#everyone has the same job and so we still get the same cinematography and movie references

[martinmynster]

idk what it is about run on that takes me 3h to watch a 1h episode but i'm loving every second of it.

#best decision i've made this year after going back to germany for spring break #i want to talk about it but i cant even search the tag or i'll get spoiled why didnt i watch it when it was airing......... #at the beginning of ep3 when seongyeom wakes up at may and mijoo's and may goes 'we live together but we aren't dating' #i paused to have a chuckle at seongyeom's demeanor and accidentally started imagining a whole different drama #got lost in my head for 5 good minutes picturing an alternate universe in which may and mijoo are actually together #and mijoo has a bad habit of bringing home lost souls she finds on her way home #and seongyeom who's always been looking for some semblant of family immediately takes to them #and would end up crashing at their house every few days #in that universe may's just as disgruntled so she acts all ''you're getting a little too comfortable here man'' but she's the one who #gives him a spare key and when sg tells her about what's going on with his hoobaes #she unironically suggest he poisons their water #the heart of the story stay the same there could even be romances if we want to stick to the genre but they're with other ppl bc mijoo #is more like a sibling there #and she takes direct actions #i reaaaally want her to shoot someone #everyone has the same job and so we still get the same cinematography and movie references #anyway so yeah i got a bit lost in my thoughts at that point but that cant be what took me 2h more than was necessary can it ? #run on

[bess3714]

I watched Birds of Prey and here's my thoughts on it even though this movie has been out for like three years

It wasn't #girlboss

This movie didn't feel like a hyper-feminist capitalism girl power we-will-overcome movie. You know what I mean? Like it was very much a movie about women, but not in the 'watch this movie because hashtag feminism' way that Hollywood likes to give us. Women were the focus and the movie didn't make a big deal about it and it was nice.

2. Gotham was bright

If you watch Batman movies, Gotham is always gloomy and overcast, but in Birds of Prey Gotham has sunlight. Gotham actually looks like a place people could live in which was pretty cool and different.

3. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) was a backwards title.

It might have been called Birds of Prey but it was undeniably about Harley Quinn. It could have more accurately been called The Fantabulous Emancipation of One Harley Quinn (and the Birds of Prey). Harley took center stage, which, to be clear, wasn't a bad thing. (To be fair, it's also known as Harley Quinn: Birds of Prey, so.)

I think this scene with Harley and Dinah at the club really gets at what this movie is about.

Harley: "How do you spell "mercenary"? Merceninny… Merceran? Singer lady woman! You're really, really good."

Dinah: "Yeah."

Harley: "Know what a harlequin is?"

Dinah: "Janky-ass clown with bad eye makeup?"

Harley: "Oof! Ouch! A harlequin's role is to serve. An audience. A master. You know, a harlequin's nothing without a master. And no one gives two fucks who we are beyond that.

Dinah: "Yeah, I don't know who you think I am, lady, but I'm not her."

It's about Harley breaking with what everyone, including herself, thinks is her role in the world. She's no longer willing to serve the Joker, but she's still performing for an audience, trying to get a reaction out of the people around her through the crazy things she does. Harley, throughout the movie, learns to (somewhat) define herself on her own terms and stand on her own two fee. She's by no means perfect at the end, but she's grown from the sad, pathetic, just-been-dumped Harley at the beginning of the movie.

4. Roman Sionis and Victor Zsasz gave me Gaston and LeFou vibes

Something something hyper masculinity something something queer coding idk idk

5. None of the main characters felt flat

Harley was, of course, the most fleshed out, followed by Dinah and Renee, then Cass and Helena. Helena was, in my opinion, the least developed character, but least-developed is not the same as under-developed. In movies where there's a team of people, there's always going to be characters that get more focus. However, my pet peeve is when teams have useless characters, people who don't do anything and could easily be cut from the movie without really affecting much, and I didn't see that with Birds of Prey.

6. The fight scenes were delightfully violent

I just really liked seeing Harley hitting people. It was fun, and the entire sequence of her fighting at the police station was really entertaining and well choreographed. Additionally, Roman's demise was shockingly and delightfully abrupt.

7. Final Review

3/5 stars, so a pretty solid movie in my book! The plot was pretty basic but was helped by Harley's non-linear narrative, which thankfully did a fairly decent job of keeping things fairly straight on where we were in the plot. The characters were interesting, and I felt like the actors all did an excellent job portraying their roles. The cinematography was beautiful, and though it wouldn't be the first movie I pick, I wouldn't turn down a rewatch if offered.

(This gif is what Batman would have looked like dancing at the club with Harley had he been in this movie, just fyi.)

#harley quinn #birds of prey 2020 #dceu #margot robbie is a treasure #due to inflation my opinion is worth ten cents

[moviewarfare]

A Review of “John Wick: Chapter 4 (2023)”

John Wick is one of the best action franchises in modern cinema. When John Wick first came out in 2014, it was one of the most surprising yet most enjoyable experiences I had. What is even more amazing is that the 2 sequels it got were also amazing! We are now on the 4th entry and the question is if it continues to maintain the quality it has so far.

Let's get the obvious out of the way, the action scenes are still absolutely amazing! One thing each entry in this franchise continues to do is to make the action bigger and crazier than the last. There are so many incredible actions set pieces with a roughly 30-minute action scene in Osaka with bows and swords, a stunning sequence in Paris with cars and traffic, a Hotline Miami style action sequence with overhead shots, and one of the best action sequences ever involving stairs. I give every single praise to the stunt people who worked on this as they take some very painful falls in this film. This entry is also the best-looking one in the franchise. The set design and cinematography are phenomenal. John Wick killing people has never looked as beautiful as it does here.

Keanu continues to be awesome as John Wick by still doing the action choreography at the age of 57. We get to see him fight with nunchucks and shoot goons while driving a car. Ian McShane, Lance Reddick (R.I.P) and Laurence Fishburne return as Winston, Charon and the Bowery King respectively. They're all still great but have a smaller role this time. There are many new supporting characters are great as well. Donnie Yen joins the franchise as Caine, a blind assassin, who is an old friend but now foe. Donnie Yen always gives his A-game and here is no exception with how he does action as a blind character makes him interesting to watch. Hiroyuki Sanada is Koji who is the manager of the Osaka Continental Hotel who is just a badass and cool guy, Rina Sawayama makes her acting debut as Akira and she does a good job in her small role with some good action as well. Shamier Anderson plays an assassin who tracks John Wick and he also does some great action. What they do with his character is interesting but the best thing is that he has a dog which makes him 100% better. Scott Adkins plays Kilia and he does a good job as a minor antagonist. The main antagonist, Marquis Vincent, is played by Bill Skarsgard and he does a great job of being hateable.

What Chapter 4 has over Chapters 2 and 3 is more emotional elements to the story. John Wick is deservingly angry after 3 but you also get to see him contemplate more about when this bloodshed will end. You see him question a lot of what he is doing and whether these conflicts that are bringing his friends into are worth it. Additionally, his relationship with Caine (Donnie Yen) adds some weight to the conflict by making close friends fight each other. The stakes in this film feel bigger as well. Some people complain about the 2-hour 45-minute runtime but the pacing never felt bad and the quieter moments are enjoyable too. If I had to give a negative then the only one, I can think of is the post-credit scene which dampens the ending a little bit.

Overall, what an outstanding film! It's insane to think that even on its 4th entry, this film continues to be entertaining and somehow still amazing! Director Chad Stahelski has made an extraordinary franchise and shows everyone in Hollywood, how to make an action movie. With the inclusion of a post-credit scene, I wonder if the plan is to make a new cinematic universe which worries me a bit. There are a lot of potential spinoff ideas such as a Caine (Donnie Yen) spinoff or a Tracker spinoff (Shamier Anderson) or a spinoff with the John Wick 3 character Sofia (Halle Berry). Whatever they do, if it is the same quality as the John Wick movies, then I will be first in line to watch.

For more reviews like this visit:

https://moviewarfarereviews.blogspot.com/

#movies #Movie Reviews #film #Film Review #Keanu Reeves #John Wick #john wick chapter 4 #ip man #donnie yen #the Matrix #anime #bill skargard

[maacwanowrie]

Five technological developments that will affect the movie business

To create the final reel of a 3D animation, a number of skills are needed. A 3D modeller, 3D rigging artist, texturing artist, layout artist, 3D animator, renderer artist, and maybe a compositor are all needed for the project. Grab an opportunity to learn from the best 3D animation courses in Pune.

 The future of film may be very different from the clunky camera gear and sound stages we are accustomed to thanks to the internet, computers, and shrinking of technology.

 Filmmaking Tools for Smartphones

By enabling everyone to produce their own independent films without a lot of expense or technical skills, the ability to record and upload video using a phone has already had a profound impact on the film industry. The ability for phone users to have the same high-production value feeling that is typically only possible with pricey camera equipment may now further democratize filmmaking. If it's difficult to picture a full-length movie being shot entirely on a phone, don't worry—it already occurs. Take a look at Tangerine, a Sundance success.

A digital recreation

Look no farther than Oliver Reed in Gladiator or Tupac Shakur's Coachella 2012 performance to see examples of how creative editing and thoughtful technology application have been employed in post-mortem performances before. However, there have been significant advancements in the ability to digitally recreate faces, bodies, and even conversation. With the advancement of digital effects, almost anyone may now be reproduced in astonishing lifelike detail. Despite being a significant technological development for stage and cinema performances, this capability does bring certain moral and ethical conundrums. Not all actors are happy with making post-mortem appearances, extras are worried that being able to construct people digitally will cause them to lose job to less expensive digital puppets, and we could no longer be able to trust the veracity of video evidence.

 Online Reality

Virtual reality is predicted to be the next big thing in movies, even though current 3D technology enables a more immersive and thrilling viewing experience. It's now possible to produce a polished product that makes use of full 360° recording and enables us to watch movies the same way we experience the natural world thanks to new initiatives like Two Eyes VR. Like any new development, VR may find universal popularity, but there are drawbacks as well. Not all viewers can endure a virtual reality setting for the duration of an average feature film, so more traditional cameras may not be extinct just soon.

 Drones

Award-winning cinematography might soon be made possible by an algorithm. Already, drones are fairly good at getting shots that would be challenging or perhaps impossible for a conventional cameraman to acquire. Imagine a drone with the mobility of a mobile phone and an algorithm that enables it to autonomously avoid obstacles and use various recording methods. Drones will not only be able to capture images in places where traditional cameras can't, but they will also be able to maintain the framing of aerial photographs with little assistance from the ground.

 Using algorithms to edit videos

One of the most time-consuming, if crucial, steps in creating a polished, final film is digital editing. MIT researchers are currently working on methods to help automate and streamline the procedure. In just the last few years, facial recognition technology has advanced significantly, but in the near future, computers might be able to follow scripts, automatically categorize every footage, and use jump cuts and other editing techniques to boost the mood of a scene. While no one wants to spend more time and effort on video editing, it does bring up some intriguing considerations regarding the idea of art in filmmaking, such as whether a film can still be made artistically if machines are programmed to handle the technical aspects.

 Filmmakers have been able to bring their creations to life in ways that their forefathers could only dream of because to past innovations like green screens, animation, and camera stabilization. Nowadays, technological developments are mostly focused on speeding the editing process and expanding the accessibility of filmmaking equipment. To produce a polished completed product, aspiring filmmakers won't need access to a studio or expensive equipment worth hundreds of thousands of dollars, nor will they need to spend hours on laborious editing.

[twh-news]

We spoke to Tom Hiddleston about Loki, PowerPoint presentations and the nature of free will

Despite a decade of playing Loki in several Marvel movies and now a TV show, Tom Hiddleston isn’t tired of the role. “There is always something new to be found,” he says The edge.

This week is the premiere of Loki on Disney Plus, a six-episode series that marks the character’s first lead role. It is a story of time travel and branched timelines as Loki is captured by an organization called the Time Variance Authority (TVA). It combines action, humor and some old-fashioned detective work, while tackling serious topics such as the nature of free will. There are also some new faces on board as Hiddleston is joined by Marvel newcomers Owen Wilson, who plays a TVA agent named Mobius, and director Kate Herron, best known for her work on the first season of Sex education.

Prior to the show’s premiere, I had the chance to talk to Hiddleston about his time as a character, a presentation that made him feel like an “amateur academic giving a thesis on Loki,” working with Wilson and Herron, and whether our lives are predetermined. Typical Marvel stuff.

The following interview has been edited and abbreviated for clarity.

We are now at a decade where you play Loki. How have your feelings about the character changed or grown over that time?

I’m honestly just thankful that I’m still here. I find that I am always surprised and happy that I get another chance in it. Long before I was cast, Loki was just the most fascinating and complex character with such depth and range, and he’s been in Marvel comics in several iterations for 60 years, and he’s been in our thoughts, in stories we tell as humans, for hundreds, if not thousands of years. I find that even though it has been 10 years, every time I come back, there is always more to discover. There is always more to dig because these impostors are kind of mercurial and shape-shifting. So there is always something new to be found.

