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ordinaryschmuck · 2 years

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Salutations random people on the internet who are already scrolling past this! I am an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons!

Now that Black Panther: Wakanda Forever has closed out Phase Four, I figured it's time to finally do something I haven't done yet: Discuss the movies in Phase Four. I shared my thoughts on the shows, reviewing them each week quickly but methodically. As for the films, I wanted to talk about them...but never got around to it.

You call it laziness. I call it an unsurety of how to tackle reviewing these movies.

But now, I've decided just how to do it: Share some quick thoughts on how I feel about each film! And before you say anything, this isn't a ranking. I'm going in order from Black Widow to Wakanda Forever, waiting for another day to rank all of Phase Four from worst to best (maybe after my Pixar worst-to-best ranking). And another thing of note? There are only three movies where I've seen it more than once. The rest are based on initial thoughts I vaguely remember from my first viewing. This means that you should take what I say here with a grain of salt, as, odds are, the feelings I have towards these movies will change in the future if and when I rewatch them.

With that said, here are some quick-ish thoughts on the movies of Phase Four:

Black Widow-I forgot I saw Black Widow the day I watched it...That alone should tell you how I feel about it. But for those in the back, this movie is pretty dull. I do like some things. For instance, the family is a ton of fun (even though I'm hearing Spy X Family does the idea better). They have great chemistry with Natasha and each other, and Yelena steals the show as a little sister type of character who can just so happen to snap your neck with very little ease. I particularly love her dynamic with Natasha, with Yelena thinking like an assassin in dealing with a threat and Natasha thinking like an Avenger in not wanting to hurt anybody in the crossfire. It's a lot of fun to watch, and not enough people talk about it.

As for Taskmaster...I heard people hate how they're treated, but I don't know. I wasn't too bothered by them. It works within the story's context, and Taskmaster is pretty cool with their design and fighting style. It's fun watching them fight and picking up which Avenger they pick their moves from. That's what we call "visual storytelling." And if you hate this one version of the character that doesn't erase the other's existence, at least this Taskmaster still has the most essential feature of a superhero or villain: The powers. You can change whatever you want, but the superpowers are what we remember these characters by. Case in point: Why do you think people got upset about Ms. Marvel's powers changing in her TV show?

But that's just the stuff that makes Black Widow semi-enjoyable. What makes it dull? Well, the action is hit-or-miss, and too much of the story is about Natasha reluctantly organizing a family reunion than actually fighting the bad guy. And it's worth it with her family being so much fun, as I've said, but they might be too much fun because the most uninteresting character in Black Widow might be Black Widow. She's still entertaining...sometimes. The problem is that if this is meant to be a proper send-off to her character, the movie fails in that regard if I'm left wanting to see more of her sister than of her. I mean, I guess it's kind of a win with Yelena being a possible new Black Widow, but again, this movie shouldn't be about her. It should be the character that dozens loved to the point where they've been begging for a Black Widow since Iron Man 2. And they got it...but I think it's safe to say it's not what people have been hoping for.

Shang-Chi and the Legend of the Ten Rings-Quite possibly the most coherent movie of all of Phase Four. I'll leave it to you to decide if that's a good thing...Wait, no, screw that. This movie's amazing!

I honestly don't get why people overlook this one. Sure, the third act blows, some jokes miss more than they hit, and there are some leaps of logic regarding a character despite them being a pretty hilarious callback. With that said, despite its problems, Shang-Chi and the Legend of the Ten Rings is still one of the best films of Phase Four. It might be pushing it to say it's one of the best of the MCU as a whole, but it's still pretty great, in my opinion. Shang-Chi is a decent lead who has potential as a new face in this universe. His platonic friendship with Katy is cute, and I'm glad they're pushing this more as a friendship, as you don't really get many platonic relationships between men and women in stories. Xu Wenwu is a great villain with an understandable motive that also makes up for Marvel's mishandling of the Mandarin in Iron Man 3. And the action is downright amazing, having some of the most intense and fast-paced fighting in all of the MCU. That last part is also why the third act falls short, as it's another CGI battle when a personal, hand-to-hand combat between actual humans would have been more effective. Still, there's nothing that bad that ruins this movie for me. It's preferable if a story sticks the landing, but if I still had fun most of the time before things went south, I'd still say that's a win.

Eternals-Hey, look! It's the actual worst movie of Phase Four.

Ok...I want to like Eternals. Because, despite the problems, there are some cases where I could see how this could be something phenomenal. Eternals presents a lot of intriguing ideas, a lot of them based on control. Primarily with this question: Should deities, with the powers to do so many things, be allowed to change humanity, even if it would save their lives? That's a question that gets brought up a lot throughout this movie, and it honestly left me thinking about it a little bit. And while the CGI is...not great, Eternals makes up for it with Arishem. You can FEEL the size of this character, and it's just as breathtaking whether it's on the big screen or on your laptop. Trust me, I know.

But those are the only positives, and the negatives highly outweigh them. For instance, this is too big of a story that's shoved into too small of a movie. Two hours and thirty-seven minutes is not enough time to do everything that Eternals sets out to accomplish. You feel that the most when it comes to the characters, as most of them and their relationships feel underdeveloped by the movie's end. When some characters...leave, you don't feel the impact because you barely got to know them. And when characters reunite, it's just as empty because there's hardly an idea of how close they were. To help fill in the gaps, Eternals is forced to cut away from the main story and deliver flashbacks. This sounds like it helps, but it either doesn't provide enough information or provides information that comes much too late. As is, it feels like a movie that should have been split into two, showing us the history the Eternals lived through and their growing bond over generations with one movie and then showing them save the world in the second. I mean, with the quantity over quality motto that Marvel is going through as of late, you'd think they'd be ok showing two movies, one after the other, to make more money. Because while there are small moments that make Eternals worth a watch, this is evidently a film that had the message and ideas first and considered the plot and characters second. Trust me when I say that many people will say that's a poor move for screenwriting.

Spider-Man: No Way Home-Here it is! My favorite movie of Phase Four.

Is it nothing more than fan-pandering for two-in-a-half hours? Yes. Absolutely. But that's not a problem because Spider-Man: No Way Home is fan-pandering done correctly. And for two reasons.

Reason Number One: It's evident that this movie is about honoring the legacy of Spider-Man through his history of films. It brings together the previous two live-action adaptations in a story that's pretty similar to the actual best Spider-Man movie, Spider-Man: Into the Spiderverse, in a way that it has to be a homage.

"It's not a homage."

Well, screw you. I'm saying it's a homage anyway. Because of... the death of the author...and all that other...junk...

...Reason #2!

Despite the fan-pandering, Spider-Man: No Way Home still utilizes it to tell a good story that develops the MCU's Peter Parker. Yeah, it's him fighting other Spider-Mans' (Spider-Men?) versions of his iconic villains, but those same villains present conflict and changes that are key to this Peter Parker. He's never faced anyone who's gone crazy because of science. Just men who went too far with their greed. Y'know. Like actual Spider-Man villains from the comics.

Having him deal with people who clearly need help, both from their physical and mental anguish, forces Peter to be the most empathetic he's ever been, despite it leading to some of the most painful and worst luck he's ever experienced. Then when he meets other characters (you know who), ones who share that pain and the burden Peter faces, they help him through it and steer him away from a darker path. And on top of that, the movie also develops those characters' stories and provides some quality writing through bad decisions made in worse movies. All of this through a film that's non-stop pandering for two-in-a-half hours.

Is it perfect? Hell no. You can nitpick the story to shreds, and the CGI is pretty hit or miss most of the time. Mostly miss. But, also...f**king--When has an MCU movie ever been perfect?! Don't bring up that one example! You know it's not true!

But even though Spider-Man: No Way Home isn't perfect, it's still a ton of fun and brings out some of the best moments in Spider-Man's movie history. It makes me feel like I can't really complain about the issues when I'm satisfied with the results. And not only is that what makes it my favorite Phase Four movie, but possibly the best live-action Spider-Man movie.

(Note that I said live-action. Spiderverse is still the best. Without a doubt)

Doctor Strange in the Multiverse of Madness-To address the elephant in the room, I will concede in saying Everything Everywhere All At Once is a better multiverse movie than Doctor Strange in the Multiverse of Madness. Granted, I haven't seen it because I save my money for Marvel movies like a dumbass, but I will concede based on everything I've heard from fans who loved it. With that said, Doctor Strange in the Multiverse of Madness is still fun.

It has its fair complaints, don't get me wrong. Ms. America is basically an over-glorified plot device than an actual character, and how she masters her powers is not earned in the slightest. And the villain...Ok, while it's fun to see what's basically a horror movie monster with superpowers act as the movie's main villain, it could have been integrated a lot better. Or maybe not? I don't know. I've been thinking a lot about them and how maybe they're not as awfully written as people think, but that's too long of a conversation for this, so I'll save it for another time. I'll only say I get it when people find it hard to believe how far this villain has fallen, for now.

As for what I love, there are two big things about Doctor Strange in the Multiverse of Madness that makes this an enjoyable time. First of all, there's Doctor Strange himself. People say that the writers sacrificed his character development so Ms. America could be more impressive, and that's...not true. It couldn't be farther from the truth. This movie is about him understanding to not take control of every little situation or making the monumental sacrifice and instead having him learn to have faith in others, not just himself. And he realizes this by seeing how other versions of himself either died or became corrupted due to this arrogance of thinking he can fix everything when that only caused more damage. It's genuinely great stuff, and I honestly don't understand where people are coming from when complaining about how he doesn't develop.

Another thing that makes this movie fun is Sam Raimi. His fingerprints aren't on every scene, but when they allow him to go ham, it is a blast to see. He even tries his best to make this a Marvel horror movie, and while it doesn't work most of the time, there are some semi-spooky stuff and some pretty brutal kills by Marvel's standards. Seriously, I thought Kingpin smashing a guy's head in with a car door was the most gruesome thing to happen in the MCU. Here? Well, let's say it's mindblowing.

Doctor Strange in the Multiverse of Madness could have been a better movie. I will admit to that. But if I came out of the theater feeling like I had a great time watching it and still enjoy it on future rewatches, I don't think that automatically makes it bad. Maybe it's a guilty pleasure or not as awful as some people will claim it is. Either way, I still had fun.

Thor: Love and Thunder-...I mean...I thought it was funny.

Yeah, the reaction you have toward this movie is whether or not you think it's funny. I came to that conclusion when it came to the film's final battle, thinking that if a person doesn't find the absurdity of what's happening now funny, this movie isn't for them.

"Comedy's fine if it doesn't ruin the moment!"

Now, that's a fair complaint. There were moments when I felt like the jokes overstayed their welcome, and it would have been better if Thor: Love and Thunder took itself just a bit more seriously. That might be a problem with Taika Waititi's style because while I loved Thor: Ragnorok as much as the next Marvel nerd, even there, I felt like it could have taken the destruction of Asgard with a bit more groundedness and a little less humor during certain scenes. Here, it's elevated to the nth degree, and I can see why that can bother some people. Now, it wouldn't spoil every moment. Thor making light of how he broke a vending machine is clear that he's trying to make a situation a lot less dreadful. That's a scene where the humor still works, even if it is meant to be taken seriously. However, it doesn't change how the tone can be inconsistent regarding the villain.

Despite how many people say otherwise, Gorr is a great villain. I'll admit he's underutilized, but to say Gorr's awful because of how drastically different he is from the original character in the comics is wrong to me. Gorr's motivation is beyond understandable, and he's genuinely spine-chilling at times. He's easily one of Marvel's darkest villains, but that adds to the problem with the humor. To have such a dark villain be wasted on such a goofy comedy is...frustrating. The tone doesn't match the villain, and it causes the whole thing to feel like a mess.

But, like...I still find it funny.

Yeah, this one's more of a guilty pleasure for me. I think it's funny, and I love the villain, but I don't blame people for hating this one. If they want Thor to be more serious than goofy next time, I won't blame them.

Black Panther: Wakanda Forever-SPOILER-FREE REVIEW! Let me specify that again: This is a SPOILER-FREE REVIEW fresh off my first viewing of the movie. And what a f**king emotional powerhouse!

This is the first movie of Phase Four where it felt like I was being treated as an adult. There are still the same old goofy jokes, but they're nowhere near as frequent as past movies and never felt like it ruins the moment. This was the first time in a while that the central hook of the film was its drama, and it worked every minute, keeping me engaged from beginning to end. It also works well with Shuri. You can feel that she's not herself anymore thanks to T'Challa's death, which is present throughout most of the movie. And it makes a decent connection between her and another character, who I will not name for the sake of spoilers.

Speaking of the characters, everyone is in top form...Except for maybe Ironheart. She's kind of annoying at times. But Namor? Sweet, Mother of Neptune, NAMOR! They did a great job making him his own intriguing character while still honoring his roots in the comics. They don't even make fun of his winged feet! That absurdity was served to them on a silver platter, and no one took it! And it's a good thing, too, because he's easily the best character in the movie for being written well while never taking too much away from the high emotions of Shuri and the satisfying build-up of the new Black Panther. Go watch it if you haven't already. Trust me, it's easily the best movie of Phase Four.

And I'm glad Phase Four went out on a high note. There were a lot of fun moments, but the highs weren't as frequent as the lows this time around. I'm confident things will get better, as Phase Five already promises a cool movie with Ant-Man and the Wasp: Quantumania and an eighten episode long season of Daredevil: Born Again. I'm already looking forward to what comes next, even if a lot of people are falling out of love with the MCU.

#marvel cinematic universe #mcu reviews #black widow #shang chi and the legend of the ten rings #eternals #spider man no way home #doctor strange in the multiverse of madness #thor love and thunder #black panther wakanda forever

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chemicalarospec · 2 years

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rewatched Wings of Desire/Wings Over Berlin with my family. thoughts: (spoilerfull! this movie is from 1987 though)

(Okay apparently the literal German is not “Wings Over Berlin” but “The Heavens Over Berlin“. what. man. okay.)

Gayness: not a lot. they are in Germany though. I headcanon two girls in the background of one scene as lesbians. (only including this because I think I saw someone call it a vaguely gay movie. ig Cassiel could be read that way? but overall, nah. As someone very well versed in many types of queer-coding, not where the movie aims for or lands.)

Women: okay. Lead woman is written very well but the romance is.... eh. very weird from her POV. And, related, the last four minutes are basically male lead talking about sex in metaphor, after she talked about sex in metaphor before that, and just like. I don’t give a damn.

Cassiel: Didn’t know he had a name. Don’t think the other guy has a name??? Similar to “Castiel” KekW

Berlin Library: GOES OFF!!!! Probably remodeled since then but if when I go around Europe I will be sure to visit.

Credits: Forgot it was this movie but lol baller. smth along the lines of “The Dying Man, A Sad Man, The Suicide, Female Prostitute”. (honestly still not sure who the last one was???)

Nick Cave: and the Bad Seeds. Rocks ‘n rolls but honestly the other guy (Simon Bonney) really just went for it more. And his backup band had more style, or at least there was more shots of them.

The Berlin Wall: it’s there. Feels worth mentioning. no politics in the movie, but a little bit from the woman (French in origin) about being countryless. As we know, Berlin is the heart of the movie.

The sequel: sucks balls apparently. my dad misremembered what goes on in it but it still sucks balls apparently.

Neil Gaiman: Idk I just wanted to throw his name on this wall. His aesthetic seems vaguely similar to this movie. Especially the two concert scenes, remind me a bit of Sandman, in a way, style, you know. Honestly I think it’s just because his name begins with ‘N’.

People’s Thoughts: Okay I know it’s like. A big part of the movie. But I vaguely feel like the first time I watched I didn’t realize the angels were hearing people’s thought until my dad/the other kids mentioned it? (So maybe not even until the post-movie discussion.)

When the Child was a Child monologue thing: at first it’s just repeated but the evolution of it when Male Lead becomes human is pretty cool. Ig the analysis of it could be along the lines of now he understands how life has everyday joy, throughout life, past childhood, and we all can keep that. idk.

Old Man: SADDEST PART!!! (Does not die. But blatantly dying.) (actually the suicide was sadder obviously. Cassiel’s “NEIN” is the most emotion out of any angel dialouge in the movie. I mean Male Lead can get pretty happy but yeah that scream hits hard.)

Wing imagery: gets a bit overdone at a point but not too bad. My favourite example is a shot of a pair of stone wings and Cassiel walks in and you KNOW it’s gonna line up but then it cuts away the second it does so it doesn’t get corny.

That Notebook/Report Thing at the Beginning: I think they should have done it again, to like establish that was their routine. idk it’s one of those things the movie throws up and then doesn’t really elaborate on or even catch. You do see the angels going around Witnessing after though, so I suppose that takes the place of another Human Report.

Honestly. The romance bit straddling the border between artful and taking away from the city/people profile kind of explains why the sequel sucks -- director affinity for. loser movie plots or whatever. One part from the beginning I’m remembering now is the teenager(?) who “only has music” and wants to play the drums and stuff. See that first half of the movie was super atmospheric. Actually a bit similar to Waking Life, I suppose. Anyways yeah go off!! Aesthetics/motifs rock. Trapeze woman and Peter Falk (oh yeah Peter Falk’s here) don’t suck but like. the no-plot was good too.

edit: forgot to mention that Mikhail Gorbachev, yes, THAT Mikhail Gorbachev, is in the sequel.

#unqualifiedmediareviews #<-- not reallly a proper review but that's essentially my post-movie thoughts tag now #movies #classic movies #wings of desire #I said this #suicide mention #ig that's it. won't bother to tag niel gaiman and i don't have an angels tag but that'd be cool to make

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lynkhart · 3 years

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MAJOR spoilers for the C2 finale of Critical Role so read at your own risk of you haven’t caught up!

I have so many feelings regarding Caleb and Essek’s intertwining character arcs I needed to explore, so strap in folks, you’re in for a bit of a ride! (But seriously though, this is like 4000 words long, I basically wrote an essay 😂)

At the start of the campaign, Caleb Widogast was dripping in guilt and self loathing and refused to believe he could ever absolve himself of his sins. Essek Thelyss was a cold, aloof individual who betrayed his people for selfish goals, and their differing yet mirrored narratives have been an absolute delight to watch unfold.

