring right back at you. His eyes widen.
“What did you think?” you ask sleepily.
He sniffs. “It’s good. Very politically charged. Lotsa Swayze.”
Your lips curve, cheek nuzzles into his shirt. “Very us, right?”
“Oh, yeah. Yeah. Especially that part in the water. When he –” his arms lift, holding an invisible Baby up – “y’know? You ‘n me, we do that all the time.”
“I hate you.”
He tightens his grip around your shoulders and lifts you closer, smiling. You think, when his eyes dart for half a second to your lips, that he might kiss you. You think you want him to. But he simply asks, “You want some tea?” and reaches over to swipe the empty containers from your nightstand.
You nod. “I’ll come help.”
“I got it,” he assures in that Southern gentleman tone, steady hand on your thigh as he slips out of bed.
“You don’t even know where the mugs are.”
Joel considers this for all of five seconds. Shrugs. Tells you, “I’ll figure it out,” and disappears through to the kitchen.
You lay back and close your eyes, counting each cupboard door opening and then immediately falling shut as he makes his way around the place, seeking out your collection of mugs. When he eventually opens what must be the right one, you hear him exclaim.
“Ha! First try.”
You snort, bleary eyes opening again to focus on the TV. They’re discussing the Kardashians on The View. Your eyebrows lift in agreement as if you’re sat in the studio with them. They move on to some segment on the president.
Joel returns a few minutes later, two mugs in hand, and passes you the one shaped like a ghost.
“Cute,” you whisper, taking it in both hands.
He flashes you a proud grin as he lays back down, sipping on a black coffee in a faded mug your mom gave you years ago.
You tap your nail against the ceramic in his hands. “World’s Best Daughter.”
“That’s me,” he replies, propping himself up on an elbow. “Your mom get you it?”
Your head drops, eyes staring at him from under low brows. “No. My fucking neighbor did.”
He stares back as he lifts the mug to his lips. They melt in a kiss against the ceramic. When he pulls it away again, he swallows, and says, “You’re close to her.”
“My neighbor? Yeah, she lives right next door.”
“Easy, smartass.”
You flash him a smug grin, which dissolves as quickly as you notice his eyes lingering on the half-heart charm around your neck. By instinct, your fingers clutch the smooth gold, as if protecting the smallest part of yourself from him. The only part you’ve never let him in on.
But there’s something in his eye – something that feels less like a spotlight and more like a warm fire. Sharing secrets muted by the sputtering of wood, held safely by the round rusty glow of the flames. Something kinder. Something protective.
“Yeah,” you say, voice crackling, “we’re closer ‘n anyone. Been through a lot together.”
Joel nods. He knew that already. “I’ll bet, pretty girl.”
And in typical Joel fashion, he doesn’t press for any more than you willingly offer. A part of you kind of wants him to ask more, wants him to push you. A weight jumps at the bottom of your chest, like the words fail to launch. And before you can retry, before you can confess more of yourself into his hands, he says –
“Ask me som’.”
You stall, and look at him intently. “What?”
“Anything you want. Free pass.”
Your cheeks swell. “What do you mean?”
 “If we’re sharin’ things, ‘s only fair we both do.”
“I don’t – We don’t have to –”
“Ask me,” he says slowly, eyebrows twitching.
“O-kay…”
You push a deep breath from your lips, cheeks globing as you scan around the room for inspiration. Something casual enough that you can ask it with ease, but deep enough that he’ll give you an answer worth sinking your teeth into. Something you don’t know about him; light enough to roll off your tongue, and then heavy when it lands in your palms.
Your gaze orbits back to his patient form and you ask, “How did you get the money to start your company?”
Joel seems to feel the weight of it when he catches it. Heavy, rather than light. Deep, rather than casual. He opens his mouth, runs his tongue along the inside of his cheek before he answers. “My, uh…my dad. He had a little bit of money.”
“He invest in it?”
“No, no. He, uh…he left it when he died.”
Your lips pull in a wince. “I’m sorry,” you whisper, and Joel looks up.
“’s okay, baby,” he replies, with a soft chuckle that makes the loose collar of his shirt quiver. He pushes some hair out of your face, settles his hand on your knee.
You hook two fingers around his thumb. He squeezes lightly.
“He musta loved you a lot. Leavin’ you so much.”
Another deep breath. His body stiffens. You think to unlock your fingers and take his hand properly, comfort him, maybe – but he’s already lifting it, scratching his beard with his thumb. He watches a bubble swirl around in his mug until it disappears with a pop into the dark coffee, and he finally looks up.
“It’s kinda…complicated. He and my mom – they were married for years, ‘n he ended up…” Joel swallows. His jaw clenches. “He cheated on her. Had this mistress for months. Mom found out through a friend of hers. She kicked him out of the house, but they never divorced. Just stayed separated until he died, ‘n then he left all his money to her.”
“To your mom?”
Joel nods. “She didn’t want a penny of it. Hated the man ‘til the day he died ‘n beyond.”
And you believe it. Ruth Miller was kind, warm and charming to you. She laughed with you, she smiled like she’d known you her whole life, she held your hands and she whispered secrets about Joel in your ear – purposefully to embarrass him, to make that bashful side turn its head again.
But she was sharp. She was quick, and you knew within the first five minutes of meeting her exactly where Joel got his wit and his mind. You can see her, clear as day, guarding the front porch of that little white house – one hand on her hip and the other pointing in the direction her cheating husband was to head.
Just as clear, you can see her stood over that same husband’s grave, waving her fist and tearing his will into confetti. It brings something of a smile to your face. Sad, sympathetic, but…impressed.
“Wow…So she – she gave it to you? And you – put it into the company?”
He shrugs, grip tightening around the mug. “When I started makin’ money, I paid off the mortgage on her house, managed to convince her to retire early. Got her into a good retirement home, once she was ready for it.”
Smart guy.
A calm quiet falls between you. Joel turns to watch the commercials on TV. Your chest fills with a need to ask him something – a feeling all too familiar whenever you’re around him. Only him. A weight on your mind, a bubbling which starts in your stomach and rises up until it’s practically pushing the words out over your tongue.
“Your dad – how do you not hate him?”
He turns back. Your eyes are stinging. He notices. Holds his palm out, and your fingers instantly lace through his. Your nails find those same valleys, the grooves you’d traced while Swayze and Grey mamboed.
Joel stares up at you, face suddenly tight with worry. He knows there’s something loaded behind your question. Knows you’re asking for something more than another jigsaw piece of him. You’re doing it again. You’re freakin’ him out.
“I…” He falls quiet, looks between your eyes at the pearly tears which form in the corners, the way your face sets to stone. He glances down at your necklace again, and shakes his head softly. “I spent a long time hatin’ him, baby. Changed nothin’. He did what he did. He was a scumbag.”
The answer melts your angry frame, body folding and sinking further into your pillows. You tug the bedsheet a little closer to your chin, press your lips into the top of the ceramic ghost’s head.
Your voice sounds small, sounds like it doesn’t even come from your chest, when you say, “I think I hate my dad. For what he did.”
Joel finally relaxes. Like he’s finally seen the tiny creature casting the huge, stretched shadow on the wall. “You…Yeah?”
You nod. Stare at the cotton mountain of your legs entangled in his. “Yeah. He just up ‘n left, when things got boring. When I grew up, and my mom got older. Just packed his car, and…I always wonder –” a breath lurches from your chest, “– I always wonder why I wasn’t worth stickin’ around for. Why he just – decided one day to…”
Your voice fails to carry. Joel knows the end of the sentence, anyway.
You’ve never told anybody any of this. Not Blake, not your mom, not any of your friends; you barely even know in yourself how you feel about it – even twelve years later. But the air in the room feels different – feels thicker, like you’re tucked away from the world. The conversation won’t leave your apartment, you know that much. Know that Joel wouldn’t speak of it again, wouldn’t so much as let it cross his own mind, if you asked him not to. And so you let the words tumble from your tongue, let them sit heavy in the space between you.
The space between you, which is now silent, like you’re both preoccupied. Joel, taking in the weight of what you’ve said into strong, safe hands; and you, feeling that same weight lift off of your chest. Until the silence itself feels clunky, and awkward, and you scram to find something to break it up.
“Anyway. Sorry to be a bummer.”
“You ain’t a bummer. Are you kidding?” Joel sighs. “I’m sorry, babygirl. Sorry that happened to you.”
“’s okay. He was just a scumbag, right?”
“Sure sounds it.”
You take a small sip, the tea sugarcoating your lips and flooding over your tongue – the sweet taste ridding them of the bitter memory of your dad. “Your turn,” you hum.
Joel’s head jerks. “No, darlin’, you already told me somethin’. You go again.”
“That’s not how it works.”
“I’m changin’ the rules.”
You try to protest, manage the sound Jo– before his hand lifts and he shushes you.
“That’s what I was gonna ask, anyways. Was gonna ask about you ‘n your dad. Now, go.”
