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#moa source
foxjunn · 1 year
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TXT for Kundal_Japan
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cristallsnoww · 11 months
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my biases with watermelon for my diy fan that i didn't end up using for my vacation but it's still pretty 🍉✨
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jonghoyah · 1 year
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Did TXT just show up in floor length skirts or am I hallucinating??!
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minhanniejoong · 11 months
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kylepleasestop · 1 year
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Chuchu: I need life advice.
Moa, sipping Gatorade and eating cookie dough: You’ve come to the right person.
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a-dinosaur-a-day · 1 year
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the birds of the "aDNA jp"
I need a name for this AU and "pleistocene park" is taken by something else
anyway
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Pelagornis, a terrifying pseudotoothed bird (art by @quetzalpali-art)
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Teratornis, a giant vulture relative (art by DiBgd, CC BY-SA 4.0)
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Xenicibis, the Club-Winged Ibis (art sourced from NatGeo)
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Haast's Eagle, the Moa Killer (art by @thewoodparable)
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Moas, the top herbivores of New Zealand (art by @quetzalpali-art and @thewoodparable)
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Aepyornis (and Vorombe, if that's a thing), the Elephant Bird, the largest bird to ever exist (art by @drawingwithdinosaurs)
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The Giant Ground Owl (over one meter tall) (art by Stanton F. Fink, CC BY-SA 2.5)
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The Dodo (art by Julian P. Hume, CC BY 4.0)
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The Passenger Pigeon, great eraser of the sun
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Adzebills, the Opportunists of New Zealand (art by Nobu Tamura, CC BY 3.0)
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The glorious Mihirungs of Australia (art by @thewoodparable)
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The Great Auk, the false-penguin of the north (photo by Mike Pennington, CC BY 3.0)
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Chendytes, the giant marine ducks (art by Stanton Fink, CC BY 2.5)
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Talpanas, the reverse-platypus (art by @drawingwithdinosaurs)
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the Du, the Demon Chicken (art by @franzanth)
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The Giant Flores Stork, competitor of the Komodo Dragon (art by Gabriel Ugueto, CC BY 4.0)
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the Giant Swan, attacker of dwarf elephants (art by @paleoart)
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Carolina Parakeet, the only parrot native to North America (photo by Huub Veldhuijzen van Zanten/Naturalis Biodiversity Center, CC BY-SA 3.0)
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and, of course, Titanis: One of the Last Terror Birds (art by @drawingwithdinosaurs)
there are more, of course, but this post is already too long
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bozepomagaj · 6 months
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ATINY/MOA/CARATS vs Made in Abyss was the last thing I expected and its hilarious
feel like I need to say something since twitter absolutely loves spreading misinfo and just accusing people of shit, how have you people not LEARNED your lesson yet? Since when is twitter such a trusted source, especially gossip accounts?
And before you braindead stans start calling me a d!ckrider, I promise you I do not care about these men cuz I've got better things to focus on and I'm making this because people are overreacting and it's getting annoying. It's so obvious 90% of you haven't watched the anime (and thats completely fine, I get you) and then ended up listening to someone who made stuff up and overexaggerated. I'm not here to defend the author because I hate him as much as you do and can absolutely recognize the dude is into some weird shit but saying people are ONLY interested in this series because of r@pe and p€dophilia is INSANE. So let me answer some questions as a Made an Abyss reader (not calling myself a fan because you'll catch me DEAD before you see me buying any merch or manga despite my love for the series), kpop fan second.
Does Made In Abyss contain p3d0ph1l1c themes, gore etc.?
There absolutely is because the author is a creep (refering to the nsfw however, most of the times it's very easily skippable. As someone who hates l0l1con cuz it creeps me out, I can tell you that I really didn't have a hard time skipping said scenes even in the manga which is far more explicit than the anime (Prushka asking about Bond's 'stick', Faputa looking into Regs pants, Vueko's weird comments) and sometimes, they're even added as extras (0.5 chapters) which certain sites that contain scans don't even include. I didn't even know about the existence about a few of these chapters BECAUSE they don't include them.
