#it's not shot-for-shot but it is very similar to the movie. not so much the book. some parts are p much shot-for-shot

[wewerebornsextuplets]

idk how but you draw in the Oso-san style so good i need to know your secret please

HAHA thank you very much!! im glad you think so :D unfortunately im not very good at explaining how i work, but ill try my best to show what i mean!!

once again this is long as hell. you know the drill at this point

to be honest, half the battle i fight with drawing in the osmt style is just. Looking at it. the ososan art style actually fluctuates pretty wildly depending on what you're looking for, whether that be the mobile games (for instance, tabimatsu and hesowars look nothing alike in terms of style despite both being the same source material), official art and merch, or even the seasons of the show itself!

using ichi as my example here since i draw him the most, but its pretty easy to play spot the difference with the varying styles. even within a specific season you can do this across episodes, especially with season 1!

when i draw, i tend to be a bit sacrilege and use references across different media; usually ill use the show [especially season 2, if only because its a bit more "uniform"] as reference for the actual features and colors/poses/etc, but i like to use hesowars to reference proportions, since they seem to be most consistent there.

SOMETHING IMPORTANT TO NOTE: theres a WEALTH of fanartists that have styles that are INCREDIBLY similar to the show, so be careful to check your sources! these artists deserve credit for their hard work, which they often don't get since their work is reposted under the guise of being official art.

once you've pinned down the exact style you'd like to emulate, and the character you're looking to draw, its really just a matter of finding references, which is pretty easy! you can scrub through different episodes for good angles/shots, or if you're going for one of the game styles the AU wiki has most of the games catalogued to my knowledge. if you're looking to draw an oc, use characters you think they would look similar to in the show. if you really wanna waste your time, though, you can always scrub through crowd scenes in the show to see if any background characters might look like what you're going for; the season 3 episode Mt. Takao comes to mind, there were a lot of cute mob characters there.

using keiko as my example here, you can see that i pulled her features from multiple different characters to get her to look right in the style. with ocs, its important to reference a number of different characters, since the likelihood of a background character being a 1:1 for your little guy is unfortunately pretty low. there WILL, however, be a lot of characters that look KIND of like them. the key is to figure out what parts go where!

to this point, most prominent ososan women have very similar stock anime girl faces with very minor differences, so if youre looking to make a cute girl oc, most of the womens' faces can be used somewhat interchangeably. if you want your cute girl oc to have a more unique face, though, the movie gave us some women with more unique faces in the form of the NEETs' old classmates! theres also no harm in referencing male characters faces in this regard. #butchswag #kiruminikuya

BUT. going back to the assumption that you're drawing a canon character, today I'll be drawing oso for my example

when you're first getting a feel for the style, tracing some of your references can actually be a really great way to acclimate yourself to the characters proportions and features. think of like when you were a kid, and would trace over pictures of pokemon or cartoon characters so you could draw them better. its basically the same principle! this was especially helpful for me when it came to eyes; they vary the most wildly of any other trait that characters have in ososan, so going over the different shapes to get a feel for each of them was very important.

when you trace, though, I recommend doing so a bit more loosely, sort of like if you're doing a photo study for anatomy; block out the basic shapes and do small markers for different features (i.e small lines to denote where the eyes start and and, distance from nose to mouth, things like that), and from there draw the rest on your own.

after long enough you'll get a feel for the basic placement of where everything should go! the eyes and nose are undoubtedly the hardest when it comes to the sextuplets, since they shift around a LOT between games/seasons/etc. so don't feel bad if you have a hard time with that, since there isnt really a "right" answer with how frequently it changes. i still fuck it up all the time myself!

as for some basic tips, heres some stuff i try to keep in mind when drawing them that just helps the finished product look a bit nicer!

when drawing the hair + fringe line, its important to swoop it downwards a little bit; the flat across look Can work, but if you're not careful you risk showing the tops of their eyes, which is um. ew! ick! nast!

when a matsu is facing forward, their hair will usually tend towards one direction to keep the silhouette. in most screenshots i saw, the bowl cut points left! that said, dont be afraid to point rightwards if its better for your specific drawing!

and lastly: USE THE LIQUIFY TOOL. LIBERALLY. i am not joking when i say this has saved my ass so many times, its hard to get the placement right on the facial features and even harder to get everything to LOOK good, so if its available to you i HIGHLY suggest just squishing everything around with a liquify tool until it looks right. you can always go back and correct the blurry lines. its really a life saver

BUT YEAH! i dont know if this was very helpful but i hope you're at least able to gain something from it :-))

#larry time #answers

[non-un-topo]

The fact that the blorbos are immortal and also that I have free will means I regularly get brain worms that tell me I could totally just write about them in space in the far future fending off an alien lifeform that got on their ship if I wanted to

#or i could just watch any of the movies that actually have this premise and not write dumb shit fdghfds #but what i'm saying is the possibilities are endless #OR OR i can finish that tog/annihilation fic i started writing like two years ago #it's not shot-for-shot but it is very similar to the movie. not so much the book. some parts are p much shot-for-shot #idk man i'm thinking about cosmic horror and body horror again #like. if i were to write about aliens (annihilation fic included) it would be some weird unexplainable anomaly #or i could.................. write some original fiction. ugh.

[psilactis]

I just watched the first Furiosa trailer and.... I didn't like it

#I'm so upset #I love mad max so much #It was my favorite movie for so long #Why is this happening... #Why does it have a specific date #Why are Anya Taylor joy and Chris Hemsworth the leading actors #Nothing against them they're both very good but. In this? Idk #I hope it's good I really hope it is #But just the fact it has a date is fucking me up. #The most fun thing about the Mad Max movies was the whimsy of it. When is this happening? Who is Max. How did the world come to this? #All questions that don't matter #But now we have a DATE #And suddenly these questions begin to MATTER #Now we have to wonder is max over sixty years old? He was around before the collapse so what up #What's the actual time line here? #Were there multiple Max's #Also it might have only been the trailer but I didn't particularly like the copy-paste of scenes from fury road #Like... My memory might be funky but I feel like a bunch of the action scenes were very similar. Not only in like #The cars and weapons being used but the framing and the actual action taking place #The very shot of Furiosa walking by herself in the desert at night !!! #Why :((((( #Please please please be just in the trailers. Don't let the whole movie be like this

[darlingandmreames]

There's just something so delightfully engaging about a bad horror movie. Is this movie well done? No. Absolutely not. Am I extremely investing in seeing where this bizarre shit show goes? You'd best fucking bet I am

#it's clearly trying to go for artsy and some of the shots are very pretty #but it's not a Good Movie so far #idk what it is about bad horror movies specifically that just make them so much fun and so engaging #it's similar with bad sci-fi too #local trash goblin speaks

[hornedqueenofhell]

#thebardsbodyguard

“Hello and welcome back, we just got to hear a sample of the new single 'We Don’t Have to Dance' from Grammy winning group Corroded Coffin and we have here the lead singer and guitarist, Edward Munson.”

Eddie waves from his spot on the couch with a shy smile, he’s still getting used to all the interviews and stuff that come with the rockstar gig.

“Thank you for joining us, we are so excited to have you here.”

“That’s sweet, thank you. I’m not used to hearing my full name, made me think I was in trouble for a second.” Eddie chuckles and so do the others on the couch as well as the audience.

“I know right, everytime I hear my full name I just-” Chris Pine straightens and looks around like he’s waiting for a parent or teacher to jump out and Eddie laughs because it’s true. The couch also has Stephanie Hsu who Eddie met briefly during the break when she asked what kind of music he did. Overall it feels less stressful than other interviews, he just has to remember that even if a joke doesn’t sit well with him to just smile and nod or Jeff will strangle him.

“So Eddie, you and your band just wrapped your second tour a few months ago and you’re already putting out a new album soon. How do you find the time to just churn out music like that?”

“Well, every member of the band pitches in to write our songs. So everytime we’re home with our friends or families we always have stuff going on, things to experience or draw on to make music. And we’re very close so we’re always meeting up to bounce ideas off each other.”

“That’s right I hear you guys all play Dungeons & Dragons togethers and you have since-”

“Since high school, yeah. I had to repeat my senior twice before I found out I had ADHD and there were days where those games were the only things that kept me going.”

Graham turns to Chris and Eddie is grateful for a moment to take a sip of his drink and fix his sleeve which is just a smidge too tight. “Chris I know you didn’t play before but have you started since being in the Dungeons & Dragons movies.”

“We did a one shot…,” he trails off and glances at Eddie who nods in confirmation, “One shot to promote the second one with John running it and it was fun but there’s just so much to memorize.”

“And you Stephanie, did you do anything like that?” 

She shakes her head with a beautiful smile, “No, I heard about D&D growing up and it’s become so popular now. I tend to be outdoors- I’m still outdoors a lot, handling the farm and the gardens and such.”

“More power to you,” Eddie offers her a cheers with his glass, “I grew up in farm country but I’m terrible at keeping plants alive.” No, that honor goes to Steve who loves growing things in their apartment. 

“Before we go, Eddie I have one more question for you. I know you’re not on social media much but the internet is just dying to know about that gorgeous bodyguard of yours-”

“Bodyguard? What bodyguard?” Eddie interrupts as Graham pulls out his tablet and presses a button to pull up several images from social media. In them is Eddie and a very handsome brunette man holding open the door of a cafe and walking with him into a venue with a hand on Eddie’s back. The same brunette is pictured picking up Eddie after a speaker tipped over and caused Eddie to twist an ankle during a show. All of the images are tagged #thebardsbodyguard or some similar iteration. Eddie frowns and points at the screen, at the gorgeous man he knows like the back of his hand,

“Wait, you mean my husband?”

Twitter goes down for three hours after. Eddie and Steve are trending on Tumblr for days. People scrounge up photos of them from high school, pictures of Steve from the swim team and Eddie from Hellfire club surface and float around the internet. The length of their romance is speculated on as well as when they got married. Some clever fan notes the ring Eddie wears on the same chain as his guitar pick around his neck and the bat wing tattoo on his ring finger that appeared around the same time. The only thing no one finds is the wedding. It had been a close friends and family only event and none of their people would ever share Steve and Eddie’s personal lives like that.

Eddie does eventually give a single interview about his relationship with Steve but after that refuses any others with a request for privacy. He does however post a single photo of he and Steve in their wedding tuxes on Halloween that year. The two of them smiling side by side, foreheads tipped together, eyes closed. Steve is laying on Eddie’s chest when he posts it, having given final approval on the selected photo, while they share a slice of cheesecake for their anniversary. 

“Love you Stevie.”

“Love you too, my bard.”

#stranger things #eddie munson #steve harrington #steddie #steve harrington x eddie munson #steve x eddie #modern au #rockstar eddie munson #people think Steve is Eddies bodyguard #secret relationship #married steddie #steddiefic chronicles

[lululandd]

part-time psycho;

pairing: yandere!ghost x f!reader

wordcount: 1,921

warning: mentions of murder, implied cheating, jealousy, possessive behaviour

note: please understand this is fiction, i do not condone any of these behaviours irl (also on ao3)

summary: 

He’d be out drinking with his work friends, he said. Won’t drink too much because he had to drive home after, he said. You don’t have to pick him up because he doesn’t know what time he’ll be back, he said. Some of his friends might get super drunk and he might have to drive them home, he said.

Those were the things you remember him saying before he kissed you goodbye. 

You were roused from sleep by the sound of the front door slamming, and then people talking. There was an unfamiliar voice besides Simon’s, but you try not to listen too hard. But even your sleep-addled brain noted how odd that there were giggles and chuckles one moment and then… dead silence. Something felt wrong, the little voice in your head—the voice that kills people in horror movies, Simon would say—tells you to go check to see what it is. Groaning a little to shake the lethargy from your bones, you get out of bed and walk towards the stairs, but you only made it halfway down.

A woman was sitting on top of him, on the sofa. The woman Simon introduced you to months ago. His co-worker, his teammate, the person that has taken a bullet or two for him and vice versa. You can’t lie, she intimidated you from the very beginning. Their apparent closeness, their easy banter that you can never follow, the countless inside jokes, the way her hand always landed on him when she thought you weren’t looking, and her features. They were so similar to yours, and you don’t know which is worse, whether you came into his life first, or her.

Drowsiness left you as anxious dread seeps in. They spoke too quietly for you to hear, but you don’t care. Friends don’t sit on each other's laps like that, and certainly not facing one another. Feelings of inadequacy filled your mind as you walked briskly towards the front door and took off, grabbing whatever coat was on the hook. You just had to get out of there, far away from what you had just witnessed. Wiping the tears that blurred your vision, you notice your feet take you to the nearest pub, and you stand outside dumbly for a couple of seconds. 

That night was bitterly cold, and you wished you had taken a thicker coat. Putting your hands in your pocket, you realise you have no money. You didn’t take anything but the spare house keys, your phone, and the coat on your way out. The slippers you're wearing are the fuzzy kind meant for indoors. Digging in your pockets, you hoped past you left a couple of quid in there. You found two tenners in the inner pocket, and you shuffled inside to get a drink or two.

The pretty bartender with the large earrings noticed you immediately and asked whether you need help and if she should call the police. Glancing at the mirror behind the bar, you saw you were a complete and utter wreck and she was right to be worried. You made sure to convince her that you were just sad and not some victim of domestic abuse before ordering some shots. She gave you a worried look before grabbing the drinks.

You downed both drinks in quick succession as soon as they arrived. The first burn hadn’t even registered fully before you chased it with another one. Today’s not the day for sane choices and comfort, you need to dull the pain as quickly as you can.

It’s funny, being tipsy. Your brain doesn’t even know when it started, you suddenly are. It doesn’t matter much anymore that Simon had brought a woman that looks much like you home, you can live just fine without him. It’s not like he’s the best boyfriend anyway, he left so often and so long sometimes you don’t feel like lovers. Maybe he had already demoted you from that position long ago and you were too stupid and blind to notice.

It took you a while to realise someone was sitting next to you. Letting out a deep sigh that definitely lasted longer than you thought you could, you didn’t even have to look to know it was him.

“Will you be coming home tonight?”

You’ve heard this tone before. It’s the careful one he uses when he knows you’re upset. The voice that is laced with sympathy and understanding. But this time you don’t know if that question was borne out of malice or legitimate concern, so you ignored him. The glass of water that the pretty barkeep gave to you looks very interesting right now.

The silence stretched for a painful amount of time before it was Simon’s turn to sigh. “Would you believe me if I told you I was drunk and rejected her advances?”

You were bitterly reminded of how she was sitting on his lap earlier. How close her face had been to his. How her hands had been curling on his neck, and his hands probably sitting on her waist. You didn’t see or didn’t remember, but that’s where your mind placed it, the only logical place it could be.

He slid his car keys your way. “Wherever you’re going, at least take the car. Don’t take cabs this late at night.” And when you didn’t react, he left.

You left the pub after your fifth glass of water and a repeated play of Justin Bieber’s ‘Baby’—the staff were laughing while you heard one yell out profanities from the backroom—to check on the car. It suspiciously had your wallet, his hoodie, some cash haphazardly thrown on the front seat, and a large knife when you checked the glove box. You looked at your phone and mass texted your friends to see which one of them was awake and kind enough to let you crash at their place for the night.

One of your best friends replied, and you decided to go there immediately. They kindly offered their place for a week or two, but you ended up leaving on the second day. You had calmed down a little, and your friend suggested you talked this out instead of just making more and more assumptions in your head.