He’s lying. You know it, and you suspect he knows you know it, too. It’s a terrible attempt at a lie, no matter how kind it is. But you’re too tired, a little too in pain to argue back over it. And he’s looking at you again, with that honeycomb twinkle in his eye, that Joel look which stirs something in you every time he shows you it.
You sigh, accepting defeat, and rack your brain for something else you want him to talk about.
“Alright, uh…What about your brother? He didn’t want any of your dad’s money?”
Joel’s face twists into something of a grimace. You instantly regret bringing it up.
“Touchy subject?” you ask, already coming up with five new, two-dimensional questions to ask in place of that one. Who was your first kiss and what was your first car and when did you find your first gray hair and what’s your mom’s maiden name and –
But you don’t need them.
Joel says, “Not with you,” and tilts his head, like measuring up his answer. He takes his time letting it filter down to his lips, and you reckon you’ve a good idea of why.
He was closed-off about it in Paris. About his brother. Didn’t say more than three sentences about him. And that was only where a sheep farm was considered. What you’re asking about right now is a hell of a lot deeper and a hell of a lot more difficult than a ranch in the Texan countryside.
“He was always closer to Dad. They used to go out huntin’ every Sunday. Liked the same music, watched the same TV. They were buddies, more ‘n anything. When it turned out my dad had this whole other life behind our backs – behind Tommy’s back – he flipped. Couldn’t take it. He disappeared, never looked back. Just packed his car, moved across the country.”
He’s staring at the TV now, barely blinking. Barely breathing, until you speak and it’s like he remembers he’s in your apartment, on your bed, with you. Not back in time twenty years, watching the dust kick up from under his little brother’s tires.
“He must’ve been pretty mad.”
“Yeah. Tommy’s like that, he’s got a hot head on his shoulders. But it meant leavin’ Mom, y’know? She went through all of that without him. I had to pick up all these broken pieces, juggle all this stuff, ‘n he just got to walk away from it all. And then, when Dad died, he refused to come back still. Left me to organize everything – the money, the funeral. The whole damn thing.”
He flicks his head, resentfully, like trying to dislodge the memory from his mind. Trying to shake it free. When you speak, it seems to soften him. Seems to thaw whatever angry image was frozen behind his eyes.
“Yeah,” you sigh, “that part sucks. I bet it was hard goin’ through all that without him.”
Joel’s head angles towards you. “Not any harder ‘n it was on you, goin’ through what you did.”
“Well…I know I would’ve found it easier if I had a brother or sister. Someone like me, someone who gets it, y’know?”
“Hm. We weren’t all that close to begin with, I guess.”
“You were close enough to want to buy a ranch together.”
He shakes his head again, this time refusing to let the idea in. Turning it away at the door.
“You miss him?”
“It my turn to ask somethin’ yet?” he asks, smiling.
But you’re feeling braver now. He’s answered everything up until now; it feels less like a game and more like…more like he wants to talk about it. Like it’s been pent up all this time and this is the first anyone’s brought it up. A relief to get it off his chest, if nothing else.
You ignore him. Press him. “Do you?”
Joel sighs deep enough that his coffee ripples a little in his mug, and then nods. “Sometimes I wonder what it’d be like if we were on speaking terms, yeah.”
“So, call him. You have his number?”
“I ain’t gonna call him, baby.”
“Where’s he at?”
“Last I heard, ‘n it was a long time ago now – he was in Wyoming. Married, kid on the way.”
“Call him. You really gonna let that kid grow up without Uncle Joel around?”
“Uncle Joel,” he repeats, laughing now. “He does not want to hear from me, angel. Let it go.”
Joel turns the volume up and settles back into bed, pillows propped behind him. You pass him your empty mug and he slots it alongside his own. As the commercials end and Whoopi Goldberg flashes a grin into the camera, you give it one final shot.
“I’d give anything to have someone who knew and understood me as well as a brother might.”
His hand falls limp against your bedsheets, remote loose in his fingers. You lift his arm, nuzzling underneath it to lean your head by his heart, and he sighs.
Argument won.
“Too many big questions,” you mutter after a while, eyes clinging to the screen. “Ask me somethin’ stupid.”
“Somethin’ stupid,” Joel repeats, and you nod. “Alright. Who’d you lose your virginity to?”
You slap his chest. “Dirtbag!”
He chuckles. “Who was it? Blake?”
“No,” you reply.
“Damn. Who?”
You roll your eyes, though he can’t see you.
But suddenly you feel the loose spaghetti straps of a slip dress over your shoulders, see the off-white glow of three-year-old sneakers crossed at your ankles, chipped pink fingernails tracing the blurry pastel shapes on floral bedsheets. A dry throat, the sanitized backwash of vodka and coke splashing across your tongue. A smash from downstairs – someone’s broken the host’s mom’s best vase.
“Was just this guy I slept with at a house party,” you tell Joel, clearing your throat. “Lisa Tait’s sweet sixteenth. We were in her bedroom, all of us, ‘n everyone started heading downstairs, ‘til it was just me ‘n this dude Jack laying on her bed.”
“You had sex on some other girl’s bed?”
You nod, cringing a little. “I wasn’t even friends with her. Wasn’t even friends with him. Just thought, fuck it. I didn’t wanna go into senior year a virgin ‘n neither did he, I guess.”
“How’d it go?”
The messy, uncomfortable thrusts between your legs. The hand shooting down to guide himself back in. The wet lips running along the shell of your ear, the acidic breath on your cheek. Is that good for you? Yeah, it’s good for me. You sure? I’m sure. Just hurry up.
“Lasted, like, four minutes, thirty seconds.”
Joel’s body jerks. You know he’s staring at the crown of your head. “You timed him?”
“No. He lasted as long as Paradise by Coldplay. It was playin’ downstairs in the living room.”
He tips his head back and laughs to the ceiling. You giggle into his shirt.
“Poor guy,” Joel says, rubbing your shoulder.
“Poor me, more like.”
“Yeah,” he agrees, and pats your head. “Least you’re doin’ alright now.”
You push yourself up from his chest and glare at his satisfied smirk, dodging his thumb when it lifts to clip your chin. “Oh, you’re so smug about it.”
“Are you kidding? For lastin’ longer than five minutes? ‘course I am. Can make you come twice in that time.”
“Yeah?”
He nods. Runs the tip of his tongue along his top lip, corners of his mouth twitching. Something sparks to life inside you.
Your knee lifts, reaching over his waist and planting into the mattress on the opposite side. Joel’s hands come to rest on your thighs, fingers slipping up beneath the black cotton and edging against your hipbones. You bend over him, lips running a wet trail from the base of his neck to his earlobe. His breath falters.
“Prove it, daddy,” you whisper, and his grip tightens.
“Baby,” he warns, voice suddenly sharper. “We don’t have to –”
You ignore him, holding him down by the shoulders. “I want to.”
“I’m just sayin’,” his fingers wrap around your wrists, “’s not why I came here. We can just hang out.”
“We are hanging out,” you tell him. “This is what we do.”
And he seems to agree. Or, at least, accepts defeat, in the form of rolling his hips upwards. His fingers slip through yours, locking at your knuckles, anchoring you to him. You grind against his belt buckle, the hard metal flat against your clit. Joel clocks you instantly.
He sits up. Holds you by the ass on his body until your center is flush with his. You feel him stir beneath your open legs.
He shifts to the edge of the bed, keeping you chest to chest in his lap. Your teeth grit against one another. His lips are warm, they still taste like coffee. You lick at the corners.
“Wanna make yourself feel good on me?” he asks.
A smile as sweet as sugar and laced with something darker spreads across your lips. “You’re best at it, right?”
Joel hums. “Alright,” he says, impressed. His chin lifts; he breathes a laugh as you pepper his jaw with kisses. “Take what you need, angel. ‘s all yours.”
Your knees spread wider. You push down on his swollen crotch, voice catching as he meets you halfway, bucking up into you again. Your clit throbs at the contact, forcing you back up off him.
“D-addy,” you choke, hands suddenly gripping his shoulders.
Joel’s stronger. He takes your waist and replaces you on his lap. “Shh,” he whispers, breath hot against your ear, “’s okay, baby. I got you. We’re gonna make you feel good together, alright? Here.”
He slides you over until your legs are either side of one of his, his thick thigh flat against your most sensitive spot. You dig your nails into his forearms, squeezing hard, but he doesn’t budge. Just looks up at you, holding you steady, and says –
“Go on. Ride it, babygirl.”
You move an inch. The rough fabric catches on the soft of Joel’s underwear. You gasp, relief mixing with arousal and spilling warm and soothing between your legs.
Joel squeezes your hips. “Do it, darlin’. Make yourself feel good. ‘m here, I’ll watch.”
The fabric beneath your pussy is soaked, probably dampening a mark into his pants – and you don’t fucking care. It feels good – the steady weight of him, lifting his thigh as you drag yourself along it, beginning to rock back and forth.
