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#hotness level: criminal

lord-squiggletits · 2 years

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By the way Pyra Magna is THE sexiest woman in IDW1 and you can’t change my mind on this because I’m objectively correct

#squiggposting #no one comes close to her level #like she's almost as hot as b-megs in my mind #not like super duper sexy but she does make me stop reading and go UGGHHHH SHE'S HOT #shame the story criminally underused her

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xxcrystalinerose · 8 days

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Going back to Zag's romantic relationships from Mel is extremely hilarious to me because of how comparatively well-adjusted he was.

Sure he done fucked up with Meg in the past and they had to kill each other as part of the job description, his sudden leaving seriously hurt Than while also having communication issues w/ each other, and there's the matter of Dusa being a lowly servant of the House. But in the end, he sorted everything out with 0 grievances from all parties involved (that one dialogue where Than admits Meg is the one who tells him to finally pursue Zag seriously warms my heart). Got the Mom(s) Seal of Approval™ even, and from Achilles too!

Meanwhile I look at Melinoë and she has a frankly criminal amount of situationships. Her rizz level is insane and she goes straight for the throat when flirting yet somehow her dating life is simultaneously a mess and nonexistent. Nemesis regularly kicks her into the dirt verbally AND physically but is the only person to acknowledge how fucked up it is that Mel is sent out alone in the hopes of killing an all powerful Titan that took SIX gods to kill in the past. "Fuck you and fuck your stupid frog in particular" then turns around and gives free Death Defiances. Her and Moros try to flirt with each other but they kept missing the mark because sometimes one of them says something totally unhinged like it was normal (I don't think watching people die is an appropriate bathtime conversation topic, my man). Her and Eris are a hot mess—literally with all those rounds she shot at Mel AND without a basis of workplace professionalism. Icarus is one shot nerve away from accidentally proclaiming his undying (literally) love to her but his guilt complex is hanging on to that nerve. And then there's Arachne and her not so little crush warring with the fact that said crush is family with and is helping the gods who cursed her.

Never have I realized how important it is that Zag has become a minor god of relationship counselling until I look at his baby sister and think, "yeah girl you definitely need help for all that shit".

#ksatalks #hades 2 #hades 2 spoilers #hades game #girl you're a fucking mess (affectionate)#can't wait to see how all of this will blow up when we can max out relationship gauges #melinoë #melinoë hades #zagreus hades #megzagthan #melnem #melmor #meleris #waxwitch #is there a ship name for mel/arachne yet?#too many characters to tag so i will not lmao

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jareauwalker · 1 year

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What do you think of the hate JJ gets in comparison to the other characters (like Morgan)?

i mean tbh i can't rly speak to hate that other criminal minds characters get bc i haven't really seen it.

with regards to jj though, i think that there are some super valid criticisms of her character that exist. however, mainly off of tumblr, it seems like a lot of the hate she gets by certain subsets of the fanbase is mainly insecure weirdos projecting their own "mean girls" onto her

#three guesses as to who the insecure weirdos are generally fans of #like i said i can't rly compare like “levels” of hate or whatever #but also derek was the only black lead in cm for a hot minute so i don't doubt that came with a whole barrage of grossness #criminal minds

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ddejavvu · 8 months

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I can’t stop thinking about being a suspect in a case and being interviewed by Hotch 😭 like being so nervous and him taking it as like “??? are you even gonna try hiding it??” and you’re not gonna be honest and be like “i’m not nervous because i’m guilty i’m nervous BC YOURE A HOT OLD MAN” because this is a serious case and serious situation so it’s just Hotch trying to coax it out of you, you being all flustered looking suspicious but actually like needy for this man, and the team who caught on like “oh wait no. shes just attracted to him. why do we have hot people on the team?”

SSA Hotchner's scrutinizing gaze studies your weak posture, your fidgeting fingers, your spotty eye contact, and he muses, "You're not very good at controlling your body language."

"What?" You look at him, eyes wide and round and full of nerves. You've never been questioned before, not even by a low level security officer, much less an FBI Agent. You suppose that's making you nervous, yes, but what's really wringing you out is the fact that the one they sent to your interrogation room is just plain hot.

He's gorgeous, all sharp features that are always angled towards you, and dark eyes you'd expect of a criminal, not its captor. His suit is crisp and his voice is low; he's the pinnacle of professionalism and he's making you squirm with his undivided, discerning attention.

"You're nervous," He accuses, and you let out a soft huff in the back of your throat.

Who wouldn't be?

"You're fidgeting, you can't look me in the eyes, you lean away from me," He lists, leaning forwards in his chair to watch you repel like a magnet, your back pressing into the metal bars behind you as he proves his point.

"I'd think someone with the criminal expertise to commit six murders without witnesses would have a better handle on their outward appearance."

"I'd think so, too," You manage, not without stammering, "Agent- Agent Hotchner, I- I'm not-"

"You're not guilty? You're the closest thing we have to a suspect," He doesn't let your stuttering deter him, leaning ever-closer until you're flattened against the back of your chair and he's still advancing. He rises from his seat, inching closer and closer as he continues, "You miraculously discovered the body at an odd hour of the night when you had no business being at the scene of the crime, you called it in, you told the police you knew nothing, you're telling me you know nothing, but still," He's inches away from you now, and every nerve in your body is aflame with mortification at the very unhelpful fantasies rushing through your head as he pins you to the chair.

"-You insist on your innocence, but I don't think you're innocent at all. I think you're trying to toy with us, but we don't play games, you won't win. Understand?" His dark eyes bore into your own and you're painfully attracted to them, biting the inside of your cheek to stop from begging him to back away before you lose control and surge forward to kiss him. He refuses to blink, but you're doing it enough for the both of you, lashes rapidly fluttering as you try calming your pounding heart. He watches you for one, two, three, four, five seconds, expecting a hurried confession at any moment, but the door clicks open before you can stammer something humiliating.

"Hotch," It's a dark-haired woman, and god, does the FBI recruit people based on attractiveness? She's stunning and she turns her beautiful eyes on you in sympathy, "Back off, Hotch. She's innocent."

He narrows his eyes at her almost imperceptibly, turning away from you, "You found the unsub?"

"No," She admits, "But it's not her. Okay? I just know."

"You just- Agent Prentiss," Agent Hotchner stands straight, "That's not protocol."

"I know," She gushes, but she strides confidently through the room to ease you upright and out of your chair, "Just- let me handle this, okay? Come on, honey, we'll talk somewhere private."

Agent Hotchner lets her take you away, and he must trust her, even if he's watching her with narrowed eyes. Maybe this is some interrogation tactic, maybe the woman leading you by the shoulder through the precinct is the good cop, and he was the bad one.

She leads you past a cluster of people all leaning against desks or hunching over files, and a slim blonde woman shoots you a knowing smile. What she knows, you're not sure, but you wish so badly that it were comforting.

The woman walking with you leads you straight to the front door, taking your purse from where they'd confiscated it earlier and handing it back to you.

"You're free to go," She smiles at you, eyes nothing but kind, "I'll tell him you proved your innocence."

"But- what," Your fingers are almost too limp to keep your bag in their grip, "I don't understand-"

"I do," She grins, "He's handsome, I get it. He tends to forget that."

Your cheeks sear with flames that you wish would turn you to ash right then and there, so that you could be carried away on the breeze and not have to answer for your embarrassing instincts.

"Don't worry about it," She laughs, clearly sympathetic to your panic, "Trust me, you're not the first person that's squirmed in their seat under the intense gaze of Aaron Hotchner. He's a smart man, but never smart enough to figure out when someone likes him. You're free to go, honey," She repeats, reaching out to squeeze your arm, "And if you ever get dragged into an investigation again - which I hope you don't," She grins, "I wish you a very ugly investigator."

#aaron hotchner x reader #aaron hotchner imagine #aaron hotchner scenario #aaron hotchner oneshot #aaron hotchner one-shot #aaron hotchner one shot #aaron hotchner headcanons #aaron hotchner headcanon #aaron hotchner hc #aaron hotchner hcs #aaron hotchner fanfiction #aaron hotchner fanfic #aaron hotchner fic #aaron hotchner blurb #aaron hotchner drabble #aaron hotchner dialogue #aaron hotchner fluff #aaron hotchner x reader fanfiction

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need-a-name-101 · 2 months

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You know in that episode of how I met your mother where they find out that Barney always looks good in pictures no matter what. Yeah that’s Dick Grayson. No doubt.

A paparazzi is trying to catch him off guard while he suddenly sneezes, later they check the camera it’s Dick with the most dazzling smile.

Jason tries to take a picture of him when he is barely conscious, Dick is smiling with a peace sign and he looks good.

Tim on purpose collides with Dick in manor with hot coffee in his hands to have it spill down on Dick’s white shirt, Babs clicks a picture as Dick is telling Tim it’s okay. In the picture yes the shirt has spilt coffee but Dick looks poised and handsome.

Jason makes a deal with Damian to have Dami paint Dick’s face as he sleeps. They proceed to click a picture, Dick is on the sofa in a pose, laying on his side with a hand on his hip and the other supporting his head.

Wally tries to take a picture mid vomit, and boom there stands Dick Grayson with disheveled look, which looks as if done on purpose. (It wasn’t Wally knows, at the start of the night it was slicked back) and the top buttons of the shirt open, Dick is giving a blinding smile to the camera. No vomit in sight.

Jason draws penises on Dicks face, when he looks back on the picture. He face is clean, Dick is giving the camera a lopsided smile and when Jason looks up Dick is no longer there.

Steph tries to click a picture when Nightwing losses his balance and slams face first into a wall. Some blood drips down from his nose and yet he looks poised. He is giving the camera a thumbs up.

Duke tries to get one as a thug tries to slam Dick on the hood of the car. In the picture Nightwing is perched on the thugs back, whose face was smashed on the hood of the car by Dick.

Cass tried to take one when Dick nearly chocked on some food at a gala. When she looks at the picture it’s Dick holding a glass of Champagne (he was not holding that before) and leaning on the wall beside him.

Tim looks back on all his stalker photos he had taken and realises it’s the same case in all of them. He has one photo in which Robin Dick had fallen in Gotham Harbour and was soaking wet, still in the photo he looked sort of posed, straight back, a slightly tilted head.

Cass breaks in Dick’s apartment to catch him off guard. Dick had just woken up. She clicked a picture and it’s Dick in a shirt and shorts, in the perfect I just got out bed look. But he had just literally gotten out of bed.

Babs tried to take one as Dick just got out of a shower when they were dating. He walked out with a towel around his waist, and he was drying his hair with another towel. In that he didn’t even pose, the photo just looked fucking amazing.

She even went back and saw all the pics they had when they were in school and In all Dick looked great. Even the one she had managed to click when she and Dick had messed up a chemistry experiment because they were talking and parts of Dicks lab coat were signed.

Bruce banned taking photos on patrol because all of them tried to take a picture of Nightwing as he fought some low level thugs. Which lead to robin getting distracted as he tried to take a picture while grappling and hit a wall. Red Hood forgot to switch off his flash which lead to his position being revealed , and he got shot. Red Robin lost balance and fell of a gargoyle. Spoiler got distracted while sneaking around and blew their positions. On the rare occasions when Signal was with them he tried to take a picture and walked right into the drug deal they were about to bust surprising the criminals. Orphan got distracted and nearly got hit on the head. Even Oracle got distracted while trying to get embarrassing pictures of Nightwing while she was supposed to be finding a bank robber. She found the robber but not the a single embarrassing moment of Nightwing. No one had gotten the picture they were trying to click.

Even Bruce has no idea how Dick pulls it off. He refuses to partake in this silly competition set up by his kids. The betting pool is so huge that it involves all of Dick’s friends, the JLA and most of the people in the caped community. The money in the pool by now must be more than what Bruce makes in a year.

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lowkeyerror · 3 months

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The Family Business Ch.3

WandNat x Reader

Word Count: 1.5k

Chapter Notes: Mentions of death, violence, underaged drinking, slight mentions of SA, lisichka=little fox

Summary: Natasha has heard stories of you from Wanda. It has her doubting your current day skill level. With Dragos and Wanda in a meeting, you get the chance to tell her a bit about the person you've become.

An: Finally something between Y/n and Natasha (I say finally as if this isn't chapter 3 lol) Anyway enjoy this chapter and see you back next week.

Series Masterlist | Masterlist

You could feel Natasha’s eyes on you as you worked. It was tedious work, but you typed away with a smile on your face regardless. You thought that maybe she’d pick up her phone or something, but she seemed to just watch you.

“You want to ask me something or you just going to keep staring?” You kept your eyes on the computer screen as you addressed her.

“You’re different than Wanda said you’d be,” was all that she said.

You finally looked at the red head, “Well like I said, it’s been a while since she has seen me. A lot has changed in the years she’s been gone.”

“Like what?”

You paused your work to give Natasha your full attention. You sat back fully in your chair pondering back to the last time you saw Wanda. “Well, she left before I graduated. Back then I thought I was going to take my degrees, find an honest job, and live a normal life. I was fragile, even after the self-defense training. I hadn’t held a gun, I hadn’t hacked into anything, I was just a little girl.”

“And now?”

You gesture around you, “Now, I have this nice office. I crunch numbers for the most high-profile company in town, that just happens to be a front for a criminal organization. I have 2 degrees, I can defend my family and myself, I’ve shot a gun more times than I can count, and I could hack into anything that you could imagine.”

“You’ve got a ledger?” The line about the gun seemed to stick out to Natasha.

You shrug your shoulders, “I’ve carried my weight.”

“How many?”

The question startles you a bit. It was so candid as if she was asking about the weather. You could see them, the people you had killed. It wasn’t a large number, not even in the double digits, but still.

