We don’t talk enough about how Fairy was Jin Ling’s best friend growing up because getting bullied all the time traumatized him into isolating himself and avoiding making friends with other kids. We don’t talk enough about how she’s his best friend, not only because they grew up together but because Fairy isn’t a human who can shun him, hurt him, insult him or betray him. We don’t talk enough about how she was probably his main comfort above all else, the only thing he could run to when he was overwhelmed by emotions without being judged or called names for crying and feeling. We don’t talk enough about how his smile is only ever instant for Fairy. She’s the only one who doesn’t have to earn it because she’s his safety. His confidant. His best friend. His only friend.
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There’s this idea that people are meaner than they used to be. Because of the internet, you know, people are meaner. They’re not meaner. People are not meaner than they used to be. People have always been assholes, except you guys. But they… But they are, and people are not meaner. What happens is the technology is just faster. It’s just faster. What happens is, you have this crazy idea, and there’s a crazy, angry thought, and you’re like, “I’ve got a crazy, angry thought.” Tickety-Tick, tick, tick, boom! And it’s out.
Craig Ferguson: Does This Need To Be Said? (2011)
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what was the point of the possession plot. for real, someone tell me it’s most lasting impact, because as of now:
AFO becomes final boss maybe AFO will have another comeback but currently he’s being handled and defeated by someone who is not the main protag
Deku physically and metaphorically saves Shigaraki from AFO Shigaraki broke free on his own!
moral lesson about Shigaraki’s rage being detrimental by empowering Ultimate Evil AFO to continue controlling him Shigaraki’s negative emotions leads to AFO’s downfall because it was too powerful for AFO to control
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I know it’s not a question but i can’t help but appreciate the fact that you draw adult Steven as a chubby guy! We big boys need some positive representation in here. Also, i’ve been following you for almost a year now!
Btw sorry for my English lol.
Hi! It's very pleasing to know you've been around for as long! 😁😁😁 I absolutely appreciate the appreciation! And no worries, your English is super fine! 😁
(Relatable actually. I am also apologizing in advance if I can't exactly have my point clearly across because I'm not well at English myself! lmao)
It took me quite some time to learn how to draw chubby characters but it's so satisfying to have eventually. ( *`u*) (I mean, there's still so much to learn, but still.)
Having a chubby main protagonist is so wonderful to have. And a good kid at that. (Ngl I'm attracted to kindness. haha So of course it's very important to me that he's fat AND kind.)
Also design-wise, I personally think it fits his character so well. Soft and huggable, shaped like a friend. Thick arms to hug people with snuggly. Body wide like a shield. etc. ¯\_(ツ)_/¯
And I just really like to capture these elements when I draw him as an adult. Also that it's just fun to draw.
Simply personal thoughts about it, nothing against any other ways he's being portrayed by others of course.
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ok, ok, I have this terukaneaoi au where akane dies and wakes up in the 80s and to which he then continues living life in the past (after many confusing realizations) and then meets the schools messiest relationship known to man in the process; teru and aoi, everyone knows how much arguments they get into yet they still look great together. akane somehow manages to get close to aoi (with the help of nene since akane kinda got attached to her since shes the only one to know about his situation). aoi is interested by akane and wants to know more about him while akane is like, literally in love.
while with teru, he finds out about this and like the great boyfriend he is, he of course, somehow (intentionally) meets akane and gets really angry at him. (he's just jealous; he really cares about aoi and is just afraid she will leave him), akane is confused, aoi stops teru from doing anything else and from then on, anytime aoi hangs out with akane (which is a lot of the time since aoi has no one else she actually likes to hang out with unless it's akane or nene) teru comes along.
akane and teru have a rocky view of each other but teru eventually becomes fond of akane (which takes a long while, in the meanwhile they have lots of petty arguments and relentlessly make fun of one and another, aoi has to force them to get along).