Your eyes are closed, head to the ceiling, grinding your core against his. You can feel him staring. Watching you, his gaze red hot on your already fevered skin. You collapse into him over and over, his body solid as a rock, letting yours fold against him. Liquid in pleasure and feeling.
Your eyes open a sliver and you smile, taking your bottom lip between your teeth.
Joel smirks. “You know how fucking perfect you look right now?”
You nod, forehead coming to lean heavily on his.
He bucks his leg, jaw tight. “How – fucking – beautiful you are? Making yourself come on daddy’s thigh?”
You inhale the words as he speaks them, swallowing them in gasps and parting your lips complacently for more. Keep going. Keep telling me –
“–you my good girl?”
“Mhm,” you whimper, legs starting to give.
“Gonna get me covered in you? Gonna come all fuckin’ over me, babygirl?”
“Daddy, I want –”
“Tell me,” he demands, “tell me what you want.”
His hands are clamped on your waist, guiding you – driving you, more than your weak hips are able to – holding you to him almost painfully. Your body circles messily, becoming sloppier the closer your orgasm draws, quivering when the feeling runs a delicate hand through your hair and plants wet kisses along your neck.
“Want you to fuck me, daddy,” you whine, body rocking again. Your hand lowers to cup the outline of him, rock-hard and restrained beneath linen. He shudders when you squeeze him – looks down to your small hand on the huge bulge in his trousers. “Need to feel you inside me.”
Your own eyes are stuck on the place where your bodies connect, writhing against one another – the wet seam of Joel’s underwear, the folds of his pant leg as you rut against him. Your empty cunt tightens, aching for more against his firm thigh.
“’m gonna, pretty girl,” he says, groaning as you palm him. “‘m gonna fuck you so good. Just give me one first, alright? Let me see you come for me.”
Your body jolts as you come. Hips lose their rhythm; arms lock tight around Joel’s shoulders. And all the while, his lips stay pressed against your ear.
“Look so good, baby,” he coos. “That feel good, angel? Yeah?”
As quickly as your orgasm sent you under, you’re pulling back. You haven’t even regained feeling between your legs, but you’re pushing yourself from his lap, separating your bodies.
Joel sits back, body lightweight when you tug on his wrists and drag him up to height in front of you. You’re backing up across the plush rug, his chest bumping against yours, your fingers fumbling for the buttons of his shirt. Your back hits the bathroom door. Joel twists the handle.
You spill onto the cold tile, attached at the mouth, frantically tearing clothes from each other’s bodies. It’s desperate. It’s burning. It’s almost fucking painful, how bad you need him.
His hands run from your cheeks to the hem of your shirt, hauling it over your torso and tossing it to the counter. You peel the shirt from his shoulders and your bare chest meets his, his hands finding your hips again when he whips them from his sleeves. The white shirt drops to your damp floor, dark, wet marks spreading across the dress fabric.
“Shoot,” you mumble against his lips. “My – bad. Sorry.”
“Don’t – care,” Joel breathes, and his thumbs push beneath his waistband.
You spin on your heel, backing towards the shower and taking him by the jaw with you. He shoves the clothing down his legs, stepping out of them and catching you again in time to drag the underwear from your thighs.
You shift into the shower, both fully naked. Joel spins the nozzle and the warm water rains down between you. His chest quickly soaks, dark hair thicker and blacker, flat against his glistening skin. He tilts his head under the spray and soaks his hair – gives one heavy flick of the head like a wet dog, and you laugh as he pulls you in again.
His hands cup your face as he connects your lips, and then his right drifts down your neck and pushes your tit up, squeezing the sensitive skin in his palm and rolling your firm nipple between two fingers. He lets it drop, runs his hand delicately down your frame, following the curve of your waist to your hips. He cups between your legs.
You come up for air, a sudden realization over your head as though the water runs freezing cold. “Wait,” you start, “I gotta –”
But he’s rubbing gentle circles against your clit, slow, pacing you as the tide of your first orgasm disappears to sea. He doesn’t seem to know, yet – or if he does, he doesn’t give a fuck.
“Joel –”
“I know,” he says, voice low and busy, but still – assuring. Unbothered. He moves his hand lower, surfing along your slit, until his fingers brush the wet string.
Your breathing jumps. He taps the seam of your thigh twice, and your leg tilts aside. Your eyes flit back up, crossing over his chest to fix on his jaw. You feel a flushing heat cross your cheeks, a moment’s hesitation before your fingers clamp around his wrist.
“Hey,” he whispers, and you almost don’t hear him over the running of the shower. He keeps his left hand on your jaw, his right between your legs. He shakes his head once, and takes the string in two fingers, and –
Gently pulls. Only a fraction, and then he pauses. Looks back up at you, a question in his stare.
You nod, exhaling heavily. He pulls again, and he doesn’t stop.
The tampon falls wet and heavy into his palm. His hand leaves your cheek and settles around your waist, leaning both of you out of the shower while he reaches for some toilet paper. Once it’s wrapped in a roll of white tissue and sat on your sink, he moves back into the cubicle.
He runs his palm under the flow; splashes of red swept up, watered down, and carried to the drain along with every last whispering of worry on your lips. Your elbows bend around his neck and he dips his head to kiss you, pushing you carefully into the corner.
“You tell me –” he kisses you, “– if it hurts or it gets too much, you tell me.” His body stands huge, blocking yours from the stream of water. Your back bumps against the shower wall; the shock of the cold tile pushes you closer to Joel.
“Just – fuck me.”
But he’s adamant. “You tell me.”
“I’ll tell you. You’ll know.”
“This is about you feelin’ good.”
“I’ll tell you,” you whine.
“We’re gonna have a word,” Joel instructs, lining up between your legs. He lifts your thigh to sit on his hip. “’n if you say it, I stop. Alright?”
You nod, fervently. “Please –”
His fingers separate your lips; his tip nudges your entrance. “Maple, alright? It gets too much, you say maple. You do that?”
“Joel, if you don’t –”
“Baby.”
“Maple,” you agree, “I’ll say it. Just –”
He pushes in without another word.
How many times has it been, by now? Ten? More than that? Enough for you to know in your mind, if not from trying to learn then simply from muscle memory, exactly how he feels. The curve of his cock, the width of the tip, the length of him as he slots deep inside you.
And yet – every fucking time – you feel so full. Full of him in every sense – your cunt, swollen around him, your lungs, breathing his scent, your every thought and feeling and sense replaced by Joel. Joel Joel Joel Joel –
He’s suffocating. And if you died right now – if you were smothered by him, swaddled until you couldn’t feel anything anymore – you’re not sure you’d be able to tell. Not sure you’d care enough to notice.
He pushes in slow, but deep. So fucking deep. Lets your walls expand around him the first few thrusts, lets your body welcome him back in. His lips press against your temple, his arms cradle your lower back. Your weight bears down on his shoulders and he lifts you, your other leg sitting on his waist. He holds your ass in both hands, begins to bounce you steadily.
“So good, baby,” he says. “Doin’ so good for me. You’re daddy’s girl, ain’t you?”
Your answer leaves your lips in the form of a moan. Something shaped like his name, or maybe some attempt at a response to his question, or maybe something more dangerous.
“My girl,” he repeats, whatever it was you said. “Daddy’s girl.”
Your head rolls back, cushioned by Joel’s hand between you and the tile wall. He knots his fingers in your hair, snaps his hips quick and hard, panting into your shoulder. And there’s a feeling – a stinging, a burning, sweeping across your eyes, and for a second you think it feels like shampoo, like the sharp scratch of soap between your lashes, until you realize it’s –
Tears. The heavy cut of tears, brimming your eyes. Blurring your vision. And with every thrust, every blissful meeting of Joel’s cock and your cervix, every inch he spreads you open wide – they form quicker, and quicker, and quicker. Until they spill down onto your cheeks, and you can’t tell the difference between them and the spray of the shower.
But Joel can. His head lifts from the crook of your neck, his teeth dragging from your skin. He spots your eyelashes, silky and wet, and in one motion, wraps his arm around your head, holds you with the inside of his elbow.
He dips his jaw, presses his lips featherlight to your cheeks, kisses the tears away as quickly as they roll down.
“I –” gasp, “– don’t know –” gasp, “– why I’m –”
Joel’s head shakes as he pulls away. Shuts you up. His answer is simple. You believe it instantly.
“’s okay. You’re okay.”
And right then – you think you understand.
Because you can see him – plain as day. You can see the amounts he cares for you, the limitless needs he can meet for you. There’s a warmth within you, spread throughout your body for him, and you have no fucking idea how to let him feel it. How to have it seep through your skin – so that every time his fingers ghost over your body, he’s met with a blaze strong enough to burn. A fire, big enough and bright enough that it shows him exactly how you feel.
Only him. No one else. A flame only he can see, dancing across your eyes when you look at him. A heat only he can feel. How do you make him feel it? How do you tell him? What combination of words might translate it?
It’s like slamming your fists against a glass barrier. A transparent wall, that allows you only to see him and draw near to him – never to feel him. Not really.