“7.” You don't know what compelled you to keep speaking,” I remember all of them. What is it they say about the first one? You will never forget it. I was 20, it was before I joined the organization. Pietro had dragged me to some party.”

“I take it you weren’t a party animal back then?”

You chuckle and shake your head, “Not even a little so I did what everyone does to get comfortable at a party. I took a few shots, it was stupid. As a light weight and someone not of legal drinking age, I should've been more careful. The shots had loosened me up, so I was enjoying the party for awhile. I lost Pietro at some point, but I was too drunk to notice.”

You see Natasha frown a bit, but you continue, “The host of party finds me on the dance floor. We dance for a while; we don't say much, just hi. Someone spilled a drink on me while we were dancing. He offered to get me a new shirt. Like the innocent little idiot I was, I followed him up to his room.”

You paused, almost feeling like you were back in that moment. You could feel everything again, your skin was hot and sweaty, the hairs on the back of your neck stood up, you could feel him on you.

Natasha could sense she lost you to the memory. She got up from the couch in your office to make her way towards you. She took a seat on the edge of your desk and pulled your hands into hers. “What happened in his room?”

“He tried to take advantage of me. He tore my shirt off just so his gross hands could grope my skin. He pulled me against him fiddled with his belt before trying mine. His breath was hot on my neck as he peppered kisses on my collarbone. When his hand slipped into my pants, is when it really clicked in my head. I had told him to stop, but he wouldn’t. You know the kind of guys that say, ‘you want this’ or ‘you teased me all night’ or ‘You’re the one half naked in my room’. He was one of those, no wasn’t going to cut it.”

Natasha squeezes your hand as you recount the harsh memory. It looks like you could cry right there in the office. Then all of a sudden, the tears pooling in your eyes are gone. A blank expression takes over your face.

“For a minute, I pretend I’m into what this creep is doing to me. Only enough for him to loosen his grip on me. At this point my back was against his front. I reach behind his head, like my arms trying to loop to bring him closer. Except one of my hand rests on top of his head and the other one is on the opposite side of his jaw. I snapped his neck. His body hit the floor like a sack of potatoes.”

“Y/n- “

“I threw up when I saw him. After I was done, I called Pietro, he found me upstairs with the body. He felt so guilty for leaving me, but I could tell he was surprised too. So surprised that fragile little Y/n had snapped someone’s neck.”

Natasha’s eyes bored into yours, “That asshole deserved that. He deserved worse.”

“He didn’t rest even in death. Dragos made sure of it. He made that family’s life a living hell. It was a message to the entire city that I was under their protection. If anyone so much as laid a finger on me there would be dire consequences.”

A silence filled the room. Natasha didn't remove her hand from yours and you didn't ask her too. You glanced back at your computer, knowing you had to finish your work.

“Wanda never said you were fragile, just delicate,” Natasha’s fingers drew patterns on your hand.

You shake your head, “Wanda has always had a way with turning something negative into a positive. I never saw the difference between the two words, but she’d always say- “

“Fragile things break quickly into millions of pieces under the slightest pressure,” Natasha starts as if she had been there when Wanda said it to you.

“If you were fragile, you wouldn’t be here with us. You’re delicate, beautiful, intricate, and deserve to be handled with care,” you finish with a fond smile on your lips.

“For what it’s worth, I think she was right,” Natasha returns to her space on the couch to allow you to keep working.

She finally pulls out her phone seeming to have relaxed a bit because of your vulnerability. You want to refocus on work, but there are some questions that are nagging you about the woman in your office.

“How did you two meets? If you don’t mind me asking.”

Natasha ponders a minute for a suitable answer, and you take note of it, “The short version is that we met at work.”

You raise an eyebrow, “And what did you do for work?”

“Guess.”

You let your eyes look over the woman. You took in her relaxed posture, the muscles hiding under her shirt, the way she allowed you to be vulnerable with her, the mischievous glint in her eye. She was a multifaceted woman, you could tell.

“Spy, a Russian spy to be exact.”

Natasha seems slightly surprised, “How’d you guess Russian?”

“Romanoff sounds suspiciously close to Romanov, common last name in old Russia.”

“You’re a smart lisichka aren’t you?”

A blush takes over your features, “Little fox is new, but you’re stalling, Natasha.”

She crosses her arms across her chest, “Well I was formerly spy, turned into assassin for hire. I was anonymously hired to kill Wanda.”

“Too charming to kill?”

Natasha sighs, “I tried, but she was just too good. We started this rivalry, playful banter, suggestive tones, I spent a lot of time trapped under her thighs. It got to the point where I didn’t want to kill her, I had terminated the contract, but I just kept coming around to see her. She told me that my skills were being wasted on petty assassinations, when I could be working for her. I said the only way I’d consider was if she went out with me. The rest is history.”

“Leave it to Wanda to seduce an assassin.”

Natasha laughs, “Hey, she only seduced me because I let her.”

“Whatever you say super spy. I’ve got to finish this work before we have to leave for dinner.”

“Flora might have your head if you show up late,” Natasha comments.

You press the small button on your desk, “Thanks for reminding me. Kate, do you think you could get me some hydrangeas for Mrs.Maximoff.”

“Of course, Y/nn, anything for you,” she responds cheerfully.

You roll your eyes, “Thanks Katie.”

With that you're back to working. Though Natasha pulls out her phone, you still feel her eyes on you at time. It sends shivers up your spine, yet you don't want her to stop looking.

Taglist: @natashaswife4125 @autorasexy @alexawynters @blkmxrvel @toouncreativeforausername

#lowkeyerror #wanda maximoff #wanda maximoff x reader #wanda maximoff imagine #natasha romanoff #natasha romanoff x reader #natasha romanoff imagine #wandanat x reader #wandanat #pietro maximoff

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hotvintagepoll · 3 months

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Propaganda

Ginger Rogers (Swing Time, Top Hat)—Look I’ll level with you, I’ve never seen her in a musical and I know that she’s an amazing dancer and she’ll be even hotter when I finally watch Top Hat but I’m not submitting her as a dancer I’m submitting her as an ACTRESS. Her comic timing is impeccable!!!!! She’s full to bursting with life and in every role she seems to be having FUN, you can practically feel the twinkle in her eye. With her natural warmth it’s like she’s letting you in on the joke, y’all get to have this fun together! Making me laugh is hot!!! [If you'd like to see Ginger dance, videos below the cut]

Dorothy Lamour (The Jungle Princess, Road to… movies)—Ok, to be honest, I get if no one wants to vote for her--she's kind of like my ~problematic fave~ because she started in the Road (Singapore, Bali, Hong Kong, etc) movies with Bob Hope and Bing Crosby, which are full of all sorts of exoticism tropes and usually have her playing very side-eye type roles..island princesses and things...yeah. also she banged J. Edgar Hoover. not very hot. but your honor i still think she's pretty despite all that she's pretty please look at her and tell me she's prettyyy

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Dorothy Lamour propaganda:

She started in jungle and South Seas movies and became famous in the Road series. She learned quickly to improvise when facing Bob and Bing. Road to Bali almost has her character marrying both of theirs, since she's island royalty and nobody had a problem with it - a nearly poly relationship, an epiphany for a viewer who didn't even know that that could happen! She was a popular pinup girl during World War 2, and was the first singer for the popular standard "It Could Happen to You". She sang often in her movies and has a lovely voice!

Ginger Rogers propaganda:

She needs no introduction! An undeniable powerhouse on the dancefloor, and no less talented an actress. I once watched a compilation of cinema's greatest dance scenes and one of her and Fred Astaire's dances was featured, and one of the talking heads said he pitied her for 'having to keep up with him' - or something to that effect. Bullshit, I cry. Ginger Rogers was his absolute equal, and underplaying her incredible skill is downright criminal. I want the 'Cheek to Cheek' sequence from Top Hat to be permanently burned into my memory.

"Backwards in high heels", as the saying goes (though the pedant in me must point out that she in fact spent her fair share of time leading or dancing side-by-side). One of the earliest twinkle-toed ladies of the silver screen, and in terms of acting/persona, her balance of wide-eyed cuteness and movie-star glamour has never quite been replicated.

we all know her beloved string of musicals with fred but ginger also has an extensive and varied non-fred filmography that she's great in! a few ginger moments that are important 2 me personally ginger singing “we’re in the money” in gold diggers of 1933, complete with a verse in pig latin bc this whole movie is kinda mocking the concept of anyone actually being in the money in 1933; ginger and una merkel singing a verse of “shuffle off to buffalo” in 42nd street, providing some statler & waldorf-esque commentary on newlyweds from the upper berth of a railway car (interesting that belly was apparently a risque word in 1933 - maybe its bc the lyric is innuendo-ing about out of wedlock pregnancies - and that panties was a term for men’s underthings!); a favorite fred & ginger number

Ginger Rogers could do everything! She could sing, dance and act. She was hilarious in comedies, moving in dramatic roles (she won an Oscar for Kitty Foyle in 1940) and absolutely gorgeous!

Listen, no shade to Fred Astaire at all, but she both kept up with him step for step and then later went on to WIN AN OSCAR FOR ACTING. (which he did not.) truly a double threat!!!

One of the best dancers in Hollywood! Her work with Fred Astaire is just incredible.

ONE LINE: "Everything Fred did, Ginger did backwards and in heels" AND THEYRE RIGHT! Rogers was a total dance badass, and a lot of movie buffs know the story, but the Never Gonna Dance number from Swing Time took almost 50 takes, and allegedly by the end of filming it her white shoes had been stained pink because her feet were bleeding. As a note, she looks crazy gorgeous in this number. Watching these two dance is insane. They match up to each other in a way my mom describes as "divine" and she's right. DANCE NUMBERS!

youtube

Let's Call The Whole Thing Off (Shall We Dance, 1937, dancing starts at 3:14, they're in ROLLERSKATES)

youtube

(Ginger Rogers is the hottest woman ever to live in this number. seeing this as a teenager altered my brain chemistry)

youtube

(also watch her feet and how she moves opposite Astaire in this one. We all know our boy Freddie had that precision demon but jesus christ Miss Rogers, let a girl live!)

Pick Yourself Up, Swing Time 1936 (Everyone's seen this one but by god you are going to see it AGAIN!)

youtube

Shall We Dance, 1937 (duet begins at 2:34)

youtube

Smoke Gets In Your Eyes, Roberta 1935 (There's just something about Ginger Rogers in a slick black dress man)

youtube

The Continental, The Gay Divorcee 1934 https://www.youtube.com/watch?v=Cjv6nmF7wdk God she's MAGIC in this one.

youtube

Gay Divorcee's Ending Montage 1934The infamous table and chairs spin happens at about 0:49. Pay CLOSE attention to her in this bc it looks like witchcraft and I feel lightheaded whenever I watch this movie bc shes THAT awesome.

youtube

She is a miracle to watch. Sorry for the sheer amount of clips. My entire family is like madly in love with Ginger Rogers.

#dorothy lamour #ginger rogers #hotvintagepoll #fuck that old woman #ladies 1 #Youtube

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redflagshipwriter · 4 months

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Hot Ghouls in your area ch 3 progress

(500wordish)

Un-fucking-believable that some guy named Danny was the ghost king of this iconic goth horror castle, and yet he had to believe it was the truth. Jason freely gawked at the architecture as they made their way into the main hall. They entered at an upper level and immediately began to work their way down.

Jason privately related the space to where musicians would have been playing in an actual historical castle. Were there ghost musicians? Could he hear the greatest pop hits of 1482? Did anyone have a hurdy-gurdy?

Jason cleared his throat. Danny glanced back at the slight sound.

…Now that the guy was looking at him, it seemed like a bit of an insensitive question. He managed to pull back to less assholish phrasing at least. “Do you know any ghost musicians?”

His original question was gonna be “do ghosts have music?” Wow. Jason chided himself. Might as well ask ‘hey do your people have culture?’

Of course the answer was a nod. “Yeah, I know one.” Danny snorted and floated a little higher. “She's terrible, man, nightmare of a person.”

“...But the music is good?” Jason ventured.

Danny scoffed. “It's derivative,” he said fearlessly.

Jason looked up and around for any roaming creatives who might get offended. None of them descended. “... Castle is empty, then?” He asked. Casually. Like a guy who wasn't marking every potential exit away from the guy he'd been…

‘Was I human trafficked?’ Jason blinked. Holy shit. ‘Sure, Danny doesn't seem to want me, but that's literally what those cultists were doing… They gifted me to him last minute. Like a mall candle.’

Wild. He made a mental mark for his Bat trauma bingo sheet. He wasn't sure if they had a square for that, but exchanges for comparable trauma were sometimes negotiable.

It belatedly occurred to him that he was offended. “This is a dumb situation to be in by accident,” Jason said aloud. He huffed and folded his arms. “Those nerds didn't even pick me, you know? It's not that I was the super special perfect victim, I was just the guy who knocked on the door.”

He felt more aggrieved by the end. Where was the drama? The respect? The class, even. Hadn't he razzle dazzled enough to be specifically targeted by the criminal underbelly?

Danny put a cold hand on his shoulder. “I'm sorry, you deserve someone to recognize your unique potential as a victim,” he empathized. “You're not just some interchangeable sacrifice.”

Jason shook him off. “No touchy,” he warned. He lifted a finger in threat. Belatedly he remembered how unbothered Danny had been by his guns. Shit. He put the finger down. “I’ve got a big personal space bubble,” he said lamely. No threats. He couldn't back ‘em up here.

