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yeyinde · 1 day

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touch starved reader with an oral fixation x kidnapper!Simon who’s all punishment and no physical affection? Please Simon just a little kiss? with tongues? :( (i just wanna make out with this man while my heart aches for him)

by Allah, you people are dogs. i will write the filth as usual.

DEAD DOVE, 18+ | dubcon. kidnapping. mean!Simon. dom!Simon. masking corporal punishment as affection. kissing. size kink, size difference. some thigh riding. degradation + humiliation (verbal). non-con pet play. marking (heavyyyyyy mentions of Simon biting you like a chew toy). choking. daddy kink (but in the awful, demeaning way). manipulation. forced affection. coersion. forced/manufactured dependency. brief mention of Simon stepping on your back to hold you down so he can whip you w a cat o nine tails. yanno. the usual Friday night.

idk. there's something so hot about you, completely naked, riding Simon's clothed thigh as he holds you up by your neck. tongue out, desperate for a kiss while he just mocks you the whole time.

It's survival.

At first.

A means of masking the innate horror of being stripped of your agency, your autonomy, by a man you barely even know. One you met once before (fate sealed), and now—outside of your apartment complex where he was idling by the foothold, smoking a cigarette as he leaned against the brick wall, head turned. Gaze narrowed as you approached.

Waiting for someone, you assumed, thinking nothing else about the matter.

Nothing else, except—

He looked familiar. You think you saw him before. He was staring at you. Hadn't stopped. Hasn't said a word, either. The silence was oppressive. Heavy. Your hands fumbled with the keys. Shaking. Trembling.

He's pretty, you thought, suddenly. In the way car wrecks can sometimes be. Jarring and awful and hideous, but—

Mesmerising.

Macabre. And that's what he is. Everything from the mask on his face (skulls, go figure), to the absurdity in his size, his width. The way space itself seemed to move around him, bending and distorting just to let him pass. His own gravitational pull. Magnetic. You feel it tugging on you as he pulls another lungful of smoke. Another. Another.

(like an hourglass, a timebomb, almost. you wonder what will happen when it runs out—)

He gives you the creeps. Suddenly. Unexpectedly. A visceral sense of unease curdling in the pit of your belly as he keeps staring, staring. Eyes—crystalline under the broken headlamp, washout into crushed topaz—drilling into your back, sharp enough to flay skin. Everything inside of you says to run, but your key won't fit inside the lock. Won't—

Ever.

And hindsight has always been a bitter thing, hasn't it? Cruel in her mockery. Had you known, then, that he wasn't a workman loitering by the complex, waiting for a friend; or a low-level drug dealer casting webs into the plum hewn aether, it might have saved you. Might have.

Maybe. Because he was there, waiting for you, all along.

Life has a funny way of paying back good deeds. All it took for your life to crumble down around you, rubble falling off of a shaking mountain, was kindness. Was seeing a large man in the pouring rain, already drenched. Black clothing sticking to the granite contours of his body, and offering sanctum in the shape of a rusting umbrella you found at a thrift store for three dollars.

(“here,” you said, chipper. All smiles. “i live just down the street, and you look like you need it more than i do. do you want it?”

and he—

he simply stared. stared. his eyes liquid, molten, as they carelessly dropped, roaming down the length of your body at his own leisure. leering. assessing. it was odd. weird, but—

he huffed, then. seemingly satisfied by whatever you measured up to in his head. his neck lulled back, and he gazed at you from down the crooked length of his nose, tucked neatly away under the thick band of a facial mask. skulls. how could you be so stupid?

slowly, like he was trying not to startle a mare, his gloved hand reached out, curling thick fingers around the hilt of it. he tugged once. in your stupor, you forgot to let go. embarrassment flooded in. he huffed again, quietly amused, as you untangled your numbed fingers from the umbrella.

in your distraction, he moved closer. smelled of ash, of mildew. sweat and stale cigarettes. there was something predatory in the way he slipped through space. a preternatural quiet. an eerie stillness.

you hadn't realised he was there, looming, until he rasped out, “more ‘n you could ever realise, pet.”

and you're sure why you do it. did it. but your hand slips into your shopping bag, eyes widen. heart thundering in your chest.

“are you hungry? i, uh, i just bought some apples, um—”

his eyes are lavascapes. shackles. chains. “i could eat.”)

