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otakuworks · 1 year

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❛ 𝐒𝐄𝐄 𝐘𝐎𝐔 𝐋𝐀𝐓𝐄𝐑. reborn au

feat. Zhongli x Reincarnated!GN!Reader | PART I | wc. 4.6K

Based on 'See You In My 19th Life' | overview. this webtoon follows the story of a woman who can somehow remember all her past lives.

sum. after a sweet hello, your lips never found its way to say the bittersweet goodbye. because you knew you would always find your way back to him even if he won't recognize you in your renewable lives.

note. some scenes are purposely inaccurate to the canon lore

main.mlist genshin.mlist | xiao ver.

You first met him as Morax, a little child dragon you grew up discreetly meeting at a very convenient time of your day, never knowing what's stored for the two of you.

He first met you as Y/N who resides at the countryside near Mt. Tianheng in hopes to find new things to discover across the vast lands of Teyvat. And he did. He found you.

Young Morax found you crouched under an oak tree, the wind flowing with your otherworldly voice, enrapturing him in blissful comfort.

Perched in the tree branch, he listens intently and let himself melt in your grace. It wasn't the first time he finds you warbling a melodic tune, and each time he comes back to hear more from you, it's always a different song and it wouldn't cease to amaze him how much ditty you know.

He lost count on how often he'd fall asleep with your voice lulling him and wakes up feeling empty as the epilogue of his day is always spent without your presence.

Sometimes he wonders if you know he has been watching you, and if you do, why aren't you approaching him? No matter, young Morax doesn't intend to befriend with you.

But then one day...

"Hello! You must be the boy who likes to hear me sing by the tree."

He was caught red handed, perhaps he became distracted that he didn't realize he's been shamelessly stalking you. He couldn't stop his curiosity to follow you in your way home.

Not only he's been spying on you, now he sounds like a stalker. But you didn't suspect, there wasn't anything to be suspicious of anyway.

"H-Huh? H-How did you know?" He gotta commend you for your keen senses. He's the Dragon between the two of you, which means he's supposed to be the one who has sharper senses.

"You must be good at anything but hiding. I have known you've been following me, but I never get to see you up close, you're really majestic looking, by the way." You chuckled as his poor attempt of masking his flushed face at your compliment.

"I don't mind your company, in fact, I want to be friends with you."

Friends. What a foreign concept for young Morax.

He has heard of that term, it's common among mortals, but he's not a mortal. Does this 'friend' term stretches to immortals like him as well? If so, then he has no reason to refuse.

Says the person who one minute ago thought of every alternative ways to stay out of your way.

He was skeptical at your optimism, most mortals would be astounded at his appearance and try to persuade him to spill whatever secrets he has, but as he got to know you better, he was a bit guilty to categorize you as one of them.

His horns and inhumane features? Young Morax found out you're only fascinated by his unique physical looks. And never doubted it.

"Cool! You have horns just like our boars, where did you get those? Can I touch them?"

"Did you just compare my horns to a pig? Pigs don't even have horns! How disgraceful!"

The sparkle in your eyes quickly died down as it came, and the young Morax feels tight in his chest just seeing your smile turns into a frown. You insulted his pride though!

You mumbled a meek apology but still kept your sheepish smile, a glimmer of hope that one day he'd let you do it.

The next days were spent by you sneaking out your house every midnight to meet up with the dragon, Morax. He's slightly skittish, oddly resembling him that of a cat, which is cute.

You probably shouldn't be calling a literal Dragon cute, legends depicted them as tyrannical creatures who seek treasures.

Ah! Classic children's story to scare the kids away at night, it did affect you in some way.

But you can't help it when he would eagerly look at you whenever he asks you to sing him a song.

You'd sit side by side under the tree, you have to admit he'd either falls asleep amidst your song or asks you for the lyrics so he can sing it to himself too.

You even dedicated a song that lets a certain flower bloom.

"Glaze Lily? What's that?" Young Morax asked with tilted head.

A smile outstretched your lips, "Beautiful, right? It transforms the memories of the land into its fragrance during florescence."

"Really?! Is that why you're always out in the dark?" You chuckled sheepishly, feigning ignorance, "Don't know what you're talking."

You got to know each other, held hands like innocent children, share what little knowledge your pea sized brain can, hug whenever one seeks comfort, eat under the glistening sun.

Morax is... a sensitive individual, albeit rough around the edges, but he's young and still learning, and you're unbelievably patient with his attitude— a quirk from you that he greatly appreciates.

From that, young Morax grew fond of you and it isn't one sided.

He flies by the same tree and gives you random things he finds magnificent, whether it could be a rock he found by the lake or a rare item that no one has ever discovered before.

Well, the legend wasn't lying about Dragons and treasure, for sure

You'd laugh at the strangest things he discovers but accepted them nonetheless. Every object he gives you is worth something.

This has been part of your routine for days, weeks, months, even years maybe. You don't know how much time has gone by whenever you're with him and you never bothered to count.

Before you know it, the two of you are almost in young adulthood, he grew up to be a fine man, much unlike you were expecting. Nothing changed from your friendship, until now.

You were taken by surprise when he suddenly blurted out one day

"I want to show you what I see from up there one day, Y/N."

He gazes at you much differently when he looks at you when you were younger. There's a glint of promise in his eyes that you can't pinpoint, it sent shivers all over your nerves.

"You can just fly me up there, Morax. I'm sure I'm not heavy." You muster a smile in an attempt to ease your quickening heartbeats.

He never gave a reply, he only stared at you so intensely that it feels like he's poking your deepest and innermost thoughts.

The way he stares at you never fails to summon the tickling butterflies in your stomach and the blood on your cheeks. You merely regarded that as your hormones, anyone would be flustered if someone they're close to stare at them like that.

You should've known better that nothing in your world stays permanent. The only thing you remember after that day was his twisted look of desperation to keep you alive and tear stained amber dyes trying to get the last image of you in his memories.

"N-No... Y/N please stay with me. D-Don't leave m-me just yet." It hurts you more than the numbing pain in your abdomen to see him broke down like a cornered prey. So helpless and vulnerable.

"I-I'll always be w-with you, Morax..."

So cruel, just when you've begun to realize the burgeoning feelings you have for the Dragon, fate took you away before you have the chance to confess.

Should you be selfish to confess your feelings to him? If you do, it seems like you'll be punishing him an endless torture ahead, and you would never wish Morax to suffer for eternity.

You only smiled and caressed his horns, even in your deathbed you're glad you died in the arms of the man you ever loved.

At the last moment, you heard the anguished wail erupts from his throat as he clutches your form closer, begging and crying for you to come back, to not leave him like this, that he needed you, that he loves you. His pleas fell on deaf ears, for you weren’t there to hear him anymore.

But it became clear to you that he reciprocated your love.

It came a shocking twist when you opened your eyes you can hear multiple cooing sounds from around you. Didn't I die in his arms? Where am I? Turns out, you were reborn. But not as Y/N anymore and you were given a surname.

Unfortunately, the Celestia isn't so forgiving. You were suffering from an unknown illness that took away your second life at such a young age.

You trained hard and learned martial arts in your third life as you were born from a family whose tradition is to produce well-trained warriors in the future.

Fourth to eight life came by like a blur, there were times when you get to lived as an innocent child only for it to be ripped away a few years later with your past memories resurfacing.

You stopped counting after it hits a dozen, born in different class, society and unnamed nation. There's no point of it.

All you want is to look for Morax, but will he remember you? Will he even recognize you as Y/N? You're no longer the kid he grew fond of. No, you're much different than before.

What about him? Decades have past, does he still know of your name? You could've been a fragment of his childhood that he dare not talk about with his new friends.

Will I make your life more difficult by trying to reconnect with you, Morax?

Those thoughts haunted you for nights, often occuring in your dreams.

But what can you do, you're so far away from Mt. Tianheng, you don't even know if the village you lived in still exists nor do you know if Morax still visits the tree you first met.

Even if you did meet him in your new life, you ought to stay as acquaintances.

Aiding him in the shadows and lessening his burdens within your power.

In your hundredth life, all of your training in your third life is proven useful at the moment. You're known as the infamous warrior with no name that took down the monsters around Teyvat, you were revered to the people in the Guili Assembly.

War is threatening to wage amongst Gods and mortals alike.

When it came, no one is safe in and out of the battlefield. To survive they must fight tooth and nail, paint the lands in sea of red and play the game of thrones.

It was gratuitously morbid, gruesome and unjust. A macabre of series of deaths surrounded your every wake, your hundredth life is the epitome of a living nightmare. Horrifyingly memorable.

You were at the sidelines, watching as the war unfold, keeping tabs on Morax's allies and eradicating whatever threat they face.

That's when you came across the stunning Goddess Guizhong, the Ruler of Clouds, Goddess of Dust. A very close companion of Morax whom he met at the Guili Assembly along with the others.

She's capable and quick-witted, a type of peculiar person Morax wouldn't hesitate to be friends with.

As of the moment, a claymore is alarmingly closing its gap towards her, ready to slice her open.

Then you heard him scream, a cry of a man who's about to lose everything he has gained of.

That cry sent flashbacks of his tear-stained cheeks. No, you don't want to see him like that again! You'd do anything to chase away that vulnerable image of Morax, he deserves happiness and love.

Your feet went autopilot and swept away the Goddess out of the way, severing your lower limbs in the process and instantly killing you. Your eyes opened and you have started your new life.

Was Morax relieve that Guizhong lived? Did he wonder why a stranger would save her? Did he ever ask who you were? Did he... recognize you at the very least?

Your new parents panicked as they tried to appease the crying infant in their arms. Unbeknownst to your pained heart.

You saw for a brief moment before your demise how Guizhong's plausible absence will affect him. He will mourn her death as much as he lamented yours. For decades or centuries, you know he has been scarred by your passing.

You don't want him to go through that again. It's a different pain you feel when you see him tearing up, you rather get minced by a claymore than to watch him break down.

He garnered the reputation of a tyrant— but you knew better that Morax grew up with compassionate heart, he appreciates anyone no matter how insignificant they think they are.

Which is why you hold yourself from meeting him. He may not remember you, but he will certainly get attached to you once you had your way to his heart.

And a dragon who can outlive you in any lives will only suffer more from your death.

You dedicated your lives in living peacefully, learning history and new things as humanity evolves.

You vow to never fall in love if it isn't Morax you'll spend your mortal life with.

Even if he has someone he can fall in love with.

"Have you heard about the land Lord Morax and Lady Guizhong are building in Mt. Tianheng?" Gossips are everywhere about the infamous partners who survived the Archon War, there's no mouth that has not utter their names, and you're no exception.

A grin spreads over your lips as you sip your tea with elegance, "I've heard, I haven't seen them in person but the rumors about them guaranteed they're ambitious people with good hearts."

This has been a hobby you never knew; praising Morax to elate people's opinion about him. It's your small contribution to his flourishing nation.

You want people to love and respect Morax dearly just as you loved him in your childhood.

You prayed to the new Archons for Morax to find someone he can love and lean on. Someone that can be his source of strength to keep living. Someone much better than leaving him with death.

Now that he found someone he can be with, your goal in your next lives is to protect Liyue's history.

From the names of ancient relics and objects, war waged by the Gods, Nations that were built underneath the once blood soaked lands, fallen heroes who are forgotten— you know all of them. You're openly willing to offer tutelage to the inquisitive.

You sighed at the thought, it certainly will be lonely in your part. Immortal gods can still die— a death in which they'd leave their memories behind and start anew. Morax will eventually cease to existence with lovable Nation and Guizhong to remember him.

And you? Countless past lives yet you never found true happiness, and none of them was worth to remember for anyone.

Part of you feels happy for Morax finally moving on from your death eons ago, but you're still human so you're susceptible to those horrible impulses of bitterness at a basic level.

But you don't want to be a person who looks at Guizhong with jaundiced eyes just because you couldn't have Morax, so you suck it up and move on the fact Morax is in love with another.

At least my sacrifice isn't a total waste.

"Aren't they? I've met Lady Guizhong, she's such a beautiful and soft spoken woman. She and the Lord of Geo are a perfect match. I wish the two of them eternal blessings."

A tug at your heart left an unpleasant feeling, your brain tried to reason that at least he's with someone that'll love him more than you did. That can appease your bitter aching heart a bit.

How ironic. You built a nation where you first met me.

And showed her what you can see up there like you promised me.

Is that how you honor my death, Morax?

"Wow! You sure do know many things, Y/N!" The floating emergency food expressed her awe in your display of knowledge and the traveller couldn't agree more with her, "She's right, you never cease to surprise us."

Their exclaims were followed by your enchanting laugh, "I'm glad I can be at your service, Honory Knight."

You were simply ethereal to look at, you maybe a mortal like the traveller but the Blondie thinks otherwise.

Paimon and her travelling buddy met you by the Starnach Cliff when they were attempting to subdue Dvalin. Jean and Diluc already know you're part of the Adventurer's Guild as you often visit Mondstadt from time to time.

They didn't expect you to join them in their excursion in Stormterror's Lair, it turns out you're a great addition to the team.

You befriended with the traveller after the whole Stormterror fiasco and catch up with Kaeya.

You don't stand out the most in the crowd, you can blend in with everyone and no one would acknowledge your existence. But the traveller can sense the weight of the wisdom you withhold.

It almost feels like you're one of the Seven...

"Is there something else I can help you with, Traveller?"

"Huh?! Oh... I— Uhh... You've been telling us stories and fun facts about Mondstadt. If you don't mind, can you tell us about Liyue?"

For an ephemeral moment, the traveller saw your facade crumbles and slowly morphed into a nostalgic expression.

"Hmm. I'll tell you a quick introduction. Liyue is built in Mt. Tianheng after the Lord of Geo attained one of seven seats, unlike the Anemo Archon who's known to not show himself, he descends down once a year to give blessings to the people of Liyue."

"Exactly how Venti told us, but more detailed."

"He sounds a lot more of a decent God than Tone-Deaf Bard."

Her statement elicited a quiet snicker from you, "I'll be off then, I'll see you around soon." Paimon's expression deflated, "You're not coming with us?"

You shake your head, "I'll visit you when I can, until then I hope for your safe travels."

You forced a smile and took a different path from the traveller, as their figures disappear in the horizon, you felt your smile slip up as the sun whisks past the mountains turning to dusk.

Solitude in the dark has been part of your daily routine, you come and go whenever you feel like it, not knowing when to return.

The excuse you told to Paimon isn't entirely a lie, you couldn't bring yourself to go in Liyue when there's active Fatui agents scattered around the vicinity.

Let's just say you're not in good terms with the Fatui. Who isn't?

Nevertheless, whatever curse you have continued to persist in your thousandth life. You roamed around Teyvat and tell stories that even historians don't know.

Repeated lives were lived by just you traversing in each corners of Teyvat that even Archons never knew it existed.

Along the way, you've come terms with your feelings and settled it down like a dormant volcano. Morax is your first love, you enjoyed reminiscing the memories you made with him, you keep those memories locked up in the depths of your mind and often recount them in particular leisure time of the day.

You still love him, and you'll always be by his side whenever he needs a helping hand, but enough is enough, you've suffered enough to your own idiocy and fears. It's time to move on.

Morax continued to strive forward because he has changed, for the better of course. If you want to continue living the next lives of yours then you need to change too.

You met new friends and companions that you begin to trust and have fun with, the traveller and the emergency food included. It wasn't lonely as you thought it would be.

Sometimes you wonder why do you have such curse bestowed upon you. Did the Celestia punish you for a crime? Did you touch a forbidden relic in your first life? Is there a way to get rid of it?

You stopped in your tracks and you gaze up in the sky.

Am I the only one with such curse?

Damn, you really need to get your priorities straight when you have so many unanswered questions.

Basking the remnants of the ever glowing star, you turn around to walk the path that leads you to the Land of Eternity.

A new journey awaits you as you skid through the mycelium path.

Rex Lapis has died.

What a year starting with the news of a tragic death of an Archon.

Fret not Liyue citizens, Rex Lapis assumed the form of Zhongli as a consultant in the Wangsheng Funeral Parlor. In all honesty, he thinks you would facepalm on how poorly delivered that news was.

Zhongli now blends in with the mortals, often strolling to acknowledge the accomplishments he has done as an Archon.

There were too many sacrifices he made just to achieve such title and godly powers. It's uncountable.

Whenever he strolls down the streets of Liyue, there's never a day that he is not reminded of the fact Mt. Tianheng is the very foundation of Liyue. It serves as a reminder that you are his pillar when intrusive thoughts start to linger in his mind.

Oftentimes, your face is only a blur in his memory, no matter what he does he can't seem to remember your face, but your name has been engraved on his mind for eons.

He misses hearing the sound of your name leaving his lips. He misses how ignorant you both were to the world's suffering. He misses your mesmerizing voice that lulls him to sleep.

Whoever fellow Archon listening to his complex thoughts must have heard him and granted his not-so-impossible wish.

"Hey look. Doesn't that sound like a story Y/N has told us before?" A child(e)— no, a floating fae pointed at the storyteller.

But Zhongli couldn't care less about whoever she was pointing. Did he hear her right? Was it just his ears deceiving him?

Y/N... that's your name.

That's the name he longed to hear again.

Why in the seven nations of Teyvat would they mention your name? Is it just a coincidence that someone has the same name as you? No, that couldn't be it.

Something flared inside him, it's been awhile since he felt this excitement, it's not far fetched when he became your friend.

With no recollection, he became friends with the traveller and the emergency food floating companion.

When he asks them about you, an array of hope filled his entire being and he swore his Dragon feature almost burst into existence

Y/N L/N, a member of the Adventurer's Guild, he's certain you've been in Liyue if you know about its rich culture.

But where are you? He wants to go find you. Hug you like when you were kids. Sing him songs. Bring you random things he can find. Speak the words that were left unspoken when you died.

So many questions brooding his mind; are you really Y/N? If so, were you reincarnated? Does that mean you don't remember him?

The elation he felt dropped. Right... he shouldn't be disappointed if it turns out his hunch is wrong. Even if you're not the Y/N he was expecting, he wants to know you as who you are and not compare the similarities and differences you have with the Y/N he knows.

"Oh yeah, Y/N mentioned they'll be visiting Liyue soon, Mr. Zhongli." The Traveler quipped, assessing the abrupt change of emotions on the consultant's face at the mention of your name.

Paimon and her travelling buddy can't help to wonder if you two are acquaintances, or perhaps something more than that. Zhongli seems to be expecting your arrival from now on.

"Is that so? Thank you for informing me, Traveler. I shall see to it that their stay will be comfortable." He smiled.

Stay in what? In the Funeral Parlor? The Traveler sweat drop while Paimon is tempted to point out that's Verr Goldet's job. Good thing their companion put a hand on her mouth and excuse themselves

There's no time to stall! He thought.

He's determined to check it himself, it can go two ways and Zhongli won't be petulant of the result.

Archons forbid if he ever finds you, because he will not let you go.

