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#how to write fiction
unboundprompts · 3 months
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Pirate Terms and Phrases
-> Pirate Lingo
-> A Pirate's Glossary
Batten Down The Hatches - tie everything down and put stuff away for a coming storm.
Brig - a prison on a ship.
Bring a Spring Upon 'er - turn the ship in a different direction
Broadside - the most vulnerable angle of a ship that runs the length of the boat.
Cutlass - a thick, heavy and rather short sword blade.
Dance with Jack Ketch - to hang; death at the hands of the law (Jack Ketch was a famed English executioner).
Davy Jones's Locker - a mythical place at the bottom of the ocean where drowned sailors are said to go.
Dead Men Tell No Tales - the reason given for leaving no survivors.
Flogging - severe beating of a person.
Gangplank - removable ramp between the pier and ship.
Give No Quarter - show no mercy.
Jack - flag flown at the front of the ship to show nationality.
Jolly Roger - black pirate flag with a white skull and crossbones.
Keelhaul - a punishment where someone is dragged under the ship. They are cut by the planks and barnacles on the bottom of the ship.
Landlubber - an inexperienced or clumsy person who doesn't have any sailing skills.
Letters of Marque - government-issued letters allowing privateers the right to piracy of another ship during wartime.
Man-O-War - a pirate ship that is decked out and prepared for battle.
Maroon - to leave someone stranded on a. deserted island with no supplies, typically a punishment for any crew members who disrespected the captain.
Mutiny - a situation in which the crew chooses a new captain, sometimes by forcibly removing the old one.
No Prey, No Pay - a common pirate law that meant crew members were not paid, but rather received a share of whatever loot was taken.
Old Salt - experienced pirate or sailor.
Pillage - to steal/rob a place using violence.
Powder Monkeys - men that performed the most dangerous work on the ship. They were treated harshly, rarely paid, and were expendable.
Privateer - government-appointed pirates.
Run A Shot Across the Bow - fire a warning shot at another boat's Captain.
Scurvy - a disease caused by Vitamin C Deficiency.
Sea Legs - when a sailor adjusts his balance from riding on a boat for a long time.
Strike Colors - lower a ship's flag to indicate surrender.
Weigh Anchor and Hoist the Mizzen - an order to the crew to pull up the anchor and get the ship sailing.
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cacodaemonia · 1 year
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[image id: The text "how it feels to write a serious fanfic when one of the characters has a stupid name" is above a photo of a man sitting in front of a laptop and cracking his knuckles. He's wearing a rainbow-colored clown wig and a red clown nose, both of which have been photoshopped into the image. end id]
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valoale · 6 months
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It never ceases to amaze me how brilliant fan fiction writers are, like, you take bits of something and can turn it into such brilliance and create crazy good plot lines with so much depth and layers and come up with all these ideas, like, literally blows my mind every time. The level of creativity is stunning
Never stop
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coffeebeanwriting · 1 year
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Some Quick Character Tips
Here are a handful of quick tips to help you write believable characters! 
1. A character’s arc doesn’t need to grow linearly. Your protagonist doesn’t have to go from being weak to strong, shy to confident, or novice to professional in one straight line. It’s more realistic if they mess up their progress on the way and even decline a bit before reaching their goal.
2. Their past affects their present. Make their backstory matter by having their past events shape them into who they are. Growing up with strict parents might lead to a sneaky character, and a bad car accident might leave them fearful of driving.
3. Give reoccurring side characters something that makes them easily recognizable. This could be a scar, a unique hairstyle, an accent, or a location they’re always found at, etc.
4. Make sure their dialogue matches their personality. To make your characters more believable in conversation, give them speech patterns. Does the shy character mumble too low for anyone to ever hear, does the nervous one pace around and make everyone else on edge? 
5. Make your characters unpredictable. Real people do unexpected things all the time, and this can make life more exciting. The strict, straight-A student who decides to drink at a party. The pristine princess who likes to visit the muddy farm animals. When character’s decide to do things spontaneously or in the heat of the moment, it can create amazing twists and turns.
6. Give even your minor character's a motive. This isn’t to say that all your characters need deep, intricate motives. However, every character should need or want something, and their actions should reflect that. What’s the motive behind a side character who follows your protagonist on their adventure? Perhaps they’ve always had dreams of leaving their small village or they want to protect your protagonist because of secret feelings.
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scealaiscoite · 7 months
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“i’ll keep you safe” prompts ˗ˏˋ ꒰ 🍊 ꒱
⋆ “i can stay the night, y’know. if it’d make you feel better.”