And now—

Forced to play this strange cat and mouse of his where he treats you like soot on the bottom of his shoe, and you pretend that it's affection. Love. How godless.

Protection, he calls it.

("mine," he whispers, orison soft, into your ear. "ain't go' nowhere else to go, do you, pet? world's big. would eat a small thing like you up. safer here. wit' me. only me.")

You wonder what he'd do if you told him the biggest danger here was the madness nestled inside your head, the one that sometimes made you look at him like he was your salvation instead of the warden holding the end of your leash in a firm hand. Unyielding—like everything he does. Is.

Withholding, too. Everything must be earned. Nothing given. Nothing handed out. And you know that this is a ploy, a tactic. Subterfuge meant to chisel into your sense of self, dehumanise you. Turn you into a simpering, obedient little doll for him to play with as he wishes. You know this, and yet—

It's survival, you promise yourself as he tugs on the hook latched to your collar, testing it for weakness. Survival, when his hands—bare, bare; warmed skin against skin, you could just weep—brush over your throat, nails skimming goosebumped flesh as he wedges one, then two inside, hirsute knuckles tickling your pulse. It tightens the collar to near choking. Intentional, you know. He likes it when you beg—for air, for food, water, him.

Vile man. Awful.

(You want to roll on your belly at his feet.)

This cold, cruel touch lights a fire under your skin. It's been months since he's last done so. Always wearing gloves when he has to. Using paddles, belts, when you misbehave. Never his bare hand. Not anymore.

(“m’hand is for good girls,” he slurred, words merging, meshing together, painted with exertion. He wedged his boot against the small of your back, holding you down, and cracked the end of a cat over your bare ass, thighs. Unbothered by your howls, your screams, as the whip bit into your skin. You've never so much as been hit as a child for misbehaving, and now, as an adult, you have a madman standing over you, introducing you to something called a cat o’nine tails—a favourite in the army, lovie. “bad girls,” his boot pressed down harder, heel digging into your spine. “Bad girls get the whip—”)

Bad. Bad. Because you tried to run, to leave him. He dressed you up, called you Mrs Riley, and you—

Ducked out the back door when he turned away for a second.

Stupid. It was poor timing. A test. He set you up, measuring your loyalty to him, your commitment, and you failed. Failed.

(“this is what ‘appens when spoiled little cunts get their way too much. they act out, don't they? bitin’ the ‘and that feeds. you'll learn soon enough, though—”)

Ghost—sir, sir (master, maker, god; you'll call him anything he wants if he touches you again)—pulls his fingers away, depriving you of his touch once more. And it's all so stupid. So fundamentally wrong, deplorable, but you follow. Needy. Whining for it in the back of your throat.

It's been months. Months without touch. Without sensation outside of leather lashing across your thighs, your ass; harsh, gloved fingers digging into your jaw, braced against the back of your head, as you swallow down his cock in an effort to prove to him you've been good. So good. Can be good. His good girl.

You need to touch him. Need his touch. Ache for it, for something outside of this nook he placed you inside of, denied the privilege of living upstairs with him after you tried to escape.

You want to. Badly. Your fingers twitch. Ghost sees it. Hums.

“Need somethin', pet?”

Your mouth is dry. You swallow. It burns. It hurts. “Yes—”

“Yes, what?”

“Sir—”

Behind the mask he's yet to take off for you fully, only ever hitching it under his chin to devour your cunt whenever you've been good, his jaw tightens, the fabric bunching up.

You reel back from the look of sheer displeasure etching harsh lines into the hollow gaps of his eyes. Heart thundering. Stomach churning.

“Mas—” he cuts you off with a soft sigh. Marked with his irritation. “D—dad—”

Dad. A new one. Daddy. He didn't seem like the sort to be into this type of play, not with his sardonic, deadpan eyes. His mockery. His dessicated humour, awful and biting. You'd have sooner expected him to laugh at you—in that slow, deep hum he gives; a little chuff, full of condescension and jeer—than to get off on it. On you, kneeling between his legs with your chin braced against his palm, mouth open, tongue out, as he fucks into the tight clench of his fist, groaning as you beg daddy to give you a taste.

It's gross. Disgusting.