#red hot ghouls #dc x dp #dead on main #wip

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undercoverpena · 1 month

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up sky, low high

frankie morales x f!reader | frankie morales masterlist

summary: frankie takes you on a heli-ride. you decide to test his competency and take him for a ride.

word count: 1.9k warnings: smut. 18+. there's mouth to cock action in the sky - new kink for jo? maybe. jo's interpretation of how to fly a heli is deffo a warning in itself. everyone is safe. remember he's a professional, but don't try this in the air bbys. jo’s spelling—written on phone, forgive me. moodboard not reflective of reader. an: this wouldn't be possible without @morallyinept who not only thotted with me, told me to write this, filled me with confidence at the halfway point when i sent it to her but also made the prettiest banner and moodboard for this (see at the bottom). babe ily, thank you so much for this.

It’s not ideal—not even close to safe.

Finger pushing in on the button that releases the elements of your seatbelt as you swallow, staring at him. Gawking, in fact.

Frankie always looks good, a fact not fiction.

Whether it’s first thing in the morning, sleep in his eyes—fingers scratching over his soft stomach as he yawns. Or when his eyes are hidden under the bill of his hat, dark, all mahogany brown pupils blown with lust as the thing on the television becomes forgotten.

And while he does always look incredible, there’s something criminal about the way he looks right now. Piloting, all in his element, wearing fucking competency like he was the one who first birthed it as he keeps the helicopter in the air.

Short flight, he’d said when he’d helped you into the rental.

Now, you could bet on it.

Because you're not even sure how long you’ve been in the air, too busy gazing, hungrily undressing him as he flicks switches and checks gauges. Your understanding of what he was doing lost, barely reaching a basic level.

What you do know is that if he reaches over, slides his hand up your dress and touches the fabric covering your pussy, he’d find them soaked.

But then, he’d also likely notice the way you’re taking shallow breaths, that you’ve been squirming for friction for the past so many instructions—

Because of his voice.

It all low, husky—dragged through gravel when it comes through the headset. Pointing out sights, places, but he’s the only thing you want to gaze at from this height. From any height.

That’s why the thought had arrived, to begin with, the lucrative one. The one so far gone that you try not to consider logistics and just trust in the fact he’d stop you if it was too unsafe. Your voice barely steady through the microphone, asking—layered and wrapped with demand, as your pulse quickens and your palms become slick with sweat.

You know the idea is ridiculous. Yet, somehow, you find yourself moving up onto your knees, digging them into the chair you’d just been seated on.

That’s when you see it. The glimmer, the spark, before he whines out that he’ll maintain altitude as you palm him over his cargo pants. Feeling him harden, pressing against the zipper, all thick, long and delicious as your mouth waters.

Because you need him in your mouth.

A thing you must murmur because suddenly he’s helping—lifting his hips as he whispers an oh fuck, when you drag his layers down and your hand wraps around his cock. More so when you move your wrist, dipping your head to slide your tongue to lick up the bead of want already there at the tip.

Flicking your gaze up, you find hungry eyes staring back—ones lit by the sun, shades a plenty making up the lust-filled gaze that makes your mouth open wider as you take as much of him as you can.

Fuck it’s glorious.

Both the thrum of vibrations through the cushion seat under your knees as he keeps the thing in the air and the feel of his hot length sliding against your tongue. As you take him. As you make him hiss through gritted teeth when you try to take a little more of him than you usually manage—tears springing in your eyes and your throat constricting around him—

“Careful, querida,” he soothes.

Large hand cupping the back of your head, easing, aiding, as his cock rests at the entrance of your mouth, placed perfectly on your lower lip. Breath coming back to you; eyes blinking as he darts his eyes from the world below him to you.

“You okay?”

Until now, you weren’t sure if it was possible to be more in love with him. Then he proved that even up in the air he thought of nothing but what was best for you.

Nodding, spit trailing down your chin, droplets falling to your chest where it pools as fabric meets skin, you smile. Gleam. Grin. Before making him swallow a moan as you take him again, his head falling back.

It’s then, when you hollow your cheeks do you feel him shift, allowing him, as he gently thrusts to slide his length as far down your throat as it allows. Good girl, so good, my good girl—

Humming around him at his praise, a blend of languages as he calls you pretty and perfect. And you can tell he’s close, taste it on your tongue as he begins to rock his hips, as he begins to hiss—teeth biting down on his lip, imagining his knuckles whitening around the cyclic stick.

It’s enough to make you come from the thought—close to ruining your own panties further as you press your thighs together.

Closing your lips around him, sucking and adorning, showing him, etching your love for him with the way your tongue swirls over the tip, hand gripping his thigh as he groans your name. It followed by s’close, m’close baby—

Then he pulls you off him, all with care. Spit connecting your lips to his tip as you stare at him in confusion. The line dropping, snapping—it clinging to the curls at the base of him, soaking his hair like dew on a spring morning.

“Frankie…”

It’s all you manage to croak out. Eyes wide, thoughts barely present, all cock-drunk and adrenaline-fuelled—the scent of him still there, around your nose, musk and engine oil.

“Need to land,” he replies, short, jaw tight—cock angry and throbbing between his thighs as he flicks a switch. “Can’t… can’t fuck you, unless I land.”

You’re not sure he’s ever landed so quickly, never mind so clunky. Remembering stories, how he gloats at his prowess at most of his land landings. But you have no time to question, think, or ask, before he pulls off his belt, headset and hat before reaching to yank you into his lap.

It’s clumsy—a mess of limbs, a tight squeeze as your hands skate around his neck. But you forget about it all when his mouth crashes to yours. Kissing you so hard and hungrily your teeth clash. His breath is hot in your mouth as he pants at the feel, likely tasting himself as he slips his tongue into yours.

And it’s warm, his tongue. Licking into your mouth, large hands around your waist brushing your clothed core against his cock—the hiss reverbing down your throat as you swear you feel him shake. Tremble. So desperate for you that it makes him quiver.

You love kissing him.

Could spend hours doing it. Not caring about jaw aches when you’re tangled up with him. Like right now. In some field, in some place—

“Need t’fuck you, baby. Can I fuck you please?” he asks, voice low, but tinged with a plea.

His hand balls up your dress, the other hand hooking a finger in to pull your soaked underwear from your pussy before groaning at the sight. “Hold them for me, baby.”

Swallowing, smiling—you do. Lifting, nudging yourself closer as your knees screech on the leather as you become full of molten hunger. Hovering over him as he eases the head of his cock to your slick entrance, sliding it through your folds, eyes focused on you.

“Can’t wait.”

“Then, don’t,” you whisper.

Then he hisses as he pushes in, right between his teeth. One that’s born at the back of his throat and makes an entrance into the air. Cuts. Slices. The sound so fucking hot that you clench around him when he bottoms out—mouth open in an O at how full, stretched and stuffed you feel.

“No te muevas—lemme feel you, baby. Fuck—”

Your smile widens—practically smirking. Shifting on him as the hand on your waist tightens its hold. But, you’re not listening. Even less so when you press an open-mouth kiss to his skin as you begin to move, to slowly slide your pussy up and down his shaft.

“Fuck, querida—feel so—good—incredible. Tu perfecto. Made for me, you know that…”

It’s layered—all in a breath; you answer similarly when you say that you do. Practically pressing it into the air as you pant, resting your forehead on his shoulder, as the two of you are quick to find a pace.

It’s almost drowned by how wet you are, how loud it is when he begins to thrust up into you. All aching for one another, practically feral as you feel your slick clings to your inner thighs—likely smudging against his skin as your fist clenches at his shirt. Clit brushing against the tangle of coarse hair, you’re soaking, that makes you dizzy as he begins to fuck up into you.

All deep thrusts. Making you moan—feeling nothing but good. Perfect. Amazing.

Just how he always makes you feel this way. Every, single, time—

“Need you to come, baby,” he strains, rasps, groans as you feel his hand—all expert, calloused in the right places—snake between the two of you.

It’s there, trying to disguise between letters: desperation. Despair. His touch confirms it, finding your bundle of nerves as he makes you gasp, arch, tighten around him as your hand finds refuge on the back of his neck. Your fingers slide into his sweat-soaked curls, smearing against your fingers as you clutch, grip and grasp.

And you’re aware of it now. How the cabin is warmer—windows likely smothered in perspiration—but it’s nothing compared to the heat of your body. It licks at your neck, at the base of your spine, the backs of your thighs that meet your calves.

But you’re lost in it, in him. Wanting nothing more than to come; unable to speak from how much you want to. More so as his hips cant up into you, as you begin to see white in the corner of your vision—as your body becomes more fire than bone.

Tightening around him as he shifts, an angle that makes you see fucking stars as you whine his name like it’s made of one syllable.

“—that’s it, querida. Fuck, s’good for me, I love—“

It building, so near to snapping as you hear him babbling, rambling. Your mouth is just open against his neck, moaning—the noise slipping out of you as it slams into you. His voice fading, the world going quiet as you come undone, all pulsing, all clenching down on him as it crests.

But his hips push you through it. Chasing, seeking. His pace is all sloppy, difficult, lost as you blink your eyes open to see the way his face is scrunched, lips over his teeth. And if you hadn’t just, you swear you’d come against from the sight.

That look of sheer determination, skin bathed in sweat before his eyes find yours—crystallising, glazed over and fucked out—

“Come for me, baby,” you whisper.

And his expression pauses. Relaxes.

Smooths.

His hand tightens on your hip, grunting out your name—burying it into the air as his hips stutter. Then, he whines. Spilling inside of you as he collapses back into the chair, you pressed against him, jaw all slack and his eyes clenched shut.

And you swear you can feel his heartbeat. It is all out of step with your own.

Not that you care.

Smiles painted on your faces as your eyes met his, breaths ragged, your finger wiping a bead of sweat from his brow.

Before his lips slide back over yours, kissing you, writing gratitude against your mouth as the muscles in his neck flex under your palm.

an: look how pretty this issssssss. thank you so much, jett.

#frankie morales x reader #frankie morales x you #frankie morales x y/n #francisco morales x reader #francisco morales smut #francisco morales x you #frankie morales x reader smut #frankie morales fanfiction #frankie morales fanfic #frankie morales smut #frankie morales #pedro pascal character fanfiction #triple frontier fic #francisco catfish morales

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powderblueblood · 6 months

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HELLFIRE & ICE — eddie munson x f!oc as enemies to star-crossed lovers

CHAPTER ONE — THE POISE, INTEGRITY and LUCK OF A KENNEDY

MASTERLIST | NEXT

summary: you go head-to-head with your new neighbor, eddie munson, and lose something precious to you in the process. content warnings: NSFW / MINORS DNI swearing, classic 80s classism, tommy hagan jumpscare, eddie munson jackin off word count: 3.4k

Dear reader, I wish I could tell you it ends well for you.

I wish I could tell you that this is nothing but a bad dream, or a fugue state, or an extremely vivid hallucination brought on from that weed your friends buy from that burnout in the horrendous denim vest that is now your next door neighbor.

I wish I could tell you that you’re not sitting on your designer suitcases in the weed-ridden lot of a trailer park, watching your mom (who is already it’s-five o’clock-somewhere drunk) charmlessly haggle about the rent.

See, you used to have money, but now you don’t.

You used to have a dad who wasn’t incarcerated, but now you don’t.

You used to have integrity, but the IRS seized the last of that along with your childhood home in Loch Nora.

I wish I could tell you that you weren’t totally fucked. But it seems that there’s no way this total shitheap of a situation could get worse–

“Need a little help with that?”

–except there is. There totally is.

You flex your hand, relieving it from it’s writing cramp. You’ve been hunched over your journal, perched on your ready-to-burst luggage for what seems like hours now– admittedly, you’re the kind of girl that’s used to valet service. Bellhops carrying your suitcases to your room when you used to join your dad on business trips.

But valets never looked like this. Squinting at you from beneath his ratted-out waves, Eddie Munson gives you a once-over that makes your stomach lurch. You know him the same way everyone in Hawkins knows him– either barrelling through the hallways like a tweaked out autocrat whose only dominion is over his group of unwashed dorks or palming off baggies at parties. But there’s something about Munson that’s always rubbed you the wrong way. He’s so loud and defiant and achingly obvious, smug when he’s got no right to be.

Especially now.

“Excuse me?” you drawl, snapping closed the leatherbound journal.

“Just wheeling out the welcome wagon. It’s not often we get new neighbors with so much…,” he pauses, gaze scanning over the boxes and bags and randomized ephemera being loaded out of the cheapest moving van Hawkins has to offer, “Shit.”

“If I didn’t know any better, Munson, I’d say you were casing the joint.” In fact, you find yourself wondering where exactly your jewelry box is– y’know, the leftover shit your parents didn’t already pawn. The millieu of your grief made you forget about the high possibility of people in the trailer park stealing your stuff.

Munson grimaces. “Do I look like a thief to you?”

“You look like a drug dealer to me,” you snipe, smile all fake. “You might be looking to diversify your criminal skillset. How should I know?”

From where you sit on your straining suitcase, you’re about eye-level with Eddie’s crotch. And call him a weirdo, call him whatever, he doesn’t mind the view. As much as he’d like to pretend he’s above the discordant buzz of Hawkins’ gossip scuttlebutt, news of your family’s downfall is hot shit. He can barely believe it’s really happening, and right in his front yard; Hawkins High’s stoniest, coldest fox and her equally foxy mom were packing their fur coats and shit into a double wide. Eddie couldn’t lie– he liked seeing people like you get knocked down a peg. So he’d come to gloat. A little.

But you’re all snappy and full of venom– not like in school, where he’s almost positive you’ve never made eye contact with him.

He doesn’t mind that change in attitude either.

“C’mon. That luggage looks a little heavy for you, princess,” he says. “I don’t entirely trust you getting it inside the trailer without breaking a nail.”