“The longer you’re not talking, the more your brain makes shit up.”

You joked that they just wanted you out asap and it ended up in a pillow fight that made you forget about your problems for a little while.

Driving home was the hardest. The scene keeps replaying in your head and your brain racks up the jealousy. How long have they been going behind your back? Is he just dating you because he can’t have her for some reason? Was whatever he was saying true, that he rejected her advances?

You found a parking spot not far from the house because for some reason you didn’t want him to see you coming.

As you opened the front door, you were met by two set of eyes looking bewildered at your direction. Simon’s arms were still on her waist while hers were draped over his shoulders.

Fuck these people.

Fuck him.

You threw Simon’s car keys on the floor and walked out, ignoring his pleas for you to wait and listen.

There was only one place to go now. Your parents. They welcomed you graciously, knowing you had a fight and wanting some space from your boyfriend even when you didn’t tell them at all about what happened. A week went by without any calls or texts from Simon, you decided it was time to go back and pack the fuck out of your stuff to live with your parents for a while. Why should you even think about being with him when he doesn’t even try to apologise. Living with your parents has reminded you what love could–should–be. Waking up next to each other every day, knowing they’re safe and within reach and not whatever it is you have with Simon where he goes missing for months at a time without contact. It was nice waking up to the sight of your parents chattering about, jokingly telling you to not burn the house down as they go to work, reminding you of your teenage years.

Thankfully Simon wasn’t home when you went to pack. It’s decided that you’ll only take your clothes for now and leave the paraphernalia for later. If you’re lucky, his job called while you were away and you can pack in peace.

But you weren’t so lucky.

“You’ve lost weight.” You jumped at the sound of his voice. Simon was a deathly quiet man when he needed to be. You didn’t hear the front door being open and shut or even his footsteps. He looked awful, his face unkempt with bloodshot eyes, his hair mussed, and his clothes dishevelled.

“I’m not wearing makeup so I look shit.” You retorted.

You had to look away as soon as you saw him bristle. He stayed silent for a while, his gaze focused on every facet of your face before going back to staring you down.

“Why are you lying?” His voice came as a quiet snarl, a low gruff that sounded like it hasn’t been used in days. 

“Because that’s also what you’re doing.” You threw the meanest look you could towards him, and you’d like to think that’s why he broke eye contact with you. Unable to help yourself, you continued, “Rejecting her advances my ass, Riley.”

Hearing his last name, he proceeded to cut across the room and reached for you, strong arms instantly curling around your waist as he turned you around to face the open armoire. You felt the need to run, to fight back, but what else could you do but submit? The man is 193 centimetres of pure trained muscles that can hold you full nelson for however long it takes him to fuck you in front of the mirror until he feels satisfied, while you run out of breath carrying the neighbour’s fat tabby for two minutes. You are a little rabbit at the mercy of a wolf.

Weak.

Pathetic.

“I'm truly sorry you had to see me when I tried to lure her into a false sense of security.” He pulled you even closer, your back gently bumping against his chest. “If I drove you to where her head is buried will you finally believe me?” 

Only half the words registered in your mind, “Simon this isn’t funny.”

Trying to wriggle away awarded you with a hiss and him nuzzling on the crook of your neck. 

“Wasn’t joking, love.”

“Simon.” You pleaded desperately. You felt sick. You knew he was a dangerous man, but he had told you, convinced you, that he would never hurt y–

Realisation hits in a revolting wave of nausea. He had never said he wouldn’t hurt others. “Simon?”

“Yes, dear?” He muttered, lips pressing intently against the sensitive parts of your ears.

His hold no longer felt safe, there’s desperation and a dangerous kind of hunger lingering underneath his touch. “D-did you keep a trophy? Of her, I mean.”

You think if he could just show you some sort of proof, you could somehow take it and just start running.

“Why the fuck,” Simon’s voice was suddenly laced with seething fury that you flinched in his arms. “Would I keep trophies of people that caused you pain?” His statement chilled you to your core and you stopped trembling for a moment. 

A choked, terrified whisper escaped you. “S-Simon?” Sickness curled your stomach, your knees buckled as you swayed. You don’t know when your Simon had left and replaced with this monster, or whether there was a Simon at all in the first place.

You felt his lips twitch and curl into a smile on the junction of your neck. "Yes, love?"

“Why was that plural?”

#simon ghost riley x reader #simon riley x reader #ghost x reader #yandere simon ghost riley #yandere!ghost #yandere simon riley #yandere mw2 #scuffed writing #scuffed yandere #call of duty #yandere call of duty

[redcoralpot]

Tougher Than Nails - Mike Schmidt X M!Reader

Warnings/Details: NSFW content, implied substance abuse, alcohol, cowboy!reader, hankie/cowboy hat code.

Summary: Mike goes to a bar downtown in hopes of getting his mind off of court, but instead finds something much healthier.

A/N: Everyone should thank my boyfriend for this idea; he's always the one that reminds me that I am technically a 'cowboy'. He saves a horse very often.

Word Count: 1.8K

-

-

Bars weren’t really Mike’s thing. Any alcohol he’s ever had tasted like crap, and becoming an alcoholic would just be another check on Aunt Jane’s list to prove to the court that he wasn’t suitable for custody. Hell, he swore her perfume was still clinging onto his nose hairs, and all he wanted to do was escape her. Escape reality, too. Mike remembered when his father used to do just that after Garret disappeared, drowning himself in the bitter liquid at night, his speech slurred. That’s why he was here, at a bar in downtown Afton, while Maxine stayed with Abby. He was desperate.

The building was crowded, delightful chatter and jazz music filling the air. Lights were strung along the wooden walls, narrowly dodging the black and white photos hanging by themselves. More customers squeezed in behind him; Mike frantically searched for any open spot in the room. Hallelujah– a single stool was left vacant near the serving counter, and Mike shuffled into it, shoulders tense. The bartender seemed to notice his presence, as she leaned towards the man, still shaking another person’s drink. 

“You’re a new face,” she rattled, “may I see your license?”

Mike fumbled with his wallet, sliding the card for her to see, “Uh, sure.”

“Right, you’re all clear; would you like to open a tab?”

A man cut in before he could answer, and for the first time, Mike got a good look at the person sitting beside him, “Just add whatever he orders to mine, Molly.” 

She shrugged, the key hanging from her left pocket jingling, “Easier for me.”

You chuckled, the brim of your hat covering your eyes. It was decorated with embroidery and leather, complimenting your purple button up shirt, though that was partially hidden by a black vest. Two hankies hung out of your back, left pocket, similar to Molly’s keychain. One was rust colored, but the other was a complimentary gray; Mike thought it was an interesting stylistic choice. 

“I’ll just have a beer, thanks.”

As the bartender turned, scribbling in a notebook, you inquired, “So, what’s a fine boy like you doing ‘round these parts?”

Mike grabbed the foaming beer that was placed in front of him, “I live nearby.”

“That’s not the only reason, is it?”

He hesitated to answer, instead choosing to take a long sip of the beverage. It burned down his throat, the flavor making his lips curl and his head a little more dizzy. Somehow, it loosened his will, and he found his lips moving without his permission. Your energy was just hypnotizing; he felt himself being pulled in.

“Needed a break from stress,” Mike admitted, picking at the glass’ label.

You cocked your head to the side, your hat tipping upward, “Just ‘cause you’re in a hole, doesn’t mean you gotta keep digging. Alcohol isn’t the cure to what you’re feelin’.”

“What am I supposed to do? Not even my medicine works anymore.”

“I go here for stress relief too,” you assured, downing a shot, “but not necessarily for the drinks.”

Your hand hovered over the small of his back, looking at him for consent. When he didn’t move away, you settled your fingers there, feeling a shiver run through Mike’s body. Some of the previous tension released from his shoulders, and he almost leaned back in relief. Many of the customers in this bar were paired with the same sex, unlike most of the movies he’d seen that included the subject. So, he supposed it wouldn’t look too weird if he did.

You elaborated, “People can be cruel, can’t they, sweetheart? Comin’ to a place like this, where everyone’s like me in some way or another, is a damn good bonus.”

“Like you?”

“Y’know,” you gestured to your handkerchiefs, “queer and such.”

He paused, “Ah.”

“You didn’t know this was a boy bar?”

Mike replied, “I kinda just looked up the closest bar to my house.”

…

“Good to know.” Your hand fell away from his back.

He almost chased it. Mike liked the feeling, the weight of your fingers pressing into such an intimate spot. However, he wasn’t tipsy enough for that, and controlled himself. He watched as you spoke to Molly, the lady’s eyes flicking towards him and back, and you slipped her the money needed to cover the tab. You tipped your hat towards Mike, a respectful way to put distance between you, before disappearing into the suffocating crowd. Molly side eyed him, sweeping away his bottle, before leaving as well. Mike swallowed, pulling loose skin from his bottom lip with his teeth. It was now, or never– perhaps alcohol wasn’t the only way, after all. You were right. 

Mike could still see the very top of your hat swerving above the crowd, and he trailed after it to the best of his ability. A random girl almost elbowed him in the face, and he was sure his shins would be bruised after tonight. Your shadow was reflecting in the glass door, growing fainter and fainter as you walked further away, your hips swaying. Mike pushed it open, the vision dissolving, and cold air stung his cheeks. The moon reflected off of car hoods, the only way he was able to see where he was running. His hand reached out and grabbed your arm, as you flinched.

Mike’s ears were red, probably from the alcohol, and you stared at him, “What’re you doing?”

“I don’t know,” was the only answer you got before your collar was jerked forward.

Your lips crashed violently with his; your teeth clicking as he struggled to pull you closer. Mike was still fisting your shirt as you brought your hands to cup his jaw and the back of his neck, trying to gentle the kiss. 

You mumbled against his mouth, “Better not be some experiment of yours, pretty boy.”

“Nope,” he whispered, the aftertaste of whiskey on his tongue.

His back hit the side of your car, and his hands moved from your collar to swinging his arms around your neck. Your knee found its way in between Mike’s thighs, pressing against his crotch, and his groan was swallowed by your lips. Mike whined when you trailed down, aiming instead for his neck. Dark marks and bites soon decorated the pale flesh, his blood dripping a contrasting splash of color. 

Tugging on his earlobe, you challenged, “Gonna come back to my place?”

Mike doubted he ever agreed to something so quickly.

The drive was long, too long in his opinion. Though, it was most likely only fifteen minutes, at most. Mike didn’t even have to walk up the driveway to your cabin; his legs were locked around your hips as you carried him through the door and up the stairs. He ground his groin against you, searching for any possible friction. You tossed him onto your bed, unbuckling your belt, holding it taut. The man in front of you wiggled back and spread his legs to make room for you. You snickered at how willing Mike was, considering his hesitation when you first met.

You regularly kept lube on the bedside table, just to be prepared for when you brought men home from the bar. However, this one was different in a way you had trouble putting into words, other than positive. His thighs shook as you massaged the liquid into his hole, a hand covering his mouth to prevent you from hearing his noises. Ah, now that wouldn’t do, would it?

In response, you tugged his hand off of his mouth, “Lemme hear you.”

Such pretty sounds from a pretty mouth, it was truly a shame. When Mike immediately went back to covering them up, you slid your fingers out of him, instead reaching for your abandoned belt. His eyes trailed after your hands as they bound his wrists together in front of him, almost akin to handcuffs. Mike couldn’t see much of your expression after your head dipped down, only the shit-eating grin playing on your lips. Of course, that was before you took your hat off by the crown and placed it firmly on his head, though it was a tad too big for him.

“Why don’t you keep that safe for me, sweetheart?”

For a second, Mike was confused. Keep it safe? Just what were you planning on doing? He felt a grip on his waist, right before his world spun around him, and the positions were practically reversed. The guard was now sitting on top of you, or more so your crotch, his thighs caging in your hips. Mike’s hair was disheveled and the light on the ceiling created a sort of halo around him, and fuck, did you think he was pretty. Only a few select people had ever gotten to wear your hat, and you could confidently say that he was the most beautiful in it.

You unbuttoned your jeans, letting your cock slip through the opening, “You ready?”

“I’ve never done this before.”

You had a grip on his waist again, slowly guiding him down. You didn’t thrust, didn’t force him to go fast, and allowed him his proper time to adjust, “How’s that feelin’?”

“G-good,” he shuddered, precum leaking from his tip, “think ‘m ready.”

“You haven’t seen the brunt of it yet, boy!” You grunt, thrusting the rest of you inside, brushing against Mike’s prostate. 

The man on top of you moaned, and the sound was so uncharacteristically loud that even he seemed surprised by it. Mike leaned down, resting his tied fists on your chest in order to keep his balance. His sweat dampened your collarbones, his drool smearing on your neck, and the pathetic excuse of a guard tried leaving kisses over the areas he could reach. You soon found a rhythm to your thrusts; groans were punched out of your throat on their own.

Mike could feel heat rushing through his brain, bringing tears that stuck to his eyelashes, covering any thoughts or hesitance he may have had before. That wasn’t enough for it– it spread like wildfire down his body, down to where your fingers were leaving bruises, and down to his red, leaking dick. Something deep was brewing inside of him, nothing he’s felt since his hormonal teenage years. Hell, he didn’t even have time to process it when you kissed his cheek, whispering in his ear that he’s such a needy slut; it exploded.

When he finally came to, he could feel his thighs twitching and your heaving, sticky abs below him. His eyelids felt heavy, and all he wanted to do was stay there with you. You were rubbing circles into his back, attempting to pull out, but a grumble from Mike made you stop. In fact, you were saying things, but it sounded muffled and far away. He took great comfort in your voice, no matter what you were talking about. It was getting farther and farther away, yet still managed to follow him into his dreams. For the first time since the incident with Garret, he did not have a nightmare. 

-

Taglist: @cannabrisano @kai_beanz @fandomz-brainrot @slimemakermas

#x male reader #male reader #lgbtq #male y/n #gay #cowboy reader #fnaf #fnaf movie #five nights at freddys #mike schmidt #mike schmidt x reader #mike schmidt x male reader #x top male reader #top male reader #x dom male reader #dom male reader #bottom character

[starkwlkr]

Hey just read your one shot about Ruby’s birth and it was so beautiful ❤️ I can request one more with any of ruby’s firsts like her first word or first time walking?

firsts | charles leclerc

am i getting emotional about writing ruby’s firsts because i’m attached to her now and love her as if she was my own child even though she’s fictional? yes <3

mentions of charles’ father

i also have another request on ruby’s first day of school so i’m going to do it separately since i have two more similar requests that i want to add to it

first steps

It was a Friday night and Charles wanted to take Y/n out for dinner. They hadn’t been on a date in so long considering their nights now consisted of taking care of their daughter and sleeping whenever they could. They loved their daughter more than anything, but a night out was very much needed. When Arthur heard that his brother needed a babysitter, he was the first volunteer. He loves spending time with the little baby girl even if she didn’t do much.

“Thank you Arthur, you’re a lifesaver.” Y/n hugged the youngest Leclerc as she waited by the door for Charles. “Help yourself to anything in the fridge, I think there’s some leftover pasta that Charles made.”

“Thanks, and don’t worry about Ruby. Her and I are going to have a fun time together.”

After Charles and Y/n had left, Ruby had woken up from her nap. Arthur ran to her room and picked her up, whispering calming words to her. It seemed to work since she had stopped crying.