And so, you cry. You cry for him, for yourself. And Joel lets you.
For a little while.
His lips are back on your neck, biting marks into the soaking skin. “’attagirl,” he hums. It rattles your pulse, disturbs the rhythm and sends his own beating through your veins. “So good, baby.”
They soothe you – his lips, and the words which come from them. Soothe the sweet pain between your legs, the swollen ache every time Joel pushes into you. The stretch, the bruising tinge when his tip finds home in the deepest part of your body. Somewhere no one has ever reached, no one has ever found. No one, you feel, has ever been worthy enough to know.
Until him. Until Joel.
That same rhythm – your pulse on his wavelength – begins to flee south. Loops and swirls and dives to where his body connects with yours. Tightens rapidly around your cunt. Your hips grind against his, your thighs clamp on his waist. He starts to falter, hips slipping whether from blood or come or water. And then he’s growling, face burying into your chest as he steadies the two of you with an abrupt palm on the wall, and he stills.
The feeling of his release tips you over. The warmth spreading inside, so far you feel him in your stomach. Your walls contract around him, squeezing until every last drop of him is buried somewhere in you, and you lower one foot to the shower floor.
“Fuck, darlin’,” he pants, pulling his lips from your collarbone. “You okay?”
You nod, head rolling against the wall behind. You’re not crying anymore. The shower whirrs somewhere over Joel’s shoulder. Your chest feels tight. And you feel fucking euphoric.
He gives three more lazy, broken thrusts, pushing his come deeper inside. You both still, mouths curved open, exchanging breath and letting your tongues flick idly against one another.
You hold onto him long after your orgasm is shallow ripples between your legs. Long after the feeling has washed back into the ocean, your high a glimmer of sunlight bursting over the distant horizon, the aftereffects painting your world golden.
You hold onto him, and you let him run his hands slowly up and down your spine, and you sift your weak fingers through his dark hair, and you let him kiss your neck and your shoulders and your collarbones. He leans back; the flow of water cascades between you, carrying away any mess left on your bodies.
And then you let him carry you out of the shower, his tip still inside you, slowly softening. He settles you carefully against your counter, and reaches over for two white towels, caping one around your shoulders and using it to draw your body against his own.
You take the corners from his fingers and he lifts your chin, pushing your lips apart with his tongue. Then he pulls away, allows you to wrap the terry around yourself.
Joel wraps his own towel around his waist, slung loose enough that you can trace the dark hair peppered from his belly button down between his hips.
“You know how inappropriate it is to look at your boss like that?” he tuts.
You hook an arm around his neck and pull him back in. “Then stop lookin’ at me the way you do,” you tease, and he kisses your cheek.
He disappears through to your kitchen, reappears moments later with the box of Tampax, and you don’t even think to laugh or tell him you’ve an open box sat in the cupboard you’re leaning against. You just smile, and accept the clean tampon he holds out in his fingers. He leaves you to get dressed with the door closed over.
He’s sat on your bed when you emerge from the bathroom, holding his soaking shirt between two fingers. “Sorry about, uh…”
“’s alright,” he shrugs, standing up, “I’ll take it from your paycheck.”
His knuckles pinch your nose. You free yourself to place a chaste kiss on his fingers, and pass him the crinkled mess.
“I have something that’ll fit you somewhere,” you mutter, slipping past him as he hangs the shirt by the collar over your door.
“Do me a favor,” Joel’s voice follows, and he takes your wrist. You turn back to face him. “Catch your breath.”
“Huh?” you ask, and his hand comes up to mold around your cheek, the way it always fucking does. As if your bodies were made to be held by one another.
“Just – take a breath. You’re doin’ it again.”
“Doing what?”
“Movin’ at a hundred miles an hour. Breathe for me.”
You scoff, loosening yourself from his grasp to go sift through your wardrobe for something big enough for him. You settle for a Jurassic Park tee – logo faded and cracked, hem a little ragged.
“Rod’s?” he asks, holding the shirt up.
You’re already collapsing onto the mattress. “You bet.”
Joel smirks and tugs it over his head, throwing himself down against the headboard. Your hand wraps around his thigh, lips press soft kisses on the skin. He runs his hand over your hair.
“Are you gonna take a sick day off me for this?” you ask.
He shakes his head simply. “Doctor’s orders. Can’t say nothin’ to that.”
“I didn’t go to the doc–”
His thumb presses against your lips. “You don’t know when to fuckin’ lie, do you?” he whispers. “’s alright, we’ll getcha trained up.”
You snort, shaking yourself free of his hand. Your head settles by his hip, nails draw aimless patterns along the curve of his stomach.
“Need you better by Sunday, anyway,” Joel sighs, “Martha’s son’s birthday party.”
You grunt in response. You forgot about that.
Joel tuts. “Still gotta find him a present. How in the hell do I know what to buy a twelve-year-old?”
Your hand pauses. Neck cranes up to look at him. He’s staring down at you, his trademark glower still recognizable even upside down. Somehow, not sat upright in front of him, the thought seems less scary. Less of a commitment, more a casual suggestion.
“Why don’t we just get ‘im a joint one?”
The hard expression immediately wipes from his face. Replaced by something rounder. He blinks at you. “Really? From – you ‘n me?”
You shrug against his waist. It’s not answer enough for him.
“As in, you n’ me?” he asks.
“Why not?”
Joel’s head shakes. His mouth curves as he considers the thought. But he can’t mask the pang it sends through his body; can’t pretend he’s not covering the way his veins light and his nerves stand to attention by taking your hand in his and squeezing it briskly.
It doesn’t have to mean something. You, Joel, and Deb are the only people from work that Martha invited, and Deb’s bringing her two sons, which means her gift will be from them, too. All it has to mean is that you’re Martha’s co-workers, and figured it’d be cheaper and easier to get one gift over two.
Except – one of you is a millionaire.
It means something. The fact you asked. You’re not asking to save a buck, to make it simpler. You’re asking because you want to wrap some video game in paper Joel picked out; you want him to hold the folds down with one finger while you tear tape with your teeth. You want to sign the card with both of your names, in your handwriting. See how they look paired up.
You ask him because you want to feel the way you think you ought to have felt this entire time. Your body is ablaze. You’re ready to let him feel it. And you ‘n me seems like a pretty good combination of words to start with.
You’re ready. And that’s why you ask him.
Joel’s quiet for as long as you are. You both go to talk at the same time, both noticing how silent the room has fallen while you realize all of those things in real time.
“Sorry, baby, you go,” Joel says, sniffing.
“No, I was just – no, you go. What were you gonna say?”
He smiles. “Was just – wonderin’ what you wanted to get Alan.”
Your mouth opens to answer, and then you pause. “Al–? What?”
“What you wanted to get ‘im,” Joel repeats.
You push yourself up, lean on one hip in front of him. “Yeah, I heard that part. What did you call him?”
“Alan?”
You stare at him. “What the fuck are you talking about?”
Joel stares right back. “Martha’s son.”
“Martha’s son’s name is Henry.”
“No, it fuckin’ ain’t.”
You’re biting back a laugh. “Yes, it fuckin’ is.”
“She calls him Little Al. All the damn time, baby, he’s –”
“That’s because he acts like Alan. Her husband. His father. All the damn time. You gotta be messing with me. Have you been calling him Alan the entire time he’s been alive?”
“No.”
His expression tells you yes.
You’re laughing now. Really laughing. It breaks your words in two, your head tilting back to the ceiling. “You…idiot.”
Joel’s struggling to compose himself, sliding off the bed. “The email she sent out says Alan’s Twelfth Birthday. The hell’s my phone?”
“You think she had a kid in two thousand eleven, and named it Alan? You don’t think they’d call Child Protection on her for that?”
He points a finger, tossing pillows to the bottom of your bed. “That’s disrespectful to the Alans of the world. Where the fuck is my –?”
Your chest swells in a giggle, eyes start to sting with tears. “What do you write in her Christmas cards? To Martha, Alan, and Alan?”
You slap the bed, leaning forward with a deep gasp, trying to catch your fucking breath. Joel’s still stripping the bed, still keeping his own laughter deep in his chest, but it’s quickly crumbling.
“Her email –” he chuckles, “– says Alan’s Twel–”
“She’s fucking with you!” you holler, catching the pillows he throws to you. “She’s fucking with – I’m gonna piss my pants. Martha, Alan, and Alan, oh my fucking –”
“Here,” he finally throws you the phone, “go find it. Find the email. Search the damn word Alan; she uses it every time she talks about him. Jesus Christ, I need a coffee. You want another chamomile tea, Little Miss Smartass?”
He lifts your mug and tilts it in your direction. You nod as you reach for the phone, wiping tears from your cheeks. Joel disappears through to the kitchen.
He clued you in on his passcode a few months after you started. You were still in the office past five o’clock, looking out files he needed for some client visit the following morning. His phone had buzzed, you were nearest it. He lifted his head and nodded to the lit screen.