In the beginning Caleb truly hated himself. He shot down any attempt at a compliment, described himself as a ‘disgusting person’, outright rejected the idea that he was worthy of love, and never let the blame shift from him for what he’d done. When Beauregard and Veth/Nott pointed out that he was coerced and manipulated into killing his parents, he reacts in an incredibly visceral way, and I’ve seen several comments likening it to a victim of child abuse who was groomed into believing they were as responsible as their abuser, and I think that’s exactly how it was meant to be read. He doesn’t see himself as a victim, only a murderer, and punishes himself for it every day. We see this in the way he presents himself, dirty and unkempt because in his mind he doesn’t deserve to feel good about himself in any way. Other than Nott/Veth and Beau to a certain degree, he purposefully isolates himself from the rest of the group and it’s a long time until he feels relaxed enough in their company to drop his defences a little.

(Speaking from a purely meta point of view, Liam did an absolutely phenomenal job of showing this through body language and I’d love to see someone do a compilation video of it. He starts off very hunched and guarded, leaning his body away from the closest person to him and avoiding eye contact and physical touch; but by the end stands tall and sure of himself.)

Early on there were a few moments where he had the option to do some pretty dark shit, and I’m sure there’s a possible timeline where he gave into his desire for revenge and really lost his way, but I’m glad he stuck it out and worked through his trauma in the way he did. His PTSD and disassociation when casting with fire was tragic, but over time he was able to work through it thanks to the constant love and support of his friends who kept him from going off at the deep end.

Molly’s death was the catalyst for change in a lot of the party, and Caleb is no exception. On the verge of leaving the group prior to his death, the grief they shared, combined with their frantic attempt to rescue the other half of their party put things in perspective and gradually he learned how to be a person again, to care.

Altering time to save his family had been Caleb’s only goal in life, and so when Essek and by extension, dunamancy was introduced, you could see his eyes light up at the possibilities.

A huge turning point for him is aligned so closely with Essek’s redemption arc which feels quite apt I think. When Essek confesses to his crimes, Caleb delivers a beautifully iconic piece of dialogue where he acknowledges their similarities and how much he himself has changed as a person since meeting the Mighty Nein. (Source - CR wiki)

‘You listen to me. I know what you are talking about. I know. And the difference between you and I is thinner than a razor. I know what it means to have other people complicate your desires and wishes. And I was like you. Was. I know what a fool I have been for years. You didn't account for us. Good. That is life. Shit hits you sideways in life and no one is prepared. No one is ready. These people changed me. These people can change you. You were not born with venom in your veins. You learned it. You learned it. You have a rare opportunity here, Thelyss. One chance to save yourself, and we are offering it.’

This is not the same Caleb we met back in the Nestled Nook inn way back in the first episode. While not yet fulfilled or entirely convinced of his own worth, he knows he’s on the right path. That alone is progress enough, but that he uses his own experiences to help another escape those same chains of guilt says such a lot for his development. When he tells Essek that his ‘venom’ was learned, he’s also talking about himself and his own history of being manipulated and gaslit, with the implication being that it can be un-learned just as efficiently.

Caleb Widogast is selfish no more, or at the very least, doesn’t let his goals undermine anyone else’s anymore. Contrary to what he himself might still think, he is in no way a bad person. He loves fiercely and cannot abide seeing those he cares about in pain.

Early game Essek is what Caleb could have been if he’d rejected his friends and focused solely on his own selfish goal to undo his mistakes. Both are impassive at first and see the Mighty Nein as means to an end...until they get to know them and then their fate is sealed. The Power of Friendship wins once again!

At the beginning Caleb said he wanted to ‘bend reality to my will’ (sic) and in the end he does just that, though not in the way he originally intended. Destroying the T-Dock, and by extension the one thing he’d been building towards from the start, the chance to go back and change time, for me personally was the absolute peak of his journey. I rewatched the scene where Caleb revealed the truth about his parents death today, and it was really jarring to see just how far he’d come since then. It made me oddly proud actually.

I always felt like his plan to save his parents was the one thing holding him back from truly accepting their deaths, which is why the final scene of him in the cemetery with the letters for them hit so hard. He never truly gave up hope that they’d be reunited, but ultimately he realised he was merely postponing the inevitable and never allowing himself to live his own life. While time travel shenanigans would have been incredibly interesting to explore in game, choosing to let the past lie and not go back for them finally allows him to grieve and move on, and perhaps most importantly of all, to forgive himself at last.

I know some people were annoyed by Caleb’s decision in the finale to spend the rest of his life teaching rather than continuing to adventure, but I see it as the natural conclusion to his whole arc and his own personal victory.

He looked Trent Ikithon in the eyes, a man who he’d spent years wanting to kill and run from in equal measure, stripped him of his power and his voice (and ultimately his ability to harm anyone else) and finally spared his life so he had to live with the indignity of his defeat for the rest of his miserable existence. You couldn’t have asked for a more damning rejection of everything he’d been brainwashed into believing as a child. His dismissal of Trent’s position in the Assembly played into that as well. He never really wanted power for the sake of it; he had no desire for politics, he just wanted his family back, and while he didn’t get the one he started with, he made a new one for himself in the end.

As Caduceus once very wisely said:

‘Pain doesn’t make people; it's love that makes people. The pain is inconsequential; it's love that saves them.’

Caleb gets to break the cycle of abuse and teach a new generation of mages the way he should have been, with kindness and respect, and I’m pretty sure he’d have introduced a handsome drow as a guest lecturer from time to time. 😉

Speaking of...

Essek described himself as selfish and as a coward, forever putting his own wants and desires first, yet over the course of his journey with the Nein we see his priorities change drastically.

Having friends gives him people to care about, something he’s never had before, and it changes his outlook on life completely. For me, the first time we really see this is when he joins them for dinner in the Xorhaus and stops levitating. It’s a subtle thing, but meaningful. He explains that it had become an expectation of him, a quirk he’s known for, and so to feel comfortable enough around the Nein to drop that pretence is quite bold I think.

Much later, when he chooses to destroy the mini beacon they discover in Aeor in order to give everyone a long rest before the final confrontation with Lucian, he’s essentially giving up everything he betrayed his people for, just to keep his friends safe. The existence and context of that single artefact could have had an earthshattering impact on the Dynasty’s entire culture, forcing them to reevaluate their entire belief system and attitude to the Luxon, something he’d wanted from the start, something he helped start a war for, but he offered it up as a sacrifice without a second thought.

I’d say that’s a pretty big morality shift, and I’m super interested to see if Matt reveals if his alignment changed in the post campaign Q&A. I have a feeling he set him up as a potential BBEG but the party was like ‘no, you can’t have him, he’s ours now’ and that was the end of that. 😂

I think it says so much about the other characters too, that they befriended this person they barely knew, and when he was revealed to have done such terrible things, their first reaction was to give him comfort and an opportunity to atone. Jester held his hand while he confessed, and afterwards, while they didn’t immediately forgive him, they saw the good in him and wanted him to be better, which ultimately feels like what the entire campaign was about, leaving places (and people) better than they found them. It’s obvious that he’s never really had many friends before and has therefore never had the opportunity to be emotionally open with anyone, so seeing him gradually warm up to the Nein and allow himself to soften around them was really lovely to watch.

(Obviously, from a realistic moral perspective, he still fucked up big time. He’s still a godsdamned war criminal and really should have been put on trial for what he did, but I think from a narrative and personal point of view, his redemption arc was far more satisfying, so I’m glad it happened the way it did. (And not to derail but the rest of the gang have done some pretty horrific stuff as well, though perhaps not quite on the same scale)

He has a few moments towards the end that I absolutely love because they show that beneath the guilt and anguish, there’s an incredibly sweet and sensitive soul in there, just wanting acceptance. His dry jokes which often don’t quite hit, (the ‘I will punish the bakery’ line is such an under-appreciated one 😂) his simple joy at learning to garden in the Blooming Grove, and realising that he’d never been asked what his favourite food was before was actually kind of heartbreaking, because it highlighted how lonely his life must have been until that time. There was a moment pretty early on I think when he cast disguise on the party and Jester asked if he could cast it again to change the look of her outfit a bit and while he seemed to find it amusing, he refused, not wanting to waste a spell on such a frivolous request. Cut to their time in Aeor where he burns a fly spell just so he and Caleb can flirtatiously swoop around each other for a couple of minutes, all the while trying to beat Lucian to the city.

His breakdown when Molly’s resurrection failed really cemented to me how much he’d grown as a character. He never met Molly, his only knowledge of him was secondhand, through the eyes of his friends, but seeing it fail just broke him because he knew how much it hurt them to go through it all over again.

His comment to Caleb about not admitting defeat and wishing he could do more did get me wondering at the time if he was going to try and do something crazy, perhaps sacrificing himself via the Temporal Dock to make amends or somehow forcing another reroll, but I’m glad he didn’t. The conversation following that with Fjord was one of my favourites- he shows him acceptance and belief in his potential for the future, something he’s lacked for a long time, and when Caleb bluntly affirms afterwards that he is indeed an official member of the Mighty Nein, it’s the start of the rest of his life, and something he’s exceptionally grateful for.

It all leads to that final moment in Aeor with Caleb, when, presented with the opportunity to alter time and undo everything, he chooses to accept his decisions and carry the weight of his sins for the rest of his long life. That’s...huge.

He’s essentially choosing to live the rest of his existence as a fugitive, forever on the run, with no guaranteed peace or safety. He chooses to spend his life making up for his deeds, rather than looking for an easy way out.

I think that may have had a big impact on why Caleb ultimately made the same decision, as if Essek had been up for altering his timeline I think he’d have struggled to resist it himself. The conversation they had earlier in Aeor about their priorities and resisting temptation really comes to mind as well.

Now, to the relationship.

It was subtle, and not as ‘in your face’ obvious as the other characters, but I’ve been watching and hoping for a long time and I must say, it feels good to be vindicated.

(And if you have any doubt, both Matt and Liam confirmed on Twitter that their post finale relationship was 100% romantic)

I’d been hoping that Shadowgast would be a canon endgame relationship for a while, so the finale, and the aforementioned T-Dock scene in particular had me quite literally shaking with emotion as I watched live. Here you have two men, both damaged and guilt-stricken in their own ways, who find in each other a kindred spirit and a path to redemption.

They’re both very guarded and closed off people, but Essek in particular has a definite shift in the last arc of the campaign especially when it came to his interactions with Caleb. At the start he was quite aloof and stoic, though charming, and they had an instant connection through their shared love of the arcane, (anyone who couldn’t see them making heart eyes at each other when Essek was describing the different types of magic he could teach Caleb was clearly blind) but by the end he was incredibly open to showing his vulnerabilities and that takes a lot, especially for someone whose primary focus was to stay in control of every aspect of his life. The ‘Caleb, I’m scared’ moment during the Trent fight in particular made my heart ache.

No, we didn’t get a dramatic declaration of love or a cinematic mid-battle kiss, but I’d argue that their relationship was just as, if not more intimate than any of the other main characters were. They understood each other in a way the others didn’t, their shared guilt, feelings of inadequacy and their obsession with magic forged a deep connection from the get-go. Neither of them are big fans of PDA I think, though Caleb is tactile as hell (forehead touches and kisses, oh man, I’m so weak for those 😩👌) and some of their most iconic moments have them putting themselves in harm’s way to protect the other. Essek shaking off his forced guilt trip immediately after the now infamous forehead touch in ep140 was beautifully poetic, as was using his fortune’s favour to pull Caleb out of the rubble moments before. Caleb trying to include him in his Sphere of Invulnerability in the finale and Essek staying close to him the whole fight despite being obviously terrified of Trent was the icing on the cake. It’s clear that they care for each other a great deal; whether by the finale they’d consider it love is up for debate, but we know that’s eventually where it ended up and honestly, I love that. I deeply appreciated the fact Matt and Liam both emphasised that they took their time with their relationship, letting each other heal in their own way before they took the next step. All too often in media, and real life too sadly, a romantic relationship is seen as some kind of quick fix, and that a lover will somehow complete you or make all your problems vanish. They knew this wasn’t the case here, and that made it all the better.

While I would have *loved* to have seen them together as a couple right to the very end, the change in their relationship felt right, if bittersweet. I doubt they ever stopped loving each other, and if anything, choosing to shift to a deep and lifelong friendship over a romance that would cause them both so much pain is one of the kindest things you could do for someone you love. After all, friendship isn’t a downgrade, just another way of experiencing that same love, and it wasn’t as though they broke up and never saw each other again, it was pretty strongly implied that they remained a major feature in each other’s lives, they just changed their label slightly. Caleb would hate to have forced Essek to watch him wither away, and although his eventual passing would hurt Essek regardless, incompatible lifespans being what they are, having a period of time to adjust to it, to give them a buffer between the inevitable heartbreak was actually really sweet.

Their romance was no accident, they knew going in that it had a time limit, that it wasn’t going to be forever for one of them, and the fact they did it anyway says so much. They began their adventure wholeheartedly believing that they were both, in their own way incapable of love, only to later find it with each other. Whether their relationship lasted for a couple of years or multiple decades is irrelevant, what matters is that while it did they had a happy and fulfilled life together.

I know some folk wanted Caleb to use the transmogrification spell on himself so he could live on with Essek as another elf, or make him human instead, but that would have been way out of character for both I think. If they could have backwards engineered one of the rejuvenation stations in Aeor and used it to extend Caleb’s life by a hundred years or so, so he’d have a similar lifespan to Veth, now, I could have seen him possibly doing that, so he could spend more time with his best friend too, but nothing further I think. He longed to be reunited with his parents too much to postpone death unnaturally like that.

That both Caleb and Essek ultimately chose to live with their mistakes and make peace with themselves was incredibly cathartic, and I couldn’t imagine it playing out any better.

The fact Matt has explicitly stated Essek is Demi too means so much to me personally because the latter is a label I’ve been identifying with a lot recently, and it’s so rare for aspec relationships to get any representation! It has honestly given me a lot to think about over the last few days, and I really appreciate it.

To conclude, here’s a bit of shameless self promotion. I wrote this after watching the finale and honestly feel like it sums up my feelings on the nature of their relationship pretty well.

‘A casual hand on a shoulder, a waist, a wrist; a gentle kiss placed on a forehead is common between them now, an intimacy born of trust and mutual affection. Over time it grows, like a fire born of seasoned timber; gradual and steady, no spluttering kindling that flares and sparks, but a slow burn, one which lasts.

Their love is embroidered into every aspect of their lives together. Acts of service, of comfort, of understanding.

Sometimes a kiss leads to more than a kiss, sometimes it doesn’t. Either way they are content.‘

So yeah, I love these two wizard boys so very much and I couldn’t be happier with the conclusion of their stories. ❤️

#Critical Role #Critical Role Spoilers #CR Spoilers #shadowgast #Essek thelyss #Caleb Widogast #C2ep141 #C2ep141 spoilers #critical role finale

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popculturebuffet · 3 years

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Amphibia Season 3 Reviews: The New Normal: Lighting Garfield on Fire and Fighting Preadator But It’s No Big Deal

And we’re back! Hello all you happy people! For those just joining me i’m Jake, and I review cartoons and comics via detailed recaps chock fulla anaylsis. I’ve been covering Amphibia episode by episode since Season 2 (Season 1 is a stretch goal on my patreon only 1 dollar to join for exclusive reviews and to hit said stretch goal, wink wink). And with how the show keeps getting better and better, it’s oh so good to be back to my froggy friends after the through wham episode that was True Colors and the through debacle that was Disney’s delay of the episode.

So since i’ts been a few months and some stuff has happpend show wise, I’m gonna take a moment ot fill the gaps before we dive in headfirst into this fresh new season.

First off said delay debacle: At the time I published my True Colors review no one had any idea WHY they delayed the episode or why it was such a mess. Now we do know why: Disney got gunshy over the child gutting, and thus wasn’t sure how to handle it, so they delayed the episode to figure that out. It’s.. fair to a point.

To explain: Disney wanting to be careful when having such a rather brutal image on a children’s show is fair, and the solution they came up with, putting a content warning before it, was the best way to handle it. However waiting until the episode was FINISHED, ready to be aired and already had an airdate set and yanking said airdate was NOT fair and I will never let them live that down. They had PLENTY of time in the lead up to the episode to voice an objection: they had to approve the scripts, storyboards AND final episode for air, meaning they knew about this for likely a YEAR at most and MONTHS at best, before they choose to get cold feet. While wanting a content warning was fine, and it ended up giving us the season 3 intro as the best teaser ever, it still wasn’t handled right and Disney shoudl’ve fully apologized for it and to Matt Braly for it.

Oh and to prove they learned nothing there was supposed to be a premiere livestream last night that got mysteriously canceled, likely because disney didn’t figure people from BOTH coasts would be tuining in or that people would spread this around, once again not getting that Amphibia’s audience isn’t JUST children and they should embrace that instead of constantly fighting against it.

In less asinine news, I actually rewatched both seasons this summer. My friend @jess-the-vampire had never seen it but wanted to so I gladly binged both seasons with her. Season 1 was done all in one night, which went well enough but also resulted in us feeling like this afterwards

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So yeah we split season 2 into two nights. My point there is i’m going into this season remembering WAY more of past seasons off the top of my head than I usually would as it’s still realtively fresh, and I got one of my best friends into the fandom. So that’s nice.

Finally at ComicCon we got something awesome: A full as could be done over zoom crossover between this show and Owl House. It’s awesome and it’s on youtube in full so it’s worth checking out, both mesh well and my only complaint was Alex Hirsch was missing, so while Amphibia had it’s full core cast present, Owl House was one short, making the crossover feel slightly lopsided since it also took place in Amphibia. Still it was a solid crossover, with all the actors fully game, and with network censors entirely absent we got the glory that was Eda being drunk for the whole thing.

So with all that, we can finally get to he episode itself, so join me under the cut as Anne comes home, The Plantars make a new home, and Andrias sends a predator robot to steal a children’s book. Full spoilers under the cut. Let’s go!

PREVIOUSLY ON AMPHIBIA

And now, the story continues

We pick up exactly where we left off: Anne and the Plantars stranded on earth , atop a car in the middle of traffic, the fates of everyone back on Amphibia unknown. The Plantar’s have a bit of sensory overload something I didn’t think about but makes perfect sense: their used to a fairly quiet stretch of farmland.... one populated by horrifying giant creatures making horrifying giant creature noises sure, but tha’ts something their used to. Honking cars, bright lights and wacky flailing inflatable arm flailing tube men, it makes perfect sense.

So, after Anne realizes she is home and revels in it, she gets them off the Freeway and gives her friends a chance to breathe, confirming she’s home by.. checking the wifi signal. I’d scoff or something but even as an almost 30 year old man.. i’d do the same thing.