>> PART 2

©OTAKUWORKS | 2022

#zhongli #genshin impact #genshin zhongli #genshin angst #zhongli x reader #zhongli angst #morax #see you in my 19th life #webtoon #crossover #genshin crossover #zhongli fic #genshin impact angst #reborn au

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isawritesshit · 2 months

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The Color Blue - Chapter 1

image taken from @ lovevivianne on pinterest

Synopsis: As the only daughter to the leader of the Kamo Clan, you were trained and protected to one day bring your father honor through your marriage to the heir of the Gojo Clan. However, your husband ended up being something that your family never prepared you for. As you come to navigate a new world of politics between the clans, your husband convinces you that there is nothing wrong with honoring yourself too.

Warnings and Content: fem! reader and slightly ooc! (?) gojo (ig; i feel like i didn't write him as in character as i wanted), cursing, allusions to and anxiety about marriage consummation, themes of traumatized and anxiety-ridden reader, themes of forced/arranged marriage

Author's Note: Fuck me in the ass, it took me wayyy too long to get this out to y'all I'M SOOOO SORRY GUYS I DIED AND NOW I AM REBORN BACK AND SEXIER THAN EVER! Anyway, I'm at least happy to finally get this out for you guys because you guys gave me so much love for the prologue (mwah mwah). If you have yet to read the prologue, pleaseee do so! Provides some good context to the premise of the story. I'm going to flag once more that there will be themes of nsfw and physical/mental abuse down the line!

Word Count: ~7.3k

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"Are you afraid of me?"

He spoke. You masked your surprise easily. Did you look afraid? What made him suspect that? How do you answer?

Respond clearly. "No, Gojo-sama. Apologies if I seem at all startled in any way. I am taking in my new surroundings," you replied with a slight incline of your head towards him.

Satoru's eyebrows raised a little. It was the first time he had ever heard your voice. As he suspected, it was graceful and beautiful, but still so sad. And what was with the honorifics? He waited a second for you to say something else, but nothing came. "Do you like it? The house that is." Satoru figured the only way to get anything out of you was to ask himself.

He asked you a question. Respond clearly. Tell him what he wishes."Yes, your home is beautiful Gojo-sama. I'm very fortunate to be living here as your wife." Your words sounded exactly the same, clipped and poised to perfection like the small smile you had on your face. Your skin was cold despite the amount of fabric that covered it, but you refused to shiver. You refused to tremble despite the fear you were feeling. Yes, you had trained and prepared yourself for this. You would be fine.

Satoru only cocked his head and crossed his legs, observing you like a painting from where he sat on the couch. "Thank you." His voice conveyed his usual charisma, but the look he was giving you did not. He sighed as you only bowed your head again and said nothing. He could tell you were afraid, you just didn't wish to admit it. Was it stubbornness or nervousness that had you standing like that before him, looking both strong and weak at the same time?

After a few moments, he spoke again, this time with a little more calmness and reassurance. "I don't bite, y'know." Not a word left your lips at that. You didn't even move. It was like he had a statue standing in a wedding dress in the middle of his foyer. Not a statue, a corpse, with unfeeling, empty eyes. Maybe you weren't happy with the current situation. "Did you like the reception? I'm sure you had input in the planning."

Take this chance to show your worth. "I planned the entire reception, Gojo-sama. I hope it was to your liking." You clasped your hands even tighter as you waited for his reaction.

Satoru raised his eyebrows. "Oh, wow. I'm sorry then, I'm sure you liked it because you put it all together. Well, uh, I definitely enjoyed it, and I'm sure everyone else did too. You did a great job. Uh, thank you," Satoru chuckled. He meant every word. Planning an event of that nature must have been a daunting task and you had done it all on your own. You must be pretty independent.

"Of course, Gojo-sama. It was my duty," you replied with another bow. The fear in your gut subsided at his words. It seemed he could be won over by acts of service.

Duty. That's when it clicked in Satoru's head. You saw this as 100% a duty. Well, it wasn't like he didn't see this arrangement as a duty too, but it had always been more than that to him. It was both a duty and an enjoyment. At least, that's what he hoped it would be for the both of you.

He said nothing for a few moments. You didn't move. He could tell by the uncomfortable silence that the household staff was probably listening from somewhere nearby. Perhaps that also made you uneasy. "Let's head somewhere more private," Satoru murmured, and stood from the couch.

Private? A chill ran down your spine that worsened when he made his way over to you. Were you both going to-

You remained silent as he took your arm gently and led you up the steps of the grand staircase. He moved slowly, watching and searching you for any indication of emotion or feeling, but you gave him none. He cleared his throat before speaking once more. "That outfit seems uncomfortable. I'm surprised you've been able to wear it all day."

Your mind was running circles around his words, but you didn't show it. Is he going to offer to take it off me? Why is he being so gentle with me? Where is he leading me? A bridal chamber? A bedroom? "It is not uncomfortable, just a little heavy," you responded, forcing yourself to keep your voice even. "The tailors did a fabulous job with it."

Satoru hummed and muttered his agreement. He would take this as slow as possible. He knew that the first thing he would have to do was make you comfortable. "I see. If you would like, you may change out of it, and I can take you on a tour of the rest of the estate. Or, you can sleep if you're tired."

This seems like a test, you thought. Which option would he prefer? "I can change and join you on a tour of the home," you responded. "If that is what you wish of me."

Not exactly the answer he was looking for, but an answer nonetheless. "Alright. I'll show you your bedroom. It's apart of my rooms of the estate. I hope that's alright," he said as he guided you towards a set of double doors down the hall.

Satoru stepped before you to open the doors himself, a few staff members walking out past. You assumed that they were finishing their cleaning for the night. You could tell a few of them looked at you as they passed, though you never looked up to meet their gaze.

You could tell these were Gojo's chambers, as they were decorated somewhat differently from the rest of the house. While the entire house had a more contemporary feel to it, his part of the estate added western styles to it: gray and white furnishing, an upstairs that led to an open second floor balcony overlooking the first floor living room space, comfortable carpeting, and a woodsy, homey scent. There was a dining area and billiards further to the right to entertain guests. Truly a home within a home.

Satoru led you up the stairs, watching as you looked over the second floor railing into the living room. When you reached the top, he gestured to the first door on the left. "This is my bedroom here, in case you ever need to find me," he said as he moved you two forward. "And this one is yours." He opened the next door over.

Satoru let you step into the room first. "I wasn't sure what you would prefer in terms of the color of the room and everything, so I had a few of my staff design it for me. Do you like it?" he asked, a slight guilt to his tone. He felt bad that he knew almost nothing about you. He didn't even know where to start when he began planning to incorporate you into his home, but he figured an inviting bedroom would be a start.

"Yes, very much so" you replied. The room was bigger than your one at the Kamo estate. The furniture was made of oak wood, with the room itself having accents in white and various shades of purple. The canopy bed was plush and had silk sheets. Most of your attention was drawn towards the bookshelf in one corner, which already had some of your books as well as many new ones. The closed curtains, which had little butterflies sown on them, had moonlight escaping into the room. The wall to the right had another door, which you assumed led to the bathroom and closet. "Thank you for arranging this for me, Gojo-sama."

You moved your gaze down as you turned to face him. "Of course," he chirped.

Silence once more.

He sighed audibly. "You're gonna hurt your neck if you keep looking down like that, pretty girl. Especially with that monstrosity on your head," he said softly as he approached you. You stilled, jumping a bit as Satoru reached his hands forward to grasp the top of the headpiece. "Shh, I'm not gonna hurt you, okay? Just taking it off for you," he murmured when he saw you tense up. He removed the headpiece gently, letting your hair fall. He resisted the urge to touch the soft locks upon seeing them unbound, and instead opted for setting the headpiece on a side table. "There. Feels a lot better, doesn't it?"

"Yes. Thank you, Gojo-sama." You still didn't look at him. After a pause you asked, "May I go change now?"

Why did you ask for permission? "Sure," he answered, a little confused as he watched you retreat into the bathroom. He stood awkwardly in the room as he heard you shuffle around behind the door. He sighed and leaned against the bed. What was it that had you so... uptight? Why wouldn't you relax?

Meanwhile, you made yourself busy undressing and slipping out of the heavy fabrics of your wedding garb in the bathroom, hanging up the piece and choosing a simple, flowing dress to change into. You looked into the mirror once more, and paused.

You had forgotten about the white lace lingerie your handmaidens had forced you into while dressing you this morning. A provoking technique, they had called it. It was beautiful, the entire ensemble having been comprised of silk and lace with little flowers adorning it, but you felt incredibly uncomfortable now that you saw yourself with it on. You felt more like a prized ham, wrapped up and ready to be eaten. And that is my responsibility tonight-

Your thoughts were broken by the sound of movement coming from the room. Right. He's still out there. You thought back to how he had taken off your headpiece. You couldn't help but be frightened for a moment, but then the way he removed it had been... gentle, as all his other actions toward you had been.

You were used to men like him: large, imposing sorcerers, with big egos and even bigger amounts of cursed energy. However, when any of those men came close to you, maybe even to just put a hand on your shoulder, their touch was also gentle, but not in the way Satoru was. They were gentle and domineering. Satoru had been both gentle and considerate.

But what he had called you...

It still felt like he was trying to get something out of you. And you didn't like it.

You slipped on the dress over the lingerie, letting the soft velvet material warm you as the skirt ended at your ankles. You had always liked this evening dress.

Satoru's head shot up when he heard the door click open. You stepped back into the room, ready to be led. Your apparel took him aback at first. He had expected you to choose something comfortable, a t-shirt and leggings at least, but you still came out dressed like you were going somewhere. You looked beautiful though, and he supposed it was nice to see you in something that wasn't clan-styled regalia (didn't matter that he was still wearing his outfit from today).

Satoru said nothing as you took his arm and let him lead you into the estate. Although he didn't look directly at you, he observed your movements. Beautifully robotic was the way he could best describe it. But why?

Then it dawned on him. The wedding had been ceremonial, so your actions there he could ignore, but everything after... it was like you were still in the ceremony, even in this moment. He saw it firsthand when you said your goodbyes to your family. You would be seeing them so much less now that you were married, yet neither of your parents nor siblings hugged you or expressed any emotion when sending you off.

Then finally with himself. You never looked at him. You complimented him at every opportunity. You asked for permission to go get dressed.

He could never get you to relax. To be comfortable. It was like you were being monitored by some invisible camera that he couldn't see and that you feared.

Duty. 100% a duty.

He looked down at you once more as you walked down the hallway, eyes trained ahead. Yes, those eyes had been his first sign, he realized. For what once held liveliness and curiosity in youth had been replaced with a senseless, dull husk of what he remembered.

Something had happened in those seven years since he last saw you. He felt sorry for you.

He felt sorry because he felt like this was somehow his fault.

But that wasn't going to stop him from trying to be the best he could to you.

___________________________________________________________

An hour later, Satoru had shown you about half of the estate, everything between recreational rooms, kitchens, dining rooms, and his own personal office. Yet, as he talked, you seemed disinterested, elsewhere.

The both of you were on the first floor, walking down a hallway with floor to ceiling windows on the left wall.

"There's not much left to show you, or at least anything that's interesting anyway. If there's anywhere else you'd like to..." Satoru's voice trailed off when he looked at you again, staring out of the windows as you passed.

There. You looked out the windows toward the estate garden, your eyes wide, glittering, and curious. He opened his mouth and then closed it. You looked like a little girl staring at a new doll in a toy store. Finally, something that he could read from you that you refused to hide. Wonder and interest.

Satoru stopped walking when the two of you reached a set of glass doors that led outside. "Do you want to see the garden?" he asked, almost chuckling when you nodded eagerly. "Let's go then." He opened one of the doors to let you through, watching you with amusement. You still kept your face neutral, hands folded over your chest as you stepped out into the open air before walking, practically running, over to the vast flower beds and trees across the lawn.

He just stared as you bursted with this sudden childlike excitement. So you can be won over somehow. Satoru laughed under his breath, a small smirk on his face as he went to join you. You started by walking between bushes, running your hands along any part of the plants as you could. He never would have guessed that you were interested in plants, but now that he thought about it, it made sense. He could see you being the type of girl that's interested in feminine things. Things like dresses, books, and maybe even chocolate desserts. Things like flowers.

You were kneeling next to a bush of blue hydrangeas as he approached. He thought you looked perfect like this, the moonlight playing off of your hair, skin, and dress while you ran your fingers along petals. However, when you realized he was getting closer, you quickly got up and returned to how you were in the foyer: standing straight, hands clasped, and head bowed. It stopped Satoru in his tracks, but also made him understand a little more of how you worked.

You must see a husband, him, as an authority figure that you have to please. Satoru didn't know why. Maybe your family pushed you to be a good wife, but now you're just taking it too far. You must be able to relax when you're comfortable, or when you're alone. That had to be it. Right now, you seem to view this place as comforting, so he had to be the same.

And if he seemed to make you feel uncomfortable, he would leave you alone.

But first, he had to try to get through to you.

"Do you like gardens?" Satoru asked, even though the answer was really fucking obvious.

"Yes, Gojo-sama," you replied. "I like flowers and plants. They are a great enjoyment of mine. Your garden is the most magnificent I have ever seen."

It was the best Satoru had ever seen too, but at this point, he couldn't tell if you were lying to him just to make him happy. He took a step closer and huffed a little. "Y'know... you don't have to call me that. I mean, I'm your husband, not the emperor," he chuckled, though he was dead serious. Laughing through it was the only way to show that he wasn't mad at you. "Why do you like flowers? Or these ones in particular?" He gestured to the bush that you had been admiring.

If you were nervous or scared, you didn't show it. You seemed to be pondering for a moment as you looked at the bush. "I... don't know. Flowers have interested me since I was a child. I used to keep up a garden at home."

A garden that you'll never get to take care of again, he realized. "Well, if you want or... if you need something to do, I can have someone show you where we keep our gardening supplies. You can do as much or as little as you like of course."

Your eyes lit up at the request. "That would be lovely, Gojo-" He could tell you were about to add the "-sama" at the end, but stopped yourself. He still smiled at the way that you seemed to beam in the current setting.

"What other things do you like? Do you have any hobbies?" Satoru asked, watching as you continued to run your hands along the plant.

"I like music," you stated.

"Really? You play any instruments?" He proceeded to raise his eyebrows as you listed a slew of different types that you knew how to play, though you added that piano was your favorite. "What else?"

"I like... cooking, and cats, and," you settled one of the hydrangeas in your hand, "the color blue."

Satoru hummed in response. He felt like he was getting somewhere. "Really? Well in that case, I guess I should've had your room be that color."

"Purple is still just as nice," you replied with a small smile. It was brief, but he could tell it was genuine. It took his breath away. It was almost embarrassing, this effect you were having on him.

"Yeah, I guess." Satoru dared to move a step closer to you. He could see you tense, and decided this was as far as he would get. Maybe now was the time to get some answers out of you. He watched your hand continue to rub the petals. "How do you feel about... all of this. Really."

"Your garden is dazzling-"

"No, I mean our... situation. Be honest with me," he said gently, but the way he worded it almost made it sound like he was pleading with you.

You paused before answering. Your hand stopped moving. "This marriage is just as important to me as it is to my father and the Kamo name. I will do right by him to ensure that it succeeds. And not just for him, but for you as well." Your tone was light and sophisticated, your voice sweet as can be, but it still felt fabricated. Rehearsed. Satoru wasn't buying it.

After a few moments, he decided to try something a little bold. "Look. I'm not your father, okay? And this isn't the Kamo estate. You don't have to be so... restrictive around me. I know this is, like, your first time ever talking to me, but I'm not some authoritarian." He almost regretted the words when he saw your guilty face. "But of course, that also means I'm not going to control the way you act. You can do whatever you want, say whatever you want. It's all fine by me." Silence again. "(Y/N)?"

You seemed... confused. Satoru spoke again. "Are you feeling alright? All I'm saying is I want you to be comfortable here. If that means... not interacting with me as much, then I get that."

Still nothing.

Satoru sighed. Maybe he needed to take a different approach. Maybe he just needed to leave you alone for a while. "If there is... anything else you want to see, I can show you. Otherwise, I'm going to go to bed. You can stay out here as long as you want..." he said softly. He began to turn away from you, listening for your movements as he started to walk inside. You only walked from your spot and moved further into the garden.

The halls echoed with the sound of his footsteps. That went... much differently than expected.

He thought back to fantasies he used have of what this night would look like: learning more about you, showing you around the estate, laughing with you until both of your stomachs went numb.

Kissing you for the first time in that garden, and, if you wanted it, carrying you back to his room in seconds.

But as he thought more about it, Satoru realized just how unlikely those scenarios would have been, especially with the current situation. He speculated that your behavior was a combination of your familial expectations, anxiety, and the fact that you were meeting him for the first time. Not to mention, he knew he wasn't the most approachable-looking person in the world.

This was going to take some time. He would let you get used to the house first, get used to seeing him and the other staff around. Then eventually, you might begin to open up to him once you felt safe.

Or you might not talk to him at all.

Satoru really hoped it didn't come to that.

___________________________________________________________

Some time ended up being much longer than what Satoru thought you would need. It had been a week since you last spoke, and you made no effort to approach him.

He did get some semblance of a routine you kept. You were definitely a busy body, always up and ready with a full breakfast waiting for him on the dining room table before he was up (although, since he had the following two weeks after the wedding off, he was sleeping in later than normal). By the time he was finished eating and getting ready for his day, you had gone halfway through your daily routine, which included cleaning and managing the state of almost every room in the whole building. Once that was finished, you prepared lunch, taking your portion out to the garden to eat. The rest of the day you used for your own recreation, usually something along the lines of taking walks, reading, or taking care of different parts of the garden. Of course, you still had time set aside to make him dinner before you stayed in your room for the rest of the night.

Just noticing the things you do throughout the day was a source of admiration from him alone. Satoru knew that the kind of work he did would be considered maddening and dangerous, yet he accomplished everything with ease. He couldn't help but think of you in the same light. You completed the same tasks everyday without fail or signs of fatigue (gods know he could barely clean a fucking toilet without gagging). He noticed that the meals you cooked were not just chosen randomly, but instead were meant to be perfectly balanced in terms of nutrition while still complimenting every bite he took. In other words, fucking delicious. Satoru knew he wasn't a bad cook either, but you made five star meals like it was no one's business.

He would see you often around the house, your skirts or dresses flowing as you flitted about. He could tell you favored modest clothing, usually in either knee to floor-length dresses, or blouses with skirts of the same length. Your makeup was simple, your hair always done up and clean.

Whenever he was close enough to you or entered a room you were in, you always bowed politely and addressed him, never saying more than was needed, before returning to whatever it was you were working on. Satoru knew if he asked, you would sit down and have a conversation with him or eat with him, but he wasn't going to push it. He wanted to be sure it was something you were okay with.

Yet hours and days dragged with almost no change. What was meant to be your two week honeymoon break passed, and Satoru had to return to his missions. Somehow you had already known what time he gets up to eat, and, just like almost any other day, there was a breakfast waiting for him.

No sign of the person who cooked it, though.

Satoru decided he couldn't take this anymore, the awkwardness and silence. No, he was going to find you and asked if you wanted to eat this breakfast with him.

Luckily, he found you in the kitchen putting away dishes you had just finished washing. "Good morning, (Y/N)," he said, trying to sound as polite as he could without frightening you.

You must have been lost in thought, because you jumped when he said your name and turned towards him.