The OVA is a nightmare to watch and was not only unfunny but creepy as fuck especially when they try to boil down such an amazing character like Ozen into 'I like seeing little kids in pain'. Now I have no idea if this was made independently but I don't remember the author making any spin-offs that they could base this on so I can't tell you who wrote it but even then I doubt that the author minded it since the man himself had to include that Faputas behind smells like the 'Sun' so again, not here to defend him cuz he most definitely is a weirdo, no doubt about it.
Is Made in Abyss torture p*rn?
If MiA is torture p*rn then AoT is military propaganda and supports child labor, TPN is also torture p*rn, JJK promotes violence, Berserk excuses r*pe and Evangelion is also p*do bait. See how stupid that sounds? Just because an anime INCLUDES something, does not mean it necessarily supports it. Yes, r*pe is mentioned but it's not even SHOWN, and it's a cruical part of a characters backstory. The torture that happens, happens only once if we exclude Riko's 'experiment' at the very beginning of the manga. And Mitty's transformation can't even be classified as torture cuz it's a.... transformation. Prushka's death is very censored so its not like you can jack off to that anyways. Now the piss thing is something I have noticed but haven't really payed attention it because bffr why the hell would I so idk, maybe the author is trying to tell us something or the guy thinks pee pee poo poo funny🤷‍♀️.
Is there any plot besides the weird stuff?
See now this is the part that gets me most because the reason why a majority of people nowadays got into MiA in the first place is BECAUSE of the amazing plot. The world building, the mystery, the fight scenes, etc. It's amazingly drawn, nicely paced and unique in its own way. But of course, it's manga&anime and what's anime without fanservice? I already explained that in manga, said scenes can be easily skipped and the anime thankfully doesn't include a lot of these. I do have to admit thag I dropped the manga for now since the chapter where they were in a bath cuz it was another one of those 'here we go again' moments where it made me roll my eyes and just close the tab so I don't really know what's been happening recently and if things go weirder.
I'm also gonna tell you honestly that yes, the fandom is filled with sweaty dudebros itching to see these kids half naked and the author is aware of them and pondering to them because he too is one of them. But a large majority is back from when the anime originally came out and are mostly hiding on twitter so it's easy to avoid them and they've been pretty rare ever since people with actual interest in the series have begun watching it. A reason why back in the day I didn't wanna interact with the fandom at ALL was because the moment I tried to have a normal conversation about the plot and what might actually be going on, I instead get bombarded with "UWAAAA😭😭😭" and 'c*nny' comments. I also cannot defend and don't even plan on defending the fact that Faputa is pretty much naked the entire series. I get that she lives in the literal wilderness, but the very least you could do is put a cloth on her y'know. And mind you, I'm talking about the manga. The anime is a LOT more heavily censored, and from what I heard, even MORE censored in Korea.
To sum it up:
Do I think Mingi/Soobin/Woozi are p*dos cuz they watched the anime? Absolutely the fuck not. Considering Mingi is a big CSM fan, I can see why he watched Made in Abyss because I was in that same pipeline. I think some of you are going way too far with these comments, if you wanna call them weird, creepy, wanna unstan them for reading stuff like this go ahead, not gonna stop because in the end no one can but accusing people of crimes isn't funny and never will be. If they were exposed for watching shit like Kodomo no Jikan then that most definitely IS eyebrow raising. Maybe I'm slightly biased due to me only enjoying MiA for the plot so seeing people say the fans are p3d0s when the first time I watched this was when I was freshly 15.... yeah idk abt that one. Whether they liked the weird and questionable scenes, I have zero idea I'm just here to say that you can enjoy said anime without being a weirdo and you shouldn't begin jumping to conclusions and start calling people straight up criminals. If anyone wants to have a productive conversation and ask questions abt said anime cuz I doubt you're gonna go watch an anime over a Twitter drama, go ahead and ask. If you wanna insult me and call me a d!ckrider then go ahead and do that too, who am I to stop you?
