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#letters from skylark
skylarkspinner · 2 months
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fiber art adventures in egypt
I recently got back from a trip to Egypt & finally got around to organizing some pictures to share. One of the things I was most excited about was seeing what I could find on fiber arts and textiles.
Dropping everything under a read more, 'cause this will be a long post haha
first visit: the National Museum of Egyptian Civilization (NMEC)
At the time of visiting, they had a special textiles exhibit. It covered Pharonic Egypt all the way up to modern times, although I only had time to check out the dynastic & a bit of the Coptic portion of the exhibit (which was what I was really hoping to see anyways)
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Was super excited to see this diorama in person. I knew about it but had never seen good pictures of it. From the little I've seen of ancient Egyptian spinning, spinning with two spindles seems to be the norm rather than a master technique? It also shows up in tomb art, which the exhibit also shared:
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They also used a different fiber preparation (splicing to create a rove of fiber, no traditional drafting to my understanding) so that probably made a difference? Regardless I really want to see if I can replicate the technique, especially because their spindles look so similar to modern spindles??
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I took so many pictures of spindles, guys, and I fully intend to either have a few replicas made or to learn to make some myself. Also, although they were unlabeled... I'm pretty sure those are beaters for weaving? That was a bit of a trend with this trip, so much stuff was unlabeled :( I would've killed to at least get some date estimates for some of the stuff they had on display. I was nerding out in here though, and my family took a few pictures of how excited I was getting. A bit embarrassing, but eh haha
The exhibit also had a section on natural dyes used with a fun visual;
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There was several diagrams specifically describing each dye source, but in the interest of not overloading on pictures I'll just list them out. For blues; woad, Yellows; turmeric, safflower, saffron, or yellow ochre; reds; madder, henna, pomegranate, and kermes. I originally thought kermes was another way to say cochineal, but it only seems to be distantly related.
next visit: Ramses Wissa Wassef Art Center
A small art center dedicated to hand-weaving wool and cotton tapestries. All of their work was museum quality & awe inspiring!!
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Was even invited to their back rooms to watch a few of their weavers working; no I don't have room to put a room-sized loom anywhere but heck do I want one now
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Our guide that took us through talked a bit about the natural dyes they use (all of their dyes are dyed in house with what they grow in their dye garden!!!) and got excited to hear I was also interested in natural dyes! He seemed a bit disappointed I'd never worked with indigo and. while indigo scares me, I'll take it as a sign that maybe I should try some time this year haha.
final visit; the Egyptian Museum
we really had to rush through this one which was a huge shame because it's packed full of artifacts. Also, the lighting in there is atrocious, so apologies for the not great pictures ahead.
They had a fascinating display of textile tools, more than what the NMEC had;
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(Hand for size reference) I want all of these spindles! So badly! But a few of them look so much like a few of the spindles I own already?? A few of them had a spiraling notch, that's so cool? But also, what's going on with the one with two whorls? I have no idea. I'm fascinated.
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Look at these whorls!! Although again, I'm a bit confused; the lack of labeling strikes again. Unsure why some of these "whorls" have two holes, or what the metal object with the wooden handle is. The display implies sewing needles, and some of them do look like it, but others.... really don't look like sewing needles. I'm absolutely enchanted by this little whorl though. I think it has birds on it?
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More objects that I'm baffled by- the signage doesn't really indicate what some of this stuff is, if it's even known. Also confused by the object wrapped in white string in the right pic; it looks like a distaff but to the best of my knowledge the (ancient at least) Egyptians didn't use distaffs. It probably popped up in later times and was put in this display since it was still relevant, but I'm still not sure.
I have so many more pictures & thoughts but I'll save those for more specific future projects. I've been doing research outside this trip on ancient Egyptian spinning techniques and desperately want to go deeper into that, this trip just solidified how excited it makes me. If you made it all the way through this, many thanks for reading!
Bonus; look at this ancient linen 🥺
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notinthislife50 · 1 year
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Chapter 10 - The Party
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With the new training program starting at the compound, the group decided you would be safer at Stark Tower and you were glad they did. You loved sitting by the big glass windows and staring out over the city.
One Night Tony decided you all needed a team-building party (Tony always had a reason for you all to sit together and drink) but you loved it.
You were standing with Natasha and Wanda at the bar “So have you made a choice yet?” Nat smiled
“No, but I don’t think I will “ you shook your head.
“Why not?“ she seemed shocked.
“Imagine,  me starting to date two men I would get called everything” you scoffed.
“Not by any of us,” Wanda tried to reassure you “It kind of makes sense to be honest, your all super soldiers, you and Bucky have the Hydra thing and Steve has the wanting to protect you and Bucky from everything thing.”
“Wanda is right,  I think we all think it’s inevitable you three will get together like Wanda said it just makes sense.”
You contemplated their words wondering if it was even a possibility to have them both and did any of them, never mind the two of them like you.
You watched Steve and Sam talking on the other floor and watched Bucky arguing with Rocket over something. And you smiled to yourself you couldn’t help it but in the past two months you had fallen for these men.
Natasha squeezed your arm “I'm just gonna go dance with Bruce” and you smiled at her and nodded.
“Go Wanda,  Vision is waiting for you.” you urged.
“Are you sure? I don’t want to leave you alone” She looked worried.
“Wanda I have never felt safer in my whole life,  I'm sure, now go” you smiled hugging her then shoving her in the direction of her boyfriend.
You made your way toward Clint, Tony, Scott, and Thor.
“Is it okay if I sit with you guys for a minute?” you asked unsurely. 
“You know I put a safe in your room so you could actually take that thing off your wrist” Tony laughed.