Head bowed. Eyes down. Hands folded.

He was tired of it.

"Good morning, Gojo," you replied. "I hope you had a restful evening last night."

"I did..." he said. "I was just... wondering if you wanted to eat that delicious-looking breakfast you made with me. You're allowed to say no, of course." He felt stupid having to add that last bit.

"Apologies, Gojo, but I already took my breakfast this morning, but I sincerely appreciate your offer." He felt his stomach drop inside him a little. "Is there anything else I can get for you?"

"No, it's fine. I'll be home later tonight." He tried to keep his tone from sounding disappointed. He couldn't be mad at you for eating before he asked you. However, Satoru wanted to end the conversation positively, with something not so... stale. He turned to walk to the door, looking once more over his shoulder at where you still stood. He opened his mouth once, closed it, and then opened it again. "You look gorgeous today, by the way."

That surprised you. Not the words necessarily, nor the fact that these weren't your best clothes, but the way he said it. Like he meant it. It stirred something in you. You decided to look up at him, but he was already gone.

A while later, Satoru was dressed and ready to go, his car parked just outside with the AC blasting. He walked down the grand staircase... with you waiting for him at the bottom.

You were waiting for him. He paused in front of you once he reached the bottom of the steps. You had assumed your usually stance, but... he could tell you wanted to say something.

"I... realized that I never asked what you would like me to make for dinner for when you return..." you said as if you were just realizing that you were standing here, and you needed to make up an excuse.

It tugged at his heartstrings a bit. You had never asked if he had a preference for dinner, so... this was you trying to approach him to start a conversation. "Well, whatever you want to make is fine. You're such an amazing cook. I would never not eat anything you make," Satoru exclaimed with a small smile before leaning in a bit as if telling you a secret. "But, if I must request something, I reallyyy like mochi desserts," he whispered before pulling away. "But you didn't hear it from me."

Your small smile and barely noticeable laugh made his heart explode. Pride swelled in his chest. So you have a sense of humor in some regard...

He smiled and walked past you to the door, walking through before-

"Gojo," you called from across the room. Satoru turned at the sound of you calling his name.

"Have... have a nice day today..." you said, giving him a small bow.

His eyes widened in surprise before he flashed you a grin. "You too, pretty girl." And just like that, he left, the door shutting behind him.

Satoru was trying to do his best not to holler in excitement on the other side of the door. You went out of your way to meet him at the front door and ask what he wanted for dinner and told him to have a good day? He felt like a middle school girl. A stupid smile plastered itself on his face as he walked to his car.

And stayed for the rest of the day after.

___________________________________________________________

The next few weeks went just the same: him waking up to breakfast that you sometimes stopped by to eat a few bites of, you saying goodbye and asking what he wanted for dinner at the door, and him coming home to that meal in the evening, which you occasionally ate with him also.

Satoru felt pretty spoiled if he was being honest. He never liked those mysogynistic views on gender roles, especially when it came to the roles of a husband and wife, but he was now understanding the appeal. He had assured you a few times that you didn't need to have something home cooked and ready for him each time he came home, and that he was just as fine with takeout, but that never stopped you. He knew it was serious, if not a little concerning, when he asked for a three-tiered Danish cake for dessert as a joke and you had made two because you, in your words, got bored and had the time. He didn't even know he owned the cooking supplies needed to do that. Nevertheless, to say he ate most of that within a few days would be an understatement.

As time grew, Satoru had been able to observe you more closely. There were the normal things, like the type of books you liked to read (mostly poetry), what time you liked to take your walks (sometime between 3:00 and 6:00pm), and what days you went to the grocery store and farmers market (Wednesdays, if he's correct) despite household staff insisting to him to tell you to stop because it was technically their job. He could never find himself to do so.

Then there were a few... less fortunate things. You still don't look up at him, for starters, and your voice still retained that proper, unnatural tone. Besides the times where you say goodbye to him in the mornings, you always observe and never speak unless he speaks to you. You have a cell phone, but you almost never use it, so he assumed you probably have no friends that you contact, or even family that wanted to contact you for that matter. Lastly, among a few more things, you always try to sneak an ice pack from the fridge some nights when you think he can't see it in your hand as you walk back to your room with it. He never knew what it was for, until he saw it on your neck while you read in the library, something he had to peak through the doors to see.

You get neck pains because of the subservient posture you forced yourself to have around him, and Satoru started to think just how far back this training you had been given goes. He knew that you couldn't get neck pains from bowing if you've only been doing it for a month.

One day, he brought the situation up to Yaga as they watched some student sorcerers training out on the grounds. "You really don't know the kind of backwards training the Kamos put their girls through?" Yaga asked, fixing a stitch on one of his jujustu dolls. "I thought you knew what you were getting into, especially since you're in one of the clans yourself."

"Well, I'm starting to see it," Satoru says with a wince. "I just don't know how to get her to... relax, I guess. Act normal, y'know?"

"Do you think she even knows how?" Yaga mused. Satoru went still. "The Kamos are traditionalistic; their customs span all the way back to the Golden Age of Jujustu as a way to preserve the glory of that time period. This includes how they train their... females."

Satoru furrowed his brow. "What do you mean?"

"Well, I don't know much," Yaga said, a piece of the string in his mouth as he adjusted a stitch. "The kinds of things like how to please a husband, how to raise kids, how to behave around authority figures, which includes men. Weird stuff like that. And if (Y/N) is Arao Kamo's only daughter that was betrothed to marry the Six-Eyes wielding Gojo clan head, you can expect her to be well educated in that regard."

Satoru sighs. He felt stupid for not looking into that, for chalking it up to some kind of anxious defense when it was much more than that. "I'm a real fucking idiot."

"Yeah, well, while that may be true, there's not much you can do but give it time. With the kind of stuff she was brainwashed to believe, the least you can do is give her some patience," Yaga said, finishing up his patch.

"True, but that'll take forever," Satoru groans, looking out at the young sorcerers sparring. "She won't do anything unless I tell her to. She doesn't know what it's like to just... have some sort of free will."

"Then maybe show her what's like to have one," Yaga says with a groan, settling back into the bench they were sitting on.

There was a pause before Satoru chuckled. "This is the one time you've actually given me advice that I considered listening to."

"Good. You should, otherwise I'll send you on another mission from this weekend," Yaga grumbled.

"Fine, I'll listen."

___________________________________________________________

That next day, Satoru planned on asking you about something when he saw you before he left.

"Hey, pretty girl," he quipped with a smile as he walked down the stairs, enjoying the slight blush that formed on your cheeks, something he had noticed the past few times he called you that.

"Good morn-" your gentle words were cut off by a sudden cough and a sniffle that caught his attention. He stepped in front of you.

"Hey, are you alright? Is your throat okay?" he asked, his usual teasing tone replaced with one of concern.

You seemed to pause for a moment before speaking. "I'm alright. Something caught in my throat is-" You coughed again, this time more aggressively as you turned to cover it.

Satoru's brow furrowed. He gently pulled your chin so you could face him again. He felt your forehead with the back of his hand. "You're burning up, (Y/N). You probably have a fever."

"I can assure you, Gojo, I feel-" You gasped as you were suddenly lifted into his arms, his hands resting underneath your back and knees as he walked you back up the stairs. He smiled a little when he felt you throw your arms around his neck.

"Please don't lie to me, (Y/N). How long have you been feeling like this?" Satoru asked calmly as he carried you to your room. You looked down at the floor.

A pause. "About the past two days." Satoru sighed.

He opened the door to your room and set you down on the bed. "Hold tight, okay? I'm just going to go grab some things..." He left and returned a few minutes later with an ice pack wrapped in a towel, some medicine, and a glass of water.

Setting the items down on your bedside table, Satoru started by ripping two pills out of their packaging and handing them to you with the water. "Why have you been walking about like normal when you've been feeling this way for the past two days?"

You took a moment to take the pills before answering. "I am well enough to complete my usual routine, so I saw no need for rest. I had the staff prepare your meals to make sure you did not catch my illness," you replied weakly, trying not to cough.

Satoru shook his head. "But we have people hired here to do those tasks anyway. You still need to take care of yourself." Your brow furrowed.

"But I'm still-"

"Don''t fight me on this," Satoru butted in. You lowered your head, eyes despondent. "I don't mean to say I don't appreciate what you do every single day. Really, I really appreciate it. But I don't want you doing anything when you're clearly feeling like shit."

"My apologies-"

"Don't apologize. Please." Satoru's mouth tightened when he saw the ashamed look on your face, the way your shoulders caved slightly. He spoke again, this time more smoothly. "I'll call Yaga to cancel my appointments for today. Just let me take care of you... and don't feel bad about it. Okay?"

Satoru didn't care that he was almost begging with you, but he needed you to understand that that's all he really wanted right now. To take care of and cater to you for a change instead of you constantly doing so for him.

"But, you might get sick too..." His chest tightened a little at the guilt you displayed, your tone of voice, the slight whine in it.

"That's fine. Just means I don't have to go to work longer," Satoru chuckled, moving to sit on the edge of the bed next to your legs. "But don't think that's the only reason I'm here with you now, of course."

Your lips moved into a small, downturned smile as you huffed a laugh. You weren't even smiling in full, yet he thought it was the most beautiful thing in the world.

A sharp, painful sounding cough from you broke the silence. Satoru handed you the water again, propping another pillow behind your head. Once you finished, he took the water from you and handed you a woolen blanket that you had resting on the end of your bed. "I'll get some lozenges for your throat and some tissues. For now, just rest for me, okay? I'll come back to check on you, but if you need anything just yell. I'll be in my room," he said as he adjusted the ice pack onto your forehead.

"Okay," you whispered. You looked almost... stunned. Like you never expected this. It made Satoru sadder than he would like to admit.

After a few seconds, he stood, turned off the lights, and shut the door quietly. He walked away right before the sound of your soft cries reached the door.

___________________________________________________________

Satoru looked after you for the next two days, making sure you took medications and got proper rest. Even when you were well enough to get back on your feet, he still made your meals and brought you ice packs and popsicles at night for your throat.

He apologized the first few times he served you food, scratching the back of his head and laughing. Sure, his grilled cheese and tomato soup wasn't bad, but it was embarrassing compared to your culinary genius. You never replied, looking back at him with a perplexed expression.

Satoru noticed this, and he had his suspicions as to why you may be confused. Because you had been living with him for the past month and a half, he was able to easily discern what your looks meant, or at least, what he thought they meant. Your confusion was not necessarily because of actual confusion, but rather, because you weren't used to gestures like this. It was a little disheartening, of course, but slowly, you began to accept them with a small smile and nod of your head. It put him at ease to see you that way.

Now was the third day Satoru stayed home to be with you, and because you seemed to be doing much better, he knew this would probably be the last day he would have to do so. Thus so, he wanted to make the most of it.

It was early afternoon when Satory began to approach your room. You had taken to sleeping in while being sick, and if there was one thing he had definitely learned from this time with you, it's that you could sleep when you weren't waking yourself up at a certain time. He found it cute, and somewhat surprising.

He snuck into your room as you slept, gently placing the reason he came in on your bedside table: a vase, with those blue hydrangeas in it. And just as he was about to walk out, you called his name.

Satoru stilled and turned slowly. You were staring at the flowers on the bedside with a haphazard, exhausted look on your face. God, and just when he thought this moment couldn't get any more precious...

"Fuck, sorry, I didn't mean to wake you up. Goddamn, and I had it all planned out too! Having you wake up to flowers, I was just gonna get cracking on some blueberry pancakes and everything-"

"Oh... are we celebrating something?" you asked, looking between your hands and the flowers.

"No, 's just because. Unless there's something you want to celebrate? Happy your-fever-decreased-from-103-to-101 day?" he chuckled. "Anyway, I'm going to attempt to make pancakes even though I'm ass at it. Hope you're okay with Frosted Flakes as a fall-back option." Satoru turned towards the door again. This woman has him adding blueberries to his pancakes-

"Satoru...?"

He paused, stopped, buffered, restarted. Did you just call him Satoru? His brain was running laps around the replayed sound of your voice in his head as he turned. He was elated, estatic, down-right jolly, one might say.

And then all that was thrown out the window he faced you completely, and you were looking right at him.

Head up. Eyes bright. Smile... paragon.

"Thank you... for taking care of me."

Satoru knew you weren't just talking about this past three days. He felt like a five year old boy laying his eyes on you again for the first time as he, the ever so confident, swaggering, and teasing Gojo Satoru, flushed. "Yeah, no, it's no biggie, you deserve it cause you do so much and you're my wife so I kind of have to and-" he bumped into the door behind him, "fuck, you know what? I'm just gonna shut up and go... pancakes... haha, yeah..."

This poor man Satoru turned the corner and facepalmed, shutting your door behind him while your small laughs could be heard from the other side of the door. Running a hand through his hair, he tried his best to compose himself while he walked away, but then your face flashed in his mind again, and it was like he had a buzz that reached from his brain down to his whole body. He was smitten.

Once he reached the kitchen, soft music playing from his phone, he searched up that pancake recipe. While he began to get out ingredients, there was a knock as someone entered through the doors that led to the rest of the estate. One of the household staff.

"Sir, there's a guest at the front door," the woman stated.

"Who?" Satoru asked as he leaned over the counter while scrolling through the recipe.

"Arao Kamo, sir."

Fuck.

___________________________________________________________

tags: @leonora13x @cole-silas @feeiry @mysuperrainbow @tw0fvced @emptybrain01 @xixiwang @drilled-brain @lvieee @xxkoyukixx @we-loveebony @sereniteav @ilovecoyotepeterson10 @baby—vera @jebemticeluporodicu @louannfox

I love you guys

#isawritesshit #jjk #gojo satoru #gojo x reader #female reader #anime #gojo satoru x reader #satoru gojo #satoru gojo x reader #jjk x reader #arranged marriage #forced marriage #principal yaga #guys I did it

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writingwithcolor · 4 months

Text

Any advice for handling race in reincarnation situations?

@swamp-spirit asked:

I'm writing a story that includes characters being reincarnated with completely different appearances. It's a fantasy world, and most of the characters are being reborn in the same region, but I still want a range of skin tones and features in the main cast (this is a comic). I have weird feelings about a character being 'reborn' with notably lighter or darker skin, but it also feels implausible and lazy for people to Just Happen to have a similar appearance when the theology of the story doesn't support it. Characters being reborn, and taking out things specific to real life groups, what are the major things you'd want an author to read up on or take into account? (Note: there is not a 'white' looking ethnic group in this story)

I don’t think it’s a problem as long as the skin tones don’t have any correlation to the circumstances that they’re reincarnated into.

- SK

It’s an interesting question, because in most religions where reincarnation/ transmigration of the soul is a feature of “what happens after death”, remembering one’s past life is not really part of the package deal. From what you’ve written, it’s not clear to me where the “memory” of these characters’ lives are held. Is there a 3rd person omniscient narrator telling the audience who each person is in their next life or do the characters themselves retain memory of past lives?

Assuming this is your typical reincarnation scenario where characters retain no memory of previous lives, it doesn’t much matter. The next life is the next life. Who a person was in their previous life and that identity, in theory, means nothing to them. This also means whatever personality, values, experiences and so on they had in their previous life no longer has meaning. They are, in effect, another person. However, you say you feel awkward about the above which makes me wonder if characters are remembering past lives, in which case…

If you study pretty much any major Asian religion where reincarnation is a part of the belief system, having no memory of the previous life is par for the course. In present-day religions like Jainism, Sikhism, Hinduism and Buddhism, only “special” (I’m using the term very casually here) entities like bodhisattvas, guru, arihant, buddhas, etc. usually get to keep their memories, while the rest of us (literal) mere mortals are supposed to lose our memories between lives as a part of Samsara. In Hinduism, even the gods often forget their previous lives, unless their reincarnation had a targeted purpose (Like being born to defeat an evil entity).

For most people, it is only through prayer, devotion, meditation and accumulated virtuous/ good/ compassionate deeds that humans are thought to deepen their understanding of the nature of the universe, and thus have the capacity to remember past lives (I’m, again, paraphrasing very loosely here from several years worth of university history+religion courses).

This is why the isekai genre in Japan is largely regarded as a “cheat”/ parody genre of fantasy. The protagonist, according to common Japanese cultural beliefs, which are quite heavily grounded in Buddhism, is definitively “cheating.” Not to get too ironically biblical, the character’s success often comes from the forbidden knowledge borne of their previous life.

Thus, there are two ways I look at your characters’ predicaments:

It’s not technically reincarnation - not by the way most major world religions define reincarnation, anyway. You have people who died now inhabiting other bodies, but that’s not the same as the transmigration of the soul. Also, you want to delve into the weirdness (and maybe heaviness) of “Wow, I went to sleep with one face and woke up with another.” There are certainly stories about people who have had dramatic cosmetic plastic surgery, weight loss surgery, HRT, etc. and then experienced the difference in the “before” versus “after” of how their altered physical appearance makes them feel, as well as how other people treat them. Even if the community your characters are born into now differs from their previous community (Which I guess would make this more a “I traveled between dimensions, and my appearance altered in the process” sci-fi adjacent affair), their new life will still have social environments with differing attitudes towards human physical appearance that will affect your characters’ emotional states.

Isekai it up and play with the ridiculous contradiction of having past lives and differing memories of one’s appearance. Isekai manga, manhwa and webtoons all make use of this trope heavily, especially with protagonists who experience a “glow-up” (Ex. Going from a Plain Jane OL to beautiful fantasy heroine) or, by contrast, protagonists who end up in very different forms from their original lives (Tensura, I’m a Spider, So What?). I’d be creative and go even more granular. Being able to tan after a lifetime of getting sunburns or no longer needing glasses might be nice, but what if the new body lacks the enzymes to process dairy or alcohol? What about dealing with differences in hair texture? Skincare routines? What about living life as a very tall person after being quite short or vice versa? What if you bumped into an acquaintance from your previous life, and one of you clearly got a more “coveted” reincarnation? See how far of an extreme you can take this idea until it feels too uncomfortable or ridiculous.

Marika.

#reincarnation #skin #skin tone #worldbuilding #religions #characters #ask #isekai #writeblr

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yourstardarling · 5 months

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Scorpio Through The Houses: Part 1

So as I stated in my previous post, Scorpio in our charts symbolizes where you face death and drastic changes within our lives. The house Scorpio sits in shows where you will feel this energy most prominently. It also symbolizes where you are feared because of your power. As well as, where you need to be guarded and protective about your secrets. This is also a great place to look at in your birth chart if you are looking to make drastic changes in your life.

Also, a slight trigger warning because I know the topic of death is very sensitive. I am not trying to gloss over anything or undermine the effects of death. I do believe though that especially when pertaining to speaking about Scorpio, death is something we can’t avoid.

Scorpio 1st House: Your existence is filled with constant transformations. You are death itself. Scorpio in the first house creates for an individual who is always striving to evolve and change into a whole different being. However, the fixed energy of Scorpio can make this change to be internal and psychological rather than physical. When this change comes about physically though, people will notice as it is entirely different from who you were before. Some people will see you as not the same person they have met before. This should be taken as a compliment though, as it only shows the growth and progress you’ve made to grow out of your old skin. People fear or admire you because of your ability to withstand all hurdles life has thrown at you while still remaining strong. This can make others see you as a threat. Scorpio here is all about resilience and having the ability to fuel yourself again and again to come out on top. These people will face multiple challenges in life and how they maneuver through them is by peeling off old skin. Scorpio here is the embodiment of the Phoenix rising from the ashes to be reborn.

