“When I first heard it, from a dog trainer who knew her behavioral science, it was a stunning moment. I remember where I was standing, what block of Brooklyn’s streets. It was like holding a piece of polished obsidian in the hand, feeling its weight and irreducibility. And its fathomless blackness. Punishment is reinforcing to the punisher. Of course. It fit the science, and it also fit the hidden memories stored in a deeply buried, rusty lockbox inside me. The people who walked down the street arbitrarily compressing their dogs’ tracheas, to which the poor beasts could only submit in uncomprehending misery; the parents who slapped their crying toddlers for the crime of being tired or hungry: These were not aberrantly malevolent villains. They were not doing what they did because they thought it was right, or even because it worked very well. They were simply caught in the same feedback loop in which all behavior is made. Their spasms of delivering small torments relieved their frustration and gave the impression of momentum toward a solution. Most potently, it immediately stopped the behavior. No matter that the effect probably won’t last: the reinforcer—the silence or the cessation of the annoyance—was exquisitely timed. Now. Boy does that feel good.”
— Melissa Holbrook Pierson, The Secret History of Kindness (2015)
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Often when trans women ask me when I'm performing next, and I tell them that it's a queer/trans event, they will tell me that they'd rather not go because they do not feel comfortable or safe in those spaces, that they have been dismissed or belittled at such events before. Even trans women who are dyke- or bisexual- identified often don't feel welcome or relevant in queer/trans spaces. And whenever a trans woman or ally points out aspects about the queer/ trans community that contribute to these feelings of irrelevancy and disrespect—such as the way our community coddles those who support trans-woman-exclusionist events or who make trans-misogynistic comments—we are described as being "divisive." This use of the word "divisive" is particularly telling, as it implies that "queer/trans" represents a uniform movement or community—a "oneness"—rather than an alliance where all voices are respected.
Julia Serano, Whipping Girl. Published 2007.
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I could go on bout Class of '09 and its writing but my main takeaway from that game is that they missed the chance to replicate the 2000s Teletoon era style of cartoon like your 6teens, Stoked, Detentionaires. Total dramas, etc
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can you do smth about loser gf n sukunas first date? i love them sm
𝝑𝝔 an: hope u enjoy this :)) read more about cool bf sukuna x losee gf reader here!!
cool boyfriend sukuna isn’t that original(he doesn’t even try to be) so he just takes you to see a movie and then plans to walk you home after that.
you give him the freedom of choosing what movie to watch and he, of course, chooses a slasher. you take the ticket he gives you with an excited grin, which excites him, and leave him to go to the restroom to check yourself out.
sukuna’s gaze doesn’t leave you or the path you walked on even for a minute as he admires the way you put a little more thought into your outfit, looking as sweet as ever, and added a little more makeup to enhance your pretty features. he’s not gonna lie, the way you did your lips really makes it hard to keep himself together.
to his amusement, you are still a little scared by the cheap jumpscares, hand visibly itching to grab his. sukuna spends most of the movie’s runtime watching you, absentmindedly biting the nail of his thumb and smiling at your cute reactions. the way you tightly close your eyes whenever a violent scene is on, the way you hiss and your face scrunches in disgust at the sight of someone’s fake guts on the screen, the way you squeal quietly when you get jumpscared — he finds you so adorable it’s crazy.
sukuna takes your hand at the first opportunity that presents itself: when you’re giggling at something he said and don’t notice a person walking by, accidentally bumping into them. sukuna doesn’t hesitate to grab your hand and pull you into himself, giving the person a nasty glare. you smile sheepishly at him, but don’t let go. he feels very peaceful, like he’s never felt before.
and to sukuna’s surprise, when he is ready to leave your address after walking you home like the gentleman he’s quite far from being, you, the shy loser who is hardly even noticeable if you don’t look carefully around the classroom, come back from your apartment, running after him, and soon hold onto his shoulders, standing on your tiptoes to plant a shy kiss on his cheek before hurriedly disappearing into your apartment again.
he can barely suppress the idiotic smile splitting his lips.
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