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#jennifer says things
basementpotato · 2 days
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a couple of people (@dnpbeats & @bewareofthenewphannie) were interested in the. academic style paper i wrote for funsies about the language of hard launches & soft launches.
so here's the paper
notes:
this is formatted and styled like a formal academic researchy paper but it was written in two sittings of brainrot a month apart and is largely unedited
it's written like anyone could read it, so i spend some time explaining Who dan and phil are and Why i wrote the paper
it takes itself seriously but it's very silly at its core
it's . 10 pages + bibliography
anyway. have fun my askbox is open for any questions or comments xoxo
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catastrophicgay · 7 months
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girls who are doomed by the narrative!! girls who have been dead since the beginning. girls who are dragged into death not kicking and screaming but clinging on to the brink until their fingers ache with the weight of the years they’ve stolen. girls who’s every last words are already etched on the stone of an open and waiting grave.
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zukkacore · 15 days
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“Starbreaker is dead Jace was killed and forcibly shatterstarred he’s not a real Porter acolyte wah wah wah” don’t you understand that being Brought Back Wrong is its own form of romance. Say it with me again folks. This too is yuri
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odinsblog · 1 month
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Mark Hamill: “I firmly stand with Darth Vader and the Empire.”
Jennifer Lawrence: “I firmly stand with President Snow and the Capitol.”
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willgrahamscock · 1 year
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mythtakens · 2 days
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Maddie in 7x05
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chirpsythismorning · 1 month
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Fun fact: In the original pitch for Stranger Things, El had a little brother.
After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.
This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.
But the thing about this moment, is that it might not have been scrapped entirely...
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Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.
Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.
But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.
One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.
The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.
Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.
Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.
Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.
What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.
While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.
Which means she has likely seen him within the last 24 hours regardless.
This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.
Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.
Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.
Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.
We know Will is not younger than El, so how could this apply to him?
Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…
Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.
It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.
And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.
If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.
This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.
I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.
And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?
I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.
The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!
And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.
While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.
Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.
On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.
And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.
Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.
This leads to several moments where El is being compared to as not only a boy, but Will as well.
Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.
And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.
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The changes don't stop there.
Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.
Another thing that changed from the first script, was Scott Clarke's introduction:
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And so you might be thinking, who cares? What does that have to do with anything?
Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:
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Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?
Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...
I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.
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And the changes go on, as they obviously would.
Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.
And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...
If you've made it this far, congratulations.
If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘
#byler#stranger things#willel twins#twelvegate#montauk#as you can see#i am out of my mind#and i'm okay with that#i've spent the last couple months trying to make a video going over all the willel twin evidence#and i can't decide if it's even possible to do without going over an hour#like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans#i hope to have it done soon#trying to make it less than 20 minutes#but it's probably going to end up being closer to an hour#especially with this stuff from the montauk pitch being added to the mix now#anyways#willel and byler are the curtain behind the curtain#if you are open to one of them#you are bound to stumble across the other#and they don't want that to happen#stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal#bc it's arguably the most consistent thing about this damn show#and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me#them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball#and jonathan saying he shouldn't like things just bc people telll him he's supposed to#how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el#with the bullies showing up and literally being homophobic seconds later#the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on#only for them to scrap that and just make it about her having a crush on will...#never once introducing this idea of mike liking her...
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thelastharbinger · 2 years
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I’m already seeing male reactors get very verbally defensive about that scene in She-Hulk where Jennifer describes how, simply as a woman, she has more experience in suppressing rage than Banner because speaking out will get you labelled “hysterical”, “emotional”, “difficult”, “too much of a feminist”, the list goes on. And if you snap back at the wrong cat-caller, you can get murdered. So now mcu bros are rushing at the opportunity to cry out “this is just another ‘marvel throwing in another woke scene for woke’s sake’. But like...it isn’t untrue. Comic nerds are all for female superhero protagonists until she, god forbids, talks about the dynamics of what it’s like to live within the confines of patriarchy.
