As he lay in bed he could hear Thorin still humming to himself in the best bedroom next to him:
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To find our long-forgotten gold.
Bilbo went to sleep with that in his ears, and it gave him very uncomfortable dreams.
This moment from chapter 16 of The Hobbit comic adaptation symbolizes the core of the relationship between Bilbo and Thorin, in this version of the story.
Bilbo and Thorin are both awake long after everyone else is asleep, kept up by their anxieties over the journey.
Bilbo’s room is decorated with a bunch of little objects; Thorin is in a spare room that is completely empty. It’s a “visual reference” to the idea that Bilbo has a home in Bag End, and tons of little treasures of his own that he’s very attached to— but Thorin has none, because the Lonely Mountain and its “long forgotten gold” was taken from him.
(You can read the full comic adaptation here on tumblr, on Webtoon, or on Ao3, and tip the artist/preview the next chapters on Patreon!)
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No wait you guys don’t understand to be Mandalorian is to follow the way of the Mand’alor it’s been drilled into our head since episode one and Din is the Mand’alor he’s finding his own Way again he’s following the way of the Mand’alor because he is the Mand’alor you don’t understand—
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It’s unfortunate that I say “oh wow I love cannibalism” and mean it as like “I love the symbolism of needing and wanting someone So Much that you have to have a part of them Inside Of You in a way that is stronger than a sexual need” or like “this is a form of holy communion” or like “this is one of the oldest ways to show desperation and fear and raw animalism with the consumption of another” and people just hear “I’m a weirdo that wants to eat someone”
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Perhaps,,, some statues of dianxia?
i don’t recognize you anymore
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nah because not to gas myself up or anything but every time i see a show doing the resurrection trope (ESPECIALLY between lovers) i’m like “ok but pomegranate ink did it better”
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Currently rereading the hunger games series and god I love Peeta Mellark, the boy with the bread, so goddamn much
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I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits
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