“What can I say it brings out the colour in my eyes “You smiled back sitting beside Thor.
Clint sat forward and asked, “So,  can you tell us anything that’s in the case?”
“Not even a letter” you smiled back.
“Not even if any of us are in it?” he asked.
“You’re just gonna have to wait on my tell-all memoir “ you whispered back to him smiling.
You sat with the four men and they told you stories all about their missions and stories about each other. Your stomach hurt and tears ran down your face with laughter,  you were laughing so hard that a few people were starting to stare at you,  Bucky and Steve included.
You waved your hand and pleaded “Stop my sides hurt, no more.”
Scott laughed with you “It’s really nice to see how comfortable you are with us all now.”
“Well you all make it so easy” you sincerely said and you meant it, Scott especially had made an effort with you and besides Nat and Wanda, you found yourself sitting with him a lot.
“So skylark, you prefer the tower?” Tony smiled at you.
“Very much so“ you nodded.
“I’m going to have to build you a nest at that window with the amount of time you spend there.” he laughed.
“Why do you sit so much at the window?“ Thor asked.
You went quiet and smiled “It’s the most beautiful thing I have ever seen”
You felt the awkward tension after that question “Right “ you breathed “I suppose I better be more sociable and say hi to everyone else.”
As you got up and walked towards the window you didn’t see tony slap Thor upside the head.
“She was in hydra trapped in a basement, basement means no windows” he scolded  
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starwarmth · 1 year
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Books Read In 2023
Beowulf: A New Translation by Maria Dahvana Headley (1/3/23)
East by Edith Pattou (1/4/23)
Midnight on the Moon by Mary Pope Osbourn (1/16/23)
The Lady or The Tiger?, and The Discourager of Hesitancy by Frank R. Stockton (1/17/23)
The Yellow Wallpaper by Charlotte Perkins Gilman (1/21/23)
Goblin Market by Christina Rossetti (1/22/23)
Tiger Queen by Annie Sullivan (1/22/23)
The Lion, The Witch, and The Wardrobe by C. S. Lewis (1/26/23)
Batgirl, vol. 1: The Silent Knight (1/27/23)
Batgirl, vol. 2: To The Death (1/27/23)
Batgirl, vol. 3: Point Blank (1/28/23)
The Female of the Species by Rudyard Kipling (2/17/23)
Batgirl: Stephanie Brown, vol. 1 by Bryan Q. Miller (2/19/23)
Batgirl, Stephanie Brown, vol. 2 by Bryan Q. Miller (3/4/23)
Christmas in Noisy Village by Astrid Lindgren (3/4/23)
The Queen’s Blade by T C Southwell (3/5/23)
Sacrifice, The Queen’s Blade #2 by T C Southwell (3/9/23)
The Invisible Assassin, The Queen’s Blade #3 by T C Southwell (3/13/23)
Mermaids by Patty Dann (3/14/23) X
The Rubáiyát of Omar Khayyám translated by Edward FitzGerald (3/19/23)
The Mirror Visitor by Christelle Dabos (3/21/23) X
The Missing of Clairedelune by Christelle Dabos (3/22/23) X
I’m Glad My Mom Died by Jeannette McCurdy (3/24/23) X
Ronia, The Robber’s Daughter by Astrid Lindgren (3/27/23)
Kiki’s Delivery Service by Eiko Kadono (3/30/23)
Brine and Bone by Kate Stradling (4/10/23)
Green Arrow: Quiver by Kevin Smith (4/17/23) X
Eugene Onegin by Alexander Pushkin, translated by Stanley Mitchell (4/22/23)
When Patty Went to College by Jean Webster (4/23/23)
The Princess and The Pea by Hans Christian Anderson (4/23/23)
Deathmark by Kate Stradling (4/25/23)
Without Blood by Alessandro Baricco (5/5/23)
River Secrets by Shannon Hale (5/6/23)
The Fairy’s Return and Other Princess Tales by Gail Carson Levine (5/8/22)
Batman Adventures: Cat Got Your Tongue? by Steve Vance (5/14/23)
Batman Adventures: Batgirl — A League of Her Own by Paul Dini (5/17/23)
The Girl From The Other Side: Siúil a Rún, Vol. 1 by Nagabe (5/19/23)
Twenty Love Poems and a Song of Despair by Pablo Neruda. Translated by W. S. Merwin (5/26/23)
Other-Wordly: Words Both Strange and Lovely from Around the World by Yee-Lum Mak (6/21/23)
A Bride’s Story, vol. 1 by Kaoru Mori (6/25/23) X
La Dame aux Camélias by Alexandre Dumas fils (7/17/2023)
Storefront Church by William Waring Cuney (7/24/23)
Golden Slippers: An Anthology of Negro Poetry for Young Readers (1941), compiled by Arnas Bontemps (7/28/23)
Because of Winn-Dixie by Kate DiCamillo (7/29/23)
Strawberry’s New Friend (Flower Fairy Friends series) by Pippa Le Quesne (7/29/23)
Clementine by Sara Pennypacker (8/11/23)
The Whipping Boy by Sid Fleischman (8/18/23)
Convent Boarding School by Virginia Arville Kenny (9/05/23)
The Screwtape Letters by C. S. Lewis (09/18/23)
The Betsy Tacy Treasury by Maud Hart Lovelace (09/27/23)
Sarah, Plain and Tall by Patricia MacLachlan (09/27/23)
Skylark (Sarah, Plain and Tall #2) by Patricia MacLachlan (09/27/23)
Caleb’s Story (Sarah, Plain and Tall #3) by Patricia MacLachlan (09/27/23)
Maelyn by Anita Halle (10/06/23)
Imani All Mine by Connie Porter (10/15/23)
The Perilous Gard (10/22/23)
Enemy Brothers by Constance Savery (10/29/23)
Sadako and the 1000 Paper Cranes by Eleanor Coerr (11/19/23)
Gone By Nightfall by Dee Garretson (12/02/23)
The Dragon’s Promise by Elizabeth Lim (12/08/23)
A Lion to Guard Us by Clyde Robert Bulla (12/10/23)
The Thirteenth Princess by Diane Zahler (12/23/23)
The Hollow Kingdom by Clare B. Dunkle (12/26/23
The Wasteland by T. S. Eliot (12/31/23)
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thedruidmerlin · 12 days
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Happy World Naked Gardening Day!