"“Loki is out of control. He’s a man on the run.”"

Now that you’ve focused this six-episode series on Loki, what were you looking forward to exploring with this? What were you hoping to dive into?

I think he’s really opening up and bringing out his many different identities and facets. In my preparation to play the character, I’ve always seen him have so many different and seemingly contradictory characteristics. You think, “How can all these characteristics exist in one person, in one being?” And yet they do.

Loki has always been a character in all MCU movies that seems to be very controlled. He seems to know what cards he has in his hand and how he is going to play them. And Loki, in the TVA – this organization that rules time – has gotten out of hand. He’s a man on the run. And he is motivated by a desire to understand. Suddenly he discovers that there is all this information that he does not have, and he has to get his hands on it. And that actually gives the series great momentum. Loki is on the back foot, everyone knows more than him, and seeing how he adapts, seeing how he improvises after that – if improvisation is possible in the TVA. That’s a question we’re trying to raise, whether you have free will.

I read about the Loki school you led to prepare the team for the character’s history. How did you prepare for that? Did you actually know it all, or did you have to do a lot of research?

I wish it wouldn’t be 10 hours long. I knew I had to summarize what I found useful to tell the crew. It came about thanks to Kate Herron, our director who has done an extraordinary job on this whole series, and he thought maybe it would be a good idea to get everyone together because there were so many department heads, different crew members – production design, costume design, cinematography, camera, sound, stunts – and wanting to make sure everyone had the same information about Loki, and it might be helpful to listen to my experience. I was trying to explain how we constructed Loki’s arc across the six movies he’s in the MCU and figure out what was useful in that arc and what we could leave behind.

I suddenly felt extremely nervous, as if I were an amateur academic writing a thesis on Loki. You’ll have to ask the others if it was helpful at all. But at least we synchronized the watches and we started from the same place.

"“If I were tall enough to use PowerPoint, I could retire and become a full-time professor.”"

So is there a PowerPoint file out there somewhere that will leak out one day?

If I was highly skilled enough to use PowerPoint, I could retire and become a full-time professor.

I did have a few clips. I thought there were some clips from the movies that could be helpful. It was interesting, even though it was about how the costume had changed over the years and why. And when does Loki wear the horns? Are the horns a casual thing? Are they a ceremonial thing like a crown? Is it an extension of an inner intention? Do the horns come out if he’s particularly evil? Why is her hair different? Sometimes he wears a cape, sometimes not. Sometimes he uses magic, sometimes he uses his own body to fight in combat. All questions that people were curious about.

I know this was meant for the rest of the crew, but was it helpful for you to go through this again as you prepared to jump back into the role?

Oh yes, absolutely, just to refresh myself about certain decisions we had made and why certain things were changed… sometimes you try to bring very elaborate and beautifully illustrated comic book panels into a physical reality on a movie set and figure out how to merge these two worlds. It was interesting. I got some great questions about how he moves the way he does and where certain things showed up in stunts, especially hair, makeup and wardrobe, how the clothes changed and why we made those choices.

It was interesting to refresh myself on the extraordinary input, because I carry the inspiration of great people with me. [Thor director] Kenneth Branagh and Alexandra Byrne, our costume designer; Bo Welch who designed the first Thor movie; Charlie Wood who was production designer on The dark world; the whole crew of Ragnarok; Mayes Rubeo, the costume designer of Ragnarok; and people like Douglas Noe, who has been doing makeup on Loki for a long time. So there was a lot to unpack.

Both Kate Herron and Owen Wilson are newcomers to the Marvel machine. Is it helpful to have such an external perspective?

Absolutely. Both Kate and Owen came in with so many questions because they hadn’t lived in Loki’s head for 10 years. They have a fresh take on it. Kate was so well prepared and so well researched; she even brought in new Marvel Publishing material that I’d never seen before, about Loki’s inner world. Owen came in and asked me a lot of questions about my experience. I remember him saying, “Tom, why should I?” you do you like to play Loki?” And I found myself saying, “Well, he’s just got this whole range. He can play the light keys, but he can also play the heavy keys in the bass clef. And somehow the character has both.” And he loved that way of thinking about it, he said, “I think I could say that on the show.” And so it was really his very intelligent question that took us elsewhere in the story.

Given the themes of the first two episodes, I have to ask: do you believe in free will?

I hope so. Free will is such an interesting, eternal question. I think people have asked to what extent we have the power of self-determination, self-realization, choice about our actions and whether we can control the course of our lives. It goes back to evolutionary or psychological arguments about nature and nurture and why we are who we are. Maybe it’s the journey of a lifetime to find out, to really take the wheel of your own life. Because we are set on a path in childhood, I think, often by accident – the misfortune of birth, where we were born and when – and we are propelled in many ways by the unconscious.

That’s a complicated answer. It’s a complex question. So I hope so. I hope true free will is possible. But for all of us, I think it can be a long journey of self-discovery.

#tom hiddleston #loki #loki series #interview #article #whatsnew2day

[zediina]

hi! sorry if this comes off as rude, but i’m learning german and was wondering if you have any german tv show/film recommendations? i’d really appreciate it if u do, thanks so much!

Hello!! Don't worry, this isn't rude at all :) I haven't seen many of these in a long time but here are a few I really enjoyed (I linked the trailers to the movies/the first seasons of the shows too):

MOVIES

Die Feuerzangenbowle (1944)

Yes, this movie is very old; it's black and white. But it's still shown on German tv and it's pretty funny. A famous writer goes undercover in a school, pretending to be a student since he never got the classic school experience (he was home-schooled). He and the other students play a bunch of pranks on the teachers, and other shenanigans happen.

Das Boot (1981)

This is a classic and was nominated for several academy awards, including best director and best cinematography. It takes place on a German submarine during ww2, so it's a war movie. Usually not my favorite genre but this one really kept me on the edge of my seat. There's also a series that came out recently, but I haven't seen that. I can't imagine that it's better than this though.

Good Bye Lenin! (2003)

Takes place shortly after the fall of the Berlin wall and tells the story of a young man from East Berlin. His mother just woke up from a coma, and the doctors say she shouldn't get any big surprises (like, you know, the of the fall Berlin wall) so he tries to fool his mom by pretending the GDR still exists; which is harder than it sounds. The premise sounds a bit ridiculous but it's a really great and funny movie.

Das fliegende Klassenzimmer (2003)

Based on a very popular children's book, this movie tells the story of a boy who's new in a boarding school. He and his new friends find the book for a musical and decide to practice and perform it. (There's a bunch of other stuff happening like a rivalry with another group of students. I haven't seen this movie in forever but it's good and the story is very well known).

Die Welle (2008)

This is based on a true story about a social experiment a history teacher did with his class; maybe you've heard of it before. They create a mock-nazi party to try and understand how they became so popular and how people could buy into their rhetoric. Things go sideways pretty quickly. A great movie and a reminder that none of us are immune to indoctrination and radicalization. There's a tv show with the same name, but I don't think they're connected.

Fack Ju Göthe (2013)

I feel like everyone in Germany has seen this comedy at this point. Objectively it isn't a very good one but I'm going to recommend it simply because every German person I know can quote at least one line from this movie. A criminal takes a job as a teacher for the owrst class in that school, because his accomplice buried the money they stole underneath the school and he needs to get to it. Let's just say his teaching methods are a bit... unconventional.

Labyrinth des Schweigens (2014)

Another movie based on a true story, and one of my favorites. This one really stuck with me. It's about a young state attorney in 1950's Germany, who starts interviewing holocaust victims and prosecuting nazi officers who served in Auschwitz. This movie really shows that many people in Germany would have preferred forgetting the holocaust ever happened and pretend everything is fine rather than confront it.

Tschick (2016)

We actually read the book to this in school. It's a bout two 14 year old boys who steal an old car and go on a road trip together, and all the crazy stuff they experience. To be honest I don't remember that much about it since it's been so long since I've seen it, but I do remember really liking it!

Kästner und der kleine Dienstag (2017)

Remember that really popular children's book I mentioned? Well, this movie is about the author of that book. He's one of the authors who stayed in Germany during the Nazi regime, even though his works were banned and burned. It's about his friendship with a young boy that inspired a character in another famous book of his.

Die unheimliche Leichtigkeit der Revolution (2021)

This movie is about the east german environmentalist movement that started the peaceful revolution, which lead to the fall of the Berlin wall. It's about a teenage girl whose younger brother died due to pollution, and the state is trying to cover it up. Also shows how the GDR was trying to suppress any criticism of the state. It's definitely not the best movie on this list, but I really enjoyed it.

TV SHOWS

Ku'Damm 56, Ku'Damm 59, and Ku'Damm 63

The three mini series tell the stories of three sisters, whose mother runs a dancing school on Kurfürstendamm in Berlin. They take place in 1956, 1959 and 1963 respectively. It touches on a lot of topics, including domestic abuse, antisemitism, homosexuality, rape and more. I particularly loved the first season, where the youngest daughter who doesn't really fit into her mother's plans discovers her love for rock n' roll dancing.

Charité

The Charité is a prestiguous university hospital in Berlin with a long history, which this series exlpores. Season 1 takes place in the 19th century, where Robert Koch is lookig for a cure to tuberculosis. Season 2 takes place in Nazi Germany and among other things talks about the euthanasia practices at the time. Season 3 takes place right when the wall is being built (which passed right by the hospital). The show includes charcters based on real people as well as fictional ones.

Deutschland 83, Deutschland 86, Deutschland 89

An East German soldier has to go and work undercover for the GDR in West Germany, at a time where cold war tensions run high. I never got around to watching the last two seasons, but I remeber that the first one was really good.

Club der roten Bänder

This is based on a true story, and there are other versions of this show for example in the US. It's about a bunch of kids with different conditions who become friends in a hospital; two of them have cancer and got their legs amputated, one has an issue with his heart, one crashed a motorcycle, the youngest is in a coma, the girl has an eating disorder. There are other characters who show up as well. The show can get pretty sad, but their friendship is really touching.

Türkisch für Anfänger

This show was wildly popular back when it came out in the early 2000s. A german woman marries a turqish man, and create a patchwork family with four kids; who are absolutely not excited about it. But they have to figure out how to live with each other.

Oof, this escalated a bit, but I didn't want to exclude anything :) I hope you find something you like on this list!

#asks #german stuff

[letmetellyouaboutmyfeels]

Why does everyone hate the Dear Evan Hansen movie so much? I thought the Broadway show was like beloved??

Hello nonny dear! This got long because I am incapable of shutting up so this is below the cut.

So, quick disclaimer: I am not a fan of DEH as a musical. I never liked it, for a few reasons, the main one being a personal preference - I simply don't like stories where the entire plot is based on a person lying to people. It really, really stresses me out (it's why I can't watch a lot of comedies). I think part of it is being autistic - I don't understand why the person lied. You can try explaining it to me, I just won't understand. It doesn't compute in my brain. In related news, I tend to be a bad liar and also extremely blunt. So!

DEH as a musical was loved by a lot of people, specifically young people. I actually noticed a very similar trend with DEH that I did with RENT, which is a musical from my generation that is beloved by people my age but by older people not so much. RENT, like DEH, speaks to the opinions, viewpoints, and issues of younger people. RENT is full of youthful anger at an unfair system, at feeling powerless, at not being listened to, and it also speaks to that youthful love of rebellion and art for art's sake. DEH, on the other hand, speaks to young people's struggles to fit in, with feeling alone, with depression, and so on.

As pointed out in one of the reviews, part of why people liked DEH was that the character was so young. The fact that he was in high school was what sold the story. Who hasn't, in a mixture of awkwardness, good intentions, and desire to be valuable, done a questionable or even wrong thing? Who hasn't done something they thought was small, like a white lie, only to have that thing spiral out of control? Kids (and teenagers are kids, God bless you all, I say that with the most sincere and deep affection) do that shit all the time.

However, it's not as endearing in adults. Adults, you see, theoretically understand better the consequences of their actions, the far-reaching ramifications, and are just generally (supposedly) on top of their shit.

To watch an adult (and the main actor playing the title character is completely 100% an adult now) make the same mistakes as a teenager is not endearing. It's annoying. Because your brain RECOGNIZES he's an adult. This is actually why people have discussed the problems with casting 30-somethings as teenagers in TV shows, because we see those 30-somethings in very adult situations (I don't mean that in a "protect the children!" way) but also behaving like, well, teenagers? And so it creates a weird dichotomy in your head and it is literally confusing your brain.

So you have an adult that your brain knows is an adult, behaving like a child, and that is annoying to you. It's not endearing. It's bothersome.

Another reason is that DEH is no longer hot off the presses. Give any popular piece of work time, and you'll start to see the imperfections (although online culture take this way too far and will rip any piece of media to pieces for not being flawless and perfect). A lot of people, again, especially young people (everyone I know who loved DEH was in high school or just starting college) connected with the characters and were grateful to have a story that was front and center about mental health issues. But now, time has passed. The initial rush of emotion connected to DEH is over, and people are able to view it with a more disconnected and therefore more critical eye.