It's not done for anything else other than to humiliate you. To crush you under the heel of his boot—little bug—so that you will always know where your place is in this scenario. His little wife. Mother, mum—

He pulls on the leash, jerking you forward. Purrs, “good girl,” and then steps back, moving away from you. Cruel. Dismissive. You hate him, hate him—

(Need him so deeply. With every fibre of your being—)

You watch him as he goes, mourning the loss of his presence already, as he paces around your space, your cage. Broad shoulders barely fitting inside. Head ducking to avoid hitting his crown on the popcorn ceiling. It's strange seeing him here like this. Prowling. He usually comes when he wants you, when he needs to enact more merciless punishment on you for whatever perceived evils you committed (not greeting him with a kiss when he walked in, not letting him suffocate himself in your cunt when he had you sit on his face, not making him cum all over your face quick enough when you knew he had other engagements to get to—), or when he ruts, heavily, between your thighs, cold and detached. Seeking pleasure from your icy flesh, and giving nothing in return but white hot agony.

Him here, idling in your presence, is revolutionary.

“S–sir—?”

He hums, quiet. Sits in the chair as you gather the fragments of yourself littered on the ground. His mood is malleable, it seems.

You push, fingertips sinking into the putty of his agreeable temperament. “Can I—”

You waver when his sharp eyes raze over your bare body—clothes are for good girls, after all—pupils sloshing over the edges, bleeding into midnight blue.

Your body is a battlefield. Every inch of skin branded with his mark—pretty, thrawn rings of teeth tattooed in silver, haloed in black and red, desecrate your flesh: neck, collarbones, breasts, belly, thighs (a particular favourite of his), ass, mons; all bitten through, chewed up. It weeps when you move, has blood trickling down your skin. The cracking scabs make him coo, poor thing, all bloody fer me? and he licks at them, sucks, until only a pinkish wound in the mimesis of canines remains.

Uprooted, turned into something new—

His chest expands when he settles his gaze on the sliver of space between your spread thighs. Concealed in tenebrous, hidden from his leering, lecherous view. He cocks his head, considers something unknown to you. His thoughts, his mind, worlds away. Untouchable.

(only to bad girls, he’d snarled out when you asked why—)

“Testin’ my patience still?” He doesn't rip his gaze away from your cunt, speaks to it sometimes more than he speaks to you. “Thought this alone time might’a cleared your ‘ead.”

You flush. Embarrassment roiling through you. His displeasure is a palpable thing. Heavy. You hate the weight of it.

“I need—I need you.”

Another toneless hum. “‘Course you do. Ain't got anyone else.”

He's awful. Hideous. You want to rip his tongue out of his mouth. “I—I want you. Please.”

Ghost doesn't answer. You stopped expecting him to a long time ago, his moods odd measures of ebbs and flows; passive and mild, cracking terrible, awful jokes as he strokes your back, hands riveted to your skin, and then biting and caustic the next. Pushing and pushing until you lash out, snap, so he has a reason to push you down, punished and smothered under his bulk, as he ruts into you like a beast, a man starved. Tells you it's for your own good. That you need him. Would be lost without him.

Bludgeoning a hole into you wide enough for him to crawl inside of. Poisoning you from the inside out with the same nocuous rot that flows in his veins.

Maybe that's been his agenda all along. Maybe. To make you want him as badly as he wanted you. Desperate, obsessive. Going so far as to follow you home, lost little mutt waiting in the shadows outside of your door until you threw him another bone. And when that didn't work, when the food stopped being enough—

He took you. Held you captive in his house deep in the wilderness. A place so endlessly green that you sometimes stare out at it—unfathomable sea of phalthos and jasper—and feel dizzy. You'll get lost out there—

just like he says.

As he turns your obsecration over in his head, you wait, supplicant to this man as you rest on your knees. Pretty pet with a golden collar adorned in gems.

Fitting, you find. With his head cradled against his thick knuckles, you can't help but shiver at the way he looks shrouded in the gloaming embers of a fading twilight. Leonine. A king perfectly at ease in this thick, caliginous atmosphere.

His eyes burn, magmatic, in the low light. Vats of endless ink. Black holes that will swallow you whole if you get too close. But he's poised. Contemplative. Assessing.

And then grips the end of the leash tight in his other hand. Tugs.

You obey the wordless command, crawling on your hands and knees to where he's spread out on the recliner. Laxed, dripping with a careless indifference as you wander to him, resting your chin on the spread of his knee.

Looking up, up, at him, waiting. Wanting.