“I don’t need your help,” you say, shoving that tattered journal into your book bag. Eddie wonders what kind of bullshit you’re always writing in there– every time you’re not in the middle of some idiot milleu with your popular cohorts, you’re practicing your longhand.

“You could use it, though,” he counters, and the condescension in his tone makes your cheeks flare up. You spring from your seat on the suitcase, making Munson take a shocked half-step back. His eyes blaze, rounding out as he takes you in at your full height.

Still taller than you. He'll be okay. He thinks.

“I’m a goddamn cheerleader, you Neanderthal looking dipshit,” you spit, “I’ve got a core of steel.”

You turn and dip, reaching for the thick leather handles of the case and discover–oof–that’s a little bit way heavier than you were expecting it to be. But spurned by sheer stubbornness and a need to get away from him as quickly as humanly possible, you brace yourself against the screaming muscles in your arms and wobble the baggage all the way to the trailer door. Your mom stands in your path, dress slipping off her shoulders, blearily looking toward the Munson kid as he retreats to his own trailer with a languid backwards tread. He can’t look away from this scene.

“Mom. Mom, can I fucking–” you struggle through gritted teeth, “The bag, Mom. Get out of the way.”

She moves out of your way at an aching half-speed as Munson’s eyes burn hot on your struggling frame–he’s loving this, he’s loving seeing you in the shit just like everyone’s loving seeing you in the shit–and you deposit your suitcase in your brand new matchbox-sized bedroom with a heaving gasp. Shit.

You cross the room in about three steps, heading to the window to close the blinds– shshk. Sshsk.

“You’ve got to be fucking kidding me.”

The blinds begin to close, but stop dead not even halfway across the window. They’re stuck, leaving you without a particle of privacy. Which sucks, of course, because you were really banking on some scheduled crying time tonight.

You had held it in for as long as you possibly could, all that hurt and frustration at the disaster your father had landed you in, promising yourself that you’d let it all out once you and your mom had a safe place. A place that wasn’t your estranged aunt’s basement couch, or a motel you could barely afford. A place that you could at least pretend was home. In your minds eye, you had envisioned something modest-if-shitty– the sunnier end of Cherry Lane, maybe. You hadn’t counted on a place that required a gas hookup.

You tug on the beaded chain with a desperate force and no give– exasperated, you let your head slump against the filthy windowpane. The bedroom window stares directly into the window of the trailer opposite, where a warm yellow light flickers on and illuminates another bedroom.

Peeling posters and a guitar on the wall. Of course. Of course you’ve got a bird’s eye view into Eddie Munson’s fetid cave. He spots you in the window and pouts a big ol’ pitiful pout– poor little rich girl. Missing your velvet blackout curtains?

You can’t flip him the bird quick enough before he closes his fully functional blinds.

–

You sleep like shit. Exhaustion couldn't even beat you into a slumber. You couldn’t be bothered to begin the unpacking process and instead fished out whatever closest resembled pyjamas from your luggage (an oversized t-shirt from a father-daughter trip to Columbia University), curling up on your bare mattress with your coat thrown over you, but the thing that was really keeping you awake? You couldn’t find your pen.

Your prized possession pen, your fountain pen in the ruby-red casing. Your journaling pen. You refuse to write in your diary with an inferior instrument, alright, that’s just not how it’s done, but it’s nowhere to be found. It’s not rolling around the bottom of your book bag, though you’ve emptied the thing three times. It’s not anywhere.

You ask your mom if she’s spotted it anywhere, but she’s still in a Valium haze when you’re buzzing around, trying to get ready for school.

That’s a whole other ordeal. Your acceptable school clothes are, again, buried in some suitcase that was hastily packed as agents waited for you to vacate the property. And by appropriate, you mean your carefully chosen pastel color palette– the very best of the very trendiest, the ra-ra skirts and the bomber jackets that sit so perfectly on your poised shoulders. The kind of clothes that make someone like Tina go, God, I wish we could trade dads. Just for the credit card.

Now, all you’ve got to hand are the clothes that feel like your dirty little secret– thrift store suede and dark, rich knits, dresses of velvet and leather boots. The kind of things you collect just to collect, to dress up in when you know no one’s going to be looking at you and think someday. Someday you’ll be someplace where you don’t have to wear the exact right JCPenney piece of shit to fit in with a crowd. Because these are the kinds of clothes that feel right, but make people, important people, people like Carol go–

“Jesus, Lacy, dressed for a funeral much?”

You hadn’t though the ensemble was too dark, but hey, in the harsh light of day. You bashfully shrug your jacket closer around you, faux fur collar tickling your ears. “I’m in mourning.”

“Shit, I hate driving out here,” Tommy Hagan squawks from the driver’s seat, already agitated first thing in the morning, “I always feel like I’m gonna get carjacked.”

Forget your shitty car; the only thing they’d be stripping for parts out here is you, Tommy, you want to quip, but you just fasten your seatbelt. Carol had managed to guilt him into giving you a ride this morning, an effort in pity and also because she wanted the gossip from the trailer park before anybody else.

“Yeah, how was it, Lace? Did you like, deadbolt the doors and shit? Because you really gotta do that out here.”

“You should get a bat to leave by the door. Y’know, for intruders,” Tina blankly adds, staring into her compact mirror.

“You should get a gun,” Hagan says, peeling out of the park with a quickness, “if that’s who you’re livin’ next to.”

“What? Who?”

“That Munson freak,” you sigh, resting your head against the windowpane again, “He like, basically threatened to rob me when I was trying to move in yesterday.”

A chorus of disgust rises up in the car that makes you feel good– warm, surrounded, accepted. Even though it blatantly wasn’t true, you’d do just about anything to win your friends’ approval these days. You noticed a certain waver in their stares when you revealed where you’d be moving to, after your dad was sentenced and everything.

A lot of the time, you didn’t feel like they wanted to be there for you, more that they wanted to be the first to hear the dirt on Hawkins’ most scandalous family.

Usually you’re the one on the receiving end of their deep, dark secrets.

It’s like they feel like they finally have something on you.

Or, no! That’s crazy, you’re just being paranoid. These are your friends. As much as high schoolers can be friends.

“I’ve got just the thing to take your mind off it, Lacy,” Tina says, pinching your arm, “Kegger at Harrington’s on Friday. He even asked about you–”

“--he said he could give you a discount at Family Video if you need it–” Hagan sniggers, earning a smack in the ear from Tina.

“--shut up! So, you’re not a total social pariah yet, okay?”

You blink. You know Tina means well, but sometimes she is so fucking tactless. “Um. Didn’t think I was one, Tins, but thanks for the reassurance. I guess.”

–

He’s not a thief. He swears to God, or whatever the cooler alternative of God is, he’s not.

But he’d be lying if he didn’t consider keeping the stupid red pen just to see if you’d miss it. It’s engraved, he noticed, while rolling it between his fingers as he lay in bed last night. And Eddie Munson is a man not unfamiliar with the value of a decent writing utensil. Those D&D campaigns don’t write themselves. You want something that’s going to be in it for the scribbling long haul and this thing’s not bad. Etched in teeny tiny letters on the pen cap are your initials– the letters of a name no one calls you anymore.

Which is the part that makes it stupid, obviously. What is it with rich people and putting their monogram all over everything?

God, she’s obsessed with this fuckin’ thing, Eddie thinks. Wonder how much it’s worth. A lot, to you, obviously. You’re always etching with it in English, using it to push a lock of hair behind your ear in the library. Tapping it against your lips when you’re standing at your open locker, the tip settling right into your Cupid’s bow, the red casing bouncing off the plush pink of— woah. Pause.

Eddie had to take a beat.

He’d been tapping the pen against his lips too. Thinking about you. Thinking about your lips. That nasty little pout you gave him outside your trailer, the snarl it curled into when he goaded you on.

Fuck, was that kinda… were you kinda…

It’s enough for him to jam the pen into his mouth and palm himself over his boxers, just to make sure. And— yep. He’d hummed, a kind of well whaddaya know! and slipped his hand under the worn elastic waistband. He even gave himself a couple of tugs, just to make sure.

And the thing that made him really sure was the Technicolor vision he had of confronting you in the library’s restricted section.

Yanking that pen away from your mouth and grabbing a fistful of your hair.

Clamping his mouth onto yours and sinking his tongue so deep inside he could taste the cherry Tab lingering on your uvula.

Guiding your hand, your writing hand, past the undone clink of his belt and waistband of his jeans so you could stroke him to the head.

Ink stains mixing with precum.

Moaning into your mouth.

Giving you something to write to dear diary about.

So now, back in the harsh light of day, this stupid rich bitch pen is burning a hole in his pocket.

Almost like payback, as if you’d embarrassed him by making him hard in the privacy of his own trailer, he approaches you in the most audacious setting imaginable— the cafeteria.

You sit there, among your usual gaggle of Gap zombies, but you look— different. You’re dressed different. Cool jacket, Eddie involuntarily thinks before mentally slapping himself. Shut up! We’re here to humiliate her, remember?

“Lacy,” he says, but he draws it out all over his tongue so it sounds like laayyyy-ceeee, and you are visibly disgusted by this. He looms over the table, barely containing the twisted grin on his face. He's playing the part of fake bashful here, you see. “You, uh, dropped this outside my place last night.” Your shoulders go tense. Eyes of your space cadet friends snapping back and forth, from Eddie to you to Eddie to you.

Because it’s true. Technically, you did drop it and technically, it was outside his place but the implication is what's killing you.

Eddie can barely outstretch his hand before you snap the pen from him, icy fingers a shock to his skin. This sick thrill gathers like a twister in his stomach as you freeze in place, staring him down with a laser pointed glare. Fuck. Off. And. Die, it says.

But he doesn’t! “Oh gosh, no need to thank me, Lace! Really, it was no trouble at all— what are neighbors for!”

Mocking giggles start bursting from the popular kid peanut gallery. But the flavor is… off.

Eddie scans the little in-crowd that are scoffing at your expense— which, okay, is totally what he came over here to do but… these are meant to be your buddies, right? Shouldn’t Hagan be threatening to beat Eddie’s ass right about now?

But instead they’re just… letting you stew. No one’s telling Eddie to back off, no one’s calling him their second favorite F slur (freak, naturally).

Nicole Summers is laughing into her sleeve. That’s rich. Underclassman Carver is almost looking at him like, Yeah man, you got her good!

Which does not feel good. Feels kind of shitty, actually.

Too easy of a win.

You didn’t even get a chance to fight back. You couldn’t.

Fuck.

Eddie turns heel and heads back to his table, a gaggle of befuddled Hellfire heads eager to know what the hell was that, man?! But even he can’t quite put his finger on it.

He feels… bad for you.

—

“Anybody got bleach?”

It’s the first thing you manage to choke out after a chorus of ooh, Lacy, what a good neighbor! and Hope that’s all you dropped outside his trailer, girl! All through lunch period, you’re the fucking laughing stock squared thanks to that long haired douchebag.

“Bleach ain’t gonna cut it,” Carol smirks as you both exit the girls room and head toward your respective lockers, “That thing is totally contaminated with freak cooties. Better toss it— unless you don’t mind.”

See, that’s the thing. You do mind, because it’s your stupid goddamn special idiot sentimental pen and now he’s gone and— and— freaked it up somehow. Exploiting the fact you’ve had to make a major lifestyle downgrade because it makes him feel better. It makes you feel even more exposed than you’ve been getting used to feeling lately.

Before you can get into it any more, Carol is clotheslined by Tommy to go, I don’t know, finger each other behind the basketball bleachers or whatever it is they do instead of going to study hall. You’ve lost track.

You push past the gathering rush in the hallway to access your locker. Just as you slam the door closed, it appears again, like an insistent apparition.

“What, Munson, are you here to tell me you put a bomb in my book bag? Because, if so, great. At least that’ll kill me.”

Munson stands there, leaning against some poor bastard freshman’s locker, brow all tight.

“Was I kind of a dick earlier?”

You stare at him, incredulous. “You’ve got to be fucking kidding me.”

“I was. Shit, I knew it!”

“Why the fuck are you talking to me.”

“I didn’t mean it to come off like that— well, okay, I kinda did, but that was pretty cold. I mean, your dirty laundry’s already all over Hawkins, I probably shouldn’t have been like, waving your panties around—“

“Munson.” You gesture toward him, as if you’re going to clutch him by the forearms to shut him up, but halt at the last second. Fuck, you can’t stand him, you can’t stand the way he’s standing there with this earnest look in his eyes, on some hair metal Ferris Beuller protagonist of reality bullshit.

Your eyes flare white hot, jaw flexing.

“Listen to me. We may live in a regrettably closer orbit now, but that does not require us to acknowledge each other as human beings. In fact, if you try and pull some shit like that again— in fact, if you even so much as deign to look in my direction again, I will slash the tires on that fucking decommissioned World War II ambulance you call a van. You do not exist to me, and I better not exist to you. I am not your neighbor, I am a figment of your fucking rotted pothead imagination at best. Leave me the fuck alone or I will eat you. Capiche?”

You know for a fact that these are the highest volume of words you’ve ever spoken (or will ever speak) directly to Munson, and he knows it too. You don’t let loose like this— you don’t even talk to anyone outside your friend group unless extracurriculars or group projects call for it. Not because you’re shy, but because you’re discerning.

Munson has managed to disarm you of all that with one stupid little pen.

He’s staring at you with a deviously shiny-eyed gaze, one that makes you feel like you need to button the modesty button of a blouse you’re not even wearing.

“M’kay, well, let me know if you need a ride after school!” he chirps and shrugs and takes off down the hallway to some class he’s certainly failing.