Scorpio 2nd house: Your sense of self worth and what brings you value is constantly changing. You may have faced significant financial challenges in the past that have made you keen on being on top of your financial matters. There may have been some fears of money growing up and a lack of financial security. There may have been a lack of security in general and not having adequate privacy. Eventually, you will need to learn to create a sense of security over your material possessions. By learning to get over your fears of wealth and financial stability you will gain a lot of power. Scorpio here can cause an individual to be very private when it comes to their financial matters. It can also be a significant indicator of inheriting valuable assets as well. In terms of your self worth, you keep the things that are valuable to you hidden from the outside world. This may cause other people to be skeptical of what you have to hide. May get questions about how you are able to afford your lifestyle?

Scorpio 3rd house: The voice of this individual is feared. People see how much power your voice has to be able to make things shake. These people are very cut throat. Your mind is feared because of your intellect and mental capabilities. There may have been a lot of drastic changes when it came to your education that you had to face. Getting access to education was not the easiest thing to do. You really do have a powerful voice though and a sharp mind. This is something that you need to own in order to stand in your own power, but be careful of what you say and how you say it. People will oftentimes try to manipulate your words against you. Your siblings may have feared you and could’ve had dramatic changes with them as well. You may have faced death within your relationship with siblings whether it be physical or metaphorical.

Scorpio 4th house: You’ve met death within your own home. This is really the harshest place to have Scorpio in my opinion. You may have faced a lot of drastic changes in your family dynamics. A family members death or absence could’ve played a huge part in how you were raised. Growing up may have been really intense with constant changes being thrown your way. The relationship with one of your parental figures could’ve been toxic. Your own family may have feared you and the potential you have. This could’ve led to you being shunned and being the black sheep in the family. There might’ve been a lot of secrets kept hidden from you by your family and vice versa. A lot of shadow work may need to be done surrounding your family. As you get older though, you’ll need to learn to make your home a stable place for yourself to be free and fully express your emotional needs. Having security within your own home may become a key priority. Your relationship with your family will transform over time.

Scorpio 5th house: Your talents and creative abilities are something that could’ve been hidden from you. This is where the changes come as Scorpio here can cause you to not have an idea of what interests you. There’s a need to explore multiple different outlets in order to find the things that light you up. You may be fascinated with things involving the occult, psychology, death and things considered taboo. Darker topics in life and the things others avoid can be exciting for you. Death can even be seen as something that fascinates you. Some people with this placement have fears surrounding childbirth and children. Children can be your greatest teacher in how you should make changes in your life. Taking care of a child can turn out to be extremely transformative. I’m not saying go pop out a baby though.

Scorpio 6th house: You meet death in your day to day. This means there are a lot of changes you need to face and adapt to on a daily basis. It can make you a problem solver who constantly tries to find issues that arise. However, you can have a tendency to self-destruct because of having to deal with daily pressures. This is what transforms you though. Everyday shouldn’t be the same for you and you deep down admire that. If things remain constantly the same you get sluggish and resistant towards doing anything. So change up the way you move throughout your day. Your routines are extremely powerful tools for transformation, so prioritize them in a way that resonates to you. Having terrible routines can make your self destructive tendencies more rampant. Drastic changes may occur to your health as well so be very careful of how you take care of your body. You may have some fears surrounding your own health. Remember to nourish yourself. You can also be very secretive about what you do in your day to day life.

#Scorpio #scorpio rising #scorpio sun #astro community #astrology observations #astro notes #astrology #scorpio moon #scorpio astrology #scorpio through the houses

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scintillyyy · 4 months

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the steph brown conundrum aka the problem with steph being a character with hugely divergent doylist and watsonian readings

okay, so like. there is always a part of me that feels that to this day, didio kind of won when it came to the destruction of steph's character. like she wasn't a toxic character like he thought before he got his hands on her, but since he did & there was fallout from it, it has completely destroyed dc's desire to do anything potentially interesting with her, even as they've brought her back. like. she will always just kind of be a shell of her former self, doomed to stay uncontroversial and in the background. because when it comes to steph, and the problem with utilizing steph as a character now, you have to acknowledge two things

steph from an editorial and out of universe perspective was treated horrifically. the nonsensical and terrible things they made her do to move along the plot of post-crisis are awful and excessively reckless to the point of intentional character assassination & it was all done to justify her fridging for bruce's (and tim's) manpain which is awful

but the things that steph did as a result of the above are extremely load-bearing and important on plot and character dynamics and motivations from war games all the way to reborn era & to try and remove or minimize things that happened as a result of those actions just because they were arguably out of character from her has the unfortunate result of completely and intentionally warping the characterization of everyone who interacts with her to the point where it negatively affects almost every single other character instead.

so in order to show this we need to start at war games, talk about what happened, & go into how this affects things & why her character assassination is not as easy to fix as cass's or leslie's

so war games. ah war games. you know, having recently reread it, war games is frustrating because it's arguably a semi good event for most everyone except steph and leslie (especially leslie--now that was character assassination.). so let's get into the bare bones of what exactly happens in war games (war games being the three main events of this time: war drums (the prequal), war games proper, & war crimes (the follow up & worst part of the event)) (and i'm not saying i necessarily agree with this, just. this is what we have to consider.)

war drums:

this event has two main stories - the bruce & leslie story and the steph becomes robin story

in the bruce & leslie story (which is definitely racist), we have a young teenage pregnant girl who shows up at leslie's clinic having been shot. leslie attempts to save the girl and baby, but is left in a precarious situation where only one can be saved. she reluctantly calls bruce for help finding the girl's family, who finds out that the girl in question is popstar l'shea's sister--the popstar and her entourage in question kidnap leslie & the girl & bruce finds them, where it's revealed the girl is actually l'shea's daughter (like i said. racist.). l'shea makes the decision to save the baby, which kills the girl. leslie tries to get bruce to see that he can't save everyone, and ultimately gets upset about the cycle of violence she feels he perpetuates when he goes to take mr. freeze back in. she later comes to talk to bruce & it ends on a positive note fairly consistent with the bruce & leslie relationship--one in which leslie wishes he could devote himself to saving lives nonviolently & hoping he could see her as an example. my only quibble is that bruce responds as "ha-ha" leslie when if you compare to the batman chronicles #18, bruce absolutely counts on her to challenge his worldview & be a shining example of what he cannot be.

we do start to see the seeds of character assassination for leslie here imo, though this part is the best understanding of her by far--she's always been a foil to bruce as far as her pacifism and her determination to try and show him that there are other ways than his crusade, but traditionally she's always been defined as well by her immense love for him & he for her. she fundamentally disagrees with his crusade, but she's going to be there for him because she knows there's good in him that's worth saving--because to leslie, every life, including bruce's, is worth saving. anyways, read the batman chronicles #18, where she's determined to use O- blood on zsasz because of her firm commitment to the belief that every life is precious & she and bruce talk about their differences in opinion but how she's determined to keep showing him there's another way & he wants her to do so. this leslie who has, up until this event, been troubled by his crusade--but has decided it's tireless, but worth it to show him the good in people, suddenly seems a lot more, hm. overtly hateful of how batman operates & the fact that he puts criminals back in prison just for them to break out and the cycle to continue & has a sudden desire to not work with him if at all possible because of her total disagreement with his methods. which is. hm. somewhat but not entirely consistent with leslie's motivation. leslie would have no problem asking bruce for help if it meant saving an innocent & the fact that he believes in the redemption of criminals is something she inherently believes in. anyways i digress-

the other main story is, as we all know, the steph becomes robin story. and while you do not have to agree with how it is written wrt stephanie, the barebones of what exactly transpires is thus: tim has quit robin for his dad. he is attempting to live a normal life--go to school, hang out with friends, & not do the vigilante thing even when he sees people in need. he meets up with steph, who tells him of her determination to return to spoiler now that her broken leg has healed & he tells her that it's very hard for him to leave the house on account of jack always being suspicious that he's going out to be robin & be involved in anything vigilante again (it is implied that this is the first time he had been able to get out in a while because of his dad, as he didn't know she got her cast off). one day, when tim is at school, darla aquista, who has a crush on him, kisses him out of the blue. this happens to be seen by steph, who is now officially active again & chooses to be active during the day as a result of wanting to avoid batman as she doesn't have his approval, has gone over to tim's school to check on him because she's suspicious he's hiding something from her other than he's basically under house arrest from his dad atm since it had been so long since she had seen him. it, of course, looks terrible to her and she flounces off--deciding that she's going to become robin. bruce agrees, which everyone--alfred, barbara, eventually tim, etc completely understands to be a scheme to lure tim back. steph proceeds to completely ghost tim for the next two months--he calls and leaves messages, and she never calls back or comes to see him at all--she is completely radio silent & avoiding him and he doesn't know why but he is worried. bruce tells stephanie that she will not be privy to any secrets & the minute she disobeys an order she's out (a double standard, yes, but completely consistent in that he, again, is using her basically only to lure tim back). meanwhile, scarab is hunting tim, killing boys in his age range with dark hair and their families in an attempt to kill robin as there is a contract out for his life. tim then finds out through the newspaper that the reason steph has been avoiding him is because she became robin & calls the batcave to finally talk to steph & ask her to meet so they can finally talk in perso. about what exactly happened and how on earth steph became robin. cassandra comes instead--steph doesn't show up because batman and robin are busy hunting scarab who is trying to kill tim/previous robin & tim needs to be put under protection. steph gets a tracking device on scarab. day 49, bruce and steph go to get scarab, bruce goes in while steph is let behind for support in the batplane, bruce gets blinded, steph disobeys bruce and comes in to help, steph gets caught by scarab, scarab gets away in the batplane because steph forgot to arm the security system. steph officially gets fired 3 weeks later for disobeying an order on day 71.

yea, it's something. but it is what it is.

war games:

so we get to war games proper. overnight, a gang war has erupted & set the city ablaze and into chaos after a letter was sent out calling all the crime bosses to the harbor where a firefight breaks out on account of the main player who was supposed to be there if those letters were sent out, matches malone, not showing up. since tensions are high, it's easy for then to start shooting and killing each other & in doing so creates an immediate and widespread vacuum of power in the criminal underworld of gotham that people leap to try to fill & wipe out their competition in the meantime. innocent people are caught in the crosshairs.

nightwing (who is already having a terrible time) shows up to help (with tarantula) & is personally dealing with the emotional fallout of letting tarantula kill blockbuster amongst other things.

barbara is doing her best to help out and triage people to help, but there's really only batman, batgirl, nightwing, tarantula, & orpheus against a whole city. and at this point, tarantula has taken over a gang under batman's command to try and control things and can't overtly help & orpheus was already in control of a gang under batman's command in an attempt to protect women & children and exert some control over the criminal underbelly of gotham and also cannot overtly help out.

stuff with hush is happening in gotham knights but i don't care aj lieberman, by god, i do not care.

tim is doing his best to go about his day and keep his promise to his dad and not go out to help despite the fact that the city is falling apart. this becomes harder when a rival gang comes to kill his friend darla aquista at their high school, on account of her father being a mob boss. the kids are panicked and run into the school for sanctuary and safety, but are followed in and darla is shot.

what happens next is that tim's school is taken over by gangsters--the ones who came to kill darla, and the ones who see the opportunity to kill the ones who are trying to kill darla--and the kids are trapped in there with them, doing their best to hide, but some are taken hostage & are at the mercy of their captives (kids are killed). tim shelters in the nurses's office & does his best to go out and help who he can bring to safety, alone with getting a lay of the school (which gang is where).

meanwhile, bruce, cass, & dick have been informed that tim's school is taken over and kids are dying. along with all their other current trauma, they have to go find tim in an active shooter zone where he could very well be dead. dick gets to be the one who finds him (such a traumatic time for dick btw), and he's thankfully okay. they get control back of the school and free the kids. batman comes out on live television holding darla's body--she's not dead yet, but she's close.

we find out where steph is. selina finds her and we finally find out why this happened: upset at getting fired and frustrated that she's never been able to truly land their approval, steph lashed out & stole a plan designed to unite the crime families in gotham under batman's control hoping that if she was able to set off a plan for batman & it worked he would take her back and she'd finally have his approval. however, the main man didn't show up and it fell to pieces--doomed to fail. and the reason that this all happened is because steph was never told that batman is matches malone. there's actually a ton of 'bruce what have you done' here. catwoman shelters steph & tells her to stay put. steph does not do so, she leaves so she can try to find orpheus & help get the situation under control because she knows he's key to the plan.

tim, unable to stand by any longer despite his promise to his dad after the thing at the school, returns to the manor where he is greeted by alfred & returns to being robin.

batman finally also realizes that what happened is his war game contigency plan/hypothetical/thought experiment just as a citywide blackout hits--a plan he never intended to implement, it was one of his hypotheticals. & they also start looking for orpheus, as he's the key because they need to keep him alive as the plan was for the criminal underworld to reform united under his, and therefore batman's, rule.. steph finds him first, just in time to see his throat slit--by black mask.

steph gets into a one v one altercation with black mask and is overpowered and at his mercy. he tortures her. it's gross, we all know.

tim tells his dad he's returned to being robin. we get what is probably some of the best jack drake charactetization. tim meets jack and dana so they can go help out at leslie's clinic to help the injured.

steph, eventually, after being tortured, finally tells black mask that the plan required orpheus and is now obsolete because orpheus is dead.

cass is looking for steph because she's probably the only one aware that steph is out as spoiler & she knows that the last time she saw steph steph was lying to her about something

leslie is currently acting extremely out of character. and she's kind of a jerk to cass when cass comes looking for steph & is downright hateful about his mission. (which. is ooc for leslie--while she's never agreed with bruce's mission she's always, always, loved and respected them all--consider her in NML vs here. she wants to end his crusade and him to do something better, but she's always looking to be a beacon of hope that there is another way. every disagreement should be steeped in her love for them).

hush is still here for some reason and will tell black mask where the batcave is

catwoman is concerned about steph--who has passed out from the torture--calling her "the kid you messed up so badly she started this whole mess"

batman takes over oracle's & the police's system by force. we're really in it now. steph wakes up, determined to get to batman to tell him about orpheus's death.

black mask, however, has taken over orpheus's identity and is contacting batman, ostensibly to continue the "plan". and darla officially dies, meaning her father is out for revenge and wants everyone killed.

batman meets up with black mask as orpheus & figures out spoiler was there, but he assumes she fought zeiss. he leaves, black mask is planning...something as orpheus.

batman has barbara take over the police waves once more. barbara is getting really sick if this shit.

gotham city is starting to rail against vigilantes as a result of the widespread chaos of war games, calling for them to turn themselves in.

batman has orpheus call a grand meeting. ostensibly to end things and ensure peace in gotham with everything unified under orpheus's commands. orpheus is, however, dead. black mask uses the meeting to set everything ablaze again & barbaba has to call off the vigilantes from helping to protect the gcpd to go help batman--this is the straw that breaks the camel's back of this causes an official break in the uneasy alliance between vigilante & gcpd and comissioner akins gives the order to shoot to kill vigilantes on sight (as also, as a result of the plan failing due to orpheus's murder it seems as if batman et al are on the side of the villains causing mayhem)

at this point the game it out of control & they have to focus on stopping it. cass finally has a chance to talk to batman and tell him her suspicions that steph was the one who set the entire thing into motion, which he has now figured out (on account of him finding traces of spoilers's at orpheus's)

dick gets shot in the leg by the police while fighting firefly

tim meanwhile is happy to return to robin, and actually has bunch of nice things to say about steph's time as robin--that she kept things light for bruce, that he's not too proud to learn from her--even if he did admittedly resent her a little bit for how it all went down. he's also currently in the middle of a breakdown over darla's death and is pretending everything's okay by just go go going.

steph has freed herself from her bonds and gets into it with black mask, finally overpowering him when she realizes "this isn't a game". she gets a gun to his head & wants to pull the trigger and end him for good, but can't--as that would mean betraying everything she's been taught. the hesitation costs her and black mask gets the gun and shoots her in the shoulder & kicks her down the stairs & leaves

she manages to get herself up despite her extensive injuries and escapes by rooftop, where she's finally found by batman, who brings her to leslie and begs her to save steph. he then tells her she did good & that she did everything she could & that the city owes her after everything she went through.

and black mask is still causing trouble--hush supposedly told him the location of the batcave & he plans to solidify his reign as the undisputed crime lord of gotham by sending everyone there--it's not the batcave, however--it's the clocktower. all the criminals are now converging on and headed for directly for barbara. they get in and make it past all her defenses and invade her safe space, black mask making it to her control room & taking her hostage. the gcpd also descend upon the clocktower.

batman goes ham and almost kills black mask, saying it'd be worth it to end everything that's transpired. tim creates a diversion by lying saying they'll turn themselves into the police. barbara blows up her clocktower so that bruce has to make the decision between saving her & killing black mask. bruce chooses to save her & it's over. bruce gets called to leslie's clinic, where it turns out steph had too much internal damage to save her. steph tells him that she started it all, and bruce says he knows but that they took care of it. he tells her that tim isn't mad at her and that the baby she had won't want for anything ever. he lies and says that taking her on as robin wasn't just to bring tim back, that she was really robin & that he'll be watching over her. she dies. black mask takes over as the new criminal overlord of gotham city.

as a result of all of the above, we get the following: gotham is no longer safe for vigilantes to operate. tim has been set in motion on the path of loss from darla to steph to his dad in another event that will eventually lead him to the mental space he needs to be in to become red robin and leaves for bludhaven. cass follows in her grief of all that transpired. dick is out of commission due to his gunshot wound & dealing with the fallout of working with bruce while feeling like he doesn't deserve to, but is also the only one left to work with bruce. barbara, whose safe haven was trampled upon and destroyed, feels gotham to go be with the birds of prey in another city. bruce is operating all but alone, save for a couple of other distant vigilantes.

we find out that bruce didn't--couldn't--tell tim steph had died until hours after the fact, and that's when tim was finally able to hear the whole story as to how steph became robin all the way to how the gang war got started. this is also when dick finds out the whole story as well.

and thus, war games ends

war crimes:

so we make our way to the epilogue of this storyline. the very aptly named war crimes

the public is still railing against vigilantes. it comes out publicly that stephanie brown was spoiler, then robin, and that her injuries were not thus that should have killed her. batman finds out and goes to leslie's to find out who leaked stephanie's information, only to find out leslie has resigned and her chief resident left with her. batman finds the resident, murdered in a clear attempt to set batman up. (it's black mask setting him up). a man named aaron black is railing against black mask, batman, & the gcpd for the gang war

we find out that treatment was deliberately withheld from stephanie and she was purposely left to die. we find out aaron black is the not so dead arthur brown. & we find out that crystal knows something and is prepared to spill it all. black mask comes dressed as batman to attack crystal brown on live tv. we find out the joker is after black mask for killing robin. the joker gets arrested, black mask gets arrested (and escapes), a tv reporter gets indicted, the leader of the odessa mob gets indicted, commissioner akins and athur brown don't get indicted, and batman has finally figured out who killed stephanie and goes to africa where she fled to.