MCU fans are always clamoring for the social commentary to be more “subtle” and not so “in-your-face”, just so they can mindlessly enjoy a punchy fighty show and not have to confront any real-world intersections with racism, misogyny, xenophobia, transphobia, all the -isms and -phobias you can imagine. Additionally, even when the social criticisms are embedded into the story, the conflicts are routinely either overlooked or watered-down and discussed at the individual-level as if these are just isolated incidents and not reflective of larger phenomena. Dudebros forget that superhero comic media, from the very beginning, has always been political. A lot of the mainstream characters we know and love today were created in response to the anti-war and peace movements during the seventies in the United States (this is also not to say that there isn’t some definite war propaganda and Red Scare-inspired comics out there either).
Comics are teaching grounds for morality, human good, and bad, power, greed, corruption. Comics have been about the social commentary from the get-go. The idea that the government (and by extent society at large) is villainizing and surveilling a specific minority group who carry varying physical and genetic traits contrasting to that of the “ideal national subject” because of a perceived inherent aggression or difference based on their physical attributes *ahem ahem mutants*...where do you think they got that from?
I literally sat through a dude being like “IN MY EXPERIENCE AS A MAN, THAT IS NEVER THE CASE! IF A WOMAN GETS UPSET AND MAKES A SCENE IN PUBLIC, THE MAN ALWAYS LOOKS LIKE THE BAD GUY BECAUSE IT IS ASSUMED HE DID SOMETHING WRONG. MEN ARE THE ONES WHO CAN NEVER BE ANGRY.” (Obviously for Black men, my argument is different because when Black men express rage, they are viewed as a threat or turned into spectacle, but the person who made this rant was not a Black man, nor was he factoring race into his argument). As if masculinity and gratuitous violence have not become nearly synonymous. When male celebrities are accused of beating their partners, fans run to their defense to say “well she shouldn’t have provoked him.” When Will Smith slapped Chris Rock, the internet rooted for a televised boxing match between the actors/comedians. We all watched the Trump and Hillary debates right, where his belligerent behavior was coddled while she had to maintain composure?
We’ve collectively grown up watching male newscasters, talk show hosts, and reporters make jokes about angry women in sports, in the media or in news reports being on their periods, as a way to minimize the stressful and abusive circumstances, or people, women are subjected to. The world expects women to react to harassment with class and elegance; women’s anger, Black women especially, is never not mitigated. For male fans to come away from that scene wanting to eye roll is why the commentary is so “in-your-face” because a lot of y’all still don’t get it! Men are still finding ways to make women’s issues about them and the “loss” of their rights. In a world where Brock Turners are able to walk free, are you really trying to argue against this scene? Really? What else do you expect out of a series whose main character is AN ATTORNEY? Y’all are just not going to enjoy this series then, as per usual.
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jareaulover · 4 months
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JJ and Emily sharing a bed in the Alaska episode is my Roman empire.
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especiallyhaytham · 4 months
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Take of the day: I want to know what Jenny Scott Kenway is actually like. We only really see bits of her in Haytham's journal, and his perspective is so incomplete and kind of garbage honestly. I want to know what kind of female rage she holds when she has all that Kenway conviction, but received none of the same opportunities, freedoms, or respect as the men in her life. She was raised alone by her mother, presumably in poverty, after her father forgot she existed. Her younger brother got a private education and let in on the 'family secrets', while she was auctioned off into marriage as part of a business deal. She was kidnapped, sold to slavers, lived as a concubine, and was only rescued some twenty years later when Haytham just so happened to think twice about it? I would be beyond murderous if that was my life.
I want to see a lady who is just as cunning and oscillating as Haytham, but for all the right reasons. She'd be elegant and snide and absolutely vicious and I adore her.
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basementpotato · 3 days
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not at all the main focus of that video but dan is so babygirl,
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cantsayidont · 1 month
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I feel like I should say for the record that I wouldn't mind that LOVE LIES BLEEDING goes way off the rails repeatedly if in doing so it hadn't ended up becoming something quite different than it started out. I knew going in that it was going to be some kind of lesbian weightlifting fetish thing where a bodybuilder does too many steroids because her GF thinks it's hot; I didn't appreciate the KStew character's weird biphobic fit, and I wasn't expecting and wasn't wild about the segue into "series of incredibly brutal murders," but I could have dealt with that stuff if the movie had stuck to the original direction in some recognizable way. The problem is that I did not sign on to watch Ed Harris being a creepy old gangster with the universe's most nightmarish wig, just as in BOUND, I didn't sign on for an hour of Joey Pants having a homicidal meltdown while the Jennifer Tilly and Gina Gershon characters are shoved into the background. In both cases, though, that's what we end up getting, at the expense of those movies' original concepts and, honestly, their primary selling points.