And you’ve just earned the first big fat F of your life, by letting Eddie Munson get under your skin.

author's notes: hi! if you've read this far, i owe you my eternal thanks. been a hot sec since i wrote fic so i appreciate it. - thee perennial reference to lacy's nickname— best imagined sung to yourself in your bedroom mirror and having a classic 18 year old existential crisis, lol! - the journal and fountain pen motif is a not entirely subtle reference to veronica sawyer from heathers. please expect this trend to continue - as far as timelines go re: steve's working life and tommy and carol's high school careers, bear with me. all will be discussed or at least briefly mentioned but will there be inconsistencies? of course there will, babe. i'm here to fuck around, i'm not here for continuity - horndog eddie munson you WILL live forever! - please reblog, like & comment to show support! i've got some killer chapters planned for this fic and i live to entertain u

#eddie munson x reader #eddie munson smut #eddie munson fic #stranger things fic #eddie munson x you #published by powder #in progress #hellfire & ice #e. munson by powder

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granddaughterogg · 3 months

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So, you're the newest addition to Task Force 141 and you Make a Move on one of the boys. How will they react?

Johnny Soap MacTavish: With utter glee. "Took ya long enough, lass! Thought you'll never shoot your shot!" He'll announce with amusement. Our perky Scotsman is an absolute Sexpot - and he knows it. He is also a master of Living in the Moment aka Seizing the Day. Rules and regulations be damned. "So what do you say?" He'll ask, filling your personal space with all that muscle and clasping those strong hands around your waist. "Wanna go on a date first…" Johnny wiggles his painterly eyebrows. "...Or shall we skip to the good part?"

Ghost: When you confessed that you'd like to spend some time with him in private, he didn't seem thrilled. As is usual case with Ghost, he didn't seem like caring one way or another. All you got in the way of a reaction was his hand, holding the cigarette and now stilled halfway to his mouth. He threw you one of his Stares - Simon Riley's eyes are as beautiful as they are cryptic, you've never been able to read those dark peepers surrounded by white, seemingly frosted eyelashes of dizzying length. Then he muttered something under his breath and walked away. You didn't hear a word from him for the next three days, apart from work orders anyway. Disappointment and embarrassment tormented you in turns. You were silently cursing your big, reckless mouth. On the fourth day he approached you as if nothing had ever happened and said: "Allright". "Allright what, Sir?.." You asked, dumbfounded. "I agree. We should fuck."

Gaz: Oh, this beautiful boy. Out of the whole squad he's probably the one best adapted to Living in a Society. He reacts as any sensible man would: with a charming smile, a proud, joyful gleam in his eye, a trace of a blush almost. "Gosh, Private, really…Me? Well, girl, you got outstanding taste." "Don't I know it," you answer boldly. "Look, babe," he says in a hushed voice, coming closer and putting his hands on your shoulders, "Cap will rip my head off and piss in my neck if he finds out that I'm fooling around with a subordinate...so we're gonna have to be extra careful, 'kay? Can you promise me that?" You nod enthusiastically. This is so exciting!

Captain Price: So you like to live dangerously. There is no safe way that you can Put the Moves on your commander. You know that...right? On the other hand - if you're gonna break the rules, break them hard and break them for good. Tell him that you desire him. That you can't stop thinking about him. Pick a moment when the rest of the guys won't be within a kilometer radius. Say your line and look into those hard, cloudy sky-coloured eyes which have just grown big and round with shock. "Kid," says Price, his voice suddenly a little breathy, which is oh so hot: "Are you out of your goddamn mind?" "Only for you, Sir." Flutter those eyelashes. Come on, lay it on thick. It's been some time since anyone has thrown themselves at the old man. He will sigh the mother of all sighs, then drag one hand across his tired face. "I am you commanding officer." "That you are, Sir." He will come closer, both hands behind his back. Then he'll reach out and gently, oh, so gently touch your cheekbone. "You do realize tha' I could tell you to pack up and send your arse home?" His voice is very meticulously level, but you can feel the volcano bubbling underneath. "I do, Sir. But I just couldn't live a lie. I want you." That boldness will earn you another sigh - this time more ragged. He'll trace his finger over your upper lip, say: "Well fuck me sideways..." like a man who has just experienced a miracle - and then John Price will embrace you in a kiss, shameless, deep and hungry.

This man has been criminally touch starved. Congratulations, you'll have your hands full from now on. Not to mention your…other regions.

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hayatheauthor · 7 months

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Everything You Need to Know About Writing Burns

Burn injuries are a common wound type explored throughout various aspects of literature. Unlike stab wounds burns come in various different forms. Every burn cannot be the same. The substance, intensity, and contact level all play pivotal roles in determining the nature of the burn your character must endure.

I previously did a blog about everything you need to know about stab wounds, which you can find here, and decided to continue this series with burns. So, here's my guide on everything you need to know when writing burns.

Understanding Burn Types

Burn injuries are as diverse as the situations that create them. To depict burns realistically, it's essential to understand the different types, each with its own unique characteristics and narrative significance.

First-Degree Burns

First-degree burns are superficial injuries, often caused by brief contact with a hot surface, a mild sunburn, or scalding steam. These burns primarily affect the outermost layer of skin, the epidermis. While painful, they typically don't result in blisters. First-degree burns can serve as plot devices, adding realistic touches to scenes involving minor accidents or unexpected contact with hot objects.

Second-Degree Burns

Second-degree burns are more complex and can be painful and blistering. These burns affect both the epidermis and the layer beneath, the dermis. They can result from scalds, flames, or chemical exposure. In literature, second-degree burns are ideal for portraying characters' struggles with painful healing and the potential for scarring.

Third-Degree Burns

Third-degree burns are the most severe and life-altering. They extend deep into the skin, damaging or destroying not only the epidermis and dermis but also the subcutaneous tissues. These burns can result from prolonged exposure to flames, chemicals, or electricity.

Third-degree burns can be used to introduce profound challenges and transformations in characters' lives. The road to recovery is long and arduous, often with permanent physical and emotional scars, which can be used for character development.

Intricately depicting these burn types in your writing adds layers of realism and authenticity to your characters' experiences.

Chemical Burns

Chemical burns result from contact with corrosive substances, including strong acids or alkalis. They are typically more complex to portray in literature due to the need for specific knowledge about the chemicals involved. The narrative implications can vary widely, from accidents in laboratories to criminal acts of violence involving acid attacks or other harmful substances.

Electrical Burns

Electrical burns occur when the body comes into contact with electric currents, leading to tissue damage. These burns are unique in that they may not manifest external signs immediately. They can be used in stories involving electrical accidents, lightning strikes, or even superhuman abilities.

Radiation Burns

Radiation burns, often linked to exposure to ionizing radiation, are less common but offer a distinctive narrative dimension. These burns can result from nuclear events, medical treatments, or even futuristic scenarios involving radiation-based technology.

The Burn Substance And The Impact It Plays

When it comes to depicting burns in your writing, understanding the substance involved can significantly impact the narrative. Different substances, from scalding liquids to caustic chemicals, introduce unique challenges and effects on the characters experiencing them.

Scalding Liquids (Hot Water, Coffee, etc.): Scalds are common in everyday life, often resulting from accidental spills or moments of carelessness. These burns are typically first-degree, affecting the outer layer of skin. In your narratives, scalding liquids can add a touch of realism to scenes involving kitchen mishaps, hot beverage spills, or even cruel pranks.

Flames (Fire, Gasoline, etc.): Flames lead to more severe burns, ranging from second to third-degree injuries. Whether it's a house fire or an encounter with a fiery adversary, burns from flames introduce high-stakes situations and profound character development.

Chemical Substances (Acids, Alkalis, etc.): Chemical burns, caused by contact with corrosive acids or alkalis, offer a myriad of storytelling opportunities. These burns are often disfiguring and can result from accidents in labs, criminal acts, or acts of revenge.

Electrical Current: Electrical burns may not manifest external signs immediately, making them unique in burn descriptions. These can result from electrical accidents, lightning strikes, or even futuristic scenarios involving advanced technology.

Radiation Exposure: Radiation burns, linked to exposure to ionizing radiation, are less common but provide a distinctive narrative dimension. They can result from nuclear events, medical treatments, or futuristic scenarios involving radiation-based technology.

Understanding the substance involved allows you to accurately portray the type and severity of a burn, making your narrative more authentic and engaging.

Sensory Descriptions and Variations

When it comes to writing about burns, it's crucial to engage your readers' senses. Burns evoke a range of sensory experiences and effectively describing these sensations can immerse your audience in the narrative. Here are some factors you should take into consideration:

Pain: Burns are notoriously painful. Depending on the degree of the burn, the pain can range from mild discomfort to excruciating agony. Describing the character's pain, its intensity, and how it evolves over time can create a deep emotional connection with your readers.

Heat: Burns often generate intense heat at the injury site. Describe the searing heat or scorching sensation as it radiates from the burn. This adds realism to your portrayal of the immediate aftermath of the injury.

Smell: Burns can produce a distinct odour. The smell of burnt flesh or singed hair can be nauseating or evoke feelings of dread. Including sensory details related to smell can enhance the reader's immersion in the scene.

Texture: The texture of a burn can vary. First-degree burns might feel raw or tender, while second and third-degree burns can result in blistering, peeling, or even charring. Explore how the character perceives the texture of the burn and its impact on their daily life.

Sound: The sound associated with burns can be subtle or pronounced. The sizzle or hiss when a burn comes into contact with hot metal, or the muffled cries of a character in pain, can amplify the emotional impact of a burn scene.

Numbness: In some cases, particularly with severe burns, the area surrounding the burn might feel numb due to nerve damage. This contrast in sensation can be a powerful narrative element in a character's journey to recovery.

By using sensory descriptions and variations, you can transport your readers into the world of your characters and make the experience of burns more vivid and memorable.

Anatomy of a Burn Wound

To depict burns convincingly in your writing, it's essential to understand the anatomical aspects of a burn wound. Burns affect different layers of skin and underlying tissues, and the depth of the burn significantly influences the healing process and long-term consequences. Here's a closer look at the anatomy of burn wounds:

Epidermis: The epidermis is the outermost layer of skin and is primarily responsible for protecting the body from the environment. First-degree burns affect the epidermis and are characterized by redness, pain, and mild swelling.

Dermis: The dermis lies beneath the epidermis and is thicker. Second-degree burns extend into the dermis and result in the formation of blisters, intense pain, and possible scarring. These burns can be particularly challenging for characters due to the pain and extended healing process.

Subcutaneous Tissues: Third-degree burns, also known as full-thickness burns, penetrate the dermis and affect the subcutaneous tissues. These burns often result in charring, loss of sensation, and long-term scarring. Characters with third-degree burns may face life-altering challenges and lengthy recoveries.

Muscle and Bone: In severe cases, burns can extend beyond the subcutaneous tissues, affecting muscles and even bones. These deep burns are catastrophic, leading to a range of complications and necessitating complex medical treatment.

Understanding the anatomical layers affected by a burn allows you to provide accurate descriptions of the injury, its consequences, and the challenges faced by characters on their journey to recovery.

How Do You Treat A Burn Wound?

In your writing, portraying the accurate medical assessment and treatment of burn injuries can add depth and authenticity to your narrative. Characters' survival and recovery often depend on prompt and effective medical care. Here's what you need to know about medical assessment and treatment for burn injuries:

First Aid: Immediate first aid is crucial when a character sustains a burn. This includes cooling the burn with cold running water, covering it with a clean, non-stick cloth, and seeking medical attention. Accurate descriptions of the first-aid process can create a realistic sense of urgency in your story.

Medical Assessment: Medical professionals categorize burns based on their depth and extent. The "Rule of Nines" is a common method to estimate the percentage of the body affected by a burn. Accurately describing how healthcare providers assess and categorize the burn can enhance the realism of your narrative.

Wound Care: The treatment of burn wounds involves cleaning, debriding, and dressing the affected area. This can be painful, especially for deeper burns. Your characters' reactions to this aspect of treatment can add emotional depth to your story.

Surgery and Skin Grafts: Severe burns often require surgery and skin grafts to promote healing and minimize scarring. Detailed descriptions of these procedures and their impact on your characters can provide insight into the challenges they face.

Rehabilitation: Characters recovering from severe burns may require extensive rehabilitation, including physical therapy and psychological support. These aspects can significantly influence their character arcs and the overall narrative.

By accurately depicting the medical assessment and treatment of burn injuries, you can make your characters' journeys to recovery more authentic and compelling.

Common Mistakes and Misconceptions

While writing about burn injuries, it's essential to avoid common mistakes and misconceptions. Authors may inadvertently perpetuate inaccuracies in burn treatment. Here are a few common misconceptions to be aware of:

Applying Ice: Contrary to common belief, applying ice directly to a burn can damage the skin further. It's essential to emphasize the use of cold running water for cooling.

Popping Blisters: Characters might be tempted to pop blisters, but this can increase the risk of infection. Describing the correct care for blisters can improve the accuracy of your narrative.

Neglecting Long-Term Effects: Burns can have lasting physical and psychological effects. Ensure your characters' struggles and recoveries reflect the long-term consequences of burn injuries.

By addressing common mistakes and misconceptions, you can create a more accurate and engaging portrayal of burn treatment in your writing.

What About The Psychological Impact?

Burn injuries don't just affect the physical well-being of characters; they also have a profound psychological impact. Understanding the emotional and mental challenges your characters face can add depth to your storytelling.

Post-Traumatic Stress: Characters who have survived burn injuries may experience post-traumatic stress disorder (PTSD). Vivid flashbacks, nightmares, and anxiety can be depicted to illustrate their emotional struggles.