I think, also, DEH fell into the trap that Prom did - Prom was not a perfect musical, and I think if I'd seen it on stage I would've thought of it as cute, sweet, and a bit forgettable. But the director made a LOT of mistakes in filming, such as in casting choices (James Corden please sit down) and in cinematography (he ruined dance numbers by zooming in on people's faces instead of zooming out and letting us watch them dance). I suspect DEH suffers from similar issues, since people often struggle to translate musical theatre to film.

It's oddly easier to suspend your disbelief when watching something on stage than watching it on film. In film, we have special effects, we have so much realism, we can make everything come alive, and so people have higher standards for it than in theatre where we all tacitly acknowledge that this isn't real but we're all here for a good time. The Lion King uses puppetry and large masks liberally. Avenue Q has hand puppets. Come From Away has actors in multiple roles, switching up using only minimal costume changes like hats or vests. Cats has no fuckin' plot whatsoever. But it's a lot harder to accept in film someone just belting out into song, so you have to find ways around that.

Chicago did a really great job by framing all musical numbers like you were in a cabaret show, firmly putting you in a dreamscape of the heads of the characters. They're not really singing, this is what they feel in their minds. In the Heights had a framing device where he's telling the story to kids and had the main character cheekily address the camera, breaking the fourth wall almost immediately. Cabaret swung hard the other way and was completely diegetic.

DEH, I suspect, did not put in the ground work to help you suspend your disbelief, which just made the flaws that much stronger. I always thought the songs in DEH are mediocre, and it seems film critics agree with me. And when the rest of the musical is going wrong (songs, casting, camera shots, etc) it makes it easier to see the glaring flaw which is the fact that the title character exploits someone's suicide for his own gain. He doesn't just lie (at least not in the film) - he creates fake email exchanges between himself and the dead teenager to fabricate the lie and sell it, so that he can get the love and sympathy he craves.

Not exactly a likable person, even a teenager, but especially when the teenager is played by a 30-something who looks it. The other characters are just as flat, and the musical makes a (sort of) villain of the one character who's genuinely being selfless.

Finally, a film can include details, thanks to camera shots, that a musical on stage can't. There's a scene in the film that I can't recall being in the musical (I could be wrong!) where the title character looks up the dead teen's favorite books list in the yearbook. The books are so stereotypical "suicidal teens read this" that I could vomit. Little things like that take a flawed story and push it into the realm of insulting.

Now, I admit, I am biased. I do not like this musical and have not for some time. I'm forever angry that it won Tony awards when Bandstand should have instead. I feel Bandstand handled mental health issues (ranging from PTSD to alcoholism to grief to depression) in a much better and more nuanced way. It didn't show one teenager exploiting another (dead) teenager for social clout. The songs were highly original and inspired, and of a jazzy 40s style we don't often see anymore but still felt fresh and connecting to a 21st century audience. Listening to DEH on the other hand I think, "well I've heard this all a million times before."

I also didn't like how it handled mental health, and I found the main character completely unsympathetic and manipulating. The fact that he was a straight white boy made it all worse. I am sick and fucking tired of stories about straight white boys fucking up, being apathetic and mediocre, and still earning sympathy and second chances from both other characters and the audience. I personally feel that all the bad reviews about the DEH movie are a long time coming and I am feeling extremely vindicated right now, since people are finally agreeing with me that this musical does not deserve the praise it initially received.

But! That is my own personal opinion. I hope that, if you or anyone else did like the musical, or are confused, you will note my previous thoughts about why the film is not being as well received. Translating musicals to film is hard, and this film made several blunders that both added to and enhanced earlier flaws in the musical.

#mads answers things #I hope I was able to explain why people aren't liking the film #while keeping my grudge/biases mostly out of it #my extra-petty opinion is that it's a crappy musical and people are finally realizing it #but I hope my answer showed some kinder and more technical reasons why there might be a dichotomy here

[iron--spider]

I woke up at 3am yesterday to watch The Devil All the Time and I’ve been thinking about it since. I’m gonna put my thoughts and feelings and a review of sorts behind the cut, because I am gonna talk about it freely, so there will be spoilers! So don’t click if you don’t wanna see. I’ll also be discussing the content of the film and I know that might bother people, so that stuff is in here, too! And it’ll be really long because you know I can’t shut up.

So, I loved it. I loved it loved it loved it. I read the book a long time ago when I first found out Tom was gonna be in it, and the only problem I had with the book was that the POVs would change in the middle of a paragraph lmao, but other than that I thought it was pretty perfect. I knew the movie was gonna be pretty brutal, because the book is brutal, so I was prepared.

-BUT I think the critics HIGHLY HIGHLY exaggerated how bad the content was. Like, seriously, they acted as if this was gonna be a Saw movie. I was preparing for blatant, horrific gore, but it didn’t live up to their dramatics at all. There’s blood and nasty situations, but every single episode of Game of Thrones is worse than this movie, as are most episodes of any crime drama on a paid network. I actually thought they were super, super tactful of all their horrific shit. The dog death was off screen and the shot of the body (described by the critics as literally traumatic) was so quick (enough to shut your eyes) and in the dark. I also argue that particular moment is extremely important for Arvin’s journey, because it’s the moment he truly turns on his father and turns on religion entirely, and he carries it with him his whole life (it’s what he flashes back to when he says “I know what my daddy did” because it’s the marker of all Willard’s mistakes) and it winds up being one of the last things he does before he leaves everything behind. Burying Jack’s bones. So, like, I despise dog death or any animal death in my entertainment, but it’s important here and handled well. And all the worst death scenes are either extremely fast (Helen’s and Gary Matthew’s) or shown in negative (all the photos). I think Bodecker’s headshot with Bobo is probably the worst and is also pretty quick. I don’t know if this means I’m a jaded bitch, but God the way they were all whining and crying, I thought it’d be a million times worse. It could have been, with the book’s descriptions, so it was actually pretty tame. Lenora’s death affected me the most and they cut away from that, too. I guess it’ll still bother some people, but there are many, many mainstream things that are far more violent and gory than this was.

-I thought it was a beautiful movie. I never mind films that are slightly slower but I love ones that use their time to lay things out and really show us what’s going on, build the ambiance and the relationships. I loved the narration (which I was worried about), and it really made me feel like we were visiting a moment in time that was important. Like something that was written and should be learned about. Rumors in a town you’re passing through. The ghosts of past trauma and transgressions looming over everyone that’s left.

-I liked the changes they made with Roy and Theodore because I thought that storyline kinda meandered in the book and I’m glad that Roy was actually gone the whole time and not just neglecting to come back to Lenora.

-The only real complaints I can make, I’ll get out of the way here: I wanted a little bit more time with Carl and Sandy. Carl was really creepy, but he could have been much creepier. In the book he was the one looking at the pictures constantly, Not Sandy, and that really showed that he was the one with the sickness, the one pushing them forward and orchestrating it all. I thought they did well with showing how Sandy deteriorated in her efforts with him through the years, but I would have liked to see a bit more of their personal lives together and her fear of him and her genuine feelings about what they’re doing, because the book goes into that a lot more. I also wasn’t a fan of Lee finding the picture early and knowing some about what they were doing, because I liked how it was a surprise to him in the book and yet he still did all he could to cover it up. And lastly, in the book there’s a scene with Arvin after he kills Sandy and Carl where he’s in a motel and he takes like 18 showers because he can’t get the grime of what he’s done off of him, and he looks at the picture and has a nightmare about killing Sandy, and I really would have loved if they’d kept it in. It would have been another ‘acting’ moment for Tom, and it would have been nice for us to see his direct trauma and reaction to everything that’s piling on top of him.

-BUT that’s it. I loved pretty much every single other thing and decision that they made. The cinematography was TOP NOTCH. You could tell they filmed on 35mm film, you could see the grain, and it really, really added to it. Antonio Campos is a very skilled director and I trusted him at the helm of this story. Everything looked so authentic, all the sets and the costumes. The soundtrack and score were AMAZING and enhanced the film. Technically it was just perfect in every regard to me.

-Acting! Acting! God this was like...a massive testament to the casting department and the talent of these people. Everyone was on their A game. Bill Skarsgård has been on my radar since Castle Rock (which I recommend to everybody, both seasons) and he was so natural and great in this role. Haley Bennet was absolutely adorable as Charlotte, I loved her cute face and her sweet relationship with little Arvin. Riley Keough was so great as Sandy with the limited amount of time she had, and Jason Clarke is one of my favorites but he was unrecognizable in this as creepy ass Carl. Harry Melling was a far cry from Dudley Dursley and he did a great job with his screen time, too. Same with Mia Wasikowska, who didn’t have much to do (same as poor Helen in the book) but she was able to garner our sympathy anyway. Seb Stan was slimy and gross but he pulled it off so well. Eliza Scanlen has been one of my favorites since Sharp Objects (another one that’s brutal as hell but I recommend it, she’s so scary) and she was so, so great here. Robert Pattinson was ALRIGHT, everybody talks him up over this but he felt a little hammy to me and a little too over the top, but there’s no denying his talent.

-Now, the reason we’re all here. Tom. My God. As soon as it was over I just didn’t know what the hell to do, I didn’t even know how to....go on, lmfao. We all know he’s talented, that’s why we’re here, that’s why we love him, but his performance in this is just BEYOND all that. Beyond comprehension. The man is only 24 years old and he’s out here outacting people who have been in the industry for longer than he’s been alive. He is SHOCKINGLY good. I knew he’d be perfect for Arvin as soon as I read the book, but he just completely embodied this role in a way that I couldn’t have imagined. He doesn’t show up in the movie until about 45 minutes in (which doesn’t hurt it because of the strength of the leadup, Bill’s performance and the performance of little Arvin’s actor) but God, as soon as he’s there the whole thing comes to life in a way that it hadn’t before. Tom is literally just a shining light, and he draws your eye in every single scene he’s in, and when he’s not there you’re wondering when he’s gonna come back. Arvin, to me, is a very complex character—he has been inherently changed by how his father twisted religion in his childhood, how deeply he betrayed him by his behavior, but he still has a kind heart and a protective streak and the need to be strong despite the pain nearly breaking him apart from moment to moment. Tom is just outrageously good at portraying all Arvin’s little nuances, how he clenches his jaw, how his voice breaks when he’s afraid or trying to convince someone of something or get his point across, how his hands tremble after he’s done something he wishes he didn’t have to do, how his whole body wilts when he realizes he’s emulating his father. And his eyes. Tom can do so, so much with his eyes that it’s unbelievable. He tells you so much with just a simple look, a glance, a wince, a long blink. I’m not exaggerating when I say he’s just an absolute revelation in this, he cements his place in Hollywood with a firm hand and a tender look, and I will not be forgetting what he did here anytime soon. There’s a reason that everyone called him out for being so stunning in this. He is magnificent. He has a gift.

-I wanna say, in particular, how much I love Arvin’s relationship with Lenora. Their lives were both marked by such tragedy and pain and Arvin just took up the torch of protecting her from the moment he said hello as a child. He wants so badly to be tough, and he IS, but there’s just miles and miles of love in this boy’s heart, and it manifests itself for his family—for his uncle, for his grandma, but for Lenora in particular. I loved how he just showed up when she was being harassed and just ran in there without thinking, and it’s purely devastating that he was out taking care of her bullies while a worse predator was cornering her. The scene where she was sick wasn’t in the book but it was a beautiful addition. Tom sometimes wears this very open, unguarded, honest expression, and this is the only scene in which he shows it, and it really expresses the love between them and how much she means to him. Arvin didn’t find Lenora’s body in the book, but it was the right change for them to make. Tom was devastating here, and that pain and that moment truly fuel every second of his journey through the rest of the film. “My Lenora”. The saddest siblings. Both Eliza and Tom did so beautifully with this relationship and I hope they work together again.

-Favorite acting moments for Tom: when he’s in the car in the rain after beating up the bullies, when he’s in the church crowd and realizes Preston is insulting his Grandma (the way his face changes oh my GOD), when he finds Lenora, when the cop comes to tell him Lenora was pregnant (this is just....so damn good), when he was telling his uncle to look after his Grandma, THE ENTIRE CHURCH CONFRONTATION (the way he trembles when he’s trying to get his attention, how he speaks the whole time, how he slowly gathers his strength), when he thinks Sandy has shot him, the moment where he’s over Lee’s body and just....pleading with his eyes for him to listen and realize what he’s done. And the last scene, in the car, all the emphasis on his face....once again, he can do so, so much with a look, with his eyes. Someone called out the beautiful last shot in the film, and of course, it’s Arvin’s sleeping face. And it was so beautiful (and devastating, to think of him enlisting. Tom draws so much sympathy that you just want Arvin to have a normal life so badly. He deserves it, he does, but will he get it?)

