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#lexa aesthetic
lexa-griffins · 1 year
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bamteam2023 · 7 months
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WHERE WE DROPPIN'?!
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franksoceanwrld · 4 months
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CLAKE GRIFFIN AESTHETIC, by xlblake
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laurabsantiago · 5 months
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Some late October to November commissions I straight up forgot to post here I'm sorry aaaaaaaaaaaaa
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soulsofbold · 2 years
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Women that own my soul.....
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graunblida · 1 month
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Dune Verse: Lexa vs. The Behemoth
be·​he·​moth
/bəˈhēməTH/
noun
something of monstrous size, power, or appearance
the harkonnens used bene gesserit experimentation on soldiers in an attempt to forge an army mightier than the emperor's sardaukar. the majority of the subjects passed on in the midst of the trials, as the process wreaks havoc on the body and mind. some managed to hold on until after, their systems no longer able to accommodate. the behemoth is the most successful and COMPLETE of them all.
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dream-to-be-frog · 2 years
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moodboard for may 16th, 2022
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lexqa · 6 months
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i had 2 bowls of cookie crisp cornflakes, some leftover tomato sauce & a cheese bun for breakfast today btw
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butmakeitgayblog · 6 months
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Always, Lexa has loved her. 
In every lifetime. In every iteration of her.
Forged in the fires of hell and phosphorus embers of perdition, Lexa, a demon, walks among them. From the dawn of man crawling from their caves on bended knee, to the concrete skylines of the new world, she watched them flourish, thrive, and crumble. Smelled the smoke of their burning Eden while sipping their sin like the finest opulent wine.
"Kiss me harder," Lexa whimpers against the heat of Clarke's milk and honeyed mouth as hands work their will below.
In every lifetime she is different. A different face. A different name. Golden blonde bleeding to silver, burnt amber to black. A village healer who seeks to comfort. A coven leader who works her incantations in vain. A conjurer, a shawoman, a witch by so many shifting names. From the days when beasts roamed free and she, only a nomad protecting her clan through a veil of ancient mystics, to Clarke Griffin of the new age, the midwife with a strange knack for saving lives already thought lost to this realm.
"Fuck, Lex," Clarke sighs, rolling her hips into the thrust of Lexa's fingers hard enough to rattle the bones.
From the beginning, Lexa has watched her hone her craft, over decades and centuries and long lost millennia. Has watched her conjure and harness death in the smoke of fire-stoked chants, as her beating heart burned at the stake. Has kissed the choked, 'May we meet again' from the blue of her lips, felt the cold of her skin as she drowns on the riverbanks by their righteous hands in the never ending cycle of loving her, and losing her, and patiently waiting for that someday when she is reborn again.
"I've missed you." Lexa feels her tears turn to ash in the chalice of Clarke's kiss; quenching and searching and chasing after so many years without. 
Hell doesn't burn quite so lovingly in the lifetimes when she loves her back, returning Lexa's kisses and aching for her touch with equally wicked smiles. When she breathes her passion and pleasure against the warmth of Lexa's lips and lays her body among the ruins of their blasphemy. Back arched and legs spread as she pants for Lexa to fill her more, to take her rougher. To pour her sinister lust into her. The lifetimes where Lexa gets to hold her, taste and touch her, to feel her wrapped tight and wet around her fingers… Those are lifetimes that bring color to the grey of Lexa's damnation. When power seeps from her like a sieve of midnight fury, tasting of blood and summer sweet dandelions on Lexa's tongue. 
Clarke gasps in pants and sacred salt, hands breaking the circle upon such consecrated ground. "Don't let me forget, baby. Don't let me forget you."
Beyond her earthly bindings, the truth of her remains. The unwavering essence that calls to Lexa from the four corners of the Earth whenever she returns to her. 
Her soul remains true in every lifetime, in every iteration
And always, Lexa has loved her. 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Or, Demon Lexa falling for every reincarnation of Witchy Clarke over the expanse of eternity, but mostly I'm just here for the aesthetics 🎃
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lexa-griffins · 1 year
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Flower shop x tattoo shop au but Flower shop owner Lexa is a witch and so is tattoo artist Clarke and their shops are right across from one another except they are from different covens who have been rival for centuries
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rivertalesien · 6 months
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Death is not the end.
The rusty creak of a weather vane cut through the quiet over the leaf-strewn grounds.