So with that it’s onto the footage that was revealed back at ComicCon earlier this year, as Anne journey’s home to reunite with her old family. Sprig pokes at everything and ends up in a sewer, wrong city for sewer amphibians buddy check New York, and Polly tries out her new legs, while Hop Pop wonders if Marcy is still alive.

Anne hopes she is but has bigger concerns as they approach her parents house: how the hell to tell her all of this: that she’s the savior of a world, that her best friends both betrayed her, that she now has to fight an evil dictator who stabbed one of said friends, that they now have to house her adopted frog family, oh and that said dictator is building up an army of robots to invade soon.

So she wisely decides to ease them into it, having the plantars hide in the garbage while she slowly unpacks all this.

So we get an utterly heart wrenching and heartwarming scene. We see Anne’s mom, really hope they tell us her name soon, dispondent, going through the motions, walking through the part, clearly distraught her daughter's been gone 5 months. And i’m OH so happy this episode finally told us just HOW long Anne had been gone, it clears up the timeline a bit... a bit it’s still hard to figure out what goes where off the top of my head even having rewatched the show, and feels like a BIT too short, but i’ll take it. It’s better than Ducktales timelining system of...

The reunion itself, once she opens the door and finds Anne is utterly tearjerking, as is her father finding her, and Domino coming up to her. It’s all sweet.. but just as we get to Anne about to tell them.. Hop Pop fucks it all up and exits early. After about maybe two minutes. With Polly rightfully questioning how the hell he thought it was time already. Sprig also goes with it and introduces himself, causing Anne’s Dad to faint.

One scene transition later, Anne has used a detailed series of charts to fill her family in up to the third temple where she rewrites the ending slightly, saying she and the plantars got sucked up unexpectedly. It’s understandable: her parents are BARELY holding it in there with her dad flat out admitting he woudln’t buy the story at all were the Plantars not right there in his living room. Adding in True Colors might give the poor man a heart attack.

So Anne understandably wants to return the favor and have the plantar’s stay with them. Her parents response?

They just want this whole thing ot be finished and not have to think about it, which while understandable.. isn’t fair to the Plantar’s who just got stranded from home and risked life and limb to shelter Anne when she needed it. Their suggestion of what to actually do is even worse: Got to the goverment and let them take care of them. Yes because the US Goverment has ALWAYS tolerated people different than them and treated them with the utmost respe...

Yeah Anne shuts that shit down, pointing out they’d just prope and disect them, something none of the plantars are happy about and with Anne vowing to protect them. It’s clear from the Boonchuy’s faces this is wher eit FINALLY hits them just how much the Plantars mean to their daughter and how much they did for her, and that even if this is going to suck goats.. they can’t just throw them out and hope the goverment dosen’t do a murder like they definitely would.

They settle on quarntining the Plantars inside for now. There exact words. While I think this was likely always how Matt intended to have them react to the plantars, it’s VERY clear they leaned into the humor here big time as many could relate to not beiing able to go outside after the hellscape that has been the past two years and will probably reach into next year because people are dumb and are actively refusing to do something for their personal health because MAH FREEDOM. A jaunty song about not being able to go outside is just what we needed.

Said song is played over a montage that shows this works at first, with Anne showing off her room (Complete with Thailand Flags), trying on her clothes.. but it quickly becomes apparently having three extra people in the house who can’t go outside ever who have never experienced the human world isn’t going too good. Sprig shoves everything from a garfield book, to Anne’s old shoe to almost her phone in the microwave, the plantars flood the bathroom rehydrating, and Poly, after a bonding process, ends up riding domino as her steed as we all knew was inetivible. Not only that Anne’s best plan to stop andrias.. is to google how to do it. Which is a good idea in theory but should be done in pieces and not just googling “how to defeat a newt king”. Not only that the Plantars start to chafe under being shut inside when there’s a world to explore and Anne starts to get annoyed with her mom hovering over her, eventually finding her mother doing her hair in the middle of the night, the last straw being when she shows up with her toothbrush.

Anne ends up calling a family meeting which includes the plantars because they are family. She wants the two to ease up a bit, understanding that their scared and overprotective after her absence, but that she does need space, and that the plantars can’t be trapped here forever. Her parents aren’t on board, in part because they haven’t realized how much Anne has Grown and how before she left she hated responsiblity.. to the point she crocheted a thing saying such as a toddler which dosen’t remotely suprise me.

Hop Pop steps in to help her.. and while he first points out things like Anne nearly burning the city down and getting them eaten, he also points out she was their protector, frog of the year, and really grew as a person. Their STILL not convinced, which is fair, but after mentioning their going to Market, Anne talks them into letting her and the Plantars tag along: she’ll get them disguises and pies of all sizes, and keep track of them and the market they go to is usually sparsley populated enough that the plantars should be safe. They reluctnatly agree and Anne shots upstairs.

Upstairs Anne first goes with her old baby clothes for her new family.. but backs off once it results in Hop Pop in a borat style mankini... one second...

So with that Anne gets them their proper TMNT and Ben Grimm style trench coats and sunglasses, with the kids stacking on top of each other.. or rather Polly because she wants to try out her legs. And just like that Vincent Adultman lives again.

Anne is confident though: As she tells the Plantar’s the earth isn’t nearly as dangerous: the birds and bugs are normal sized and nothing’s trying to kill you every five minutes.... except the chucky epidemic but that’s moved all the way to new jersey, so not their problem.

Naturally though musing about how everything's safer now makes Lady Fate smack one upside the head, so we cut to King Andrias’ spooky castle. In the day since True Colors, his army is already growing and should be ready for invasion soon... but unlike some supervillains, who get cocky and assume their arch enemy will just fuck off after they won, Andrias knows as long as Anne is out there, she could stop him. So he sends out a stealth model, this one being a newt, of his robots to go kill her, not be seen as to tip off the humans to his invasion... and get him the latest of the books Marcie got him into. He’s not made of stone.

Back on earth Anne and the Plantars arrive and Papa Boonchuy lays down some ground rules: stay together and don’t cause a ruckus or it’s back to quarantine.

Once inside the Plantars are naturally dazzled by everything: Sprig assumes every machine the supermarket has is a robot, which reminds me of that cut cheese scene from Borat

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He does point out a toy robot though so point for Sprig. Meanwhile Hop Pop is unimpressed by how small earth veg is, not use dot supermarkets, when he finds a durian fruit. I have heard of these before, mostly in shape... but what I didn’t know is they smell REALLY bad. I’ve never sniffed one myself.. and that’s probably a good thing as Hop Pop’s first time with it causes him to spasm on the floor, which the other shoppers shrug off once Anne explains it. Look I have enough of a natural cartoon stink cloud following me I don’t need it having children with a fruit stink cloud. That’s how you get a zombie apocalypse.

Daddy Boonchuy panics though as he forgot the list.. which I can relate to as my mom’s forgotten hers plenty. Anne proves how much she’s grown though as she took a copy on her phone and send sit to her parents, who are impressed. After the Plantars notice a noodle area in the court, Anne asks to take them and after the dickering you’d expect at this point, Dad-doo Boonchuy agrees... and both parents are once again proud noticing just how easily Anne maunvers the plantar’s out of trouble.

So our heroes go to slurp down some noodle, complete with a fun bit of Anne balancing all three bowls despite the guy giving her a tray. Something tells me this is a thing with both of them. The plantars end up utterly loving it, slurping the hell out of it and of course having to be told these aren’t worms and, as Anne puts it are “the soul of asian food”. This is something I look forward to this season: learning little bits of Thai culture as we go. Earlier the Durian was pointed out as a Thai favorite (if not for anne, the smell’s a bit much). I do genuinely love that Matt put his own perspective and culture in here, with Amphibia itself coming out of him feeling like a stranger in a strange land during boyhood trips to Thailand. I don’t feel the culture or country has gotten enough representation, as evidenced by the fact Bangkok is the only part of it I ever see come up because “get it it sounds like BANGCOCK HUR HUR”, so it’s nice to learn some more and it genuinely makes me want to research Thai Culture.

But there will be time for more culture later as the Robot finds them, and proceeds to invisible choke Anne till they can spill some noodle on it to reveal it, as water or electricity make it visible. It scurries off and our heroes hea doff, trying to figure out how to fight the thing without Anne’s parents finding out, managing to make them scurry by telling them their going to go find a fish for her mother.

They do figure out how to at least drown out the sounds: METAL

I love that this is the shows solution..and that it works, using it to drown out the fight sounds. We also get some wonderful charcter buildling with the Boonchuys as we see Anne’s Mom, who up to this point has been pretty straighlaced, put down her basket to do some air guitar, and her husband, whose stick is even farther up his ass, does the horns.. while their daughter fights a robot next ot them. Now that’s metal.

So a fight ensues as our heroes wonder HOW they can beat the thing. Polly and HP also wonder why Anne dosen’t just go Blooper Sayian and wreck them, but she admits she dosen’t know what the on button for that is, so they have to hide in the freezer... and the plantar’s naturally end up frogsicles again as our heroes hide. Even more naturally the stalker finds them, and attacks anne, then prepares to attack the plantars once they move to try and help but can’t because again, cubed.

Once again though, this turns out to be the trigger, allowing anne to at least PARTIALLY turn on her super sayian god super sayian powers and uppercut the robot, severley damaging it. The fight is quick but like the one at the end of last season awesome looking, showing off just how dangerous this form is. The robot BARELY escapes, heavily injured but still active.

We do see a downside to the power though: Anne pushes the plantas out, Sprig is impressed.. but then notices Anne passed out, her power simply too much for her. The Durian comes back into play as the kids use it to bring Anne back, and she admits that while the Blue Form IS incredibly strong... it’s also uncomfortable and makes her feel bad, so she’s reserving it for last case scenario for now.

The Boonchuys find the other half of their family and Daddy-Daddy-Do Boonchuy finally relents, apologizing for being so hard on them and agreeing to ease up, with both parents now realizing just how far Anne’s come.. and that it was these fine friends of hers that made it possible. So our heroes head home with Sprig once again punching fate in the junk by suggesting their safe, though Anne at least tells him to stop it this time. So as the Boonchuy-Planatars drive off, with the Plantars craving noodles now they’ve gained a taste for them we cut back to the Stalker, as i’m now calling him, who is repairing himself, determined to destroy them... and to Andrias, who wants the stalker to stay on them... and then turns to Marcy whose in a bacta tank.. and who he has plans for.

Final Thoughts:

The New Normal is a WONDERFUL welcome back. It sets up the new status quo perfectly, wonderfully flipping the show’s premiere on it’s head. Now i’ts our froggy friends who are strangers in a strange land causing trouble and Anne’s the one guiding them around our world. Not only that her parents take on Hop Pop’s roll, having to adapt to these strange guests they nonetheless feel obligated to take care of. It didn’t set in till I started writing these final thoughts just how much Hop Pop was like them at first: Trying to restrict anne for her saftey and constantly having to pull her in. With the Boonchuy’s it’s just as understandable as they just got Anne back and haven’t had the five months bonding she has with her new family. It takes seeing both how much Anne’s changed and how much their clearly resonsible to warm up to them.

The moments with Hop Pop are also nice, with HP being the one to tell Anne’s parents she’s grown, and show them he’s also had to put up with her irresonsible and reckless streak of the past. I do like that while he LEADS with the good stuff.. it’s actually the BAD stuff that likely convinces them. By showing them that yes Anne still very much was the irresonible kid she left as 5 months ago, it likely makes hearing she became a true hero and beloved member of the community far more beliveable.. and something they fully buy into as they should once they see it in action. It’s hard sometimes to see someone’s changed and it takes time for it to set in, thoguh it is nice the show only took one episode for it to really set in.

Andraias attacking right away was also a nice twist: I thought given the solicits he’d send the robot now and we’d have to wait for it to show up at the end of the month. Instaed it attacks right away, our heroes have to deal with it, and it’s clear it’s only a matter of WHEN it will return and out the true scope of Anne’s plight to her parents. This is easily the best of the series three openings, and Anne or Beast is no slouch.

I also have to give On Braly TONS of credit here. This is apparently her virst Voice Acting Role period, and she steps into it perfectly. While she did get some apperances in previous seasons, there is a large gap between having to do a few one off gags.. and having to actually play a character full time, including emotional character stuff. Brain Sonalath is no slouch either. While he has more experince, and thus does more of the lifting, he stil lhas great comedic timing and both actors genienly bring a lot to the roll. It’s FAR from easy to come into a show three seasons in and join the main cast, and they do so admirably.

All in all this show as a bright start to what’s shaping up to be the series finest hour.

Next Week: Life begins afterschool when the Plantars bend all the rules in the place where they belong, their... .okay this dosen’t quite work. The Plantar’s are going to the mall, that’s what i’m getting at. And while that goes on we get to see what Sasha and Grime are up to as they have to pick up the pices from the finale. Hell yeah!

Thank you for reading.

#amphibia #the new normal #anne boonchuy #mr boonchuy #mrs boonchuy #sprig plantar #hopidiah plantar #polly plantar #king andrias #disney channel #disney #reviews #animation

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lemon-patches · 3 years

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Handon Pre-Legacies Headcanons

(So I was rewatching some the originals clips and these just popped into my head)

-It's already been established that Landon worked at the Mystic Grill and that's probably where he met Hope for the first time

-Now don't get mad at me but I'm gonna be honest, I don't think Landon stood out to Hope all that much...at first

-Keep in mind that at the time she did have a crush on Roman and we've all seen how committed she can be when it comes to romance

-But on the other hand Landon's trying to get his heart to start functioning properly again because who is that???

-And why does she have such a weird milkshake order???

-So anyways time goes on and whenever Hope's not locked in her room on campus she's at the Mystic Grill

-Thanks to her reclusive nature she doesn't really interact with anyone sans her server and kinda just sits there quietly enjoying her food and the scenery

-Meanwhile Landon's just in the background drooling and pining silently

-And don't get him wrong, he wants to talk to her but he always chickens out halfway through and just writes down his feelings and thoughts onto a napkin or something

-lowkey the reason why he's always writing her letters. because he got used to expressing himself best that way

-So even more time passes and Hope vaguely notices that Landon's the only waiter that's memorized her orders for the most part

-Hope being Hope, she calls him out on it. Politely of course but Landon still panics and nearly has a heart attack while he stutters and sputters out a defense that he's not a creeper

-okay so maybe he's kinda cute or whatever

-Hope thinks it's sweet and tells him so. Leaves him pretty good tips too (which sends Landon into a spiral because she's nice and she tips well?!?)

-True interaction doesn't really take off until she notices Landon being harassed by some Mystic High goonies and sees him forcing himself to bite his tongue

-But just because he has to hold back doesn't mean she has to and she's ready to rip these little shits a new one until they lock eyes and Landon shakes his head at her

-cue the start of hope wanting to hit shit and landon presenting another option...not to mention protective!hope

-Hope respects his wishes but still feels bad that he has to deal with it. Since she can't be reactive maybe she can be proactive

-She's seen him bobbing his head or singing under his breath to the music that plays on the speakers. So one day, during a moment of particularly vicious heckling she asks him who his favorite musicians are as a means of distraction

-And ladies and gentlemen they are off. Shy as he may be, if you want Landon to open up to you almost immediately ASK HIM ABOUT MUSIC OR SCI-FI SHIT

-They go back and forth talking about which artists they like and why and constantly go off on tangents. Almost like they can talk to this person about anything and they'd get it (how strange...)

-It's on one of those tangents that Landon finds out that Hope is from New Orleans which just sets off another 20 minute conversation

-They talk for so long that not only did the bullies get bored and leave but Landon gets scolded by his manager for abandoning the other customers

-worth it

-Before they know it, an odd little friendship has formed in a place that seemed to exist suspended in time, away from both of their worlds

-Hope spends more and more time at the Mystic Grill since she didn't really have friends at school (leave me alone, it's canon)

-At some point Landon just starts spending all his breaks with her and when he's working Hope is still content to watch Landon scurry around while she doodles or does her homework

-Discounted milkshakes anyone?

-They don't really talk about deep shit but their presence becomes a comfort to one another

-And Hope has to regularly remind Landon to get back to his job before he gets yelled at again

-They talk about and do so much random shit

-Ranking the menu items? Check

-Scoring all the contestants on karaoke night? Check (those two are utterly ruthless btw)

-Playing darts or pool over free leftover fries? Check

-Silently judging rude customers? CHECK

-And yes, Landon's crush just grows steadily day by day because he can tell even without knowledge of the supernatural that Hope Mikaelson is quite special

-And Hope is just so damn happy to have a genuine friend who doesn't judge her or want her for family's past or her powers

-Hope only comes over like 2 or 3 times a week but it's almost like a refuge for both of them to look forward to during a tough week

-That is until Hope gives Henry her blood, she gets suspended from school, and life proceeds to go to utter hell

-Hope's life is chaos and Landon's wondering where his lunchtime buddy went

-First it's just a couple days and then Hope's gone for weeks

-(the napkin notes just pile up)

-During that time separated Landon decides that he can't just rely on her being at the Mystic Grill to hangout with her. He's been extremely lucky so far and now's the time to buck up and finally ask her out

-Especially when he gets the news that his latest foster parents don't want to keep him and he's probably gonna be leaving soon

-Eventually he does see her again but doesn't comment on how much more...subdued she looks

-He figures it's none of his business unless she tells him and remembers the promise he made himself

-Sure, he wasn't expecting an audience (hi uncle Elijah) but it's now or never

-He gets shot down. Politely. But shot down nonetheless

-But hearing about his #1 tormentor's car blowing up did cheer him up quite a bit

-He's literally packing all his meager belongings when he decides to go out into the town while he still can

-AND GUESS WHO HE RUNS INTO?!?!?!!!?!?!

-Sure, they only really spent twenty minutes with each other but they danced. They danced.

-Landon's smiling like a goddamn idiot for the rest of the night. And sure enough, the following morning, there's a social worker waiting for him ready to relocate him

-He's sad, not so much because he'll miss the town or school or even his job but because he'll miss her

-But at least he can remember how they danced together

-About a month later, when Hope can think of human interaction and not automatically curl up inside or want to bare her new fangs Hope actually finds herself at the Mystic Grill

-Yes, she wants a milkshake, and maybe a burger but she mostly wants to see Landon

-She's actually there about half the day until she figures he's not coming in today (and to think she thought she had his schedule mostly memorized)

-It takes about a week of not seeing him before she finally asks another worker about Landon only to find out that he doesn't work there anymore because he moved

-”...oh.”