There's so much of him—a fact that has been the catalyst to your downfall the moment you saw him standing under the awning; this massive creature. Thighs wider than the width of your body. Burly forearms. Broad shoulders. He's big. Indomitable. Thick, endlessly so. But there's a give to his body. Valleys of softness hiding corded muscle. Firm, but—

Your fingers sink into the soft give of his belly when you reach out, bracing against stomach. Pulling yourself further into the bracket of his spread thighs, inching closer to him.

He meets your reverent stare, eyes liquid along his lower lash line.

“Thought you were gonna keep me waitin’ all night,” he muses, giving another pull on the leash. It destabilises you. Your nose bumps into his sternum, and you moan at the sting.

There's a dissonance in the back of your head. A hairline fracture in the line that keeps a degree of separation between pleasure and pain. They meet against the crack in the divide, merging into a abysmal polyphony conducted by his hand.

He watches, amused, as you whimper, sniffing harshly against the burn. It's not bleeding, and not broken—small mercies, you suppose—and you let it simmer into a dull ache as you slowly clamber into his lap.

Ghost leans back as you settle, greedily taking in the sight of your thighs stretched wide over his leg, cunt pressed, tight, against the rough scrape of his jeans. The touch burns. He hasn't touched your pussy in weeks—

“C’mon,” he urges, hand spanning the width of your lower back. Coaxing. “Show me ‘ow good you can be.”

It's all the permission you need. Slowly, slowly, your hips start to gyrate, dragging your slit over the coarse material. The friction is agony. You need more—

He draws his other hand up, curls it around your neck, forcing your head back, back. You gasp, staring at him, dizzy, from down the slope of your nose. The clasp of the collar digs into your skin. It hurts. It's too much.

you don't want him to stop.

His hand is huge. It spans the entire length of your neck, thumb to your pulse, pinky grazing the hollow of your throat. It forces you to lift your chin higher just to let him fit.

He likes it, too, you know. His eyes darken as he takes in the sight of his bare hand, scarred and thick; dusted with a cropping of fine hairs along his scabbed knuckles, sitting against the whole of your throat. Swallowing you up. Can feel how much he enjoys the sheer depth between your sizes when his cock twitches, stiffening more

The look on his face is appraising, anatomising. There's a cold measure of distance in his gaze. A barren polynya. You want to cross it. Chart these untamed lands until they're deeply ingrained within your being. Cimmerian effigy burning to keep you warm.

It's survival, you think, and arch into the palm of his hand.

He holds you like a doll. One hand on your lower back, pressing your cunt to thigh. The other tightening around your throat. Bare skin against bare skin, and oh, you could just cry—

But this is not what you need. What you want. And he knows. He always does. Knows the inside of you like it's written down—inked on paper. Thumbs through the makeup of you, chapter by chapter, until no mystery remains.

“Tell me what you need, pet. Beg for it.”

“Let me—” his hands tighten, choking the air from your throat. Crushing your collar against your neck. “Lemme—kiss you, please, please—”

Tighter. Tighter. The world around you swims under a thin ocean. Phosphenes swim, untethered, in your periphery, ghosting along the curve of his shoulders. He might kill you yet. Keeping going, going, until those brittle, bird-like bones in your neck snap—

You'd let him, you think, muscles falling lax. Submissive. Just the way he says he likes even though you know he fucks you harder, touches you more, more, when you act out. Misbehave.

“Kiss me?” He taunts, words abrasive. Strident. Scrubbing hard against your skin. “Ain't that jus’ the sweetest thing I ever ‘eard.”

You burn, blister. “Please—”

“Reckon I ought to. Kissed your pretty cunt ‘fore I even kissed your lips, huh, pet?”

Your chest folds over itself. Stomach knotting. Balling tight. Unease is a razor blade scraping your nerves.

“Simon—”

“Ah, ah—” his hand tightens. Vicious. Chiding. “You ‘aven’t earned the privilege of sayin’ my name, ‘ave you? Cheeky thing. Might ‘ave to take a cane to you next.”

“No, no, no—! I'm—”

“Sorry?” He mocks, cocking his head. Condescension drips from the corners of his eyes.