Staring at the words carved in stone, Clarke traced them in her mind, over and over, as she pulled at a handful of weeds and replaced the old dead flowers with the fresh-cut bouquet she’d bought at the little supermarket on her way to the cemetery. 
Death is not the end. Death is not the end. Death is not the end.
She thought about the cashier who’d wrapped the flowers for her, an older woman, maybe as old as her grandmother, someone who should have retired by now (but who can retire anymore, she’d wondered). The surgical paper mask had slipped down the woman’s nose several times as she looked down at the thin sheets of paper, the skin of her fingers worn almost the same.
Who were they for, she’d asked, absently, reaching for a strip of tape off an old plastic reel of Scotch.
Is it someone’s birthday? Spooky time of year for it.
Clarke shook her head and smiled, reaching for a packet of Wintergreen chewing gum. Her heart was skipping and the sudden stops were making her dizzy.
“Oh, it’s a date, huh?” 
“Sort of.” 
Sliding her card through the reader, she declined the receipt and gave a short thanks to the woman, who adjusted her mask and eyed her as she took up her purchases and made a slight gesture with one hand.
“It’ll get better, you know. It always does.”
Clarke was unsure what the cashier might be referring to: maybe she was thinking of the pandemic, maybe she thought someone was ill. Nodding, she pushed gently at the double doors and stepped outside, moving smoothly past a neglected pile of small pumpkins resting on hay bales.  
Reaching for her keys Clarke took a small breath, grateful that the skies were still clear even if it smelled like rain was on its way and the trees were drizzling red and gold around her car.
It’ll get better. It’ll get better. It always does.
Death is not the end. 
Then what is it?
She shook slightly and remembered where she was.
Touching the engraved L and E and X and A, as if her fingers could reach through the letters and caress the person this once was; a face she hadn’t seen in three years, a voice she hadn’t heard, a kiss she hadn’t shared with anyone else.
A grief that wasn’t going away.
“I love you, Lex. I miss you so much. I don’t know what to do.”
It was dark by the time she left and the leaves were piling high on the grass, crunching beneath her shoes like old newspapers.
She could still smell the rain on the way, but something had shifted. She was tired. Bed would be easy tonight.
As she started the car and drove off, the weathervane creaked again.
And changed direction.
*
“I know it’s a bad time, Clarke, but I was wondering if you could come in for just a bit on Monday? I’ve got someone I think you’d be good with and maybe it’d be good for you. Just call me back when you get this. Love you.”
Clarke deleted her mother’s message, tossing her phone on the saggy green couch before flopping down in Lexa’s old leather armchair. It had been her dad’s and she’d lugged it around from Navy dorms to small apartments until it had finally found a permanent home in the little Craftsman they’d bought six years ago. Clarke laughed a little to herself. For something she was so devoted to, Lexa had rarely sat in it. She just liked the aesthetic of it. And that it was her dad’s.
They’d lost their fathers at almost the same time, both men working in different parts of the same building, both unable to escape when a bomb went off in a bathroom and took out nine floors in just under two minutes. Clarke had received a single text: I love you, sweetheart, hours before she’d finally answered all the missed calls, still trying to avoid Finn, and couldn’t stop crying for days afterward.
They had met at the memorial service, where the President gave a speech that rang hollow and bitter and hypocritical and Lexa was forced to stand at attention with her squadron and salute the man who had helped ignite and fund the war that led to the terrible tragedies that seemed to be plaguing random cities all over.
Clarke had noticed her outright, recognized her from the news reports, though she looked more polished than the footage of her in a flight suit, giving a press briefing from an aircraft carrier in the Atlantic somewhere.
Commander Woods’ elegy to her father had been through clenched teeth and pain, perhaps only partly from the wound in her shoulder, where she’d taken two slugs from an enemy rifle only three weeks before. Standing before the congregation in the Sixth Avenue Church, Lexa had first said the words Clarke couldn’t get out of her mind, even now, almost ten years later.
Death is not the end.
Finn had shown up, though, uninvited, wanting to pay his respects, wanting to apologize, again, wanting Clarke back, again, and it was Raven who surprised him and dragged him out, offering Clarke a small apology as they left. She had just wanted to get some air, to be alone, to not listen to her mother grieving with all the other widows and to expel Finn’s presence for good. She could hardly picture her dad, even with his photo on the tall easel. Nothing felt real.