in, quite possibly, the greatest moment of character assassination in this entire gd event we find out it was leslie who let stephanie die because she was tired of batman's crusade, destroying everything she once stood for just to prove a point to bruce about the senselessness of it all and to try and put an end to it. congrats to dc for this horrific epilogue.

so there it is--the entire event. it certainly is a thing that happened. and that's the problem--it happened. and it was very, very much intended as a personal fuck you and goodbye to the characters of stephanie brown and leslie thompkins. and that's terrible on so many levels. but unfortunately the fact of the matter is, despite that and regardless of any personal feelings about it, war games became a load-bearing event to batman canon.

because war games had so much influence on fundamentally upheaving and changing the status quo of the characters involved and storylines following this could not happen without war ganes existing. without war games, tim does not become the tim that will eventually become red robin. without war games, dick is not injured and out of commission and does not flee to new york and the mob, leaving bludhaven for tim and cass and on his passively suicidal mission that will eventually lead to infinite crisis and the one year boat ride. without war games, barbara does not leave gotham because she needs to leave it behind, only to return during the reborn era & all the tension that entails. without war games, bruce doesn't end up alone & isolated as needed for the red hood storyline. without war games, stephanie is not killed and thus can't be evolved into batgirl as an apology for the way she was treated. the dynamics caused by war games are essential to the stories that come after it. and then you're left with two very, very uncomfortable truths:

one, war games was a horrific fuck you and. fridging to a female character solely because of the evil sexism present at dc editorial at the time and of course you want to delete anything that had such awful intentions behind it

two, war games happening is essential to the trajectory of every single bat characters' story that comes after it including hers. and so it had to happen. and the thing with war games is that steph, while not completely to blame for it transpiring, was humongous part of it transpiring no matter what. because we end up with what it seems to me, the grand circle of blame. it goes as follows: war games never would have happened if bruce hadn't made his contingency plan to begin with -> yes, but. even if it is one of bruce's toxic traits to do that, he never intended for the contingency to go into effect and it was more of a hypothetical than anything and the only reason it ever saw the light of day was because steph stole it and put it into action -> yes, but. if bruce had been less of an asshole and told steph the basic information of matches malone is batman she wouldn't have made the mistake -> yes, but. to completely blame bruce is to remove any and all agency from steph, because nobody put a gun to her head and forced her to implement the plan, that was entirely her decision. and as much as we would have liked her to have decided she no longer needed batman's approval, the fact of the matter is she did want it and she did make the decision to send those letters -> yes but, if bruce hadn't had a contigency to begin with she wouldn't have had such an awful plan to steal -> yes, but having contigencies for plans that will never come to fruition is honestly a normal thing for them and bruce planning out a hypothetical is just another tuesday, and it was steph who set it into motion -> yes, but... and so on and so forth endlessly until the end of time. like, whether things were out of character or whatnot is a valid discussion (though all comics characters are doomed for stories where they're out of character), but putting that aside: the fact is, for every character's trajectory into the reborn era, war games had to happen. and for war games to have ever seen the light of day and happened, steph had to make the decision to send those letters.

and so we're left with this. steph made those decisions because of horrificly sexist behind the scenes decisions. if steph didn't make those decisions, then no other character trajectory makes sense. and that's how we end up with a steph conundrum that is so much harder to fix than any other character assasination of the time. because cass's was easy to retcon as brainwashing, it makes sense for slade being involved. leslie was easy to retcon as faking steph's death, that removes her intent to kill a child and restores her original characterization of every life is sacrosanct. but war games? war games does not and can not happen unless stephanie decides to send those letters. things with tim and barbara and cass and even through steph becoming batgirl don't happen unless steph sends those letters. and when she sends those letters, hundreds of innocent people die and even though bruce is largely to blame (and is blamed, by the narrative), there is a culpability of steph's active decision in the entire mess that exists.

and if that culpability exists, if she sent those letters and war games happened, and innocent people died and barbara had to blow up her home and tim had to do cpr with darla's blood pouring over his hands and dick got shot in the knee and had to find tim in an active massacre, and cass lost herself to grief, then from an in-universe perspective while it's easy to for them to blame bruce for the majority of it, it also is true that every single one of those people has the right to question whether she is capable of making good judgements because of the extremely bad one she made that had so many in-universe consequences & they were all victims of it. from an out of universe perspective, it is so, so, so hard to put that kind of culpability on her, though, because of the sexism involved in deciding to make her make those decisions.

(as an aside. you also get this same issue that occurs as a part of the last arc of the robin series--wherein in order to justify steph no longer being spoiler and graduate her to batgirl, they need her to make a mistake so bad it would justify the idea that spoiler is a tainted mantle & she can't go back to it--so they decide that she needs to hire assassins to try and kill tim under batman's orders. now this is stupid & nonsensical, and she makes a mistake like that due to writer sexism thinking that that was the way to go. but her making that mistake and hiring those assassins is essential to the overall self isolation of tim & him being unable to trust her amongst everyone else that he needs to be in the headspace to kick of red robin & steph needs to have made a mistake that taints the spoiler mantle & makes people not want her to be it otherwise why would she become batgirl... it's messy. very messy.)

but because of all the horrific sexism out of universe behind the decision to write her to do these things, you're left with. hm. it is hard to want to make her have any culpability because that would just be entrenching the sexist writing she's had & she was the biggest victim, but to just completely throw it out is to make every other character appear completely irrational and unreasonable when it comes to dealing with steph. and that's truly hard for dc--who, once they make her a headlining character in her own right as batgirl, now has to be a lot more careful when dealing with steph. because if any other character does have reasonable concerns about steph continuing to exist as a vigilante after the decisions she made that sparked off war games, or hire assassins for tim, or etc etc etc then you risk people being like "no, maybe these people have a point. maybe these people shouldn't have to work with her if they feel at all uncomfortable by decisions she made that resulted in truly terrible times for them."

so you end up. dc finally has to do something grand, something triumphant for stephanie's character to make up for the completely atrocious way she was treated before. and you get batgirl 2009, which is a triumph for her character, it's the approval she's always deserved but never given, she finally gets to show all her naysayers that she's worth it--that they were all wrong about her and she deserves to be there just as much as them. and she does deserve a big doylist apology--she was treated terribly & cruelly & it wasn't right for dc editorial to do so. but you run into. hm. this problem of in order to make this big doylist apology work, you need everything that came before it to have happened. because it's a big doylist apology you can't actually have it that those things to have happened because if steph has to prove herself to the naysayers, the naysayers have to be completely wrong about her.

and that's hard given we're in reborn era and bruce is "dead". because in that case, steph's naysayers have to be barbara, tim, & dick. and while steph shouldn't have to prostrate herself for forgiveness & they shouldn't blame her for everything ever (they've all had their own issues where they've made mistakes, some with tragic consequences, and therefore can't call the kettle black), the problem with having to make them her naysayers is that you have to make them unreasonable about her & that's hard to do when they were all victims of something that occurred in part due to a decision she made. you have barbara, who should be able to have reasonable concerns about whether steph is fit for the job because she had to blow up her own sace space because steph sent those letters. but you can't acknowledge that because that would be entrenching the sexism behind that decision. so you make it so barbara is the one in the wrong about her. you have dick, who should not be able to look at stephanie without remembering his little brother calling him, wanting to commit suicide over everything that's happened, without remembering the tim at the edge of the pit, without remembering getting the call-code 619-and realizing that tim's at the site of a massacre occurring at his school and could be dead, and he gets to realize he was completely wrong about her with no consideration to what complicated personal feelings he may have about her on account of his own most precious relationships. you have tim, who does have things to apologize to her about, to be sure, but has to be cast as completely in the wrong despite the things she did having to have happened such as hire assassins & everything he had to endure as a result of her sending those letters. and that's not to say that any of this means that she shouldn't be a vigilante of course, you can't have a double standard where male characters are allowed to make mistakes and continue on regardless of mistakes made and not afford that same grace to female characters. but at the same time, it's uncomfortable to cast barbaba, dick, and tim in the role of naysayers to be overcome because that erases their victimization by the events that had to have happened in order to make it to this point. and again, they don't have to blame her to feel like it's her fault to have reasonable discomfort because discomfort =/= blame, necessarily.

and you get into this entire mess solely because of the decisions didio made because he hated her character and was determined to destroy it. and it's gross! we hate didio! but like. way back to my original thought, in a way, he did succeed a little. because of the horrific things that happened to her due to cruel and gross out of universe editorial decisions, you do have to be extra delicate with the character. you've lost the ability to show steph making any sort of mistake that has significant ramifications because to do so is to go back to war games & all the baggage that that entails. you need to play it incredibly safe with her. she can't be shown to be in the wrong because of the horrific way she was treated. at the same time, you need things to have happened, but you need things to not have happened. it's just a lot of baggage for a character, and there's probably a reason why they still play it safe by sticking her with tim (until they broke up) and now cass. it's uncontroversial after everything she's been put through. idk. i think current continuity is the best chance to finally really do something interesting with her again given that the mistakes of the past are so softened and don't need to be forefront to the character anymore because we are in an era ripe for things happened but they didn't happen, but will they? i don't know.

#anywho this is probably super incoherent #but this is also the thing i rotate in my mind when i think about steph #this is why i like to envision steph as an unreliable narrator of bg #because then you have more space for the fact that others were also victims and they're not necessarily unreasonable #but since steph is also extremely traumatized and a victim of horrific things she has to not thing about the ramifications of her decisions #or something idk

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colourstreakgryffin · 3 months

Note

Hello !

Could you please write some headcanons with Alastor and m!reader as his S/O , where reader is a fallen seraphim / ex - seraphim?

Thank you in advance !

Hmmm! Okay! I actually wanted Alastor discovering his partner is a Fallen Angel for a while now. I can imagine what would happen… but uh, anyway. Let’s try this out, shall we? Alastor is now my primary Hazbin Hotel man, which I don’t mind! I love this man!

Alastor- Lies and Deception

Why… why would you lie?! Why did you lie?! Why did… Alastor can barely process what he just learnt. His beloved partner, his cute sweetie. A affectionate polite man, you. You’re not a demon at all, you’re an angel and you were a high-level angel as well. Charlie isn’t the only one who finds out her partner is a angel, Alastor did too

“A-Al! I can explain… I just—” “Save it, Leitore. I don’t want to hear from you” and with that, Alastor goes back down to Hell. Not hearing you out, despite when you try to explain yourself. It hurts your soul seeing your boyfriend, now, so closed-off, cold and disinterested

Alastor refuses to talk to you and when he does, he is quite passive-aggressive but yet, he can’t bring himself to be insulting. He is more business than emotions and comes off as very apathetic. It’s just because he doesn’t know how to act around you anymore with this grand discovery drilled into his head

He avoids you like the plague after the incident in Heaven and Adam revealing both you and Vaggie’s angelic origins to the Group

Alastor had ended up just like Charlie. Both him and Charlie are struggling with learning that their partner lied to them and hid their true selves for so long. Unlike Charlie, who vents to Alastor about Vaggie all the way to the Cannibal Colony, Alastor tries to not focus on you… he doesn’t want a reminder

However, he is eventually talked into trying to make it up with you by his dear friend, Rosie. She reminds him that you’re his lover and that he can’t just shut you out over you not trusting Alastor to not throw you out if you told him the truth… oh, Alastor could kiss Rosie right now! But, he can’t. He needs to make up with you after the weeks he’s spent ignoring you

Like Charlie, Alastor brings over a little gift. Surprised to find out that you’ve gotten back your angel wings after so long of merely looking like an average sinner. Three feathery sets, they are gorgeous and they make your eyes pop. Alastor may not like that his lover is an Angel and he’s a true Demon but that shouldn’t keep you two apart… and after Rosie’s talk, it won’t

After quite the long private talk with you and much forgiveness and acceptance and promising, Alastor is once again, by your side and holding your hand. He was harsh in the past about what he considered a betrayal but he has heard your side of it and forgiven you for lying to him. Not everybody is perfect

Alastor may or may not play with your reborn and re-gained angel wings when he is bored or waiting. You’re always right next to him so he’ll just run sharp long clawed fingers through the gentle feathers and be enamoured by how incredible it feels. Alastor also may just take an nap on your back with how comfortable those wings of yours are

Alastor is your sweet devil, a truly corrupted evil monster but he has an opposite in the man you are, a more pacifistic and harmless soul. Just like Charlie and Vaggie but swapped, you and Alastor are the higher-up Angel-Demon gay couple. Alastor is unredeemable and won’t be going to Heaven whilst you, a being of Heaven, is stuck down here in Hell

Alastor much prefers you stay in your original look but now, that also includes the Seraphim wings. Just keep them out of the way whilst you walk and Alastor is completely content with it. He just has to get use to having an angel in the Hotel… he has to get use to having TWO angels in the Hotel

Trust me, Alastor won’t ask about life as a Seraphim in Heaven. He doesn’t even care about it, he doesn’t care what dropped you into Hell. He only cares that you’re in Hell and that you’ll stay in Hell, stay with him. That’s all he’ll ever ask, but if you want to talk about your past in Heaven, he is all ears

Alastor, also, may not be perfect but he is doing his best to accept the reality that you had to lie to him and now that, you’re both cleared it up with one another. Now, you can be 100% honest with each other

Alastor is encouraging to you, encouraging you to let out your angelic origins and not be frightened by all the Sinners. Everybody in the Hotel knows you and Vaggie are from Heaven, just embrace it. He is embracing it one step at a time

“Oh… darling. I know I was quite harsh to you. I was just upset, I thought the man I loved was against me and I was trying to kill me from the inside. I understand you didn’t want to tell me and that’s okay… we’ll get through this little bump together”

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luveline · 1 year

Text

𝐢𝐟 𝐢𝐭 𝐛𝐚𝐫𝐤𝐬 | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧

You don’t mean to make an enemy of Eddie Munson — he’s handsome, and talented, but he’s the biggest jerk you’ve ever met. Eddie thinks you’re infuriatingly pretty, emphasis on the infuriating. Too bad you just can’t seem to leave each other alone. [13k]

fem!reader, enemies-to-lovers, rival rockstars, mutual pining (and hatred), slight miscommunication, angst, hurt-comfort, eddie has mixed intentions, kissing / heavy petting, hickeys, sexual tension, eventual hate-fucking, some misogyny (not eddie), TW readers bandmate is a bully, TW drugs/alc/smoking, disclaimer: I can’t play an instrument

𓆩❤︎𓆪

Indianapolis International Airport, Indiana, Late 1988.

There's a really sweet-looking boy sitting in the chair across from you. The airport is blotted out by both your headphones —huge chunky cans, the best you could afford— and your sunglasses. He's a shade of sepia from the lenses, dark hair darker still where it's tucked into the hood of his hoodie.

There's no way he could possibly know you're staring at him while you're facing your lap, scribbling lyrics for a song that'll never get made with your body curled inwards, and yet he looks up from the novel in his. He smiles, his cheeks pulled up, and he looks younger. He isn't old by any means but something about his smile is transformative.

You don't mean to give yourself away. You smile back just a little.

He says something. You push your headphones around your neck and break the seal, soft 70's rock replaced by the sounds of the airport, footsteps and clicking and children laughing somewhere behind you.

"I'm sorry," you say, covering the cans of your headphones to cut their weak buzzing, "what did you say?"

"I said you have good taste."

He nods toward your guitar case patterned in overlapping band stickers.

You notice his own case on the seat next to him. It's more conspicuous than your own with only one sticker, a band you've never heard of.

"I wish I could say the same, but I don't know who that is, 'Corroded Coffin'?" you ask, purely curious.

He sits forward, a picture of casual confidence as he drops his face into his palm, elbow digging into the ripped jeans covering his knee. "I'm offended, sweetheart. They're only the best sound to come out of Indiana in the last ten years."

"The Stacey's?" you offer, scandalised by his suggestion. "Doorway to Cooperstown? The Cats?"

He blinks at you. "You know the scene."

"It's my scene," you say.

You don't mean to sound pretentious, and hopefully you don't, but music is your life.

"It's mine, too," he says. He leans forward and scrubs a hand through his hair, scratching absentmindedly. "Where are you going? Must be pretty important to tear you away."

"New York. I'm– I'm a techie for Godless. I will be, once I get there." You sound smug and nervous at the same time.

"Holy shit," he says. He smiles a gorgeous, awful kind of smile, like you've been friends for years, and your good news is his. "No fucking way. Go you."

Godless have been compared to loads of bands but the one you favour is a heavier, feminine The Clash. It's an emerging sound, punk rock stolen, repurposed, and remade. Reborn by girlhood rage. You love their sound (though you have some notes), you love their statement, and you're probably the happiest you've ever been knowing you'll be behind the scenes of a new era of music.

"And you're taking her?" he asks, gesturing to your guitar case.

Inside is a beat up old bass guitar you got for nothing. You're self-taught, you're good, but you don't have any disillusions on what you'll be doing on tour.

"She's worthless," you say, "mostly taking her for company." You reuse his pronouns, though you aren't the type to assign personality to your instruments. "What about you, uh–"

"Eddie," he says, taking his guitar case into two fine hands. Your eyes snag on his ragtag assortment of rings, and he leans over the neck of the case to retake your gaze. "This… is Sweetheart."

—

Hotel Edison, New York, Early 1990.

"We have to go. Why are you guys never ready when I tell you to be?"

You panic slightly. "I need a minute."

"Ananya, could you find, like, a modicum of patience? Fucking annoying."

Sharp, Morgan's unhappiness sounds over the droning drill of your shitty hair dryer. You shift where you're kneeling in front of the floor length mirror to check she isn't talking to you — unusual, but not impossible that her hostility would be aimed at someone who isn't Ananya.

Ananya stands in the middle of the hotel room, thick eyebrows pulled into a familiar scowl.

"Get it together," she says disdainfully, like Morgan's nothing more than a mild inconvenience.

You wish you had her confidence when it comes to Morgan's tantrums. You stand up, clad in nothing more than underwear and a pair of black stockings, your t-shirt in one hand and the hairdryer still humming in the other. You turn it off and let it drop to the floor, worried you're just another rockstar cliche as you take in the state of your room. Your suitcase is open and your clothes are all over the place, laid flat in an attempt to dry your rain-soaked clothes. Your underwear dangle from the lampshade, a mix of pretty lingerie you've yet to wear and full-shaped panties that had made Morgan laugh for a minute, no pauses.

"I can see why you're so desperate," she'd barbed.

You slip your shirt over your head in case you have to act as a human shield. It's honestly not the worst thing they've had you involved in this year.

"You're not wearing that, are you?" Morgan asks.

She's a fascinating creature in that she isn't always talking with thinly veiled passive aggression. You genuinely believe she's looking out for you sometimes, or believe that she believes it, at least. She doesn't say it with malice, simply asks.

She's multi-faceted.

"No," you say, though you'd been meaning to.

"Good, skirts really aren't your thing. You look blocky. I have a pair of flares in my bag, wear them."

And Morgan — Morgan's the lead singer of Godless. You don't really have a choice.