“Please, sir—”

“Dad is gettin’ tired of this attitude of yours, pet—” his fingers dig into your skin, hard. Biting. A warning, you know. The blunt press of a blade to your jugular. But it thrums along the suture line to your desire, a wellspool of murk coiling low in your guts. You throb, cunt clenching down around nothing. Achingly empty. “Thought we got rid of it this time ‘round. Learned our lesson.”

The words are frank, prosaic. Had you any sense of self still malingering in the back of your head, you might have struck him for the blatant disrespect. But as you struggle to reach for it, pawing around in the vacuous abyss for any fragment of who you were before this, before him, you know—without any doubt—that none exists. Nothing. He’s too ingrained in your marrow, hewn into your skin. Copper sutures holding his filament within you. Cradled between your thighs, nestled in the rotting vacancy of your heart.

He knows you. Every part—

“We did—we did, da—daddy, please—”

It’s shallow. Muffled, like he’s trying to swallow it down, but you feel it rumble through his broad chest. A guttural sound. A groan. Drenched in pleasure, in want. So thick, you could almost taste it.

He hides his need under a layer of derision.

“Such a needy thing, ain't you? Desperate little slag like you wouldn't last out there, would you?”

His hand digs into your hip, pushing you off of his thigh. Eyes skewering into the wet stain on his trousers. A huff spills out—the sound a near perfect mimicry of crushing charcoal in your hand.

“No. You'd be eaten alive. Torn to pieces. World's too big for somethin' like you.”

Mindless, dazed, you nod. Arching into him. The leather leash snaps against your chest. “Yes, yes—”

His cock presses into your thigh, hard, fat. Your mouth waters. Drool dribbles down your chin.

He smells of tinder when he leans in close, blood drenched words biting into your skin. “messy today, aren't you? Be lost without me. Tha’s why you wear a collar, isn't it?”

Pitifully, you nod. Eyes full of tears. Each word is a bludgeon into your resolve. Into your sense of self.

But it earns you his affection, and his thumb presses into the corner of your mouth, unhinging your jaw until it falls open, lax. He holds you like that, mouth lax with his hand still around your neck. The other lifts away from your lips, goes to the thick band around the bridge of his nose, slips inside.

There's no buildup to it. No lingering sense of anticipation. Practical, detached, he merely tugs it down, and lets it snap under his chin.

Your breath is punched out of your lungs at the sight of him. Barefaced. Scarred. His nose is crooked; a jagged hook with scar tissue delineating the spots where it's been broken too many times. His lips are—

Full.

Mangled.

Scars run in thick slashes over them, denting the flesh in places. Burn marks line his pale flesh. Charcoal rubs into his eyes, highlighting the whites of his lashes against smeared soot.

He's—

Pretty.

Like a car crash. Calamity. The broken remains of a town after a hurricane, a tornado, ripped it apart. Ugly, brutal. His face looks like it's been mauled by a bear, a tiger. Scarred and hideous, and—

You shiver. His eyes drop, landing on your own lips. The soot on his brow flutters down, lands on his eyelashes when he lifts his brow up mockingly. Derision curdling an awful smirk on the corner of his mouth. Crooked. Like him. Like his teeth. His nose. His boxy jaw. His lips—

You kiss him.

Can't help yourself, really. There's a pull. Gravitational. Magnetic. You need, need, to taste him. To quench this ache in your jaw that makes you want to wrap your tongue around something, play with it between your teeth. Soft and sweet—

Ghost's lips are plump beneath yours. The thick scar tissue is almost velveteen when it glides over your bottom lip. You moan into it, into the feeling; victory—however pyrrhic—swims like mercury in your veins. Finally.

And he doesn't kiss you back. Doesn't make any effort to reciprocate at all, but he's not tense beneath you. Not stunned. Or reluctant. He’s pliant. Malleable. Agreeable, willing to let you devour his mouth, his taste, as much as you want. Doting. Letting you spoil yourself on him. With him.

Because you need him, don't you?

Like the air you breathe. The food he gives you—apples, always, on rainy days; salmon and rice in a pretty bowl with your name etched into the porcelain—and the attention, the affection—

(suck my cock, pretty girl. don't make me put a gag on you—deeper, you can take it, can't you? take my fat cock all the way up inside your sweet little cunt—my pretty girl—)

—it’s all so divine.

His hands on your body, your throat, spasm. Once. Just once. Against your leg, his cock twitches. Leaks prespend into the demin. You rut against his thigh, aching for it. Whimpering—

And then he's groaning into the kiss, snarling out your name until it wedges between your lungs, syphoned in from his scorching breath. Another brand in the shape of him.