“Let’s go see what your mama made you for dinner.” Arthur walked to the kitchen with Ruby in his arms. He opened the refrigerator door and saw a pink plastic lunchbox that definitely belonged to Ruby. He grabbed it and set it on the table. He then grabbed Ruby’s high chair, positioned it next to the table and put her in. Ruby smiled at Arthur once he set her down.

Arthur laughed at her. Arthur thought she was going to start crying since she had just woken up and was very hungry but she waited patiently for him to give her the food.

“Look, Ruby, I think papa made you pasta and mama made sure you eat your fruits.” Arthur showed the girl the lunchbox. Ruby immediately grabbed a piece of cut up strawberry and handed one to Arthur. “Thank you, Ruby.” Arthur smiled and happily grabbed the piece of fruit.

After dinner, the uncle and niece started watching a disney movie on the tv. It was during that time that Ruby decided she wanted to try out walking on her own.

But Arthur wasn’t sure if she had even tried before with Y/n or Charles so he held onto her hands while she put one foot in front of the other. She looked up at Arthur then back down at her feet.

“You’re doing great, mon chéri.” Arthur smiled at his niece. Then Ruby sat down on an floor, a bit tired from trying to walk. “You did so good!” Arthur placed a kiss on Ruby’s head.

Then Arthur had an idea. He took his phone out and positioned against the wall. The phone started recording. As Arthur adjusted the phone to his liking, behind him, Ruby had gotten up and was now trying to balance herself on her two feet. Arthur finally turned around and gasped when he saw Ruby standing on her own.

“Come on, Ruby, you can do it.” He encouraged the girl to walk towards him. He was glad he had set up his phone to record.

Ruby began to giggle at her uncle and slowly started walking towards him. Arthur was close to tearing up. He felt happy for his niece, but he also felt guilty since this was supposed to be a moment his brother was supposed to witness first not him.

When Ruby made it to her uncle, he scooped her up and gave her kisses all over her face. “You did it!” She laughed at his actions.

When Charles and Y/n saw the video, they didn’t feel mad that they weren’t the ones to see Ruby take her first steps, they felt happy that at least Arthur was there to capture the moment.

If someone were to ask Arthur was his greatest moment was, being the only one present to see Ruby take her first steps will always be on the top of his list.

first word

“Mama! Mama! Come on Ruby, it’s an easy word.” Y/n said to the baby who layed on the unmade bed of her parents. It was a Saturday morning and neither Y/n or Charles felt like getting up early so they decided to have a day in. While Charles was in the kitchen making a late breakfast for them, Y/n took the opportunity to teach Ruby to talk.

“Mama, mama!” Y/n spoke to the baby. Ruby only laughed at her mother and continued to stare at her as if she had just told the funniest joke ever.

“Maybe she likes the word papa better.” Charles walked in with a serving tray. He carefully set it on the bed. As Y/n started to eat, Charles took Ruby in his arms and pressed kisses on her cheek. “Right, my beautiful girl? You want your first word to be papa. Can you say papa?” He said.

“She might not even say mama or papa. What if she says some random word like door or toast.” Y/n said as she ate her piece of toast.

“No, she’s going to say papa.” Charles nodded.

“You seem so confident.”

“Pierre said that babies usually say mama first and I want to prove him wrong.” Charles said. “But of course there’s nothing wrong with her saying mama first. Whatever Ruby wants.” He immediately added.

“Whatever Ruby wants. I’m sure you’ll keep that in mind when she has you running around the store with a cart full of toys.”

Charles chuckled. “It won’t be that bad, right?”

Y/n hummed as she grabbed her juice and drank it. Charles then walked around the bedroom and pointed at every photograph they had hanging or on their night stand. “That’s your uncle Arthur and me. I’m the cute one, the other one is Arthur.” Charles pointed at the framed picture of him and his brother when they were younger.

Then he got to a photo of him and his father. Charles always talked to Ruby about Hervé. He would tell her stories about him even if she was still to young to remember. “This is my papa. He loves you just as much as I do.” He spoke softly to his daughter.

Ruby saw the picture of Hervé and pointed at the older man. “Papa.” She said slowly.

Charles nodded and smiled proudly at his daughter. “Yes, that’s right. Papa.” He pressed multiple kisses on the side of her head. From the bed, Y/n watched Charles have his moment with Ruby and the framed picture of Hervé. While Y/n wanted Ruby to say mama, she was glad that her daughter chose papa to be her first word.

#formula 1 #f1 x reader #formula 1 imagine #f1 imagine #f1 x you #charles leclerc #charles leclerc x reader #charles leclerc one shot #cl16 x reader #ferrari #baby leclerc series

[babyleostuff]

I've got to feed my delusional ass, so as someone who is a huge nerd i was wondering if you do seventeen hcs to their Friend / S/O / Crush being an actor and playing a phenomenal iconic TV pop culture character? . i have always been dying to get Idol! Seventeen X Actress reader

seventeen x actress!reader | ot13

CHOI SEUNGCHEOL 

𓆩♡𓆪 he would be a loud and proud supporter - even if the topic of conversation wasn't in any way related to you or even cinema, Cheol would find a way to mention your latest role (he would also probably pull out his phone, and show a bunch of “behind the scenes” photos)

𓆩♡𓆪 he would be the type to fly out to whatever location you were currently shooting at, and surprise you with a bunch of flowers and his Choi Seungcheol™ dimple smile

𓆩♡𓆪 i don’t want to be that person, but i think he would get a bit jealous, and he wouldn’t like watching the kissing scenes - not because he is possessive or anything, he is so happy you get to do what you love, but sometimes he could get slightly insecure of the bond you have with your male co-stars, especially because you spend so much time with them 

𓆩♡𓆪 so he will close his eyes during a kissing scene, but the best solution to cheer him up again is just to give him a couple of (or more) kisses, and he’ll be all smiley and happy again

YOON JEONGHAN 

𓆩♡𓆪 the silent supporter - he wouldn’t start talking about you out of the blue like Cheol, but whenever a trailer of your newest movie would be shown at  the movies, he’d sit there all proud thinking “that’s right, that’s my incredible girlfriend”

𓆩♡𓆪 and he would always bring you to your favourite restaurant when you’d finish shooting, one - to catch up on the time you missed out on, second - to remind you how proud he is of you 

𓆩♡𓆪 Hannie would love to listen to all of the stories you’d share from the set, as well as the photos and videos, and he’d sit through the whole night listening to you, because he knew how happy it made you to talk about your work 

𓆩♡𓆪 he would also keep every ticket from all of your movies when he went to the cinema to see them, probably keeping them in a little box somewhere where you wouldn’t find it 

HONG JOSHUA 

𓆩♡𓆪 i feel like Joshua would be very similar to Jeonghan - the most important thing for him would be for you to know how proud he was of you, he wouldn’t have the need to express it to the whole universe, because people already knew how great of an actress you were 

𓆩♡𓆪 he’d be quite quiet while watching your movies, but you knew it was because he didn’t want to miss even a second of it, especially if it was your scene 

𓆩♡𓆪 and he’d gladly listen to all of your small comments throughout the movie - how you shot that specific scene, or how much you messed up your lines in that specific moment 

𓆩♡𓆪 Joshua would look at you with this smitten gaze, unable to resist the warm feeling when he looked at you all excited and happy 

𓆩♡𓆪 by the end of the movie he’d have a whole paragraph of compliments ready, and he’d make it corny on purpose - to make you both a bit shy, but also to make you laugh  

WEN JUNHUI 

𓆩♡𓆪 as a fellow actor, he’d help you figure out your lines and scenes, he’d practise with you - even if it took the whole night 

𓆩♡𓆪 and he’d be the first person in the line at the movies, with a set of popcorn and drinks, because Jun would be that excited to see your movie 

𓆩♡𓆪 after, he’d send you tons of messages saying how good the movie was, and how good of a job you did, and after writing a whole paragraph of how proud he was of you, he’d call you right away, basically saying all of the things he already wrote 

𓆩♡𓆪 also, the moment it’d come out on streaming platforms he’d watch it with you, gushing the whole time how you crushed that role and how good you looked 

KWON SOONYOUNG 

𓆩♡𓆪 he would be so excited over you being an actress, like - you get to shoot at all of these cool locations, in front of a green screen, and they can make you into a superhero? he’d beg you to tell how all of the movie magic happens, and sometimes you’d find him going through your camera roll to look at the photos from set 

𓆩♡𓆪 you can be sure he’d watch your movies multiple times, he’d buy the DVDs and bring them with him on tour (even though most of them could be found online, he’d still buy them)

𓆩♡𓆪 one time, he even proposed that there should be photocards in the DVDs so he could collect yours 

𓆩♡𓆪 and he’d make the boys watch them with him, even if he’d have to drag Mingyu to the couch, he would fight him just so he would watch the damn movie 

LEE JIHOON 

𓆩♡𓆪 same as Jeonghan and Joshua - he’d be tremendously proud and supportive of you, but in a silent way 

𓆩♡𓆪 and he’d keep the DVDs and Blu-rays in his studio, neatly keeping them on a shelf, with your framed photo as well 

𓆩♡𓆪 if he ever had a bad day, couldn’t figure out a beat, or finish writing lyrics, Jihoon would pick out his favourite movie of yours and play it, so he could take his mind off of the work 

𓆩♡𓆪 i believe he said he isn’t a big movie watcher, as he doesn’t really have time for that, but  he’d always make time for watching your movies, every single one of them (even if you’d tell him that it was alright if he didn’t want to or was too tired, he’d take you the movies himself)

JEON WONWOO

𓆩♡𓆪 artsy boy ⅓ - he would love to talk about the technicalities of the movie, like the camerawork, the cinematography, or the CGI - you could literally spend hours after the movie talking about it 

 𓆩♡𓆪 he would ask you a lot of questions about different shorts, and how they were filmed

𓆩♡𓆪 i feel like he would be too shy to verbally compliment you, because there are no words in the dictionary that could express how proud he was of you, and how great of a job you were doing 

𓆩♡𓆪 but you’d know how supportive he was of you - if he wasn’t, would he be the one insisting on seeing every single one of your movies the moment they premiered? 

𓆩♡𓆪 and on the way home, Wonwoo would have your hand in his, and not let go of it even for a second, looking at you with so much love and adoration, that you’d practically melt under his gaze

LEE SEOKMIN 

𓆩♡𓆪 you’d have a movie marathon once a month where Seokmin would choose a couple of your movies to watch (even if you wouldn’t want to, he’d give you his puppy eyes and you wouldn’t have any other choice)

𓆩♡𓆪 and he would make you say your lines out loud - for some reason it always made him so happy, and you’d always do that because it made him so excited 

𓆩♡𓆪 if he was busy because of work, and didn’t get to watch your movie right away, he’d send you tons of messages apologising that he wouldn’t be able to watch it (and you’d always reassure him that it was fine, of course)

𓆩♡𓆪 but the moment he’d get some time off, he’d make a whole date out of it - first bringing you to your favourite restaurant, then going to the movies, and finishing the day with watching the sunset 

𓆩♡𓆪 it would be his way of apologising, and making up for the time you had to spend apart, and to be honest, you preferred it that way, because it always ended being one of your favourite dates 

KIM MINGYU 

𓆩♡𓆪 artsy boy ⅔ - this man would have like those countdown widgets on his phone, to keep track for when your next movie would come out, and he would drag you to the cinema himself to watch it with you 

𓆩♡𓆪 same as Wonwoo, would talk about the cinematography, and gush about the amazing shots and scenery, to the point where you’d have to remind him that “hey, i was in that movie as well!” 

𓆩♡𓆪 but he’d do that just to tease you - you always  got so pouty and cute when he “forgot” to praise you too, and he would make that up by clinging to you when you got home, and list all of the things he loved about you in that movie 

𓆩♡𓆪 another one that might get a bit jealous when it comes to kissing, and all of that intimate stuff, so it’d be his turn to be pouty and whiny 

𓆩♡𓆪 but he’d quickly realise how stupid that was - you’re literally using him as a human blanket, cuddled in his bed, if anything they should be jealous of Mingyu for having you all to himself 

XU MINGHAO 

𓆩♡𓆪 artsy boy  ³ ⁄ ³ - again, same as Wonwoo, and Mingyu - he’d love to talk about all of the technicalities, camerawork, and would love to see all of the photos from the set and your shooting locations

𓆩♡𓆪 he’d also be the type to surprise you on set, totally out of nowhere (he’d probably write you how busy he was, and that he wouldn’t be able to come and see you, and the pop out out of nowhere)

𓆩♡𓆪 and if you’d be watching it together at the cinema, he’d hold your hand through the whole movie, and squeeze it from time to time

𓆩♡𓆪 if it was more of a, how to say it, psychological? movie - Hao would love to talk about it, i mean you’d probably sit through the whole night cuddled under the duvets in your bed, trying to understand the ending, or pondering on all of the small confusing parts of the movie 

𓆩♡𓆪 and there would be no jealousy there, Mingaho is a very secure and confident person, especially when it comes to your relationship 

BOO SEUNGKWAN

𓆩♡𓆪 Boo would love to go over the scrip with you, helping you with the lines, and acting out different scenes with you, i can imagine how much fun that would be 

𓆩♡𓆪 and if he’d got the chance to visit you on set, he’d look at you with wide heart eyes, adoring everything you’d do, even if you’d be doing a simple dialogue scene, he’d be all smiley 

𓆩♡𓆪 and he would be so happy seeing you happy, doing what you love, and having fun on set - no matter how many kissing scene you’d have to shoot, he’d still be 100% supportive

𓆩♡𓆪 and everyone on set would love him too, i mean, how can you not love this man? 

𓆩♡𓆪 Seungkwan would keep all of the tickets, posters, and flyers from your movies, he’d frame some of them, or hang them on the wall in his room 

CHWE VERNON

𓆩♡𓆪 oh my god, my favourite movie bro - Vernon would eat every single one of your movies up! Like, he loves watching movies, and if you’re in one too??? Automatically 10/10 

𓆩♡𓆪 he’d love to hear all of the stories from set, and he’d be the one nagging you to send more pictures from the location you were currently shooting at 

𓆩♡𓆪 and because you knew you big of a fan and a movie geek he was, you’d always make sure to get him an invitation to your every movie premiere 

𓆩♡𓆪 this man would fanboy so much when he’d meet your co-stars, or the directors, like that would be a dream come true for him 

𓆩♡𓆪 so to say that he would be 100% supportive of you and your job would be an understanding - he wouldn’t get jealous or sulky over the intimate scenes, Vernon knows very well that that’s just a part of your work, and it’s a natural part of it 

𓆩♡𓆪 and being able to say that this superstar is his significant other??? Chef’s kiss 

LEE CHAN 

𓆩♡𓆪 heart eyes 24/7, like he’d be so so proud of  you, and sometimes he wouldn’t believe you’re his girlfriend, because you’re like this huge actress, and he gets to call you his

𓆩♡𓆪 i cannot stress this enough, but he would be the most supportive and proud boyfriend ever - you know those soccer mums and dads that have banners and scream anytime their child touch the ball? that would be Chan

𓆩♡𓆪 he would re-watch your movies whenever you’d be away, or when he went overseas for schedules, he’d definitely have a list of comfort movies, and watch those every night 

𓆩♡𓆪 Chan would have a collection of all of the DVD and Blu-rays with your movies, and keep them neatly on the shelf in his room  

𓆩♡𓆪 also, you’d probably have to comfort him a little after a kissing scene, or a more intimate one, because he’d get a bit upset (but nothing to serious, it’d for just a moment)

taglist (if you want to be added, check my masterlist): @weird-bookworm @sea-moon-star @hanniehaee @wonwooz1 @byprettymar @edgaralienpoe @staranghae @eightlightstar @itza-meee @immabecreepin @hyneyedfiz @honestlydopetree @dkswife @marisblogg @whatsgyud @aaniag

#seventeen imagines #seventeen x you #seventeen x reader #seventeen reactions #svt reactions #seventeen kpop #seventeen fluff #svt fluff #seventeen carat #seventeen reaction #seventeen requests #seungcheol #jeonghan #joshua #woozi #wen junhui #wonwoo #vernon #svt #seungkwan #dino #svt woozi #mingyu #minghao #hoshi #chwe vernon

[manicpixiefelix]

never wanted anything from you (except everything you had)

{ One-Shot AU for head, heart, hand. }

@saintbeau asked: I know you said in the Canon ending, up until a certain point, Oliver was planning to let the reader live. If he'd never decided to kill them, do you think they'd suffer a similar fate as Farleigh and be forced out? Or do you think there's ever a possibility of 'the pet coming with the house' so to speak? I think to a degree Oliver's yearning to take Felix's place could lead him to essentially slotting himself alongside the reader if they'd allow it.