-After that Hope kinda just goes back to school and stays there

-She still goes to the Mystic Grill but only once or twice a month if she's nearby (no one gets her orders quite right anymore. especially the milkshakes)

-Now if Hope's not in class or training, she's in her room by herself, locked away from the world (no one else can leave her if she's always alone)

-Life goes on

-But every now and then she'll wonder how her friend is doing

-Little does she know that he's wondering the same thing

(flipping hell. look at them. disgustingly adorable. i love it)

#shit why does the ending actually make me kinda sad?#i thought this was gonna be a quick little drabble but apparently I had some THOUGHTS #idk its midnight and im rambling #might make a oneshot outta this who knows #and this has nothing to do with anything but the judgy looks handon had in 1x14 give me LIFE you have no idea #legacies #handon #hope mikaelson #landon kirby #headcanon #headcanons #handon headcanons #tumblr thief strikes again

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soniaxdixon · 3 years

Text

The New World; Series

Okay so this is my first time writing a fic and obviously will be my first series but I’ve just rewatched TWD for like the 17th time and my obsession with Daryl has reached new levels. I hope that it isn’t too shit and that you guys actually read/like it. Thank you in advance for baring with my average writing but I mean, how else will I learn? Anyway, enjoy!

Sonia x

Set pre to early season 1, back story for when the world ended.

Part 1 of ??

Summary: Y/N Grimes is Rick’s younger hot headed sister. When Rick gets shot and falls into a coma, Y/N’s world ends. Y/N Finds herself at a quarry near Atlanta with her nephew carl, sister in law Lori and her best friend Glenn where she meets her new family including the equally hot headed redneck Daryl Dixon. Over time Y/N and Daryl begin to form a friendship, finally allowing one another to open up to someone and maybe finding someone they can actually love.

Warnings! Slowish burn but the feels are there from the start, swearing, some gore (hardly in this one) and merle being a bit of a dick as usual.

Words: 1428

Growing up a Grimes wasn’t always the best, especially being hot headed but having Rick as a brother made everything a lot easier. He was always able to calm you down, like he was the only one who knew how.

The day he got shot felt like a piece of your heart being ripped away, never to be replaced, never to be healed. That was the day your world ended.

When the world went to shit you were wishing he was there guiding your every move.

You scrambled through your one bedroom apartment, haphazardly shoving clothes into bags, anything and everything you thought you might need. Medicine, first aid kits, anything you could use as a weapon, anything to keep yourself alive. Ripping open the drawer near your front door you grabbed your keys and drove like you had nothing to lose. Racing through streets, running red lights, you watched as the world crumbled before you. People looting stores on one side of the street while on the other side the monsters ripped into the people you once new. Normalcy was now a memory. Normalcy was not normal anymore.

Swinging around a corner you barely put the car in park as you leapt out and barrelled into Lori’s house.

“Lori! Carl!” You yelled as loud as you could, your voice being drowned out by the sounds of sirens, helicopters and king county shattering around you.

“Lori! Where the fuck are you?” At this point you were screaming.

Carl came running around the corner throwing himself at you, tears in his eyes as you both fell to the floor hugging each other. Knowing he was safe was all you needed.

You held carl’s face in your hands, forcing him to look into your eyes.

“Where’s your mom?”

“She’s in the garage with Shane, packing all of our camping gear. I’m scared Y/N”

“I know you are baby but we will get through this. I promise.”

You got up and let go of the boy, racing into the garage and catching Lori’s eyes, she ran and embraced you.

“Thank God you’re okay” she said, still holding you tight.

“I don’t know what to do Lori. Everything is happening all at once, how will we get Rick through this, how will we get through this?” You rambled looking between Lori and Shane.

You watched as their expressions dropped, Shane’s eyes looking at the floor as he rubbed the back of his neck. Lori’s eyes filled with tears as she grabbed your hands.

“Rick’s gone”

The words hit you like a freight train as you collapsed to the floor, your own knees not being able to take the weight of the words that she spoke.

“I went to the hospital to get him out, he wouldn’t wake up. I tried Y/N I tried.” Shane was explaining what happened in the hospital but the words washed over you, your brain refusing to comprehend the things he was saying.

————

All of this felt like years ago at this point. A distant memory. Rick was a distant memory.

You woke up in your tent as the morning light began to enter the space. Sounds of people chatting quietly outside filled the air as you forced yourself off the ground, pulling on your black jeans, a grey t-shirt and your boots. Looping your belt around your waist and making sure your knife was easily accessible.

You fumbled around with the zipper of your tent still half asleep, stumbling out and greeting everyone with a small smile.

“There she is” Dale said with a charming smirk, “any longer and we would have sent Carl to come and jump on you.”

You chuckled at the remark, “It’s like 6 o’clock, calm down old man” you retorted, earning a hearty laugh from Dale.

You made your way over to Lori to see if she needed any help with breakfast but she and carol had it under control. “Smells great, you making your famous Sunday pancakes, Lori? Don’t forget to actually mix the batter” You said, obvious sarcasm in your tone.

She pushed your arm playfully as you reminisced the many clumps of flour you had eaten in the past, forcing a smile every time with a fake compliment “they’re greeaatt”

You sauntered over to T-Dogg who was sitting on top of the RV keeping watch.

“Mornin’ Y/N”

“Hey T”

You made it half way up the ladder before you were halted by an unfortunately familiar voice.

“Now how the hell did ya manage to squeeze that ass in those jeans, God damn.” The Southern drawl of the older Dixon brother had you fuming before you even turned around.

“Man don’t you ever shut up?” T-Dogg yelled from the top of the RV.

“What the hell d’ya say to me?” Merle retorted but before anything could get heated between the two of them you dropped off the ladder and made your way over to Merle.

“Keep it in your pants you redneck prick.” Your harsh tone really getting the message across as Merle put his hands up in surrender but still made it known that his eyes were on you the whole time you walked away.

Your best friend, Glenn made his way into the middle of the group announcing that he wanted to make a run into the city to look for some supplies. He said the last time he went in, he found a department store that had everything from clothes to food and looked as though it wasn’t overrun or burnt down. A few of the group members volunteered to go including you but Shane was quick to shut that idea down.

“No way in hell am I letting you go into the city.”

“Last I checked, you’re not my babysitter, Shane.” You quickly responded

He shot you a glance and you rolled your eyes. It wasn’t worth the argument, plus, after you had volunteered, Merle did too and you did not want to deal with that headache for however long the run took.

Within an hour, Glenn and the others were packed and ready to go into the city. Glenn came over to you and you pulled him into a tight hug.

“Don’t get eaten, please.”

He chuckled and let go of you, nodding. “Don’t do anything stupid while I’m gone.”

“No promises” you smiled and waved as he and the rest headed off towards the city.

You looked to your left and saw the younger Dixon brother watching as his brother went off on yet another run. You could see worry in his eyes but you knew he would never show it properly. He’d probably be called a pussy by Merle for showing the slightest ounce of care towards anything. You didn’t realise you had been staring until you heard his voice.

“What the hell r’ya lookin’ at?” His words came across with more anger than he had intended

You blinked quickly and looked away. Your cheeks flushing a slight shade of pink as you struggled for words. Something about this man made your mouth run dry and your stomach flip.

“N-Nothing, sorry.” You quickly walked off but Daryl’s eyes remained trained on you, squinting as you walked towards the sunlight but still remaining focussed on you. He couldn’t figure you out. You were so harsh towards his brother, so easily set off by the slightest thing. If someone said the wrong thing you would mercilessly attack them with words and yet with him, you could hardly speak. You couldn’t be around him for more than 5 minutes.

He thought about you for a while, he didn’t understand why you were on his mind but you were. You had never even held a conversation and yet the only thing he could think about was you. In a similar way, the only thing on your mind that night, was him.

You made your way to your tent stealing one last quick glance at Daryl who was making his way up the RV for night watch, he locked eyes with you for a second and you smiled, a small smile but enough to make daryl nod at you in return.

The simple gesture made your heart jump as you hastily pushed your way into your tent almost falling over.

Changing into your pyjamas the simple interaction played over in your head as you climbed into your sleeping bag and drifted to sleep.

Just like that, another day was over in this new world and another one was ready to begin.

#daryl dixon #daryl dixon x reader #daryl dixion imagine #daryl dixon x you #twd #the walking dead #the walking dead fic #twd fic #daryl dixon x grimes reader #y/n grimes x daryl dixon #series #twd series #twd fic series #daryl dixon series #daryl dixon x reader series

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trifle-of-doom · 3 years

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The Hawk X Demetri Manifesto

Okay, here is the thing. Despite being well past my teens, there's a particular ship of Cobra Kai that has drawn my attention, this ship being Hawk/Eli x Demetri. When I first watched the show, I was actually more invested in the adult characters storylines than the teens. I immediately rooted for Johnny and Carmen, and I was always hoping for more interactions between them. But then I saw episode 2x05, in which the atmosphere between the Binary Brothers becomes way more dense, and that's when I started to see some potential for them. Not because I'm a deranged person who fosters abusive relationships, but because I immediately caught the hurt/comfort dynamic of the duo, which is something that works really well when it comes to fictional relationships. However, it wasn't until 3x10 that I said, "Ok, that's official, I need to see more of these two! I totally support them!" And I was quite surprised to find a fairly large amount of people who are very committed to this pairing, to the point it's caught the attention of the screenwriters/producers as well. Honestly, I don't know if the showrunners will ever have the guts to make them an official couple, and chances are their supporters will have to keep reading between the lines of their bromance, but in any case, here is my take on why Hawk/Eli x Demetri is an option worth to be considered.

#1 - The Bromance

If there's something that many years of navigating the Internet taught me, is that the main driving factor for fan-made ships is the presence of either a solid relationship based on mutual brotherly love or a bitter rivalry that may or may not flow into hate/obsession. If you consider anime fandoms, there are thousand examples that fit into either of these categories: Yugi and Jonouchi from the Yu-Gi-Oh series (yes, that's how old I am), Yugi and Kaiba from Yu-Gi-Oh, Sakuragi and Rukawa from Slam Dunk, Light and L from Death Note, etc. And our Hawk and Demetri fit into both categories. When we first see them, they are the stereotypical nerdy friends (possibly childhood friends?) sitting at the losers' table, who have no one else but each other. When Eli is at his most sensitive and fragile, you can tell he feels comfortable being with Demetri by the genuine smile he has on his face as Demetri is joking with Miguel at the canteen table. Through his sarcasm, the mouthy kid acts as a catalyst to deviate the attention from Eli, speaking for him, reprimanding Johnny when he makes fun of his lip and trying to make him feel safe. Besides, you can see a certain degree of frustration in Demetri when Kyler and his gang are harassing Eli, and he's unable to do anything to defend him. And they even have a jingle for their friendship with a robot dance, I mean, how cute is that? But of course, a solid friendship between two helpless nerdy guys is not enough to spark a ship to be rooting for. In order for the magic to happen, another key ingredient is needed, i.e. a little bit of angst. Which brings us straight to the next point.

#2 - The Angst (aka the Hurt/Comfort Dynamic)

Even though I never liked the Twilight saga or any similar urban fantasy young adult works, I can easily see where the appeal comes from; the attraction to a charming, dangerous person who could either protect you from any harm or crush you like grape. Although with different franchises, I wasn't immune to the bad boy trope either (Yes, I'm looking at you, my teenage self drooling over Grimmjow from Bleach). If we can appreciate the genuine, brotherly friendship between nerdy Eli and Demetri, the shift that Eli makes as he transitions into Hawk and becomes more aggressive and dominant gives their relationship a totally different flavor. Attrition sparks a certain tension that, in the viewer's eyes, could either flow into a brawl or into passion.

During the mall fight, Demetri comes to the realization that his former best friend is actually someone who can crush him like grape. We see Hawk intentionally harming him for the first time, and Demetri's heartbreaking expression as he drops the line: "You'd actually hurt me?" And if that line gave us a pang in our hearts when we first watched Season 2, imagine rewatching it now that we know what happens in Season 3. Demetri is chased down the mall, running for his life, and then he's locked in a grip, as his best friend menacingly advances towards him. Demetri appears as the damsel in distress, however his friend is not the one who will fight to protect him, but rather his tormentor.

During the party at Moon's, Demetri manages to briefly go through Hawk's mask and reach out to Eli, thanks to a casual conversation about Dr Who. But then the beer incident happens, and Demetri defends himself with the only weapon he has – his loudmouth. The situation is reversed, and for a brief moment, he gets to be the dominant one as he discloses all Eli's most intimate secrets. Demetri is now actively contributing to the Hurt/Comfort dynamic; he's no longer just a target, but he's doing his part to enlarge that gaping hole that has formed between them. And Hawk didn't take it well.

From this moment on, Demetri becomes a sort of obsession to Hawk, who hunts him down the school, teasing him and taunting him sadistically, like a serial killer from a horror movie, during the big fight. Of course, in real life, this would be completely insane, and the police/a social assistant/psychiatrist should be called, but in ShipLand, these situations are pure gold. Okay, we get it, Hawk wants to get revenge for the humiliation at the party, and he wants to crush that nerd part of himself he sees in Demetri, but he does it with such an intensity that it borders on ridiculous. It's like this is his twisted way to acknowledge Demetri's presence. Eventually, Hawk ends up smashed into the trophy case, and I confess I felt a little disappointed when Demetri broke that hug to give Hawk a roundhouse kick. I mean, it was a great comeback, but I was sincerely hoping for a "No hard feelings man, let's get outta here!" scenario.

Getting back to the sick and twisted way Hawk acknowledges Demetri's presence, he destroys his science project after he got jealous due to him being confident in his nerd self and laughing around with his ex girlfriend (whom the writers insist he still has a crush on). Speaking of Moon, I have a feeling she likes Hawk mostly based on his badass appearance. Remember when she goes "I like this (mohawk) and I love these (muscles), but I'm not dating a bully"?

Then the football match happens. Okay, let's break this down. Demetri trips Hawk and acts all sassy, and a fellow Cobra Kai is immediately ready to take him down, but Hawk stops him. "Fight smart, he says". Too bad that literally 5 seconds earlier he had shoved a kid to the ground just because his ex girlfriend (again, duuuh~) ignored him when he winked at her. And then, as he's trying to intercept the ball, BANG, Hawk hits Demetri, sending him to the ground, pretending it was an accident. So, what does this tell us? That Hawk has some serious anger management issues? Yeah sure, but also that he cares about fighting smart only as long as it serves as an excuse to leave Demetri for him, because he's his designated target. Again, this is all but romantic, and it doesn't necessarily have to be interpreted as him lusting after his friend, but it's undeniable that this dynamic offers a lot of ship fuel.

The arm breaking thing is just too painful to even analyze. We see a completely helpless Demetri begging for mercy to his ex best friend, who has made No Mercy his life motto. And that scream, oh that scream. All I wanted to see was Hawk realizing what he had done and throwing himself on his knees while begging for forgiveness. But I'm glad that at least we get to see he feels awful for what he's done, and I like to think that, as he got home, Eli cried out all the tears he had in his body thinking about poor Demetri at the hospital, with a swollen broken arm, all because of him. Of all the situations, this is undoubtedly the most deranged and extreme, and if something like this happened in real life, the wrongdoer would deserve to be punished and would definitely need to be sent to therapy. But in ShipLand, this opens the road to many, many different scenarios, in which the bully understands his mistakes and shifts back to the good side, or the two share a tender moment after they reconcile, or the traumatized character has to to learn to trust the other one again, or the bully becomes overprotective of his former victim, etc.

#3 - A Rewarding Reconciliation

Finally, we come to the reconciliation, in which Hawk makes his heel-to-face turn. While we've seen him torn with doubt for an entire season about his sensei's teachings, his actions and the people he wants to surround himself with, the key factor that drives Hawk's redemption is the sight of his best friend being held down for him to beat. And with an epic stunt and his awesome KEEEH screech, Hawk jumps to the rescue of his friend. Like many of us, Demetri thought this was still part of the "Only I Can Torment Him" dynamic I discussed earlier, as he steps backwards a little concerned, but then he understands that action was actually meant to save him, and the two begin to fight side by side, in sync, watching each other's back. You can see Demetri's eyes sparkling at the thought of having his friend back.

Also, not only Demetri stands up to alpha bitch Tory in defense of Eli, but he also speaks for his friend when he's faltering, just like he used to. So kudos for Demetri.

#4 - The Red Oni, Blue Oni Dynamic

Binary Brothers are two sides of the same coin and complete each other with opposite character traits, visually expressed by the color red and the color blue. Being the color red typically associated with violence, rage, passion and irrationality, as opposed to blue, which is associated with calmness, melancholy and rationality, red is clearly the dominant color. Again, this opens many interesting scenarios for shippers.

#5 - Body Language

Besides the situations I described above, which may or may not be read from a romantic/attraction standpoint, there are also a collection of small gestures I noticed when rewatching the series with a more attentive look on their relationship.

- Demetri's heart-broken expression when Eli shamefully covers his lip during the anti-bullying announcement.

- The smile Demetri gives when Hawk responds "Hell yeah!" after Aisha proposes to crash Yasmin's party, implying he's learning to embrace this new wild side of his best friend

- The astonished look with which Demetri watches Hawk at the tournament and the way he's pissed no one knows his real name.

- How deeply hurt Demetri is when Hawk belittles him by saying: "Five against three. More like two and a half." He even tries to reply, but he's caught so off guard that words die in his throat.

- How Demetri takes a step towards Hawk during the mall fight, before Sam makes him back off, and how sadly he looks at Hawk's nearly unconscious body after Robby defeated him.

- How Demetri smiles and nods when he briefly connects with Eli at Moon's party, despite the mall incident.

- How Hawk watches Demetri juggle with the cleaning product from behind his bike helmet (how did he stuff the mohawk in there by the way)?

- Hawk's psychotic/sadistic faces when he smells Demetri's blood, and how he likes to hunt him down like he's his prey.

- Hawk's secret impulse to comfort Demetri after the arm breaking (I hope you get nightmares of Demetri's howl of pain for the rest of your life, Hawk).

- The way Hawk twitches his upper lip when he sees his friend Demetri in danger.

- How Hawk and Demetri are so absorbed in their new-found friendship, that they're caught off guard, and Demetri swings Hawk to allow him to deliver a kick using their handshake as a lever. And how they keep fighting together, shaking each other's hands even when they're out of focus and the attention is on Miguel vs. Kyler.