You find the pants she'd instructed you to wear and half tuck your shirt, scrabbling for your shoes as Ananya starts lamenting the time, sat on the small table by the TV.

"They have to wait for us, babe, that's the whole point," Morgan says, fussing over her eye make-up.

"No, they don't. And we really don't need the attention right now."

"That's dramatic."

Ananya leans forward and clicks on the TV with a perfect finger. The screen buzzes to life. She clicks through the channels until she gets to the local news station, and then she slumps over the frame on her elbow.

You giggle behind your hand. Onscreen, images of Morgan are blown up and slated, your bandmate sloppy drunk on the steps of Covey Gold. They've caught you red-handed in the background pretending you aren't with her, but luckily Morgan's too obsessed with herself to notice.

"I really don't see the issue," she says breezily, slipping into her tiny heels one foot at a time. "I look sick."

She looks stunning, easily, but that's not the problem.

"You have a fucking snow trail," Ananya says.

Unfortunately, Morgan's left nostril is crusted with coke.

"It's punk rock!" Morgan's moved onto earrings now, and she's jutting her tiny pointed chin toward the door. "Hello? We're late."

You don't roll your eyes, but you could. You slip your shoes onto your feet and tuck the laces inside without tying them while the news anchor on TV continues to relay current events.

"Fletcher isn't the only rockstar making a mess in New York City this week. Members of up and coming heavy metal band Corroded Coffin were sanctioned by Flume Venues Tuesday night for damaging twenty six thousand dollars worth of equipment when their lead guitarist kicked over an amp and caused a quote unquote 'domino effect.'" The anchor laughs. "Their PR has certainly felt some corrosion."

You look up at the joke and are just in time to catch a picture splayed across the screen of the band. You're so close that their faces are made up of red, blue, and green, more colour than photo. Your skin glows with the image. Your eyes widen, perplexed.

"Do we know those guys?" you ask.

Morgan grabs your hand and drags you up. "They know us," she says. "That's what matters."

Ananya turns off the TV.

You're thrilled at being included in the 'us'. You've been an unofficial official member of Godless for four months now. Each one feels more unreal than the first, and each one brings a solidity. In Ananya's words, you're on 'probation, given you can keep up', but you look at her now, her hopeless expression as she closes your room door behind you, and know she's not hoisting you off the stage anytime soon. She'd have to deal with the world's tallest toddler alone.

Your tour manager and assorted personnel meet you in the hotel's lobby, furious and panicky at your being late. Morgan spouts the same spiel as you get shepherded into cars idling outside of the hotel.

"We're the talent. What were you gonna do, throw the gig without us?"

You're both embarrassed by her and impressed. Morgan is pretty and talented and extremely loud — she's not afraid to stick up for herself, even when she's (nearly always) wrong. She sees each hurdle in her life as an unfair disadvantage. Insanity, in your opinion, considering nearly all of those hurdles have been jumped by means of a favour, rather than any expended effort on her part.

Her bad attitude aside, she's a good singer. She's gorgeous, exactly the kind of face that obliterates mainstream reluctance.

She sits between you and Ananya and kicks her feet out over the console, boots between your driver and your tour manager, Angel.

"You guys can't be late like this. You have half the time you need for sound check now, you realise?"

"I don't need practice," Morgan says.

"It's not practice, Morgan, it's–"

Morgan laughs and bursts into song. She does it whenever she doesn't want to listen to Angel, and she sings an apt tune: Angel by Aerosmith. You look out the window rather than watch, eyes snagging on the wet New York streets and taxis and people, so many people despite the weather, black umbrellas like inverse stars lining the sidewalks.

Morgan has a great voice, raw when she wants it to be and full of life when she doesn't. You can't hear Angel's venue instructions under it and are barely paying attention as a lanyard gets tossed into your lap. It sounds stupid, and a few months ago you wouldn't believe it, but you get used to the motions. Ferried from one place to another, all anybody cares about is technicalities, politics, public image, and how you look on stage. All you care about is the music. Your bass guitar in your hands, that familiar weight, the strings as your pick slides across them, and the sea of the crowd. Its waves and ripples, hands and eyes and mouths like poppies, red-pink tongues and black throats at the centre as they scream. When you throw your pick people want to catch it. They fight over it. You throw a few. There's always more in a box in some poor techies bag.

The cushy car you're in pulls up and parks outside of the venue's main entrance. You climb onto a wet curb and shield the top of your hand with your head, dirty rain splashing down in fat, sparse drops that chill your scalp. Morgan blitzes inside and Ananya tags behind her. You go slower, eyes following down the sidewalk where, in a couple of hours, fans will wait to see you, shivering in the cold.

—

Every breath Gareth takes sucks in Eddie's short sleeved t-shirt. Eddie scowls at the top of his bandmate's head and tries to shift away.

"Seriously, man? There's a whole fucking couch," Eddie grouches.

Gareth sits up with bleary eyes furrowed into a scowl of his own. He's pale and missing his glasses, giving him the appearance of a concerned zombie.

"Shithead."

Eddie has a lot of emotions he wants to express and none he feels he can properly articulate. The injustice of his current situation, for one, is a burning irritant. How the fuck can you get grounded by your manager? And why did his warden have to be the most boring member of the band? Sorry Gareth.

"Can't you sleep in your bed?" Eddie asks.

"You'll sneak out."

Eddie will sneak out. He's a fledgling rockstar in New York. Suddenly, there are a hundred colourful boozy doors wide open to him, and he intends on haunting the threshold of each one accordingly.

But you kick one amp and boom, you're the antichrist.

"You know this is stupid."

Gareth rubs his eyes. "I mean, do I know that?" He reaches behind the couch armrest for the two-litre bottle of soda stashed there, and he talks as he brings the lip to his mouth. "You've been a real pissant lately, Munson."

"You're a pissant, pissant," Eddie says, really scowling now.

Gareth kicks him across the sofa. Eddie kicks back, foot jamming into the side of Gareth's knees. Soda spills in a shoot over the carpet. Gareth is a know-it-all with a predisposition for being as unpleasant as he can possibly be at all times, in Eddie's opinion, and Eddie knows the second the soda lands what he's going to say.

"Nice going, hotshot. This is why you're fucking grounded."

Eddie's halfway across the sofa when the door opens, an unimpressed Jamison standing with the light behind him. He flicks on the main switch and glares, brown skin golden in the resulting yellow light.

"What are you losers doing?"

"I prefer the term 'freak'," Gareth says, glare softening. "I'm fending off Munson's advances, what does it look like? No means no, asshole."

"You're disgusting," Eddie says.

"You look disgusting," Jamison echoes. "I don't know who forgot to tell you, but they invented running water a century ago. Go shower. I'll watch baby boy."

Eddie thinks Jamison is hot in the freaky way — Jamison is conventionally attractive, and Eddie would let him get freaky if he asked. He has a perfect complexion, the most attractive of the band by far, medium brown skin and a broad-shouldered frame. He's the eye-candy, literally; they'd admitted him into the fold based one parts on his talent, two parts his image.

He can play piano, guitar, bass guitar, violin, all that shit. He's a musician, and he's better than Eddie at everything but the guitar.

Nobody's better than Eddie on guitar. At least, not anybody running in his circles.

"I can't shower, I'm watching him."

"I'll watch him," Jamison says, like this is extremely obvious and Gareth is an idiot.

Eddie pulls a couch cushion over his face and drags himself onto his back, whining into the fabric unhappily. "This is fucking bullshit," he mutters

"This is due diligence," Gareth says. Eddie feels his weight lift off the couch and lets his legs slide into the empty space.

"This is fucking bullshit," he repeats.

There's a silence. He sulks. Gareth collects toiletries and the bathroom door clicks open and closed. The shower spray begins to sputter, and then the pillow is being tugged out of Eddie's hands and tossed aside.

"Jame," he protests.

"Shut up." Jamison stares down at Eddie. "Are you done being a child?"

"I already told you, it was an accident. Yeah, I kicked the amp, because my fucking string snapped and nobody would listen to me. I didn't know it was gonna actually move."

"If we go out, can you behave?" Jamison asks quietly.

Eddie sits up ramrod straight. "Absolutely… Why? What's so important?"

"Jeff's asleep, I'm bored, and-" He shrugs offhandedly. "If you got 'em, flaunt 'em?"

Jamison holds up a silver pair of car keys. They clink together, the sound music to Eddie's ears.

—

So you and Eddie meet for the second time like this.

“Does it have to be this loud?” you shout over the music, pleading gaze on Ananya, who shrugs.

She looks better after a show, even drunk. Her lipstick is a pink-red with a darker but incomprehensible outline, leaving her looking kissed sick. Her dark eyebrows are ruffled and thick, their minimal gel sweated off. She has the most heartbreaking expression about her, and you think it isn’t truly fair, how she can look so pretty and be so talented at the same time. A tragedy that other people have time for both. You feel as though you barely have the time for one.

Despite the volume, you love the sound. This is your sound. Small town hatred in a big room — begging to get out and the music proof enough that you did. It’s passionate and anxious, a two-chord progression that’s boggling simplistic but drawing you in anyhow. Wrinkled noses and bored eyes say it’s not to everyone’s taste, but you’d hazard a guess that whoever plugged it into the stereo isn’t the kind of person who worries about public opinion. If Godless worked more on your choices, this is how you’d sound.

“Whose house are we in?” you ask.

“Babe,” Ananya says, “seriously, there’s a whole room of people who want to answer you. Go bother someone.” Else. Go bother someone else.

She dismisses you with little more than that, slinking into the kitchen with a toss of her thick hair. The red of her corset top darkens to a bloodier shade in the mood lighting. She looks as though she’s bleeding out from the back.

You aren’t sure Ananya’s right. You aren’t, in the eyes of the people here, anything impressive. A techie who’s been filling in isn’t anything new, no, you’re only impressive if you get to stay, if you play better than anybody else. You’re never gonna prove that under Morgan’s thumb, and you’ll never prove it without her.

I need a bump, you think. Morgan’s coke nose flashes in your mind and you change your mind. I need something to drink. Something fucking cold, but if Ananya thinks you’ve followed her into the kitchen she’ll throw a pissy fit in front of everybody.

The room is a gaudy yellow, a tobacco stained fingerprint over the lampshade with whorls of dirt in lines, darker patches where shadier reconciliation plays; in one corner, a bag of coke, another something worse. This had been a surprise with age rather than location, the commonplace of cocaine and the bravado of its sufferers from high school and up. You’d die for some of that cocky confidence now, numb gums and a sullen credit card.

I need to get paid.

The heat of a cigarette tip kisses your shoulder. In your ear, the sound of someone taking a long, slow drag, crackling paper. You turn into it slowly, looking up slower, right into the skinny face of your missing-in-action bandmate.

“What’s up?” Morgan asks, blowing her smoke in your face. Your eyes burn.

She’s placing the cigarette between your lips before you can answer. Whether she believes she’s tormenting you or throwing you a life raft, you’re grateful for it, sucking in a blistering breath and wincing as it floods your nose.

You blow it away from her.

“Ashtray?” you ask, pinching the cig between two fingers.

“The floor’s fine.”

You raise your eyebrows, unsurprised at her cavalier suggestion and flick it still smouldering into your cupped palm. The door is perpetually open, guests flicking in and out like the froth of a cresting wave, a rushing entrance and a sluggish recession.

“Can you get me a bag?” you ask her.

“I’m not your daddy,” she murmurs.

“Bored already?”

“I have to be bored?”

To bother bothering you? Yes, Morgan would have to be bored. Bored or wasted, and she doesn’t seem inebriated. You place the cig between your teeth and lean your head back to look at the ceiling rather than give her the attentive watching she desires, the roof of your mouth an uncomfortable heat.

You remove it, blow all your smoke skyward, and drop your head. “How are you gonna fuck with me tonight?” you ask plainly.

You find you aren’t asking Morgan.

In her place stands a much taller, much more handsome face, big eyes set into pale skin. You don't recognise him at first. He wears the uniform well, in company with every other guy in the room, a crumpled shirt you imagine discarded and re-discarded on different floors. Ripped, dark jeans. He could be wearing nothing at all and the air of intimidation surrounding him would survive — there's something behind his eyes that alarms you, a knife's edge. Sweetness bordering cruelty.

"I don't know yet," he says. An insipid smile takes his lips from corner to corner as he eases the cig from your hand. "I'm sure we can think of something… together. Sweetheart."

Boys don't always give you the time of day, not the nice ones, and he doesn't look very nice. He looks like he's trying to calculate what he can get out of you. You're thinking you'll pay just about anything if he can get you a bump of something fun.

He sees your look too, his lips poised to mention it, but you've just realised where you know him from.

"I saw you on TV."

"Yeah? In Madison Square Garden?"

"In court." You give him your best doe eyes, a soft, sweet look, far from mastered and yet effective where it counts. "How much did you have to pay for all the stuff you broke?"

His smile shutters, realigns. A split-second and enough to let you know his cool gaze is nothing more than a parlour trick.

"You look familiar," he says.

You hum. "Rollerboy paid, huh?"

He glares, the idea that his record label might pay for the damages he'd caused laughable and undoubtedly correct. You aren't trying to make enemies, aren't attempting to play someone you're not — you're meek mannered, mollycoddled, too naive to be in the industry for very long. You can see it on his face, exactly what he's thinking, and it's easy to see because everybody else is thinking it too. Even you.

Before you can repair the offence you've caused, he's dropping your stolen cigarette on the ground and grinding out the flame.

"Nice to meet you," he says slowly.

You stare straight ahead and listen to him leave. Smoke tickles your nose. When you look down, the cigarette is smouldering. You squat down, pick up the flattened bud, and drive it into the floor until your fingers are black with soot.

You wrap those same ashy fingers around the neck of a bottle of coke and try not to be too pissy about it. Fucking rockstars and their fucking egos. He did something embarrassing, and you're the villain?

You feel bad halfway through your coke. Maybe he'd had nice intentions, but how could you know? You'd talked for all of two minutes. And even if he was bad news, he likely wouldn't have been any worse than half the jerks here.

He'd have had a handsome face to look up into while said intentions were being acted out, at least.

You frown more. Wishing you'd been nicer to him because you're bored enough to want to get laid isn't strictly kind. Human, maybe.

The feeling worsens when his appearance garners a small crowd. He sits in a nest of dirty couch cushions and a cloud of smoke, the smell of green strong enough to irritate you from here, telling a story with frenetic hands, and despite the cool look he'd given you earlier, he's making a show of it. Cussing, giggling, blunt between his lips as he ushers for a zippo. A pretty girl with surfer curls relights it, an act of flirting in the way she pulls her shoulders in.

He takes the blunt from between his lips and blows the smoke so it misses her completely.

"Thanks, sweetheart," he says, voice rough as hewn stone.

You kick one shoe behind the other and squeeze your tired thighs together. You get this feeling like a matchstick, red powdered head flicking against gritty scratchpad but failing to strike. Something is familiar about the way he speaks, his sticky inflection.

Or you're lying to yourself, and you just like the way he talks

The way he would've spoken, thick fingers braceleting your wrists as he forces your hands into the pillow behind your head, the weight of his body on top of yours, the snugness of a knee between your soft thighs. Your hotel light would've kissed his left side, dividing his curls into strands, the individuals glowing like silver thread as they danced over your cheek and temple, as his breath warmed your lips, as he closed the distance.

Joan, you could hit him.

"That's an unfortunate hand. Are you sober?"

Cheeks full of heat at being caught in a fantasy, you lift your eyes and meet light, almond brown eyes almost entirely shielded by darker eyebrows. A man stands in front of you, a comfortable gap between his nondescript skate shoes and your worn boots. He's tall and pretty and surprising: he's smiling at you like you're something worth smiling at.

"I'm–" You brandish the bottle as if that might explain it but harshly set it aside. "No, not sober. I mean, not willingly. Coke's were out here, so…"

"Oh, right," he says, nodding knowledgeably. "Right, I was sorry to hear about that."

You lick your lips. "'Bout what?"

"They banned beautiful women from the kitchen," he says. "Hadn't you heard?"

"No, that one passed me by."

"I'm Jamison," he says, holding out his free hand.

You take it. You tell him your name.

—

Morgan is crying. Big heaping sobs that she attempts to talk through, creating this ringing whining sound that fills you top to toe with anxiety. You lean back in your hotel bed, wondering what it is in the world that could've happened to her as a kid to make her this unsatisfied now. Ananya blows on her freshly painted nails though they've been dry for hours, knee to knee with you atop the squishy hotel sheets.

"I can't fucking do this," Morgan cries, tears dripping down her bare skinned cheeks.

The three of you have been sworn off of makeup, junk food, and unapproved wash products for the next four to five hours. You're happy for this to continue until the end of time. Morgan, less so.

You're trying to decipher exactly why she's crying, feeling a confusion you'd liken to the first modern day archaeologist that laid eyes on ancient hieroglyphics. All these symbols and colours and stories. No clear translation.

If Ananya were an archaeologist, she's the kind who got to see the Rosetta stone. Morgan's moods make sense to her, and while she often doesn't empathise with her, she at least knows what to say to appease the worst of it.

"It'll be alright, Morgs," she says, her faux sympathy unconvincing.

You feel a little sorry for Morgan and clear your throat. "And you're not by yourself. We're here."

"Fucking amazing help you've been," Morgan says. Her voice does a theatrical peak, pure hysterics.

It irks you how good she looks. You think that, maybe, if you could make your problems pretty the way that she does, you'd be a lot happier overall. You've often lamented that you suffer the kind of unhappiness that makes people uncomfortable and unwilling. You cry ugly, and always alone, hands over your mouth to smother the sounds, and that's when you do cry. Mostly, you bounce around inside yourself and feel very afraid that this feeling is forever.

But, you think presently, that isn't Morgan's fault. Not all of it.

Morgan throws her hands out at you and Ananya and spins on her heel, through the bathroom and into her own separate room.

"At least the backdrop of her breakdown is nice," you murmur, hugging the pillow against your stomach, heels digging into the mattress to keep your knees up.

Ananya snorts and flicks to the next page of her magazine. "Right?" She stretches her naked legs out over your sheets. You know she's decided to ruin your bed with her after-waxing oils rather than her own. "Better here than back home."

"Why's she so upset?" you ask.

Already, your thoughts are starting to drift. You take another peek at the phone across the room and will it into ringing.

"She draws them on everyday anyway," Ananya says agreeably.

You summarise that Morgan's eyebrows are the root of the problem. You don't blame her for wanting to look perfect tomorrow night. Your stomach is a weight every time you think about it, solid as petrified wood. This will be your first TV appearance that isn't a recorded concert, a mid-show performance for the Prover Music Awards, and it should further cement your place in the band. If you look good and people like you, public favour might be enough to keep you around. If they don't, there'll be a couple hundred different audience members with industry links. If you play well, and you're certain you will, you might finally prove to Morgan, Ananya, and the rest of the management team that you're worth choosing.