Summary: After the death of your best friend and his sister, you can't bring yourself to stay at Saltburn, even when their grieving mother wishes you would. However, after several years away to process and grow, you find yourself back in touch with Oliver Quick, who's changed so much in the time you've spent apart. Fate certainly has a funny was of working out, so you're not entirely surprised to end up back at the place you'd once called home.

Need to Know: They/Them. Explicitly NB Reader. Reader is from a well off family but has pretty much been adopted by the Cattons. Oliver/Reader are endgame here.

Warnings: Very poor relationship with reader's parents. SALTBURN-CANON ENDING; Felix & Venetia are still dead, but we get a happy ending this time. Also not sure if it needs a warning but Oliver does admit to killing Felix.

A/N: 4162 words. This got away from me. this ends up being so painfully fluffy. it's VERY Oliver/Reader, Oliver's less of a bastardman and he doesn't kill Elspeth but her health is failing significantly like it does in the movie. i think i might have made him a better person as compared to the film, but it's still canon compliant mostly. it ends so fluffy and happy tho, i love it omg. AGAIN THIS IS NOT CANON TO head, heart, hand.

TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)

----

There is no world where you stay where Oliver wins.

But there's a world where you leave, heart too heavy with grief, where you transfer from Oxford and spend time as an adult reconnecting with your own family, where he finds you again. Your parents don't respect you as family, but you're granted access to their lives, to be in their line of sight; you become almost like a live-in assistant who takes meals with them but for whom they show no outward affection.

It's all you have left.

You tell yourself it's enough.

"That Catton fellow offed himself," your father says it with such idleness, as if reporting the weather.

"Sir James?" You almost choke on your breakfast, and father peers down his nose at you over his morning paper, giving you a smile that doesn't quite reach his eyes.

"Yes, sorry, I forgot you knew him -"

"Surely it doesn't say that he offed himself," your mother frowned, tugging at the corner of the paper to try and get a look at the article. They bicker lightly, charmingly, in the middle of this cafe about the death of your best friend's father, and what the article is saying or implying, but you just wonder about Elspeth.

Later, when you search through old papers and memories and notebooks, you find the number for Saltburn and call. Duncan's voice is familiar, as is yours to him.

"Captain," the old nickname is so gentle on his tongue, the most gentle you'd ever heard him be about anything. Then, as quickly as you'd heard it, the gentleness is replaced with apology, letting you know that Elspeth is unavailable, but that you'd be welcome to attend Sir James' funeral. You know you'd never be able to bring yourself to attend.

It's Oliver who reaches out, deliberate, in the months that follow. It's slow going, too formal for how intimately, how messily you knew each other for those few months in the Spring and Summer. He apologises, says he saw you on the cover of a tabloid trailing a pair of aging socialites and looked further into it.

"You looked -" he tells you over dinner in the city, beautiful, settled, no more of his youthful awkwardness; it had only been a few years, but how glad you were to see him, "fucking miserable," he says so gently, taking your face in his hands. Oh fuck, you'd missed him, missed his touch, missed how clearly he could see you - you burst into tears in the restaurant.

Dating Oliver makes you feel like a whole new person, raw, relearning yourself, realising you'd been living like a ghost since you'd left Saltburn. Your hyper competency had needed an outlet and your parents had provided that, but you were barely a person, to them or to yourself. Now you were learning who you were, alone.

Quieter. More focused and driven in your professional endeavours. As dangerously charming as Farleigh ever was. The memory of Venetia peeking through in your wickedly sharp wit. An echo of Felix in the affection you carried with you, in your smile, in your laugh. A living ghost, learning to love and embrace the ways in which you were haunted, rather than grieving for them.

You spend nights in his little flat, take refuge from your own life in his, and Oliver's the one who informs you that Elspeth has moved into town, leaving Saltburn echoing and empty, if not for the skeleton crew that maintains it.

"She wants to see you," there's a strange look in his eyes when he says it, something conflicted, almost dark, but when you smile, he too lights up.

Elspeth holds you for a very long time. In the middle of a cafe in walking distance for your both it turns out, there's tears in her eyes, and a joyful smile, and she doesn't let you go even as Oliver goes and order you all drinks.

"So beautiful, you've always been so beautiful," she murmurs, long, elegant fingers feather light against your features, no care for propriety here, "you're so grown up." It's like she's trying to connect the person you are now with the memory she has of you. Tears are welling in your own eyes.

"I'm sorry I left, mum." There's a lump in your throat and her tears start to fall as she takes your face gently, cradling you against her, laughing through her bittersweet memories.

"I never blamed you, pet, never," she assures, voice wet with tears but reassuring nonetheless. Oliver sits down on your other side, wordlessly leaning into you both, resting his head on your shoulder. The three of you stay like that for a long moment. You can hear Elspeth sniffling quietly.

The moment breaks, she lets you go, and when you sit back up, Oliver takes your hand, lacing his fingers with yours and resting your joined hands on the table. Immediately Elspeth's eyes focus upon them, and she gives a warm smile to your both.

"I cannot believe you've found each other again," and she sounds so genuinely joyful, "it's funny how the universe works out." Oliver gives a faint, bashful smile, leaning into you, bumping your shoulder for a bit.

"I'm a lucky man," there's something wonderfully, desperately loving in his eyes when he looks at you in this moment. It is, to him, the total and complete truth. Before you're overwhelmed by your urge to kiss him, however, Elspeth continues.

"After all that's happened, I am glad luck, and life, have brought you both back to me; I was just saying to dear Ollie the other day," Elspeth rests her cool, well manicured hand on your free hand, sitting on the table, "the two of you should come stay at Saltburn again."

Something constricts in your throat, grip on Oliver's hand tightening momentarily.

"I know," Elspeth is quick to move her hand to your shoulder, seeing the way your expression changes, drops, "but that house still holds so much love for you, my dear pet," and she takes a deep, shaky breath, finally admitting, "and I can't bring myself to be there alone."

Looking to Oliver, he gives you a gentle smile, nothing but sweet warmth and reassurance; he's changed so much since Saltburn, so sweet, so sublime. That version of Oliver didn't know how to love you or Felix in a way that was good for any of you, you came to realise, but this Oliver, oh this Oliver had crafted himself a home in your heart with love you didn't think anyone other than Felix had been capable of.

"It can be our home again," he murmurs, a sentiment Elspeth echoes like she hadn't even realised that was what she had wanted from you both;

"It can be your home again."

The drive to Saltburn feels like a memory, of young laughter and loud music and Summer sweat whipped away by the wind in Felix's convertible. The car you'd chosen to take with you is far more sensible, but still relatively ostentatious, and when you ask Oliver to drive, he of course obliges you. Still, the music is loud, and the day is warm, and even if the two of you are quiet, there's still a warm hand on your knee.

And you still feel loved.

Saltburn creaks and echoes with familiarity.

The doors open, and though you don't recognise the footmen either side of the entrance, you certainly recognise Duncan. He's older, of course, as are you. There's a touch of grey by his temples, and he's paler than you remember, but still prim, still gaunt and haunting -

"Mister Quick," until his eyes fall on you, and he softens almost imperceptibly, but you see it, you hear it in his voice, "and Captain Y/N," almost like it's an in-joke between you both by now.

"It's good to see you, Duncan," you tell him sincerely, and for the briefest moment he actually smiles.

"And you as well."

Everything's the same, just as Elspeth had assured you both. Everything's the same, just as when you'd left. Fled. Alone all those years ago.

Coming back, hand in hand with Oliver, it feels surreal.

Grand foyer, red staircase, secluded alcove that you and Venetia used to tease Felix about regarding his 'accidental' bout of cousin fingering, Henry Seventh's cabinet, the arch Felix claimed his grandmother haunted, the Green Room, gardens through the windows, Rubens that Felix never cared for but you had always appreciated. Still broken piano. Blue Room; still blue. The King's bedroom, not that you cared for Henry the Eighth, but Felix always liked to bring it up. The long gallery. Portraits of Cattons you had never cared for. Shakespeare's folios that you and Felix had spent a Winter going through, just to brag that you had, without realising how few people would care.

Sir James' teddy was absent from it's usual chair. Something about that makes something ache in your chest, just a little. So you look away, to the maze beyond the windows that you never want to go in again.

You know this house, this route, like the back of your hand even now. Oliver holds your hand tightly as you rest your hand on the intricate doorknob of the midnight blue door that you both remember so well.

"Are you okay?" Oliver's voice is quiet, is reverential, as you hesitate. Nodding once, you push open the door.

It still smells like Felix. His things are still here, still a bit of a mess. Books and knickknacks and photos. His wardrobe door is still ajar, the way you know you left it when you'd been scrambling to pack your own garments when you'd last been here, and his clothes still hang there, frozen, a moment in time.

It aches, but it doesn't... hurt. Not like you thought it would. It almost seems silly, to have this preserved for so long.

"Can we stay in here, Duncan?" You call out, knowing he must be around somewhere, he always was.

"I thought you might," Elspeth's gentle voice from the doorway makes you and Oliver both jump. But she's smiling at you both, and once the shock has worn off, you can't help but laugh. It sets you all off, laughing warmly, fondly, all three in Felix's perfectly untouched room.

Elspeth does, however, let you know that they've had the bathroom redone. She doesn't say it's because of Venetia, but you're quietly grateful nonetheless. You don't know if you could bring yourself to bath in there if all you could think about was Venetia's blood across the bathroom floor. It's different now.

When you try out the new tub, still claw-footed, still deep and soothing, there comes a knock at the door you'd left ajar out of habit.

"Mind if I join you?" It's Oliver, with a teasing little smile and hope in his eyes. He does not wait at the door like you know he once had, he is bold, he is unapologetic, he is confident in his love. Enthusiastically you wave him over, delighted to create new, better memories in this bathroom that no longer resembles the one you know.

There's still this strange kind of divide; Oliver, at times, still acts like a guest. Saltburn's been your home for too long for you to feel uncomfortable within it's walls, but Oliver's still always asking permission. For everything. He asks if he can borrow some of Felix's old clothes and looks relieved when you look at him like it's an absurd request.

"He's not going to be wearing them."

Elspeth gets this look in her eyes whenever she recognises any of Felix's clothes on Oliver, fond and nostalgic as she tells him she's glad they're no longer gathering dust.

"Beautiful clothes for a beautiful boy," she liked to say.

It takes you a few weeks to realise Elspeth's ulterior motives. Her health is failing. She has no family left. She needs people. As Oliver had pointed out so long ago, you were both desperate to be needed. Much like when you were younger, your own parents had no qualms about you living your life at Saltburn without them; they'd hire another assistant. The email they'd sent back to you did however note that you had been the best assistant either of them had ever had. It's the nicest thing they'd ever said to you.

Elspeth speaks to you alone one morning during the fall, the grounds turning all shades of golds and oranges.

"I..." your thoughts are moving too fast, her offer was so simple yet so overwhelming, "can't take Saltburn." A deep sigh escapes her, and she looks out over the grounds, but pets your knee, "I won't leave," you try to placate her, "you, or Saltburn, if you'd like me to stay; I'll be like Duncan -" this gets her to laugh, fond and bright, "but I think it will complicate things with my own family."

She tells you she understands. Her voice is getting weaker by the day. Then, after another long moment of gentle silence and contemplation, she speaks carefully.

"And Oliver?"

Part of you kind of knew this was coming.

"He might love Saltburn more than me," you admitted with a chuckle, "and he loves you dearly, you know that right?"

"He's such a strange, beautiful creature," Elspeth muses fondly, "I don't know if James even looked at me the way he looks at you," she smiles at you, expression turning soft and nostalgic for just a moment, "Felix used to look at you like that, didn't he?"

"In his own way," you agreed, unable to look her in the eyes while knowing exactly what she meant, exactly what she could see in this moment.

"They say we have more than one soulmate in our lives, pet," she says softly, reassuringly, and you look up once more. There's gentle hope and fragments of old grief that wrap around your heart as she continues, giving your knee a faint squeeze, "I think you're one of the lucky ones."

And your mind settles back on Oliver, how good, how kind, how loving he's been in the year since you'd reconnected. Finally, you're able to smile.

"I think so too."

Oliver seems genuinely surprised when you and Elspeth approach him with the offer. He keeps looking at you, confused. All you can do is smile, assure him that you want Saltburn to be in his name.

"I'm not abandoning you," you laugh, "I'll be here as long as you'll have me, help take care of any paperwork or maintenance or, well, calling people to take care of those things."

"They're a good house pet," Elspeth actually teases, while Oliver is still silent, looking at you in awe. He stutters through a verbal agreement, and Elspeth delightedly says she'll get the contract drawn up in the next few days.

"Why me?" Oliver finally asks, and Elspeth stands, wrapping her arms around him in a hug.

"You've worked hard all your life, Ollie, I can see that in you," she murmurs, "and you loved the ones so dear to me. I know you will love this home, and my darling Y/N, and one day I know it will be a family home again."

Oliver is quiet during supper, he keeps looking at you with this unreadable expression, almost grateful, but somehow intrigued. There's something lighter about him now, less tension carried in his shoulders, a small smile he can't quite get rid of. After you all eat, he offers you his arm and asks you to stroll the grounds in the moonlight.

"I thought it'd be you," his voice is so soft. The moon makes him glow. He's wearing the pale, linen shirt of Felix's that catches the light so beautifully.

"I could tell," you can't help but smirk, gently ribbing him. When he laughs, it almost sounds disbelieving.

"Saltburn was your home first."

"Saltburn is a place," you tell him, "my home was always the people in it."

"Felix was your home," he remembers when you'd told him that, how wide Felix had smiled when he'd heard it.

"And now," you're surprised by how your voice catches as you realise what you're about to say, "it's you."

"You love me," Oliver turns with wide, adoring eyes, while you can't help your shy smile.

"Of course I love you, you know I love you -"

"You love me-love me," he sounds like he's discovered the meaning of life, like he can see it in your eyes. Then, very suddenly, a whole new realisation seemed to wash over him, "I think I actually want to spend the rest of my life with you."

Oh! Is this -?

"I don't have a ring, fuck-!" Before he can get any further, you're kissing him, wrapping your arms around him, desperate to make him taste how much you fucking love him. Giddy and burning with desire, you feel like a teenager again, overwhelmed with delight and affection in this old house you call a home.