- How they're standing so close at Miyagi Do, in comparison with the other Red/Blue partners.

In conclusion, this kind of relationships are engaging and entertaining to watch, and they make us wish the best for the characters. They make us hope that, in the end, as Miguel puts it, love really conquers all (and what is friendship if not a form of love?), despite all the hurt they did to each other.

So this is it. I hope you enjoyed my Ted Talk. Feel free to share it with whomever you want, especially if you need some solid reasons why this ship has got some good potential.

And remember: the ship is in the eye of the beholder.

#HawkMeat #Hawk x Demetri #Cobra Kai #Eli Moskowitz #Demetri #binary brothers

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inevitably-johnlocked · 4 years

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The Video

Alrighty, so as promised, I listened-slash-watched-slash-backtracked the video over making and eating dinner, with a break in between to take a phone call from my sister, so I may have missed and misunderstood/misheard a few things and may need another rewatch to fix any presumptions I make in this mini (?)-review.

Two things I do need to correct from my last post:

One is that I actually was sent the video to pre-watch before it was posted; I found it in my emails two days later but because I was swamped with day job stuff (as in I was working until 11 PM both days, and I didn’t even sit down until 4 on Saturday), and my fandom email is NOT a primary address so it’s not hooked up to my main Mail server on my MacBook (limited space), I hadn’t checked my emails since Thursday afternoon. So yeah, technically I should’ve known it was out, so apologies: technically I knew it was coming out; my sorry arse just didn’t check my emails.

Second, is that meta I did send her did get referenced and used; some of it word for word (like the discussion about the difference between Johnlockers and TJLC) so meta was read, my bad on assuming it wasn’t before watching.

C’est ça on that front.

A few things that ruffled my feathers and maybe I misheard, but I’ll mention them as I remember it:

I did find it slightly bothersome that the assumption was that Johnlockers that we were a bunch of teenagers (we weren’t – most of the people I talked to were in their 20′s and 30′s and many were academics of varying sorts). SZ was younger than many of us in our little corner of the fandom, I think, and it was filled with amazing meta and university-level papers on queer history, ACD canon history, subtextual writing and literature. EDIT: I did skim back over to a bit of the beginning since I missed it over making dinner, and I guess a lot of the people who contacted SZ were teens at the time of the airdate, so again, my little bubble and all that and apologies for assuming. :P

This is a totally biased view and probably indicative of how deep down the rabbit hole I was: A bit annoyed at the implication in our belief that Mofftiss weren’t trying to deliberately imply the Gay Sherlock / BiJohn thing especially paying special attention to it during Q&As and meet and greets and interviews; That the cues weren’t there. Though she did point out the queerbaiting aspect of it. I don’t know. Maybe I misunderstood since I was stuffing my gob with pasta and wishing I had a cheesecake.

I think SZ should’ve worded her Twitter callout post a LOT better, because the cons were only mentioned for about 10 minutes, and in only in relation to the drama. She did praise the cons as a positive experience for people, so I’ll give her that.

The Twitter stuff pre-vid-posting still rubs me the wrong way.

Still feel that selling the shirts is tasteless. Mug is cute, though.

Things I did find interesting / good / stuff I didn’t know:

I know I’m a minority in this regard, especially since I am a fence sitter, but I feel... relieved? sorry I can’t think of the word... that SZ essentially did accuse Mofftiss of queerbaiting by the end of it – that it’s not just us who see it. I’ve always said without an S5, it IS queerbaiting, and given that S5 probably won’t happen anytime soon... well. Like I’ve said in the past, I hold out a glimmer of hope. Not holding my breath though.

The mentions of some of the fandom theories and speculations were done tastefully, light jesting but not mocking them.

The discussion section about AA / Mary... Yikes. I forgot it got THAT bad.... I guess because I was always in the “Mary’s a kickass villain” camp so I was blissfully ignorant about that stuff until a few years later.

The ace stuff, 100% true, and I’m glad it was brought up.

The term “Ragnalock” got a chuckle out of me, will admit that. First time I’ve heard of it.

I had no idea the ARG theory was anything more than thelostspecial website. Somehow I missed that whole thing about it being part of the series itself.

And, a lot of things, in hindsight: just an overall, “yeah. :|”

And some additional notes I can’t really classify one way or another:

Cringing at MYSELF because of some of the post-S4 theories that, looking back: oof. Apple Tree Yard specifically.

AND cringing at myself because I know I perpetuated a lot of the “IT WILL HAPPEN” in my corner of the fandom pre-S4 because I wanted people to be excited for a new season. For that I am very sorry to everyone who were hurt by my belief. S4 was a brick wall and I hit it hard, thought I do enjoy theorizing about how fake it was. It’s the only way to cope for me, LOL.

Ooof the drama stuff, a lot of it I didn’t know the entire deets about, only about the PPG being involved. I tried to stay out of it when I could and focused mainly on meta writing, my own healing processes, and making people feel welcome. It’s what a few bigger bloggers did for me when I joined by interacting with my posts and offering their kindness, and I wanted to return the favour. Inevitable it had to be covered, but yeah, dark times.

LOOOOOOOL the critique about TFP. Literally stuff that we’ve talked about in our “something’s fucky” tag.

And to address the elephant in the room: Yes, I DID give SZ meta, but it was the link to fandom meta that is essentially on the header of my blog on desktop, just as I do with anyone interested in the fandom.

Overall, it was a thought provoking vid, a bit of a nostalgia hit to be honest. I thought that it was a good video, interesting in that strange way where you relive strange moments of your past. I feel it was a fair analysis of the fandom, but please, please remember: I can’t speak for those directly involved in the events mentioned, because I WAS NOT THERE. Not my place to disregard their feelings if they have a different opinion than I.

That said, I think it’s worth a watch if only to see what the fandom WAS. But it’s informative and respectful, I think. Though, I think she could’ve left out the bit at the end just before the credits.

And finally: to anyone who are coming here from the vid: I have been here since S3, joined because of LSiT, and later I wrote villain Mary meta and TAB meta. These days, I primarily have focussed my attentions on curating content, offering my advice on stuff, introducing newbies to the series, and trying to spread positivity, all peppered in with the random theory from time to time, and trying to atone for my... “enthusiasm”?... in the past. I like promoting community and open discussion from all viewpoints, as long as it remains respectful. So yeah, I do have some meta you can check out, just let me know what you’re looking for, and I do lots of fic recs, so if you’re looking for something, hit me up.

Cheers, all. I’m going to bed.

#my thoughts #sarah z #johnlock videos #reviews

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firelxdykatara · 3 years

Note

hello!! i just wanted to ask- i wanna do an ouat rewatch bc CAPTAIN SWANN but its pretty long and i honestly dont care for the other characters/how badly the overall writing was handled.. which are your favourite captain swan eps? anything them centered and i think ill just skip around to rewatch their romance as they did invent romance 😭😭 ty in advance <3

they absolutely did invent romance, you are right about that and i love them so much

UHMMMM as far as my favorite CS eps, here’s a roadmap of what I personally consider key eps in their journey (some of this is from memory but I haven’t done a full rewatch in a while so i’m going through the episode list as a refresher)

2x06: Tallahassee--this is a must-watch ep for any CS fan, and I really think this is the episode that sparked the fire that CS would become as a fandom. It has everything--flirtatious banter, all kinds of tension, deliberate parallels drawn between Emma and Killian’s pasts, as well as their first meeting being intercut with her relationship with Neal (which serves, especially in hindsight, to highlight just how sketchy that relationship was, and why she couldn’t bring herself to trust Killian--because the last time she felt this way about anyone, it ended horribly)

2x08 and 2x09: Into the Deep and Queen of Hearts--these episodes cover the race to the portal between Emma&co and Hook/Cora and while they don’t do a ton for CS as a relationship since they’re still enemies at this point, it lays great foundation for their future relationship development. Plus, sexy swordfight, Hook going out of his way to save Aurora’s heart--he may be a pirate, but he has standards ok--and Emma realizing Cora can’t remove her heart without her permission? Poetic Cinema

2x11: The Outsider--more of a Killian-centric episode, it shows a lot of Killian at his worst but it’s necessary for his overall character arc and I genuinely love looking back and seeing just how far he managed to come, to the point of eventually even letting go of his (very understandable) grudge against Rumplestiltskin.

2x12: In the Name of the Brother--am I including this purely for Emma&Hook banter in the hospital, and Killian saying ‘hey beautiful’ when he’s lying on the road because he just got hit by a fucking car? You bet I am. Also, go to youtube and look up ‘ouat season two deleted scene jello’, because it’s beautiful and there was a tremendous outcry in the fandom when we realized it had been cut from the episode lmao (It’s also the episode that made me start shipping Frankenwolf, which I’m still sad never went anywhere, but they had a lot of potential and great chemistry.)

2x22: And Straight On Till Morning--A few of the episodes in between have some fun minor interactions and flashbacks (and I always approve of episodes where Killian gets one up on Rumple, so 2x15 is fun for me if i ignore all the Neal bits) but the finale is where we finally get a glimpse of who Killian could be beyond his need for revenge. He didn’t have to come back, he didn’t have to bring back the bean and help the town--but he did.

Season 3a: there’s a lot of really good stuff here for Hook and Emma that is interwoven between the A plots of other episodes. I think, as far as half-season arcs go, it’s one of the best (and everything after 4a bombed hard, but I digress) But there are a few episodes that stand out if you don’t want to watch the whole season. (I recommend starting with the premier though, it was a really solid season starter overall.)

3x05: Good Form--this is the culmination of David’s poisoned-by-dreamshade arc, and is also Peak Captain Charming Bromance. Hook not only keeping David’s secret, but doing everything he can to help save him??? Poetic cinema. It also provides some crucial Killian backstory, showing how he lost his brother to the very same dreamshade. Plus, the character development--Pan offers Killian a chance to escape the island with Emma if he kills David, and instead, he saves him, refusing the deal and damn the consequences. Also also? The first CS kiss which drove the fandom WILD.

3X06: Ariel--not only to I love OUaT’s take on Ariel, but this episode has the infamous Echo Cave scene, which involves a lot of feelsy confessions and Killian being the one to tell everyone that Neal is alive and helping Emma save him despite his own growing feelings for her.....IT’S JUST A LOT AND I LOVE IT.

3x07: Dark Hallow--oh man, I’d forgotten about this episode, but it has Killian and Neal fighting over Emma, which may sound eye-roll worthy, but Emma is allowed to tear them a new one about it and it’s one of the few times she’s allowed to actually???? put her own feelings first so I have to include it here on spec

3x11 and 3x12: Going Home and New York City Serenade--these mark the end of 3a and start of 3b respectively, and it has some amazing shit like Killian vowing never to forget Emma and Emma smiling as she replies, “Good.” And then she and Henry are in New York with their memories completely altered, but Killian shows up because Storybrooke is back and in jeopardy, and he helps Emma get back to her family and her home and, much later, Emma finds out he sold the Jolly Roger to be able to do it and it’s just. It’s beautiful ok.

3x17: The Jolly Roger--there’s honestly not a whole lot in the back half of season 3 (until the CS movie) but of course anything named for Hook is a must-watch, and this is where we get the iconic line I swear on Emma Swan--which is Killian saying he’s in love with her before he even realizes it. We also find out just what he did to Ariel, and his attempts to make amends are what lead to Zelena being able to curse him, so it’s great from a character perspective as well.

The next four episodes round out the end of the season, and there’s a lot of great stuff in them--Hook refusing to get Emma to kiss him, but Emma feeling like she can’t trust him because he didn’t tell her about the curse to begin with, and then kissing him anyway to save his life regardless of the consequences.... but the only ones that are absolutely necessary are the final two episodes.

They are colloquially termed ‘The Captain Swan Movie’ for a reason, after all.

Killian and Emma essentially have an entire Time Travel adventure all to themselves, where they accidentally ruin her parents first meeting and have to fix it so that she’ll even be born, Emma finally getting into the storybook, the pair of them dancing at a ball, Killian rushing to save Emma only for her to get out of the cell herself, because “The only one who saves me is me.” Killian saying “I would go to the ends of the world for her... or time.” Finally fixing the timeline and making it back to Storybrooke and Killian feeling like he doesn’t deserve a place at the table so he doesn’t go inside, but Emma comes out to him anyway and finds out he gave up the Jolly Roger for her, the true start to their relationship...... IM CRYING JUST THINKING ABOUT IT I’M SORRY.

I personally really enjoyed 4a, the Frozen arc was one of the last good half-season arcs of the show, but a lot of people disliked it so it’s really up to interpretation. I don’t have as many Intense Opinions on this season (except hating almost everything about 4b and the queens of darkness arc), but I will say the episodes with good Killian/CS moments are 4x02 (Emma nearly freezes to death, Killian is desperate to save her, Captain Charming teamwork, my heart hurts), 4x04 (Emma asks Killian out on a real date, he tries to get his real hand back from Gold, things go massively awry and he winds up back under Gold’s thumb), 4x08 (Killian tries to save Emma from Gold’s plans), 4x11 (the 4a finale is just great in general), and then..... it cannot be overstated how much I hate season 4b, but 4x15 is the Killian-centric ep where his past with Ursula is revealed and he makes amends to her in order to get her to leave the QoD alliance and it’s great character stuff for him, and then there’s the season 4 finale.

Both parts are worth watching, if only because Deckhand Coward Hook still being a braver, more heroic man than ‘Hero Rumplestiltskin’ warms the very cockles of my heart, and of course the second part of the finale has him helping Henry to save Emma and it’s beautiful and also Emma watches him die for her and it is angsty as FUCK but gods I love it. Here’s where it gets tricky, though--my recommendation is, turn the episode off right after Emma finds Killian back in the present day of Storybrooke and they reunite.

Just turn off the episode there and skip right ahead to the s6 musical episode (Emma and Killian’s wedding ep) and pretend they got married and none of seasons 5 or 6 ever happened. >.> (Although I will say certain parts of the Underworld arc were incredibly feelsy despite how much I overall hated the season: 5x11 (the 5a finale, Killian as the dark one STILL being a better man than rumple, we love to see it), 5x15 (I am not immune to Brothers Jones feelings ok), 5x20 (emma literally takes a True Love Test trying to find a way to save killian, you don’t get more romantic than that--also Killian telling Emma to promise she won’t put her armor back up just because she lost him again??? my HEART), 5x21 (Hook does what he can from the Underworld anyway and zeus sends him back to Emma, they really just said ‘today I will invent romance’ and then Did That)

And then, yeah, just skip to the wedding. It’s beautiful, I enjoyed the music, personally, though I know musical episodes are hit or miss with most people. And if you turn it off when the last musical number starts (after the wedding ceremony, I believe) you can pretend it was the end of the show! =DDD

.....Oh my god I just rambled for years. I HOPE YOU FIND THIS USEFUL, ANON. I 100% support a CS-centered rewatch, their episodes were consistently some of the best across the entire series, and they are truly one of my favorite romances of all time.

#ouat #captain swan #captain swan episode rec #asked #long post #Anonymous

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ordinaryschmuck · 3 years

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What I Thought About "Yesterday's Lie" from The Owl House

Salutations, random people on the internet who absolutely won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons!

Here it is! The midseason finale of The Owl House Season Two! An episode featuring Luz going back to the human realm, is hyped up to heaven about how painful it'll be for the audience, and features more anxiety by how Creepy Luz is a thing. And BOOOOOOOOY howdy were fans not ready for this. I'm sure as hell not ready for when I wrote this intro at *checks time* thirty minutes before watching the official premier. Yup, the words you're reading right now are from me in the past, when everything was still pure and simple. Whereas future me is still probably destroyed by the events that transpired. Isn't that right, future me?

Future Me: Actually, it wasn’t that bad. The ending hurt, sure, but other than that, it wasn’t too painful.

Wow, that is some neat input! At least, I think it was. I wouldn't know because I literally wrote that after watching the episode. With the words you're currently reading being written at *checks time* twenty-six minutes before the premier...this whole intro is confusing, isn't it, future me?

Future Me: Sure is.

Yeah, it's definitely confusing. In any case, let's dive into this spoiler-filled review as we find out together just how painful this episode was! Take it away, future me!

Future Me: Will do! Major spoilers ahead, folks!

Now, let’s review, shall we?

WHAT I LIKED

Luz’s Room: We only see it for a short time, but everything about it just screams Luz. The pile of weird-looking stuffed animals, the witch hat in the center of the floor, and the fact that she has bunk beds, a single child's dream (Or so I've heard). It's a small thing, but I love it.

Vee: Here she is! The character previously dubbed Creepy Luz who now turns out to be yet another new addition to the ever-growing list of characters that we, as a fandom, would give our lives for. Because holy s**t was Vee the best type of expectation subversion. Showing us all the ominous ways of how she basically took Luz's place made fans assume that Vee was an evil doppelganger. Turns out, she was just a tortured soul that was desperate to live a new and better life and lucked out in finding Luz's. What Vee does is...questionable at best, but seeing what she went through with the experiments Belos pulled on her, you understand why she would do it. And I personally love it's that same background information that makes Vee resentful of Luz of all people. Luz's life is a relative dream come true, and running away from that would be insane to someone who spent most of their existence through imprisonment and experimentation. It's an intriguing point of view, even though it's admittingly flawed given how it's mostly Camila that seemingly made Luz's life bearable. But the flaws don't matter. What matters is that you can see where Vee is coming from, and to me, personally, I think she's understandable enough to make me root for her to have some kind of happy ending. Whether as Luz or as herself, I'm hopeful to see Vee get some semblance of peace.

Camila: *Round of applause* Don't mind me! Just taking the time to love how all them sons of b**hes who thought Camila was a bad mom are now heavily invalidated. 'Cause, guess what? Camila is a fantastic mother, both to her daughter and her daughter's doppelganger! Allow me to walk you through the highlights:

How Camila looks like she’s not okay with the fact that "Luz" is clearing out her weird stuff, seemingly acting too different to the Luz she knows. Added to the fact that Camila doesn't like it.

How Camila drove Luz to camp whether than letting her take the bus

The fact that Camila takes that box of junk back in, not willing to part with the tin foil sculpture Luz made.

The way she was willing to play along with the game she thought Luz was doing, supporting her daughter's creative mind that Camila admits to being glad to see.

And, best of all, the willingness Camila had to help this poor creature, despite the lies it lived.