⋆ “try and get some sleep. i’ll stay right here- i won’t let anything happen to you, i swear.”
⋆ “you should’ve told me this was going on. i would’ve put a stop to it the second i heard about it.”
⋆ “no one gets to treat you like that, you hear me? no one.”
⋆ “either go to bed and get some rest willingly, or i will drag your ass down the hall kicking and screaming. you know i’ll have no problem with either option.”
⋆ “you must be freezing- here, take my jacket.”
⋆ “this place is dicey at the best of times. just take my hand until we’re clear of it, yeah?”
⋆ “anyone touches you, says anything to you, so much as looks at you the wrong way- you come get me, and i’ll set them straight. understand?”
⋆ “i’m not jealous. i just know the intentions that someone like that has for you, even if you claim not to see them yourself.”
⋆ “stay behind me, no matter what.”
⋆ "i know you can't believe it yet, but i promise you can trust me. whenever you're ready to rely on me, i'll be here for you. i swear it."
⋆ “i like seeing you this way. so… at ease. makes me wonder how anyone could ever purposely put you under stress and live with themselves afterwards.”
⋆ “shut up and just let me take care of you!”
⋆ “this isn’t up for discussion. i know you’re used to looking out for yourself, but i need you to understand that you don’t have to live like that anymore. i’m here. for as long as i’m around, i’m going to come between you and anything that wants to hurt you.”
⋆ “no one’s ever going to hurt you again. i promise you that on everything i believe in.”
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the-ellia-west · 4 months
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How to make your readers Feel emotions for Dummies
(Horror edition!) aka Make your readers Tense.
Anyway, you want to know how to make your readers angry or tense? Well... have I got some useless tips for you!
First, think about what would make you tense?
Usually, you will write about things that you enjoy, therefore your readers will most likely be similar to you, so you should take your own experiences within media and just... steal them
2. Second, Use short sentences, and add onomatopoeia
Nobody likes having to make their brain work faster. And shorter sentences will actually do that. So using it is very helpful.
For example: Nothing in the house made a noise except for something dripping from the ceiling.
Vs
Nothing in the house moved. Not a noise could be heard. Not even the rustle of wind against the walls, or even her own breath. Save for one thing. Drip, drip, drip. Something falling slowly from the rafters overhead. Then, she knew.
See? Better!
3. Next, you should make sure to dance around the word was
Trust me, it just adds that much more oomph
4. Underdescribe the important shit, Overdescribe the unimportant stuff
I don't have an example for this... uh... have a nice day
5. Make your protagonist likable
Please
6. Show your readers early on you won't hesitate to do something shitty
Like kill off a protagonist who didn't actually matter, do something drastic in the story that shows your readers you aren't fucking around
Good Luck and good day!
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tea-cat-arts · 12 days
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Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will
#svsss#scum villian self saving system#shen qingqiu#shen yuan#the fact that people think scum villain#-a series that examines and criticizes common tropes in fiction-#is somehow against criticism or being a little hater is wild to me#especially since shen qingqiu never gets punished for being a hater#heck- he's still a little hater by the end of the series#he mostly gets punished for treating life like a play and like he and the people around him are characters#(or in other words- he suffers for denying his own wants and emotions and his own sense of empathy)#I think some of y'all underestimate how much writing/art is inspired by creaters being little haters#like example off the top of my head-#the author of Iron Widow has been pretty vocal about the book being inspired by their hatred of Darling in the Franxx#I think my interpretation of Shen Yuan's transmigration is also supported by the fact that this series is an examines writing processes#side note- though i understand why people say Shen Yuan is lazy and think its a valid take it still doesnt sit right with me#i am probably biased because my own experiences with chronic pain and depression and isolation#but ya- i dont think Shen Yuan is lazy so much as he is deeply lonely and feels purposeless after denying parts of himself for 20ish years#like yall remember the online fandom boom from covid right?#being stuck completely alone in bed while feeling like shit for 20 days straight does shit to your brain#the fact that no one came to check on him + he wasn't exactly upset about leaving anyone behind supports the isolation interpretation too#+in the skinner demon arc he describes his life of being a faker/inability to stop being a faker now that he's Shen Qingqiu#as “so bland he's tempted to throw salt on himself” and “all he could do is lay around and wait for death” (<-paraphrasing)#bro wants to be doing stuff but is stuck in paralysis from repeatedly following scrips made by other people#another point on “Shen Yuan isn’t lazy” is just the sheer amount of studying that man does#also he did graduate college- how lazy can he really be#he doesnt know what hes doing but he at least tries to actively train his students#and he actually works on improving his own cultivation + spends quite a bit of time preping the mushroom body thing#+he's experiencing bouts of debilitating chronic pain throughout all this#but ya tldr: Shen Yuan's transmigration is an encouragement to write and not a punishment and also i dont think its fair to call him lazy
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radley-writes · 2 years
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...Do you ever see people critiquing specific word usage in novels and wonder if they know that language can be used in fun and figurative ways? And that this is half the joy of writing?