When you suggest that you meet his parents, properly this time, Oliver makes a face like he's bitten a lemon. It's a beautiful, cool mid-morning at the beginning of Winter, grey light reaching through the curtains to caress you and your fiancé, wrapped up in Egyptian cotton sheets.

"I've met them before," you remind him gently, hand splayed out across his chest as he looks at the ceiling, "I don't hold that Summer against you."

"Felix stopped... trusting me," his voice barely breaks a whisper, "he stopped loving me because of them," it trembles, catching, and you see tears in his eyes. A flush was rising up his cheeks, grief and a strange kind of fury overwhelming him it seemed, much to your surprise, "you should hold that Summer against me, should hate me, should -" it's spilling from him now, with such speed, such anger that it's almost frightening.

"Ollie, love -"

"I wasn't in my right mind, I was sick and obsessed and- and- and I can't believe I hurt you like that -"

"What are you talking about?"

Through his tears, his grief, his outburst, Oliver threw his arm over his face, unable to look at you, unable to look at anything in this room he now seemed to regret being in.

"I just wanted him to love me too," Oliver choked out, "I know you tried to help me - I can't believe I hurt you, I know you loved him - but I didn't want him to love anyone if he didn't love me."

"Oliver."

"I put the cocaine in his wine. I gave him the bottle. I left him there."

To your surprise, as much as the news hurts, it comes in a dull wave of grief, not the sharp, stinging kind you were braced for. What you don't expect is the sympathy that wells up inside of you for the man who just admitted to killing your best friend.

But you had spent years grieving for Felix, had come to terms with it, made peace with it. It's a shock to the system, of course, to learn he was murdered, but you can see the hurt, the guilt that Oliver had been carrying with him, and knows how it feels to be overwhelmed with love for Felix Catton to the point where you'd do unspeakable things with him in your heart. You'd ruined lived over one-word insults spat in his direction because that was who you were, that was what you did.

And you knew Oliver Quick, who he was, how he operated, the kind of desperate jealousy and need to be needed that became dangerous or perverse when they went unsated. Neither of you were the people you once were.

Carefully, you drape yourself over Oliver as he wept, wrapping him up tightly in a hug with one arm, other reaching up to brush through his dark, messy hair.

"Loving Felix makes us do terrible things," you murmur softly, fingers carding through his hair, "you took someone special from this world, but we can't change that."

"Why the fuck are you being so nice right now?" Oliver groans, voice full of disbelief, "I just told you -"

"You loved Felix and he stopped loving you back; you were drunk, and obsessive, and out of your mind with some psychosexual desire. You killed the man you loved, that we loved," you recount firmly, and he quiets down, still sniffling, "do you regret it?"

"Yes," he whispers.

"Are you lying?"

A long pause follows.

"I don't know."

"Did you ever stop loving him?"

"I don't think I ever will," then, moving his arm, he reaches out for your face, gently cupping your jaw. His eyes are bright red, smudged tear tracks shining on his cheeks, "I don't think you will either." You shake your head, confirming as much, before you turn your face and press a kiss to his palm.

"You're not that same person, Oliver, neither am I. The version of me from that Summer might never forgive the Ollie that killed Fi, but I know you now, and I know you love me, and you'll love this house, and the memory of Felix, just like I will."

"Why are you so good to me?"

"Because you're not a saint, and you're not a devil. You can't change the past. You're just a human, full of flaws, but you're better than you used to be, I know."

"I love you." He coaxes you forward, bringing you in for a passionate, messy kiss, murmuring against your lips, "I love you, I love you, I love you."

Still, you keep this revelation between the two of you. Elspeth never needed to know.

It was a small ceremony at the beginning of Spring on the grounds of the Saltburn Estate. Elspeth was barely able to get out of bed anymore, so the location was more for her sake than anything else. She'd insisted on taking the reigns for planning the wedding though, looking through folders and magazines with you and Oliver at her bedside.

A beautiful flower archway, Duncan officiating, and only your families as guests. At your suggestion and reassurance, Oliver had worked hard to repair his relationship with his family.

"You don't have to lie about being important anymore," you'd smirked at him, "you're inheriting the Saltburn Estate, you're marrying into my family; you're Oliver Quick, that means something."

Oliver's family had marvelled at the estate the minute they arrived at the property; his sisters and their partners seemed shocked and delighted.

"Is this your place?" One had asked you, eyes bright and incredulous as you and Oliver were giving them all the tour.

"Ollie's actually," you give him arm a squeeze as you give him a proud smile, watching as he ducks his head, flush with embarrassment.

"This is you house, Ollie?! What the fuck!?" Another shouted, even as her own partner laughed while asking her to tone it down.

Before the wedding even begins, his oldest sister has talked him into letting she and her children visit in the Summer.

It comes as a surprise when your own parents show up, though you suspect it's because Elspeth personally called to invite them, not because of you. They too are impressed by the house, but less so than the Quicks; they'd been there for gatherings in years past, after all.

When your grandmother arrives, however, that's when it all becomes real for you. Unlike your parents, she dotes on you. Your grandfather had been the head of the business when he'd been alive; your grandmother was a dedicated professional, but always a romantic at heart, which is where your mother claimed to have gotten her artistic proclivities from.

Oliver says you have the same, beautiful eyes, and she chuckles.

"He's a charmer, I see," she teases, but wraps him up in a hug. "You be good to them, Mister Quick," your grandmother tells him in a faux-stern voice as she leans out of the hug, "we're the kind of family you don't want to get on the wrong side of." Despite how she's waving a finger at him and doing her best angry glare, Oliver can't help but cast you a fond smile, wrapping an arm around you.

"I'm aware, ma'am; every day I feel lucky to have Y/N by my side."

This seems to sate your grandmother, who pets his cheek fondly, and tells you that you've got a good one.

"I think so too."

It's a beautiful, perfect day, the best day of your life so far, where the worst day is now but a mere memory. All that matters is Oliver Quick, and the love in his eyes as he looks at you, as he promises you;

"This house will be full of people who love you for the rest of your life."

#felix catton x reader x oliver quick #saltburn x reader #oliver quick x reader #oliver quick x y/n #oliver quick x you #oliver quick imagine #saltburn imagine #head heart hand fic #manic writer

[kisses4kaia]

Charlie walker x reader smut where he’s very subby and unexpirienced

thank you 🧎🏻‍♀️

a/n; omgomg absolutely r u kidding me rn ? fem reader. obvi 17+ and intended for mature audiences .

movie night 💿 - c, walker ,,

it's crazy what an innocent movie night at kirby's can end up as.

you and charlie sat in opposite corners of the spacious living room, watching stab III (per charlie's insistence). it had just started and you were already bored. the movie wasn't bad, per se, you had just seen it so many times before.

and well, you had always found charlie walker more interesting.

you'd always thought of him as attractive, having spent many a night with your fingers deep inside of you, imagining they were his, imagining what he would sound like, whimpering for you and your touch.

you knew he felt the same, if not, similar, about you. from the way he insisted on walking up the stairs after you (iykyk), to the untrackable count of times you've caught him eyeing you up and down, as though he was praying he would be gifted by the gods with x-ray vision.

but every time you got too close, he'd shut it down with a friendly remark. every. damn. time.

"that's actually really nice of you, thanks y/n,"

"haha, you don't mean that. funny, though."

"i think you look pretty nice, too,"

it drove you crazy, just how oblivious he was to your advances. the way the tv screen lit up his blown pupils, fascinated as he watched one of his favorite movies for probably the 1,000th time, made you bite your lip to contain the anything-but-holy thoughts ravaging your mind.

you were tired of sitting around, doing nothing about this ever-growing crush.

whilst everybody had their eyes glued to the screen, watching some girl get chased through her home, you pulled out your small iphone and clicked on charlie's contact. you had to do something he couldn't ignore, something he couldn't look over.

you clicked on the option to attach a photo to the text message. you scrolled through your camera roll until you found it.

the photo was of you, in your bedroom, in your mirror, seemingly trying on lacy, dark purple, lingerie. there was no shot he was taking this with friendly intentions.

you to charlieee <33 : *(1) attachment*

you waited a few moments before texting him again

you to charlieee <33 : oops, wrong person . sry. 😊

you watched as he reached for his back pocket at the sound of a notification.

and how his face, once painted with curiosity, twisted into shock, sights forced on the device. you had to bite back a smirk as he looked up at you.

you pretended that you were watching the movie and gave no attention to the boy whose pants were getting tighter by the second.

he cleared his throat before settling back on the couch, typing out a reply.

charlie to y/n🤩 : it's okay haha

charlie to y/n🤩 : do you mind me asking who that was meant for?

you to charlieee <33 : why does that matter 2 u?

charlie to y/n🤩 : i just want to know if you're seeing someone, or if it was for jill or kirby, yk?

charlie to y/n🤩 : not that i care if you're seeing someone!! that's really one of my business, forget i said anything

you to charlieee <33 : lmao but char, its ok if u do

charlie to y/n🤩 : what do you mean by that?

you to charlieee <33 : follow me and find out ;)

you casually got up and exited the living room, successfully not turning any heads. you found the guest bathroom and entered.

it was actually very nice, the lights were bright and luminescent, and the shower, sink, and toilet were spotless.

you waited a few minutes, sitting on the sink counter, before the door opened, revealing the one and only.

"what took you so long?" you teased flashing a smile. "i was debating whether or not i actually wanted this, well i do want this, very much so, but i was just-" he was rambling.

"well, you're here now, aren't you, charlie?" you slightly whispered before pulling him towards you by his shirt, settling in between your legs.

he was stiff as a board, he didn't know what he could do. you noticed this and grabbed his hands from his sides and placed them lowly on your waist.

you placed your arms around his neck very lazily. "you want this?" you looked into his eyes, which were dazed and hazy, seemingly drowning in dopamine.

he nodded. "mhm, yeah," he was breathless, becoming so impatient, needing to feel your lips on his.

you chuckled softly to yourself before finally giving the boy what he wanted. the kiss started out slow but heated up quickly as you started to tangle your fingers in his hair.

you swiped your tongue along his bottom lip and his mouth fell open easily, allowing it in.

charlie gripped your hips tightly. "easy, tiger. i'm not going anywhere," you pulled away slightly to say. this did not make him let up. there were surely going to be bruises in the place of his hands by tomorrow.

you began kissing down his jaw and neck, exploring and searching for a sweet spot. he whimpered particularly needily at one area on his collarbone and you attacked it.

he began running his hands up and down your sides, underneath your shirt. you translated his wandering hands and helped throw your top off. he tried, truly, to keep his eyes on your face and not on your chest but how could he? <33

"so, so, so beautiful," he whispered, leaning down slightly to knead your covered breasts. "too many clothes, baby. take 'em off for me, hm?" you more told him than asked.

like the good boy he wanted to be for you, charlie was quick to remove every garment on his body, save for his boxers.

you pulled your miniskirt off and were left in a laced, pale pinky-shade of matching bra and panties.

he took a small step back and stared at you intensely, like he wanted to say something. "spit it out, char." you almost scolded him.

"i-it's just, um, i've n-never done anything like this... before..." he looked down as though it was a shameful thing.

you smiled at his tenderness. "c'mere, love," you quietly uttered before pulling him in between your legs once again. you felt his hard length pressed against your middle but ignored the euphoria to focus on what mattered.

"look at me, char. that does not make me want you any less, it's actually kinda cute. listen, i'll guide you through it, if you wish to continue, that is. if you don't, we can get dressed and leave like nothing happened. what do you want to do, baby?" you reassured him as he stared into your eyes thoughtfully.

"i wanna keep going," he breathed out. "good," you hummed, drawing his lips to yours again. you hopped off of the counter, forcing your lips apart by the sheer height difference between you two.

you pushed him against the bathroom door and lowered yourself onto your knees in front of him. "w-what are you doing?!" he panicked slightly. "i'm gonna take real good care of you, m'kay, love? now, be a good boy for me and relax," you purred, rubbing your hands up and down his thighs.

the pet name turned his stomach and made him slip a small whimper. he unfroze his muscles and relaxed, per your request.

you kept your doe eyes on the flushed boy's face as your pulled his boxers down, making his dick spring out, hitting his stomach.

you tore your eyes from his face and focused your attention on his member.

he was big, huge. his slit crying with precum and veins ran up and down the length of it. your wide eyes softened when you heard a needy whine coming from the man above you.

you decided he's waited long enough, so you ran your tongue along the underside of his cock. the moan/groan he let out, made you smile, and lock eyes with charlie once again.

"fuck, feels good," he said through half-lidded eyes as you began to suck on his angry, red, tip.

"so vulgar. bad boy," you teased with a grin. the sight of you beneath him, on your knees, a smile bigger than the whole sky plastered across your face as his dick leaned against your chin, could've caused him to release a load on your pretty face right there.

but he didn't. he wanted, needed, to be your good, good, boy <3.

"mmm, no. i'm good, i'm so good, only for you. just for you, mommy," the name merely slipped out, he swore, but it caused you to moan whilst his dick was down your throat, causing a very pleasurable vibration around his cock, causing him to involuntarily cum down your throat.

"sh-shit, 'm sorry," he was quick to apologize for cumming so quickly as you pull your jaw off of him. "say that again," you demanded with a scratchy voice, but needier undertones were detected. "w-what, i'm sorry?"

"no, before that,"

"m-mommy?" charlie squeaked.

"fuck."

from the cold tiles biting at the skin of your knees to shimmying off your panties and sitting back down on the counter, you knew you needed him, all of him. right here, right now.

this time, you didn't have to pull him toward you, he naturally gravitated to the comfort of the in-between of your plush thighs. "wanna fuck me? huh?" you asked, grabbing his cock and sliding the tip up and down your folds.

"more than anything, mommy," he whimpered, dreamily. "fuck, baby," you whined as you guided him inside of you.

the stretch was almost impossible. you both moan in synchrony. the tightness of your walls was far better than charlie could've ever imagined when he pumped his fist up and down his length on lonely nights.

"oh my god, momma. i've dreamed and dreamed about this," he whispered in your ear after you gave him the go-ahead to move. his thrusts started out slow and tame but sped up quickly.

the hold he had on your thighs was mighty as he chased his high. "gimme your hand," you managed to speak through the ecstasy. "w-why?" he slowed down, only slightly.

"just- just give it to me," you gasped as his tip pushed against your g-spot. he lifted his left hand and put it in your right.

you shaped it into a 'thumbs up' stance and moved in down onto your clit. "draw circles," you told him. he picked it up quickly and continued fucking you.

your nailed fingers tugged and pulled at his hair, making him into a moaning, whimpering, mess. "shit, fuck! i can't go for much longer. can i please do it inside? please, please, please, mommy?" he begged and you nodded. "i'm on the pill, doll. go ahead, fill me up." you couldn't say no to his beautiful, fucked out, face.

a few more sloppy thrusts into your cunt and soon, he had you loaded. he stared down at his cock going in and out of you, lubed by his sperm, and he could've came again at the sight.

it wasn't too long after that you felt your own earth-shattering release, clinging onto the broad shoulders of the man above you. it rippled through you like an ocean current.

you stayed intertwined with each other for a few more moments, catching your breath, before charlie spoke.

"if my calculations are correct, roman bridgers should be getting revealed as ghostface right now."