Ghost kisses the same way he eats—messy, sloppy; all teeth and tongue, and full pretty lips. Clumsy, like no one taught him how to properly hold his silverware and he's trying to mock what he saw on television. Brumish. A broken, contemptuous pastiche of sumptuosity. A starving dog, snarling around its plundered morsel. Protective. Possessive.

It coils around you. Thick, smothering.

He sucks your tongue into his mouth, catching it between his teeth. The sting brings tears to the corner of your eyes, and when you pry them open, you find him already staring at you (always, always, always—), lidded. Heavy pools of desire shaded in the brume of a winter dawn. A bonfire flickering in the distance of a whiteout. Sanctuary from the cold—

He seems to catch himself. Expression flickering. Warbling around the edges. It closes off in a blink. He pulls back. Locks into the ashlar veneer of this indifference he wears like a suit of armour.

But you saw it. It was there. Within reach—

“Need me, don't you?” He drawls, timber a needlepoint between cruelty and desire. Sultry, low. Husky. He knows what it does to you. How he can unravel you at the seams with just his voice alone. “Need me so fuckin’ much, pet. Would be lost without me—”

“Please, Simon,” you whisper, feather-soft. Cunt throbbing, pulsing. Needy. “Please—”

The strident reprimand for using his name doesn't come. His hand tightens around your throat, unconscious. A paroxysm that has pleasure carving itself down your spine, electric.

“Come get it, then,” he rasps, voice wrecked. Raw. Curling at the edges, thickening his accent until the words elide.

Hand to your throat, he drags you close. Closer still. Keeps you sat pretty on his lap as he pulls you in for a bruising, hungry kiss. Tongue shoving between your teeth when you gasp.

His kisses are always hungry, but this is different. Greedy. He devours you whole. Eats you alive. His hand falls to your lower back, holding you tight to his chest.

You moan into it, fingers digging into the fabric of his shirt. Squeezing until your knuckles blanche, joints twinging in discomfort.

After months of nothing, this alone is bliss. His taste soaking onto your tongue, drenching it in the bitter tang of sage, wheatgrass, and stale cigarettes. Intoxicating. It leaks into you, nocuous. Infects from the inside out.

His plan coming to fruition, you think. What he sought out to do all along, ever since you wandered close to this untameable Tartarean guard, and offered yourself up to the jowls of a starving beast.

He pulls away with a heavy breath, eyes charing around the edges; brittle briquette.

“Gonna be a good girl from now on? Come upstairs, be a good mum for dad? Or am I gonna ‘ave to cane this—” his hand drops, grabbing a fistful of your ass in his hand, fingers digging into the skin between your cheeks. Possessive. It cracks like a whip down your nerves. “—tight lit’le arse?”

You shake your head instantly. Quickly. “I'll be good,” you whisper into his chin, tongue flicking out to lick across his scars. The dried sweat on his skin tastes briny. Reminds you of the ocean on a brumous November evening. The incipient yawn of a ravenous hurricane gathering its lot on the shore.

Sirens blare in the distance. Fear curdles in your guts, sits heavy like a stone. An anchor.

“So sweet f’me,” he mutters, words deepening as his head falls back, letting you pepper kisses across the underside of his jaw. Mouthing along the constellation of scars. His voice is rumble. It shivers across your lips, tongue. Shakes the marrow in your bones. “Better stay this way, pet.”

Into his pulse, you murmur, “I think you like it better when I’m bad.”

You can feel the snarl brimming in the back of his throat. Your ass stings with the phantom burn of when he lashed out with the whip. It drags a whimper out from deep within your chest.

His hand tightens around your neck. A warning. “Got some guests over f’dinner tonight. Would love to finally introduce them to my sweet little wife—” deft fingers slip across the dewy skin of your folds, knuckles grazing over your drenched hole. The touch makes you squirm. “But if you’re gonna be bad, then I’ll leave you locked up down ‘ere.”