It's that last part I really want to touch upon, though. Because an action like that shows just how much Luz's heart comes from Camila. The kindness and generosity of helping this poor creature, who she has every right to run out on, proves how Luz learned to be everything she is today through Camila's own loving heart. Vee was scared and hurt, and the second Camila saw that she was then more than willing to help because of it. It's something that Luz would do, and it proves that even though Camila didn't exactly get everything right, she's still a great mom where it counts.

“A new life”: A perfect line.

Initially, it makes audiences think that it has everything to do with replacing Luz. It's only through future context that we know it's about escaping the s**t show Vee once lived through that it's clear she's talking about starting over. It hits us with intrigue on the first viewing, only to hit harder with the feels during a second. Really well-done.

Luz in the Mirror: A well-done surprise that makes fans curious about how this even happen in the first place. Kudos to you, writers.

The New Portal: I don't mind that they found a way to build this off-screen. Showing Luz and the gang slowly building a new portal would have been a little too tedious to watch, and it's so much better to just start this episode out with it. Besides, maybe we'll get the slow and steadier version now that we've seen how quickly building one might not have been the best way to go, given how fast that thing fell apart.

Luz Between Dimensions: I have no clue what the hell that place she was in is called, but it's awesome! The overall design of the realm is the correct type of unsettling, like it's oozing with mystery, but it's somewhere that you probably don't want to be in for too long. Whoever designed it deserves all of the credit because I don't want to even think about all the hard work that went into making this look as well-made as it was.

Luz Resisting to See Amity: What? Luz and Amity are adorable, and seeing Luz's immediate thought about seeing Amity makes my shipping heart scream with glee. Don't judge me!

Hiding Luz’s Dad’s Face: Well, that was a fun story while it lasted.

So, it turns out that Luz's dad really was a part of Luz's and Camila's life at some point, but not anymore. As for why remains to be seen, as we don't really know yet if we'll see him make an appearance. I'd say that the odds are high that he will, given how much of a point this episode made about keeping his face hidden. Shows don't usually do that unless the goal is to hype up some official reveal, and I can't wait to see what comes of it.

Luz Telling Herself to Count to Five: Hey, more evidence for how I relate to Luz! I know how it feels to be all panicky about a specific situation, and I only got better when I took the time to calm down for a bit. Sometimes, I even tried the "count to x" method that Luz used...it never worked, primarily because it made me feel worse when people told me to do it, but I still tried it! Plus, there's also some narrative foreshadowing when after Luz says five, the realm shows her Vee, or Number V, which is a pretty cool detail you'll notice on a rewatch.

Luz Helping Vee: I gave Camila praise for helping Vee in the end, but that doesn't abstain Luz from her own set of recognition. The second that Luz realized that Vee wasn't really a threat and is far from evil, our favorite human does what she can to help and even makes a deal where they're both happy. Because, of course, Luz is that perfect of a protagonist who is more than willing to help others in need. And it's why we love her so.

Looking for Magic that Eda Left Behind: A pretty cool idea that gives Luz and Vee a chance to bond and giving us an insight into Eda's past antics and misadventures in the human realm. Not much I can add to it, though.

Gravesfield: It's surprisingly not as jarring as I thought it would be to spend an episode in the human realm. I thought for sure, after all that time in the Boiling Isles, there would be something off about walking around a normal environment for a change. Turns out, it's almost easy to get used to. Or, for me, it is.

But I will say that there's this neat use of colors when comparing Gravesfield with the Boiling Isles. In Gravesfield, the coloring looks dulled down and standard, which is a stark contrast to the bright vibrancy of everything we've seen in the Boiling Isles. It's a subtle way of showing how things are different, aside from the major discrepancies we could come to expect. And I think that's why I appreciate it much more.

Eda’s Called Herself Marylynn in the Human Realm: Hang on...hang on...do you mean to tell me that the crack theory about Eda being Stan's ex-wife is actually true?

...

...What even is this show?!

Vee Making Friends with Camp Members: This shows the most apparent difference between Luz and Vee. Where we see Luz is already fearing the many ways that could go wrong with interacting with teens, Vee revealed that she adapted to her situation and had a chance to make friends. The implications of this are worth discussing another time, but for now, I'll say that it's pretty intriguing that we gain this much insight into both Luz and Vee through such a small thing.

Belos Wanting to Learn How Basilisks can Drain Magic: ...Didn't Raine say that Belos was taking away magic? If so, I think we can figure out how he's doing it. The question now is: Why?

Jacob (The Curator Guy): This guy was a riot. At first, Jacob seemed like a threat with the way he trapped Vee and was apparently stocking her, but the second he goes off about his conspiracy theories, it becomes clear what type of character he is. And was it a blast seeing how much of a crackpot this man is. It wasn't cool seeing him wanting to dissect the precious angel that is Vee, but I still chuckle about things like his "Flat Eather's Certificate." So while he's not that much of a threat, he's still fun to watch.

The Owl Beast was in the Human Realm: ...How did that happen? When did it happen? And how the hell did Eda get out of a situation like that?! Who knows, but it's still a shocking piece of news to learn.

Luz Telling Camila the Truth: Hey, she faced her fear after all! Although, the results aren't as pleasant as when Amity faced her fear two weeks ago.

Camila is a Veterinarian: ...One insignificant reveal...managed to destroy so many fanfics. I mean, we probably shouldn't have just assumed Camila was a nurse...but what the f**k else were we supposed to think?! Sorry for seeing the scrubs, and the first thing that came to my mind was "nurse" and not "vet."

By the way, that had to have been intentional, right? There's no way that Dana Terrace didn't think we'd assume Camila was a nurse. She'd had to have put off a reveal like that just to trip up her fans. And if that's the case, then that is a major d**k move...but that's why I mildly respect it.

Two Human Brothers went to the Demon Realm: Turns out we don't have to be in the Boiling Isles to learn more about it. Because now we have more information about how two humans were taken to the Isles with the help of a witch, thus setting up a grander reveal if it turns out that one of the humans was Philip and the witch was Belos. Because if that's true...then there's more of a history between those two than we thought.

Jacob has a Training Wand: This helps me believe that it's highly likely for Jacob to make a return and to have a power boost for when he does. After all, focussing all that attention on the training wand is way too convenient for it not to come up again in the future. Meaning we're most likely going to get more pain from Jacob if he shows up again.

Camila Beats the Crap out of Jacob for Vee: ...Writers, don't make me choose between Camila and Eda on who's the better cartoon mom. I know Eda's technically not a mom...BUT I STILL DON'T WANT TO CHOOSE DAMNIT!

Also, the sandal...just...

Why the f**k does Camila have a sandal in her purse? I don't know. Is it still funny that she does? Most certainly.

Camila and Luz’s Talk in the Rain: Ooooooooh, I was not ready for this...

I wasn't ready for the crying.

I wasn't ready for the hurt in Camila's eyes when she found out Luz chose to stay in the Boiling Isles.

I wasn't ready for Camila asking if Luz hates being with her that much.

I wasn't ready for Luz profusely stating how it was never Camila's fault.

I was not ready for Camila to tell Luz that she'll try to do better.

And I definitely was not ready for Luz to barely have enough time to promise that she'll come back.

This episode wasn't the twenty-two minutes of nonstop angst that I thought it was going to be...but this short scene more than make up for it.

Luz Tries to Stay Strong: Yet another thing she unwittingly learned from Camila. Camila tried to keep a brave face when Vee was with her and Luz, most likely not wanting to tear either of them down in the process. Luz does the same thing here as she avoids talking about the details of what went down in her sort-of journey back home. And seeing her clearly fake smile slowly droop into an uncertain frown, it uh...it definitely tore me up inside.

WHAT I DISLIKED

I want to say it's perfect, but there's one major issue that really bogs this episode down.

Continuity Error in How Vee Replaced Luz: Having Vee take Luz's place the same day Luz appeared in the Isles is a smart idea on paper...if it wasn't for the fact that it's impossible.

Because Eda closed the portal door the second that she saw Luz, meaning that there's no way for Vee to go to the human realm. It's a major plothole that makes no sense, and it might just be the first time ever that this series wasn't so closely knit with its story. Which ends up taking a dive in quality in the process.

IN CONCLUSION

I'd say that "Yesterday's Lie" is an A-. Everything about Luz, Vee, and Camila is incredible, combined into a story that ends in tragedy and uncertainty for the future. That plothole may drag things down a bit, but everything else is handled so well that I'm not lying when I say it's easy to forgive and forget.

(And that's ten episodes in a row without a single stinker. HOW THE F**K DOES THIS SEASON KEEP WINNING?!)

#the owl house #the owl house spoilers #toh spoilers #luz noceda #camila noceda #camila is a good mom ok!#toh vee #emperor belos #what i thought about #the owl house reviews

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beyondstupidityblog · 3 years

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On March 13th 2021, two friends and I did what never could have imagined possible, I watched Freddy Got Fingered for the ninth time, and it will by no means be the last. I’m explaining this to you, dear reader, so you and I have an important understanding between us. You will be reading the ramblings of one whose brain has curdled like milk left out in the hot afternoon sun. Now that introductions are out of the way, let us begin.

Freddy Got Fingered is a 2001 Comedy starring and directed by Tom Green as the Non-Titular Gordon Brody; an aspiring animator who goes to California to realize his dream, only to be constantly crushed under the weight of his father’s expectations. Sounds tame at first, but what lies beneath the veneer of mediocrity is truly impressive. Completely bombed, audiences hated it, and critics loathed it. Roger Ebert got angry, saying “it isn’t even below the bottom of the barrel” and “Green should be flipping burgers somewhere.”. “Tasteless”, “appalling”, “offensive”, “gross”, and “poo poo,” are just some of the things people have had to say about this film. Animal genitalia can be seen on screen for much longer than anyone could have expected, Tom Green swinging a baby akin to a morning-star with its umbilical cord, said umbilical cord being stolen and taped onto his stomach, gratuitous caning of a nymphomaniac paraplegic, and the dissection of a deer carcass. It is an abrasive experience that leaves a terrible taste in the mouths of those who mention it. Nonetheless, I love this movie.

You ever see a contemporary art exhibit that has a piece that just looks like garbage somebody left out but in actuality is a tongue-and-cheek allusion to the pitiful state of modern art? That garbage is Freddy Got Fingered, and that exhibit is Hollywood. At face value it just seems like a poorly done film by a comedian trying to use his name to get a few butts in the seats before his irrelevancy arrives, but when scrutinized as a commentary of comedy films do the pieces start to fall into place. Tropes like the Protagonist being an unremarkable honkey, gross-out designed to get some cheap quick chuckles, side-characters who occupy the space solely for comedic relief, a shoe-horned romantic side-plot, and an equally as shoehorned in happy ending are all present in a mocking fashion. So many of these Hollywood schlockfests that this movie is paying homage to abuse tropes in some vain attempt to trick the audience into thinking they’re having a good time, when in reality it just reminds viewers of films that they’ve already watched before and could be enjoying instead. All of the awkward and uncomfortable scenes of gross-out and romance are purposeful, because nothing is quite as awkward and uncomfortable than a film disengaging the audience with its own mediocrity. “This is what it’s like to endure this trash!” Drunkenly screams Freddy Got Fingered atop the tallest piece of furniture in the room, while also exposing its genitals to keep you from getting too comfortable around it. Unlike the films it is parodying, its obsession with making a fool out of audiences rips them away from the comfort of the cinema, making them genuinely ask if it is worth wasting their time watching a film called Freddy Got Fingered. Even the title is an intentional slight, as it seems to be completely untethered to the actual plotline and is instead a reference to a seemingly inconsequential scene. But then again, that is the point of it all. Tom Green is an artist, and on his canvas is a portrait of Hollywood with all of the ugly little imperfections that cause a movie like this to be created. But this is just the meta-narrative of Freddy Got Fingered, something that you could find all over the internet. Why do I resonate with it so much, and what about it makes it so exceptional that led to this unhealthy fascination?

Every instance that I’ve rewatched Freddy Got Fingered has always brought about a new side to it, and in the process leaves me craving for more. Gord is an interesting take on the average leading man. He is on the surface bland and inoffensive, made so in order to allow the majority of the audience to immediately identify with him, said group being 20-something skater guys with unrealistic expectations of themselves. Made especially ironic when after the introduction of Gord as an adept skateboarding rebel escaping from authority, he starts to show that in reality he is an unlikeable, bratty, entitled, and all around unpleasant person. Barely a scene passes before we see him masturbate a horse while exclaiming he is a farmer to his father who is not present, seemingly a crude gag but is in reality an insight into his low self worth caused by his imposter syndrome stemming from distant paternal relationship. I would like to remind you, dear reader, that I am still writing of Freddy Got Fingered, in case you were beginning to think I have lost my mind (The answer is yes by the way). All throughout the film Gordon Brody puts on masks for different situations, never allowing himself to be who he is. When infiltrating the Animation studio where he wishes to pitch his cartoons, he pretends to be a mailman to get past reception and then impersonates a police officer when the former stops being effective. Donning the visage of a British Bobby, he dashes into the restaurant where the man he is searching for, Mr. Wallace, is eating. Showing him his cartoons, Wallace is impressed with the potential they have, but says that they are incoherent and lack real substance. Upon rejection, Gord puts a pistol in his mouth before Wallace stops him and advises what he should do to improve. Gord was genuinely ready to blow his brains out the back of his skull if he wasn’t able to get his show greenlit, and it hit me in that moment that he isn’t just some random jackass, but a victim of detrimentally low self-esteem.

The origins of his complex are made apparent when he goes back home to Oregon and are reintroduced to his Family. We see that his father Jim, played by Rip Torn, is disappointed in his return and begins to sneer at him for his failure. This father and son dynamic always has tension in every scene from this point onwards. Gord, who just wants to be accepted for who he is and not judged by what the world expects him to be, is always at the receiving end of Jim’s wrath, who values his idea of a successful life over the happiness of his sons. From here it becomes little wonder why Gord is the way he is, all his life he was told that who he was is not good enough, he has to be what his father wants if he is to be considered worthy of not only love, but being treated with a modicum of dignity. Whenever Gord acts eccentric or divulges his interests to his father, they are met with either resentment supplemented by verbal assault, or physical violence. After a late-night skateboard outing to escape from his father’s wrath goes awry, he visits his convalescing friend in the hospital, whereupon he meets one of the more interesting characters in relation to Gord, the love interest Betty.

A horny wheelchair bound temptress may not seem like it upon first glance, but Betty is actually the most interesting character out of the entire cast. She feels genuine, introduced as a bored receptionist flipping a coffee creamer idly. Gord immediately strikes up a conversation, whereupon he and the audience find out she has an interest in physics, and apparently an interest in him as well. Betty is strangely well written for what most considered at the time to be a crass sexual joke, so much so that she would actually be a better protagonist than him. She is everything Gord is not, she’s smart, funny, ambitious, and kind to a fault. Even her side plot to create a rocket powered wheelchair makes for a much more unique plot than the one given. Even Gord reciprocates this sentiment in their meeting, lying that he is a stockbroker in an attempt to impress her. In fact, sectioning her off as just the dull protagonist's love interest is a jab at how women in these movies are only there to serve in the development for the male protagonist, just nothing more than their muse. Nonetheless, without this relationship the movie would lose a lot of its soul. Romantic chemistry in comedy films is always hit or miss, but Gord and Betty do seem to have it surprisingly. They’re both silly and impulsive, creatively driven to a fault, but just different enough to eek out the best and worst in them. Gord thinks that what he wants to do with his life is wasteful, but Betty doesn’t. Now I don’t mean that she directly affirms that he is worthwhile like most poorly written love interests would, stroking their lover’s(and by extension the director’s) ego, rather she confronts him with her optimism. He asks if she would feel stupid and like a loser if her experiment failed. Taken aback at first, she questions why she would, relaying that her failures are just as important as her successes. Gord’s self-worth is directly tied to his ability to succeed, whereas Betty doesn’t need this affirmation. Their dialogue further cements how detrimental his father’s overbearingness was to his outlook, and how he is slowly beginning to realize how destructive that mindset is.

At their dinner date, Jim sees Gord and Betty across the restaurant, then reveals that Gord was lying to both him and her about his office job while poking fun at her disability, leading to a father-son scuffle that throws the entire floor into utter chaos. Cops show up, Gord and Jim are detained, and Betty bails Gord out. Most mediocre comedies at this point would have the love interest be upset that her significant other lied to her, leading to him having to make things right to repair their relationship before the happy ending. Breaking the mold, Betty does not get angry with Gord even a smidgen, choosing to be understanding of his situation now that she caught a glimpse into his home-life. She just plain likes Gord, willing to put up with him more than she really should, but still chooses to look past his lies and self-destructive nature for who he truly is, someone who just wants to be accepted by the world around him. Someone just like her.

Right after that enaction of social terrorism performed by the Brody father and son duo, they decide it would be best to go to family therapy and assail the audience with what I fondly refer to it as, “The Scene.” “The Scene” is Freddy Got Fingered’s statement to the world, it is what instills a man with the impetus to rewatch a glorified stoner daydream for the ninth time and leave him wanting more! Gord accuses his father, in a final act of defiance, of molesting his younger brother Freddy. During the ensuing confusion Gord picks up a bust of Sigmund Freud and throws it into the glass window pane, allowing him to escape into the evening sun. The authorities take Freddy away and send him to The Home for Molested Children, and the family slowly unravels from then on. Besides the heavy handed metaphor of Freud’s theories being used as a way for Gord to escape his predicament while simultaneously discrediting them, “The Scene” also recontextualizes Freddy, innocuous of a character as he is, as Gord’s foil. He is in the movie very little but when he is it is to serve one of two purposes: To be compared to Gord, or to be treated as an object. During breakfast much earlier in the film after a fight between Gord and Jim, Freddy tries to explain to his brother that he should grow up. Gord, surprisingly, talks down to him and halts the conversation.

Gord: “He's driving me insane.”

Freddy: “No. No, you're driving him insane. You're older than me and you still live at home. I have a job, you know. I pay my own way.”

Gord: “You work in a bank. Should I be dazzled?”

Freddy: “Well, at least I don't live at home!”

Gord: “No, you live in a tiny shithole and you come here to eat for free.”