In the late 1800s, a group from Indiana purchased land in Crossville, Tennessee, and established the Pomona Settlement to tend to the apple orchards of the former Pomona Fruit Ranch. The Pomona Settlement drew the attention of locals when it was learned that the women of the group would rise “early in the morning to dance nude in the apple orchards, hoping that the dance would assist the apple-growing process.”
It’s not clear if the nude dancing helped with the apples, but two nudist campgrounds did emerge in Crossville some years later.
In a 1953 essay titled Nakedness in Ozark Folk Belief, folklorist Vance Randolph relays a story about a fisherman who, in the spring of 1920, told him that he had seen a man and woman in a field in Southwest Missouri, just before dawn, “both stark naked, chasing each other up and down like rabbits.” When Randolph mentioned this to a friend who had lived in the area, the friend replied, “Yes, I’ve heard of such doings, it’s supposed to make the corn grow tall.” After subsequently interviewing hundreds of old-timers in the region, Randolph concluded, “There is no doubt in my mind that many early settlers believed that newly cleared fields were benefited by some kind of nude skylarking. Many of them thought that certain crops grew better if the persons who sowed the seed were naked.” Randolph soon uncovered a number of Ozark crop rituals involving nudity, including one in which flax seed was sown by naked farmers chanting, “Up to my ass, and higher too!”
Since then, naked gardening folklore has appeared in a variety of publications. A reader’s letter published in the Spring 1992 issue of Garden Ideas & Outdoor Living claimed that “Turnips must be sewn on a summer night when the moon is full with the sower working stark naked in the bright moonlight.”³
In 1967, a New York painter named Robert Dash encouraged his audience to consider the “microclimates” of their gardens, which he believed was essential for understanding the best spots to nurture different plants. According to Dash, there was one sure way to identify these microclimates: “Take your clothes off in midsummer and walk around your garden. Let the air be still, and let it be night. You will at once feel the different temperatures on your skin. These are the microclimates to be observed by your plants.”
Janet Draper, the Smithsonian horticulturist responsible for the Mary Livingston Ripley Garden, tells gardeners that the ground temperature, not the air temperature, should be considered when deciding when to plant certain annuals. Her advice? Take the “bare bottom test.” “Sow warm weather annuals when you can sit on the soil with your bare bottom comfortably.”
Happy World Naked Gardening Day!
If you’re the adventurous sort, you might consider getting up early and dancing nude in your apple orchard or grabbing your loved one and running naked around your freshly plowed cornfield like a “pair of rabbits.” Perhaps take a moment that evening to strip down and locate the “microclimates” in your backyard, or find yourself an empty plot of dirt and try the “bare bottom test.” If you’re feeling particularly enthusiastic, revive the old “Up to my ass, and higher too!” chant of the Ozark farmers as you work. It’s not clear if these activities will produce bigger fruit and more colorful flowers, but they’re almost certain to add a little joie de vivre to your gardening.
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mongrelmutt · 4 months
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My books read list for 2023! For the first time I met my goal of at least one book a week!! 😁
1. "A Conspiracy of Kings" -- Megan Whalen Turner
2. "Thick as Thieves" -- Megan Whalen Turner
3. "Return of the Thief" -- Megan Whalen Turner
4. "Vatican II" -- John O'Malley
5. "The Catholic Church: A Short History" -- Hans Küng, translated by John Bowden
6. "Confessions" and "Letter to Coroticus" -- St. Patrick
7. "Through the Brazilian Wilderness" -- Theodore Roosevelt
8. "The Wind in the Willows" -- Kenneth Grahame
9. "Period: The Real Story of Menstruation" -- Kate Clancy
10. "Star Wars: Padawan" -- Kiersten White
11. "Star Wars: Master and Apprentice" -- Claudia Gray
12. "Deep Down Dark" -- Héctor Tobar
13. "The Lost World" -- Michael Crichton
14. "Provida Mater Ecclesia: Apostolic Constitution of Pope Pius XII Concerning Secular Institutes" (English translation) -- Pope Pius XII
15. "Frankenstein" -- Mary Shelley
16. "Kenobi" -- John Jackson Miller
17. "Fuzz: When Nature Breaks the Law" -- Mary Roach
18. "Trigun" and "Trigun Maximum" -- Yasuhiro Nightow
19. "Contagion of Liberty: The Politics of Smallpox in the American Revolution" -- Andrew M. Wehrman
20. "Gay and Catholic: Accepting My Sexuality, Finding Community, Living My Faith" -- Eve Tushnet
21. "The Making of Biblical Womanhood: How the Subjugation of Women Became Gospel Truth" -- Beth Allison Bar
22. "Turtles All The Way Down" -- John Green
23. "All Systems Red (Murderbot Diaries #1)" -- Martha Wells
24. "Artificial Condition (Murderbot Diaries #2)" -- Martha Wells
25. "Rogue Protocol (Murderbot Diaries #3)" -- Martha Wells
26. "Exit Strategy (Murderbot Diaries #4) -- Martha Wells
27. "Network Effect (Murderbot Diaries #5) -- Martha Wells
28. "Fugitive Telemetry (Murderbot Diaries #6) -- Martha Wells
29. "Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History" -- Erik Larson