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“Special interest in civil engineering” smacked me upside the head (positive)… PK in his massive wyrm past, lovingly sniffing through some abandoned giant aquifer or freight tunnel. A scourge of civilization who is also a fuckin nerd.
Listen there was some form of official content out there (I think it was the guidebook) that referenced PK being a civil engineer and it just fucking Clicked for me. Legit his wholeass contribution to Hallownest seems to be structuring and building it. His architectural style is so fucking distinct. This motherfucker was DEDICATED to his craft and seemed to be pretty much shit at everything else, which is peak indicator of a special interest to me- you can't tell me that you haven't spent hours in a haze of hyperfocus working on something related to your special interest and then half-assed everything else. That was PK but like, on a godly scale
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I truly think mxtx’s intention was to set up a romance where wangxian’s appeal was one being a righteous cultivator and the other being one that fell from grace and how society and perception
both their own perception of each other/themselves and how others view them
was the thing keeping them apart and how they were going to overcome both these things
very pride and prejudice
and that IS what happened
but I think what she ended up with was something more romeo and Juliet - where the story is toted as a romance but underneath that it’s a tragedy, and the ending of mdzs is just too tragic bc the only ones who are arguably happy at the end are wangxian when the cast is so FULL
and full of people who only got unhappy endings or death
that last ramble got me thinking maybe we, the readers, have been looking at mdzs the wrong way. maybe mdzs is meant to be a tragedy and it just got popular as a romance. but I think I read or heard somewhere once that that’s the appeal of Chinese romances - a tragic ending with the implication that the lovers will be happy together in the next life
I hope it's okay that I combined the two Asks since they're so closely related! (Also--and this goes to everyone--if you're messaging me not on anon and prefer an answer privately rather than on the blog, lmk!)
This is interesting to consider, because my own issue is the opposite, I think: it's not that there are too many tragic elements in the happy romance, but that there's too much silly goofy trope stuff in the tragedy! I love tragedy. All my favorite works are tragedies! My all-time favorite TV show is S1 of The Terror, which tells us in the title card that every guy on the expedition is going to die miserably. I don't want everyone to die miserably in every work of fiction, obviously, but it's tragedy and/or hard-fought happiness that sticks with me.
So with the novel... yeah, all this tragedy happens, but it feels to me that it's pushed aside whenever it's in danger of harshing Wangxian's squee. I've already talked a bunch about Novelxian's past not seeming to impact him overmuch, in which case: why do it? Why do any of the plot itself, really, since nothing involving NMJ's murder has anything to do with Wangxian beyond NHS's prodding of MXY? Why have this elaborate tragedy of conflicting loyalties and betrayal and emotional devastation if we're just going to go "huh! well, that wraps that up!" and not engage with the fallout?
R&J's a good comparison, not because R&J isn't a tragedy (it for sure is!), but because R&J also has a lot of stuff going on and people like to argue about whether it's REALLY a romance or not. And like... it is. Of course it is. Romeo and Juliet's relationship is the relationship the text prioritizes. We aren't really meant to question the two of them prioritizing each other above all else. There are other themes going on there--to me personally, the play is a tragedy of adults failing children, because none of this would have happened if literally ANY adult had responsibly supported these kids--but the play is a tragic romance first and foremost.
But unlike MDZS, R&J doesn't skip on past the damage to other characters. Mercutio's death singlehandedly switches the play's genre from comedy to tragedy. Juliet continually struggles with the fact that Romeo killed Tybalt, even though Tybalt started it and he and Juliet don't have a relationship in the text. The play even spares some moments of reflection for Paris, even though literally nobody cares about Paris. Contrast all that with WQ and JYL barely being mentioned after their deaths, or LXC's seclusion being a nonissue. MDZS feels more like one of those weird problem plays, where a ~happy ending~ happens after so much messed-up shit that you're left going ????
MORE EMPHASIS ON THE TRAGEDY SO THE HAPPINESS FEELS BETTER, BASICALLY
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