1-6-9-1, he told you.
It finally made sense only a few days ago, after three years of wondering. Three years of knowing and never asking; a mystery solved. 1691 Maple.
His background was always one of the standard ones. The boring ones. A soft, blue gradient. Usually, his lock screen was too populated by notifications for you to even notice.
But now – it’s changed.
Now, it’s a photo of the view from the terrace in Paris. The pale sunset, faded blue into sweet yellow. The Eiffel Tower carved out in the center. You suck in a deep breath as you swipe texts and emails away to properly study it, figure out exactly where he was standing to take it, and exactly where you might’ve been when he did.
You tap in the four digits and his home screen lays out before you. Only, the background is different – again.
It’s Paris, still, but indoors. Dark wall, an ornate frame pinned to it, housing an amused smirk and soft hands. She’s looking off into the distance, past the photographer. Or maybe – she’s looking at you.
You, stood leaning on the barrier in front of her. The Mona Lisa. Your head tilted towards her, beaming like it’s a photo with your favorite celebrity.
It’s not a big deal. That’s what you tell yourself. It’s his home screen. Only visible if you know his password – and you’re fairly sure that you’re the only one who does. Not even Martha would know that this photo exists, never mind the fact that it’s his wallpaper. It’s not a big fucking deal.
No matter how much you think you want it to be.
You swiftly tap on the email app icon, trying to rid your mind of your own cheesing image. He has thirteen unread emails, all from the last hour. Some you know he’ll forward straight to you and Martha; others look a little more serious. As you’re scrolling down them, you notice a familiar face.
Denis Pelletier. His square-jawed grin flashes back at you from the tiny circle icon beside his name. You tap on the email, and your cheeks lift higher the further down it you read.
I hope your flight home was pleasant, and It was wonderful to take you both around Paris, and Your assistant was very sweet. You breathe a laugh, scrolling down the three-paragraph message urging Joel that if he’s ever back in Paris – if you’re ever back in Paris, both of you – to make sure you let the chauffeur know.
But there’s no email from Martha. At least, none in Joel’s inbox. You return out of the folder and wheel down to his Deleted folder, scrolling past password reset emails, panicked cries for help from Mackley and Tom, past order confirmations for brands you’ve never heard of, when –
A head of hair, more salt than pepper. A bright, unnerving smile, too many dazzling teeth in a mouth too small to house them. A pink sky behind him; candy floss clouds and townhouses glowing orange in the sunset – the building blocks of the Paris skyline.
Jean-Marc. An email – a deleted email – from Jean-Marc.
Dear Joel, It was such a pl… is all you can read from the preview. Your eyes flit up to your door. Joel’s still in the kitchen, humming. You glance back down to his phone.
Would it be invading his privacy? It’s only an email from Jean-Marc. It’s not like you don’t know who he is. What if your thumb slipped? Accidentally opened it? What if your eyes scanned over the text before you quickly swiped back out of the email?
There’s the sound of a drawer rolling closed. A spoon rattling against ceramic. He’s stirring your tea.
You click on the email.
It was such a pleasure to see you again.
You scan over the first paragraph. It’s just Jean-Marc cozying up to Joel. Your nose wrinkles and your lips turn.
I loved meeting your assistant, the next paragraph begins. And your focus is pulled.
I wonder if you had given our conversation any more thought? Whether she might be looking for a new challenge? Something this side of the Atlantic, perhaps?
Your heart skips a beat. A new challenge.
“You want the last egg roll?” Joel calls from the kitchen.
You jolt back to life. “N-no, you have it,” you reply. You hear the rustle of the bag.
I wonder if you might relay the message onto her, Jean-Marc continues. Please give her my email address and phone number.
You quickly pull the screen up, noting the date the message was sent. Three days after you got home from Paris. More than a week ago. You tap on Joel’s response as his footsteps creak back towards your bedroom.
His reply is as short and sweet as the few words he spoke to the Frenchman that Sunday morning.
I’ll pass on your details, he’s written, but unfortunately, my assistant is currently unavailable. Maybe sometime in the future.
Your jaw jerks. Eyes trace the words, over and over. Thumb scrolls up and down the email, making sure you’re reading it right. Joel, making promises he never followed through. Joel – your Joel, the one you pestered for fucking days after Paris over what he’d talked with Jean-Marc about – one hand laced through yours, the other with a vice grip around a secret he never intended to clue you in on.
You. He’d talked about you. They’d probably talked about you the entire fucking meeting, as soon as Joel mentioned you. You can see Jean-Marc’s ears twig; his eyebrows lift with interest. The way he sets his wine glass down, offers Joel another whiskey and invites him to say more.
Joel. Lying. And covering up. And keeping you close by his hip, walking in stride with him out of that fucking penthouse – like you’re on some kind of leash, or something.
The fabric of his underwear on your hips feels claustrophobic; a second layer of skin that rubs against yours like sandpaper. You want to rip them off off off – want to separate yourself from him, peel him from your body and forget the feeling of him as quickly as you seemed to absorb it. Instinct tells you to detach yourself – to remove any trace of him ever having laid eyes on you, never mind touched you.
What a fucking idiot, you think. He doesn’t fucking care about you after all.
You don’t even notice when his form saunters back into the room, when he shoves the door closed with his elbow. There’s a bitter taste on your tongue, sour with disappointment. Acrid with anger. Sick with fear.
Unavail–?
“You find it?” he asks, and you subconsciously clutch the phone to your chest.
“Not yet,” you murmur, watching as he sets the mug back on your nightstand.
His fingers slip through the handle, knuckle nudges the temple of the ghost a little further along the surface, and he straightens, lifting his own mug to his lips.
“’s in there,” he says against the ceramic. He holds a hand out, curls his fingers. “Let’s see.”
“Never mind,” you say, tapping out of the email, out of the folder, out of the app. “I believe you.”
And then –
“…You wouldn’t lie to me, would you?”
He licks his lips. Holds the mug by his side, fingers gripping the lip. He gives a non-committal shrug of the shoulders.
“No, darlin’. Why would I lie to you?”
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how-very-superbat · 7 months
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Lengthy Superbat Fics!
I'm not sure how to really define 'lengthy' so I'm going for 20k+ (and Superman x Batman of course)
I just looked at how many I have and oh my god this is going to be very long. I will put a *** next to my favourites
From This Day Forward by Mithen (29k) When Kal-El of the House of El must marry a wealthy Terran for diplomatic reasons, Krypton will never be the same.
Action and Re-Action by Mithen (24k) In the first issue of Justice League after the reboot, Batman told Green Lantern he had never met Superman before. This story takes that statement at face value--but what if Bruce Wayne had met him before?
Stranger in a Strange Land by Mithen (27k) (Literally how does Mithen have time for all this) Kal-El of Krypton arrives on Earth as an adult. To the Justice League's surprise, Batman volunteers to introduce him to human ways. There's an immediate bond between the two men, but cultural differences and miscommunication complicate their relationship.
"Did you all have to get sick at the same time?" by Writer_loves_tropes (25k) Alfred is away on a well deserved vacation and Bruce is left to take care of the three Bat boys by himself. He's pretty sure he can easily take care of an eight year old, an eleven year old, and a twelve year old without having to call Alfred for backup. He's Batman. Batman can handle anything, right?
An Honest Conversation by frozenpotions (60k)*** “So Bruce’s longtime best friend had suddenly decided to start eye-fucking him at random. So what? Bruce was used to being the object of this kind of attention. It didn’t bother him. It was—should have been fine. The issue was that it was Clark, and Bruce had enough trouble remaining rational about him at the best of times.” or Bruce and Clark go from friends to lovers the long, long, long way round. Featuring a number of revelations, a well-meaning but nosy son (Dick) and, most prominently, two adult men being completely and utterly useless.
as to which may be the true by susiecarter (53k) It isn't difficult to go on in the wake of Superman's death. His resurrection, though, poses a problem—especially when it turns out there's no such thing as the right moment to explain that Martha Kent's obnoxious billionaire friend? Is also the man who tried really hard to shove a kryptonite spear through Clark's face.
all each riddles, when unknown by susiecarter (52k) Clark, struggling to deal with the events of Black Zero Day, is assigned a straightforward human-interest piece—on Wayne Enterprises. Then Batman catches Superman's attention, Clark Kent starts investigating Batman, Bruce Wayne spends a lot of time arguing with hitting on Clark Kent, and Bruce's best efforts to find a way to hurt Superman start to bear fruit. And then things get complicated.
and if the sun comes by susiecarter (30k) Steppenwolf isn't interested in accepting defeat and walking away. Superman's proven that he's the key to conquering Earth, and Steppenwolf returns with a plan for how to deal with him. A plan that Bruce is able to throw a wrench into—but not without certain unintended consequences.
Only Human by saltedpin (23k) Clark temporarily loses his powers, and while it's initially jarring, he gradually adjusts and tries to go about on a somewhat normal routine after telling his inner circle (which can also include the League since they're building themselves up). Problem is that he is somehow an even bigger danger magnet than Lois in this state.