30. "The Johnstown Flood" -- David McCullough
31. "The Last Days of the Dinosaurs: An Asteroid, Extinction, and the Beginning of Our World" -- Riley Black
32. "Beastly Brains: Exploring How Animals Think, Talk, and Feel" -- Nancy F. Castaldo
33. "The Rise and Reign of Mammals: A New History from the Shadows of the Dinosaurs to Us" -- Steve Brusatte
34. "Dog Sense: How the New Science of Dog Behavior Can Make You a Better Friend to Your Dog" -- John Bradshaw
35. "Evolution Gone Wrong: The Curious Reasons Why Our Bodies Work (or Don't)" -- Alex Bezzerides
36. "Immune: A Journey Into the Mysterious System that Keeps You Alive" -- Philipp Dettmer
37. "Catholicism and ADHD: Finding Holiness Despite Distractions" -- Alex R. Hey, PCAC
38. "The Tale of the Dueling Neurosurgeons: The History of the Human Brain as Revealed by True Stories of Trauma, Madness, and Recovery" -- Sam Kean
39. "An Immense World: How Animal Senses Reveal the Hidden Realms Around Us" -- Ed Yong
40. "Lesser Beasts: A Snout-to-Tail History of the Humble Pig" -- Mark Essig
41. "The Mind's Eye" -- Oliver Sacks
42. "Loveless" -- Alice Oseman
43. "The Monkey Trial: John Scopes and the Battle Over Teaching Evolution" -- Anita Sanchez
44. "The Great Quake: How the Biggest Earthquake in North America Changed Our Understanding of the Planet" -- Henry Fountain
45. "Kiki's Delivery Service" -- Eiko Kadono (translated by Emily Balistrieri)
46. "Origin: A Genetic History of the Americas" -- Jennifer Raff
47. "Ancillary Justice" -- Ann Leckie
48. "An Elegant Defense: The Extraordinary New Science of the Immune System: A Tale in Four Lives" -- Matt Richtel
49. "System Collapse (Murderbot Diaries #7)" -- Martha Wells
50. "Spying on Whales: The Past, Present, and Future of Earth's Most Awesome Creatures" -- Nick Pyeson
51. "Howl's Moving Castle" -- Diana Wynne Jones
52. "We Have Always Lived in the Castle" -- Shirley Jackson
53. "Sarah, Plain and Tall" and "Skylark" -- Patricia MacLachlan
54. "The Haunting of Hill House" -- Shirley Jackson
55. "All Creation Waits: The Advent Mystery of New Beginnings" -- Gayle Boss (illustrated by David G. Klein)
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skylarkblue · 2 years
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who wants to hear about my doctor’s appointment?
bad luck y’all are on tumblr you get to hear about it anyway
so.
the new doctor did take me seriously. this was a bonus.
he read the notes i had written about my symptoms, read the letter from the geneticist, read my blood test results, read my file.
said, “have you heard of chronic fatigue syndrome?”
yes, i said.
“right. you have that.”
cool. that’s not what i’m here for. please give me your thoughts on my joint pain.
“it’s....probably fibromyalgia. i would say it is fibromyalgia. but i’m going to refer you to a specialist to be sure.”
so i got a referral to the rheumatologist three hours away in sydney, because my dumbass country town has no specialists to speak of, and it’s a three month wait. it will also cost close to four hundred dollars. but this is A Start. this might be something.
my referral basically says “skylark has long-term extensive joint pain and fatigue with no specific symptoms beyond hypermobility and elevated inflammation markers. please give me your thoughts?”
he did tell me if it’s fibromyalgia and CFS there’s not much more to do than symptom management, but hey, symptom management would be a step above what i’m currently getting, which is nothing.
he also told me i need to lose thirty kilograms (70lbs for my american followers) but due to my joint instability, i need to do it without exercise. he told me to avoid fatty red meats and carbs and eat lean meats like chicken breast, pork, and fish, as well as nuts and fruit.
and i was like, my dude, that’s my whole diet.
believe it or not, I am 120kg and do know how to eat healthy. i am aware of the concept of healthy eating, and i know what works for my body. i don’t eat outside of meals, and if i do it’s limited to a small piece of chocolate or a handful of chips. i had an eating disorder for many years. the somewhat healthy relationship i have developed with food took a lot of work. i am fat. this is not a crime.
i explained to him i did used to be thin, and this was changed by me being put on antipsychotics. he was pleased i was on different, less weight-inducing antipsychotics now, but still thinks i should somehow magically drop thirty kilos without exercise.
i’m glad he’s taking my pain seriously, but the weight comment irked me.
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sereinpetrichor · 10 months
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rules: pick a song for each letter of your url and tag that many people
Thanks for the tag @bleedingoptimism!!!!
Oh man, here we go for fifteen (but I could do this twice, honestly)
Scenes from an Italian Restaurant by Billy Joel
Everybody Wants It by ZEE MACHINE
Rainbow in the Dark by Dio
End of Beginning by DJO
I Don't Care by Fall Out Boy
Nothin's Gonna Stop Us Now by Starship
Peaches by The Presidents Of The United States Of America
Emerald by Thin Lizzy
Talk It Up by Sammy Rae & The Friends
Rhiannon by Fleetwood Mac
I Want To Break Free by Queen
Could Have Been Me by The Struts
Holiday by Green Day
Once Upon Another Time by Sara Bareilles
Rocket Man by Elton John
Now that was fun!