#charlie walker #rory culkin #scream 4 #charlie walker smut #kai's got mail <3📑 #nonnieees💗 #scream 4 smut #scream #smut #subby boys have my heart and my pussy ! #kaia writes charlie

[sissylittlefeather]

It Feels So Right (how can it be wrong?): Part 1

A/N: a new 3-part mini-series that was supposed to be a one-shot but got too long 😂. This is gonna be a fun one. I hate to give too much away up here, but just know we've got Austin filming Elvis, ghost Elvis, and you...

Shoutout to my beloved @ccab for hatching this one with me one late night. I love you, bestie.

Warnings: 18+ minors DNI! This is gonna stay dirty. Kissing, cussing, fingering, oral sex (m & f receiving), p in v penetrative sex, unprotected sex, creampie

Word count: ~3.2k

Honestly, you're a glorified assistant. Your job has a technical title, but you spend most of your time getting coffee and running errands for anyone on set who asks you. It's very rarely the actors. Usually, you're at the whim of everyone behind the cameras. You've been graduated from college for five years and you're just waiting for your shot in the film industry. In a lot of ways, you're blessed just to be on the set of this movie, so you swallow your pride and fetch lattes for every grip and sound guy that hollers for one.

Admittedly, you don't know as much about it as you probably should, but watching the filming has you convinced this Austin Butler will be up for an Oscar. You know Elvis and this guy has him nailed. You've seen footage of him a thousand times and Austin's performance seems to line up perfectly.

What you don't know, what no one but Austin knows, is Elvis is there. He stands and watches, not far from you actually, and in crucial moments, he takes over. Usually, he doesn't leave the sanctuary of Graceland, but when he heard about this movie, he knew it was an opportunity. And when he saw Austin and his dedication to the role, he knew that he'd be open enough for him to step in when he wanted. The first time he tried it, he shifted from one foot to the other for a few seconds and jumped, not knowing exactly what would happen. He opened his eyes and looked at his hands. They were close, similar long fingers, but not quite right. His body was thinner, more cut, and his face felt different. He called for a break and made his way to a place with a mirror. When he cautiously chanced a glance, he was shocked to see Austin's face looking back at him. It worked. He knew possession was possible, he was a ghost after all, but he'd never tried it before this. After the scene was finished, he decided the experience was so satisfying, he'd try it again. So he did. Over and over again throughout the filming process Austin would wake up with no memory of doing certain scenes. He figured out quickly what was happening and didn't seem to mind, so when he turned on set and saw Elvis, he wasn't even alarmed. Elvis had been surprised to be seen after all these years, but it didn't take the two long to strike up a friendship.

By the time Elvis noticed you, he'd been talking to Austin and possessing him regularly for weeks.

You come back from your morning coffee run and set the tray on a table.

"Coffee's here, guys!" You holler to everyone whose order you diligently fetched. For some reason, this time, you catch Elvis's attention. He watches, amused, as you sarcastically deliver all the coffees.

"Who is she?" He whispers to Austin.

"I'm not sure. I think her name is y/n. She gets coffee for the behind-camera guys." Austin answers nonchalantly.

"Have you actually looked at her?"

"I'm way ahead of you, man."

"You asked her out?"

"Not yet, but-"

"What are you waiting for?!" Austin looks at Elvis exasperated.

"I've been a bit busy."

"Can I?"

"Can you what?"

"Take her out." Austin laughs quietly.

"I don't know. Can you?" Elvis sighs.

"Can I use your body, I mean?"

"To go on a date? With a living girl? I'm not sure that's a reasonable plan." Elvis nods, defeated, and Austin walks back out on set to continue filming.

But Elvis can't stop watching you. He hovers around you, longing to be seen. You have an undeniable grace that has him damn-near spellbound. Austin pretends not to notice Elvis's preoccupation with you. He has plans to ask you out himself, eventually.

But Elvis gets tired of waiting. There's not too much left to film and he doesn't want to miss his chance. So one day, he jumps into Austin to film a scene during the '68 Special and just... doesn't leave. Instead, he swallows his nervousness and walks up to you at the end of the day.

"Hi. I'm... Austin." He holds a hand out for you to shake.

"Oh, gosh, I know, I'm y/n." You can't believe one of the actors knows you exist, much less is talking to you. And it's Austin Butler in black leather.

"I've been watching you. And I- okay that sounds creepy. You're just very pretty and I was wondering if, maybe, you'd like to go out with me? Tonight?"

"Oh wow... tonight?" You have a bed with your name on it and a pizza you plan to order, but this is Austin Butler and he's asking you out.

"Yeah..." Elvis isn't going to take the chance that Austin might refuse to let him take you out.

"Sure? I mean. Yes. I'd love to go out with you." A warm smile spreads across Austin's face and you can't believe how relieved he seems. Truly, it's Elvis, but you don't know that.

"Okay! Great! Can I pick you up in a couple hours?" Elvis isn't sure how he'll stay in Austin for this long, but he's going to try his best.

You nod and give Austin your address. Then, you make your way home completely in awe of the fact that you have a date with Austin Butler tonight.

******

Later that night, there's a knock on your door and you put the last minute touches on your makeup and walk to it to open it. When you do, you're a little shocked to find Austin with his hair fixed like Elvis, in a suit with the shirt unbuttoned half way down his chest and a thick gold cross sitting on his sternum. For some reason, this outfit doesn't feel like him. And it's not; it's 100% Elvis, but you have no way of knowing that.

"You ready, doll?" Why does he even sound like Elvis?

"Yeah, lemme just grab my purse."

You spend the rest of the evening on one of the best first dates you've ever experienced. Conversation comes easily to both of you, and you think it's unbelievably endearing that he takes you to a diner, and a movie, and a roller skating rink.

You've never been good at roller skating, so you spend most of the time hanging on him and trying to keep your balance.

Elvis is in heaven. He hasn't had this much fun in almost 5 decades. And the feeling of your hands on his skin and your body pressed up against his, even if it's not exactly his, is something he's desperately missed. When it's time to take you home, he's dying to take you inside and feel more of you on him, but he doesn't want to push you or take advantage of you in any way. Instead, he walks you to the door and stands with you awkwardly under the awning of your apartment complex.

"This was really fun." You want to ask him inside, but you're not sure if that would be too slutty. Still, he's a movie star, he has to be used to that. Right?

"Yeah, it was." You notice his eyes flick down to your lips, so you turn your face up to signal that he can kiss you. Elvis gets suddenly nervous. He hasn't kissed anyone in a very long time. After a few seconds, you realize he's not going to kiss you, so you step back.

"Oh... I'm sorry..." Elvis wants to kick himself for missing the window.

"For what, doll?"

"Nothing, I just thought... it's nothing." He takes a deep breath and remembers who he is. Then, he reaches out and grabs you by the waist, pulling you into him. He crashes his lips into yours and kisses you deeply. It's weird to kiss with someone else's mouth, but it doesn't take him long to figure it out.

You revel in the fact that Austin Butler is kissing you. You.

After you make out on the porch for a good fifteen minutes, you pull back from the kiss and look up into his eyes.

"Do you... wanna come in...?"

"Can I?" Elvis is shocked that you'd ask that so soon. Then, he remembers that it's not 1956 anymore. 1969 happened... he was there... and women are different now.

"Yeah... if you want to..." You start to get nervous that maybe you've made him uncomfortable. "You don't have to-"

"Yes. Please. I'd like that." You nod and smile and turn to open the door. He swallows deeply as you lead him into your apartment. It's been a long time since he's kissed someone, but it's been even longer since he did this. And kissing is easier to do well without practice.

You turn to him and take his hand, leading him to the bedroom. Is it possible that Austin is shy? He seems a little nervous to be headed that way with you.

"Do you not want to do this?" You stand facing each other next to the bed and look up into his eyes as he nods fervently.

"I do. I really do. I just... haven't... in a while..."

"Oh. Well, that's okay." Elvis smiles with Austin's face. He reaches out and fiddles with your shirt on your shoulder. Then, he moves his hand up to your cheek and runs his thumb over your lips.

"I just never thought this would be possible."

"What do you mean?" Elvis's heart jumps.

"Oh, umm, just, I've been watching you for a long time. I didn't think you'd want to go out with me." You smile and Elvis relaxes. He leans in slowly and presses his lips to yours again. He's surprised by how easy it is to fall back into a rhythm with you as the kissing ramps up and his hands, Austin's hands, begin to roam over your body. Without thinking, he slides them up under your shirt, dragging them across your back. He wants to lift your shirt and pull it off, but again, he's not sure just how far you're willing to go. Seemingly reading his mind, you remove your shirt for him.

You're shocked at how shy Austin is. You assumed he'd take the lead, but he seems reluctant even to take your shirt off. You push his jacket off of his shoulders and it falls to the ground. Your fingers go to the buttons and you take his shirt off too.

"Wow..." It comes out of you as a whisper while you run your fingertips over Austin's rippling abdominal muscles. Elvis looks down at himself and flexes his stomach as you touch him. This is different, but seeing the way you look at him, he's not exactly complaining. Bodies like this weren't common in his day, but he's thankful for Austin's dedication to diet and exercise in this moment. Something about it boosts his confidence and he reaches behind your back to remove your bra, but his fingers fumble. He peeks over your shoulder and eventually figures it out, pulling your bra forward off of you and dropping it to the floor. His hands slide to your breasts hungrily and he realizes how much he's missed the softness of a woman's skin against him. He pulls you in close and his kisses reach a fever pitch as he begins to move his mouth down your body. You revel in the sensation of his tongue on your nipple, throwing your head back in pleasure.

He turns you and lays you down on the bed, scooting you backwards and crawling on top of you. You arch your back as he kisses your stomach gently, finally landing at the place between your bellybutton and the top of your skirt. He hooks his fingers under your waistline and looks up at you, blue eyes wide with lust.

"Can I?"

"Yes. Please." He smiles softly and slides your skirt down your legs, removing your shoes at the same time.

"Mmmm." He groans as he holds one of your feet in his hand and kisses your ankle. You have beautiful feet and this is just another thing Elvis has missed about being with a woman. He feels his erection throbbing where it presses against the fabric of his pants. This creates a new sense of urgency in him and he hooks your panties with one finger between your legs and drags them off, quickly tossing them to the side. Now you're completely naked and he just stares at you for a minute. He was right to take this chance. You're worth it.

"What?"

"Nothing. You're just incredibly beautiful. I don't think I've ever wanted a woman this badly." You feel the blood rush to your cheeks and your core. He's unbelievable and if he's not careful, he'll have you head over heels for him. You sit up and begin to unbutton his pants, but he stops you. "This first, honey. Come here." He lays with his head on your pillow and pulls you to him, situating your hips above his face. He puts both hands on your ass and pulls your clit to his lips.

"Oh, fuck!" You grab the headboard while he goes to work licking and sucking you like his life depends on it. His tongue makes tantalizing circles on your sensitive button and you want to scream it feels so good. Elvis can tell by your reaction that he hasn't lost his touch, even if he is technically using someone else's mouth to do it. You look down at Austin with his face buried in your pussy, eyes closed like he's truly enjoying what he's doing. He slides first one and then two fingers into you and pumps them in and out while his tongue moves on you fervently.

"Oh, God, Austin, I'm gonna cum!" For a second, he forgets that he's Austin and his eyes pop open, but he adjusts quickly as your orgasm slams into you and your walls pulse around his fingers. Electricity explodes in your core and shoots lightning bolts to your fingertips in exquisite waves. When you finally come back down, you fall sideways off of him and lay on the bed. He wipes his face with his hand and sits up next to you.

"How was that, doll?"

"Oh. My. God." That's all you can get out and he smiles widely. He's still got it.

He stands up next to the bed, kicks off his shoes, and drops his pants and underwear. This is the first time he's looked down at himself and seen Austin's cock. Elvis is a little in shock. Not only is it huge, it's circumcised. He hopes it'll work the same way. Before he has too much more time to think about it, though, he looks up and you're on your knees in front of him.

You hold the base of him with one hand, put the other on his ass, and lick a circle around the tip.

"Fuck, y/n." Yep, it works the same way.

You slide as much of him as you can stand into your mouth, letting him hit the back of your throat. His head falls back and his mouth opens as you continue to work on him, bouncing and sucking and running your tongue along his shaft. Elvis is in heaven with your mouth around him and as much as he never wants it to stop, he wants to feel the rest of you too. Still, he reaches down and takes a handful of your hair as you let him thrust gently into your mouth for a bit. Then, he stops and stands you up, looking down into your eyes.

"Can I make love to you?" Your heart skips. No one has ever asked you that before.

"Yes. Yes, please." You lay back down on the bed together and he lines himself up with your entrance. His heart is pounding in anticipation. It's been so long.

He begins to push into you slowly, letting you stretch to accommodate his size. You moan softly as the sensation almost overwhelms you. When he's fully filling you, he pulls back slowly and thrusts forward again, groaning at the feeling of your tightness around him. He picks up a steady pace of fucking into you and you wrap your legs around his waist. Elvis is impressed with Austin's body and his ability to thrust without getting tired. It's been a very long time since he had that kind of youthful vitality.

"Yes, yes, yes!" You cry out breathlessly as he pounds you.

"God, y/n, it's so good." He moans again and kisses you deeply, feeling his orgasm begin to build in his hips. You're teetering just on the edge too, breasts bouncing with his rhythm. His cock is perfect to hit just the right spot inside you as he drives into you.

You feel him tense up as he slams into you one last time, throwing you over the edge into oblivion as well. You throb around him as he shoots you full of his warmth and shudders his hips into you. He relaxes and sets his head on your shoulder, both of you sweating and breathing heavily. After a few seconds, he slides out of you and lays next to you on the bed.

He's dying to tell you that he's Elvis and not Austin. He wants you to know that it's him. But he's afraid that would freak you out too much, so he keeps his mouth shut. Instead, he turns to look at you and you look back into Austin's face.

"That was amazing." You say, smiling. He smiles in return.

"It really was."

"Do you wanna... stay...?" You feel like you should know better than to ask, but you do anyway. Elvis knows he can't hold onto Austin when he sleeps, though. He'd be shocked to wake up here with you with no memory of how he got here.

"I wish I could, doll, but I can't. I'd love to do this again sometime, though."

"Yeah?" He rolls over and runs his fingertips down the side of your face.

"Yes. I really would." He leans in and kisses your lips softly. Then, he sighs deeply and rolls over, getting out of bed and putting his clothes on. It doesn't seem like he wants to leave, but he does anyway. He kisses you at the door again, tucking a stray piece of hair behind your ear.

"I'll see you soon, doll." You think to yourself that you'll see him tomorrow at work, but you don't say that part out loud. He walks through the door and you close it softly behind him.

He stays in Austin just long enough to get him home and in bed, laying there for a bit thinking about the encounter he just had with you. Elvis hasn't had a better day in over 50 years. Finally, his eyes close and Elvis pulls himself out, letting Austin sleep.

He's nervous about how he'll react when he finds out Elvis used his body to go out with you, but what's done is done. And he has every intention of begging to let it happen again.

******

Until part 2. Thoughts?

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

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[infizero]

Why Ambrosius and Ballister’s Relationship Feels So Different in the Movie (Nimona)

As someone who read Nimona countless times growing up, I am very familiar with the story and these characters. Which is why when I watched the movie, I was struck by how different Ambrosius and Ballister felt. They seemed like totally different and unfamiliar characters to me, and it didn’t have anything to do with their designs.

After rereading the original Nimona graphic novel recently, I’ve come to the conclusion that the main reason they feel like completely different characters in the movie comes down to one thing: the removal of the joust.