Loading and Aspect Ratio byJUBE154 (45k) It had started out as a simple design, black everything with black outlines and black hood. It got a little more intense as the world went on, got wind of his ghost on the streets, and became scared of The Bat. So Bruce got a little more creative with it, Alfred and him had a good laugh over the name, the scare. So now the suit had a visible bat-theme, an insignia to drape in the shadows and to paint across the streets of Gotham: “The Batman can fly, you know, I’ve seen his wings.” (A world where nobody has wings, but people think they do, and that changes everything.)
Whoever Falls First by liodain (34k) "There's more kryptonite out there. When the Superman returns, there's going to be an all-star battle royale in the criminal underworld. Every megalomaniacal freak will want a piece of it so they can get a piece of you. And some of them will manage. They'll weaponize it and won't hesitate to use it against you, and when that happens I will not have you flailing around like an idiot." aka: Bruce teaches Clark how to fight.
Repeat Your Favourite Mistakes And Love Them All Again by watchingthestars13 (160k)*** "Oh dear," came Alfred's surprised voice from the stairs, and all of them turned to look at him. His face was a little pale as he stared at all the boys, Jason's huge t-shirt, Tim's dress, Damian wrapped in a spare cape that was in the batmobile. At least Dick was able to fit into Tim's Red Robin pants, and Jason in Damian's Robin pants. Had Bruce been a lesser man, he would've said 'dear god, help'. All it took now was for their eyes to meet before Alfred composed himself.
Opposites Eventually Attract by Pandamomochan (34k) When an accident forces Clark and Bruce to be no more than ten feet apart from each other at all times, both heroes are forced to evaluate what their relationship really means to each other.
The Long Hangover by CoffioCake (55k)*** Clark knows he should take a break: His powers are on the fritz, he feels like shit, and Batman’s treating him like a liability. But Gotham's villains seem to have it in for Metropolis' Big Blue Boy Scout and Clark won't just wait around for answers. Batman might be the world’s greatest detective, but Clark Kent is one of the Daily Planet’s most tenacious reporters. This is definitely a job for Superman.
Conflated by PamiGami (31k) “Are you sure you’re feeling quite all right, sir? I was but fairly sure the head hadn't been impacted.” “No… no, please. Listen. I’m in his body, but I’m not him. I can prove it.” Ill at ease, Clark rubbed at the back of his head, not stopping to think about the weird sensation of feeling not his own curls, but somebody else’s hair. The man continued to stare at him with piercing and scolding eyes. “I believe you.” He nodded. “Mister Wayne doesn’t say please this early in the morning.”
the cost of being a good dad by Mawiiish (96k)*** Dick, Jason, Tim and Damian are all tired of watching Bruce struggle with the stress of trying to handle the newly formed Justice League. He needs an outlet, he needs to relax, he needs to get out of the house, he needs... he needs to start dating. And what he doesn't know won't hurt him, right?
Get Over It by rotasha (32k) Bruce needs to get over his inconvenient feelings for Superman and he meets an attractive reporter who he thinks can help him do just that. Little does he know...
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pastanest · 1 year
Text
A/N: just some fun headcannons I thought of for different regenerations of the Doctor with each other’s companions :)
Doctors With Each Other’s Companions
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Ten x Clara Oswald 
there is only one reason that these two could not spend more than the 50th anniversary special together: the bisexuals would’ve spontaneously combusted
no but fr 
if they had one full conversation they’d flirt themselves into an outerspace hotel room in approximately 4 seconds 
the tension is palpable 
the HEIGHT DIFFERENCE? I have been found deceased in a sewer pipe
no but seriously a show with these two couldnt be PG 
Eleven was all flustered and bumbling when Clara flirted with him but Ten?? OH, he is SMOOTH AS BUTTER WITH IT once he’s gotten a bit more accustomed to it
The Oncoming Rizz, if you will
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Nine x Donna Noble 
these two would probably never get anything done bc they’d be arguing all the time in an epic war to out-sass each other
and Donna would win every time
and Nine would never admit it
if there is ANYONE that could put any Doctor in their place, it’s Donna Girlboss Noble
imagine Nine yelling for Donna like Ten did too, iconic
I’m not sure Nine could cope with Donna for a whole series just in terms of keeping up with her but I think for however long they were travelling together, it would be the funniest pairing in Doctor Who history
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Twelve x Martha Jones
first of all, the racism that Ten allowed Martha to experience when he made himself human and chose the time period they’d hide in?? Twelve would NEVER, we saw how he protected Bill!!
second, she would’ve been saved from heartache with this version of the Doctor
Twelve would actually appreciate Martha, in ways that the heartbroken Ten couldnt 
the fact Martha is so smart and has such a vast medical knowledge? Twelve is ALL about it
he’d meet Einstein just to say “Martha Jones is smartest person in this room, after me.”
he has no regard for whether that’s technically accurate or not
Twelve has every faith that no matter the scenario, Martha Jones is smart enough to figure out a solution 
very biased and does not care
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Nine x Amelia Pond
now hear me out, this is an odd combo, but ENVISION IT
Amelia Pond would soften Nine like sun on snow, especially if they had the canon meeting of her and Eleven 
he’s more inclined to be blunt, but I think Amy would become his exception in a similar way to Twelve x Clara
like Nine will go on a rant about how stupid the human race is, but then ends it with “-except for Amelia, obviously.”
he roasts Rory to no end, the two of them are the ears and the nose
River Song slaps Nine more than any other regeneration of the Doctor and that’s canon
and if it had been Nine in a Good Man Goes To War, let’s just say his name would no longer be…
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Eleven x Rose Tyler
listen listen listen, I KNOW Rose already got two regenerations of the Doctor but it will never be enough for me Im such a whore for Rose’s dynamic with the Doctor I wont take any criticism goodnight
if her relationship with Ten continued with Eleven?? UMM
Rose would be jealous of River to begin with but they’d become besties in no time bc River has obviously heard all about her and is like “You stared into the heart of the Tardis? Slay x”
Eleven and his boyish antics, his bubbling excitement and ridiculous dress sense would have had Rose Tyler GIGGLING
also Eleven could charm anyone, including Jackie Tyler, it’s canon she thinks he’s utterly adorable and actually keeps a supply of jammy dodgers in the cupboard just in case they pop round 
Twelve x Rose Tyler 
SO CUTE 
Rose and her daddy issues, fixed by the lovingly-grouchy grandad that is Twelve? HAND IT OVER RN
also the Scottish accent saying “Rose” would scratch the brain 
similar to Twelve x Clara, except with the canon additions of Captain Jack and Mickey Smith
obviously, Captain Jack still tries to flirt with the Doctor and calls him a “silver fox” and Twelve is like >:( but internally he’s twirling his hair and kicking his feet 
and he forgets Mickey’s name entirely
forgets he’s there, actually
“When was the last time he said something that showed a shred of intelligence? As far as I’m concerned, he’s a vaguely familiar pudding brain.”
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variousqueerthings · 6 months
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people calling ten "the romantic and/or sexual doctor" are fascinating, because they're looking at the fact that the writing puts that doctor into positions where others project their attraction onto him, and he reacts on some scale from this may as well happen to shrug to bemusement to shock to open disinterest... and that interaction with the doctor-as-portrayed-by-david-tennant is quite meta, because people agree that david tennant as the doctor is quite attractive in a Certain Way
and thinking he's hot means that he is alloromantic/allosexual, and that is proven by the fact that the text has other characters who flirt with/kiss him, but then they also say that because he's hot = alloromantic/allosexual his interactions with others (most notably rose and martha) are less interesting, because this is limiting how the doctor feels about people in the text, without actually interacting with what the text is doing with the doctor's relationship to these things -- which, see above
whereas a bunch of aroace people are like "ten is peak aroace experience and has the interactions to prove it," because like yeah, people don't hit on peter capaldi's doctor in that way really (they're wrong), but that's just because you-the-viewer (who is wrong) don't think capaldi is hot in That way (you're wrong), and the writing isn't trying to appeal to the Idea that he's hot (and it is wrong) (but I digress) (clara's and twelve's whole thing is not read in this way specifically because of capaldi's age, which is interesting because the character of the doctor has been old by human standards the whole time, I Digress)
ten's interactions are very interesting, because for the most part the character of the doctor has been read as asexual because "alien," and not aroace so much in feel, (I mean, I think in feel, but the writing in classic!who was mainly just doing it that way because the BBC didn't want S E X on the show and it ended up becoming a big facet of the character as absorbed by show nerds who don't like things to change). ten actually interacts with romantic and sexual interest (and so does eleven, but not so longterm), and pretending that aromantic and asexual people don't do that is... inaccurate. saying that ten is more alloromantic/allosexual because of those interactions and then using the words "asexual doctor" to describe how the doctor ought to be instead is just using words incorrectly -- it sounds like when they say "asexual doctor," what they mean is that the doctor should somehow be completely unaware of/removed from these concepts, and all hints at sex or romance happen around but never in the doctor's direction. the doctor as pure, not just in their own feelings, but in the feelings other characters have towards them
basically, "my aroace doctor is not the same as your so-called "asexual" doctor"
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suzukiblu · 7 months
Note
Guessing game: Farm
Context: a familial soulmates AU is happening to newly-decanted baby clone "Superman" and Ma and Pa "it's free alien baby" Kent.
