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#episode write ups
allieinarden · 2 months
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I think in the back of my mind I always thought Phineas and Ferb used the term “evil scientist” instead of the more classic “mad scientist” out of not wanting to stigmatize the mentally ill or something, but in retrospect, clearly it’s because the main characters are themselves mad scientists and Doofenshmirtz and his ilk only differ from them by being evil.
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egophiliac · 5 months
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happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!
thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!
I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)
I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!
also maybe he had some reflection on his hair's troubled past with three kids...
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...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.
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#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 spoilers#twisted wonderland book 7 part 6 spoilers#this is my blog and i'm going to write a million words about lilia and you can't stop me#but anyway i do genuinely get the impression that he's using Pretending to Be a Teenager as a chance to be even sillier than usual#he's a very silly man he's just being EXTRA silly#supported by his recent birthday card where he says he was specifically trying to cast himself as an adorable little brother-type#because he wanted the other students to give him free shit and save him seats and things like that#it worked for about a week before he turned out to be way too good at stuff and everyone just kind of ended up in awe of him instead#and he was like DANGIT. I'VE RUINED IT FOR MYSELF.#(then he and epel went on to talk about their hypothetical vtubersonas because the birthday cards are INSANE but anyway)#i'm bad at headcanons :( sorry!#unless it's dumb things like...what pokemon they would have or whatever#(malleus would have some kind of special fancy-colored dragapult) (but i digress)#i have a hard time putting things into words. just know that i love the grampa bat and his weird kids very much.#my brain is also still kind of fried from the last couple of weeks#i am however starting 2024 off the way i intend to continue it: in deep contemplation of anime hair#(sorry if these look weirdly aliased) (i realized about 3/4 of the way through i was using the wrong brush and i didn't want to restart :U)
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rainbow-nerdss · 1 month
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Buck goes over to Tommy's place late one morning, coffees in hand. They agreed to go out today, maybe go for a walk in a nearby park or something, no solid plans for the day other than spending it together.
When Buck gets there, though, he feels something is wrong. The curtains are closed, for one thing. And when Buck knocks, he doesn't hear any immediate movement towards the door. Usually, Tommy opens the door before Buck even makes it up the drive.
But today, Buck knocks, and he waits.
Had Tommy gotten held late at work? Buck knows he had a shift that was supposed to end a few hours before, but maybe he got stuck with overtime and didn't have a chance to call or text. But his car is there, in the same place it always is, and there hasn't been anything on the news about any major disasters.
Buck knocks again and considers calling or texting when he finally hears shuffling on the other side of the door, then the jingle of keys before the door opens.
Tommy is... A mess, honestly.
His hair is sticking up in every direction, old sweatpants with a hole at the knee, and a worn out old hoodie which Tommy shoves his hands back into the pockets of when he sees Buck.
"Hey, Evan." He swallows, voice think with some heavy emotion. "I'm so sorry, I... I forgot we had plans today, I—" he's hunched into himself, and he looks smaller than Buck's ever seen him.
"Tommy," Buck reaches for him with the hand that isn't holding the coffee cups. "What happened? Are you okay?"
Tommy shrugs, hesitating before stepping aside to let Buck in. "Rough shift," he says after an extended silence. "Everyone... The team all made it out, but... We lost someone. I lost someone."
Buck sets the coffee cups down on the entrance table and pulls Tommy into a hug, tucking his head into his shoulder and holding him tight. Slowly, Tommy's hands raise enough to wrap around Buck's waist.
"I don't think I'm gonna be much company today," Tommy sniffs after a while. Buck can feel a wet patch on his shoulder, but doesn't mention it.
The fact that Tommy trusts him enough to be this vulnerable with feels like something sacred, something he's been searching desperately for. Up to now, Tommy has been the one adjusting to make space for what Buck needs, but it's time for Buck to step up, to be there for Tommy.
"I get it, but I'm here." Buck kisses Tommy's cheekbone, just below his eye and he tastes the salty tang of tears there. "If you'd rather be alone, I-I get it. I can go home, and we can reschedule this. But, Tommy, I don't care if all we do is sit on your couch in the dark, okay? Whatever you need, I'm here."