-Last thing I’ll say, I really loved how, despite turning his back on religion, that God seems to be protecting Arvin the whole time. He’s terribly afraid confronting the preacher and that could have easily gone badly, especially when he tosses the book, but Arvin was somehow able to get a shot off and get the upper hand. And with Carl and Sandy, he senses something is off immediately once they pull off the road, and he would have absolutely been killed had Carl not switched out Sandy’s bullets for blanks. And in the confrontation with Lee, he once again shoots at the same time as him, shoots without looking, and manages to come out unscathed and on top. A few spoiler reviews pointed out that the last person that picks Arvin up is supposed to be a Jesus-like figure, almost like he’s finally been saved. It hurts that everyone around him that he loved is almost forsaken by God, but he himself is protected. It’s such a complicated commentary on religion throughout the entire piece, but it’s so interesting and engrossing.

So I’d recommend this movie to anyone that loves movies, loves Tom, can deal with a gritty story that takes its time laying out all the chess pieces. It is definitely heavy subject matter but it doesn’t go overboard with the horror as it easily could have. Yes, there are triggers to look for, but the critics hugely over exaggerated how awful it was. I can probably go get time stamps for certain things if people wanna ask me after reading this, but if you can get through a Tarantino film or any HBO drama, you can do this. And Tom’s performance is one for the ages and not one that deserves to be passed over or downplayed. It is beautiful and heart-wrenching—a magnificent turn that displays his monumental ability to reach out and guide you into any world he decides to make his own.

I loved The Devil All the Time.

#tom holland #arvin russell #the devil all the time #text post #LONG #I’M SORRY

[watching-pictures-move]

Put On Your Raincoats #21 | Double Chinn Double (Double) Feature (with Hyapatia Lee)

By the time the '80s rolled around, Bob Chinn, best known for his collaborations with John Holmes (the inspiration for Boogie Nights), had been directing movies for over a decade. For much of that time, he'd been making them for peanuts (in an interview with the Rialto Report, he recounts being once asked to make a movie for five thousand dollars, which was handed to him in fifties on the spot), but in the early '80s, he was directing for Harry Mohney's Caribbean Films, working with respectable budgets (by porn standards). Some of these films starred Hyapatia Lee, one of the most popular porn stars of the era and one of the first contract girls. Now, I suspect these aren't necessarily the defining works of Chinn's career, and I do intend to get to some of his movies with Holmes. But Vinegar Syndrome had a sale and there were two double features of their collaborations going for dirt cheap, and because I am weak and foolish with money, they ended up in my cart and a few weeks later in my grubby little paws. How did this happen? Through the magic of Canada Post, of course! Anyway, what I found was that these didn't represents any extremes of artistic ambition. They were neither seeking to elevate the genre, nor were they hackwork. Rather, they represent a happy medium, movies that seek to deliver the genre's goods in a polished, diverting package. Slick cinematography, courtesy of Jack Remy. Catchy theme songs that wouldn't sound out of place if you caught them on the radio. Flashy titles. Lee recounted the atmosphere on set as one of professionalism and engagement, where everyone present wanted to do as good a job as possible. Chinn claims to have been losing interest in his work at this point, but the results onscreen are the result of confident execution by somebody who had been doing this kind of thing for years and knew how to put the production's resources to good use.

The first one I watched was The Young Like it Hot, where the operators at a phone company worry about being replaced by computers. To keep their jobs, they scheme to go the extra mile in helping their callers. As this is a porno, most of this help is sexual in nature, as when Rosa Lee Kimball stays on the line while an obscene phone caller played by Bill Margold finishes. (In an interview on the DVD, Margold says after shooting his scene, he was invited to record additional dialogue. Being the method actor that he was, he insisted on whipping it out during the recording session despite the lack of cameras.) Sometimes they are informative, as when Bud Lee (real life husband of Hyapatia at the time) explains why the perineum is referred to as taint ("cuz it taint cunt and it taint ass"). But the highlight of their efforts are Shauna Grant's increasingly life threatening home improvement advice to one poor sap played by Joey Silvera. Hyapatia Lee is ostensibly the star, and has a certain charisma, playing the supervisor, but this is really an ensemble piece, and she's joined by more experienced actors like Kay Parker and Eric Edwards. The latter I've occasionally found bland elsewhere, but he has a nice obnoxious quality that serves him well as the villainous manager whose idea it is the automate the operators' jobs. The movie reflects a very real concern (that's very much still an issue in the modern workplace), but overall this is a breezy, affable comedy.

A bit more serious in tone is Sweet Young Foxes, a coming of age story whose dramatic parts are more sensitively realized than I expected. The screenplay was written by Deborah Sullivan, Bob Chinn's wife at the time, and this is a case where a movie definitely benefited from having been written by a woman, and it seems like an earnest effort to capture the anxieties and yearnings of its young women protagonists. Lee moves closer to a real starring role, and is joined by Cara Lott and Cindy Carver as her friends, who aren't quite as strong actors as her but do have decent chemistry. I can believe they're friends even if their line delivery can be stilted. (That the movie has a good ear for genuine sounding dialogue also helps.) Kay Parker is especially good as Lee's mother, hitting some of the same notes as Taboo, and has a credibly emotional masturbation scene in front of a mirror that did not leave me unmoved. (In what way? That's none of your damn business.) This was shot by Jack Remy, the same cinematographer who worked on The Young Like it Hot. That movie looked nice and slick, but this one is a little more stylish, with the solo sex scenes in particular resembling magazine centerfolds. There's also some nice new-wave-ish music that shows up on the soundtrack, which I certainly didn't mind. I do wish some of the sex scenes didn't run quite as long (the previous movie kept them refreshingly concise) as I'd prefer more of the runtime was dedicated to the dramatic elements, but what's there is still good.

Body Girls goes back firmly to comedy territory, where Hyapatia Lee and the members of her gym are trying to win a bodybuilding contest despite a rival gym's attempts to undermine them. This comes in the form of a pair of schlubs in yellow tank tops who break into the gym after hours to sabotage their equipment, only to be foiled by Hyapatia and her girls who just happened to be having sex in the locker room as people do. Of course, despite Lee's attempts to teach them a lesson (which depending on your proclivities, may have the opposite effect), they don't give up, and during the contest threaten the judge at gunpoint. Not one to take things lying down (okay, poor choice of words here), Lee finds a way to influence the judge back in her favour. (The judge is played by Francois Papillon, bringing a dopey charm to the character as he fumbles through his lines in his French accent.) Her method is pretty ridiculous and certainly in service of genre requirements, but I did laugh.

Now, there's probably a dilemma in audience sympathy here as both Lee and her rivals are cheating, but Lee's methods are more agreeable and directed at the judge instead of her rivals so I guess we ought to root for her. She's also buoyant, charismatic and has a real star quality, and is joined by such fan favourites as Shanna McCullough and Erica Boyer, all of whom sport wildly different hairstyles. As can be expected given the exercise theme, most of the ladies have toned, athletic bodies (and given the decade, voluminous coiffures), with the exception of Tigr, who brings a wiry punkish energy that stood out to me despite her limited screentime, and she also performs the miraculous feat of making a mullet look cute. (I'd previously been moved by her work in Kamikaze Hearts, the great mockumentary about a porn production and her relationship with Sharon Mitchell. She didn't stay in the industry for too long, but I'd be interested in seeing more of her work.) The screenplay was written by Lee with her husband Bud (who plays the judge's assistant with an agreeable presence that's neither too alpha nor too schlubby) and is full of exercise-related dialogue. Most of this is pretty clunky and calling it wordplay might be a bit generous ("sexercise" features at one point), but I did appreciate the effort. Also as is requisite for the premise, the longest set piece in the movie is an orgy in Lee's gym with the various participants snaked around different pieces of equipment. I must note that one of the male actors resembles Barry Gibb and that Francois Papillon is shown to wear a tiger-striped speedo. Did I enjoy the movie? Yes, but not for reasons cited in that sentence.

At the end of Body Girls, Bud Lee suggests to Hyapatia, "Let's get physical", which is the title of the next movie. (Body Girls also features a character looking at dirty magazine with stills from Sweet Young Foxes and ends with a plug for some of these other movies, anticipating the MCU's narrative and marketing strategies by a few decades.) Now, all of these movies have had decent theme songs, but the one in Let's Get Physical has lyrics that are plagiaristically close to those of Olivia Newton-John's 1983 hit. (The delivery however is more shrill but not unpleasing.) This movie is a drama where Lee plays a dance instructor trying to put together a ballet performance despite her strained relationship with her impotent husband played by Paul Thomas. (In the interview I listened to, Lee speaks well of almost everyone she worked with on these films, with the pointed exception of Paul Thomas. If there was bitterness behind the scenes, it arguably helps their performances.)

Lee wrote the screenplay for this one, and unlike Body Girls with its surface level references to bodybuilding and exercise, the dialogue here feels packed with knowledge of the real thing, which is understandable given Lee's real life interest in dance going back to her childhood. (I looked up "Luigi jazz dancing" after finishing the movie and was pleasantly surprised to learn it was a real thing.) This movie goes all in on her star power, and features a number of dance numbers that seem genuinely interested in the form rather than just leering at the performers. (There is one scene where the song Lee dances to sounds suspiciously like "Beat It".) I did appreciate that the sex scenes were kept relatively concise and tied into the dramatic aspects, although in some cases, the choices made could be goofy, like the scene where Lee makes love to her student Shanna McCullough while Thomas, in a dramatically justified but still awkward gesture, watches from another room and jacks off. (I assume he's playing the audience in this scene. Also, McCullough's character remarks "I've never done this before" when going down on Lee, and yeah, okay Shanna.) Other highlights include a car stunt that may or may not have been lifted from elsewhere but still looks decently executed, as well as a dream sequence where Thomas (or his character at least) plays the piano and sings a song. This is held back a bit by the genre's demands, like when it places a completely superfluous sex scene at the end after Lee's reconciliation with Thomas, but on the whole this is probably the best one of the lot.

#film #put on your raincoats #movie review #the young like it hot #sweet young foxes #body girls #let's get physical #bob chinn #hyapatia lee

[yamaoni]

The Second Great War of Remnant has begun. Once more, Vale and Mantle are embroiled in a massive conflict, only this time, they are on the same side against Atlas.

I don't think it was a coincidence that so many people drew parallels with the last episode and WWI. We've never seen people fight that way in RWBY. Grimm don't use projectile weapons the way humans do, so the benefits of the trench are diminished; especially if you compare it to the drawbacks.

Now, I understand not everyone in the Atlas military has their aura unlocked and the squishy soldiers need some cover, but if The Long Memory didn't nuke every grimm on Atlas, the lines would have been overrun and then there would have been nowhere for them to retreat to.

You think the very real hand to hand struggles in the trenches of WWI were bad, imagine being trapped in a narrow trench with a bear. Or having this thing explode out of the ground under you.

I refuse to believe no-one in Atlas ever thought, "if we put the dirt from the trench in a box, no only can we give our soldiers cover, we can also give them an elevated position to fire from."

The top of a wall has been the primary defensive position for the people of Remnant for a long time. You can see them in the establishing shots of most settled places the team has visited. So why are we seeing a trench now?

Simple.

Show, don't tell.

RWBY has done a pretty great job, especially in the last few seasons, of showing the audience what it is trying to convey without explicitly telling them. They especially like drawing from well known folk lore to give insight into the future of the show.

Only difference here, instead of drawing the parallel between characters, they're drawing parallels between worlds.

Remnant's first Great War started with Mantle suppressing freedom of expression, the destruction of Art and Color. Ironwood always has little in the way of color, but in his first broadcast since everything started hitting the fan, he has none.

That broadcast also included evacuation ships being blown up by fighter-bombers, Dunkirk. It threatend to level a city if they didn't surrender, Battle of Brittan. All delivered by a dictator trying to scare his opponents into submission through careful use of film.

Theories

If the rest of the season is WWII, I have several theories on plot direction. Considering how well they did keeping up with both ends of the battlefield it wouldn't surprise me if they followed all of them at the same time.

Operation Dunkirk

Or, the evacuation of Mantle.

Players: Penny, Nora, Ren, Happy Huntresses

The Happy Huntresses involvement is a given. Not only has saving Mantle been their goal the whole time, they're also stuck in the middle of it right now.

Penny is the Protector of Mantle. It would be a shining moment for her character to fully throw off the virus Watts implanted and overcome Ironwood's threats to do so. Just crossing my fingers that it doesn't end like the Iron Giant.

Nora is currently Penny's tether to sanity, so she has to go with, and I doubt they would separate Ren from her for the next arc so he's going too.

Surprise twist for this plot I'm betting will be the Starwars "they aren't warships, just people" scene everyone loves to rag on. After all, the broadcast went out that they needed help and, at least at Dunkirk, it was fishing boats and pleasure crafts that retrieved the 338,000 surrounded on all sides.

Why We Fight

Or, countering Ironwoods propaganda.

Players: Robyn and Qrow

For one, these two are unaccounted for and in the heart of Atlas' military machine. If anyone has means to do so, it's them.

The film, Why We Fight, also countered the dramatic cinematography of Goebbels propaganda by painting it as ridiculous and making a folksy call to action much like Robyn has done in the past.