Body Image and Self-Esteem: Severe burns can alter a character's appearance, leading to body image issues and reduced self-esteem. Describing how characters come to terms with these changes can be a central aspect of their character arcs.

Fear and Anxiety: Characters may develop a heightened fear of fire, stoves, or any situation that could cause burns. Depicting these anxieties and how they impact daily life can create a compelling narrative.

Depression and Isolation: The emotional toll of burn injuries can lead to depression and isolation. Characters may withdraw from social interactions or grapple with feelings of hopelessness.

Coping Mechanisms: Characters often develop unique coping mechanisms to deal with the psychological aftermath of burns. Some may seek therapy, while others may find solace in creative pursuits or support groups.

By exploring the psychological impact of burns, you can delve into the complex emotional journey of your characters and illustrate their resilience and growth.

Looking At The Forensic Considerations

In crime fiction and mysteries, burn injuries can play a crucial role in forensic investigations. Authors should be aware of the forensic aspects of burns to accurately depict legal and investigative processes. Here are some essential forensic considerations when writing about burns:

Fire Investigation: In cases of suspicious fires or arson, investigators must determine the cause and origin of the fire. Understanding fire investigation techniques and terminology can help create a realistic portrayal of crime scenes involving burns.

Identifying the Victim: Severe burns can complicate the identification of victims. Dental records, DNA analysis, and other forensic methods may be required. Your characters can collaborate with forensic experts to solve such cases.

Evidence Preservation: When writing about burn-related crimes, emphasize the importance of preserving evidence at the scene. The mishandling of evidence can significantly impact the investigation's outcome.

Legal Implications: Explore the legal aspects of cases involving burns. Characters may need to navigate the legal system, testify in court, or seek justice for burn-related crimes.

Historical Cases: Referencing real historical cases involving burns or fires can add authenticity to your narrative. Research well-documented cases for inspiration or incorporate them into your story's background.

Understanding the forensic considerations related to burn injuries can make your crime fiction or mystery more compelling but it also helps ensure you don’t accidentally offend any readers by inaccurately representing real issues.

I hope this blog on Everything You Need to Know About Writing Burns will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.

Looking For More Writing Tips And Tricks?

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!

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ghost-proofbaby · 1 year

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twenty four hours (modern!eddie munson x fem!reader)

HOUR TEN

in which you and eddie find out just how much can happen on the roof of a parking garage. a scary criminal could show up, a phone call could interrupt important moments, a bit could go too far, and... marriage vows could be exchanged?

→ tropes: enemies to lovers, forced proximity, slow burn

→ warnings: strong language, eventual smut, upside down does not exist, one (1) use of y/n, minors dni

→ wc: 8k+

→ a/n: if this is bad don't hmu. i returned to my wordy girl roots. also shout out to @br0ck-eddie and @big-ope-vibes for beta reading this for me <3

masterlist.

spotify playlist.

◁ previous part, next part▷

10:00 ─────ㅇ──────────── 24:00

HOUR TEN - 1:00 AM

Eddie is an erratic driver, which you should have known, but it doesn’t make you any less scared as he takes the empty curves of each street with intense speed. It doesn’t make you loosen your grip as you press into him as tightly as possible, practically molding your body to his.

You’re just grateful he was right – you didn’t see another soul for the entirety of the five minute drive. And if you did, you would have been mortified for them to see the way you clung to him.

His secondary location is a parking garage. If it were anyone else, if it were even so much as Eddie from ten hours before, sirens would be going off in your head and screaming for you to run as far as possible from this situation.

You don’t. Because it’s Eddie, and it’s Eddie being kind and flirty and civil. A new version of Eddie, and a new version of you.

You sit still and polite as he navigates the bike through a gap in the gate, the perfect size for a motorcycle to fit.

He keeps driving in circles, nearly making you dizzy, going up up up the parking garage levels until the ceiling breaks and you catch sight of the night sky again. The stars are more visible this high up, above the buzz of the city, closer to the atmosphere in altitude.

“Still alive back there?” he calls out as he cuts the engine, coming to a stop in one of the darker corners of the top level. You tell yourself it’s for practicality – if any sort of security happened upon this level, the two of you would remain hidden.

“Mhm,” you hum just loud enough for him to hear you through the helmet, arms aching from how tightly you continue to hold onto him.

If either of your hands were to slip, you’d graze against his partially exposed torso. Your fingers would make contact with his hips, would trace the expanse of curves and softness, possibly find their way to the trail of sparse hair down the center of his stomach.

It’s enough to make you fist his shirt into both hands, just to prevent that outcome.

“You sure?” he twists his body to look at you, and as he does, a hand comes up to rest on one of your arms.

It’s just a hand, and it’s just an arm. It’s just skin on skin. It’s nothing to call home about; Robin has grabbed your forearm plenty of times out of unbridled excitement, Steve has held onto it to guide you through crowds without losing you countless times, even Nancy has held your arm there before. None of them ever burned you before.

Maybe it’s not that Eddie’s touch scorns you, it’s not his palm kissed with flames. When his skin closes over yours, it only focuses your fire. That’s why it sears, that’s why it leaves your skin nothing but hot coals.

You burn for him.

“I’m positive,” your breath threatens to fog up the glass visor from the inside, “How do I get off this thing?”

He chuckles, and the hand holding your arm trails down, passing each of your knuckles with the press of a fingertip, drenched in intention. There is no reason for his touch to linger. There is no reason for him to draw roadmaps over your skin – it isn’t his to mark. And yet, the ashen lines appear all the same to you.

“Just swing off. I’ll stay sitting to balance the bike.”

You unravel your arms from around him, leaning your chest away from his back and immediately missing the proximity. You miss it as you clutch his shoulders, you miss it as you lift off the bike, you miss it as you stumble ever so slightly with your feet planted on concrete, and his hand shoots out to your hip in an effort to balance you.

It was an earnest effort, a casual touch, absolutely nothing but innocence in his fingertips as they wrap around your hip for a mere second before retracting. That doesn’t stop it from being gasoline on your fire.

He stands off of the bike unaware of the effect he’s continuing to have on you, pulling the keys from the ignition and popping the kickstand with such cruel casualty it begins to drive you insane.

“You need help with the helmet, or is it just part of your look now?” Eddie inquires as he walks around the back of the bike to stand in front of you.

The fucking smirk and the fucking dimples and the fucking eyes and the fucking-

“I need help,” you deadpan, playing into his game of cat and mouse. You’re willing to see how far you can push this until it breaks, is he? “You put it on me – you take it off.”

Your mind wanders to his comment, his threat, earlier. How if you didn’t get ready to come here, he’d undress you himself.

If him taking off this helmet is the closest you will ever get to that, so be it. It’ll give you something to think about tomorrow night in the comfort of your own bed.

Eddie shrugs happily, taking a step forward and carefully reaching out both hands to either side of the helmet. He’s slow in lifting it off, certainly just being careful and mindful of not hurting you, but it sends you hurtling even further to insanity. Inch by inch, the night’s cool air creeps up over your chin, over your cheeks, over the bridge of your nose. Your eyes flutter shut somewhere in the process.

When the helmet is fully removed, you keep your eyes shut. You wait for the shuffle of Eddie stepping back from you. You anticipate a comment on the state of your hair, your surely disastrous ‘helmet head’.

Neither comes. Instead, a warm breath hits your now cold cheek.

Your eyes open to find Eddie standing impossibly close to you. All downcast amber as his eyes trace over your face steadily, his tongue peeking out to wet his lips that remain slightly agape with each puffing breath. You don’t think he’s even recognized the way you had closed your eyes, nor the moment you’d opened them to catch him memorizing you up close.

“Eddie?” your voice cracks with the questioning, his name heavy on your tongue, “Is… Is everything okay?”

When his brown eyes meet yours, gilded honey and roasted chestnuts, they make your breath catch.

He nods with trepidation before breathing out, “Yeah. Everything’s…”

His words trail off, fading out into the buzz of the night surrounding you. The sounds of a city that never sleeps – distant sirens, a one-off car alarm, the random chirping of a bird, the beeping of a crosswalk signal. They all meld together into white noise, none of the singular components discernible. They’re nothing more than a background to the way Eddie is looking at you.

He raises a hand suddenly, still leaning in at a creeping pace, and tentatively reaches out to carefully tuck a strand of your hair behind your ear. As his fingers curl into the skin behind your ear, lingering for far too long, the heel of his palm brushes your cheek.

You lean into it. Your face turns ever so slightly, eyes beginning to flutter again, desperately seeking out his touch. Enticing him to break, to cup your face fully, to give you more than you deserve in this moment.

Because he’s looking at you as if he’s about to kiss you. His eyes are flickering to your lips as you give in to futile want and heedless need, continuing to lean into his feathered touch, and you’re sure he’s about to kiss you. And you’re sure that you’ll let him.

His chest heaves just as painfully as yours. His pupils widen larger than yours, if possible. You watch an internal war rage behind his eyes, and you’re begging the part of him that wants you, wants this, to come out the victor. You want him to abandon all sensibility as you have.

Fuck civility. Fuck nuclear explosions. Fuck ocean waves. Fuck forest fires. Fuck friendship.

You’re past the point of return. All you want from him is his lips on your lips.

“Baby,” he whispers, a sickly sweet prayer falling from his lips, not a single ounce of malice soaked into the nickname. It’s not sweetheart. It’s not uttered in the same playful cadence as when he said it as he started up the bike. It’s not him teasing you. It’s a plea, a beg – he’s begging something of you that you’re too far gone to recognize.

But you hum in response, not knowing what he’s asking of you, opening your eyes as wide as you can manage in your moment of weakness, recognizing that his palm now fully cups your cheeks as his fingertips lazily press into your hairline. He’s closer now, leaning over you and covering you in his shadow, multiplying the darkness you reside in.

His nose bumps against yours. The oxygen you breathe in is replaced by his breath. He’s close, so terribly close, yet still so far. You’re tempted to finish the distance, but you need him to come to you. You need him to want this as much as you do, if not more.

You need to be the ocean this time. Because if you come to him, you’ll drown. You’ll descend to his darkest depths, and never find yourself above the surface again. Irreparable, collateral damage to yourself. All for wanting a man you’d claimed to hate ten hours prior.

Eddie’s freehand is grazing your hip, prepared to curl around you with force this time, to pull you into him and kiss you until the two of you are left bloodied and bruised, when your phone rings.

Both of you jump. In an instant, the closeness is lost – his hand leaves your cheek and hair, your eyes fully open, both of you stand awkwardly and flustered in the light shadows.

“I-” you don’t know what to say, hands shaking as you reach into your pocket and wretch out your phone.

JOHNNY BOY.

Jonathan is calling you, and you don’t know whether you want to commit a federal crime against him or your phone. Or maybe yourself.

You swear you can taste Eddie despite your lips never touching his. You can still feel the weight of his palm against you.

He has to take the phone from you, this time only because you’re holding it so tightly, glaring down at it so indignantly, he’s scared you might break it.

His thumb that once rested against your skin so gently is gliding across the screen, answering the call and putting it on speaker. “Hello?”

“Hey! Eddie!” Jonathan’s voice happily calls out, and it does nothing to chip away at your fruitless fury.

He was going to kiss you, and now he can’t even look you in your eyes.

“Are you both there right now? Or is she asleep?” Jonathan continues over the line.

You finally break your silence, “I’m here. We’re both here.”

“Where are you dudes?” A second voice from Jonathan’s side of the call asks, and you recognize that warm tone immediately. Argyle.

He won’t look at you. His gaze is sturdy on the phone, as if this wasn’t just a regular phone call but a video chat, as if there’s something more interesting being reflected in the screen compared to your currently desperate face.

You want to scream at him to hang up the phone. You want to beg him to throw the damn device over the wall behind the two of you and let it fall to the street, let it shatter and let the deal be damned just so you can feel his lips on yours and taste the sweetness of his tongue.

You just want to scream, honestly. Like a child. Stomp your foot, let out a fitful shriek, and pull the boy back into you.

You don’t. Partially because you’re grown, and partially because he won’t look at you.

There’s a doubt that creeps up as Eddie says something to the two boys on the line, a shadow of doubt that is darker than the night sky hanging above you two. Maybe Eddie didn’t want this. Maybe he’d just gotten lost in the moment, and now he felt ashamed.

The scream is left in your lungs, and the blooms on your vines quiver from the insecurity its residency radiates.

“Alright,” Eddie suddenly chuckles, pulling you back into the conversation, “So, uh, did you guys call for anything else besides playing babysitter?”

“No, that’s… all,” there’s hesitation in Jonathan’s voice, words unspoken that finally makes Eddie look up to catch your gaze.

Brown eyes meet yours – you burst into flames like it’s the first time.

The shadow of doubt eviscerates in the glow of the flames, the glow of your cheeks, as you watch him take you in with careful consideration. There’s no regret in those eyes, only remarkable care. A connection, a string tying you to him, the knots first set in place that night amongst friends.

He’s looking at you like the Eddie you thought to be dead and gone.

“You sure about that?” his tone is teasing, but his face is set in stone, eyes never leaving yours, “Sounds like you’ve got more to say, Byers.”

Argyle is the one who speaks up now, “It’s not that, it’s just… The photo you dudes sent is on your motorcycle. Are you even at your apartment right now?”

“Oh, absolutely. We actually only went outside to have a photoshoot on old Nightfury here. We’re currently safely tucked into bed, don’t worry, dudes.”

Eddie’s finally cracking a grin at you, and through it you’re transported to the past. Before you is a man of possibility, someone not yet an enemy. There’s a blank page set out before the two of you, and he’s wielding the pen like a weapon to be seen.

Nightfury? You mouth at him.