Tommy holds Buck tighter for a moment.
"Evan," he says, in the same way he always says it. Like it's a something precious and delicate and wonderful. Buck's not sure where it came from, but he adores it.
"What do you usually do after a bad shift?' Buck asks.
Tommy sniffs, and it takes a while to answer. "Usually..." He clears his throat. "Usually I curl up in bed or on the couch and watch a rom-com. I know, it's a little—"
"Don't you dare say it's embarrassing," Buck warns, cupping Tommy's jaw and running his thumb over the stubble there. "Go make yourself comfortable, drink your coffee, pick a movie. I'll make us some snacks and join you in a minute, okay?"
Half an hour later, Buck settles on the couch—the coffee table full of popcorn, chopped vegetables and dips to snack on.
Buck reclines against the arm, and pulls Tommy on top of him, head on his chest. It's a tight fit, but from the way Tommy settles into him, Buck knows it's what he needs.
Tommy hits play, and Buck smiles at the opening monologue. "Love Actually?" He asks.
Tommy makes a sound, a soft sort of hum. "It's... kind of my favourite," he admits.
Buck smiles and kisses the top of Tommy's head, then replaces his lips with his fingers, running them over Tommy's scalp.
"That's really cute."
Tommy nestles in closer to Buck's chest, and neither of them say anything else for a while.
"Thanks," Tommy says, when they're about halfway through the movie. "For staying."
Buck kisses his head again, and Tommy lifts himself up a little so he can turn and kiss Buck on the lips, instead before settling back against his chest.
"Thank you, for letting me stay. For letting me look after you."
The words are on the tip of his tongue as he looks down and watches Tommy turn his attention back to the movie, watches him mouth along to a handful of lines.
I love him, he thinks. He doesn't say it out loud, not yet, but the realisation is soft, and warming, and perfect. And he will say it, soon. When the time is right. And he hopes Tommy will say it back.
For now though, Tommy is like a weighted blanket on his chest, comforting and warm, and Buck's content to just stay here for as long as he can.
They'll put on another movie, finish the snacks, maybe order takeout for dinner later, and Tommy will smile again, will laugh again, will kiss Buck the same way he says his name.
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just-french-me-up · 1 year
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So my partner and I are rewatching supernatural from season 4 on for nostalgia's sake
And my partner has never been involved in any fandom space, he knows some basic stuff but he's pretty much free of fanon and fandom consensus of any kind
And as we were watching he said:
"Damn I didn't remember how intense Dean and Castiel's relationship was back then. They're shooting this like a romance or something with all the close-ups."
And then, the KICKER :
"Must be a fic or two about that, right?"
Oh BUDDY. Oh PAL. YOU JUST. You have NO IDEA DO YOU
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bonojour · 8 days
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house and wilson seeing each other for the first time in months in s08e02
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sharpace · 3 months
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I'm sure everything will be fine.
Super duper loving The Magnus Protocol. My little horror heart is so full.
Leave a tip! (Ko-Fi) | Store |  Twitter
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essektheylyss · 20 days
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One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.
(Buckle in. This is a long one.)
In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.
As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.
Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.
This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.
I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.
But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.
So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.
But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.
But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.
It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.
He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)
So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.
But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.
(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)
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gutsfics · 5 months
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so. i just watched most of the new quintonreviews Sam & Cat video and for Reasons i looked up both Goomer and Frankini on ao3 and theres only One Single Fic thats tagged with Goomer/Frankini. fucking criminal.
double criminal for it being tagged as "past Frankini/Goomer" bc the actual relationship focused in the fic is fuCKING GOOMER/DICE. BITING AND KILLING.