Operation Fortitude

Or, the deception of Ironwood.

Players: Emerald, Jaune, Oscar

This is the mission to make Ironwood think the team is going after the relic. This theory is why I actually thought of and wrote out this whole thing. Thanks @maxiemumdamage, I had things I was supposed to do tonight.

https://maxiemumdamage.tumblr.com/post/644291955872890880/willing-to-bet-my-own-soul-that-emerald-uses-her

Only difference in my theory and their's, is Jaune is going to be playing the part of Penny.

I say this for two reasons. One, Joan of Arc pretended to be a man. While we've gotten both Jaune pretending to be something he's not and him in a dress, this would pose the first time in the story he could do both. Two, it would put him on a direct collision path with Cinder. It needs to happen at some point to bring his arc to a conclusion, but man I hope we're not about to watch him burn.

With Ozpin active again, Oscar has to go along to direct them to the vault. He's also one of two backing the idea of Emerald joining the team and Jaune wouldn't be willing to work with her without him.

Operation Overlord

Or, busting down the doors of Atlas Acadamy.

Players: Ruby, Blake, Weiss, Yang

Where Operation Fortitude was the faint, Operation Overlord was the real deal. For those that aren't history buffs, this is D-Day.

I think this is the reason we've only seen the main team fighting together once since their split from Beacon. And even then, that fight was at most pairs of fighters and not all four of them supporting one another.

RWBY tricked us into thinking season 4 was the post-timeskip level up we come to expect from anime when really we ended up watching the training flashbacks as they happened instead.

We've seen hints of it with the various team ups and combinations, but are we really ready for how much ass kicking they are about to do?

I'm hoping for a One Piece level of badass entrance that can give me shivers whenever I go to watch it again like the walk to Arlong Park still does to this day.

(Aside: if you try telling me RWBY isn't anime, I'm just going to ignore you. Anime is an art movement. If you don't understand what that means, watch this video. https://youtu.be/uFtfDK39ZhI)

Now last and certainly not least

Operation Valkyrie

Or, the death of Ironwood.

Players: Winter and Marrow

The long awaited defection. Plenty of speculation has already floated around about if and when these two where going to cave to their morals and jump ship. I don't know how many of us were expecting the straw to break the camel's back to be a nuke held over Mantle, but I certainly wasn't.

What worries me, is Operation Valkyrie failed and all its conspirators were executed. As if there weren't enough death flags for Winter before.

Even if it's not Winter that kills him. I don't see Ironwood surviving this season. Even if it means he goes out like another hated dictator. It's not like it would be the first time RT had a fallen hero chose to use his own sword.

Wildcards

Or, Murphy will have his due.

Players: Cinder, Watts, Neo, Tyrian, Mercury, Clover

These players can go any which way. Three we know for sure are going to be active in the coming episodes and I wouldn't be surprised if the other three play a part as well.

Oscar made a hell of a light show for Tyrian and Mercury to see behind them. Not to mention, Salem will still need a ride home when she pulls herself back together.

Clover keeps getting mentioned even though he's hospitalized. If he was truly out of commission for the rest of the season, they would have made us think he's dead before bringing him back like they did with Penny.

Up to now, what we've seen is a three way conflict. But one of the hallmarks of Remnant's First Great War, was making temporary alliances to fight off grimm.

The grimm might be gone, but the wild cards can't complete their own objectives if they are dead. The question is who's goals better align with their own.

Two surprise twists I can see here. One, Mercury stabbing Tyrian on his way to defection. He was raised by an assassin and has not going to get a better chance than that. Two, Clover joining Operation Valkyrie. He might have accepted that sacrifice is a necessary evil to ensure Atlas' survival, but might go Schindler's List on us and find horror in what Ironwood plans to do.

TLDR

I spent way too long writing this out. All the WWI imagery means we're getting a WWII movie with RWBY characters. Major death flags for Penny, Jaune, and Winter.

Also I finally figured out how to do a readmore. Apparently it's just been a long time since I updated.

Note: kept seeing things talking about clovers death and I kind of went ???? Isn't he barely alive in medical? Went back and watched that scene and though I am 90% sure he is dead still kind of weird that they have him in his own room instead of a morgue and the initial framing made my mind instantly think he was propped up on a hospital bed. I mean, I guess we needed to have all the ACEOPs there for their reaction to Ironwood... but it definitely made me think he was alive. That and they have a bandage on his chest wound... when he's supposedly dead. Also have a phantom memory of Harriet saying something about him being in critical but I think that's my memory playing tricks on me.

Having his face exposed instead of covered by the sheet and seeing him in the same frame as Winter being treated also didn't help my gut reaction of "Oh Shit! He's alive? How?!" If I'd followed up more on the "how" might not have made the blunder of writing his return as the final twist in my theory. Oops

#rwby #rwby spoilers #rwby speculation #rwby spoiler tag #ruby rose #blake bellodona #weiss schnee #yang xiao long #jaune arc #nora valkyrie #oscar pine #lie ren #qrow branwen #robyn hill #penny polendina #emerald sustrai #arthur watts #cinder fall #neo politan #winter schnee #marrow amin #cl*ver ebi #i did purposely mess up that last one so that my final idea could be a twist

[project-paranoia]

Live Watch: Oh My General Episode One

Oh My General has got it all!  An interesting plot, crossdressing, throwing gender norms on a pottery wheel and reshaping them, humour, love, color coded concubines, and bi representation where the joke is about realising instead of about being. Ye Zhao - the titular general - is good-natured, gorgeous, and unapologetically who she is during the series.

A lot of what we cover are boys crying in the snow and then sword fighting each other - because that's a lot of what there is.  It's important to remember that there is other stories that both are and need to be told as well.  Crossdressing, especially historical crossdressing has long been an excuse to explore what it means to be who you are as well as the rights, privileges, and limitations of gender, sexuality, and social ranking.  Oh My General takes these concepts on with all the vigor of the main character and with so much good humor it can poke around the corners of identity in a way that feels refreshing.

* I assume that's a camel skull because desert, but I don't know how much of that Props has lying around. Everyone better beware, especially of the spoilers waiting below!

* Ye Zhao in full armor on top of a hill - remember to hydrate, summer is coming and it's bring the heat.

* The enemy army has arrived in the desert wearing fur hats so you know who they represent culturally.

* Working that high ponytail fashion.  That full face covering is probably great for switching between stunt person and actor, also when she's riding down the hill it makes her eyes black which is a very cool effect.

* Also, she's been guarding the border for 8 years and he doesn't know who she is? I know functionally that part of the script is for the Hyped by Your Enemies trope, but it still makes me laugh.

* Impressive opening fight scene, great sound design, beautiful shots.

* I should mention if you can't stand seeing animals get hurt you might want to skip a lot of the first part of episode one, it's not gratuitous, but it is a battle with horses. None of the horses are actually hurt of course, they're stunt horses and probably having a great time, but still.

* Dramas usually blow a lot of their budget on the opening fight scene and we don't see anything like it again.  Oh My General carries through to the end though.

* She knocked off his hat!

* Dramatic Sand Fight!

* I'm really into cinematography - as you may have noticed - and I love the camera work. Youku has a habit of using good behind the camera people. Wen Jie and Clarence Fok are both listed as directors but I don't know who did what.

* I honestly don't know enough about Chinese martial arts to have an opinion on the skill of the fight scene, but the filming is excellent.  One of the shorthands the series uses to discuss unusual gender situations is camera movement and angles.  The angle of the camera both makes Ye Zhao heroic, it makes her stand out on the landscape like a doll or action figure.  This playing with size an appearance is interesting and a unique way of teetering on the balance of where she does and doesn't belong.

* The sound design is strong and really sells the blows.

* Beautiful beheading

* Ominous hoofbeats!  Who will it be?  

* Of course it's our hero and she's really got a-head in life! (insert drum emoji of choice here)

* She just hocks that head through the air

* Ancient Chinese golf

* I love how serious she takes the game

* CGI bird is a Delight, and I support him

* There aren't that many good solid emperors in dramas.  They're struggling or malicious, or incompetent. I should do a review but do I have time to watch a lot of dramas and movies?  I do not.

* Love the ministers' costumes.  I often wonder about the people who play all those maids and eunuchs in dramas and movies.  I bet there are people who can make a career of it.  I wouldn't mind that kind of job.  I wonder if it's the same with court minsters, the people to stand around the characters who actually speak.  If anyone knows about the extra process for Chinese dramas please let me know!

* Court shade being thrown

* Ah!  When you see a character you'll grow to love but you don't know them yet. It's just heart eyes all the way down.  Do I have type? Perhaps. XD

* These men just love wearing furry hats in the desert.

* I know a lot of classic martial artists don't like wire work, but I kind of have a fondness for elements of something Extra in dramas.  If I wanted to look at real life I would open a window and accept the inevitable wave of depression.  I want something Bright and Fun

* I don't know that it's historically accurate, but there's something weirdly compelling about the emperor's words being translated into slang

* Elder Ye!

* I love how the servants are really aware of what's going on and know how to manage things.  I love and respect Gong.

* Elder Ye once again making trouble

* The ladies, I love them, I adore them

* Why does this man want to watch the general pee so bad?

* Fox!  I love him.  A good and important gentleman!

* ~their bones will melt~

* The romantic fresco, General Ye is having a moment as they contemplate the sudden appearance of a picture of a pretty young man and what that might mean. As someone who doesn't fit into gender norms evenly, seeing a man depicted in a very different way seems to give her pause to contemplate ways that someone can exist in and outside of gender normativity as well as her ~beloved.~

* Sudden foreshadowing memory.

* You know the Emperor's least favorite part of the day is when he asks the ministers if they have anything to bring up

* That moment when a character asks who would marry me to the person who wants to marry them XD

* "No matter how strong a woman is, she is waiting on a man to appear" Is she though?

* It's one things to marry a "project", it's another to be assigned one. XD

* The Empress is just playing dolls at this point XD

* Finally, we introduce the male lead, and the timing is perfect

* It's nice to see gentlemen dancers

* This slo mo scene is so good! This show understands the beauty in the mundane and absurd

* I love this dance scene so much!  The bi energy is unapologetically so strong and I always love to see traditional arts from anywhere.

* The way this backstory is delivered is so good!  I just love this scene, what a great way to end an excellent episode!

#将军在上 #oh my general #watchthrough #let's watch

[graphicabyss]

I watched The Falcon And The Winter Soldier and I liked it more that I expected, although frankly I didn't expect much. Overall, I love the setting, the cinematography and the character development. The director and the writers did an excellent job. But it also sent me down an emotional roller-coaster and that's the thing I really need to talk about.

I know there are countless rants about TFATWS, Endgame, queerbaiting and poor MCU narratives but I've never really been hanging out in the fandom until recently so for me it's my first one and I need to get it off my chest. It's gonna be long.

It was interesting to see where the show's gonna take things but start to end there was an elephant in the room. It doesn't sit well with me the way they completely sidestepped the Steve Rogers issue. Like, "we didn't make this mess, so we're not gonna go there". And it's just wrong. You can't just avoid the subject altogether and pass it on for future writers to handle. Also, you see Bucky so sad and lonely it breaks your heart. And this inevitably made me think about Endgame and Cap's storyline. I didn't feel like writing it all down after Endgame but now all these thoughts and feelings came up again and I need to get it off my chest. If they ended it all at Endgame, and I thought they did, it would have been fine, sort of. We'd forgive some loose ends. But they didn't end it there and that makes them fully responsible for this mess. I mean, I didn't hate Cap's ending. After all, it could have been worse. Steve could get together with Sharon like in the comics and they probably considered it at some point but the reactions were so bad they backed down and dragged Peggy along. Still, the ending just felt forced, no matter how you look at it. The thing is, if I knew about it after the first movie, I'd rejoice. But at this point, after everything that went down after, it just doesn't feel right.  I love Peggy and I can't deny the dance scene made me flutter a little but now I wish this was Steve's way to keep his promise before going back. In the end, Peggy would be fine without him. She had a good life, she made a career and a family. We know that thanks to Agent Carter. And we got many cues that Steve and Peggy's relationship, as important as it was, was over. Her saying goodbye to him by destroying the serum, him carrying her casket... Yet, Endgame effectively undermined that basically erasing all of these events from existence and making Peggy just a prize for Captain America.  On the other hand, Bucky needed Steve the most. And the show made it clear how bruised and broken he was. Bucky and Steve's relationship was the closest of any relationship in the MCU. At that point it was clear Bucky was everything to him, the only one who could truly understand him. Steve lost him many times and every time he fought to bring him back, no matter how impossible it seemed. When Bucky was captured Steve went into an enemy base alone on a suicidal mission and saved him and everyone else. That's basically how he became Captain America. Then Bucky got killed in the war and it devastated him. Bucky returned as Winter Soldier and there was hardly any Bucky left in him but Steve nearly let himself be killed because he needed to save him and he trusted that James would not hurt him. When Bucky finally got to his senses, there was an ultimate war going on and in the Snap James fell to dust in front of Steve's eyes. It took 5 years to get him back. And as soon as Steve succeeded, he left him, along with the rest of his traumatized friends and the world in deep chaos, to be with Peggy in 1940's, thus throwing 12 years of his life away. It just didn't feel right. That does a disservice to both Steve and Peggy's storylines. But it's not just about Peggy or Bucky. Steve going back and living his life to return to that park as an old man has opened a rift with a host of questions. I tried to get to the bottom of it but it got me nowhere.  According to Russo, when Steve went back he created an alternate reality. He also retired as Captain America. First off, I think he just made that up after to cover up the mess. If that was the case, Cap would return to the designated spot and not be sitting on a bench like he was waiting there all along. But, like, even if it was alternate reality, it could not be that different, right? He wouldn't just live in Peggy's basement, would he? He knew about the things to come like, you know, the HYDRA thing, and being the man that he was, he couldn't just sit and do nothing. Especially when Peggy was one of the founders of the SHIELD. Captain America or not, Steve would do everything to make this world a