With these lines it is plain to see that despite Freddy’s idea of success directly lining up with his father’s, he is even more pitiful than Gord. What little we know of him is to show that his acquiescence to his father’s expectations has left him bereft of not only genuine personal success, but of dignity itself. When child protective services come to take him away, he is half naked, mouth agape, watching open heart surgery on television, a palpable indication of emptiness. He isn’t treated as an adult either, as his protests to the police fall on deaf ears as both them and the psychologist infantilize him. Why would Tom Green name this movie after a character like Freddy, whose lack of presence and characterization make him little more than an afterthought when looking back on the story? Or did I just answer my own question? Freddy is not a character because he is not allowed to be one, he is just too passive and accepting of his circumstances for him to stand out. All he can be is a doll that Jim uses to dress up as the perfect son, and this passiveness leads to Gord, the “failure,” to both pity and resent what he let himself become. That’s why Gord accuses their father of molesting him, after all he does narratively violate Freddy’s autonomy by consistently making decisions for him. Evidently enough, as soon as Gord dons a suit for a quick bit Jim is elated because he believes that his son finally gave in to his demands for him to get a job, because he is acting more like his obedient brother. In this sense Freddy is the most tragic member of the Brody clan, a literal manchild whose growth was stunted by overbearing guardians. When I think of him, a bonsai tree comes to mind. Sure, it looks healthy, but when you realize that it could have grown into a much bigger plant if it were not for its small pot, that realization of wasted potential comes with a tinge of melancholy.

I want to end this essay with a moral that I took away from Freddy Got Fingered, as strange enough as that sounds, and what it has to say about art as a whole. Put simply, this is a story about revenge. Despite and because of his Father’s harsh ways, Gord managed to take from the trauma he sustained throughout his life and sublimated it into his animation. Creation not only lets him heal, but also acts as retaliation against Jim once he becomes successful. So long as you have the drive to prove everyone’s doubts and admonishments wrong by persevering out of wicked spite, you will have the last laugh. Freddy Got Fingered is a story about revenge through artistic expression, and I think that is quite beautiful.

#freddy got fingered #tom green #movies #essay paper #comedy

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renewedmotionforjudgment · 4 years

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Go ahead - final thoughts (yes I went ahead and found versions on YouTube). So spoilers ahead.

This drama reminded me a lot of my other favorite family drama, Because of You, with Sun Yi and Deng Lun. Completely different plot and more angst, but fundamentally a family drama where OTP romance is secondary.

I’m glad the show left Yueliang single. I think she has a lot of work to do for herself (gaining self esteem, independence). I’m also glad for a drama that doesn’t feel the need to pair up everyone because life doesn’t wrap up perfectly like that.

I’m also glad the show didn’t end with Ling Xiao and Jian Jian getting married with 2 kids. I think it’s interesting that the show basically background dropped progressions of their relationship. Like if this was a pure idol drama, this whole “your mom doesn’t like me” would be the front of center of their relationship problems. But Ling Xiao has a lot of problems he needs to work out, and what we saw in the last 2 episodes is only the beginning.

So I actually really liked the Yueliang and her mother storyline. I think it’s really interesting because her family is almost the inverse of Jian Jian, Ziqiu, and Ling Xiao’s. The “model” one child family. The dad who is indulgent but then (I’m glad Yueliang called him out on it) we realized that it wasn’t out of a genuine desire (like 李爸) to want the kids to do what makes the happiest but to avoid responsibilities. Yueliang’s story hits me pretty hard because I saw reflections of my parents (particularly) in Yueliang’s mom. As I get older I sometimes do wonder if some of my rebelling in my teens was worth it.

Like I mentioned in my previous post, I was always decently sympathetic to He Mei. I’m not sure if I buy the He Mei and Li ba relationship BUT I think the show is somewhere aware of that. That said, there were some pacing issues and I wonder if having 5 more episodes would have done the trick. For the amount of storylines the show was trying to cram, 40 episodes seemed low.

But also Ziqiu’s pleased face at He Mei picking him up!!! Ziqiu opening up a new cafe with He Mei’s friend’s advice!!!

Lastly, Chen Ting. I don’t know how they were going to redeem her, and I don’t think she’s as much “redeemed” as finally realizing that she was in the wrong. I think that would have been the only way to really “redeem” her as a character. She had previously blamed everyone except herself. Finally realizing that she was wrong, and Ling Xiao telling her that only by living can she right her past wrongs, is the beginning. I honestly hope she seeks psychological help.

I really wanted more fluffy trio moments. But I guess that’s what fanfic is for. Like in my head canon at some point Jian Jian ends up spending more nights at Ling Xiao’s and almost partially living there (like group breakfast ended up being split between apartments). I’m halfway convinced Ziqiu goes from pearl clutching to mumbling about why doesn’t Jian Jian put the dishes away bc let’s face it, her apartment with Tang Can and Yueliang was a mess.

It’s still one of my favorite dramas of the year. I don’t know if I would rewatch it as often as Find Yourself. But I think (despite being opposite of Fanxing in my relationship choices aka my husband is older) I connected with Find Yourself more because I’m a lot closer to Fanxing’s age group.

Lastly, bc this is the genre of cdramas I watch the most, someone cast Tan Songyun and Song Weilong in some angsts 50+ episodes palace drama.

#go ahead #以家人之名 #cdrama

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veliseraptor · 4 years

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I can't remember if anyone has actually asked you this. I apologise beforehand if you're repeating yourself. What are your three favourite scenes in The Untamed and why?

(Love how this took so long, mostly because I was waiting to get through all the listed moments in my rewatch. Anyway! It’s here now!)

Oh, fuck.

Okay, I couldn’t keep it to three. I tried! I did! But I couldn’t. So here is a list of just general favorite scenes with the three scratched off. I realized belatedly that most of these are just painful because I love pain I guess??? but yeah that’s just who I am and I think I have to accept that.

Under a read more because Jesus this got long.

1. The entire scene at Nightless City culminating in Wei Wuxian’s death. Like, okay, honestly, if I could expand this into basically everything between Jin Zixuan’s death and Wei Wuxian’s, I’d do that, but that feels like too much even though in my head it is all sort of...one contiguous marathon of pain. But god!!! I have a whole thing for...characters hitting their breaking point, for breaking points in general, for seeing a character I love just...crack open, and that’s what happens here.

Like. Wei Wuxian’s been cracking for a while, and there’s a number of breaking points that kind of build on each other, but this is, obviously, where the real snap happens.

And on a narrative level, too, there’s the thing that...this is the point that we as the audience have been spiraling toward since first seeing the beginning of episode one. This is where the entire long stretch of flashback has been pointing - here’s where it culminates, where it falls into place, where everything circles back to where the show started and now you know exactly how it got there.

Also I just. Love to suffer, and this entire scene is one whole long stretch of suffering.

2. The golden core reveal. Oh man, I was waiting for this conversation for, like. Ever. I knew it was coming and I knew it was going to have to happen and I just kept being like. When will it be. When will it be and then it happened and god it was beautiful. Everything about this whole scene was just tailor made to hurt me and make me love it, from the confrontation in the ancestral shrine right down to when Jiang Cheng bolts in a panic.

I hurt for everyone here. Wen Ning who has hit the end of his rope and is just fed up with everything. Jiang Cheng whose world is getting turned upside down and inside out and a whole lot of things falling into place all at once, his self-conception wrecked and his understanding of Wei Wuxian both opened and destroyed. Lan Wangji who is understanding what he missed and, I think, beating himself up about having missed it, and also the fresh understanding of just how ready Wei Wuxian is to throw himself under a bus for the people he loves. Wei Wuxian who doesn’t know any of this is happening but has just collapsed after running on fumes basically since resurrecting and is going to find out later that the biggest secret he’s been keeping and planned to keep for the rest of his life is now out.

It’s just. Lord. It’s all so painful and it’s all so good, the payoff is so good, and especial mention here of Wen Ning’s done with your shit and I’m not taking it anymore face as he brandishes Suibian at Jiang Cheng not as a weapon, exactly, but a little bit.

(He doesn’t bite but he can hurt you in other ways!)

Anyway, this isn’t actually saying anything coherent, really, except just a lot of “ahhhhh” screaming about this scene and everything in it and everyone suffering in it and just. What a moment.

3. The excruciating conversation between Jiang Cheng and Wei Wuxian in episode 48. Oh my god. Ohhhh my god. Okay, so, I’m always going to be a sucker for extremely painful and difficult sibling confrontations where everyone is spilling their feelings everywhere and it’s just a lot, and this was like. I remember on my first watch when this happened and I was like. Holy shit. This. This was what I needed. This!!!!

And then no real resolution after, orz. But that’s what fanfiction is for. And there’s glimpses of the possibility, for sure, I Believe.

But anyway! And on rewatch this conversation just gets better and also more painful because of the ways that while it is finally a conversation that Wei Wuxian and Jiang Cheng have sort of needed to have for, like, ever, it’s also one that rips open a lot of old wounds and it is also one that involves a painful amount of talking past each other.

There’s a long meta post somewhere (sorry! I never know how to find the meta I’m looking for when I want it and I’m lazy right now!) about how what Jiang Cheng needs to hear is that Wei Wuxian loves and cares about him, and what he does hear is that Wei Wuxian is, once again, cutting himself off, that it was all always about debts and obligations and nothing more. And what Wei Wuxian is trying to do is release Jiang Cheng from being tied to him by those debts and obligations, to give him freedom, with I think the idea of creating a clean slate that’s not tainted by everything that went wrong before. He thinks Jiang Cheng needs to be released, but what Jiang Cheng needs is to be held.

(Both of them do! Both of them need that! Both of them need to feel loved and cherished and these things also specifically by each other!)

And I just. I just cry a lot.

But it is also beautiful, in the way that it captures so much about their relationship and the blood and hurt and tenderness and love all tied excruciatingly together, the ways that they hurt and have hurt each other, the ways they push and pull, all of Jiang Cheng’s anger and hurt spilling out everywhere in a way that I think has been building for 16 years. It’s not closure, but it is a catharsis.

And for Wei Wuxian - I think it has to be, on some level, a relief. Even as it’s painful, even as it is exactly what he never wanted to happen, the secret is out now and he doesn’t have to hold onto it anymore. They are both - in his eyes - free.

It’s just...a wrenching conversation that hits, like, sixty of my buttons at once and gives me a whole lot of emotions.

4. asldkajsldfkj the flashback to Xiao Xingchen’s suicide in episode 39 and what comes after, just go ahead and kill me now. Like okay it’s probably obvious by now that I live in this hole called “Yi City, my Xue Yang feelings, and my XueXiao feelings,” and during this liveblog I specifically spilled several posts and screenshots worth of them, but god!!!! it’s just so much. Like, the entire Yi City arc is messy and painful as hell, it’s just like being put through an emotional wringer where I hurt for everyone in it, but this is the part that is especially excruciating because everyone in this emotional climax is suffering so much.

And, like. We knew where this would end. We knew Xiao Xingchen died, and a-Qing was just killed, and at this point Xue Yang is dying. No one is getting out of this alive - but we haven’t seen yet exactly how things closed out. And the answer is “badly. it’s badly.”

Both of these people in the very bad breakup scene are hurting. Xiao Xingchen is in agony, his life falling apart in his hands - everything he thought he knew has been a lie, he’s been tricked, played for a fool. And the hammer blows keep coming. It’s not enough that it’s Xue Yang, that Xue Yang has been fucking with him (as far as he knows), lying to him, for three years. It’s what Xue Yang reveals about what he’s done. And then it’s what Xue Yang reveals about what he’s done to Song Lan.

And on the other end - Xue Yang’s weird fake domestic life that he’s gotten attached to, Xiao Xingchen who he’s come to care about - it’s imploding, irrevocably, in front of his face. And first he tries to explain himself, sort of, but he must know it’s not going to work; and then he goes back to what he does best and lashes out. You’re going to hurt me? I’ll hurt you fifty times as much.

I think he expects a fight. Or maybe, at most, he expects Xiao Xingchen to break down, and maybe he has some vague idea that then he can say see, this is what the world is really like, now you get it and rebuild him in some kind of Xue Yang-esque image (though I don’t think he really thinks that’ll happen). He doesn’t expect Xiao Xingchen to kill himself. He doesn’t expect Xiao Xingchen to die.

And then he doesn’t expect to not be able to get him back.

It’s just. This whole arc is people destroying each other and themselves body and soul, and this is the climax of it, the breaking point. And it hurts, real bad.

And as we have established! I love to suffer.

5. Drunk Lan Wangji, take two. All of these are like. “Pain! Pain! Pain!” and here we are with some goofy antics instead. I mean, the intro to drunk!Wangji is sad in the way that it has to do with what happened to Song Lan and Xiao Xingchen (and Lan Wangji’s always feelings about those parallels ouch), but then...I mean, drunk!Wangji is just generally adorable, but here he is especially adorable.

Chicken theft! Vandalism! Trespassing! His adorable little smile when Wei Wuxian asks if he likes rabbits and he’s like. Yeah. :) :)

And then we close out with more emotions, of course. Because it’s not The Untamed without a little bit of pain thrown in there.

“I have regret,” Lan Wangji says, a confession of fault, and of course Wei Wuxian can’t receive it, or won’t - and Lan Wangji reacts to his attempt at absolution by basically doing his usual “I don’t want to talk about this” routine of just bluntly changing the subject (in this case “going to bed now goodnight.”).

Also the entire bit where he goes from hopelessly drunk to fighting off an opponent and then back to hopelessly drunk, like. Even drunk!Wangji can and will kick your ass.

And all of Wei Wuxian just like. Basically trip babysitting him? Gently trying to herd him around? The gentleness and fondness of it all?

Good. All good.

6. Qiongqi Path, take one. Emotional mauling! Terrifying evil flute Wei Wuxian! Dramatic face-off between Wei Wuxian and Lan Wangji! The beginning of Lan Wangji’s moral crisis! (Or, okay, not the beginning but this is definitely a major breaking point for his worldview, I think, and where his questioning really, truly begins.)

It’s just...a lot of good. Everything with Wen Qing searching for Wen Ning’s body hurts so bad. Wei Wuxian coming stalking back into the camp with vengeance on the brain is as gloriously sexy as that vibe always is on him. And the confrontation between Lan Wangji and Wei Wuxian? oh man.

Juicy. And also. Ouch.

(And am I a sucker for everything about ‘former allies ending up on opposite sides and one of them saying something along the lines of ‘if I’m going to die then I’d rather it was you who killed me’ yes I sure am! I didn’t cry nearly as much on my third watch but this scene is another one of my points that I think of when I think of bits in The Untamed that make me cry.

And as we’ve established already, I just love to cry.

7. God like. All of episode 19? Is that cheating? But it’s all so good! We have suffering Wei Wuxian! Mouthing off while being tortured! The entire sequence of him grabbing the sword and that moment of choice where his life turns as he answers that question (do you want revenge?) with a resounding yes?

Lan Wangji absolutely fucking up some Wens on a desperate quest for Wei Wuxian? Teaming up with Jiang Cheng? (Do I still want to see more of that team up in that time? Yes please!!) SPOOKY FUCKING FLUTE MUSIC STARTING SIGNALING EXTREMELY OMINOUS THINGS TO COME?

Anyway it’s all very “fuck yeah, this is all quite tailored to me and my interests, thank you.”

8. Jiang Yanli coming for Jin Zixun’s life. I feel like I should just link to this analysis of this scene that really breaks it all down in detail? But god so satisfying. I mean, Jin Zixun is truly one of the most hateable characters in this show, in my opinion, and seeing Jiang Yanli step up and politely and meticulously demolish him is like. So satisfying.

The face of a woman about to murder someone. But with words.

I really wish we could’ve seen more of this Jiang Yanli, because before this point she’s all softness and gentleness and while that’s very true of her - this part of her is also there, always, and I’d love to have seen more of it.

But like. Getting it here? Stunning. Showstopping. Love it.

9. Wei Wuxian wrecks a party, but, like, sexily. I mean, he wrecks a few parties, but I’m thinking specifically of the one in episode 26 prior to Qiongqi Path, take one. Everything about that whole scene is gold top to bottom, but what really gets me going is everything from the dramatic entrance (I’m tempted to make a list of Wei Wuxian’s best dramatic entrances) onward to “sexy menacing countdown.” It’s just all so...I mean, I’ve talked about how much I love furiously angry and on the verge of losing it Wei Wuxian, and this is some prime that material.

(Pictured: the sexiest way anyone has ever said the word ‘two.’)

And just! The tension of it all, how it builds and builds and builds and even when it finally releases when Zixun caves there’s still all this lingering “oh fuck! that’s bad!” dread...it’s just very good.

And I also love it as one of those key plot turning moments where it’s like. This isn’t the irrevocable break, but it’s a big one as far as ‘no going back from this.’

And like. Not just Wei Wuxian, everyone else in this scene is excellent too. Just. Mm. Good.

10. Wei Wuxian is sexy when he’s mean and that’s just the truth. Which is to say: the very bad breakup scene between him and Lan Wangji in episode 20. I’ve read two different analyses of this scene, both brilliant (by @hunxi-guilai here, and @neuxue here), and I feel like I can’t add much to that other than to reiterate that Wei Wuxian is very sexy when he’s mean, and the layers of everything going on in this scene are. Ugh!!! So good.

(I mean, also everything that comes before, I have put myself down firmly in camp “Wei Wuxian is also sexy when he murders people, you go Wei Ying, murder people as much as you want, it’s hot.” And the hug with Jiang Cheng! (THAT HUG. IT IS SUCH A HUG.))

But the confrontation between him and Lan Wangji in particular! it is so fuckin good. Honestly just read the linked analyses, I’ve got nothing I can say better that’s not in there, just a lot of “ahhhhhhh” about it all.

BONUS MENTIONS TO: basically every time Wei Wuxian Yiling Laozus, “stay and die with me.”

#anonymous #conversating #fucking FINALLY #no idea how coherent this is but well #the sad queer cultivators show #the untamed #i am SURE i've forgotten things here #lise does meta #i mean the end of episode 50 is also prime in a lot of ways #IF I LET MYSELF KEEP GOING I'LL GO TOTALLY WILD THOUGH #love how many of these are just 'i like it when my faves suffer'

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popculturebuffet · 3 years

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Lilo and Stitch Crossover Arc: “Rufus” (Kim Possible) Better and Worse (Paid for by WeirdKev27)

Aloha all you happy people! It’s back to Kauai for the third of my look at LIlo and Stitch’s crossover episodes! This retrospective was made possible by WeirdKev27, who had the idea for it and paid for me to review these episodes. You too can buy reviews for only 5 bucks a pop. Just go to my ask, Direct Messages or discord.

