I've had a pitch crush on someone for a while! I really hate them! >:)
But one of our hatefriends just told me they might be pale for me? >:O
If they are, what do I do??? How do I make them hate me properly? :(
I don't pity them! I don't even know why they pity me! Or if they even really do! :?
It's really confusing and I don't want to have to reject them and then have to try and ask them out! That's not gonna go well!!! >:(
yeah i dont know that sounds awful i think personally id just die
questionable advice: either try upping the annoyingness and going all out with pitch flirting or just sit them down and just actually ask them if they pity you or not maybe youll get lucky and they dont but either way at least youll know right so that sucks a little less than not knowing
bad advice: kill their lusus maybe thatll make them really mad at you
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I'm bad at math, but is Bruce theoretically 38 years old when he goes into the time stream?
Hear me out (and canon likes to fluncate their ages, so this is my best guess without trying to account for birthdays):
Bruce becomes the legal guardian of 9 year old Dick when he's 23. That's a 14 year difference.
Jason becomes Robin when Dick leaves at 18. Jason is 13. That's a five year difference.
Jason dies at 15, and Tim becomes Robin at 13. That's a two year difference.
The age difference between Tim and Bruce would thus be 21 years.
Tim becomes Red Robin to find Bruce at 17.
That means that Bruce had to be 38, right? Why was I imagining him closer to 50?
Adopting so many kids must have aged him
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There’s a weird recurring take in D20 fan circles that Zac doesn’t play “complex” characters and that people are just waiting for the day when he “finally” plays an asshole, which kind of baffles me. Quite apart from the idea that only morally grey characters are complex or compelling, are you sure we’re watching the same show?
In Fantasy High, we have Gorgug, an adopted biracial teenager whose journey includes realizing his self-worth, coming to terms with his rage (literally), seeking out and navigating new relationships with others (his birth parents, the Bad Kids, Zelda), and discovering what he’s capable of.
From The Unsleeping City we have Ricky, a second-generation Japanese-American, who has a very personal struggle across two seasons between doing the dutiful/sacrificial thing for other people’s benefit and expressing his own needs, wants, thoughts, and feelings; it’s a very particular exploration of immigrant generations and the relationship between the sacrificial model of your ancestors and the culture you grew up surrounded by which emphasizes the self.
There’s A Crown of Candy and Lapin, whose snark and one-liners are honestly less interesting than the way he engaged with and sought to understand religion and faith; the different yet similar ways in which both the Sugar Plum Fairy and the Church exerted control over their followers, and the search for spiritual meaning beyond these figures/institutions.
Then there’s Cumulous, whose every character aspect navigates a space of tension - the ultimate war guy who made himself hardened (literally) and pragmatic to get the job done but who also remains soft and caring and empathetic at the same time; wielding the power of death without glorifying or giving into it; the cousin who both is a member of the family and yet who remains at somewhat of a distance from the centre; a literal warrior-philosopher who is single-minded in battle and quietly thoughtful about the mysteries of life and death outside of it.
As for actual assholes, we have Norman Takamori in A Starstruck Odyssey, a bitter man who is the living embodiment of both the Superior Orders excuse as well as scapegoating. On a side note, the amount of absolute vitriol and double standards which people threw at Norman during ASO for being an unapologetic asshole -and he had less than two full episodes of screen time- kind of underscores the calls for Zac to play a “real” asshole. Zac can and will play whatever type of character he wants, but is fandom really ready for him to play an asshole if that asshole doesn’t have a secret heart of gold?
From the same season, we have Valdrinor/Skip, who starts as the “prince running from his destiny” archetype with a dash of brain slug possession, has a humorous yet oddly profound exploration of what humanity is and what it means to be human, and springboards from there into “wait, who am I really and actually, why are we doing things (brain slug possession) this way when there are other ways to engage with the universe.”
Most recently in Neverafter, we have Pib, who apart from the fascinating meta element of being a literal character archetype, constantly straddles the line between self-absorbed self-interest and putting himself on the line to help others; his repeated demonstration of both at various points throughout the season is a subtle yet intriguing manifestation of free will and choice-making in a story all about lacking free will and agency.
So, I mean, lack of complexity where? Does a character need to be an asshole in order to be deep or compelling? And because I’ve heard this specific rebuttal quite a few times now, does a character need to vocalize their innermost thoughts loudly and frequently in order to prove their complexity? If a character is “less vocal” compared to other characters, does that mean they lack interiority?
Also, other people have brought this up before, but I am once again asking that people remember the difference between fictional characters and real life people. Zac playing one (1) himbo on the show does not make him a himbo in real life, nor does it make him incapable of creating or playing complex characters (especially as said himbo is himself an extremely complex character), nor does it make him a lesser player than other cast members. You don’t have to find all or any of his characters interesting or complex, but can we stop conflating character with player?
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