better place. Also, if Steve went back after he crashed that plane, that means there's another Steve still locked in ice, which Russo confirmed. Even more importantly, in Steve's timeline Bucky is still with Hydra being tortured. There's no way he could leave him there. So much for the 'quiet life'. Then there are the writers of Endgame who claim that Peggy's two children are fathered by Steve. Really? That directly contradicts the earlier version that the father is a soldier Steve saved, which is shown in Agent Carter. Seriously, guys, if you're gonna make up random bullshit at least get your stories straight first.   Fans love to make all sorts of theories to try and patch up the holes but the truth is, MCU is not just one mastermind's creation and the comics weren't either. It's bound to be a mess because it's created by dozens of writers and directors and each phase gets increasingly messier because it has to fit in with the 547 previously released movies and shows. I get that and I applaud the effort of Endgame but they really can't expect us to get involved with the characters only to see them being treated as an afterthought. And the thing is, I thought that it might be just me but after a quick survey of the fandom I realized that a lot of people feel the same way. If you look at the comment section of nearly any relevant video, you're gonna get top comments saying all these things. If Marvel listened just once maybe things would make more sense. And all these thoughts aren't necessarily what I wanted to see, but what would be right for the characters. And while I do love Stucky, I'm a reasonable shipper and I really didn't expect them to be canon gay or anything, I just wished they had at least spent some time together not fighting, just healing and catching up on their lives. Honestly, I don't always like the way people ship m/m characters in every show but this time it was really more than justified. The whole storyline going through Winter Soldier and Civil War was just massive queerbaiting. It was undeniably a love story, romantic or not. "Why do you ship male characters?" some people ask. Idk, maybe if the writers put half the effort into developing m/f relationships as they do m/m ones and not just randomly throw them together I might care about them. And MCU was terrible with romance. That traumatic kiss Steve had with Sharon Carter? In the comics, Steve did love Sharon but who cares? In MCU they met, like, twice. Mostly after Peggy's funeral. Peak romance. If they had to pick a new love interest they could go with Natasha. They cared about each other, they bonded in TWS and they were both dealing with some difficult issues. But they became just good friends, which I loved. Instead, Natasha got together with Banner? And then there's Wanda and Vision, which seemed like the most random of pairings with no buildup whatsoever. The wonderful world of heteronormativity where a witch/robot couple comes before a gay one. And the thing is, I only recently learned that there's some legit leverage to portray Bucky as gay. Bucky is based on two characters from the comics. Bucky Barnes was Steve's teen sidekick, kinda like Robin, so this origin was too weird for MCU. Instead, the writers used the origin story from a character named Arnie. It was a boy Steve grew up with, a boy who protected him from bullies, and a boy who kept inviting Steve to these double dates. A boy who was gay. Which wasn't explicitly stated but was pretty obvious. And this was in 1984. So making Bucky gay would be neither woke nor against 'canon'. It would be way overdue.  So with TFTWS it was nice to see Bucky recover and bond with Sam but to me the whole ending also felt a bit excessively positive and this time the queerbaiting felt even more intentional, almost as if the writers wanted to distract the discontent fans with a new shiny ship so they forgot all the things they were mad about. Like, of course I want Bucky to be happy but also I hate the way the show's pushing the idea that he just needs to get over losing Steve and move

on with his life already because surely all his problems come from his inability to trust people and not trying hard enough, and not from being brainwashed and tortured for 70 years and then losing the only person who loved and cherished him.

#MCU #Endgame rant #Stucky #TFATWS #Marvel

[luidilovins]

You should turn your post on the Uncanny Valley into a book or something. I am not even kidding, it's brilliant and sorely needed information. Thank you for it.

Tbh its just speculative that the uncanny valley is an inherent biological trait and not cultural or a learned behavior at the moment. A good example would be the cultural phenomenon of colorophobia where in the US we have a longer history of using clowns in our horror pop culture genres than countries like Japan.

Clown entertainment has been around since the Egytian times and maybe some people have always been freaked out by them it honestly just takes one director or author to have an disproportionately irrational fear and good cinematography skills to convince people that they SHOULD hate clowns just as much, (I could say the same about the movie Jaws but thats a bit of a tangent,) or a memorable event that damages the public's trust in something that SHOULD be innocent or harmless. (A good examples being the John Wayne Gacy trials.)

Clowns are also thought to be in the uncanney valley so ita a fairly good argument on cultural phenomenon versus genetic traits. Up until aroud the 60s-70s clowns were actually fairly well liked by the US general public and a lot of older generation still find a fondness in it that would scare the living shit out of their grandchildren.

As far as evidence that I may be right about the "uncanney valley might be because of rabies" theory, there has been a small case study suggesting that the movements of a non-human robot that trigger the effect in us, is also present in people with parkinsons but the sample size is too small for me to be thoroughly convinced.

And don't be mistaken I also dislike this concept because saying that ableism is an inherent human trait is just as bad as saying racism is an inherent human trait. There is little to gain from distrust in the disabled and little historical evidence to suggest it was common or beneficial to discard disabled people. Disabled people's remains have been found time and time again to live to incredibly long livea and be cared for, and participate in their communities. I'm highly critical of this particular case study and I take it with a grain of salt because its on cosmo, but evidence of human disabilities and compassion can be sourced by actual bones and it's been placed on VERY credible sources. NPR, NBC, Discovery, Nat Geo, NY Times, literally the clostest you can get to creme of the crop news articles on DOZENS of accounts and if you have a goddam problem then pay for a tour to the Smithsonian, find an archeologist and coherse them into showing you the bones and then explain phorensics to you because you probably wouldn't understand unless you too were a phorensic archeologist yourself.

What I DO BELIEVE tho is that if the uncanny valley is a legitimate inherent trait, that like most evolutionary traits, it made it this far for this long because it somehow served us benificially. And the biggest benifit I can think of is identifying neuro-infectious diseases because they can spread agressivley, many of them lead to death or lasting effects and are fucking MISERABLE to catch. We're talking brain swelling, fevers, uncontrollable vomiting, tremors, hallucinations, motor and vocal tics, difficulty swallowing, seizures. This could all happen because they eat infected deer meat or because of one bad fox bite. It's miserable if you survive and horrifying if you dont. Rabies can survive in your muscle tissue for years before infecting your brain and once it does usually you only live for about 5-10 days in and out of concious knowledge that you're going to die painfully, and disease aggrivated psychosis. It would be hard to pinpoint the causation because the amout of time before full blown infection would vary too much to assosiate for a long time. So your only option is to hone in on telltale signs.

The disabled people who would suffer from herdeditary or developmental neurological disorders run the risk of prejudice from mistaken identity, but if a human is part of a community, and doesn't die within a week from having a wobbly head, it would sooner or later become apparent that they're not dangerous. I think nowadays culturally people don't press to learn more about disabled people due to social and political prejudice and never fucking grow up past that. Mistaken identity or not. You learn about people from the patterns of their behaviors so even ones that seem abnormal to you become a normal recognizable pattern for them. Fancy that.

We don't get grossed out by chimps or gorillas, who are even more distant cousins, and the proof that we don't have a search and destroy button for anything immediatly related to us is a bunch of bullshit can be found in almost every human's blood on earth. And not just neanderthals, but denisovans as well. And that's not even accounting for genetic backtracking the crossbreeding of other sapiens species before we were whittled down to just the three. What makes the tweet even stupider is that when neandertals still roamed the earth humans were shorter, hardier, and overall more rough looking so we looked even indistinguished then. We Also Chewed On Bones and neandertals handled cold climates better than us based on a study on chest cavity density and, skull nasal intake and heat circulation, providing genetic diversity and the upper hand in survival in the tundras or mountainous regions spanning over Eurasia. If it wasn't for humans fucking neandertals we might not have been able to spread over the contient or diversify the way we did.

So my full hypothesis is that if the uncanny valley is a genetic inherent human trait it was used to benifit people from catching agressive diseases in a time where the benifit of fearing a group member with rabies outweighed the cost of fearing a group member with a disability like parkinsons.

WHAT PISSED ME OFF was the idea that we are DESIGNED to be unwary of our evolutionary cousins could easily be used for white supremacist spaces to justify racism BECAUSE IT ALREADY HAS

So that one tweet that might seem like a quirky thinkpiece in my eyes is just fuel for eugenics trend round whatever number we're on. It's like we don't fucking learn. It would be REALLY easy to retool the concept that it's natural for people to be fearful of whatever the bullshit definition of sub-humans are. Claiming that black people were sub-human thus deserving of mistrust and submission to white ownership worked like a fucking charm.

Maybe if I go to college and major in psyche/socio/civics it'll be my college thesis. Right now I'm more of a hobbyist than anything, but what I DO know is that anyone can make an untested hypothesis to combat another untested hypothesis and it should hold just as much goddamn value. I combatted the idea that the idea that human othering was funneled into an unconfirmed effect that causes disgust and terror based on non-human sapiens is in fact racist and gave what is in my opinion a more evoluntionary practical approach to the uncanney valley.

The generalized links that I used APARENTLY weren't good enough for some people but aparently a single tweet that says "hur dur heedle dee uncanney valley exists because of human cousins" was taken at face value even tho it was probably tapped out in five seconds without regards to the reproccussions. I find a huge discomfort that less than studious links about the evolution of monkey social behaviors that I used as a guideline to explaining my concerns became the focal point for people to nitpick without even having the gall to "well actually" on the subject. That absolute ravaging NEED to rip apart at it and devolve into name calling because I MENTIONED racism is fucking suspicious and I don't trust it. I had to stop looking at the responses because some people were only reblogging and arguing with barely half of my argument and i was getting nowhere fast.

There were a few people that made actual points with cited sources that made their own rebuttle arguments. That I respect. It's just as valid an argument as mine and I'm ALWAYS willing to take on more credible sources to strengthen my stance or gain perspective.

But it's the utter dismissal of a concerning concept that just seeped into the subtext that gnawed at my gut. Some people on top of hating the linked sources I provided, admitted they didn't read it, refused to read between the lines to purposfully misinterpret or derail my main points, and detract that my claim that the tweet was a result of systemic white supremacy saturated into modern science was a bunch of bullshit because I claimed that 1500s anglos invented racism.

The thing is we did invent the racism that we fucking currently subscribe to.

We practice the science that we formulated based on our own social prejudice. Real people die from this.

We remain uncritical of our own theorums that we postulate then pat ourselves on the back like we're philosophical geniuses even though racism is a family heirloom with a new paint job.

We preach the eugenics ideals that we pulled out of our asses to benifit from fearmongering, promises of national security and unpaied labor.

White supremacists create subtext with the intention of it being consumed by accident or in ways that seem palatable.

Fuck.

That.

I don't hate the person who wrote the tweet. Chances are that they gave the tweet as much thought as they took the time to write it and went on their day as a fun little thinkpiece. Everyone on the internet does it. But its that kind of thinking error that needs to be adressed as a progression of historic and scientific prejudice that gets rehashed, recycled and untouched and continually damages and is weaponized against marginalized people. I am not wrong for taking it seriously especially when a bunch of people were sitting around nodding their heads just as effortlessly.

I don't owe the internet any more sources than the tweet. I don't owe anyone on the internet a full scientific ananysis. And the people's reaction to what I had to say was actually what further convinced me I might have hit the nail on the head.