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Remember to read about the contestants before voting!
Wallcreeper
As it’s name suggests, the wallcreeper creeps along rock faces. It’s the only member of its family, the Tichodromidae, as well as the only one of its genus. They are quite tame, although they get nervous if they’re being watched. When not in breeding season, they often aggressively defend their feeding territories. They eat most of their insect diet from the faces of rocks, and will sometimes take flight to chase after a delicious insect morsel for a short distance. Theyre hard to spot, but when you do spot them, they are quite reminiscent of a butterfly arent they? Learn More!
Moa
The giant moa bird, a bird said to have lived on the island of New Zealand. They were the main food source for the Haast’s Eagle, a huge bird of prey. But, they are also a cryptid as well… even though they were extinct long before Europeans arrived, there have been many tales and “sightings” of this mysterious and large bird. It’s probable that the Moa bird went extinct within 100 years of contact with humans, and so too did the Haast’s Eagle go extinct when it’s main source of food died out. Learn More!
(Wallcreeper photo by Christoph Moning)
(Moa illustration by Dana Franklin)
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tomorrowxtogether · 2 months
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Music BEOMGYU listens to, sings and writes
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The TOMORROW X TOGETHER member shares his views on the power of music
Having grown up with music around him, BEOMGYU has since become an artist himself and takes on the role of DJ on his Weverse radio show, Beom’edio, to discuss his musical thoughts, feelings, and tastes with his listeners. You can tell how serious he takes music by how he carefully combs through lyrics to pick out songs that perfectly reflect the stories he hears from fans. BEOMGYU’s already been an idol for five years, but he’s still passionately exploring his musical side, looking to get better at playing guitar and writing songs. He lights up when he talks about the power of music, and wants to be the one to show people just how powerful it can be. As you’ll see below, BEOMGYU’s musical world keeps on growing up and outward.
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A friendly, chill time with the host of Beom’edio BEOMGYU: Hosting a radio show was always a small dream of mine. I wanted to hear stories from listeners and give me thoughts on them, talk about my own experiences—just chill like that. I was on a number of radio shows after debuting, both as a one-time guest and over a few episodes, and that led to me setting myself a goal to have my own radio show some day. I don’t put in a huge about of prep for the broadcast—just get excited thinking about the stories I’ll get to hear and think about what I should tell them. I’ve seen MOA worry about me before, like, Is something wrong with BEOMGYU today? He looks a little down today. But it’s not like that—never. (laughs) I’m always pretty quiet when I’m not working on camera and even more so when the other members aren’t around. I keep reminding the fans that keeping things chill and low-key works nicely for me.
Choosing songs for MOA after a long, hard day BEOMGYU: I read people’s stories, look up lines from songs that have made me feel better in the past, and try to pick out the song that matches best to play. I recommend these songs to MOA after they’ve had a long, hard day in hopes that it’ll be a good way to bring it to a close. Sometimes just a single little song can be a huge source of relief after a really tough day, you know? And I really love hearing people talk about their lives. When I recorded the third episode of Beom’edio for my birthday, there were a lot of stories about birthday traditions I forgot about but that I’m sure I used to do, like eating seaweed soup. And I remember there was someone who talked about how they turned things around and wrote their parents a letter on their own birthday and their mom cried while reading it. I learn things from reading MOA’s stories and get wrapped up in their emotions, which I feel like gives me more emotional depth.
The feel-good beauty of comforting indie music BEOMGYU: When I was a trainee, I listened to “Photograph” by offonoff a lot, and practiced singing it, too. I would listen to it at night when I was alone and that helped calm me down. I really loved that. That’s when I started really getting into indie music. I still listen to it today. To me, indie music feels like it’s either really poetic or really straightforward. When I’m listening to music, or when I’m writing my own lyrics, I like a song where the words alone can make you feel better, even without any melody. A lot of the songs that gave me support when I felt anxious or down were indie songs, so I listened to a lot of them. That’s why I play indie music for MOA so often on Beom’edio.