Tag list (if you want): @steddieofficial @eiddets @raynecreates @elextricwarrior @its-steddie-time @nailbathero @peter-pantomime @every1lovesanunderdog @transmascsteveharrington @robbie-verse @itcanbepalped @chiip-skylark @heartdinosblog @ohliooh @resande
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I saw my first @clementine_was_right show last night 🍊🥰⚡️ I cried a little during and then a whole lot after. “It’s important to be honest. It’s important to be emotional.” The band was new & fresh & loud, with just the right amount of fuzz & feedback. What begin with a ghostly rumble & the crackle of lightning storms on some unknown beach, morphed into an acapella Atlantic City singalong (“everything dies baby that’s a fact, but maybe everything that dies someday comes back…”) and then traversed various american landmarks, mountains, beaches, forests, through life & death & back again till we all ended up dreaming of dancing together in a different town. It’s always nice to meet new friends. I guess there’s been something in Clem songs since I first heard them that stuck with me. Something about the way that they sing & talk about life & death. About new friends & old friends, new places & old places, and how we drift between things. Mike said last night that everything is burning, that we live for some years and then we’re dead for some years. I laughed out loud thinking about the meme I read that said “what do you think happens after you die? -well, everything happens after you die, just none of it involves you!” I was reminded of the tender, casual way that another fav songwriter Adrianne Lenker of Big Thief talks about it when she says “Death, like a door, to a place we’ve never been before. Death like space, the deep sea, a suitcase.” I guess it helps to think about death that way. A door to a new place. Heaven. Hell. Home. Highways. If that’s the case, I’d like to start building that new world now. Strung with memories & mundane magic from Clem songs (& @starkstateofmind poetry -more on that later!) Writing you a letter from the bus stop. Watching the lightning take tall walks. Summer and all that light. The constant twilight of a motel room. Bedrock stones. Two redwood trees at the edge of the beach. Jumping off the green bridge at dawn. Sprays of red bud trees in some unmarked canyon. It all adds up to insane glory. I guess sometimes the best way out of the rain… Is straight back down in the river! The Clem 🍊 rolls on forever. (at Skylark Lounge) https://www.instagram.com/p/Cq8Oox2LD_M/?igshid=NGJjMDIxMWI=
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rhikasa · 1 year
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A, F, Z, and E for the OC alphabet soup ask game.
( @angsty-prompt-hole )
Thanks for the ask, @angsty-prompt-hole! ♥️ Since I don't have an OC whose name begins with an F, I chose the letter that follows it.
ARLEN IUSCORA
He is the son of King Kyllen and Princess (consort) Avalynn and the younger sibling of Rosalie, but he never got to meet his family since his kingdom was taken over by another, leading to the deaths of his father and sister. He was separated from his mother for his safety, but she died before the two could reunite.
Arlen became a ward of House Garnett, where he met his best friend Isladine, and his identity was kept a secret until he was of age.
He has an undiagnosed heart condition that didn't cause him issues until he was older. In the history books, he has the shortest reign and lifespan of any king, dying at the age of twenty-four to a heart attack about six years after he reclaimed the throne.
ELISVEN SKYLARK
She is the last of six children total born to King Talieisin and Queen Vietna, and she is the twin sister of Aeris. Being born a woman, she was excluded from the line of succession and therefore was never expected to become the monarch.
Elisven is curious by nature and yearns to learn what her brothers are taught, but growing up she was only educated in "accomplishments" such as singing and playing instruments. Her brother Aeris luckily let her in on what he was learning, and she even got a seat in his classes for a time, taking notes for him when his arm was broken.
She becomes the first queen regnant in her kingdom's history, but this doesn't come to her easy.
GARETH ASTRA
He is the oldest brother of Kaylien (Radan's mother). Although he's more of a minor character in the story, he's one of my favorites.
Gareth was dutiful, and he was also loving and devoted towards his family, especially his younger siblings. He was rather protective of them, but never in an overbearing sort of way.
He was the rock of the family, and Kaylien's biggest supporter and confidant. She was utterly distraught upon learning of his death.
ZENOBIA
She was one of the archangels originating from either the first or second age (not quite sure yet, but she's older than most of those around during Guinevere's origin life).
One of the greatest archangels in history, she surpassed nearly all others in terms of power and beauty. She was an exemplary fighter, though this did not come to her naturally.
She is one of the few archangels to ever consider having a romantic relationship with a mortal, and she had many lovers throughout her lifetime, including the founder of the ancient House Harper.
Send me a letter of the alphabet A-Z, and if I have an OC starting with that letter, I’ll tell about them.
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skylarkspinner · 9 months
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current wip! singles, to plied hank, to beginnings of a scarf. think it'll be just about perfect for autumn!
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renewherself · 8 months
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Mark Halpin's Labor Day Extravaganza 2023: Two on the Isle
Haloanaka - Figured out many, many incomplete cryptic crossword clues, including: + Cla[I]ms, diamonds, etc. (SUITS) + [C]Alvin chiefly adores pieces of garlic (CLOVES) + Invoke loud couple of comments from a cow fattened fowl around lower left back of menu (CALL UPON)
Hi'iakaikapua'ena'ena - Figured out ALPHYSCSSFTNECHCOAORERSNEAKTOHETSHBRT with the rule "Remove all I's and move the last two letters of each word to the front" - Figured out DANDNVIRONMESTRANDOMETIMJSBANDALLJDSANDMEEANDINFLEANDRONTIJR with the rule "First letter shifts backwards in the alphabet by 1, followed by an 'AND'; 2nd-to-last letter shifts forward in the alphabet by 5" - Figured out the rule for MUDULAUFRUMATAUACHINGPLANURTHAUMURALUFAFABLAU being "Replace O with U and E with AU" - Spotted which transformation was one letter off when our end count of total letters was off by one - Figured out GAELIC was incorrect as a solution for DIALECT HEARD FROM IRISH SPEAKERS and the correct answer was BROGUE when the Baudelaire family chain had one incorrect substring
Kamapua'a - Figured out the solution to "Layered, like some clouds or ore deposits" was STRATOUS - Figured out the solution to "Souvenir from a Broadway show, maybe" was TICKET STUB - Came up with the idea to rotate the blocks of letters in the grid so they read left-to-right, top-to-bottom, and then rotate the pigpen cipher symbols accordingly.