She hadn’t expected to see the rumpled military figure sitting on a small bench under the church’s stone lichgate, tugging at the knees of her uniform trousers, as if irritated with the material. She hadn’t expected her eyes to be so soft and gray or how quiet her voice could be. They’d sat together under the small shelter as the rain fell and the world slipped away.
Curling up in the chair, Clarke lingered in that memory: how an hour had passed and then another and how phones rang but no one answered them and how, when the rain let up, Clarke made sure Lexa followed her home.
Always staying a few steps ahead, sometimes turning to look back, never speaking, not even when they got to the door.
Clarke left it open as she stopped in the middle of the empty living room and waited as the door was closed and long fingers pulled down the zipper of her dress, then the straps, smooth over her shoulders, as a gentle breath warmed her cheek. As arms slipped around her and held her tightly, groping her breasts, as lips pressed rough and sweet at the wild pulse in her throat.
She could always smile at the memory of that first time, both in terrible need of something, anything to bury the ache, to feel anything but their pain. How they clutched and clung and held on for dear life as they lost themselves in one another and found it too perfect to stop. She could remember every detail: the color of the ceiling, the contrast of Lexa’s jacket, the polished shoes kicked into a corner as she was lifted, laid against the table, almost eaten alive, almost until she was screaming.
It was torture now, remembering how Lexa felt, how her hands shook, the glint of her watch, the scent of her shampoo, her red-rimmed eyes staring up at her from between her legs as she burrowed into Clarke’s soul through her cunt and made her forget.
Days of fucking and sleeping and so few words passing between them; that’s how it was, until Lexa had to return to assignment, had to fly off into hell and gone and how they had both shuddered, almost painfully, at that last time, in the back of the rental, where Clarke had bit her so hard it left a scar under her ear and they cried in frustration at one last release, slotted so hard and hot between them, pressing until it hurt, hoping the hurt would make goodbye easier.
But it wasn’t and it didn’t and it only took three years to get a yes out of her, and a ring, and a place for her dad’s chair.
Reaching between her thighs, Clarke ached now, worse than any ache she’d ever known, and pressed into herself until the ache settled a little and she could lose herself in sleep.
Outside, the rain fell.
*
“Oh god you’re soaked. Come in, quick.”
Clarke held the door open as Raven entered, dripping but smiling, holding what looked
like a bag of groceries.
“I was in the area, thought I should visit. Wow, Clarke. What have you been doing?”
Shaking off her jacket, Raven made a slow inspection of the living room, noting all the piles of books and boxes and empty fast food bags.
Hanging up her friend’s coat, Clarke shrugged, wrapping her arms around herself as if cold.
“Just thought I’d do some spring clinging, dust, you know.” 
“Well, it’s October, and aren’t these Lexa’s?”
Picking up a dusty volume, Raven flipped through the pages.
Clarke dropped back into the leather chair and nodded.
“Yeah, I just thought I’d maybe go through them. Figure out what to keep.”
“She really had a library, huh?”
“If you want something, just, go ahead.”
Raven stopped and looked back at Clarke, curled up in her spot, a red-wine throw draped over her shoulders. 
“Hey, I stopped at the Dragon and brought some food. I got those noodles you like and the chicken. We can eat and I’ll help you clean up.”
“I’m okay, Raven. Really.”
“You haven’t been to work for a week.” 
Clarke sighed and pulled the throw up to her chin.
Why does everyone have to fuss?
“I’m fine. I get down sometimes. I’ll get over it. I’ll be back at work on Monday.”
Kneeling by the chair, Raven picked invisible lint off the blanket.
“Abby said you were thinking about quitting.”
“It’s got nothing to do with Lex. I’ve been thinking about taking up painting again and I just need a little less stress in my life. That’s good, right?”
Raven nodded.
“You’d really walk away? I mean, it’s kind of been your life, Clarke.”
Gritting herself, Clarke took a calming breath.
“I haven’t decided anything yet, I just need some time to do that. I need something different, Raven. I’m not like my mom. I’m not like Wells. They just don’t get it and I’m tired of having to explain it. I’ll be fine. I just need…something else.”
She was everything and she’s gone and took everything with her.
Rubbing at Clarke’s covered foot, Raven attempted a smile.
“I’m sorry. I’m not here to pile-on. Come on. Let’s eat and sort some books.”
*
It was after midnight when Raven left, taking a box of books with her.