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Heo Hoy Kyung’s cover of “Anti-Romantic” BEOMGYU: I said on Beom’edio before how “I think the power of music is amazing.” When I experience emotional uncertainty, I really rely on the power of music. It can be especially tough being in unfamiliar places when traveling abroad. So, before I get on a plane or go up on stage, I need some alone time. And in times like that, I always listen to Heo Hoy Kyung. I was so happy when I saw recently that Heo Hoy Kyung sang a TOMORROW X TOGETHER song on Lee Hyori’s Red Carpet and talked about me. (laughs) She sang “Anti-Romantic,” and that song means a lot to me because I worked really hard on the lyrics and I feel emotional whenever I perform it. I was with my parents when she covered it, and I kept bragging and showing it to them. I listened to her cover on repeat until I fell asleep. (laughs) If I ever get to cover one of her songs, I’d like to try doing “So life goes on”!
Songs that bring BEOMGYU back to a special time BEOMGYU: My taste in music is heavily influenced by what I listened to with my dad when I was young—listening to ABBA songs like “Dancing Queen” and “I Do, I Do, I Do, I Do, I Do” early in the morning, or “Piano Man” by Billy Joel. Even now, whenever I listen to ABBA, I still picture waking up at three or four in the morning with my dad and driving to Taebaek. And my mom used to play IU’s album A Flower Bookmark on a speaker every morning. Whenever I hear songs from that album, I think about the times I woke up rubbing my eyes. That’s part of the reason why I bought a copy on vinyl. Sure, you can just listen to music, but it also makes memories last longer, you know? It makes them memorable. That’s what makes music so special.
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BEOMGYU’s approach to songwriting BEOMGYU: When I write a song, I always, always, always draw on personal experience. When I go to write a song, if I can look at what it’s about and relate to it and go, I’ve thought that before, or, I’ve dealt with this before, then I can get really into writing about it, but I don’t really write about things I haven’t personally experienced. I don’t feel really confident about writing about emotions I haven’t personally felt. Everyone has their own approach to writing songs; this is just the style that’s worked for me so far. I don’t sit down to write songs—I’ll just be walking along or washing my hands in the bathroom when suddenly an idea hits me and I make a quick note on my phone or hum the melody and record it. I try to take my thoughts and feelings about my experiences and turn them into songs.
What BEOMGYU wants to preserve through his music BEOMGYU: It feels like lots of people are so busy living their lives that they completely miss out on the things right in front of them. Even me: Until just recently, I was so involved in the things I’m working on that I never properly got in touch with my parents or with my friends. But then, this year, I realized something. I’ve been in Seoul for something like seven or eight years now, and I feel like I’m missing out on so much. I need to look around myself more and take better care of the people around me. There’s a song by LANY about parents called “if this is the last time.” We always think of our moms and dads as these strong superheroes who always win in the end, but at some point you realize they’re getting older. I go down to Daegu once a year to see my parents, and every time I do and I see they’ve gotten a bit older, it really hurts to think about—because, even though everybody gets older, I wasn’t there to watch it happen and I couldn’t pay enough attention. And I want to preserve this realization I made earlier this year by writing a song about it.