You want it badly. You want lots of things, and being a real part of Godless could hand them all to you on a studded platter. Recognition of your talent, further experience, the chance to perform and be supported, to be adored, and the money isn't something you'll pretend you don't think about. A rockstar's salary is hardly stable, but a lack of stability is almost always supplemented by the amount. Wouldn't that be nice? To buy your own bass, to buy whatever you liked. To go out and have spa treatments like the one you'd had just this morning whenever you please. To get to feel beautiful and limp as this all the time. More than anything, you want the validation, the poster that comes with it.

If Godless decides to keep you, it's a huge, blinking, neon-lit sign that says you're good enough.

They chose me, and you're stupid for letting me go.

They chose me. I'm something worth something. You didn't see it, but it's there in me.

The subtext isn't important.

You're scared shitless at the reality of performing tonight, knowing any fuck up could follow you, or worse ruin your hopefully budding career in rock for the rest of time. You have this body and this name, and if you want to keep your life you have to be good. It has your fingers itching for your piece-of-shit bass guitar where you know she's hiding under the bed. You should be practising, but this entire week has been practising. The dress rehearsal went well, and you'll give yourself a pass for having certain distractions.

Morgan warbles. You glance at the phone.

"Waiting for someone?" Ananya asks. She misses nothing.

You both wince as Morgan screams and throws something across her bedroom, the eventual clattering smash indicative of a fragile target.

"Think room service will send up a sedative?" she asks.

Room service won't send a sedative, nor will they send the single hashbrown Morgan is apparently craving. You're starting to panic when the solution practically jumps at you.

"Morgan," you say gently, standing in the doorway of her room with a tentative smile, "can't offer you something, can I?"

You hold up your little pouch. Morgan doesn't know you well, but she knows it's where you keep anything interesting. She should know, she pilfers it of anything truly exciting within the day.

"Don't be stupid," she scathes. "My eyes will be bloodshot. You know smoking doesn't agree with me."

You hold in a comment on how she'd literally been smoking out of the window last night.

"It's a brownie. It's a couple days old, but… perfectly edible." You offer her the pouch, dropping it at the end of the bed among her things.

She picks at the brownie, timid princess bites that make you want to roll your eyes. You often think the worst thing about Morgan is that you love her, or you could love her more, if only she felt the same way. She isn't all evil and she never will be, she's just a person. But she takes shit out on you and makes your life harder than it needs to be, so even her most endearing moments fall short.

"This tastes awful."

You laugh and kneel down at her dresser to start putting her thrown jewellery box back together. "It wasn't that nice when I got it," you lie.

You clean her room. Morgan never wants to do anything she knows can be done for her, and you know she won't bother here, not when room service will spend the hour it takes themselves. You think of some poor service worker squaring away the impossible amount of stockings and garters for a sad $3.45 an hour and the task suddenly becomes much more enjoyable.

Morgan doesn't say thank you. You don't insult her intelligence by thinking she isn't aware of what you're doing. She sniffles and blows her nose daintily with a balsam tissue.

"I saw you talking to that guy from Corroded Coffin."

You brush off your knees as you stand. "Which one?"

"Eddie. The rhythm guitarist."

"The loud one."

"He's kind of hot. If he calls, you should go out with him."

"That's not–" who I'm waiting for. You squint at her. "Morgan, that would be terrible."

"Can you get me something from the minibar?"

You kick open her minibar and grab a cold can of seltzer. She slides onto her back and accepts it, pressing it to her eyes with a relaxed smile. Eyebrows forgotten, it seems.

"That would be perfect. He can be the cat to your mouse."

"Your definition of perfect–" You cut yourself off again when she starts to laugh. You don't believe it to be genuine.

She lounges in bed for an hour until she's high, reappearing in you and Ananya's suite with a dizzying smile. You don't mind high Morgan. She's smoked enough in her time to bypass the dizzying, giggly kind of stoner. This Morgan is relaxed, almost easygoing. She sits at the end of your bed and watches you pluck out a bass line proposal for one of their current works in progress, head bobbing.

An hour again and the stylists appear to spray you down with smells and oils and make up, and soon you've been strapped into a short shining dress with a cowl neck, dark black stockings that shine like oil, and heels you can't really walk in. You complain about them politely enough that Mel, the man in charge of your 'costuming', swaps them out for shorter ones.

"This fucking corset is a nightmare," Morgan grumbles.

"Sorry, love, that's all we've got."

The commute is over in a blink. You arrive outside of the venue for the Awards, staring up at its imposing silhouette against the skyline, a dark building in the strange blue night. The sun is unseen but light illuminates the wet streets in blinding patches, so white they glow violet behind your eyes.

There's a modest red carpet where you thankfully don't have to pose for many photos. After all, besides being a temporary member of the stage, you aren't truly in Godless. Most casual fans (the majority of their fan base) only know the faces in the magazines and on TV, and you have yet to be in either until tonight.

After a bundle of shy and regretfully nerve-wracking photos, you're drawn inside the building and away from all the flashing hubbub. You sit in your seats, short rows divided by the occasional table for drinks, and you try not to sink into the carpeted floor. It smells insanely like nothing at all. No bleach, no air conditioning cleanliness. Every now and then another guest walks past your row and you get a whiff of perfume.

A familiar scent pricks your attention.

You look up, slightly over your shoulder, and your eyes meet familiar sticky brown.

He drops down in the seat next to you, and you think, No way.

He holds up the placard that had been under his thigh. His name is typed in clear blocked letters.

It's a strange humiliation to have been read for filth like that. You're you-have-got-to-be-kidding-me expression can be pretty telling, evidently.

"Hey, sweetheart."

Matchstick against the box. You tilt your head and try to place him for the tenth time.

"Have we met before?" you ask.

He actually grins like this is the best thing you could've said. "You met my friend," he says, pointing down the aisle.

Jamison stands talking to a woman who is admittedly gorgeous, and, to your sinking horror, much prettier than you. They kiss each other on the cheek and it's the kind of over friendly to make you sick.

Eddie pouts at you. "Better luck next time, sweet thing." He throws one leg over another. "You look different. New haircut?"

"You look exactly the same," you say.

It's surprising how untouched he is. Sure, he's had some makeup applied and his hairs been tousled into life, but his outfit is remarkable in its simplicity. Surely rockstars can wear suits too? He looks neat and dark and tidy, but he also looks effortless. It's irritating.

This phenomena is not self contained, you find, as his bandmates sit down the row with their managerial chaperones and one date. Jamison sits right at the very end. He doesn't look at you.

You avert your eyes and wonder if it's possible to die from embarrassment.

The venue gets increasingly busy as the bigger names and bands flood inside. Soon, you're sitting amongst legends, people who pretty much spearheaded late 80s glam rock, punk, grunge. People you've only ever seen on TV. And it isn't restricted to alternative sound, there are pop stars and their supermodel girlfriends shaking hands and kissing cheeks in the row behind, while producers with names big enough to make your mouth dry up clap each other on the shoulders in front.

"You'll catch flies."

You turn to Eddie. He doesn't sound entirely cruel. He doesn't sound like much of anything. You could almost believe him to be a friend.

There's a smudge of eyeliner on his cheek.

"You have–" You point at your own cheek, a mirror.

His lightness fades. "Nice."

"No, seriously, you have something. Make up, on your cheek. I have a wipe if you want it."

He scrubs at his cheek ineffectually.

You're reaching out to help before you can stop yourself, witnessing your own actions with a strange out-of-body horror as you wipe the small black line gently. It spreads, and you panic and dab at it until it's an unfortunate grey shadow.

"Let me get the wet wipe," you say. You'd been holding your breath, awkwardness stiff between you, and it sounds too much like a laugh.

Eddie flinches away from your touch and covers his cheek. "I got it," he says stonily.

He leaves, stepping over his bandmates feet like stepping stones, earning a cacophony of protests and disparagments.

Dick, you think. Again, that had been a little bit your fault. Not all of it, he seems to be in a perpetual bad mood that can't be your doing, but you can understand why he might think you were laughing at him, and the defensiveness that comes with it. When he comes back you'll apologise.

Or that's what you tell yourself. The lights go down, the curtains open, and the venue erupts with applause. By the time Eddie takes his seat again you're too afraid of disturbing the quiet.

After half an hour you're ushered backstage. You have to move in front of Eddie and the rest of Corroded Coffin as you go.

He looks up at you in silence. Head tipped back, face barely lit by the lights while you stand in between his legs. His lips part and he's all rockstar, his brown eyes and their edging of straight dark lashes, his pink, pretty lips. He has a distinct line to his nose, a cupid's bow perfectly shaped. His maker must have looked at him and known somebody, somewhere, would want to kiss him right there. His lips twitch.

"Can I help you?" he whispers.

You stammer a response that won't form and Morgan shoves you.

"Fucking move," she says.

His expression flickers.

"Sorry," you say, unsure of who you're talking to. "Sorry." You sound pathetic. A kicked puppy.

You keep your eyes on the floor until you're in the aisle, where a new set of nerves tries to swallow you whole.

—

Eddie knows exactly who you are, and he hates himself for it. He remembers you, the first you, shy and sweet and so excited, sitting pretty in Indianapolis International Airport with your guitar and your huge leaky headphones pounding death metal. While fame has broadened the amount of people who want to sleep with him, it hasn't changed his type, and you'd been a ringer, right there in the middle.

You'd been pretty and maybe you knew it, maybe you didn't, it didn't matter — what he liked most was the way your hands had moved as you spoke, hummingbird thrumming, an energy he'd seen in himself and every other musician desperate for a chance. He loved the passion and your eyelashes and the way you'd smiled as you'd waited for your plane, the two of you destined for New York, where you both seem to have looped back now. Only, he'd been cursed with remembering your every detail, and you either didn't remember him or don't care. Both sting, but he likes the second better. He'll take purposeful cruelty over the casual any day.

Like your thumb pressed to his cheek. The heat, and then your laugh.

"The fuck is this?" Gareth asks, leaning over the space between their two chairs.

Eddie looks up at you on stage and shrugs. While bands made up completely of women aren't new, they aren't as common as bands made up of men, obviously. He likes it, likes your sound, though it's not the kind of thing Corroded Coffin would ever play, and he won't join in on Gareth's doubt. Even if you are, like, a magnanimous shithead. You're good.

"She's hot," he furthers.

"Jesus, Gareth."

"What? She's fucking hot."

He has to squint to see you from this distance, and he can't truly make out many details. Gareth's not wrong. You're pretty, and out of the three members of the band you're the only one who actually looks like they're having a good time.

The lead singer trails around the stage pulling Blond Ambition poses. She can sing well, she has a strong voice that does whatever it is she bends it into, but her propensity to drop the guitar slung around her neck to grab at the microphone stand like it's escaping isn't helping anything.

The girl on drums is arguably given a pass, fighting to keep up with the pace, sweat sticking her thick hair to her neck in glossy spirals and her huge eyes set in concentration. Her messy lipstick sparkles under the stage lights, a party pink that pops against her brown skin.

He thinks you might be trying to cover up the lead singer's sloppy playing. You're good, sure, but it's not the easiest to tell when it's ragtag and rough like this. Only because he's watching does he notice your pick slipping between strings to the floor, and your willingness to strum with the sides of your fingertips. He likes that. The dedication is hot.

"I've never seen a girl on drums who didn't look like a guy," Gareth says. "She's killer. Think I can get her number?"

Eddie groans. "No, you fucking loser."

"I was just asking."

You bounce around and Eddie shifts in his seat, annoyed that he'd assumed you were the one Gareth was talking about.

He claps for you when the song is over and hates how you return to your seat during the break, back in your cute dress and beaming, practically dripping in deodorant and post-show adrenaline.

You apologise again as you step over him, and if there's one thing he doesn't want from you it's a sorry. Twice now you've spoken to him in the last week and twice you've made fun of him like some plaything under your thumb. Eddie isn't in the habit of being under anyone's anything. Apologies feel like salt in the wound, even though he knows you aren't saying sorry for the stuff that's pissing him off.

"What the fuck was that?" Lead girl asks you, sounding about as uptight as she looks as she climbs over your leg. "What were you doing?"

"Morgan, I don't know if you noticed, but you didn't play half of the song," you say defensively, the skirt of your gem-encrusted dress glancing off of his thigh. The gems are tiny, like pinprick stars in country night skies. They shine purple, green, orange.

Morgan holds her hand up for an attendant. When one approaches, she says, "Appletini," and nothing else, waving dismissively. She pulls at her stockings and doesn't notice the ladder she makes near the calf. "You're here to play what you're given."

"I did."

"And only that."

Your silence speaks volumes. What he'd thought to be an edge in Godless' sound may have been an improvisation, something Eddie personally applauds.

"Christ," Morgan says, "you're more trouble than you're worth. I hope you know that."

Eddie believes the sting of her barb to be in the presentation rather than the words themselves, though what she'd said is hardly kind. She looks away from you as she says it, like she's giving instruction far below her station. Factual, concise.

You barely wince. The lights dim, and he watches you contend with how you're feeling from the corner of his eye.

Eddie isn't evil. You may have gotten off on the wrong foot, and he's definitely holding his resentment at being forgotten tight to his chest, but nobody deserves to get shit on like that. You'd played well, you'd had a great time, and that should be commended. What's worse, your lack of a reaction tells him this is a common occurrence.

"I'm gonna go to the bathroom," you say.

Morgan waves you away like she had the waitress. You stand, and you say, "Excuse me," to every person you pass. Eddie put his hand on the back of his chair to follow you up toward the back of the room where the sign for the bathrooms glows green.

He sets his eyes back on the stage and begs himself to stay sitting. Corroded Coffin's nomination for best up and comer has already passed, a loss, and there's no reason he can't nip to the bathroom himself. There's also no reason he should go after you.

Fuck it, he thinks.

What could go wrong? What could go wrong, outside of the women's bathroom, where he has so obviously followed you, where he waits for you like some creeper trying to paw one off on you. He can't hear anything but the running tap. For a moment he thinks you haven't come here to collect yourself after all, you'd needed to pee, which makes his situation that much awkwarder.

Stuck between indecision, he leans against the wall between the women's and men's and digs for a cigarette. His pockets are empty, a precaution for exactly this moment. You can't smoke in the Prover Theatre, pissant.

You appear and blitz past him.

"Hey," he says before you can go too far, "d'you have a card?"

You turn on your heel. Hands already in your purse, you dig out an unopened box of cigarettes and offer it to him. You don't look as though you've been crying or anything like it, but you don't look him head on, so he keeps his theory.

Eddie peels the plastic off of your box and slaps the end against his chest for good measure.

"I don't think you can smoke in here," you say finally. Your voice is tired.

He raises his eyebrows and peers down into the box, pulling a cigarette free and sliding it between his lips. He holds out his hand for a lighter and you give it to him, already waiting with it between two fingers.

He lights it, inhales sharply, and passes you back your carton and lighter with a clouded, "Thanks."

"Yeah."

He's surprised when you don't move. You stand there and watch him smoke, whorls of pearly smoke dissecting the air between you, spider-webs over your pert face. You're waiting for what he doesn't know, so he'll give you something. He's nice.

"She's a piece of work."

You shift uneasily.

"I'm not the feds," he says, pulling the cig from his lips to talk unfettered.

"Forgive me for wondering if you have my best interests at heart."

He beams at you, really smiles, startled and enamoured by your sharp tongue. "Now why wouldn't I?"

You don't say anything, only pull at the neckline of your dress in what's likely a nervous habit. He gets a flash of the top of your chest and looks away. He thinks you're beautiful in a rather understated way, and he doesn't not want to see what it is you're showing, but he knows you don't actually mean to be so forward. He might be an asshole, but he's not like that.

It's quiet here in the foyer, like standing outside the doors of the movie theatre. You can hear the announcement of a new category, the roaring applause. The hallway and the bathrooms feel cordoned off from it in a strange way, an uncanny energy that has him on internal tenterhooks.

"You always let her treat you like that?"

"Like what?"

He steps toward you because the distance feels unnecessary. "Like that. Like you're a dog."

"Fuck you, I do not."

He pouts, the taste of smoke thick on his tongue.

"What would you know?" you ask.

"Besides hearing it all fucking night, nothing. You must like that shit."

Your eyes go wide. He hadn't meant to say it. There's a light behind them now, some life, something to cover up that shitty wounded despondency you'd been wearing. Your hands bunch in the soft skirt of your dress, shaking. He's touched a nerve.

"I must like it," you quote, strained.

"Woof. Do you do any tricks, or is it just the one?"

He doesn't mean for it to happen this way, he wants it on the record. He's a dick, he's a loser, whatever, he hadn't meant to argue but he will. And, you know, there may be a slight possibility that he isn't as sure in himself as he appears, and that there are nerves he keeps too close to the surface, too.

"You can teach me one of yours, if you want," you offer, voice tight with annoyance, "I'm thinking smug asshole picks easy target, but I'm open to other options."

That's funny. He takes another step toward you, another, your cigarette between his lips smouldering at the tip as he inhales through his smirk.

"Yeah, like what?" he asks, smoke licking your cheeks as he breathes out.

"How you get your head through the door might be a good place to start."

He waits for you to explain, knowing the silence will force you to fill it.

"You know, considering you're in the exact same place as me, only one of us performed tonight and it isn't the one acting like God's gift."

"You think they invited you to play because you're good?" he asks, feigning an earnest tone.

"I know exactly why they didn't ask you." You hike the strap of your purse higher up your shoulder, chin lifted in a snooty superiority that makes his heart pound. "Wannabe rookie who had too much smoke blown up his ass and thinks he's somebody. But you're not," you say. "You're a child. They've seen a hundred guys just like you in the Indiana circuit."

"You're a jumped up fucking groupie that got lucky," he says.

The light behind your eyes dims. He takes that last step, the step that's gonna put you shoe to shoe.

He should stop now, he would, but suddenly his anger is real, this isn't strictly fun anymore. He says what he knows is gonna hurt you.

"You're a stand-in, a temp who's already overstayed her welcome." He flicks the tower of ash between your heels. You follow it down, watch as it settles into the fibres of the carpeting. "You're a burnout waiting to happen."

Your breathing is loud in his ears. Slightly too fast.

"You don't know anything," you murmur.

"If it barks like a dog, and it heels like a dog," he says, pausing, words coming out thick and slow, "it's a dog."

Your face flares with hurt. You're gone before he can say anything else.

He's glad for it. Honestly, he's not sure what else he would've said, and later, he'll regret this, regret blowing up at you, regret following you out here and making you feel worse when he'd wanted the opposite. But tonight he's lit up from the inside out, your words a reverberation. A hundred guys just like you.

"Yeah, right," he says to himself, scoffing with a surety he doesn't feel.

—

Donington Park, England, August 1990

"I'd be a little more excited if I knew they weren't desperate this year," Jamison's saying, "that's all."

"They're hardly desperate."

"Last time they had KISS, Iron Maiden, Megadeth." Jamison sighs and falls back into the couch, muttering about the stale smell before continuing, "and this year, what do they have? Poison? Thunder? Who cares."

Eddie thinks he might actually have an opponent for biggest ego right now.

"You know they put Godless bigger on the poster," Jeff says with a bright smile.

"Can we not talk about them for one fucking day?" Eddie pleads.

He's a little disappointed at the lineup too, but that doesn't make this entire festival a bust. Monster of Rock may not be the most prestigious event they've ever attended but it's still impressive to be asked to play here, and this is only Corroded Coffin's third festival. Eddie's a smug bastard and even he knows Jamison sounds like a bitch. Besides that, he's so, so tired of talking about Godless.