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mean-vampyre · 1 year
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Archie realizing he is bisexual in his 30s but panicking because he is so far behind in his gay education he hardly knows how to gay, goes to the riverdale gay bar and freaks out because they ask him if he is into twinks or bears and he has flashbacks to that time he fought a bear and goes home in survival mode, and jughead is there like hey archie what's wrong dude did someone try to kill you again? but archie is like no jug i don't think i can do this bisexuality thing, betty makes it look so effortless but she doesn't get asked if she is into twinks or bears because everyone knows she is into woman who kill, and jug is like hey pal calm down I'm sure we can find a way to help you out. so they visit gay kevin for a crash course in gay but kevin is soooo condescending and gatekeeps gay because he doesn't want more dating competition, so jughead is like archie pal we have been going about this whole thing wrong we must ask the bisexuals. and they go ask fangs and toni but they assume that jughead is tagging along because he too is bisexual and toni says why don't you two come to the bi night at the white worm you can meet other bi people. so archie and jughead show up together to the bar but everyone assumes that they are a couple and keep refering to jughead as his partner and archie is like yeah haha my partner in crime. and the next day everyone thinks that jughead also came out when cheryl sends them a fruit basket and a congrats bert and ernie card.
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shitouttabuck · 1 month
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this could be the year for the real thing
buck/eddie | 1.7k | 7x06 coda(ish)
Eddie can count on one hand the number of times he’s been this horrifically hungover. His pre-teenage-pregnancy body bounced back blessedly quickly from tailgate parties and keg stands and beer pong tournaments, but after that? His cousins threw his bachelor party before he married Shannon, which involved a lot of mixed liquor, and then there were a couple miserable nights out after she left him, and now, last night, him and Buck the sole bachelor party members standing after Chim didn’t show up.
This is his worst hangover, because at least all the other times he wasn’t seized with worry about one of his closest friends and regret that he and Buck hadn’t noticed the empty hotel bed the night before. The nausea from hell doesn’t help, either.
Chim’s safe now, under the careful monitor of Cedars hospital staff and Maddie no more than three feet away from him at all times. The relief is a palpable thing, and Buck offering him a steaming paper cup of green tea soothes the churning in his gut a little bit, too.
He takes a sip and sighs gratefully, slumping against Buck in the hospital waiting room chairs when he takes the seat beside Eddie.
“Still queasy?” Buck asks, voice a rumble.
“Mm,” Eddie says, “back-to-back shots of tequila and sambuca are not it.”
Buck shudders beside him. “Don’t,” he begs, closing his eyes and tipping his head back. “I’m still very much in range of hurling.”
“Have you eaten anything today?” Eddie’d only managed half a banana when he went home to shower and change, but he knows Buck’s been with Maddie most of the day, and when it comes to taking care of other people, he sometimes forgets about himself.
“Had a granola bar,” Buck says, eyes still closed. “Can’t—don’t wanna think about food yet.”
His stomach chooses then to grumble audibly, with traitorously comedic timing, and Eddie snorts. Buck opens one eye to grin at him.
“Don’t listen to her,” he says, patting his belly. “She doesn’t know what she’s talking about.”
“She doesn’t, huh? Then I guess she’s not interested in stopping by the juice bar on Sunset on the way home? Some sweet, sweet smoothies, all that fresh fruit and hydration, don’t even have to chew…”
Buck’s stomach rumbles interestedly and they both laugh.
“That sounds—so good, actually,” Buck admits. “We can pick up the peanut butter one for Chris, he’s always hankering—”
He breaks off as Hen appears at the end of the hallway, looking around and hurrying over as soon as she spots them. Eddie doesn’t think anything’s wrong—she’s beaming—but he and Buck sit up quickly in their seats anyway.
“Ugh,” Buck says, and Eddie’s dizziness at the sudden movement wholeheartedly agrees.
“We’re having a motherfucking wedding,” Hen grins, tugging them both to their feet, uncaring of their delicate dispositions. “Right here, right now.”
“Hospital wedding?” Buck asks, eyes wide. “Holy shit, okay, what do we need—who do we call—fuck—”
“Calm down, Buckaroo,” Hen smiles. “Just get friends and family over here, Karen’s gonna pick up Maddie’s dress, I’m gonna call Bobby, and we’re having a wedding.”
Buck’s already pulling up a copy of the guest list on his phone, squinting at it and muttering names under his breath.