Clarke had tried to offer Lexa’s piano, but Raven doubted it would fit in the car and doubted further that Clarke really wanted to part with it. Music was Lexa’s first love, even if her dad and the military put it second and it was a love she shared with Clarke through mix tapes and play lists and old vinyl and late night slow dances in the kitchen.
In such moments they would dream up names for their fantasy lounge act, with Clarke draped across the piano like Michelle Pfeiffer in The Fabulous Baker Boys, but all the good ones were taken and Lexa had read where the actress had to wear knee and elbow pads for the scene, so the idea was often floated around but then abandoned by the time they reached their bed.
Sitting at the dusty keyboard, Clarke tried to remember a few notes Lexa had taught her, an old Billie Holiday song she’d always loved.
Ask the sky above And ask the earth below Why I'm so in love And why I love you so Couldn't tell you though I tried do Just why I'm yours
Resting her head against the top of the fallboard, Clarke’s hands stilled and her eyes closed, and in her mind she could see Lexa beside her, playing quietly, never looking up from her hands as the melody unwound itself from the instrument.
When you went away You left a glowing spark Trying to be gay As whistling in the dark I am only what you make me Come take me I'm yours
She remembered it was Halloween and she’d forgotten candy again and the clock had stopped and the rain had stopped but the music was too gentle and comforting and she could hear it clearer now, imagining a warm shoulder against hers, moving.
How happy I would be to beg or borrow For sorrow with you Even though I knew tomorrow You'd say we were through If we drift apart Then I'll be lost and alone Though you use my heart Just for a steppin' stone How can I help dreaming of you I love you I'm yours
The song ended and she felt herself breathless with racked sobs that wouldn’t stop, even as strange, familiar arms held her and rocked her, silently, and clear gray eyes met hers and nothing was real but everything was real and she felt her heart sinking and rising so painfully it might have been shock: the unspoken wish, fulfilled.
“Are you here?”
No sound, only graceful caresses across her cheeks, her temples, through her hair, and those eyes that saw through everything and said everything.
“Are you here?”
Silence again, then something like a smile.
“Do you want me to be?”
Tears were catching on her jaw, dripping into her neck and Clarke felt herself laughing. Maybe she was dying. Maybe this was the end of everything.
She pressed the longed-for face between her hands and the answer frozen the air between them--until their lips deliquesced in yes after yes after yes.
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midnightsun-if · 8 months
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ohh the phone ask remind me that classic ask: what are the ros phone's homescreens and lockscreens? and do they change them when in a relationship with mc? <3 <3
Koda: His lock screen and home screen are just pictures of some of the prettier places he’s been. When he gets into a relationship with the MC? They’d probably stay the same. If the MC wanted to be his wallpaper though? He’d happily change it. It’s just not something he really thinks about that much.
Scarlett: Either the default ones or pictures of Zephyr and Lexa that Zephyr added, and Scarlett just couldn’t be bothered to change it. When in a relationship? Her lock screen would probably stay the same, or it’d might be a silhouette of the two of you together, with her home screen being a picture you had sneakily taken while in her arms and she’s looking down at you— a picture that she pretended to hate because it makes her look soft. Only for you to find it being her home screen however long later.
Cyrus/Cyra: Both their home and lock screen are the sunrise and sunset, respectively. It’s something that calms them when they see it, allowing their brain to rest for a small moment. When they get into a relationship? It’d probably change into pictures of you.
Quinn: Candid photos that were taken on one of their various hikes, which means they change a lot because they always find new places to explore. When they get into a relationship it’d shift to nature shots still, but it’d probably include you walking on the path in front of them.
Caden: Default. Will it change? Probably not. Caden doesn’t truly use their phone for personal use like that, it’s mainly for work and that’s about it.
Sloane: Just a black screen is their lock screen, but their home screen is a slightly blurry picture of an older looking pub with a neon light flashing in the front— a token for a place long gone, and past that’s better forgotten, but stubbornly hangs around. When in a relationship they’d happily change it to pictures of you both together, a happier future finally gracing the screen of their phone.
Blake: A random picture they took of the ocean is their lock screen and their home screen is a picture of you both from a while back that definitely looks old, but they absolutely love the memory that’s attached to the photo. It probably wouldn’t be changed once they get into a relationship, but they could always be convinced.
Reginald/Regina: Totally the type to have random quotes as their lock/home screen and wouldn’t be ashamed to admit it. They’d probably keep one quote and change the other into a photo of the two of you together. (Or they’d change it to a nice, aesthetically pleasing shot of their books. Only time will tell…) Or, better yet, a cute picture with you reading a book— they’d find it absolutely adorable.