An example off the top of my head - if I say ‘He gave a whisper of a smile’, it does not mean that the smile is literally whispering; it means that the word ‘whisper’ invokes a sense of smallness, due perhaps to subtlety or shyness, and that is something I want connected to your mental envisioning of this dude’s smile. 
Saying ‘But that makes no sense; a smile and a whisper are two different things’ misses the point e n t i r e l y
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secondhandsorrows · 5 months
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Some Vital Scenes to Include in a Romantic Subplot, pt. 1
I’ve been in the plotting stages of a novel I’ve been working on for some time now. It’s not a romance novel, per se, but the romantic aspect is very prevalent… dare I say important. Anyway, so as I was working on my scenes and character arcs, I began to realize that I didn’t have enough fleshed-out about romantic arc, nor deepened the protagonist’s love interest or their connection, for that matter. This led me to devise up some scenes that I felt were crucial to the story if I wanted to keep this romantic angle to it, and now that I’ve most of them arranged, I find now that I’m way more excited about my characters’ love story. 
These tips will be unnumbered because, obviously, the sequence of these events and how they will fall into your storyline will probably be different. Also, you don’t have to use only one scene for every suggestion that will be mentioned, as you can have multiple scenes of flirtations or deep conversations, for example. They usually blend all together into the narrative at this point. Just remember that there should be some relevance to the plot at hand in some of these scenes as to not derail completely from the main narrative or other conflicts.
I was going to post this all at once, but decided it was too long and wanted to split it into two parts to go more in-depth and for easy reading. /-\ Enjoy ~
- The meet-cute, or the meet-ugly:
Ah, yes, the first encounter. Or, as we sometimes like to call it: the meet-cute, or the meet-ugly if you’re feeling a little unconventional or perhaps mischievous. Though we may enjoy setting up our star-crossed characters in a whole range of moments from awkward to swoon-worthy, the initial meeting is what’s important (if your characters haven't already met before the beginning of the story, ofc, but this is useful to have in mind). Let us quickly define the two:
Meet-Cute: A charming and serendipitous first encounter between the characters in question that sets a positive, memorable, and oftentimes romantic tone.
Meet-Ugly: An unconventional, awkward, or disastrous initial meeting that adds a unique twist to the start of the romantic connection, often leading to unexpected chemistry and an added intrigue on whether or not they’ll get together.
You don’t have to nail your characters’ first encounter into a label or bubble such as these two examples, but I like bringing these up for a general idea. 
- Bouts of flirting and/or banter:
Just as the title suggests, these are scenes containing the flirtaious communication between the two characters. These kinds of interactions will, of course, develop over time and deepen the bond or relationship. Playful interactions, gazes, and witty exchanges between the characters can create a lighthearted and flirtatious atmosphere that hints at their growing attraction.
The way they might flirt or tease can reveal their personalities. For example, one character might be more sarcastic, while the other responds with quick wit, or quiet bashfulness. There’s an element of subtlety, as flirting lets the characters express their romantic interest without explicitly stating it (unless one of your characters lacks subtlety in general and prefers to shout their undying love from the rooftops, which would make for an interesting dynamic, but I’m only spit-balling). 
Banter, teasing, and romantic tension underscoring heated debates or loathsome gazes suit just as nicely, especially if you’re writing with enemies-to-lovers or rivalry tropes in mind. But be careful! A little goes a long way: too much all at once can repel any growth for the characters or narrative.
- Initial conflict or struggle:
Depending on your story’s big-picture conflict, the introduction of challenges or obstacles can create tension between the characters, adding depth to their relationship and making their eventual connection all the more satisfying. This might include cultural or class differences, opposing goals or values, history of past heartbreak, personality weaknesses such as stubbornness, or external pressures that threaten to keep the characters apart. Even a nosy family or a disapproving mother can be considered. How the characters navigate and resolve these conflicts contributes significantly to the overall emotional impact of the romance subplot, as well as allowing for some exploration of each character's strengths, weaknesses, and resilience. 