“You boys got this?” Hen asks while dialling Bobby.
“Yep,” Eddie gives her a mock salute. “We’ll split the list and make some calls.”
He types out half the names Buck reads off to him in his notes app, and the two of them work through them methodically, calling Chim and Maddie’s nearest and dearest for this impromptu ceremony.
“Chris will kill us if he misses it,” he says suddenly, and Buck looks up at him, mid-text.
“He’s with Isabel, right? Pepa’s place is only a ten minute drive from here.”
Eddie nods. “I don’t have my car, though. You drove me.”
Buck tosses him the Jeep keys. “I’ll finish calling people, you go get them.”
“Cool,” Eddie says, and nearly bodies himself with the instinctive urge to lean over and kiss Buck on the cheek as he stands. It’s surprising, even though it shouldn’t be, because it’s an urge he fought and failed about thirty times last night, Buck’s sweaty skin pressed to his, salty under his mouth every time he dropped an innocuous, friendly kiss to his face with nothing but alcohol in his veins.
It hadn’t seemed out of place then, everything shiny and bright, Buck leaning right back into him.
Now, under the fluorescents of the hospital, organising a makeshift wedding for their family? Eddie doesn’t think it would land quite the same.
“Back in twenty,” he tells Buck instead, and has to physically tear himself away from the smile Buck turns his way, warm and golden under the harsh lights.
Chris and Abuela are delighted to be included, and, true to his word, they’re back at the hospital as the rest of the guests begin arriving, too.
Eddie’s—okay, he’s not going to say he’s not a crier, it’s just that his best friend is Buck, who cries at anything remotely tearjerky, so in comparison, Eddie’s not a crier. Now, though, they’re both very much damp-cheeked, much like everyone else crowded into this hospital room, watching Maddie and Chim exchange rings and vows with little Jee between them.
They’re a family, have been and would still be even if they never got hitched, but the fact that Chim refused to wait another few weeks, another few days, another minute before marrying Maddie? Eddie’s chest aches in the best way, and he slings an arm around Chris, and, before he knows he’s doing it, he looks for Buck.
The ceremony’s over, and Buck’s grinning at his phone, and Eddie pats for his own automatically, anticipating a goofy text.
But Buck’s edging backward, slipping out of the room, still grinning at his phone, and the ache inside Eddie spreads like an inkstain, blotting his insides.
And then Buck reappears with Tommy, which Eddie knew he was going to do, because who else would have Buck smiling at his phone like that, leaving his sister’s wedding even for a minute. Not me, Eddie doesn’t think. He doesn’t.
He’s not ready to make sense of the churning inside him—he doesn’t think he can blame the hangover for this one—when he clocks Tommy’s soot-stained everything and the way Buck’s own smudgy face matches like a puzzle piece.
He sees the way Chim notices, and Hen and Karen, Bobby’s eyes going wide and then soft. He sees the way Margaret Buckley doesn’t even attempt to school her face into anything but distaste and he hates her, but Buck’s not even looking at her. He’s looking at Bobby, and then he’s looking at Chim, and he’s smiling, this wide, guileless spread of happiness across his face.
Eddie’s helpless to smile too, the churning too complicated to parse beyond easy joy at every step of Buck’s sexuality journey, and this second-hand relief he’s not sure he’s got any entitlement to—he doesn’t, does he? Sure, he can be relieved that Buck doesn’t feel like he has to stay closeted, that everyone who matters loves him just the same, but he doesn’t get to feel like any of the relief belongs to him. Not now.
Not—yet.
Tommy’s made his way to Chim’s bedside to congratulate them properly, and Buck’s squeezing through the guests to get to the Diazes.
“Hey, bud,” he says to Chris. “Hi, Isabel.”
His face is still a smear of soot, and Chris giggles. “Buck. Your face.”
Buck frowns in confusion and Eddie steps over to him, hand already reaching to wipe the soot off his face, just like he has a hundred times at work. Except Tommy’s already there, licking his thumb and rubbing firmly at Buck’s chin, a gesture so familiar to Eddie that watching it happen separate from him feels like getting punched in the throat.