When I watched the movie, I was surprised by the fact that they changed the circumstances that drove these two apart. But it didn’t hit me just how much this one event shapes both of their characters and their relationship to each other until I reread the book. 

The joust is CRUCIAL to their dynamic. It pervades every interaction they have with each other, they bring it up constantly, it is literally the crux of their collective storyline. We learn about it on PAGE 5 of the whole book, and their big heart-to-heart when Ballister is captured near the climax of the story is based around Ambrosius finally admitting the truth about what happened. Honestly I’d say that him finally coming to terms with what he did and apologizing for it is probably what allowed these two to finally find peace together by the end of the book.

We get something similar to it in the movie. Ambrosius still is responsible for Ballister losing his arm, but it is under WILDLY different circumstances. So I want to talk about how the joust affects them in the book, and then explain why the movie’s version of events, while similar on the surface, has a completely different effect on everything. So let’s get into it!

(All images of the book are via pictures of my own physical copy btw, so apologies if they’re not the best quality.)

(Also I want to make it clear that I don’t hate the movie nor its adaptation of these two. I do personally greatly prefer the book, but this post is not here to tear down the movie and exclaim that the book was way better. I just find it interesting how changing one event can have huge ripple effects!)

Part 1: The Graphic Novel (AKA: “My Boyfriend Shot Off My Arm Because of His Wild Ambition!”)

Like I said before, we learn about the joust very early on; Chapter 2, page 5. It is told to us first via Ballister’s perspective. Nimona asks if she can kill Ambrosius while they’re making evil plans, and Ballister says no -- if anyone is going to kill Ambrosius, it’s going to be him. We then get a flashback to the joust itself.

Ballister explains how they were friends and how the joust was the first time they had been pitted against each other. Ballister won fair and square, but in his words:

BALLISTER: “but Ambrosius hates to lose.”

BALLISTER: “He always claimed it was an accident. No one could prove otherwise.”

BALLISTER: “Turns out the Institution had no use for a one-armed hero. I took the only other viable option.”

Ambrosius used a weaponized lance and blasted Ballister’s arm off. After the incident, Ballister was rejected by the Institution, and became a villain instead of the hero he had originally set out to be.

In Chapter 3 we see Ambrosius appear for the first time, and he and Ballister have a very relaxed sort of cartoon hero-villain dynamic going on. There’s definitely real animosity between them, but they don’t hesitate to simply talk casually to each other or help each other when things go south. It’s all pretty lighthearted and lowkey. 

They fight briefly, but after Nimona triggers the building they’re in to self-destruct, Ambrosius doesn’t hesitate to help Ballister escape and Ballister doesn’t hesitate to accept his help. Ambrosius even tries to reassure him that Nimona will be fine. After they make it out, with Nimona presumed dead, Ambrosius puts a hand on his shoulder and tells him to go before more guards show up. They may be “arch-nemesises”, but they certainly don’t act like it.

AMBROSIUS: “Haven’t you missed our fights? We haven’t done this since you tried to clone the king’s daughter!”

BALLISTER: “Ambrosius, I really don’t have time for this.”

AMBROSIUS: “Are you trying to make me jealous?”

BALLISTER: “You’re an idiot.”

By the way, I’m not going to be doing a full breakdown of every single scene with them, don’t worry. I just think that their first interaction shows off their dynamic very well. This is presumably how they’ve been with each other since the incident, as it’s made clear both here and throughout the book that they’ve both been doing this for a while at this point. They have a very established dynamic, which is important as that is one of the big differences between the book and the movie. (I’ll get into that more later.)

Whenever these two interact throughout the book, it’s clear that they have very different opinions on the incident that drove them apart and how their relationship functions now.

Ambrosius tries to act like it was simply an accident and that it doesn’t matter. Ballister became a villain of his own volition, and now they are arch-nemesises who have to fight because that’s their job -- though he doesn’t exactly act like he hates Ballister. 

Meanwhile Ballister saw it as a deep betrayal, and while he definitely still cares deeply about Ambrosius, he cannot get over the incident as easily as Ambrosius can.

Their respective feelings about what happened are shown perfectly in the scene in Chapter 7 where Ambrosius invites Ballister to meet with him in secret. Ambrosius tells him that the Institution has ordered him to kill Nimona and begs him to send her away, both so he doesn’t have to kill her and so things can go back to “normal.” Ballister then says that Ambrosius gave up normal at the joust.

AMBROSIUS: “I can’t believe you’re still hung up about that. It was a long time ago, you know.”

AMBROSIUS: “Besides, it was an ACCIDENT.”

BALLISTER: “I bet you’ve said that so many times you’ve started to actually believe it.”

Ambrosius insists it was an accident, and Ballister claims that he blasted off his arm because he couldn’t stand that Ballister was better than him. This sets Ambrosius off and they begin to argue.

AMBROSIUS: “You can’t blame me for how your life turned out! You made the choice to turn evil!”

BALLISTER: “Choice? I never had a choice! The Institution needed a villain. That lot fell to me. I never chose it.”

BALLISTER “And it could just as easily have been you, had that “accident” happened differently!”

AMBROSIUS: “Oh please! Do you really believe that?”

AMBROSIUS: “You never had it in you to be a hero! Everyone always knew that you were going to be the one to go bad!”

Ambrosius has convinced himself that Ballister chose to become evil, and that he isn’t responsible for what happened because it was an accident. We later learn that it wasn’t an accident though, which means that this really is him just making excuses so he doesn’t have to accept responsibility.

Ballister brings up the idea of Ambrosius becoming like him again after they fight, in one of if not my favorite scene between them in the whole book:

AMBROSIUS: “uugghh”

BALLISTER: “What if I cut off your arm right now?”

BALLISTER: “Then you’d see how fast the Institution would cast you aside. Just like they did me.”

AMBROSIUS: “You wouldn’t.”

BALLISTER: “No, I wouldn’t.”

BALLISTER: “And I’m the villain.”

BALLISTER: “What do you suppose that says about you?”

Ballister and Ambrosius are both very complicated individuals, and I think they lose a lot of their moral grayness in the movie. (Which I will get to later.) 

Ambrosius is the “hero”, but it was his ambition that drove him to blast Ballister’s arm off, and he’s never accepted responsibility for it, instead trying to convince himself that Ballister turned out this way because of his own actions. But he doesn’t disagree here that the Institution would throw him out if he were to lose his own arm, which I think is very telling. He knows deep down that he is not a good person, and he is not working for good people. But he doesn’t want to admit it.

Ballister is the “villain”, but in many ways he is better than Ambrosius. He abides by his own rules of never killing unless it’s necessary, and goes out of his way throughout the book to make sure that as few people are harmed as possible. He knows that the Institution is corrupt, because he was one of the people it failed. And he works to try and bring it down. 

Ambrosius cannot accept what happened, and because of that they aren’t able to get anywhere. They both know it wasn’t an accident. But because Ambrosius cannot admit it, they are stuck like this.

It’s a fascinating part of Ambrosius’ character that though he is adamant about Ballister being the one to destroy himself, he still cares about him. Much more openly than Ballister does in return, in fact. Ambrosius consistently does whatever he can to avoid having to kill him and always seems to have his wellbeing in mind. While he initially refused to kill Nimona, revolted at the idea that he should be ordered to kill “a little girl”, he eventually agrees to do so, but only under the condition that Ballister would be spared.

THE DIRECTOR: “Your motivations are quite transparent. I KNOW what the nature of your relationship was. I made it clear at the time that I disapproved. If your fixation on him has impeded your ability to do your job, then he truly has outlived his usefulness.”

THE DIRECTOR: “We’ll find you a new nemesis. Perhaps you will be more competent without Blackheart as a distraction.”

AMBROSIUS: “I won’t kill him. If you demand I kill the girl, I’ll do it - but I won’t kill him.”

Despite him and Ballister’s separation being his fault, he is the one who wishes most for things to go back to the way they were.  And this is likely why he refuses to accept responsibility about the joust. If it were truly an accident, then there shouldn’t be anything preventing them from continuing to be together. By painting it as an accident, Ballister becomes the villain for refusing to move on and let things go back to the way they were, not Ambrosius.

But finally, after Nimona disappears and Ballister lets himself be captured, we get probably the most important scene between these two. Ambrosius has been demoted due to his failure to kill Nimona, and is now forced to guard Ballister’s cell. Ambrosius is at his lowest that he’s been throughout the story, disgraced and discarded by the Institution who he had always been so loyal to.

It’s notable that Ambrosius says here that they both know Ballister is not evil, since he has been paddling that idea this whole time that Ballister made the choice to turn evil. By admitting that he is not, it shows that he is both starting to turn against the Institution, and starting to be more honest about what really happened.

Naturally, after Ambrosius wonders how things ended up like this and reminisces on when they were together, Ballister once again brings up the joust. And finally...

AMBROSIUS: “I- I never wanted to hurt you. I- I didn’t- It was-”

BALLISTER: “Don’t you dare try to tell me again that it was an accident.”

AMBROSIUS: “It wasn’t.”

...he admits the truth.

Ambrosius shares his side of the story, letting both us and Ballister in on what really happened that day. It wasn’t fully his fault -- the Director had called him into her office the night before the joust and told him that he had promise, that he was her choice out of the two, but that he had to prove himself against Ballister or that opportunity would go away.

On the day of the joust, Ambrosius received a weaponized lance instead of his regular one, which he instantly noticed. He asked what the Director expected him to do with it, and was told that she expected him to win.

To Ambrosius’ credit, he had no intention of using it, as he was confident that he would win. But the weight from the weaponized lance threw his balance off, and he ending up losing. And so...

AMBROSIUS: “I wanted it, more than anything. You never wanted it as much as me. You were just BETTER, without hardly even seeming to try.”

AMBROSIUS: “I don’t even remember- but I must have-”

[...]

AMBROSIUS: “I’m sorry, Ballister. I’m so sorry.”

To be fair, Ambrosius is not entirely to blame here. I doubt he would’ve come up with this idea on his own; he only acted on it because the Director had already given him the weaponized lance, and stressed the night before that the opportunities she dangled in front of him would not be given to him if he did not win. He was manipulated.

But he still made the decision to do it. He could’ve simply not used the lance. But he chose to. It is his fault.

It’s fascinating that the version of events Ambrosius had been swearing by this entire time is the exact opposite of what really happened. He claimed that it was an accident, he didn’t choose to do it, he had no choice, and that it was Ballister’s choice to become evil that caused all of this. But in reality, Ambrosius was the only one who got a choice here. And that choice is why their relationship was destroyed.

Ballister then brings attention to something even more damning:

BALLISTER: “You’ve never said it before.”

AMBROSIUS: “What?”

BALLISTER: “You never said you were sorry.”

AMBROSIUS: “I- didn’t?”

AMBROSIUS: “Oh god.”

I feel like you could interpret this in a lot of different ways, but the way I see it, they probably didn’t see each other much right after the incident. Ambrosius was catapulted into stardom as the kingdom’s beloved knight, and Ballister became a villain. I don’t think they really interacted much until their hero-villain antics started up, so I don’t think Ambrosius really had a chance to apologize. And if he did, he didn’t think to. Regardless of why, I do think it is messed up that he never apologized, and it goes to show just how much this event destroyed the bond they used to have.

From here, there’s not too much, as Plot Stuff starts getting serious around this point. Ambrosius ends up betraying the Institution after they continuously attack Ballister to provoke Nimona, attacking the guards who are holding him. This is when Ambrosius finally chooses Ballister over the Institution, which is great for his character, but there’s not really much more than that to say about it.

He and Ballister plan together to try and save the kingdom, with Ambrosius being adamant that they have to kill Nimona while Ballister refuses to. It’s during this conversation that Ambrosius mentions that he “never did anything good [his] whole life”, which is really sad but also kind of accurate, and it goes to show how he’s finally accepted responsibility for everything he’s done and had a part in up to this point.

Eventually Ballister is able to find a way to nerf her and they split up, with Ambrosius wanting to tell him something in case they don’t see each other again, but Ballister shuts him down.

BALLISTER: “We can’t do this now. Just... just promise me you won’t get yourself killed.”

It’s easy to assume this was something romantic and it likely was, but I imagine Ambrosius could’ve also wanted to say sorry again for everything. Perhaps it would’ve been a mix of both.

Regardless, they split up and climax stuff happens: Ambrosius attempts to kill Nimona but gets seriously injured, Ballister tries to reason with Nimona, etc. etc. Eventually at the very end, we see that these two have made peace and are together again, living on after everything. And that’s these two in the book!

Whew. I know that was a lot, but don’t worry. I won’t be going into as much detail about the movie’s version of events, as Ambrosius and Ballister have a much more cut-and-dry dynamic there than in the book. Their relationship in the original is very complex, so I wanted to make sure I covered all of those little nuances.

The joust is what defines their relationship and a lot of their respective characters; it is unimaginably important. Ballister became a villain because he lost his arm and was cast aside by the Institution. Ambrosius became the kingdom’s hero because he took Ballister out of the picture. They are unable to be around each other normally for very long because of their divided views of what happened. It is only after Ambrosius finally faces the truth that they are able to find peace together once more.

All of this is to say that it’s extremely hard to imagine what their relationship would be like in the graphic novel had the joust not happened the way it did. Which brings us to...

Part 2: The Movie (AKA: “My Boyfriend Sliced Off My Arm Because I Literally Killed Someone!”)

Before we start, I want to again stress that I am not trying to argue that any changes made here are inherently inferior. I am merely pointing out the differences between the book and the movie that contribute to the overall dissonance I and many others have felt when it comes to these two across versions.

Right off the bat, we are greeted with the movie’s version of Ambrosius and Ballister’s backstory. Like was implied in the book, they appear to be together (or something along those lines) which is great to actually see. But it quickly becomes clear that the events here are far different.

Instead of a joust, it is a knighting ceremony. There is no competition between Ballister and Ambrosius here. Ambrosius is knighted and cheered for, and then it is Ballister’s turn. He is knighted and everyone is silent before breaking into cheers as well. And then...

...his sword suddenly turns into a cannon and kills the queen. And in retaliation...

...Ambrosius chops his arm off.

Now if you’ve listened to ANYTHING I’ve said so far, this should immediately set off alarm bells. Because this one little difference changes everything about these two’s dynamic.

In the book, Ambrosius shot off Ballister’s arm in order to win his position. It was an entirely selfish and evil action spurred on only by his uncontrollable want to be the winner.

But here, Ambrosius is debatably justified in his response. Sure, he didn’t have to be as drastic as slicing his whole arm off (and I know there’s symbolism there with how the kingdom has taught people to get rid of problems), but Ballister -- to him -- literally just shot the queen. The queen who Ambrosius has sworn to protect. It is completely reasonable for him to respond in this way. And that’s a huge difference.

By changing this, we already have a completely different situation. Ambrosius here didn’t particularly want to cut Ballister’s arm off, it was a reflex, a response to a sudden danger. (Not saying he wanted to in the book, but there he made the deliberate decision to do so. In the movie it seems much more like an actual accident -- an overreaction that he immediately regrets and, as we’ll see, continues to regret.) And there was justification for it. There was no justification for it in the book. 

Instead of an Ambrosius whose ambition caused him to commit an evil act of betrayal against the man he was closest to, we now have an Ambrosius who, in the heat of the moment, overreacted like he was trained to after Ballister seemingly betrayed him. We’ll see over the course of the movie how this affects things, but that’s not the only major change here.