Kanaloa - Solved 6/7 of the Mouse of Games round, 4/7 of the The Answer's in the Question round, 3/6 of the Broken Karaoke round (the last three that we were stuck on) - Having seen HOPSCOTCH MARIGOLD proposed as an answer, figured out RED LIGHT GREEN LIGHTNING MCQUEEN as another answer, and from there, figured out the games being used were the ones featured in Squid Game - Figured out that the clue phrase USE POST GAME PART meant to remove the names of the games from the answers to create new strings
Kauila - Figured out the final minipuzzle was not only a list of ingredients used in baking, but specifically ones used to make Turtle Candies (and therefore the missing answer was PECAN HALVES) - Solved the second minipuzzle: Figured out the turtles with red, purple, orange, and blue shells pointed to characters from Teenage Mutant Ninja Turtles, and more specifically the Renaissance artists whom these characters were named after. Figured out that eight words from the word bank could be put together to form the names of four famous pieces of art by said artists
Ku - Figured out the category SETTING from SUN and PLACE - Figured out the puzzle solution from the extracted phrase BIT TOSS
La'ila'i & Keali'i - Figured out "It makes a surface Rougher" was an ABRADER, "Shelley ode honoree" SKYLARK, "Like a rustic scene or poem" IDYLLIC, "You might order it rare" RIBEYE, "Canine comment" ARF
Lono - Solo-solve: Figured out that foods had to be paired up and their front halves swapped to create answers to the clues, and that letters were extracted by drawing a line between the paired foods
Maui - Figured out the Peppers, Brotherhood of Mutants categories - Figured out the extra-word-shaped-like-a-cane mechanic from JUGGERNAUT and JALAPENO - Found a bunch of the words, both before and after categories were known
Mokualli - Came up with the idea that the answer to the clue "One's full of sewage or wickedness" was a variant of CESSPOOL (CESSPIT) - Figured out the matched answers to the clues "Old geezer" and "Take over" were COOT and COOPT - Figured out the clue that paired with SECOND BASEMEN (and confirmed it was the answer to "Jackie Robinson, et al.) was "Below grade locales" with the answer being BASEMENT - Figured out the clue that paired with SCARE UP (and confirmed it was the answer to "Scrape together somehow, with difficulty") was "Accusation" with the answer being CHARGE
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whataweekmixtape · 10 months
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WHAT A WEEK NUMBER FOUR
Listen here: https://open.spotify.com/playlist/5G1ijx1fSJpOhilm6sGA5B?si=5cd5b614b2604476
cLOUDEAD - Pop Song
Corinne Bailey Rae - New York Transit Queen
King Tuff - Love Letters To Plants
Alice Phoebe Lou - Lose My Head
Mac Krol - For Some Other Reason
Dehd - No Difference
Steady Holiday - Newfound Oxygen
The Antlers - Tide
Shorty Long - Call On Me
Cut Worms - Ballad Of A Texas King
Juan Wauters feat. Frankie Cosmos - Modus Operandi
Greg Mendez - Maria
Dana and Alden feat. Cinya Khan - Let's Go to Trader Joe's
The Living Tombstone - This Comes From Inside
Aretha Franklin - Skylark
Timber Timbre - Ask The Community
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202206741dci2022 · 1 year
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A Doll's House by Henrik Ibsen
I recently watched ‘Center Players’ adaptation of A Doll’s House by Henrik Ibsen via YouTube. This play has been reviewed by many throughout the decades, so why not bring my opinion to the table? Disclaimer: Spoilers ahead. Although, I do question how much a play over a hundred years old can be spoiled.
This three-act play follows Nora, a housewife who becomes frustrated with her belittling husband and her monotonous role in society. Ibsen’s radical ending and heartrending journey to discovering identity under the constraints of 19th-century society is still applicable to modern audiences. Watching this production made me question the extent to which our society has truly changed over the past 144 years.
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[09:16] Center Players Present: A Doll's House Full Play
This production does not align perfectly with Ibsen’s stage directions of the living room; for example, there is no sofa. The room is still identifiable as that of a middle-class family in the 19th century with rocking chairs and mounted paintings, although it is not specifically Norwegian. This lack of precision in the setting means the play was successfully relevant to an audience with vaguely similar homes. A key feature of realism is having realistic sets so the audiences can be, as Egil Törnqvist states ‘invited to mirror itself in what was happening on stage’ (1995:75) and Ibsen was the father of realism. It should be noted that the costumes further determine the setting. The 19th century was a time Victoria and Albert Museum claims to be internationally ‘renowned for its corsets, bonnets, top hats, bustles, and petticoats’ (2016), which the characters can be seen wearing in this production multiple times. By not modernising the set and costume we can understand how radical Nora’s actions in the play's final scene appear to Torvald, who holds conservative views of the role of women in his society. Of course, this 2015 production does not have the same effect on the modern audience as Ibsen intended due to its historical setting and our advancement as a society. Yet, we understand the impact upon reflection of history.