He blushes in response.

Oh, you’re definitely bringing that up after this phone call. Fuck talking about the almost kiss.

“Why do you sound so sarcastic?” Argyle questions, “Are you lying to us?”

“Argy- Yes, he’s lying. Christ, where is she? Put her on the phone instead,” Jonathan sounds entertainingly frustrated at the moment, and you take a step forward, palm reaching out for your cell.

Eddie doesn’t hand it over, head tilted at you, his youth breaking through the shadows that sharpen his jaw, “No can do, boss. Already tossed her body into the canals.”

“You what-” Jonathan’s voice is shrill, and Eddie bites back his laughter as he remembers that Steve is the only one in on that inside joke amongst the three of you.

“He’s lying,” you finally call out, taking another step closer, “I’m fine. He’s… it’s a joke. Don’t worry about it.”

“Okay. But are you guys actually at the apartment, or not?”

“We’re not,” your honesty has Eddie playfully scowling.

I hope you kiss me when this is over. I hope you berate me for not playing along, and I hope you press me against the cold concrete behind us, and I hope you kiss me until I can’t breathe.

The version of yourself from ten hours ago is practically wailing on the floor, kicking and screaming in defeat. You don’t even care. You can admit it – you want Eddie Munson to kiss you. You don’t have to say it out loud, you don’t have to voice that want quite yet. It’s enough for your beating heart to silently admit it and accept the truth.

“Then where are you two? Jesus Christ.”

Eddie opens his mouth to answer, but you’re shaking your head with warning, knowing he’ll only lie and make things worse, “Some parking garage. Don’t worry about it.”

“Some parking gar- are you two fucking stupid? It’s one in the morning, go home,” Jonathan’s using a brotherly voice you’ve only had the pleasure of hearing on rare occasions – usually when you’ve joined him, Steve, and Robin out at the bars, and the latter two have drank well beyond their limits.

“We know what time it is,” Eddie scoffs. Now that he’s set his stare on you, he’s unrelenting. He keeps you in his line of vision as if you’re a buoy in his ocean, as if he’s capable of getting lost in his own waves.

Hopefully he is. If you can’t be an ocean to him, you hope he has to suffer in his own depths.

“We’re being safe,” you assure the two boys over the line. If you took one more step, you would brush up against Eddie. Shoulder to shoulder, cotton sleeve against leather sleeve. You don’t, but the thought still thrills you.

“Safe?” Jonathan is now scoffing, making Eddie twist his face in annoyance, which makes you want to laugh. He’s getting a taste of his own medicine. “Do you two even know our city’s crime levels? Eddie, I’ve seen you in fights, you cannot-”

“First of all, you’ve seen me in drunken fights,” Eddie snaps in interruption, finally looking down at the phone he holds, “I can throw a fucking punch when I haven’t drank my body weight in whiskey. Second of all, we’re fine. I’m sure if I can’t take whatever big, scary criminal that comes our way, little miss independent here can. She’s scarier than we give her credit for.”

Silence. You almost don’t notice the way Jonathan and Argyle have gone quiet as you’re still hung up on the nickname of little miss independent.

Eddie’s the one who steps closer this time. He glances around the empty rooftop of the parking garage, and he takes a microscopic step closer to you. It’s more of a shuffle, really, but it’s enough for your shoulders to finally brush.

“Shit, man,” Argyle is sighing over the line, as you stare at the ground and Eddie stares at you, “Nance was right.”

Eddie freezes. There’s a choking sound from the phone, and it sounds an awful lot like Jonathan.

Nance was… right?

“What was Nance right about?” you ask, looking up to Eddie quickly. You expect him to be just as confused as you are but he looks petrified.

If all his blood hadn’t drained from his expression, he’d surely be blushing. But he’s stark pale beneath the moonlight, eyes glued to the screen as if Argyle could see his death stare over the line. He looks like a man caught red-handed. You have to look over his palms, the one holding your phone as well as the one quickly being shoved awkwardly into his pocket, just to double check that the skin there isn’t painted maroon.

“What was Nancy right about?” you repeat yourself, but the question is less directed at the phone now. You don’t care about Argyle or Jonathan’s answer – you care about Eddie’s, “What did she sa-”

“It doesn’t matter,” Jonathan interrupts, “We’ve gotta go, but there’s no need for you guys to send a photo this hour. We, uh, we’re the only ones awake probably, so… consider this your official hourly check in. Please, stay safe.”

“Talk later, my dudes!” Argyle yells in the background.

The line goes dead. The black screen returns to flash both yours and Eddie’s face in the reflection. One looks overexposed, left out in the light for far too long, and the other looks shadowed, as if having been left behind in the dark.

You’ve been left in the dark. Whatever just happened between the three boys, you’re clueless to it.

You have to put your hand out for Eddie to give back the phone, still looking far more nervous than he was before the phone call. All the cocky attitude, all the hints of teasing, all the almost kisses are gone.

Now’s a perfect opportunity to grill him on what Nancy said. He obviously knows, and if you were smart, you’d dig your heels in and force an explanation from it. You deserve answers; after an exchange of apologies and a quiet acceptance from both of you at giving this a real chance tonight, you deserve to not be left as the odd one out still.

“Why is your bike named Nightfury?”

Except it’s not the perfect opportunity. If you ask him now, he’ll deny knowing anything about it. You’ve learned a lot about Eddie in the last ten hours, and the major discovery has been the way in which he uncurls pieces of himself for your eyes only. He is slow and shy in being observed, and he won’t offer honesty when put on the spot like that.

If you change the topic, if you let it slide, he might tell you on his own time. You’re praying he tells you on his own time.

He looks taken back by your question, watching as you tuck your phone away into the pocket of his sweats that rest on your hips, “What?”

“You mentioned your bike’s name is Nightfury,” you shrug nonchalantly, “Is it some superhero reference I’m not getting? It’s fitting, but I just… I don’t know. I’m intrigued, I guess.”

“Superhero reference? Uh, no, not quite,” he scrunches up his face, and you recall the weight of his palm on your cheek. The almost taste of his lips almost on yours, “It’s- Jesus Christ, now I wish it was a superhero reference. The truth is so lame.”

You break a smile and bump your shoulder against his, trying to shake the racing of your heart, “Can’t be more lame than all your action figures back home.”

“Didn’t you say they were actually cool?”

“I actually called them creepy, if I’m recalling correctly.”

The two of you move as a unit, gliding over to the concrete ledge that over looks the city, simultaneously leaning your full body weight onto your forearms as Eddie digs out a pack of cigarettes out of his jacket’s pocket.

He catches you eyeballing them, and immediately shakes his head, tapping the top of the carton against the palm of his hand (the same palm that was once cradling your face so gently), “I’m not sharing my cigs. Fuck off.”

There’s no malice, and that’s probably the only reason that, once he’s pulled his own cigarette out of the pack and discarded it onto the concrete in front of the two of you, you immediately shoot a hand out to take one. You await for him to snap at you, to smack your hand away, to repeat himself.

He stays silent as you pull one for yourself. Offers his lighter, even, once the end of his glows cherry red.

You wish he would just lean over and occupy your space again, cup his hand around the end of the cigarette that is dangerously close to your cheek, let the flint fueled flame flicker between you as your gasoline fueled embers sparked to life again. You wish, you wish, and you wish. And he doesn’t. He doesn’t even meet your eyes as you pass the lighter back and inhale the smoke.

You hold it until his fingertips brush the palm of your hand, before you exhale sharply.

“It’s from How to Train Your Dragon.”

You have your cigarette halfway to your mouth, leaving it hovering as you side-eye him, “What?”

“Nightfury. It’s from the movie, How to Train Your Dragon. The, uh, main dragon, Toothless, is a Nightfury.”

Oh, Jesus Christ. You already wanted to kiss him badly enough, already found your defenses drooping limply when it came to him, and then he had to go and say shit like that.

“You named your motorcycle,” you start slowly, tilting your head in his direction, “After an animated movie? Cute, although I don’t think scary metalheads like yourself were the intended audience.”

Your words make the corners of his mouth twitch. Smoke curls out from the center of his lips, puckered in consideration as he turns his gaze to the buildings towering around you. “I’m a massive nerd who holds a weekly D&D club and collects mythical creature figurines. I am exactly their intended audience.”

“You have a D&D club?”

You’ve learned a lot about Eddie tonight. And yet, every new discovery you uncover continues to surprise you.

“Don’t sound so shocked,” he laughs quietly into the night air, “You saw the inside of my apartment, did you really not see the whole Dungeons and Dragons bit coming?”

You shrug, still watching him watch the city, “I… I don’t know. Contrary to belief, I really don’t know much about you. A shame, really.”

“Are you trying to say you’d like to know more about me, sweetheart?”

Yes. “God, no. I think I’ve had my fill of Eddie Munson Jeopardy for the night, thank you very much.”

You want to know the name of his band, you want him to ramble on about the game you know nothing about, you want him to elaborate more on his love for How to Train Your Dragon. You’re brimming with wants, overflowing your cup with curiosity. He shouldn’t intrigue you this way. It’s dangerous – you don’t know where you’ll put all this information when the night ends and you two part ways, both five hundred dollars richer and returning to the hatred that had been established.

Was it even hatred anymore? Or had it morphed into a softened version of itself, something more akin to indifference?

“Hey, Eddie,” you watch your cigarette burn away at itself, think of it like your insides as the flecks of ash fly off into the wind of their own accord, “What happens after tonight?”

You’ve caught him off guard; he’s not expecting the question, and it occurs to you he’s just as unsure as you are.

He doesn’t know where to go from here either.

“I dunno,” he murmurs. His arm shifts, and the hand that has his cigarette tucked between the fingers is now resting beside your own, “What do you want to happen after tonight?”

I want everything to change. I want to laugh with you again. I want to see you when we’re out with our friends and for you to smile instead of scowl.

You just shrug, and it makes your shoulders brush again, his leather crinkling against the movement, “Nothing has to change. We can… We can pretend it was all a bad dream, if you want. Although I’m definitely referring to your motorcycle as Toothless from now on.”

“No one will believe you,” he scoffs, ignoring your comment on nothing changing. But the curl of his lips had faded instantaneously, a subtle change that would have been missed if you weren’t watching him so closely. But you were. You noticed. You’d probably never be able to not notice. Even when he returns to scowling, even when he’s returned to the bottom of his ocean and you’re left with legs too weak to continue kicking in an effort to keep you afloat, “But… yeah. Yeah, it can all just be a…. Dream.”

Dream. Not a bad dream, just a dream.

“It’s weird that we don’t have to take a photo, right?” you’re quick to change the subject, to avoid deep diving into his implications.

It should give him whiplash, but he seems completely unaffected as he waves a hand around the open air in front of you two, “Not really. But we could still take one, if you want, though. Just for us.”

Just for us. A stolen moment and a blanket of security that this night existed, that it wasn’t just a shared fever dream and that it was all real. The Eddie you first met still exists six feet under, you two managed civility, and it was real.

“We could,” you agree, a bit too eager for your liking, “I mean, it’s a pretty view. We shouldn’t waste it.”

He doesn’t comment on the fact that he’s mentioned he comes here often, that this is a space he finds himself running to, just like the bar. He bites his tongue just as he had when you’d stolen a cigarette for yourself. A cigarette now wasted, because you hadn’t taken another drag in far too many minutes.

The hand that rested beside yours so casually inches closer, pinkies beginning to overlap. “Exactly.”

Your hand shakes the entire time as you reach into your pocket and produce the phone, as you hover the camera to perfectly capture your two hands and the cars that are so small in comparison on the streets below. Overlapping pinkies become hooked, twisted together, and you’re not sure if it was you or Eddie that took that final step.

You leave the flash off as two cigarettes glow orange like a sunset, like the ending to a beginning you’ve been hurtling towards at full force with Eddie this entire night.

It’s a nice photo.

Eddie lowly whistles as he glances over at the screen and the barely blurry photo displayed, “That’s a good one. We’ve gotta put it in the scrapbook, for sure.”

“The scrapbook?” you giggle, still memorizing every detail of the moment frozen in time, “What are we going to call it? ‘The Night Y/N and Eddie Didn’t Hate Each Other’?”

“The name can be a work in progress. After all, the night is still young. Maybe murder is still on the table and it can get shown on our Dateline special.”

You snort, and he grins. Your pinkies are still interlocked.

“Imagine the name of that episode. Just Keith Morrison narrating our greatest hits,” you muse as the breeze picks up around the two of you. It’s nice, cool and relieving from the flames that have been building and creeping up your wrist.

Both cigarettes are wasting away now; neither of you are willing to let go of the contact long enough to properly smoke them.

It’s as if he’s noticing it, too, as he curls his hold even tighter, a subtle squeeze you return without thinking. It’s just a small touch, a miniscule connection between the two of you, but it feels bigger than anything before. It’s larger than the almost kiss, it’s larger than his apology, it’s larger than everything. That’s what it is – it’s nothing in the grand scheme of things, but it’s everything to you. A rebuilding and rekindling of all the paths not taken.

Eddie pulls you from everything suddenly, not by pulling away his pinky, but by putting on his best Keith Morrison impression, “Two enemies, one apartment, an unfortunate series of city canals. Hatred is a fine line to dance, but just how far can one young woman go when a twenty-two year old man takes things too far. Tonight, on Dateline…”

Your free hand shoves at his shoulders, and his pinky clings stiffly to yours to keep his balance, “Shut up! Why am I the one murdering you? I’m a helpless woman! If anyone’s getting murked, it’s me.”