The toxic fetishism stuff in LOVE LIES BLEEDING was nonetheless sort of refreshing in the wake of AMMONITE, because whatever else one might say about LOVE LIES BLEEDING, it is not concerned with bourgeoisie art house respectability. The thing about AMMONITE that I find obnoxious is that its gray gloomy biopic ambiance seems to exist largely to cover for the film's actual primary appeal, which is seeing Saoirse Ronan fuck Kate Winslet. It's like the opposite of putting your kid's medicine or your dog's pills in a spoonful of peanut butter or applesauce to cover the bitter taste; the film's notoriously explicit central sex scene is surrounded by a lot of rather unappetizing porridge and some weak attempts at historical feminist commentary, because if it weren't, it might be derided as disreputable pulpy smut rather than Oscar-bait Cinéma for affluent white people to discuss afterward over a glass of chardonnay. LOVE LIES BLEEDING is willing to own being disreputable, pulpy, and (for a while) smutty, which is commendable; it would be more commendable if it didn't use that as a segue into the drearier reaches of post-Tarantino crime drama.
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mobius-m-mobius · 2 years
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#wake up y'all new fav excuse just dropped
+bonus
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bumblingbabooshka · 8 months
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[TUVOKTOBER: Day 6] Based on this line of dialogue:
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#I will forever be like 'what did you mean by that??' jennifer lawrence clip about Tuvok saying he 'spoke out against it'#He isn't??? A politician?? And never was???#Is his family one which holds a certain amount of sway??#I need to know if he 'spoke out' in an official capacity - like a way that mattered to the world at large or if he was just talking shit#I tend to assume mostly the latter - maybe talking shit to specific people but still. It reminds me of how in Gravity he says#HE chose to leave Jara and school when in reality he was kicked out and banished - adjusting the facts#anyway one of the things I sincerely love about Tuvok is that he would be like one of many petty Vulcan antagonists* in another series#especially when he was younger but it's not like he's THAT much better in canon#Ex: Though Tuvok agrees & praises the peace treaty he still seems to view B'Elanna unfavorably bc she's Klingon#<- Like what Neelix says 'That's just it!! You don't feel anything FOR me but you feel things AGAINST me' that's him a nutshell#<- Another example is how he treats Chakotay in the earlier seasons: Deliberately undermining him and questioning his authority#He can be very sanctimonious both about him personally and facets of himself without much tolerance for others or deviation#It's a legit character flaw and I do love highlighting it bc I love him even when I want to choke him to death he's fascinating <3#It's also VERY interesting bc he WAS more of a rebel punk as a teen then he went to the monastery and now he is shown to be very#devoted to Vulcan ways and have a keen interest in monastic life.#I know Vulcan philosophy is NOTHING like christianity or catholicism but like forget that for a second. Ok. Now: 'Tuvok's born again swag?#off the charts' v_v thank you#bea art tag#Tuvoktober#st voyager#st voyager fanart#*And this never changes. Unlike Spock or T'Pol he never has moments (that I can recall) where the narrative's like 'GOTCHA!'#& he's never insecure about his identity as Vulcan. Never desires to feel or be more human. & I /do/ think this is bc he's older! We see#himas an ensign in 'Flashback' struggling with his identity as its pitted against humanity AND in 'Gravity' where he's shown to have disdai#for Vulcan culture & customs. It really makes me wish we had gotten more character-building episodes from him rather than character-breakin#ones where he's not really acting as himself in full. v_v#also one last thing: I recognize that other characters do try2 'GOTCHA!' Tuvok both seriously and lightheartedly but Tuvok is never framed#as being actually affected by this unlike Spock or T'Pol where it's a whole like Thing about their characters (humanity - feeling)#tuvoktober
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caramelmochacrow · 5 months
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the sasago sisters!!!!
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