This play is set in one room, the living room. Here, Ibsen is using staging to reflect the confinement and restrictions obstructing 19th-century women. I also find it fascinating that the title of the play is ‘A Doll’s House’. Often, when playing with dolls, we don’t imagine them to be concerned with outer world affairs. Similarly, by staging the play within one room we believe it is normal to see Nora only in this space of domesticity where she fulfils Torvald’s, and society’s, expectations of her as a woman. Throughout the play, we understand that Nora’s character is not as one-dimensional as she seems. Yet, it isn’t until the end of the play that she escapes this room and therefore society’s expectations of her. I think the company’s ability to replicate this staging is effective for modern audiences who also struggle with their identity and feel restricted in a relationship or line of work etcetera.  
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[02:10:09] Center Players Presents: A Doll's House - Full Play
Act 3 is particularly conflict-ridden with Torvald finding out about Nora’s forgery of her father’s signature, which afforded her the money she needed to save Torvald’s life, in the letter from Krogstad. The central conflict begins when Torvald says ‘no man would sacrifice his honour for the one he loves’ which is an implication of the patriarchal society; he fears societal backlash and judgement. Key themes in this play are sexism and identity as Nora risked her social integrity for Torvald, yet he refuses to do the same due to his sex and the societal positioning of men in the 19th century. Once Krogstad returns Nora’s bond Torvald begins to talk as he has throughout the play, belittling his ‘skylark’ (2018:15). Interestingly, Nora is the one to hold the floor in their conversation when they sit down together which was probably rare of a woman in 19th century mixed-sex conversation due to the imbalance of power between genders. She is calm whilst Torvald worries about their marriage and is unable to comprehend her actions. This is likely because she has had an inner conflict for a long time and by now has mentally separated herself from him and their relationship already while Torvald has been living in ignorance of their marriage. He does not understand that there is more to marriage than intimacy, such as being able to discuss serious matters; he becomes almost aphasic when Nora changes her clothes and wishes to leave.
The critical moment of anagnorisis is when Nora acknowledges that she and Torvald don’t truly know each other at all. For example, she had to hide from him the work she was so proud of for fear of what he might think of her. Ibsen is praised for his proto-feminism and identification of the complexity of women’s working lives by Joan Templeton: ‘no other work insists so explicitly on the hypocrisy, waste and sheer stupidity of isolating women from the work of the world’ (1996:23). This play forced audiences to question the value of their own identity and happiness. It continues to be a renowned marker of proto-feminist theatre.
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[02:06:04] Center Players Presents: A Doll's House - Full Play
Throughout this scene Nora and Torvald stand apart until Torvald pushes the stereotypical role of women upon Nora, standing closer to her to intimidate her. Mahaffey suggests that Nora and her children do not ‘have the power of autonomous movement’ in Torvald’s eyes, as shown by his desire to subdue her: ‘this makes it impossible for them to … change or grow’ (2010:57). Here, Ibsen recognises the inadequate insistence on the identity and role of women being purely reproductive and nurturing. Mahaffey’s interpretation also recognises the restrictions placed on children; Torvald believes he has control over everything in the house which means that their journeys of self-discovery are impeded.
Perhaps the most passionate stage direction in the play is the iconic door slam. Mangan, quoted in Vorlicky’s book review, states that the door slam was ‘a defining moment in the gender debates of nineteenth-century middle-class culture’ (2005:335). This signifies Nora’s grasp on her future, independence, and therefore identity. For once she has control over her actions rather than being ‘played with’ by her father and husband.
In conclusion, this is a radical play with profound morals and societal issues addressed and performed by an actress with a commanding stage presence. This company successfully transforms a homely domestic space into a tense restrictive territory. I believe that Ibsen’s A Doll’s House will forever stand the test of time in order to stop history from repeating itself and justify how far prevailing beliefs have come.
Bibliography
CenterPlayersNJ (2015) Center Players presents: A Doll's House - full play, [Video]. Available online: https://www.youtube.com/watch?v=sr3nw7CZvO8&list=PLsXzRh5NMSfUGfmtmZVxdWOzWoxvwkMwU&index=3 [Accessed 18/3/2023].
Ibsen, H. (2018) A Doll’s House. Great Britain: Amazon.
Mahaffey, V. (2010) Portal to forgiveness: a tribute to Ibsen’s Nora. South Central Review, 27(3), 54-73.
Templeton, J. (1996) The death of chivalry: masculine and feminine in ‘A Doll’s House’. Ibsen News and Comment. 16, 23-25.
Törnqvist, E. (1995) Ibsen, A Doll’s House (1989). Between stage and screen: Ingmar Bergman directs. Amsterdam: Amsterdam University Press, 69-80.
Victoria and Albert Museum (2016) 19th-century fashion. Available online: http://www.vam.ac.uk/page/0-9/19th-century-fashion/#:~:text=The%20fashion%20of%20the%2019th,the%20back%20of%20the%20silhouette. [Accessed 23/3/2023].
Vorlicky, B. (2005) Review of Staging Masculinities: History, Gender, Performance, by Michael Mangan. Theatre Journal, 57(2), 334-336.