- Shared vulnerability:
This kind of scene involves the characters opening up to each other about their innermost fears, insecurities, past trauma, or personal struggles. Shared vulnerability goes beyond surface-level interactions. It involves characters revealing their authentic selves, exposing their emotional vulnerabilities, and allowing the other person to see them in an honest — and sometimes new — light.
This is a symbolic gesture of commitment we’re talking about, here… something that requires trust. As characters share their fears or past traumas, they are entrusting the other person with sensitive information, fostering a sense of trust and emotional intimacy. It might be scary, it could be out from left field, but they will end up learning something new about themselves, their situation, or about the other person, and thus deepen their connection, little by little.
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unboundprompts · 1 month
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Hello! Could you do a cowboy/wild west terms & phrases?
Thank you!
Cowboy / Wild West Terms and Phrases
-> The Chief Storyteller
-> Cowboyaccountant
A Lick and a Promise - to do haphazardly.
Above Snakes - If you were “above snakes,” you were above ground; still alive.
Acknowledge the Corn - admit the truth, to confess a lie, or acknowledge an obvious personal shortcoming.
An Invite to a Dance - could mean shooting at a man’s feet to make him dance.
Bake - to overheat a horse by riding too fast, long, or hard.
Barkin’ at a Knot - Doing something useless; wasting your time, trying something impossible.
Barn sour - horse that loves his stall; speeds up the pace as he nears the barn on the journey home.
Bedroll - Blankets rolled and carried for sleeping.  Also called sugans, soogans, hot rolls, or dream sacks.
Bee in Your Bonnet -  An idea.
Boondocks, Boonies - far from civilization.
Broom-Tail -  a negative term for an ill-behaved or ugly horse, often a horse that looks or acts like a mustang.
Burn the Breeze - ride at full speed.
Chuckwagon - A wagon used to carry food on a cattle drive, which also serves as a mobile kitchen.
Clipped his Horns -  took him down a notch or two; referring to a fight or a braggart.
Cowboss -  In charge of the cattle operation on a ranch.  They choose where the cowboys will ride and hire and fire cowboys.  Answers to the general manager or ranch owner.
Curly wolf -  real tough guy, dangerous man.
Dilly-dally - loiter or vacillate.
Flannel mouth - overly smooth or fancy talker, especially politicians or salesmen. 
Night-Wrangler -  A cowboy that herds and cares for the saddle horses during the night. 
Pull in your horns -  back off, quit looking for trouble.
Rustler -  A horse or cattle thief.
That Dog Won’t Hunt - That idea or argument isn’t going to work. Or, the person saying it doesn’t believe what you’re saying.
Will Die Standin’ Up -  brave
If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.
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Questions to ask beta readers
General:
Were you confused at any point of the story?
What genre would you say this book is?
When did you put the story down?
Is the ending satisfying?
If you had to cut 3 scenes what would they be?
When did you feel like the story really began?
What was the last book you read before this story?
Characters:
Do you get any of the characters names confused?
Which character is your favorite?
If you had to remove a character who would you and why? (you don't have to remove the character, just make sure their role is meaningful)
Which character do you relate to the most?
Which character do you relate to the least?
Do the characters feel real?
Are character relationships believable?
Are the goals clear and influence the plot?
Are the characters distinct (voice, motivations, etc)
Setting:
Which setting was clearest to you?
Which setting was the most memorable?
Am including enough/too much detail?
Plot and conflict:
Are the internal and external conflicts well defined for the main characters?
Are the internal conflicts and the external conflicts organic and believable?
Are there enough stakes?
Are the plot twists believable but still unexpected?
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The Ultimate (short) Guide to Crafting Captivating Book Titles: A Writer's Journey into Naming Novels
Embracing the Power of a Book Title
Greetings, fellow writers and wordsmiths! As we embark on the magical journey of storytelling, there exists a crucial milestone—bestowing our creations with a name, a title that encapsulates the essence of our narrative. The quest for the perfect title can be as thrilling as drafting the story itself. In this guide, we will unravel the art and significance of titling a novel, exploring strategies, tips, and the creative process behind crafting an engaging and magnetic book title.
Understanding the Importance of a Book Title
The Gateway to Reader Connection
A book title is the beacon that beckons readers to explore the universe you've crafted. It's the first impression, a snapshot that encapsulates the soul of your narrative. A compelling title can captivate an audience, generating curiosity and inviting them to step into the world you've woven within your pages.