The waitress comes back with the drinks and asks if they're ready to order, and then they have to actually read the menu. She leaves them to it. The Zesti does taste really good, but Superman has a hard time concentrating on the menu and barely resists the urge to glance up at Jonathan and Martha every five seconds.
"Oh, wait–can you read yet, kiddo, or do you need some help with that?" Jonathan asks with a faint frown as he glances up at him himself, and somehow the question doesn't sound judgmental at all.
Weird, Superman thinks again.
"Yeah," he says. "Um–Cadmus was educating me with information uploads. I didn't finish them, but I can read and write and do, like . . . well, some math, anyway. I got through trig and precalc, mostly. Uh, and some chemistry and biology. And, like, I can speak English and Spanish and a little Mandarin, and I know basic ASL. I don't think I'm actually as smart as they thought I was gonna be, though, some of it's kinda . . . confusing, to be honest? And they only ever showed me stuff once, I think they just thought I'd . . . you know, get it."
"You're two weeks old!" Martha says with an exasperated huff. "Those damn morons, you're gonna need a lot more than two weeks' worth of yellow sun before you're going to get the eidetic memory or the enhanced intelligence."
"The–what?" Superman blinks. Jonathan and Martha glance at each other, oddly, and then back to him.
"Superman had perfect recall," Jonathan says. "Hyperthymesia. A photographic memory, you might call it."
"Oh," Superman says, blinking again. "Uh–I didn't know that."
"I don't know how much most people ever thought about it, so far as his powers went," Jonathan says with a shrug. "Not quite as flashy as the heat vision or the flying. Actually it's a surprise you can fly this quick, come to think."
"I'm sort of . . . cheating," Superman mutters, ducking his head. "My Kryptonian physiology isn't developed enough to give me the real powers yet and they didn't know how long it might take for them to come in, so they sort of . . . there's like this . . . field, kind of, that the original Superman put off? Subconscious telekinesis, I guess. Skin-tight force field, basically. It's why bullets weren't ripping up his suit all the time and why he could, like, pick up a whole freaking bus or whatever one-handed and it wouldn't just break in half from the fucked-up–uh, the messed-up support. The field would just wrap around whatever he was touching and reflexively keep it together. So Cadmus just kinda . . . copied that and cranked it up to eleven, for me. So I'm telekinetic, kind of?"
"Huh," Martha says, looking a little puzzled. "You know, that never even occurred to me, but it certainly explains a few things."
"It only works when I'm touching something," Superman says, fidgeting uncomfortably and feeling kind of like . . . well, he guesses his powers not being the same as the original Superman's were yet isn't gonna disappoint the Kents, right? Like, why would they care? "It's tactile-based. But I can always use it on myself. So I can fly and pick up real heavy shit and hit like I've got super-strength and make it look like I'm invulnerable. No heat vision or ice breath or X-ray vision or, uh, eidetic memory, though. Or super-speed or super-senses."
And definitely, definitely no enhanced intelligence.
"So you mean you're going to be stronger than Superman was?" Martha asks with a little frown, and Superman . . . blinks.
"Uh . . . I don't think so?" he says uncertainly, not sure where she got that idea. "I don't know how the hybridization of my DNA will affect, like . . . any of the Kryptonian powers. They might turn out weaker than his were, since my genes are sort of already adapted for a yellow sun."
"I don't know, being primed to process yellow sunlight might make your powers end up stronger, on that logic," Jonathan points out reasonably. "Once you grow into them a bit, anyway. And either way you'll have the telekinesis enhancing your strength and invulnerability, and that might get stronger too. And, well, at least some hybrids have a tendency to turn out bigger and stronger than their parent species."
Superman tilts his head. Blinks a couple times.
"Huh," he says.
Well, there's a really freaking cool and absolutely fucking terrifying thought.
"How do you know all that?" he asks. "Are you a biologist or something?"
"I'm a farmer, son," Jonathan says wryly. "I'm talking about mules and wolfdogs."
"You're a farmer?" Superman repeats in absolute bemusement.
"We both are, dear," Martha says. "All our lives. We live out in Smallville, actually, we're just here visiting . . . well. Clark's fiancée. Her name is Lois."
"Where's Smallville?" Superman asks, still bemused.
"Kansas," Martha says. "We have a little farm out there. And . . . well, we'd very much like to take you in, obviously, though I don't know where you're staying right now."
"Just, like–wherever, right now," Superman says awkwardly, trying not to sound as pathetic as he's pretty sure he does even as he wonders how that's supposed to be "obvious". He's not, like, a little kid or anything. It's not like he can't take care of himself. "Like, it's not really . . . just wherever."
Jonathan and Martha glance at each other. Superman feels embarrassed. It's not like it matters where he's staying, and like, he'll find a place, eventually, just . . . he hasn't quite figured out how to do that yet. That's all.
Cadmus, unfortunately, did not prepare him to ever live . . . well. Outside of Cadmus.
"Would you like to visit, at least? Take a look around?" Jonathan offers. "It's not too far a flight from Metropolis."
"Um . . . maybe," Superman says, really not sure what he'd ever do on a farm of all places. Like, in what way is a farm a "Superman" kind of place to be?
Though he guesses it'd be politer than making Jonathan and Martha come to Metropolis. And if they actually . . . if they really want to see him . . .
He could swing by sometimes, that's all. He guesses he'd have to be careful about doing it because probably the Kents aren't gonna want anybody to know they're his soulmates, given the whole "being civilians" thing. Maybe he can just . . . just pretend to be . . . he doesn't know, exactly? Just–maybe some random distant relative or something. Maybe they have some cousins or whatever. Or just . . . something.
Superman actually has no idea how many people hang out with their extended family members like that, to be honest, but it's the best idea he's coming up with right now.
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Rewatching Utopia/Sound of Drums/Last of the Time Lords and I am just now realizing that I could have had a whole-ass conversation between some combination of Martha, Jack, Rory, and Amy about the Year That Never Was v. the eighty years on the Planet Sanatorium in the regeneration episode...thinking about maybe writing a missing scene about it. Thoughts?
@blufox3542 @lavenderlace16 @khruschevshoe @shehungthemoon
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khruschevshoe · 3 months
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You know I'm starting to realize that my basis for my favorite Doctor Who pairings is people who change/affect each other on a fundamental level, character arcs entwined with each other's in some rather impossible (and often in both hopeful and tragic ways) and that's why although I like TenRose well enough, I ADORE NineRose (and NineRoseJack, under the same parameters). I will ship some version of TenMartha forever. TwelveMissy is my beloved. Even ElevenAmyRory functions somewhat under that same umbrella.
The trick is just that the change has to go both ways, so ElevenRiver and Thasmin (though both have their merits) just never vibed for me PERSONALLY.* River and Yaz were both changed on a fundamental level by their Doctors, but their Doctors didn't always seem to be changed fundamentally in return. Like, clearly, canonically, Eleven and Thirteen both loved River and Yaz respectively, but their character arcs and growth and/or devolution at characters were not inextricably linked by other's influence on their life.
*This is an extremely subjective opinion. Not trying to start any flame wars. Just my take on things.
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runnning-outof-time · 2 years
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The Tale of Two Brothers | John Shelby x Reader
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Request: yes by anonymous
Pairing: John Shelby x reader with a hint of Tommy Shelby x reader
Summary: (Y/N)'s known the Shelby family since she was young. Her connection allowed her to help out with what was left behind when the boys went to fight. She finds herself in a bit of a situation when they return from France. A situation that involves feelings coming from two different directions.
Warnings: mentions of war, mentions of character death
Word Count: 1834
A/N: this story plays out the way it does because I wanted to challenge myself. I hope that I did the idea justice. Enjoy! :)
Let me know if you’d like to be tagged in future stories like this one!
———
(Y/N) (Y/L/N) had been friends with the Shelby family since she was a teenager. Her first friend was John Shelby, who stuck up for her when she was the 'new kid' in her grade after having moved to Small Heath at the age of eleven. Her first kiss was Tommy Shelby, a result of the two of them sneaking out to the park with a bottle of his father's more expensive liquor. She was thirteen, and the fact that he was two years older than her made it even more exhilarating for her. None of the girls in her class at school believed that she'd kissed the Tommy Shelby when she told them, but it most certainly happened. Every single member of that family had her back, so it only made sense for her to have theirs when the Great War started.
She jumped into one of the main roles in the family, alongside Polly and Ada. John had an entire brood of children back home, and (Y/N) stepped up in helping watch over them since his wife, Martha, had fallen gravely ill soon after the boys left. She also recognized that Polly needed help in keeping the family's business thriving. Together, the two women figured out how to take it into wartime and make sure that it stayed successful.