And beside the joy and the second-hand relief, there’s—this sense of profound loss. This emptiness, a space inside him he didn’t realise Buck had been occupying all this time. And now it’s like Eddie’s entered the room, finally, but the door is swinging shut on the far wall and Buck’s footsteps are echoing softer and softer as he leaves. Eddie’s late, he’s missed something he didn’t know was waiting, much less had a timeline on it.
The room empties out slowly, everyone giving the Buckley-Hans some space to rest, and Buck disappears down the hall hand-in-hand with Tommy.
“Y’all ready to go home?” Eddie asks Abuela and Chris. “We can get take-out.”
“Is Buck coming?” Chris asks.
“Uh, I don’t think so, mijo,” Eddie glances down the hall. “Although—” he pats his pocket, retrieving the Jeep keys, and startles when Buck appears by his shoulder.
“You have my keys,” he informs Eddie, stretching his hand out for them. Eddie drops them in his palm dutifully. “Juice bar? The fancy one on Sunset.”
Chris whoops excitedly, and Eddie smiles, even as his brow furrows.
“You’ve not got a hot date?” he asks Buck quietly as they walk to the exit.
“I drove you,” Buck shrugs.
Eddie rolls his eyes, stopping Buck with a hand at his elbow. “I think we can manage getting a cab.”
“I seem to recall you promising me a ‘sweet, sweet smoothie,’” Buck says, raising an eyebrow at Eddie. “You tryna stiff me, Eds?”
“Wouldn’t dream of it,” Eddie lifts his hands in surrender. “Uh—do you wanna ask Tommy along?”
“Nah,” Buck says easily. “Maybe another time. He’s just gotten off shift. I’m seeing him tomorrow, anyway.”
“Okay,” Eddie nods slowly, ache bittersweet. “Just us, then.”
Buck beams. “Me and my boys,” he crows, wrapping an arm around Eddie’s shoulders and tugging him forward so he can wrap the other one around Chris. Isabel makes a noise of offense, and Buck hastily amends, “Me and my boys and Abuela. Dream team!”
Christopher groans at the very public embarrassment and Abuela smiles indulgently at Buck and Eddie lets himself get pulled along, safe in this room in his heart that won’t ever be empty, even if Buck’s not filling it in the same capacity as Eddie’s getting ready to allow himself to want.
It doesn’t matter. The door on the far wall’s not quite swung shut after all; it sits ajar, crack of light and Buck’s love spilling through. Maybe one day he’ll come back through it. Maybe one day Eddie’ll follow after him enough to ask.
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nerfpuncher · 1 year
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The fact that they never took Tech to a space casino to hustle people at cards is such Bullshit they could have made so much money in a single night doing that .
Phee babysits Omega for them and they all go to space Las Vegas and it just turns into the Star Wars version of The Hangover
Like it would be so funny cause it would probably just look like this
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peaceshire · 6 months
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Dear Mx Peaceshire, thank you for putting out so much quality content of an OT3 that not only made me go from “I don’t know how this could work in a way that I like” to “Oh so THIS is how this could work in a way that I like” but also for inspiring me to write Buggy just about 25 percent more whiny and pathetic than I already did before. I only post my stuff in a very small circle for me and some of my designated weirdo friends (affectionate), but I still was kind of debating with myself wether or not to push my characterization in that direction, but honestly making him even more of a bastardly sniffling coward just helped me find a characterization of him I really like to write and for that , sincerely, thank you,
…. Also thank you for consistently writing and drawin the hottest fucking smut for this OT3 that has me down so bad that upon seeing the newest episode I actually had some sort of perverted Pavlovian response like “Oh yes and after that they are gonna fuck him up nasty style.” Even though logically I am aware that Toei will not show us Buggy getting fucked up by Mihawk and Crocodile nasty style in any capacity on screen.
keep on rocking, you're awesome
- sincerely, an admiring, if sexually confused, fan of your work
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This ask made me so happy ... !!! I drew this for you !!! Thank you !!!!