Reflecting the Essence of Your Story
A well-crafted title encapsulates the core theme, mood, or central conflict of your novel. It should resonate with the narrative, teasing elements without revealing too much, leaving a trail of intrigue that entices readers to delve deeper.
The Art of Title Creation
Embrace the Journey: Start with a Working Title
Begin with a placeholder, a working title that captures the essence of your story in its rawest form. Let it evolve and grow as your narrative does. This title might serve as a guiding light until you uncover the perfect one.
Exploring the Heart of Your Story
Consider the central themes, characters, or pivotal moments within your book. Delve into the emotional core of your narrative and unearth words or phrases that resonate with its essence.
Utilizing Literary Devices and Techniques
Explore metaphors, alliteration, symbolism, or even poetic verses. Experiment with wordplay, juxtapositions, and contrasts. These literary devices can infuse depth and intrigue into your title.
Testing and Refining Your Title
The Power of Feedback
Share your title ideas with trusted friends, writing groups, or beta readers. Gather feedback on their impressions and the emotions evoked by the titles. Use this input to refine and narrow down your choices.
Alignment with Your Target Audience
Consider your intended readership. Does your title resonate with the genre and expectations of your audience? Ensure it's not only enticing but also aligns with the preferences of your potential readers.
Finalizing the Perfect Title
Distillation of Essence: Keep it Succinct and Evocative
Aim for brevity and impact. A concise yet evocative title can linger in the minds of readers. Often, the most powerful titles are those that say much with few words.
Research and Avoiding Clichés
Investigate existing titles in your genre to ensure your title stands out. Steer clear of clichés and overused phrases, aiming for originality and uniqueness.
Embrace the Artistry of Title Crafting
Crafting the ideal book title is an art in itself. It's the literary cloak that shrouds your creation, inviting readers into the tapestry of your imagination. Embrace the journey of titling your novel with the same passion and creativity you pour into your storytelling. Let the title be a herald, whispering the promise of a remarkable journey that awaits within the pages of your book.
As you venture forth, remember, the perfect title awaits—a key to unlock the hearts and minds of your future readers.
Happy writing and titling!
This comprehensive guide aims to take writers through the journey of creating an impactful and engaging book title, emphasizing the importance of a title and offering practical strategies to craft one that truly resonates with a novel's essence. If you need further insights, examples, or specific advice on any aspect of titling a novel, feel free to delve deeper into each section. Happy titling!
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coffeebeanwriting · 5 months
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Quick Tips on Writing Better Characters
Here are a handful of quick tips to writing stronger characters and understanding them better as a writer.
Give your characters a title. This can help with worldbuilding and placing your protagonist into the environment. What do others call your characters? The emperor, the bastard son, the Grinch, the chosen one, the class clown, the evil witch, the popular girl, etc.
Use your settings to enhance your character. You can use the locations of your novel to mirror or contrast your character. Do they blend in or stand out? What they focus on can say a lot about them (ex. a fearsome character mishearing things on a dark street, a princess in a ballroom only focused on the exit.)
Know your protagonist's motives and goals before you start writing. What is something they need that fuels their actions throughout the novel? Money, freedom, an artifact, food? To protect their sister at all costs and survive the Hunger Games? 
Now that you know their motive, make it more complex. A character's motive can be made more complex by putting them in high-stake situations that force them to make decisions. For example, Katniss wants to protect her sister, a very common motivation. However, present-day conflict makes her to do it in the most extreme way by volunteering in the Hunger Games. The plot forces her to make an extreme choice fueled by her motivation.
Your protagonist should be active. It's okay to have your story's events sometimes happen to your character (this is referred to as the character being passive, ex. a tornado sweeping them away) but your protagonist should be active a majority of the time. This means they should always be making decisions, thinking, reflecting and progressing through obstacles.