After a long four years, the Shelby family came together again on the train station's platform in Small Heath.
John was the first one to spot the women, and (Y/N) was the first he went to. He had a wide smile on his face as he lifted her off the ground and spun her around, making her giggle at the feeling of sudden weightlessness. "I'm happy you're home, John. Your kids missed you," she told him once he returned her to the ground. John only smiled before he stepped away and went to greet the four little ones that had been standing by Polly.
Then Tommy came over. Much like John, (Y/N) was the one in the group that he went to first. She smiled up at him as he leaned down to kiss her cheek. "It's good to see you again, Tommy," she told him after he pulled away, her cheeks surely red from what he'd just done.
"It's good to see you too, (Y/N)," Tommy responded, flashing a rare smile before (Y/N) reached up to wrap her arms around his shoulders in a tight hug.
Things fell into a new normal after the boys returned. Much like before the war, (Y/N) spent a lot of time with the Shelby family...particularly with John and Tommy.
With John, she helped a great deal with wrangling his children. It was tough for him to come back from fighting to raise four young children by himself after his wife had died during the conflict. (Y/N) happily showed up at his home wherever he needed her. She spent many nights making dinner and helping with getting the kids to sleep. She also made sure that they were going to school, as John didn't want them to end up like he did: without a secondary school diploma.
It was during one of those many nights that she and John shared a kiss. It happened after John conveyed to her how thankful he was that she had been helping her. About how the kids practically saw her as their mother, and that his youngest had even called her by that name a few days ago. (Y/N) was happy to hear what he had to say. She expressed how she enjoyed spending time with him, and that she felt honored that his kids felt that way towards her. One thing led to another and they were kissing on the couch.
With Tommy, however, (Y/N) spent a lot of time discussing business with him. They spent many long days at the betting shop going over the books and talking about the potential future moves of the company. Tommy was in awe of how she stepped up to help the business continue while he was away, and in a way he felt like he was indebted to her and her achievements. She understood how his mind worked and oftentimes helped him with planning out the next move he wanted to make.
There was also an obvious air of attraction between the two of them when they were together. They never moved to act on it, but at times it would get to be too much for (Y/N) to bear. She tried her best to focus herself on the tasks of the business rather than her attraction to him. After all, she could've just been reading his mannerisms wrong.
But she wasn't. And when both John and Tommy found out about the attraction that they both shared towards (Y/N), a bit of a battle started off in trying to win her affection. At first, (Y/N) was unaware of it. She just accepted the deeds they were doing as them being nice to her. But then what was really going on became apparent as their attempts escalated: Tommy asking her out to dinner; John offering for her to stay the night after she'd been there particularly late. She realized exactly what was going on when she just about walked into an argument that the two of them were having about her. They were going back and forth in attempts to prove which one had been attracted to her first and was worthy enough of getting to be with her.
That's why she was sitting at her home now, asking for a sign. The battle came to a culmination a few days ago when the two of them came to her outright and put the decision in her hands. So now she had to choose which brother she was going to go with.
With a sigh, (Y/N) lifted her head from her hands. Her eyes fell on exactly what she was looking for. A sign. It came in the form of one of Tommy's peaked caps sitting on her dining table. He must've left it behind one of the days that he visited her. So she stood from the couch and grabbed it before slipping her jacket over her shoulders. She took a deep breath before she left her home with his house on Watery Lane being her intended destination.
The lights in both the house and the betting shop were off when she approached the Shelby family home. (Y/N) knew for a fact that it was too early for Tommy to be in bed. So she made her way to the only other possible place he could be: the Garrison.
She found the door of the pub to be open upon her arrival, so she showed herself in. The sight that she was met with was one that she wasn't expecting. Tommy was over at the bar, but he wasn't alone. The blond barmaid, Grace (Y/N) remembered her name to be, was with him, and (Y/N) had just walked in on them standing rather close to each other. She stood frozen as she watched Tommy move closer to her, his hand finding her waist as Grace laughed at whatever he was saying. Maybe this was the sign that she was looking for.
The peaked cap she was holding dropped to the floor. The sewn in razor blades that clinked off of the floorboards surely caught the attention of the other two, but (Y/N) didn't stick around to see their reaction. She was already out the door and on her way back to Watery Lane.
She waited on the doorstep of 15 Watery Lane after knocking on the door three times. A few moments passed before the door was opened by the person she was looking for.
John Shelby was unable to ask the reason behind (Y/N) being at his door at the late hour because the second after she came into view, her lips were on his. He was surprised by the greeting but he still pulled her closer to him by hooking his hands around her waist. (Y/N) smiled against his lips at how he reacted, happy that he didn't push her away completely.
"What was that for?" John asked once they'd pulled away and rested their foreheads together.
Before (Y/N) was able to respond however, five year old Eleanor Shelby appeared alongside her father's legs. "(Y/N)'s here! (Y/N) come in and play with me!" she exclaimed as her eyes lit up with excitement.
"Go, El...it's my time with (Y/N) now," John tried to shoo his daughter away, his response to her making (Y/N) laugh.
"Shouldn't you be in bed, Eleanor?" (Y/N) questioned the small child, who now had a look of guilt on her face. "Go to bed," she told her in a hushed voice, making the child nod before she left them to go up the stairs.
"What are you doing here, (Y/N)?" John asked as he turned his full attention back to her.
“It’s you, John...” she trailed off with a smile, her vague statement only serving to make the man she was standing in front of more confused.
“What?” he voiced his confusion, his eyebrows furrowed.
“I thought it was Tommy, but it’s you. And it’s always been you...ever since you stuck up for me that one day at the school yard,” she explained herself better.
A smile spread across John’s face, and he couldn’t stop himself from grabbing her face and bringing her lips to his again. “So you’ve chosen me?” he checked with her after they’d pulled away.
“Yes,” she nodded, letting out a breathless laugh as she looked into his eyes.
“And what about Tommy?” he mentioned the other brother who had an attraction to her.
“Tommy’ll be fine,” she brushed off his concern, her mind going back to what she walked into at the Garrison. “I want to be with you, John,” she assured him once more.
“I can’t disagree with that, now can I?” he asked her, a cheeky smile forming on his face.
“I hope you don’t,” (Y/N) said, smiling once more.
“I won’t,” he changed around his words, his smile fading into a serious expression as he cupped her cheeks with his hands and looked into her eyes. (Y/N) felt butterflies form in her stomach as he leaned in and kissed her lips, locking her into a slow, passionate kiss that confirmed to her that she’d indeed made the right choice. “Do you want to stay the night?” he asked her once they’d pulled away from each other.
“I’d like that,” she sent him a smile before he dropped his hands from her cheeks and took hold of her hand so that he could lead her inside his home, and into the beginning of a wonderful relationship.
———
Tagged: @alreadybroken-ts @magicalxdaydream @the-anxious-youth @look-at-the-soul @mrsalwayswrite @julkaamazing @julyzaa
MASTERLIST
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roobylavender · 3 months
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like i think the reason x should get their own city or niche of the city doesn't work for anyone else in the batman mythos but bruce is bc people tend to view it as a logical positive thing where it's like you get a city and you get a city and it's all your own and you're going to be its hero when like. bruce's obsession with gotham is very much an illogical thing. like he did have good intentions obv that were more concretely shaped over time as he learned about criminology etc, but the initial attachment was purely emotional and illogical. it was a ten-eleven-twelve year old watching his parents be murdered on a dark street in gotham and telling himself that no one else in the city was ever going to experience the same thing if he could help it. the psychological attachment of his cause and its location to his own person ran incredibly deep. and i wouldn't say the same holds for dick or selina or jason. each of their individual trigger traumas is something that happened to them in gotham, but that was sort of as far as it went. it's not like dick told himself that he was meant for a life of heroism solely in gotham (a city that he only later tied himself to simultaneously out of uninvoked obligation and a desire to prove himself as an equal). the heroism itself is more important to him. it's not like selina—initially, stress on initially, bc i know people will refer to her east end canon and onward to refute this point when my argument is precisely that i don't think the east end designation was even necessary to begin with—told herself that she was meant for a life solely protecting the prostitutes and petty criminals of gotham. the novelty of her earlier post-crisis canon was that wherever the work took her she was bound to find people to protect, bc the survival itself was more important to her. and it's not like jason (although he certainly told himself this) actually believed, deep-down, that it was gotham meant to be cleansed specifically. the people themselves were more important to him, or they should have been had he opened his eyes to the reality of his grievances sooner
in each of these three cases, the principle has always been more important than the notion of the city. the heroism is something dick can pursue anywhere. the survival is something selina can prioritize anywhere. the people are someone jason can protect anywhere. but the metaphorical salvation of thomas and martha wayne via other people is something that can only be recreated in gotham. bruce can't find his parents and the specific haunts of their demise anywhere else even though he logically does several times over
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