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aubins · 2 years
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A ROSE WITHOUT THORNS — & CAELDORI
Duke Maxifeld has received a letter detailing the planned heist of his family’s priceless heirloom - a weapon said to take on many an alternate form - during his upcoming annual ball. The Knights of Seiros have assigned you and your partner to attend undercover and find the wannabe thief before they act. The event is strictly for couples only. Better make your act convincing! [ Grants Any Weapon +1 | @venalier ]
The makeup and finery are rituals—he has only ever treated them with the respect deserved by such. Onyx earrings are donned with reverence, gold necklace’s clasp locked with a soft click, eyes lined with a practiced and steady hand. Each step is done with a careful pause punctuating the spaces in between, a short breath taken before he carries on. The act of blending in comes with its own share of challenges, and so every detail is painstakingly written and rewritten, until he can memorize the lines of this play in his sleep.
Some part of him, small and inconsequential, misses it, but that is about as much as they will allow themself to admit. Not the role itself, but the act—the thought that a street urchin can play a noble just as convincingly, that they are neither as special nor as elevated as they like to believe. A bit of makeup, a dash of confidence, and the boldness to lie and cheat their way through the world. These were their weapons, long before a blade ever touched their hands.
Just as ritual as the finery is the act of keeping. Folded clothes returned to locked drawers, jewels stowed away in hidden pockets in a locked case, makeup painstakingly rearranged on their end of the table. The mirror wiped clean and the room set once more to rights.
He lets the door swing shut behind him, shoes clicking against stone as he makes the long trek for the surface.
“Good evening. Don’t you look just lovely tonight?” is the offered greeting with a touch of a smile gracing their expression, a facsimile of genuine adoration, as though this skylark has not already seen what manner of bird lay beneath the mockingbird’s veneer. Still, Yuri can play the besotted partner just fine; whether Caeldori wishes to play a part of her own is her concern alone.
“I didn’t keep you waiting, did I?” they ask, though their pace as they approach is unhurried. A hand extends for her own as they come to a stop at her side, head inclining toward the towering doors. Music and chatter, barely muffled, make their way into the hall from a small crack. “Best not to dally when we’ve a thief to catch. Shall we?”
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theloniousbach · 2 years
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ALMOST COUCH TOUR: TED ROSENTHAL with Martin Wind and Quincy Davis, MEZZROW’S, 15 OCTOBER 2022, both sets
I’ve had my eye on TED ROSENTHAL over the past year. He doesn’t play Mezzrow’s as regularly as Alan Broadbent but they both have taste, strong trios, and encyclopedic knowledge of the canon. I was further prompted to see this show because they had him in for a two night weekend run which counts as a showcase.
After a week in Santa Fe where nightly music was a respite from some heavy family work, this past week has also been full of a family visit here. I‘ve had my stretches with our son, but he’s also had more Mom-centric activities this weekend. So I took advantage of knitting and Morris dancing to watch both sets of the second night these past two afternoons.
The Broadbent comparison is interesting but probably more a statement of affection and appreciation than actual musical similarity. That is, I often write “elegant” in my notes about Broadbent and Rosenthal has an bit more edge in his attack. Rosenthal also plays his compositions in the slots where Broadbent plays those of others, but both draw on the Great American Song Book. Rosenthal thus has an affinity with Bill Charlap which is, from me, high praise.
What he has to distinguish himself from these other special players is a grounding in the European Tradition as a Julliard/Manhattan School/New School professor which results in arrangements of themes like those of Tchaikovsky’s Fifth Symphony and Beethoven’s Pathetique Sonata that nonetheless swing hard. What was even more striking were two of his own compositions from an opera he wrote based on letters to his father from relatives who stayed in Europe and faced extermination in the Nazi death camps. The first, Always Believe, was meditative and programmatic, in ways the Tchaikovsky and Beethoven decidedly did not. The following You Make Me Laugh had an easier swing. The other Rosenthal original Just for Kicks featured a quite striking melody that had room to breath. That was a high point of the second set.
Rosenthal earns points for including Monk tunes in each set (Let’s Cool One and Well You Needn’t) to go with the tunes by those other composers Phillip Ewell would also agree are above average. The first set had new favorite Gone with the Wind and longstanding treasure I Loves You Porgy back to back. Though separated in the second set, Skylark and a richly deliberate Autumn in New York were similarly welcome. His openers—a Strike Up the Band arrangement and Bernstein’s Jet Song were cryptic overtures that well introduced the sets’ intelligence and proweress but were not as accessible as what followed.
I have seen Rosenthal with Noriko Ueda mostlybut Martin Wind is also rich and melodic. Quincy Davis is a new drummer for me, but he’s an obvious pro and both suited the trio setting and challenged both bandmates.
This was a fine way to get some jazz in this week.
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skylarkblue · 2 years
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I’m done.
I finally got the letter from the geneticist about my EDS referral.
It basically said “Sorry, but as Skylark doesn’t have any of these listed red flags, we cannot test her for EDS. It is likely based on her symptoms she has EDS type 3, or hEDS, which cannot be tested for.”
Except I do have two of the red flags on their list, they just never bothered contacting me or my doctor to ask. My doctor put what was relevant in my referral: I have chronic pain, joint subluxations and dislocations. The other symptoms are relevant for diagnosis, but not for referral.
But they didn’t bother asking, and because it wasn’t in the referral, have refused to take me on as a patient.
In addition to that, I got a text from my doctor’s office this morning saying my ultrasound & x-ray results showed nothing of clinical significance and the doctor doesn’t need to discuss them with me.
So I’m in pain all the time, no one cares, no doctor will take me seriously, and I’m done.
I am this fucking close to just killing myself. I’m tired. Nothing is getting better. I have no fucking money, I have no fucking friends who don’t treat me as their own personal therapist, I have no fucking healthcare professionals who are taking me seriously.
My parents don’t even fucking understand I have a job and can’t do their bidding whenever they ask!
I am sad ALL THE TIME and I am tired ALL THE TIME I am in pain ALL THE TIME!!!
FUCK!
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