Instagram: coffeebeanwriting
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dcangel · 1 month
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one thing about stiles is that he absolutely cannot stay quiet when he cums, even if it’s in the worst situation possible. he could be home alone, or it could be late at night— either way, he’s jerking off to the explicit picture you sent him last week that he still has yet to get over. he can’t muffle any soft grunts or hums even when his mouth is closed. especially not when you’re letting him fuck you. his intentions when resting on top of you were innocent, perfectly content with being your weighted blanket. but something quite literally rubbed him the wrong way, and you felt it moments later. how could you say no to some not-so-innocent cockwarming? after all, Noah was in the dining room mulling over another case of a slashed-up body in the woods. clothes weren’t removed, just adjusted to allow his cock to slip out of his plaid sweatpants and into the small gap you left him between your drawn-down waistband and your cunt. it truly didn’t take long for vibrations of lost hums and whimpers to be felt against your neck as he allowed his hips to work lazily; his cock sliding in and out easily thanks to your building wetness. you really didn’t expect or want more from him, you just wanted him to please himself as you relished in his struggles to stay silent.
it was hard to keep stiles quiet, especially with the way the house fell silent after his dad drank himself to sleep, and there was no absent-minded muttering and mumbling to drown of the echoes of stiles’s growing whines. it was even harder when you felt warmth spill inside you and his hips still twitched as if one orgasm wasn’t enough. he was doing it to himself. grateful praises and broken whimpers tumbled from his lips that languidly tried attaching to your neck, and you didn’t even attempt to quiet him down. it would’ve been a futile effort anyway, especially with the way he absently began spewing mumbled begs against your neck to just let him be loud— to let him have his moment to openly relish in the feeling of you. and who were you to say no to your boy who took it upon himself to overwork his recently neglected body?
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the-ellia-west · 5 months
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How to make your readers Feel emotions for Dummies
(Characters crying edition!)
So... You can't write characters crying? (Or you just want to read this for some reason) Well, neither do I so let's get right into it! I should be packing for a trip but oh well who cares? Not me!
Yeah. Your character is crying and you want to know...
How to not make it cringe af
How to make the Readers relate to it
How to make the readers not only relate to it, but feel DEPRESSED
Step 1 - Do NOT over describe it I've tried to write this so many times and failed that I've realized it's just like good horror. If anything, don't describe the tears, describe their impact, describe the horror of why they're happening, what they're doing to your character. (Example at the end)
Step 2 - Make it at a time when we've had time to connect to the character Put it in the middle of the 1st or only book at the earliest. Other than that, put it later. The more time you spend with the characters, the more their breaking down will emotionally scar you. And that's what we want
Step 3 - Describe other actions for the character Deep breaths, falling to their knees, screaming, choking, cradling the body of a loved one, sad dialogue, other concerned characters, ect. Actions speak louder than words and that is sooooo true in writing. This one of those rare cases where show don't tell is a must.
Ex. (I'm using A and B for the character names cause I'm lazy)
The world seemed to slow as everything came crashing down around her as his body hit the ground, a soft thud the only sound she heard as the grass slowly turned from the light lively emerald of life, to the deep crimson red of death. He was gone. She ran over to him, his quickly fading labored breaths and her crunching footsteps the only sound as the sun shone into her eyes, blinding her. She dropped to her knees beside him, the tears already beginning to fall as she began to choke on her own words, unable to speak as she grabbed his hand. It felt warm in her palm as she clutched his hand close to her chest as the world came crashing back. The burning light of the sun in her eyes, the heat of it and the adrenaline on her skin, her brother's cooling hand, his raspy breaths, her sobbing gasps, the clash of metal against metal, the falling bodies, the raining blood. Then the screams. "A! A! What are you doing?! We're in the middle of a fight! Don't you remember what I taught you?" B nearly screamed at her, causing A to cry out in a mix of anguish and agony, panic finally reaching her as the impact of what had just happened finally hit her.
(Side note: If you liked the example, it will be part of my Fantasy Book series Coming out soon! More in my profile if you're at all interested)
That wasn't as sad as it could of been because you didn't know the characters, but it's definitely better than just an extended description of crying.
Anyway, thank you lovelies and I hope this helps you even a little bit! Love you, continue being awesome!
[Edit: WHY DO YOU LIKE THIS SO MUCH WHAT DID I DO TO GET SO MANY PEOPLE TO LIKE THIS???? I am flattered... Thank you?]
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taylortruther · 2 months
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i think the songs on the album will be utterly earnest and personal, but it is so interesting that she's juxtaposing the supposed authenticity of the "tortured poet" (the idea that to be artistic you must be dark, tortured, etc and your work must reflect that in a specific way, or you're not considered a real artist, maybe even a sellout, a shill) with "department," a concept that implies administration or detachment, a mere method of organization. as if the act of creating "tortured art" has been catalogued, maybe even commodified or turned routine. like, even the way she presents her art, her truth, as "evidence"... the way her songs about her life are organized and labeled as "artifacts," even though they are intimate and personal. there's just a few layers of irony here that i'm really excited for, and that addresses so much of discourse around her artistry, life, and mythology.
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