As we figure out shortly afterward, the movie makes a huge change when it comes to how the story functions, and that’s the timeline of events. In the book, the joust and the subsequent fallout between Ballister and Ambrosius happened years ago. We don’t know how long, but it’s clearly been a while. Enough time has passed where they are fully settled into their roles as hero and villain, and they look significantly younger in the flashbacks as well.

Like previously stated, book Ballister has been a villain for a while. He is completely settled into this role and has been making schemes and having fights of the week with Ambrosius for a considerable time. He knows what he’s doing. He has his own way of doing things, and when Nimona inserts herself into his life much of their early dynamic is him teaching her how he does things. In the book, Ballister is the teacher, Nimona is the student.

But in the movie, this incident just happened. It's unclear how exactly long it's been, but judging from Ballister's arm being created and his wounds healing it's probably been around a month.

Regardless of exactly how long it's been, the point is that these events are still very fresh. Ballister seemingly has just been laying low, not villain-ing it up, and he and Ambrosius haven't seen each other since the knighting ceremony. This changes literally everything about Ballister’s character. This post is specifically about Ambrosius and Ballister’s dynamic and not a Ballister character analysis so I’ll try to keep it brief, but movie Ballister seriously could not be more different from the book.

Compare this to movie Ballister, who I’m pretty sure never knows what he’s doing ever, at any point. He was training to be a knight. He has seemingly never once questioned the Institution. Now he has suddenly lost his arm and been thrust out into the unknown of being treated as a villain, and he has no idea how to handle it. Then Nimona shows up, tells him “hey, the Institution sucks”, and eventually he ends up believing so as well. In the movie, Nimona is the teacher, Ballister is the student.

Book Ballister actively resents the Institution and has no doubts that what they did to him is wrong. He has been plotting their downfall for a while. Nimona, on the other hand, seems to be out of the loop when it comes to the Institution and seemingly only starts hating them after she finds out how they threw Ballister out. Again, I’d just like to stress how completely and totally opposite their dynamic in the movie is compared to this.

There’s also Ballister being a scientist and being much more jaded in the book, but that’s not really important for the purposes of this post. So alas, I shall move on.

This different timeframe greatly impacts Ambrosius and Ballister’s dynamic, and obviously it would. There is a huge difference between a falling-out that happened years ago and you’re both still bitter about, and a falling-out that happened very recently. This, along with the different course of events resulting in said falling-out, is what causes their dynamic to feel so alien.

Also while talking about their early interactions in the movie, I’d just like to point out that while here Nimona is the one to assume Ambrosius is Ballister’s arch-nemesis and call him such, which Ballister doesn’t agree with, they were actually arch-nemeses in the book. Just something I noticed.

Something else I find interesting is later on, Ballister seems to be almost in disbelief about Ambrosius cutting off his arm and makes excuses for him.

BALLISTER: “He didn’t cut off my arm. He disarmed a weapon.”

BALLISTER: “It’s how we were trained.”

(Side note, but I wonder if book Ballister ever felt this way right after the joust? Did he try to convince himself it was an accident too, once upon a time? Did he try to make excuses?)

And to be fair, he is sort of right. Like I said before, Ambrosius’ reaction to Ballister seemingly killing the queen was debatably justified. While we’re obviously supposed to side with Nimona here and agree that Ballister should be more upset at Ambrosius for what he did, the movie definitely paints Ambrosius as more sympathetic overall. We see him freaking out internally about cutting off Ballister’s arm, and there is a lot of emphasis placed on how he and the others were trained by the Institution, inviting the audience to place more of the blame on the system that taught Ambrosius to act this way rather than him as a person.

And again, I’m not saying this is a bad thing! I love a good "taking down a corrupt system” story, and with the different circumstances of the movie it definitely makes more sense to play it this way. But in comparison to the book, Ambrosius is much easier to sympathize with. His character is changed from a very morally gray person who did something horrible and won’t admit it, to a pretty okay person who did something horrible and wholly accepts and bemoans that fact. He’s almost the opposite of what he was in the book.

So we have an Ambrosius who accepts what he did to Ballister and feels awful about it, and a Ballister who has no idea what he’s doing and is basically just being dragged around by Nimona. With both of them being basically the complete opposite of how they were in the book, is it any wonder that their relationship with each other feels so different when they themselves are so different?

Also, once again, the circumstances are very different. There is no Queen murder plot in the book, nor is their any attempt to clear Ballister’s name. A significantly different setting makes a difference too.

I don’t see a need to go into further detail about specific scenes in the movie as I think I’ve made my point clear. But going back to the movie’s lack of Ambrosius and Ballister’s already established hero-villain dynamic, I think these differences are made quite apparent just contrasting how they talk to each other. I mean, just compare these two scenes:

AMBROSIUS: “What? You’re gonna kill me now too?”

BALLISTER: “You believe that?”

BALLISTER: “Then you never knew me at all.”

AMBROSIUS: “uugghh”

BALLISTER: “What if I cut off your arm right now?”

BALLISTER: “Then you’d see how fast the Institution would cast you aside. Just like they did me.”

AMBROSIUS: “You wouldn’t.”

BALLISTER: “No, I wouldn’t.”

BALLISTER: “And I’m the villain.”

BALLISTER: “What do you suppose that says about you?”

Their relationship in the movie is much softer and healthier than it was in the book. Their dialogue in the movie tends to lean much more towards tried-and-true “friendship betrayal” stuff; the wound of Ballister’s “betrayal” may be fresher, but it’s clear both of them love each other far more than they resent each other. In the book, it is the opposite. The movie could NEVER have the bar fight scene. It’s too ugly and bitter to fit these softer versions of Ambrosius and Ballister.

Part 3: Conclusion

So, that was a lot. I hope it’s a little clearer now how big the differences are between these two’s dynamic in the book and the movie! Especially if you’re someone who is only familiar with one or the other. While I prefer the book due to me tending to prefer more complex and messy relationship dynamics, I totally understand the appeal of the more loving and healthy relationship Ambrosius and Ballister have in the movie.

To summarize, here are some of the main takeaways:

Ambrosius causing Ballister to lose his arm is completely unjustified in the book and happens due to Ambrosius’ wild ambition, while in the movie it is a debatably justified reflexive action in response to an active threat.

Ambrosius overall is portrayed as much more sympathetic in the movie, with the system itself being more to blame for what happened.

In the book, the main thing keeping them apart was Ambrosius’ refusal to take responsibility and admit what he did. In the movie, it’s a misunderstanding about Ballister seemingly turning evil.

In the book, Ambrosius and Ballister have a very established hero-villain dynamic with the joust having happened years ago. In the movie the “betrayal” is still very fresh, which leads to very different interactions between the two.

And that’s about it! Thank you for reading this very long post. And if you haven’t read the original graphic novel or watched the movie, go do that!!! Much love to ND Stevenson and the rest of the people who made this story come to life.

Let me know your thoughts in the tags or the replies! Which version do you prefer? Are there any other factors you feel have a significant role in why their relationship feels so different? Or do you think I’m totally wrong about this and they feel basically the same to you?

Either way, thanks again for reading and goodbye!

#nimona #ballister boldheart #ambrosius goldenloin #analysis #meta #ballister x ambrosius #ambrosius x ballister #nimona movie #nimona graphic novel #nimona analysis #ballister blackheart

[pencileraser1]

things i noticed/thoughts about most recent rewatches of dps (plus laserdisk deleted scenes):

whenever theres a group scene i've started watching the characters that the story isn't focusing on to see what they do and i've been having a fun time with that. pitts and cameron specifically seem to almost always be doing something interesting in the background.

hopkins!!!! my favorite minor character who somehow got character development despite having like 2 lines!!!! the last guy to stand on the desk but he did it!!!

sometimes i do like to think about what the rest of the students thought about the dead poets society, esp in alternate timeline neil lives dps keeps meeting universe. like yeah theres this guy in their class whose one of the most credited students in the school and we think he maybe started a cult. idk though. but that group runs out into the woods every few days to do god knows what and one of them keeps talking about "dead poets honor" whatever that means and holy shit welton star student neil perry started a cult.

i watched the movie with headphones. and maybe it's because ive seen this movie Far too many times and mabe i'm listening too hard but it was Really obvious sometimes when audio was added in post production. llke in the sweaty toothed madman scene when you can hear laughing and to be fair the camera is behind their heads. but it does Not look like anyone's laughing. my favorite is at the end of the phone call to chris scene where knox is like i'm gonna seize the day!! and runs up the stairs and the poets are cheering him on and neil is sort of yelling "carpe!!!!" and i could be wrong but i'm like 75% certain that the person singing is Also rsl so now neil is just speaking two times at once somehow. anyways it didn't ruin the experience for me or anything it was maybe just a little bit funny to notice but very sorry if this did ruin anyone's viewing.

people talk a lot about how rsl and ethan hawke really made their characters what they are but i have to add dylan kussman to that list. I get the impression that older versions of the movie didn't really give as much depth to cameron and watching dylan kussmans performance is like. he Knew who his character was so fucking well and it shows!! like the deleted scene of them getting clubs assigned. like i could tell So Much about cameron from that scene

for how little she actually appeared, there is an emphasis put on the fact that neil's mom smokes pretty frequently. and i think that's interesting considering neil is one of two poets shown actively smoking. neil's mom doesn't appear for very long in the movie but during that time it definitely seems like the movie is intentionally making parallels between the two, particularly in the last argument with neil's father. neil and his mother are both sitting for almost the whole time, which contrasts with his father who is standing. they are both almost powerless in this scene. they stand up at almost the same time. anyways there's a couple different possibilities for what this could mean? that i've though of? 1. to show that neil's mother is in a similar situation to the one neil is in in regards to neil's father and 2. maybe a stretch here but the theory that neil inherited his mental illness at least partially from his mother. i'm pretty sure 1 was fully intentional on the directors part, not entirely sure about 2 though

unmanned flying desket scene: it's probably cause he and ethan wrote the scene themselves but the way rsl talks in this scene feels more like the way he talks in general than the rest of the script. like briefly neil perry is talking in rsl's voice. one of my absolute favorite scenes though the sarcastic dialogue is so good.

the light of knowledge at the first shot of the film vs. todd standing on his desk at the last shot of the film paralel

#there was a whole additional part of this post that was about knox and charlies relationship with their parents #but it ended up being half of what i wrote here and i still had more to add so i'm making that a separate post #that should be posted in a few days i'm not a fast writer #neil perry #richard cameron #gerard pitts #todd anderson #dead poets society #dps

[not-quite-normal]

Hello, hope this finds you well!

As a film enjoyer and small artist I was absolutely mesmerised by the animation work in ATSV all around but The Spot in particular stood out to me! I was curious how the process of animating his scenes went especially with all the portals, which I assume many of which were painted in afterwards? Was the way the team thought out his scenes different from other chatacters?

Apologies if I'm asking about something you didn't work on but I thought asking was worth a shot! Anywho thats it, may you have a lovely day!

good question, and thank you! i haven't seen much talk about spot but a lot of development went into his look

for posing, we took a lot of inspiration from the artist egon schiele, an idea from humberto rosa. we wanted spot to look awkward by making him feel like a loose yet controlled sketch, exaggerating his weird long and lanky proportions into very squared off and angular shapes

for the portals, they had to be created in anim first and then fx did a pass on them to add all the little extra swirly bits, and then comp did another pass on them to integrate them into the scene. every element that you see in a shot had to be created in 3D in order to move properly down the pipeline so that the other departments knew what to do with the scene, because they don't always look at the animation playblasts, what matters is what's published in the scene file. we can draw over our shots to try things out quickly but eventually had to put in the work of making them real 3D assets. every portal that you see on spot's body and floating off of him was placed by an animator

near the beginning of production, a lot of tests were done to make spot's face portal more expressive, mimicking mouth and eye shapes as a part of his acting. it was decided that simpler was better in this case, so it was mostly just kept as an oval instead

in order to make a shot like this work in 3D, we used two spot rigs here and a portal tool that let us flatten the geo of the second spot down to 1 pixel so that only his hand can be seen while animating in and out of the portal. nothing is painted over here, this is pretty much 1:1 to what's in the maya scene

in order to progress spot's power throughout the movie, we needed to add more body spots in the india sequence, similar to the second to last pose here (art by aymeric kevin):

our anim tech lead emmanuel gatera worked with rigging to update spot with the ability to turn sections of his body black with the use of a boolean, since it was impossible to add enough spots to totally cover his hands and midsection. he did still need a lot of spots along with the booleans though, i think it was somewhere around 80 (we had library poses for them, didn't need to bring them all in and manually place them in every shot haha)

and finally forget what i said about having to create everything in 3D because the final stage of spot's power was the exception to that rule since he was only in a small handful of shots. nideep varghese animated this shot with the regular spot rig and drew over it entirely in 2D, which the fx department recreated with about a bazillion layers of hand-drawn fx by arthur muller, srdjan milosevic and filippo maccari. lighting/comp by craig feifarek

#asks #animation question #spiderverse #spot

[frownyalfred]

you know this thing where almost every comic ever about a nightmare sequence has the wayne's murder as the most ultimate terrible horrendous thing that happened to bruce ever and then have him overcome it in the next comic?

Not that his trauma isn't terrible but I feel like he should have moved on during his time as dick's and jason's guardian/dad and then the next big trauma thing happened. And then he moves on slightly from that and the next big trauma thing happens. And then again. And again.

Sure, his parents are always going to be the first stone for the foundation of his purpose as batman but then other things keep happening and he accumulates more trauma and experiences and those things become part of what batman is too.

I don't mean he should move on because then batman would cease to exist the way he is now, i mean that his main fear and trauma has evolved, and, basically, integrated all the bad things that ever happened to him and people he's close to.

So when he thinks of his parents, he also thinks of what happened to barbara's birth parents and gordon, Dick's parents and jason's parents and tim's parents and clark's parents and so on...

I think that would be more interesting than getting another "oh yeah, look at that. poor batman and his poor parents, one being doomed to watch and two being doomed to get shot. do you feel sad now? you should, just look at his poor parents"

Every worst fear would be different depending on what happened last week, so every nightmare sequence could just focus on the different horrors of being a vigilante.

when, exactly, would you have him "move on"? As in "move on but not really". Their deaths stop being an oppressive force and become a resigned sadness that he accepted a long time ago but also tries to change every day when he steps in front of bullets in alleyways.

Does this make sense???

Yes! I’m glad you brought this up since I actually just finished watching Gen V on prime where they have a very similar fanfiction esque dream sequence in someone’s mind where you see their “most traumatic” experience.

And yeah. While Bruce’s parents’ murders were formative and probably damn near the worst thing that ever happened to him, they happened DECADES ago. Unless he’s actively rehearsing those memories, they are never going to hurt as much as newer, traumatic events.

I know I keep going back to this but someone told me the other day that there’s no worse grief than losing a parent, except losing a child. Bruce LOST Jason, in a highly traumatic and arguably preventable way. Compared to his parents’ death, it was far more visceral and happened to him as an adult fully capable of processing what occurred.

I’m sure some other folks here can come up with other recent events that might pop up in Bruce’s mind other than just Jason’s death.

Bruce is an effective compartmentalizer, but even the most seasoned PTSD pro needs time to repackage and quash traumatic memories.

If a writer or movie dove into Bruce’s mind right after Jason’s death and still went straight to the memory of his parents’ deaths (saved into his mind at a young age) I personally feel like they’re missing the point.

#end rant haha #bruce wayne #batman #dc #thoughts #you’re so right anon #asks #anon #Jason todd #red hood #a death in the family