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dufrau · 2 months
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Supercorp 👁👄👁
It makes sense and it compels me even though I hate that show and i stopped watching after season 2 lol
I sort of resent Supercorp because I am a Supercat shipper because Supercat was basically Mirandy and you know how I feel about that dynamic
BUT THE CHEMISTRY WAS INSANE. And from what I can tell they kept writing into it and the actors certainly played it romantic and aesthetically i mean come on. It's undeniable. I'm sure if I could have actually made myself sit through the show on a weekly basis I would have shipped them so hard. One of my straight male friends started watching the show because he thought from the gifs on twitter that they would actually get together because it was so obviously romantic, so thats when you know the queerbait is REALLY cooking.
It also probably didn't help that Supercorp got going right around when Lexa died on the hundo I think? And I basically swore off fandom after that forever until ronance infected my brain.
But yeah. It makes sense. It's compelling. I miss Cat Grant though.
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divineeunoia · 1 year
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This book is definitely on my top 3 list. 💀📖
The storyline was very well written, the characters are amazing.
The way Scarlett St. Clair described Persephone is just amazing. Persephone has a feminist vibe for me, because at the end she found her confidence and power to stand up for herself and became a badass goddess. Hades’s character is ideal. He is the fearless, strong god who only has a soft spot for his girl. He was so gentle with Persephone because all he wanted is her to be safe. The way they fell in love… I loved their story, how they bonded. Hermes’s and Lexa’s friendship with Persephone is so cute and right. Hermes’s comments were hilarious and Lexa’s little pushes were so cute and she is really a best friend material because she was there for P when she needed the most.
(I made the collage of the aesthetic I imagined for this book)
(Also if you want to read, be aware of the sexual content)
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graunblida · 1 year
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guardians 3 got me thinking of lexa’s og marvel verse and if things would have gone even slightly differently if she were hanging out with them during the whole ordeal ehuehu
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coeureina · 9 months
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WOL Inspo Chart
Was tagged by @oazuredragoon , who clearly can't get enough of this girl so!
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Left side, top to bottom:
Lexa kom Trikru (The 100): Lexa's entire aesthetic and introduction was what made me get hyped about the show seeing as how she wasn't in the books. She was always interesting to me for how she commanded the respect of her people and was a visionary. She did what she needed to do even if people ended up hating her in the end. It was a trait I knew that Iza needed to have.
Eris, Goddess of Discord (Sinbad): Eris by far was one of my favorite villains and in the beginning even with Iza being hailed the Warrior of Light, she was indeed a villain. Eris is the true, pure representation of malevolence and deviance which after losing her entire family, that's who Iza became. In order to beat the Garleans she had to be just as ruthless, manipulative and intelligent as they were. They bought chaos into her life and she would return the favor BUT despite that she remained a woman of her word.
Evelyn O'Connell (formally Carnahan) (The Mummy): Evie's love of history, knowledge and adventure in general is another one of the bases of who Iza is at her core. She adapts that philosophy of "if she could touch something and see it, then it was real".
Right side, top to bottom:
Avatar Kyoshi (Avatar the Last Airbender): Everyone knows Kyoshi as the "take no shit" Avatar and this is extremely true but she is also a person who was empathic, considerate, trusting and level-headed. She also suffered from low self-esteem and doubted her abilities to be a good avatar. To loved ones, she showed those soft traits. To the world, she is the direct, fierce and assertive woman we know and has always been an idol of mine. It would have been easy to pack on only good traits to the making of Iza but I wanted her to have hidden gems as well that only the most determined of people would find.
Naruto Uzumaki (Naruto): The entire story of Naruto from beginning to end is emotional and so inspiring. To be doubted and feared to loved and respected is something he earned through years of having one goal and dream. In many ways, Naruto and Iza are truly one and the same in that respect except the talking. Iza would much rather just beat someone's ass.
Lynn Wiles (Pulse): Lynn's personality of seeing life for what it is and having the ability to connect with everyone she meets while while being incredibly cheesy is who Iza was and who I hope to make her once again. It's one of the many things that has to be drawn out by the right people.
Honorable mentions: Nesta from ACOTAR. IYKYK.
Template can be found here for anyone interested! Tagging @phoebe-of-ivalice @bunaribae and anyone who hasn't done one!
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