#answered asks #uncanny valley effect #eugenics #fuck white supremacy #systemic racism #racism #negative #slavery #luidilovins

[lampoest]

Unfiltered thoughts watching mission impossible rouge nation inspired by @chaotically-cas

(sorry its so long my brain is all over the place)

this is also part 14 of me watching it every day :/

CURSING WARNING !! ALSO SPOILERS !!!

why is brandt first to speak

starting out with "shit" good call benji

brandt man we get the package is on the mcfucking plane

badass luther 10/10

nervous benji 10/10

that one sound effects sounds like the discord notif

why he in a fancy suit

*jumps on a plane with almost no plan on getting inside*

why did tom cruise think this was agood idea?

but like why would benji even open the ramp?

how is he not winded from that?

classic ethan

THE INTRO 1000/10

SOLOMON LANE !!

wait you can already see lane in the record shop.

how do they tell the agents these little convos?

also damn way to give it away

what if someone just looked in that room and saw the secret message?

also how did the disc get changed? because the imf definitely didnt make that

and how did lane know where he was going?

speaking of lane---

dang that man is pretty

he always sets guns down carefully

i can only see alec baldwin as trump from his snl skits so i dont take hunley seriously ;-;

damn brandt needs to step it up. man keeps letting himself be inturrupted

bruh the imf is only luck

why did no one resrict his legs?

also why is janik such an asshole?

dang she cool !!

why does it take janik so long to get that gun?

bravo-echo 1-1

this man is bleeding but decided instead of taking care of his wound he calls brandt.

i like how you actually see ethan worried and confused trying to plan his next moves. he is rarely caught off guard so it's refreshing to see his more human side

hunley spitting accusations damn bro

also a big fuck you from ethan to hunley

dang ethan is good

brandts little hidden smile

and ethan leaving trails

bitch how you sketch that good???

STAN BENJI !!

youve won, your way out of a job

benji is good

my little brandt x benji shipper in me is happy

simon pegg is such a good actor

the first time i saw this i was like: aww noooo

all dunn with that

TO THE OPERA !!!

TUX BENJI TUX BENJI

i cant tell if that was ethan

it just looks like youre talking to yourself thats more sus than using a phone

want drama? go to the opera

ok but like if you look like that im sorry you are a bad guy. thats like a stereotypical bad guy face

benji-

you can see ethan in the background of that scene

flute gun flute gun

oh no benji is in the closet. dont worry man we love you

if i were there and i just had a good vantage point i could find lane in an instant

ooh ilsa pretty

pipe gun

also pamphlet computer

those key things are cool and plausible

spiderman spiderman does whatever, ethan hunt can?

a W O M A N

what W O M A N?

reminds me of a marshmallow gun i made out if pvc pipes.

why does she not put that thing back?

also the dude loads it and then later it is unloaded

dang that guy is pretty tall.

ethan is so tiny

dis bitch is like uhh gimmie a sec to catch my breath mate

why he only dropkick people?

only 30 mins in ?!?!

the cinematography is exquisite

yes benji goin sicko mode

*gets shot* just a flesh wound

bruh i would've been so startled at that

i love how confused he is at that

ilsa saves ethan once again

they did this on the first day of filming

skdjs

ah yes random package in car = not bomb totally

if she tried to shoot benji then yes she is a bad person

but she didnt try to, she could've easily but didn't

benji being paranoid

she could just say the dude's name

benji being scared

hunley jumping to conclusions

brandt actually cares yeey

why di they approach from different sides of the street they were in the same car.

benji was far away from the sparks why he flinch?

friendship goals

oop plot dump that only mission impossible can get away with

ok...

why this mf's voice so smooth

lane is struggling with chopsticks

also lane :))))

ive chocked on my water so many times watching this scene

lanes voice :))))))

SHE RUINED HIS SUSHI WHAT THE FUCK ILSA

this man dont know what personal space is

gotta look up these peeps mbti types

casablanca references

also benji is wearing dollar store lookin glasses while ethan is wearing some fancy glasses

luther is top notch

as much as i dont like jeremy renner he delivers these lines really well

because atlee is a bitch

oh honey please, impossible is a walk in the park

benji just wants to wear a mask

id be so nervous walking through those

yes...

personal wellbeing who?

why not bring a plastic bottle full of air?

tom cruise can hold his breath for 6 minutes and he learned to do so for that scene

luther big brain

damn cctv

why did they need to break in while benji was going in?

das sus but ok

also isnt et voila french?

she just randomly tapping the ipad

benji being stressed

if he missed the exact center

i want one of those to open my locker's lock

if he just went with the current and didnt try to force his way against the water ilsa wouldn't have had to save him

imagine if he put the wrong one in-

she is breathing heavily to over saturate her body with oxygen so she can hold her breath longer

see ilsa makes it out without well and she went with the current

BENJI'S OUTFIT YESSS :))))))

no you didn't

you gave her a false sense of security

ethan's confused face for the next like 10 mins is great

liar

why does that one man look like sean ambrose?

parkour

skdjdksjdjdkfjs

the facial acting in this

STAIRS STAIRS STAIRS

the glare yesss

vrrrm vrrm

hey its you !

drivin like a grandma

shit !

benji just screaming

im convinced that ethan is indestructible

no you didn't survive that

bonk

dskfh

ethan didnt just-

also why didnt benji just tell ethan he made a copy ???

dont shoot and drive kids

high speed motorcycle chase with no helmet or leather. tom cruise, how?

i wanna learn how to drive a motorcycle

HOW THE FUCK IS HE NOT DEAD YET ?!?!

the lighting

ofc brandt would be the person why sits backwards on a chair. fkn bi vibes

benji to the rescue

fuck off atlee

i am so proud of us ...

the lines are done so well here

benji lookin like how i look when my parents argue

YES THIS SCENE

LANE LANE LANE LANE LANE

im too fucking gay for this movie-

once again no personal space

*inhales* :))))))))))))))

ive like memorized the entire script of this including the music

1 man performance of m:i5 ???

benji's outfit

also i love how youre able to see the characters in the background. props for the attention to detail

i need that haircut because his hair is lookin A+

fuck you atlee

ilsa spitting straight facts

uhh ilsa he still loves julia

NO BENJI NOOOO

EW FUCK OFF JANIK NO ONE LIKES YOU

speak of the devil-

betrayal--

WOULDNT YOU LIKE TO KNOW WEATHER BOY !??

actin sus

BENJI LANE BENJI LANE

his posture shdhskhsj (i cant be talking though)

0 personal space whatsoever

why does everyone have the same haircut in this???

simon mcburney pretending to be hunt prentending to be atlee

manipulation !?

the syndicate you say ? i know a thing or two about them 😼😼😼

damn though renner delivers these lines really well

a black tie? how informal. ..

complimenting hunt right infront of him

but he really didnt

i never realized that they were on the clock for this

huh...

the lil head nod though-

HAHA YEAH FUCK YOU ATLEE

is it bad that i hate atlee more than i hate lane?

ethan big smart wrinkle brain

janik just reading a fucking magazine

ethan has a photographic memory

oh look its benji :)))

lane :))))

ethan being tough

it must be aquward to get the low angle shots

lane is running out the clock to put pressure on ethan hmmm big brain

it isnt working though :\

damn he so cocky that hes telling the villain his plan

ill give you 1/5 of the money you wanted to get my bf back

ok but like does tom cruise just not age?

kill the woman

ugh i hate janik

the trust that is shown between those two is great

yes the score and the chase are so great

also this man really hates windows for some reason

fuck off janik

sneaky sneaky

EYY ITS LANE !!!

yeyy janik is dead

once again dodging bullets and hating glass

couldve killed him but needed him alive

the glass box

badass ethan

all the pretty men assembled

lane really let himself go aster this

dang though lane is my favorite villain ever

i like how for once the girl and the guy just are friends instead of romantically involved

eyy the callbacks to how the movie started.

welcome to the imf

#benji x brandt #mission impossible rogue nation #mission impossible #ethan hunt #benji dunn #luther stickell #ilsa faust #william brandt

[butterflymar]

DAY 2: FAVORITE BL DRAMA

I have quite a few... I can’t choose just one so bare with me lol

Life Senjou No Bokura

Synopsis According to MyDramaList: One day after school, the serious Ito and the child-like Nishi meet by chance, as each endeavors to remain walking  on the sidewalk`s white line. As time goes by, Ito recognizes he is drawn to Nishi in a way that is new to him. Nishi, for his part, is frustrated that they only get to meet on the sidewalk. Ito decides to act upon his feelings and kisses a surprised Nishi, who agrees they need to walk side by side for a change. The sparks between them are undeniable as their relationship blossoms in high school, survives the college years, and matures into adulthood. A deeply moving work that bears witness to loving partners, whose unchanging feelings must co-exist within a world of changing realities.

My Personal Thoughts: I already wrote a review for this so I am going to re-share some of those thoughts here. This is one that I have watched countless times already. They went by the manga for mostly all of the episodes and I appreciated seeing that. They gave more context for certain details that may have been lost while reading the manga and translated it to screen. I think they depicted the age gaps well too. For 4 episodes only, I feel that they did a great job including the most important aspects. Actually now that I think of it, I would have loved to see more of them in their early 20s depicted on screen because that was like one of there honeymoon phases and I’m a hopeless romantic lol but that’s just a personal preference not complaining. Also, the show stopped at age 40 and they could have gone on throughout there entire lives but I understand why they chose not too. The manga is great as well!!! I think that the main actors depicted beautiful true love very well. They had amazing chemistry. Japanese BL’s have that special spark about them that I love. I also loved that it showed there relationship from high school till there later years. I don’t see that a lot with BL’s. They usually just stick to one time period. The aspect about them being connected by a line in relation to there love was a nice touch as well. I am glad that it has a happy ending as well. This is a pretty quick one to watch and a great one at that!!! If you haven’t watched it yet, I would highly recommend it!!!

I Told Sunset About You 

Synopsis According to MyDramaList: Teh and Oh-aew were best friends until a boyhood line of reasoning turned them into rivals. Years later as they're preparing for university admissions, both pursuing interests in the field of Communication Arts, the two meet in a Chinese language class. Their reunion awakens complicated and unstable feelings.

My Personal Thoughts: Same as above, I already wrote a review for this so I am going to re-share some of those thoughts here. This is DEFINITELY one of my top BL shows of the year 2020. This is such a beautiful masterpiece of a show!!! I remember when the preview trailer first came out… I was already hooked!!! I was on the lookout for it and it did not disappoint me one bit when it finally started. I looked forward to seeing it every week. It made me feel all of the emotions. I was up here sitting in my room crying over everything. I don’t think any other BL has made me this emotional before in my life. The two lead actors really DELIVERED!!! I could feel every single stare, every single body movement, and every single touch. You could cut the TENSION with a knife!!! No one couldn’t tell me that there wasn’t a magnetic true love between these two. I know this sounds cliche but it's like they were destined to be together from when they were childhood friends. Also, I would love to see them in future projects!!! The cinematography in this show is TOP FREAKIN NOTCH!!! Every single scene is just so beautifully shot. The cinematography alone makes me want to cry lol I saw somewhere that someone said the filming of the show reminded them of an indie film and I totally agree!!! The writing and directing on this show was impeccable to me!!! No cringy dialogue and every single line served its purpose well. This is movie grade writing. I also wanted to quickly just say that I loved the attention and callback to details throughout like with the tutoring book that Teh made for Oh-aew that was left empty by the end of episode 4, the flower that was supposed to be colored the same as Tan’s garment but Teh colored it red because he was thinking of Oh-aew, the rubbing of Oh-aew’s back when he sniffles, the references to Teh’s favorite actor, and the use of Chinese phrases to get meaning across. I could go on and on but wow I just loved how they really connected all of the details throughout. I can’t wait for Season 2!!!

Theory of Love

Synopsis According to MyDramaList: Third is a filmology major and a member of the Savage Team along with his best friends Two, Bone, and Khai, but he has a secret. Third has been secretly in love with Khai for years. For three years, he has kept his secret love in his heart, silently supporting and loving Khai while knowing there is absolutely no future between them since Khai is as straight as a streetlight pole and also an absolute player. To make matters worse, Khai has a "no dating friends" policy. How long can Third love Khai silently while watching Khai bring a different girl home every night? Third has tried to see Khai as just a friend. But has failed time and time again. Because as easy as it is to fall in love, to stop is just as hard.  Maybe even harder. That is until Third learns a secret that breaks his heart completely. But when Third decides to stop, Khai decides to start.

My Personal Thoughts: As sad as this show can make me feel at times, I love rewatching it. I still to this day think that it is one of the most well written BL’s that I have seen. Everything flows nicely and everything connects. Your not left wondering how you got from point A to point B. I thought the show had great character development especially when it came to Khai’s character towards the end of series. I know a lot of people had mixed feelings about his character due to how careless and dare I say stupid he acted at times but if he can make the audience hate him that much as a character... I would say he is doing something right!!! Gun’s acting never fails to amaze me!!! He really is one of the best actors I have seen. I know he had to be drained from all of that crying that he did throughout the show though lol It just goes to show that when you truly love someone you can’t just stop what you are feeling inside that easily no matter how the other person feels about you or treats you. As the old saying goes, love is blind. I also loved the friend group as well and Two and Bones side stories with the teacher and crush from school. They added to the shows greatness and didn’t take away from it. The friendship dynamics throughout the show was I feel something that really kept me engaged. The cast acted well together. There was no awkwardness or hesitation. I feel everyone bought there best for this drama. They incorporated the movie references so cleverly and I love how the title of each episode was the title of a real romance film. Just the overall theme of film was very intriguing to me. This drama left me filled with heartache and a rollercoaster of emotions but the ending is worth it!!!