Now with my plugging out of the way, this one, out of all four is the one I looked forward to the most, and out of the four shows in this crossoverathon to make the trip to the Kauai, this one is hands down my faviorite.

Kim Possible was just damn good and having rewatched a handful of episodes and the movie (Easily one of my faviorite Disney movies and the best DCOM, I will not back down on either), I can say it holds up every bit as good as it did in the early 2000′s. Frankly like Danny Phantom i’m surprised I never thought to get to it till now. But no time like the present: The show proper is a fun super spy sendup, but still feels unique: Instead of i’ts Teen Superspy working for some knockoff of MI6 or S.H.I.E.L.D., Kim is self employed, simply helping people because it’s the right thign to do and not for any reward with the help of her bumbling but loveable sidekick and future boyfriend Ron, though the romance angle wasn’t overplayed with the two, just hinted at here and there, enough to make it plausable for Ron to realize he has feelings in the movie and for Kim to return them and frankly it’s probably the best handled “Friends to lovers’ plot i’ve seen in a children’s cartoon. I”ll get more into that if I hit my stretch goal for it on patreon, more on that at the end of the review, but while it has no baring on this review I still felt it worth noting as that trope is NOT easy to pull off.

Point is, the show was smart, funny, engaging and had two great characters, a tremendously talented voice cast, and more anchoring it. It was a treasured part of my adolsence. It also had one of the only succesful “Save our show” campagins from fans i’ve ever seen. Despite So The Drama having been written as a finale and having reached Disney’s episode count, fan demand for a fourth season was so incredibly high we got one and it’s to this day one of the very few Disney shows to live past three seasons as a result. The show is in full on Disney Plus, along with the movie, which I HIGHLY recommend and hope I get to talk about, and the recent live action remake movie which .. is not bad. Not GREAT but the leads do make a good kim and ron, paticuarlly my boy Sean Gambone as Ron, and for a live action remake it really does get the spirit of the show.

But obviously we’re not here to talk about the show proper, though I REALLY want to now, but instead it’s crossover. So far the crossovers for Lilo and Stitch have been, much like said live action remake, OKAY, but nothing amazing, often shoving in sideplots related to Lilo and Stitch proper we didn’t need, forced morals and not really having a good amount of character intraction. The good news is this crossover DOES fix a lot of that.. the bad is that it also has some new problems, and still falls into some of the same traps the other episodes have. See what I mean with the full review under the cut!

We open at night, with Lilo and Stitch playing hide and seek. Adorably though Sttich dosen’t quite get the hang of it and proudly announces where he is. However things are quickly interupted when he’s kidnaped by a mystery ship out of the blue. It’s a good hook to start with, leaving us wondering who it could be...

And thus, if you hadn’t gone into this episode knwoing it was a crossover, giving us a hell of a reveal with a cut to Dr. Drakken being the one to kidnap stitch!

Look I love this Doofus. He’s easily one of John DiMaggio’s best roles, up there with Jake and Bender, and the one along with Bender that cemented his career. as one of voice acting’s finest. He’s just so loveably incompetent, over the top and quick to bicker with Sheego, which leads to some of the funneist moments in his home series as she’d either skewer him good or he’d shove his boot in his mouth and help her point instead of his own. He’s just such a great character and he not only fits neatly into Lilo and Stitch’s world, but the writers clearly get him perfectly. We get a hilarious bit where, fed up with Hamsterviel, who he’s teamed up with, he simply fakes the radio going out, adjusting the dials purposfully to make it come in buggy something I GUARANTEE he put in for SHeego and I gurantee she saw right through. His plan is to create a clone army of Stiches.. meaning Hamsterviel’s big evil plan.. is a copy of someone else’s.

Lilo goes to Jumb and Pleakly, the latter of whom has been collecting magazines adorably. Lilo plans to go after Stitch but Jumba says she can’t go on dangerous missions without him and to get a professional and this part.. does not work for me. Most of the time Jumba ENABLES Lilo’s behaviors and while not wanting an 8 year old to run out into the night is a good call, he also suggests getting help.. instead of you know GOING WITH HER WHEN IT’S LIGHT. It sounds more like Nani’s idea... it fits her more to not want Lilo to run out and to want to get help versus Jumba whose admant about keeping secrecy yet very lax on things, and you know would BE concerned that his prized creation was suddenly stolen and actually think about it. He’s just so horribly out of character it hurts.

And Nani’s absence really hurts the episode. See the last two, as much as I missed the lovely and talented Tia Carrere’s presence, didn’t really need her, though still could’ve included her: she could’ve made a cameo at the start since Lilo was there to visit her and she woul’dve made a better target for Spats than trudy, with Oscar fighting Jumba instead, allowing us some crossover interactions instead of having Jumba argue with a random asshole the episode wrote in. But it’s minor stuff. Here though? Her being the one to tell Lilo not to go would’ve made more sense: She’s protective by nature, and while she’s let go more since the movie, it’d make sense for her NOT to want Lilo to blindly chase after someone who beat stitch of all beings, as well as for her ot be the one to later tell Kim not to let lilo be involved. It’d be stronger coming from her sister and surrogate mother than Pleakly and it would’ve been a better arc to have Nani let Lilo off the leash so to speak and accept she needed to save kim. Instead she’s just gone for no reason and Jumba is grosly out of character and i’m disapointed.

That said the setup is the best and most intergrated so far: Pleakly sees an article about kim so he reaches out to her via a message on her site, while Lilo is stubborn about not being help.. obnoxiously so to the point it hurts the episode. While her being inscure about someone else saving Sttich would be fine, the episode never adresses that and instead just has her say she can because shut pu instead of accepting help. The episode would’ve flowed better if instead she accepted kim but Nani had Kim push her away, and thus create more problems. More on that in a bit.

But as I said this setup is great: it uses BOTH shows for once isntead of feeling like the first two, and honestly the next one judging by the blurb on the wiki, where its just “Hey x character visits Kauai”, here it blends both: The two main villians team up, and Kim is logically called for help since that’s what she does and they don’t want to risk lilo’s saftey. It’s good stuff.

So our other heroes enter the episode, on a ritzy jet as Kim’s dad had an old college friend with an airline. I admit the episode weirdly downplays Kim’s penchant for getting rides, getting a helicopter that appears to be a touring one and getting this one via her dad instead of the usual person who owes her a favor. IT was a neat part of her character: that she got help from people she already helped on adventure’s we hadn’t seen to establish she can’t drive herself yet and to show she’s an experinced heroine with a lot of history before the show started. I also like how a handful of episodes after season 1 had returns from people we HAD seen before or linked to them, a clever way of having callbacks.

It’s simple stuff Kim is ready for the wrold saving mision and ron hopes to get a vacation in. Nothing too out of the ordinary.

So the next day Lilo tries to go it solo but is spotted before she can leave, while Pleakly has built a.. photo colloage of Kim’s face on the wall...

... no wait i’m getting paid for this. Nevermind.

It is funny as it is unsettling though and Kim arrives and Pleakly faints.. Ron also arrives doing fake kung fu moves. This episode gets ron about half right... they overdo it a bit on the shenanigans, but Will Freidle’s natural charm and talent mean that even standard ron bits coughed up by a cat onto a page and used for this script still work simply because he’s that good at delivery.

We also get the who’s on first bit you all knew was coming as Kim asking what’s the Sitch confuses lilo and i’ts .. pretty funny. Again you could see it coming from a mile away, but Daveigh Chase and Christy Carlson Ramano really sell the hell out of it and we get a nice runner after of Kim misprouncing his name and trying NOT to say her usual catchphrase.

She also gets filled in on the alien thing... and while she admits i’ts a lot to swallow, she also admits she’s seen weirder. And given this episode would, by airdate (ignoring the one for So the Drama as that aired before the last batch of season 3 episodes but continuity wise takes place between seasons 3 and 4), take place around the same time as the season 3 intended finale “Team Impossible”, by this point she’s seen vengeful fishteens mutated by a horrifying summer camp, a rogue gentecist who basis her crimes against nature on a beanie baby knockoff, magical monkey based kung fu, a magican egyptian amulet, killer robot’s resembling teenage girls, a body swap episode, a plan using a barcode to destroy the internet, an attack on canada, a giant poodle, a complicated time travel plot, a trucker with a mullet, her sidekick getting turned into a surprisingly competent supervillian, and draken’s plan to use his rap career to promote brainwashing shampoo. And that’s just a handful of the things I was reminded of on the episode list. So yeah, this isn’t THAT much of a stretch. Oh and lest you think Kim never encountered aliens the series finale was an alien invasion by aliens Draken had pissed off earlier in the season. Suprised Lilo didn’t you know have Stitch and the family army pitch in. Maybe Leory and Stitch was going on at the same time?

Point is she’s in but goes with Pleakly in trying to keep Lilo out of it. And here’s yet another place the episode missteps: Kim’s REALLY patronizing to Lilo, treating her like she can’t do anything and later ignoring her advice when she brings up the current later, something that ends up getting Kim caught. The latter part especially bugs me since Kim normally listens to her clients pretty well, and had she doubted him could’ve at least asked Waid since she contacts him in the same scene. Speaking of which THAT’S why I feel her patronizing “not now kiddo” atittude dosen’t work: her spy master IS a child, her brothers have helped out multiple times, and the incident I mentioned from where she met her younger cousin who idolized her at an old west town was understandable: Her cousin was getting into dangerous stuff and throwing herself out there recklessly with no regards to her own saftey and impeding the mission with her well meant antics. Lilo.. knows who their looking for, knows the island well, and knows stitch’s weaknesses. And she goes from being annoyingly hostlile to kim to helpful, so it makes kim even more obnoxious for not accepting said help. It’s just.. draining as when this part of the plot ISN’T in play, Kim is fine. She’s her usual self.. not AS well written as the parent show, a bit too reliant on her catchphrases, but still not half bad and Christy Carlson Romanao, like Fredle helps paper over the weaker bits of the script. She’s not even out of character in her actions, as she does have a tendency to think she knows everything or undereistmate people.. the problem is it’s written poorly enough she comes across as insufferable, and unlike the show, where she actually learned something here.. she just learns to work as a team? When she does on a regular basis with Wade and Ron?

It’s just so frustrating because they almost had it just right, but instead just had to try and put some half assed moral about teamwork in there. They broke from the formula of having an experiment of the week but they still just HAD to keep to their own formula. And look Kim Possible has it’s own formula.. but it used that to great effect, often using the episode’s plot to shake it up in fun ways, and the plots were still diffrent enough and the villians bold and intrestin genough that it didn’t grate. This is starting to grate. And I do remember good and intresting episodes of the show.. but i’m starting tor ealize why I don’t remember NEARLY as much of Lilo and Stitch as I do the other shows it’s crossing over with: it’s so bolted to the formula they all just sorta blend together. It’s really fucking disheartning to realize something you loved so damn much as a kid just.. isn’t as good as you remember. And with these other shows.. I don’t have that as much. I accept proud family’s fault, Jake Long actually seems MORE intresting than it was at the time, and rewatching kim possible it’s excellent, same with recess coming up. I really need to watch more Recess. The most disheartining thing about this arc is the crossover just shows how BETTER the other shows were. Lilo and Stitch wasn’t a BAD show, and it isn’t here.. but it’s a mediroce one. it has a good premise. but it feels like they just don’t break away from the premise enough. This just... hurts a lot to type and realize. I really loved this show and movie as a kid and while the movie likely still holds up this.. this just dosen’t.

I need a moment... i’m breaking open the glass case containing my emergency patrick stewart clip excuse me...

youtube

That.. I needed that.

So before the bicker sisters can head off, we get our goofy comedy subplot: Jumba thinks Rufus is one of his experiments, one that could destroy the universe if not cancel and is highly unstable. As for why this one wouldn’t of worked out, I get why: it’s TOO powerful. Stitch is a weapon of mass distruction in a cuddly package, but he’s also easily deployable, kind of like Wolverine if he was in the body of a cartoon mascot. Having the THREAT of destroying ap lanet is fine and good for the long term but it does you no good if you can’t control it and i’td just destroy you too.

So he and Pleakly try to steal rufus without telling Ron why after Ron naturlaly refuses to sel land a chase insues. So while the boys and gender fluid person have their comedy plot, the girls head to where stitch was taken and find Draken’s glove.... they know it’s his because he put a note saying “return to dr. draken, his mother gave it to him”. That’s just.. fucking precious. And entirely in character. So kim aranges a ride, and dives into the ocean, but finds lilo in her parachute, and tries to send her back despite LIlo offering valuable advice both about the area , the current I mentioned earlier, and about stitch, i.e. Draken’s base is underwater (something Kim didn’t realize which feels odd for her), because Stitch can’t swim, something I genuinely forgot.

So while Kim sends Lilo back, or rather intercut with that but I choose to compress plots for my own convinence we cut back to Drakken and Shego. And I WAS worried that Shego wouldn’t show up, she wasn’t in the synopsis or anything and was delighted to find that nope she’s here. Drakken just isn’t the same without her.. I mean I liked the recurring subplot in season 4 where other villians would break her out, that was great, but in the end the two need each other. I may not ship them romantically but as a comedy team one just needs the other: Drakken needs Shego to cut down his ego and Shego needs someone to snark at and complain about. Sullivan and DiMaggio just had perfect chemistry and it’s easy to see why Drakken and Shego went from just another part of the Rogue’s Gallery to Kim’s arch enemies.

Which is why I am sad Gantu and 625 don’t show up for this one. I mean I can buy it: Hamsterviel likely is doing this on the sly to see if he can find a better minon, but the two sets of villians have similar dynamics and i’d love to see Shego and 625 dunk on their bosses together. It’s a really big missed opportunity but I do get it as they may of just nto been able to fit the two together or it may of been hard to block a lot of scenes iwth the human sized drakken and the giant sized gantu. So unlike a lot of missed opportunites in the other episodes, this one I at least can understand.

We get some GREAT banter with the two though. Out of the four guest characters in this one the crew really got Drakken and Shego down and the two bicker like any episode of Kim Possible, with Shego pointing out the massive bill on Stitch’s cage and how Drakken’s tried cloning about five times now and it’s never worked, and of course how he’s 50 50 splitting with a hamster bellow his station. Seriously why get rid of Gantu and 625 but keep the annoying rodent, I don’t get you episode.

Of course while they quack quack bicker bicker Stitch escapes and Shego gives chase. Sadly we don’t get a fight between the two like we did with Jake, another missed opprotunity but Stitch getting out of her grasp by licking her is objectively funny. Stitch finds he’s underwater though and gets recaptured.

Kim gets captured for the first time shortly after as the current caught her, but luckily she has kimunicator gloves and calls waid to call ron. Meanwhile Ron finally catches rufus back and Jumba explains the situation.. but Ron understandably dosen’t want to give up his buddy especially since Rufus has shown no signs of being a planet killer before. He’s not mooncake... althought i do think those two could hang. God now I just want a final space kim possible crossover to wash this out of my mouth.

So it’s down to Lilo, the really not all that ambigiously gay their pretty darn gay duo, and Ron to save the day. Lilo finally gets to do what she kept asking kim to do: use jumbas hot rod car spaceship thing to go down under the sea, and they send Lilo and Rufus in since hteir small enough to get in and suriive the pressures. Our heroes arrive and Drakken is nonplussed.. only for Lilo to prove WHY she can keep an alien in line by freeing stitch from teh leash drakken has him on using kim’s grapple gun, and then frees kim. The good guys win and the bad guys loose and the base starts to self destruct.. eh they’ll be fine. They still have the movie to get to.

So time for the wrap up: Stitch sniffs Rufus and confirms what the audience knew... that he’s a naked mole rat not an experiment. Which didn’t make sense to begin with for either show: Jumba’s archive should’ve been able to scan him or something (And if not he could build something to do that), and Kim Possible not only implied from day one Ron had Rufus a while, long before the rain of the pods, but A Stitch in Time outright confirms Ron bought him years ago in middle school. It just makes no sense and while it thankfully dosen’t take up a ton of the episode it still takes up too much.

But with that our heroes prepare to part on good terms but Pleakly decides to celebrate with Luau. Kim’s repsonse “Well I can do anything...”

And we get a gratuitous luau sequence! I do love a job that allows me to type the phrase “Gratuitous Luau Sequence’ They clearly ran short and we just get a good minute of everyone doing hula dances for no reason. I mean.. you could’ve done a quick gag with the experiment who was mistaken for Rufus... who I now realize given the finale was befriended by someone. I’m headcanoning now Kim and Ron came back for that one and Kim had him sent to space as part of one her dad’s projects where he and earth would be safer and he could help with space missions or something.

Final Thoughts: As you could tell I had mixed thoughts. As a crossover this melded things better, had a more original plot and the actors from Kim Possible brought their a-game.. but once again some disapointing characteteriztion and downright stupid decisions really let the episode down. These episodes just depress me every time and I’m looking forward to being done.. which given how excited I was going into this.. yeah. Like all of these despite their flaws I recommend checking it out if you like Kim Possible, if nothing else than for some extra drakken shego banter but.. keep your expectations low.

Next Time on Kim Possible: A team of spiteful assholes who are in a way repsonsible for Kim’s Career try to shut her down. It’s the intended finale episode outisde of hte movie people buckle up.. or you would if I was doing any of these. Though I should do “Team IMpossible” at some point.

On the finale of these crossovers: The Recess Gang are the final visitors to Kuai as Lilo must find and stop a lazy monster... no i’m not guest starring too.

Tommorow: Another kev one this time by patreon as I put two similar episodes of a show or franchise against each other and ask “Who Did It Better?” This time it’s two episodes of Celebrity Death Match, original versus revivial may the original.. probably win.

If you liked this review, please consider supporting my patreon, YOU CAN FIND THE LINK TO IT HERE. For just 2 bucks a month you get access to my discord, to pick a short each time I do one of my shortstravaganzas, and acess to my Patreon exclusive reviews! Next month I intend to do one for the show whose crossover gets the most likes within a week of it’s relase. Proud Family has already passed American Dragon so you have a week to get it ahed. And if you like Kim Possible, help me reach my 25 dollar stretch goal! At that i’ll review So The Drama, along with the Recess and Proud Family Movies. So check it out and i’ll see you at the next rainbow.

#lilo and stitch the series #lilo and stitch #kim possible #ron stoppable #doctor drakken #shego #Lilo Pelekai #Stitch #experment 626 #jumba jookiba

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