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cookinguptales · 10 months
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my family is watching antiques roadshow again, and we were talking about the wwdits vampires trying to sell their old belongings at one of these things... which quickly devolved into how much we want to see them doing appraisals on the show.
laszlo is presented with an authentic norman rockwell painting and he's like "not enough tits, not enough bush" and he just like. throws it. finds some vintage victorian pornography and is like THIS IS MORE LIKE IT.
nadja is just wandering around judging jewelry by how haunted it is, giving insultingly lowball estimates, and stealing the pieces she likes best as soon as the cameras are off her. she mostly just hypnotizes a bunch of old ladies, but yes, there is a body count.
nandor is thrilled by how much antique weaponry there always is at these shows, but he is mostly enamored of All The Horsies. because for some reason, there is always so much horse art on this show. every horse painting is worth one million dollars.
colin is giving actual legit appraisals, his are the only ones that are at all accurate, but his appraisals are so long-winded (he draws them out just to keep folks anxious) that people usually pass out before they find out what their treasures are actually worth. he does not bother mugging them. (nadja often does, though.)
guillermo is like GUYS, WE REALLY SHOULDN'T BE ON TV... until the exact moment that he finds out how much a lot of their old shit is actually worth. once he loosens up, he finds that he actually really enjoys wandering around and looking at all of the antiques, even if they do kind of uncomfortably remind him of a very unpleasant ex.
nadja will, before this is over, shove a bunch of stolen jewelry at guillermo and tell him to hide it in his pockets. he will bitch while doing exactly that. colin will help the two of them resell their illicit gains on ebay the next day.
(meanwhile, laszlo has managed to pull both keno brothers.)
bonus for my fellow nandermo fans:
despite coming out of the whole endeavor much richer, guillermo is feeling unsettled because his ex-boyfriend always used to ramble at him about antiquities and he realizes that he was never once asked what he thought about any of them. it feels odd to realize how much he does actually enjoy the subject in the absence of a much larger personality that always made him feel smaller.
(story of his life, huh?)
after all this is done, he goes back out to some local shows and auctions, much smaller ones, and nandor accompanies him. they gossip at each other the whole time about which pieces they like, which they think are ugly, and which are drastically overpriced.
guillermo uses his new misbegotten wealth to buy nandor a statue of a horse, which he promptly names john.
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skrunksthatwunk · 4 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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milquetoad · 10 months
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of the many injustices put forth toward the show by fans i think the most overall damaging and telling of a complete lack of critical viewership is the idea that sam riegel builds his characters with nothing more than the bit in mind. like you are only telling on yourself if you think characters like scanlan shorthalt and veth brennato are one-dimensional and depthless
#if im being exTREMEly generous i can maybe understand this view of scanlan if you started c1 and then gave up 30 episodes later#he played the long game with him more than any other and a lot of his growth could be looked at as shallow if you DIDNT watch til the payoff#but any time this opinion is used as a blanket over all of his characters including tary and even FCG.. like be serious#i mean at this point im definitely biased bc he is my favorite player at the table. However. that wasnt always the case#and even when i was myself writing some character choices off i NEVER applied that to the characters themselves. how can you??#seen sooo many ppl criticize him for making veth an alcoholic or scanlan irreverent & hedonistic as tho it’s only possible#to play these traits as shallow jokes or at best played out satire…. and then the same person will turn around#and praise how percy was built to be pompous & superior and jester immature & self-centered and caleb steeped in self-effacing hubris#why are these characters and their players given a near universal acceptance of nuance and acknowledgement of growth & healing#but SAMS CHARACTERS ARE NOT!!!!#this turned into such a rant but it bothers me SO much. everyone at the cr table is so goddamned talented#and takes the game as seriously as it deserves#so many more points i could argue but this is already so goddamn long no one is reading this far. i love sam and all of his characters <333#critical role#sam riegel#scanlan shorthalt#veth brennato#my posts
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killlerfang1 · 1 year
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Something about the live action MCU projects repeatedly tripping over themselves whenever they try do something regarding the multiverse, all while their animated counterparts completely blow them out of the water, feels so vindicating to me
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