HIStory3: Make Our Days Count

Synopsis According to MyDramaList: At first glance, high schoolers Xiang Hao Ting and Yu Xi Gu appear to be polar opposites: While Xiang Hao Ting is an outgoing, hot-headed extravert and some-time bully, Yu Xi Gu prefers to keep a low profile and focus on his schoolwork. They seem bound for totally different futures – the bookish Yu Xi Gu looks destined for academic success, while life is just a long popularity contest for Xiang Hao Ting. But a quirk of fate – and a crucial intervention by a female schoolmate – results in the two young men’s paths crossing. But there is more to both young men than first meets the eye. Xiang Hao Ting was not always this way. He started out as a perfect student until he discovered the joys of going off the rails. And Yu Xi Gu has a reason for being so aloof and studious: His parents died in a traffic accident while he was younger, and he is being fostered by his aunt. As such, he works hard to get good grades in an effort to win a scholarship and ease the financial burden on his relatives. Yu Xi Gu also works part-time at a convenience store, where his manager Liu Zhi Gang has developed a crush on a man he has met at the gym. Back at school, meanwhile, Yu Xi Gu and Xiang Hao Ting find themselves drawn together, and passions ignite. The former notices that he has the unique ability to bring Yu Xi Gu out of his shell – and becomes intent on melting his cold-as-ice exterior. What will happen when their two worlds collide? And can love be the catalyst that helps bring these two unlikely students together – as their high school days draw to a close?

My Personal Thoughts: I will stand by this notion for all of my days but this show is one of the best shows I have seen PERIOD!!! Not even best BL shows I have seen but just in general. It highkey saddens me that it is rated at an 8.1 right now on MyDramaList due to how it ended when other than that... it’s a top notch show. This was one that I watched as it was airing and I would get excited to see it every week. My clown self should have known by the title “Make Our Days Count” that some mess was about to occur but I didn’t pick up on it. Now, I just disregard the last episode (WE DON’T KNOW HER!!!). You can just tell that they had a great budget for this series. The production was on point. It had great cinematography, great storylines, and it felt realistic too. The main couples acting was OFF THE CHARTS AMAZING. I loved the whole opposites attract thing going on. Although the show was set in high school... it almost didn’t feel like it nor did it have those typical clichés going on. I liked how it dealt with topic of LGBTQ+ acceptance as well. I wasn’t so sure about the side couples relationship at first but I grew to love them as time went on. One last thing I wanted to point out was that even though I am always looking for a happy ending... I learned from this show that not everyone can get a happy ending. That’s not how life works sadly. In real life, there have been a lot of people who were truly in love and lost there partners tragically. Although it may be hard to accept the outcome, it is something that happens in real life. This is a drama that you appreciate even more as time goes on. It truly is a gem of a series!!!

TharnType

Synopsis According to MyDramaList: Type Thiwat is a handsome freshman with a passion for football and spicy food. Although he’s a friendly boy, he hates gay people because, in his childhood, he was molested by a man. His life turns upside down when the new academic year of college brings along a charismatic roommate, Tharn Kirigun. Tharn is a gorgeous, compassionate music major, who is also openly gay. When Type learns this, he is determined to make Tharn leave the dorm, as he won't live with a gay person. Tharn is equally determined not to give into Type's homophobic tantrums. With a gay guy and a homophobic guy that have to share a small space together for the rest of the year — what can possibly be the outcome of their story? Hatred? Or maybe love?

My Personal Thoughts: *Goes to hide in a corner* I know this drama is problematic and controversial as hell but it’s like a train wreck that you can’t turn  away from. What truly carries the show I feel is the chemistry between MewGulf. I don’t think I would have enjoyed the series as much if other actors were cast in those roles. They just exude confidence, passion, love, and lust. In terms of the storyline, I found it to be a chaotic occurrence of situations where I just had to know what was going to go on next. Everything that occurred had me intrigued for the next episode and so on and so forth. I loved Type’s character development. One quick thing I want to touch on was I know there were a lot of problematic things that happened which I will touch on at a later date but one thing I wish people were more understanding of was Type’s outbursts, thoughts, and feelings in certain situations. He was a victim of sexual assault so I felt the way he handled certain things was in response to what he had gone through as child and I think some viewers kind of missed that and were almost too harsh on him. Everyone processes and deals with trauma differently. This show went through so many twists and turns and I honestly lived for it especially the shocker towards the end of the series. I didn’t see that one coming at all!!! Despite all of its flaws, this show still holds a special place in my heart.

Honorable Mention:

Cherry Magic: As of today, this show has 4 episodes left and I think I am just going to come out and say that THIS IS MY FAVORITE BL OF THE YEAR!!! It’s a beautiful Japanese BL and I rewatch the old episodes while I wait for new ones to come out alot. It’s such a fluffy, heartwarming, and precious Bl series!!! I love it to pieces!!!

#30 day bl drama challenge #30 day bl challenge #bl drama #bl series #thai bl #taiwanese bl #japanese bl #life senjou no bokura #life love on the line #i told sunset about you #itsay #teh x oh aew #theory of love #khaithird #gun attaphan #off jumpol #offgun #history3: make our days count #history 3: modc #tharntype #mewgulf #cherry magic #adachi x kurosawa #manner of death #maxtul #kornknock

[smokeybrandreviews]

Smokey brand Retrospective: The Gift and the Curse

Brendan Fraser has seen a resurgence lately and i love every bit of that. Dude has been one of my favorite actors for decades. I’m an Eighties kid who grew up during the Nineties so i was right there when he came onto the scene. I was a massive fan f all of his early work; Bedazzled, George of the Jungle, Encino Man, Airheads, Blast from the Past, and even Monkeybone. Dude hit his stride right around the Aughts and then completely disappeared. We found out later it was because of some really f*cked up sh*t but he made it through and proved he still had with Robot Man on Doom Patrol. I’m so glad this guy got another shot at this movie star sh*t but i wanted to revisit the franchise that put him on the map: The Mummy.

The Mummy

I love this campy ass flick, man. I saw this one in the theaters because, at the time, i was super into CG. It had only been a few years since Jurassic Park blew that sh*t out the water and only a few months after The Matrix made everyone sh*t the bed. The Mummy just missed that window but it was still incredibly enjoyable. This was my Indiana Jones because i didn’t care about Indy for a long time. It’s not that they were bad movies, i was just too young to appreciate them. The Mummy came out right at the time i started to really understand why i liked cinema, what a good permanence truly was, and how beautiful a film could be. The Mummy covered almost all of those bases. Fraser did an excellent job as Rick O’Connor and Rachel Weisz stunned as Evelyn Carnahan. F*cking Evie, man. I was already a fan of Fraser but this movie made me really pay attention to Weisz and she became one of my favorite actresses. It helps tremendously that she is f*cking gorgeous! Rounding out the cast is John Hannah as Evie’s brother, Johnathan and Arnold Vosloo as the titular mummy, Imhotep. Also, i can’t not mention the scummiest of scumbags, Benny, portrayed so effortlessly by Kevin J. O'Connor.

I absolutely adore this film. It’s a not the best example of Nineties cinema, how can it be, and it’s a terrible remake of the original Universal Mummy but it does what it wants to do very well. I love the ideas and the world they built with this campy clusterf*ck. It shouldn’t work, it should be terrible, but it’s one of the funnest films i have ever seen. It has it’s issues, absolutely, but they are minor compared the non-stop action, the incredible cinematography, the dated but ambitious CG effects ,and solid performances from every principal actor. They really let Fraser do his thing and that energy carried over to the rest of the cast. Evie is every bit the bad ass as Sarah Connor or Ellen Ripley but is still a very girly-girl; Something that seems to be frowned upon nowadays. Imhotep id an unrelenting, vicious antagonist who controls powers from long ago, literally willing the seven plagues of Egypt into modern times. This movie is all over the f*cking place but it worse so well and every time i see it, i have as much fun as i did way back when i was a ripened fourteen years old.

The Mummy Returns

Boy, this one suffers terrible from Sequelitis. It does nothing new and is an almost exact retread of the first film but we have new characters and a new villain in the guise of... The Scorpion King! Yes, this is the first film that titular Arachno-Monarch makes his first appearance portrayed by a very young, very beefy, and later, very poorly rendered, Dwayne “the Rock” Johnson! That’s right, long before he was Franchise Viagra, way before he was punching out Dom into a stalemate in them god awful Fast flicks, The Rock got his start here, in the sequel to The Mummy and he’s f*cking terrible! Oh my god, is he bad but it works. His awful, awful, performance fits right in with the utter camp of this ridiculous franchise ans, to no one’s surprise, i loved every second of it. Now, as much as i love The Rock in this thing, i have to absolutely give it to Patricia Velasquez as Meela Nais, the physical reincarnation of Imhotep’s regicide partner and f*ck-buddy, Anck-Su-Namun. I didn’t talk about her much in the entry about The Mummy but that as mostly because she was more a plot device rather than a character. She isn’t much else in this one either but at least we got to actually see her for more than ten minutes. Plus, that fight between her and Nefertiri was f*cking glorious. Sixteen year old Smokey appreciated the f*ck out of that.

The returning cast hits their points perfectly. That chemistry never falters. Fraser, Weisz, and Hannah are exceptional together and Vosloo is, somehow, both far more menacing and hilarious at the same time. There’s this scene toward the end where he is utterly defeated and it’s the funniest sh*t i have ever seen. I also really enjoy both Oded Fehr as Ardeth Bay far more in this one than the last because he gets to do sh*t finally. Adewale Akinnuoye-Agbaje was also a welcome surprise as  the muscle, Lock-Nah. Dude just kinds of stands around and i think he gets into a fight with Fehr that was pretty cool but a little trite. Obviously, as a film from the early Aughts, it has it;s problems. There’s a ton of culturally insensitive sh*t that Zoomers would probably be upset about but, you know, f*ck em. It’s like a sense f humor is illegal nowadays. That said, having Rachel Weisz, as gorgeous and half-naked as she is and was, portray an Egyptian is a little much nowadays. At least Patricia Velasquez is a type of Brown? An attempt was made. This thing is a mess and i enjoy every second of it. The Mummy Returns is substantially worse that the first but, at the same time, just so batsh*t that it is equally as entertaining. But f*ck that kid, though. Every time he’s onscreen all of the good times are thrown right out the goddamn window!

The Mummy: Tomb of the Dragon Emperor

I gave this one the hard pass for years. It looked like trash. Like straight up dog sh*t. This thing came out seven years after Returns and i just didn’t care. I was one hundred percent in my hipster film snob era and couldn’t be bothered. For a full f*cking decade and some change. Seriously, i just watched this thing the day before yesterday. For the first time. It was the inspiration for this retrospective because, after seeing this train wreck, i went back to check out the first two just to get the taste of dogsh*t out of my mouth. There are several changes made to the formula that immediately take me out of this film. First, and most egregiously, no more Rachel Weisz! She didn’t come back for the third. The reason behind her absence has run the gambit from vanity, to scheduling conflicts, to literally never getting a script. I don;t really care why, all i know is that her absence was felt. Maria Bello did her best but she isn’t MY Evie. Another “choice” was to age up that awful f*cking kid into an awful f*cking adult. That’s right, this is a “passing of the torch flick” and Luke Ford’s Alex O'Connell was supposed to take over the franchise going forward. That didn’t happen because this is Rick’s franchise. The Mummy would be nothing without Fraser and the at was proven when this thing tanked. It wasn’t all bad though. I really liked the new mummy, Han. They did some really fin things with his abilities and Jet Li never once phoned in an action scene. Unfortunately, even with the strength of the brand and outstanding lead performances, this thing still sucks.

I had a time with Tomb but it wasn’t like the time i had with it’s predecessors. I don’t know if it’s because I'm so much older and hardened by life but all i see is the flaws in this one. It doesn’t have the nostalgia goggles like the first two so i can’t enjoy it like i enjoy those. I just see plot holes instead of camp. Bad CG instead of rustic attempt. Poor set pieces instead of Nineties jank. Bad character writing instead of unfortunately hilarious dialogue. Tomb isn’t terrible but it ain’t good wither. It;s mediocre and i know the first two aren’t great but they’re better than whatever this wanted to be. It’s weird to see because there are a lot of great ideas here. I can see the vision that lays outside the margins and it’s frustrating. Fraser does is in his element as Rick and Li’s Han is a physical powerhouse but that’s not enough. As awesome as this movie gets when those two are on screen, literally everything around them is dismissible and i don’t understand how or why. I think a lot of the chemistry was lost when the focus was shifted to Alex from Rick and the recasting of Eve really didn’t do this film any favors. However, even with all of my frustrations, i can’t say i had a terrible time with this thing. It was entertaining, if a little bogus.

#The Mummy #The Mummy Returns #The Mummy: Tomb of the Dragon Emporer #Brendan Fraser #Rachel Weisz #Smokey brand Retrospective