"They finally stopped stringing that poor girl along. What was her name?" Jeff asks, clicking his fingers. "Eddie, you know, the one who said she didn't know you in the magazines?"

"What?" Eddie asked. "They cut her?"

Jamison sits up, eyes lit with mirth. "What's it matter to you, heartthrob?"

"It doesn't."

He's not being truthful. His bandmates are all unkind, and none extend the generosity of pretending they believe him.

"Nah, she's not cut, she's official. Writing credits on the new album and everything, 'cordin to Rolling Stone."

"You have it?" Eddie asks.

Jeff laughs at him but digs it out of his suitcase, brandishing it all rolled up.

"Shit better not be sticky," Eddie mutters under his breath.

"... Skip the interview with Kim Gordon."

Eddie gags and flicks through the pages until he finds the article on you, or rather the column.

"All female rock band Godless finally welcomed a new bass player this month after the departure of Millyanna Richardson in '89. Y/N L/N, 24, had been with the band for almost a year under a 'touring only' basis, though she performed live with remaining members Morgan Fletcher and Ananya Roy at the Prover Music Awards in early June. Fans have praised her talent and finesse, and are looking forward to her contributions to the band's next album expected this December. Hopefully she has thicker skin than her predecessor, who branded the band's inner politics as 'gruesome' and 'unlivable'."

There's a grainy photograph of you and your bandmates at the Prover Theatre overtop. You look exactly as you had that night, pretty and glitzy. He scowls at your printed face.

He can't fucking stand you, let it be known, and he thinks your frontman is the most spoilt brat he's ever seen. He hadn't seen the article, but he'd heard via word of mouth that you'd both had something to say about him. His approximation goes as follows:

Interviewer: …and you guys will be performing at the Monster of Rock music festival in England this August, right? Any faces you're excited to see?

Morgan: I think I'm better than everyone despite being in a mildly popular band that didn't qualify as hard rock until, like, three months ago, and I totally shit on our bass player for trying to make the change by the way, so I'm not excited to see anyone besides myself in the mirror.

Interviewer: How sophisticated and mature of you. And you, Y/N, are you excited to see anyone? Photos from the Prover Music Awards show you were sitting beside Corroded Coffin's Eddie Munson, did you two hit it off?

Y/N: Who was that, the guitarist? I'm so sorry, I don't really remember getting a chance to talk to him, but I'm excited for the opportunity to meet more people in the scene right now and to get to play for a new audience. Also I suck and I want Eddie sooooo bad.

"I wish I were asleep." Gareth squints at the ceiling. "Asleep or back home."

"Miss mommy?" Jamison asks him.

"And Cindy."

"Oh, god," Eddie groans, "I don't want to hear it, seriously."

"She always had smooth legs, you know?" Gareth says. "Always shiny, soft. Fuck, I miss her legs. Girls on the road never shave their legs."

"Do you shave your legs?" Eddie asks.

"Fuck off, Teddy, you know you like it better when they shave."

"Do I know that?" Eddie asks.

He turns to Jamison, giving him a much-used 'make him stop' expression. Eyebrows raised, lips parted. When Jamison says nothing, and Gareth starts to talk about hair removal in other places, Eddie scrubs his eyes with both hands and stands up.

He's a guy. He has guy thoughts. Yeah, he thinks about girls, and their legs, and everything else, but he also thinks about them as actual people, something Gareth hasn't quite grasped yet.

"Remember why Cindy said she didn't wanna come with you?" Eddie asks.

"Because she was jealous of my success."

Eddie snorts and shrugs on his jacket where he'd left it thrown over the ratty couch. "Because she was going to beauty school," Eddie corrects. "I'm going out."

"We're miles away from anything interesting," Jeff says, magazine crinkling in his hands.

"I'm sure I'll find something," he says, and doesn't add that it should be easy.

What counts as interesting has taken a sharp turn since arriving in Donington. Which isn't to say it's boring, exactly, there's a rich culture Eddie isn't familiar with, and a fucking castle, but he's so used to loud dives and backroom parties that this has been a stark change. Wending had said to think of it like a vacation to get his head screwed on tight. Paula had said to think of it like a punishment, which had been funny at the time. Now he's wondering if she was serious.

He knows there'd been a convenience store somewhere down the road from the hotel. Or rather, the bed and breakfast, a strange cottage situation where the hosts keep an eye on you under the guise of making your dinner. Eddie's first world problems continue.

He could get weed, possibly. He doesn't know where from, but he knows someone who knows someone who must know someone, right?

Then he starts debating with himself about if he should smoke just to escape boredom. That sounds like a terrible idea, life isn't even bad right now, he's just hungry, and—

Eddie turns the corner, wet sidewalk dark as pitch under his feet, and spots the back of your head as you disappear inside of the convenience store. The corner shop, as Wending had informed. Eddie doesn't understand because it isn't on a corner, but he has bigger fish to fry. He considers waiting for you to leave. What are the chances you'll walk back this way? Pretty likely.

Don't be a bitch, he tells himself.

Light rain spots his neck as he hurries inside, the bell above the door ringing to announce his entrance. He's confused as soon as he looks up, because in front of him is an aisle, and to either side is an aisle, and he can't make out where the cashier is. He takes a tentative step in, eyes tracking muddy footprints down the way to the drinks fridge humming loudly at the back of the room.

Claustrophobic, he makes his way through the aisle and stops in front of the drinks. Because luck isn't ever his friend, you're standing toward the leftmost part, where a second fridge hums, filled to bursting with canned beer and litre bottles of cider. Eddie isn't sure it's really you until you turn to the left slightly and reach out for a colourful glass bottle. He should walk away. He doesn't like you, he has no business watching you, but there's something so sweet about it.

You in the humming chill, a coat pulled tightly around you, your chin hidden by the multicolour of a yarn scarf. You turn the bottle in your hand delicately and blink slow as you read the ingredients. Your hair is frizzy from the wind, flyaways surrounding your face in a little wave. His fingers twitch.

You keep the bottle and pick up a second, nails clinking against glass. Your movement pulls like you're moving through jello, and Eddie turns to the fridge in front of him hurriedly.

He can feel your gaze on the side of his face.

He picks up a couple of drinks without thinking, his face burning with heat. When he chances a glance your way, you've moved. He stares at the rainbow of drinks and the gaps where you've taken what you wanted.

He leaves some time between your departure and follows the way you must've gone down an aisle of more alcohol that's unrefrigerated and pet food, wondering how they organise here, and is confronted with you again at the end.

It's a snug building. You're blocking the way past where you're standing in front of the cashier's desk, a plexiglass shielded cube decked out in hanging sweets and cigarettes.

"Do you have Newports?" you ask mildly.

"Sorry."

"That's okay, uh, I'll just take a carton of whatever you think is best?"

The cashier retrieves a light blue box of cigarettes. "Lambert and Butler blues," he says. "Total, sixteen fifty six, and I'll need to see some ID."

You pull your passport from an already opened purse and offer it to him. While the cashier's checking it over, you peek at Eddie, and you don't smile but you don't not smile, a formal quirk of the lips.

"You're American?" the cashier asks.

"I'm visiting for the festival," you say.

Apparently having passed his test, the cashier hands your passport back and accepts your card.

"Are you paying together?" he asks, nodding at Eddie.

Eddie grins unconsciously, worse when you say quickly, "Oh, no, we're not together."

"Your brevity wounds me," Eddie says.

You snort with a similar geniality. "You don't need me to pay for you, do you? I heard you're rich now."

There has been an improvement in Eddie's finances lately. Your album breaking into the Billboard top 100 does that.

"I thought you didn't know who I was?"

"I thought that was kinder than what I really would've said."

He hates how your snark makes him smile. You're not looking at him, waiting for your change with your eyes forward as the cashier clicks a couple of buttons on the till.

"What were you really gonna say?"

The cashier hands over your change. You slip it into your purse, put your purse in the pocket of your coat, and slide your hand through the weak blue handles of your plastic bag.

"Thank you," you say sincerely. You take a step like you're going to leave, but you pause, and you look Eddie in the eye and say, "I would've said you were mean."

His jaw drops. You look hurt, and you leave with a discomforting frown.

He puts the drinks he's carrying down on the cashier's desk and says, "I'll be right back," before following you out.

You've pulled your hood up to defend against the thickening rain, walking with your face angled down. Eddie beats along the wet pathway.

"Hey! Hey, wait, wait a second, princess."

"You can't be serious."

"I'm so serious," he says.

He weaves in front of you and stops. You look cold as he feels with his red-tipped nose and stiff fingers, your arms drawn together over your chest. You look pretty and he's so sick of thinking it and not saying it.

"You're hot when you're mad."

You glare at him. "I wish I could say the same."

"Hey, hey, okay, we had a spat, but we got off on the wrong foot, you know?"

"I thought that too," you say.

He smiles. "See, we're– you're fucking with me. Nice."

You start laughing, edging around him. He moves in front and you shrug, stepping off of the sidewalk and into the leaf litter clogging the gutter.

"Don't be stupid," he says, hands held up in surrender "get back on the sidewalk." You keep walking. "Come on, don't get hit by a car. That would really put a damper on the festival."

You take a step further into the road, the kind that would make a collision unavoidable. He checks both ways for cars and sees none, knowing you're fucking with him and hating it anyway. The two of you are locked into a stand off, grey skies above you and wet ground underneath, your face partially occluded by your scarf and your hood and the dribbling rain. If he listens, he can hear the small sounds of the festival preparations a half a mile away, guitars hooked up up an insane array of speakers and the pounding of a beat through the floor.

You start walking again. He follows, treading backwards to keep your attention.

"Seriously, come on."

"No."

"No?" he asks.

"No. I don't have to listen to you."

"You're being stupid."

"Eddie, I truly, honestly, don't care."

"Sure." The sound of tires on the road draws his eye. A car appears behind you, approaching fast. "It's your funeral."

"What do you get out of this?"

He bites his top lip, shaking his head from one side to the other. "Out of what?"

"Tormenting me."

"Tormenting you? Sweetheart, we hardly know each other."

"Exactly!" You almost trip over your own shoes. "Exactly, you don't know me, but you thought you could say all those things–"

"You started it."

You laugh again and Eddie would be pissed but the car is still coming, headlights beaming through the light downpour. He huffs and grabs your wrist, tugging you up onto the sidewalk with his second hand on your waist. He doesn't mean to rag you about, feeling especially apologetic when your face knocks into his chin. The car spins close and validates his concern. You have enough sense to realise what's happened, watching over your shoulder as the car beeps and whizzes past. Still, you yank your arm out of his.

"Don't touch me," you say quietly.

He dips his head to force you to meet his eyes. "Next time I'll let you get hit by a car. Great idea."

"I wasn't going to get hit by the fucking car."

You're infuriating.

Infuriating, and yet he feels bad for pulling you around. He lowers his voice, softens his tone. "Sorry," he says. "I don't know why this happens, everytime I see you, I…"

You look intensely uncomfortable. "I have one of those faces, I guess." You shrug away from his reach. "Try to play well tomorrow? I don't want to go on to a dead crowd."

His mouth snaps closed. "If you need me to warm them up for you, just say that."

—

You go to watch Eddie's set because you're awful. You want it to suck. You want Corroded Coffin to bomb it and you want it to be his fault, anything to wipe that pretty smile off of his face, smother the electricity of his bouncing steps as he bounds from one side of the stage to the other. He's entranced by the crowd — it's hard not to be. Ananya had told you on the plane that UK festival audiences are a different kind of enthusiastic, eager and loud, and it's obvious now that she was right, and that Corroded Coffin had more than a few loyalists in the sea of people.

The barrier bends under the force of it, thousands of warm bodies throwing themselves against one another despite the terrible weather, mud to the shins and sliding. You've never seen so many people happy to be covered in dirt.

Neither Morgan nor Ananya had wanted to join you so you stick to the shadows with your lanyard pass. You refuse to think about why you've dressed the way you have, a black, stiff corset type top to cinch your chest, exposing the soft hills of your breasts, and the flare pants Morgan had insisted make your thighs acceptable. You're bedecked in pretty jewellery and your hair looks perfect, and it's all for your show, you swear, all for your set straight after his.

Eddie's dripping with sweat and rain at this point, darker curls wet and slick and sweet around his face. His brows are furrowed like he's in pain, and his thumb has split on the strings, blood like cherry juice running down the body of his guitar, a Warlock NJ Series electric with a red and black tortoise shell design. It shines like mother-of-pearl.

You're impressed by him, and worse, there's a heat stirring in your abdomen you despise. He's attractive, you've always thought him pretty, but on stage he's something else entirely. The passion transforms him, makes him a different person. No trace of agitating smugness about him.

And he's good. You're not a critic, an expert, and your opinion hardly matters, but if he's this good now you'd love to see him at Hammet's age, at Hanneman's. He could be one of the greats.

You're riddled with jealousy. Bass and rhythm guitar are not the same, and they're comparable in some ways, incomparable in others, but you know you're not like he is. You want to be the next Entwistle, the next Ian Hill, but practising You've Got Another Thing Comin' until your fingers bleed is never going to give you what Eddie plainly has.

You hide your bandaid covered fingers in your back pockets and shake your head. You can pinpoint the moment Eddie notices you on the side stage despite the small audience they've attained. His neck snaps to the side, and his eyes bore into yours for a split-second.

You could pretend you aren't here. If he ever calls you out on it, you could lie. You want me so bad you're seeing me places, Munson.

You don't do that.

You wave.

You've never been the prettiest girl. You know you aren't model material, people aren't shy about letting you know that, and so, you're practised in the art of quiet flirtation. Your wrist straight, you wiggle your fingers sweetly, a face of fresh make up and your sweetest smile, like he's a guy across the bar and you're trying to get a ride in his passenger seat.

For a split-second you adore him. It's the meanest thing you can do.

You aren't expecting him to fuck up. His hand slips down the neck and that's it, one missed second of sound. He throws himself back into it and doesn't look your way again, a storm of emotions clouding his handsome face.

Not what you'd meant to do, and yet. There's a cruel satisfaction in knowing you'd had any sort of power over him.

There's a ten minute gap between sets, twenty because of the shitty weather. Morgan and Ananya are nowhere to be seen as Corroded Coffin pour off of the stage and down the short stairwell where you're waiting, picking at your clear nail polish absentminded. You don't look up, and the resulting quiet makes you think they've all left.

A wooden board creaks.

You look up.

"Hey, you–"

Eddie takes your shoulder into his warm, big hand and pushes you back. You wobble and rush to correct your posture, hand clamping around the crook of his elbow. Even though he's soaked through, wet to the skin, his hand is a blistering heat.

Your shoulders collide with the wall under the stairwell. It's a snug fit, dark and out of view.

"What gives?" you seethe, pushing at his chest.

"You fucking–" Eddie tucks a lock of wet hair behind his ear, and his hand stays at that height, hovering between you. "What's wrong with you?"

"What's wrong with me?"

"You want to mess with me, is that it?"

His hand takes to your face, index finger following the line of your cheek, his thumb along your jaw. He isn't kind. He isn't cruel. He's touching you, just touching you, and your mouth is bone dry at the sensation, the stuttering beat of your heart.

"I don't want to do anything to you, Munson."

"We both know that's not true." You've never heard his voice like this. It's scratchy– pleading. It's a desperation.

He's breathing hard. Your proximity means you feel each one as it comes, heat fanning over your lips. You look to his, find them parted, the barest hint of pearly teeth between pink dewy skin. They look soft.

You lift your chin.

I dare you.

His hand slides down. He presses his thumb into your bottom lip and inclines his head. You close your eyes, fine stands of his hair drawing lines of wetness against your face as he boxes you in.

"Are you going to–"

"Shut up," he says, crushing his lips to yours.

It his nose you feel more than anything, the force of it as he moves in, bridge sliding down your own. His hands, and how they tighten, fisted in the slope of your shoulder and clutching at the underside of your jaw like you might slip away. His touch brings you in, his hips force you back, wedging your spine tight to the panelled wall behind you.

You let him kiss you, let his lips work over yours, let him take what it is he wants. Your fingers slide softly up the chilled leather of his jacket, coveting the wet mess of his hair. You weave your fingers into it, their tips pressed to his roots, and pull him away.

You steal the gap between you and try to take control. You don't know how to kiss like he is, you don't know where all that meanness comes from. You force his hand from your face and nip at his bottom lip, imprecise, stammering pecks that reveal too much.

Eddie inhales hard, pulls the breath from your mouth.

"Don't play games," he says.

He presses a firm, hard kiss all lopsided into your lips and pulls away, yanking your hand from his hair and setting it against the line of his waist.

"You like games," you argue.

He tilts your head to one side a millimetre at a time, tilting his own to follow you. A teasing light burns behind his eyes, a playful flare of his lashes that worries and excites at once.

His thumb haunts the column of your throat, pressing, releasing, pressing again. Never enough to hurt.

"Stay still."

You stay still. You aren't expecting him to weave the other way, the hot and unapologetic scratch of his teeth against your pulse. You laugh at the feeling, find it gets all clogged up when he starts to bite. The hand that isn't anchoring your head roams down your shoulder, your back, falling into the small of it as though it were made to be there. His fingers spread and pull and your pelvis pushes hard into his own.

"Is that a–" You cough on your murmuring, chastened by his thumb outside your windpipe. "S'that a micronta quartz in your pocket, or are you just," —you hiss as his hickeying turns brutal, hand pawing ar his waist uselessly— "happy– Happy to see me?"

Your shuddering makes him smile. He lets your bruised skin slip from between his lips only to scandalise you further, kissing and nipping, licking a humiliating stretch until he's under your ear, speaking into it.

"I'm never happy to see you," he murmurs, hand turned, the back of his index knuckle stroking a tender back and forth. His forehead kisses your temple. "You should know that by now."

A picture of composure but you know what you feel. You roll your hips to revel in his subtle groan.

"You want me to mark up the other side?" he asks.

His question sounds so genuine, you almost say yes. He laughs at your silence and kisses wherever he can reach, crescent moons, spit-damp and branding.

He pauses to speak into the corner of your mouth. "Mess me up again during a set and I won't be this nice."

"You're not nice," you say, lashes skimming the skin under your brows as he stands at full height, widening the gap between you to a safe distance again.

"Exactly…" Eddie squeezes your cheek until it aches. His eyes are unreadable. "Have a good set, sweetheart."

Unreadable turns smug. He pats your panging cheek, gaze dancing over the sore stretch of your neck, and turns without a second glance.

You press the heel of your palm to the cold wall behind you and blink. Once. Twice. In that moment you hate him more than you've ever hated him, hate him like you've never hated anyone, because his retreating figure is unaffected, and you're dizzy with the lingering press of his lips.

You have to hand it to him. He's good at the game.

You'll have to be better.

𓆩❤︎𓆪

I wrote the bulk of this really quickly so please forgive any major errors I missed during editing, I’ll go back again in future and make more corrections! Thank you so much for reading, I hope you enjoyed, and if you did please consider reblogging or telling me what you thought, I promise it makes a big difference <3 I was super nervous about this one and I still am lol

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