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A growing appreciation for “Skipping Stones” BEOMGYU: In a previous Weverse Magazine interview, I mentioned that “Skipping Stones” really lets me show off my vocals, but to be honest, I wasn’t confident about that from the start. When I heard we were going to have an indie song, I had no idea it was going to sound like that. It felt all new. It didn’t sound like what I’m used to hearing from indie. But SOOBIN absolutely loved it. That’s when I realized how many different styles there are within indie, and over time, I really came to love it.  And it sounded even better with our vocals. My vocal parts were higher than I usually sing, and it feels like the way I pushed myself to sing it actually brings out the emotion better. It doesn’t normally feel so emotional if the singer can effortlessly hit those high notes. (laughs)
Songwriting always begins with a guitar BEOMGYU: Guitar is one of those things I can never leave out of my music. And actually, every time I write a song, it always begins with the guitar. I honestly think songs without guitar in them feel flat. (laughs) There’s something comforting about an acoustic guitar—and electric guitars make you feel energetic. I’m still looking into guitar lessons, too. I’d love to keep taking lessons, but it’s hard to find time with all the promoting and touring, unfortunately. But I fell even more for the electric guitar while practicing the song “Wonder” for the latest concert. Learning to play electric guitar better would vastly widen the spectrum of music I could write, not to mention my ability to express those things on stage. I want to get better so that I have more to offer. Practicing guitar empties my head of distraction and instead fills it up with determination. (laughs) Like, I gotta do this.
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Packing five years into minisode 3: TOMORROW BEOMGYU: Preparing for this comeback was the busiest we’ve ever been, without question. (laughs) All I was thinking about while recording the vocals was, I really have to do a good job here. I just thought, the better I do it, the better the message gets across. “Quarter Life” was the song off the album that most closely aligned with my tastes at first, but now I’m loving “Miracle” the most. “Quarter Life” is a unit track with Kai, TAEHYUN, and me, all of who love the sound of rock music, so we were extremely excited to try something like this. I actually thought about doing rock music with Kai all the time, and I wanted to do it with TAEHYUN too because he has such an amazing voice with a wide vocal range.
Shared tastes in music among the group members BEOMGYU: SOOBIN likes indie music, too, so he recommends a lot of songs to me. He’ll send me, like, three songs and then two days later come ask me, “Did you listen?!” But the truth is, I don’t always check them out right away. (laughs) If I say, “No yet,” he pushes me, like, “Just listen already! Listen to them right now!” (laughs) SOOBIN’s really broadened my taste in indie. Sometimes when I’m with him and see how he listens to music, I think, Wow—this guy really loves his indie. Of all the songs he’s sent me, my favorite was Kim Hyunchang’s song “Nothing but Morning,” which I talked about on Beom’edio. I think Kai and I click musically too. Both of us used to play instruments and we love rock music.
Speaking up through indie music BEOMGYU: I’ve mentioned before that I have a personal goal where “I hope I can engage in indie music in the future.” While I do work on and put a lot of thought into TOMORROW X TOGETHER’s music, I’m also constantly thinking about what my music is like. So, when I have a little more time and my skill levels improve a bit, I want to think about what kind of music it is I truly want to do and try to write my own music. Learning guitar is another part of that dream. Those songs you hear where they play the guitar and softly, softly sing about the things they want to say, and they make you feel good? That’s the kind of music I want to make. Music that says what I want to say.
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choibeomggyu · 1 year
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(230610) TXT_members:
Long-haired Beomgyu is back again!!!!
It was really nice to see MOA after a long time ❤️
Let’s have a happy time tomorrow as well!!!!
다시 돌아온 장발 범규!!!!
우리 모아 오랜만에 봐서 정말 좋았어요 ❤️
내일도 행복한 시간 보냅시다!!!!
#BEOMGYU
🧸
Source: TXT Members Twitter
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kingkazuaki · 1 year
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fluffy heretic
||Source||Artist Credit: Moa/Hatoking||
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foxjunn · 1 year
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Beomgyu and Yeonjun ~ Weverse Con
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cristallsnoww · 1 year
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choose your peter pan ✨
taehyun the real peter pan 🏃
sb yj bg hk
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lilislegacy · 4 months
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soo random question
do we all have an agreed height for percy? like, chalice of the gods aged percy? cause there is no reliable source from rick confirming anything
and opinions are so different. like some people say he’s 5’9 and some people say he’s 6’5??
so here’s my thinking. apparently it’s canon that annabeth is 5’10. don’t know where that number came from (i think it was the demigod diaries or something?) but even if not, she’s said to tall several times, so 5’10 makes sense. we good there?
ok now that we’ve established that. percy and annabeth are the same height in TLO. then in MoA, Annabeth can tell from far away that he’s gotten taller, so I’m thinking he had to have grown at least 2 to 3 inches for her to be able to tell from a ways away. and even then, i think both piper and leo mentioned that he’s always eating ton in HoO, but he’s still thin, so he was probably still a growing boy. anyway, given all that, he can’t be any less than 6’1. i feel like he’s around 6’2 or 6’3 by the time he reaches full height. what do we think? shall we vote?