“Oh please, sweetheart, that’s exactly why you’d be the one to get away with it! No one suspects the sweet college girl who lives in the dorm down the hall to murder the big, bad wolf,” he cackles, returning to lean into your space tauntingly as he sets the scene, “You can’t tell me you wouldn’t throw my ass into those canals if given the chance.”

I wouldn’t. “I’m about ten seconds away from it.”

“Yeah?”

No. “Yeah.”

“Well, that’s hot.”

You remember his whimpers from the bathroom suddenly, and bloom into color. Instead of answering his banter, you bite your lip and look harshly down at your conjoined hands. Pinky in pinky, cigarettes dying down together. The burning end has neared where your fingers clench on the filter, and you tell yourself that that’s the source of the heat coursing through your body. It has to be, because it certainly can be the effect of Eddie. Eddie, touching himself. Eddie, moaning. Eddie, definitely not stubbing his toe.

Flames and oceans, you remind yourself, flames and oceans do not mix. Can not mix.

“Can I ask you something?” he asks with certainty, the cadence in his voice fading into something of serious discussion. The playfulness is still there, just more subdued, “And can it… not cause some big fight between us this time?”

Well, that can’t be good. “Go for it.”

“I told you why I hate you, so… why do you hate me?”

You understand his request immediately; it’s a loaded question, no doubt.

Why do I hate you?

For the life of you, you can’t pinpoint an exact moment. And unlike Eddie, you’re willing to tell him the truth, you want to reward him with honesty. The time of avoidant answers has passed for you, and you want to bare your soul to him in a peculiar sense.

“I- Okay, I don’t know exactly why,” you begin, considering finally disconnecting your pinky from his before deciding against it, “So I’ll talk you through it, but no interruptions, okay?”

“Okay. I’d pinky swear, but, y’know,” he raises your hands into the air ever-so-slightly, acknowledging the position he’s put you two in for the first time in the entire conversation.

You both laugh at the sentiment before you continue on.

“I’d like to preface this with the fact I know you won’t tell me the truth about this, even the others can’t tell me the truth about it, so don’t think of this as me seeking out answers. I’m the one offering an explanation, not you. So…just…” you take a sharp breath in and catch his eyebrows shooting up into his bangs from the corner of your eyes. You can’t look at him head on, a lingering fear of showing this type of vulnerability with him being impossible to shake, “That first night we met. You were nice, right? You were nice, we got along, and then… Then I went to the bathroom. And I came back, and suddenly, you… you weren’t nice. You weren’t quite mean, not yet, but you certainly weren’t acting the same anymore. And I don’t know why you changed, I don’t care,” An absolute lie. You cared. You cared so assiduously, far more than you should, to know why, “But after that, you were just… cold, I guess? And it all built up. I thought it was a game at first, I gave up trying to be friends and decided whatever was happening between us might be normal. You’d give short answers, so I gave short answers. You’d insult me or make fun of me, so I’d insult you or make fun of you. It was just a game. Until you got mean.”

A siren flashes by on the street below, and you can’t even make out the sound of his breathing. Now feels like a good time to pull away your pinky, to take a final drag of your cigarette, to leave behind his burning touch. The moment you try, he completely traps your finger between his pinky and ring finger.

He’s not letting you go without a fight.

You’re tired of fighting him.

“I actually think it took me a while to really hate you back, y’know? I think I was still holding onto this... this childish hope that you didn’t mean to be cruel. Or that you were just jealous of me intruding on your friend group – you told me yourself that you guys go all the way back to high school. I was this invader, and I excused your cruelty for a really long time because of it, because I told myself I understood. But then… six months ago, I stopped understanding. I had to admit defeat and hate you because you didn’t give me much of a choice.”

“Steve’s party.”

He says it so quietly, you almost miss it. He sounds remorseful, he sounds sad, he sounds regretful, he sounds mournful.

“Steve’s party,” you confirm just as quietly. Your pinky is slack against his as his grip finally loosens, “That night, everything you said… It finally felt personal. From the minute I got there, you were just… awful. You knew exactly where to hit me when I was down. And it took me shattering Steve’s poor glass to realize you really do hate me. You hate me, so I hate you.”

It’s out there, the truth – your only reason for hating Eddie Munson was because he hated you. It was based on a worthless principle. Born out of necessity, you had forced yourself to hate the man who currently has your pinky wrapped around his, who had pledged his protection over you with the same mouth that had claimed he’d never miss you if you evaporated from his life.

The hate would always be there. It wouldn’t wash away with his waves, and it wouldn’t turn to ash from your flames. You couldn’t get your hopes up that one night could fix it all.

“I was a dick that night. I know I’ve already said sorry but… I’m sorry,” he finds his reply in the darkness, in a hushed tone. Quiet and ridden with shame.

His pinky falls even more slack with yours as if he’s silently offering to let you go, as if the memory of what he’d done is enough to remind him you aren’t his to keep. But you’ve already given up the fight – your pinky stays with his.

“You were a dick,” you agree, “But I know you’re sorry now, it’s just a matter of… accepting it. Letting it go. I’ve not exactly been innocent in this. Remember Chrissy Cunningham?”

He laughs dryly, clearly recalling the blonde you’d caught him out on a date with.

“Jesus, fuck. Yeah, I remember Chris. I never did get a second date.”

“Because of me,” you try to tease, doing as he would and leaning your bicep into his.

He nods, “Because of you.”

You’d been extra spiteful that night. It was before Steve’s party, even. The moment you’d seen them in that booth, Chrissy giggling far too much at each of what had to have been Eddie’s terrible jokes, watching her perfectly manicured hand settle on his shoulder, you had been out for blood.

You’d approached them, and made Chrissy believe Eddie was already your husband. You’d even switched one of the rings on your right hand to your left ring finger. An entire debacle had been made in that diner, and Eddie looked ready to murder you when Chrissy had left and murmured something about ‘calling him later’ as you continued to credit him for being an absolute cheater.

She never did call. You must have really sold the entire lie with your crocodile tears.

“I was a bitch that night,” you supply as you let your cigarette finally drop from between your fingers, hitting the concrete as it begins to sizzle out, “So… I’m sorry. And we’re even.”

Eddie steals his cigarette into his other hand and takes a final drag before he properly puts it out, “Looking back now, it’s kind of fucking funny. Seriously. Did you know I knew her in high school?”

You don’t expect his lighthearted response, but you take it in full stride with a squeeze from your pinky, “What?”

“Yup. She never gave me the time of day back then. And after our date, I found out she’d been already trying to get back with her on-again, off-again boyfriend from back then,” he shrugs, turning to glance at you, “Guess I wasn’t the cheater.”

“Jesus, I’m sorr-”

“Don’t. Don’t apologize for her. Apologize for the fact you never even signed a prenup with me, or invited me to our wedding, wife.”

That makes you break. You both laugh so hard you have no choice but to relinquish your hold on each other, bringing your hands up to laugh freely into your palms.

“I am so sorry, my dear husband,” you taunt, “Maybe I’ll remember to invite you to the renewal of our vows in five years time.”

“Five years?” he crinkles his nose, shaking his head harshly, nearly tearing his curls from his makeshift bun, “Fuck that. I never even got to say my vows the first time. You owe me a wedding, princess.”

“You never bought me a ring.”

“My bad,” you barely squeak out before you succumb to even more laughter. Eddie’s dimples shine as he joins you, looking to the ground as his shoulders shake.

He sighs deeply once the two of you compose yourselves, turning and leaning his back onto the ledge, staring out at the empty parking lot, “Where should we have our honeymoon? I’m thinking the diner would consider hosting us, even after your fiasco.”

“The diner?” you feign offense and mimic his position, “Fuck that,” you parrot his words right back, “You’re taking me to Paris, pretty boy.”

It’s a deliberate choice; the nickname doesn’t slip carelessly this time. It’s said with a conviction that makes Eddie blush, that makes him look at you with dark eyes.

“Pretty boy and sweetheart,” he mumbles, gaze flickering down your face, “We make quite the odd married couple. I don’t know how they’d feel about us in Europe.”

“They’d certainly stop and stare at first glance,” you play along, still giggling quietly, “But I think then they’d see just how in love we obviously are and just….” you pause and let your eyes flutter shut for dramatic effect, not catching sight of the way he suddenly melts for you, “Swoon.”

You don’t see it, but he’s looking at you like he’s about to kiss you again.

“Here,” he suddenly says, fiddling with his fingers when you snap your eyes back open, “Allow me, Edward Munson, to vow myself to you…. Uh….” he pauses as he realizes he doesn’t know your full name, and so you jokingly lean in and whisper it to him as if you aren’t the only two up here. He repeats it back as if he’d always known it, and you’re both back to giggling, “In sickness or in health. In hatred or in murder. In…. bets and from this day forward.”

He’s holding one of his rings, one decorated with a chunky skull, and motions for your hand. You offer it and allow him to slide the ring on with as much ease as he had slid the helmet onto you.

It fits a bit big, but you both look down at it as if it’s the world’s greatest gift.

“Wow,” you breathe out, your hand still cupped by his, “It’s certainly no diamond.”

“Oh, I’m sorry. Allow me to just go to the twenty-four hour diamond shop and get something more to your taste, my beloved,” he goads, finally dropping your hand.

The metal is warm on the inner ring from his skin, searing into you just as his touch does.

“You sure know how to commit to a bit, Munson,” you murmur beneath your breath, lifting your hand to inspect the ring more closely. You’ve never paid much mind to his rings before, only ever knowing that they were there and they were a staple to his look.

“That I do, wife,” he grins widely, boyish in his suddenly shy stance, “You’re already wearing my sweats and my shirt, why not add the ring? Complete the look?”

“Complete the look,” you repeat and shake your head, shrugging, “Okay, fine. But just for tonight.”

Just for tonight, because after tonight, nothing changes. Your heart pangs at the thought but you don’t let your smile or joking demeanor fade with him.

“Of course, of course,” he waves the hand that is now one ring lighter, “Just for tonight. Come morning light, everything goes back to normal. No one has to know you spent the night married to me, sweetheart.”

“I mean, I’ve already moved in for the night,” you remark, looking up into his eyes, “We have moved quite quickly, haven’t we?”

“We have. All that’s left is consummating the marriage, or whatever,” he shimmies a shoulder into you, turning to face the motorcycle, “Speaking of home, we should get going before any scary criminals show up and you have to beat them up for me.”

Your cheeks are burning red, your hand is carrying his ring and flames, “Oh, I’m sorry. We are so not brushing right past the fact you know the word consummate.”

It’s easy. Being with him is easy, on fire or not. It is easier to enjoy him and joke with him, fall into civility with him, than to force yourself to hate him. You don’t care if tonight changes nothing for him; it changes everything for you.

“I’m brighter than I look, doll.”

It is easy to burn for him. For tonight, and for the rest of your life, quite possibly.

He picks the helmet up off of the seat and holds it out for you as you follow him, immediately making you grumble in protest as you take it without a fight.

You decide to take one last chance before the helmet separates the two of you again. One last way to tell him you don’t hate him, you don’t know if you ever hated him, you aren’t sure if you’ll ever hate him.

“You know, I think we skipped a step,” you flip the helmet, not meeting his eyes this time, mustering all your bravery, “Usually, you have to kiss your bride, then consummate the marriage.”

Quiet. He’s too quiet.

You’ve stunned him into silence, and you take it as a sign that you’ve gone too far. You’ve brought the almost kiss back up in the most indirect of ways, and you regret it immediately.

“I’m sorry,” you immediately try to rectify, “I- that was dumb. Bad joke. I… I’ll leave the bits to you.”

You don’t give him a chance to reply as you shove on the helmet, much less gracefully than he had put it on you, and wait for him to get on the bike.

No words are exchanged. You can’t see if he’s blushing through the tint of the visor. You convince yourself that he’s only tense as you climb onto the bike behind him because he’s uncomfortable now, because you’ve breached a limit you’d never even noticed.

Of course he wasn’t going to kiss you. Of course you shouldn’t have mentioned it, let alone joked about it. You’re an idiot. Even in civility, you’re an idiot.

He drives even faster to the apartment this time, which is dangerous considering you don’t grip him nearly as tightly.

A game of fate you should have realized is dangerous to play. It is dangerous to burn for him, because he does not burn for you. This fire is one-sided and self-destructive, and although it is easy, you should have known better. The hating him is safer than the wanting him. The fury is safer than the yearning. The glasses shattered were safer than the moments shattered.

You arrive back at the apartment. He parks the bike. You return the helmet to him.

You walk up the stairs ahead of him. You don’t speak to him. You twist the ring he gave you.

You keep your head down at the door. He rustles with his keys.

The burning is too easy. You should have known better.

But then, he says your name, keys still hanging from the lock of the door to apartment 2C.

You look up at him, and wonder if he sees your embers, clear as day. You wonder if he’s about to tell you to collect your things and inform the others that the bet is off, that the two of you will scrounge together the money you owe them and forget the night ever happened.

“Tonight changes nothing, right?” he questions once he has your full attention. You can only nod, ignoring the sharp pain of reality, “Nothing that happens tonight has to matter, right?”

You swallow hard. “Right.”

He’s the one nodding now, seemingly lost in thought.

This is it. This is the part it all ends.

“Great,” he finally concedes, voice raspy. You’re about to parrot back the sentiment when his hands are suddenly back in your hair, and his breath is back against your cheek, "Then fuck it."

This time, almosts don’t cut it. He kisses you, and he tastes like salt water as he meets your ash.

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#twenty four hours #my writing #eddie munson #eddie munson x reader #eddie munson x you #eddie munson x y/n #eddie munson fic #i am nervous for this one jesus fuck #shaking as i post it but the show must go on!#gonna go offline for several hours now #or just simply read bluey's newest story hehe #no one look at me

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