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Te Hōkioi, and Speculation on the Dietary Habits of the Great Eagles
He Hōkioi, i runga, he Hōkioi, i runga, hū.
(The great eagle, from above, made a booming call)
Kei te āputa koe, nā, o te rangi, e noho ana,
(In the open space, there, in the sky, it dwells)
Te hoa moenga, nō whatitiri mātakataka;
(Death's companion, with crashing thunder)
Hei aha, tērā, e tararua mārire, ona hikumaro?
(Why, then, do its tail feathers no longer split the quiet in two?)
Rua maro tonu, ona hakikau;
(Two fathoms wide, its wings;)
E huhū nei, i runga te rangi,
(It called, above in the sky)
Hōkioi, Hōkioi.
(The sound: hōkioi, hōkioi.)
- poem/chant by the great Ngāti Toa chief Te Rauparaha
For @tolkienofcolourweek, I'm spending seven days bringing Māoritanga and mātauranga Māori to the world of Tolkien! Starting off on day 1 with: what did Manwë's Eagles eat?
Such massive animals, especially flying ones, would have required a huge caloric intake. We have little evidence about what potential prey may have existed in Beleriand and Middle Earth. The Hobbit mentions them eating sheep, and it seems likely that they would hunt other large animals, such as deer or bison. But there's nothing in our modern world that compares to or fills an ecological niche like Manwë's Eagles.
This is where I draw on Māori oral history of the largest eagles to ever live.
In English they're called Haast's Eagles, but in Māori there are several names. Probably the most well-known of the Māori names is pouakai/poukai, but my people called them hōkioi.
They were massive, weighing as much as 17.8 kg (about 39 lbs) and with wingspans as large as 3 metres (about 10ft). Their feet and claws were the size of modern day tigers, capable of punching through bone. They hunted prey more than fifteen times their own size.
(Granted, the eagles of Manwë are much larger than even the hōkioi! Still, it's similar enough for me to draw inspiration.)
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[Left image: an artist's rendition of a hōkioi perched on a rock. Right image: an artist's rendition of a hōkioi attacking the neck of a giant flightless bird.]
The hōkioi's primary prey was the moa, large flightless birds similar to ostriches or emus. With no large land mammals on the islands, hōkioi were the apex predators.
Then, circa 900 CE, large mammals came to Aotearoa for the first time. They also preyed on moa, reducing the hōkioi's food supply. So perhaps it was natural that the hōkioi began to hunt these mammals as new prey.
Unfortunately, those mammals were us.
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[Left image: an artist's rendition of a hōkioi attacking a Māori man who holds a spear. Right image: an artist's rendition of a child running from a hōkioi.]
Our stories of the hōkioi, or pouakai, tell of giant birds that could swoop down from the sky to kill and eat even strong warriors. They were also known to carry off small children.
I'm not saying that the eagles of Manwë ate elves or humans. (I think they were probably given firm instructions not to!) It would make sense for them to prey on orcs and other creatures of Morgoth, though. And there's one other group who we know were hunted like animals in Beleriand, due to... misunderstandings. A group who the Eagles may not have initially recognized as sentient creatures. A group who would have been an ideal size to pick up and carry off as a snack.
I'm just saying, I think there may have been multiple reasons that dwarves chose to live underground.
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(Sources for further information about te hōkioi:
The man-killer that fell from the sky
NZ Birds: Haast's Eagle)
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kylepleasestop · 1 year
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Retoree: Hey, I’m lesbian.
Moa: I thought you were a Myuumon?
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