“I’ll be good,” you swear, words a hushed breath over his jugular. His finger flattens, drawls soft, slow circles around your clit. “Ah, I’ll—I’ll be so, so good, Simon—”

“Good girls deserve rewards, don’t they?” His palm flexes possessively around your throat when you nip at old scar tissue. “Maybe I’ll let you sleep in our bed tonight instead of in your dog house. We can ‘ouse together. I’ll fuck you proper—” he roughly shoves two fingers into your hole, leering when you gasp, back arching in a bow. “Know this pretty pussy has been achin’ for me, ‘asn’t it? Gonna breed it full—”

There’s static in your head, ringing in your ear. The noise distorted, pulled underwater. You think you say something, plead—no, no, no, anything but that—but his hand tightens around your throat, fingers pushing up, up into you, notching against that spot inside that makes your head swim, your vision flicker. The abyssal chasm inside of you aches, rages; its waters swell, currents frothing, slamming against the ceiling of its iron prison, and—

Simon pulls away. Fingers stilling inside of you. No friction, no relief. Hypoxia renders the world silent. Muted. Held in stasis, stagnating at the edge of a gaping precipice he holds you over, secured by the fragile curve of your neck, fine bone china.

Phosphenes swim by. The chossy wobbles.

This distance is agony. You need to be closer, closer, to crawl inside of him, to live in the brackets of his ribs, safe and protected from the world he warns you about. Stone cold. You mewl, whine—

“Gonna be my good little wife?”

Gasping with broken lungs, you nod. Nod, nod until you’re nauseous. Dizzy. Sick—

His spit cools on your lip. Your hackles raise, body shuddering in revulsion—some primal part rears, hisses it’s infectious. Wrong. Get rid of it—

“Not gonna run?”

Slowly, you lick your lips, catching his sickness on your tongue. Swallowing it down until it sinks like a stone to the bottom of your belly. Heavy, for such a small, damning thing.

How absurd, you think. How absolutely mad.

Then you whisper, paperthin, “kiss me again, please, Simon—”

And he moves. Liquid in the gloam. Made more for shadows, midnight, than for golden apricity, where the light is harsh on his face, unveiling ruins and ravines; monoliths meant to be paid tribute to in the dark. Your hands lift to his jaw when he moves in, catching your lips in a bruising, biting kiss.

His touch is searing. Owning. He isn't laying claim: no, you're already his.

It's possessive and angry. No finesse. All slate teeth and tender tongue. They slide together in a strange game; little fawn stupidly nipping at the tiger's heel. He lets you, groaning into your mouth when you arch back, hips pushing into his fingers, taking him deeper. A pale pantomime of what's to come when he lays you on his soft bed, sweet and divine, and buries himself deep.

It should scare you. Ought to. And maybe it does. Survival, you think, but you still pull him closer. Deeper. Because it’s bliss, you find. The world around you falling dead. Silent. Pulled into a vacuum. Teetering on the edge of a black hole, event horizon. He drags you in.

Simon hums, pulling you closer. Touching you—soft, sweet. Palms a gyve. Shackles, chains. His fingers lift from your neck, trailing down the slope of your throat until he reaches the golden loop of your collar's hook. His gaze glides, magmatic, down to where your leash dangles between your heaving breasts.

It's almost tender when he grabs it into his fist. When he pulls, pulls—

Your back arching. His fingers slipping deeper inside your cunt. Obedient little doll.

When he lifts his eyes, the look you find is hot enough to char bone. You taste blood in the back of your throat—

Into the seam of your mouth, he purrs, “good girl.”

—and you swallow it down with a moan.

(after all, you know better than to run from starving dogs—)

#when your kidnapper is mean and rude as hell but you've been dtf since day one: the manifesto #simon riley x reader #ghost x reader #i forget where i put peoples hands sometimes and then have to go back and remind myself where everyone's at lmao #hope you enjoyedddddddddddd #i'm gonna go pour myself a glass of bleach bye #simon ghost x reader #simon ghost riley x reader #cod #ghost #simon ghost riley #simon riley x you #ghost x you

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samandcolbyownme · 2 days

Text

Summary: After years of being split apart from your group, due to being taken and relocated by the Saviors, you run in to not only one familiar face, but specifically, the one you were searching for this whole time.

Warnings: strong language, apocalypse setting, swearing, mentions of knives, guns, bows, other weapons, mentions of killing (both humans and zombies), some descriptive text, reader gets taken by the saviors, mentions of scars, fighting, AGE GAP - friends to lovers, reader likes Daryl, Daryl hides the fact that he likes reader, some flirting, nothing too spicy lol

Word count: 4.9k | not edited also my first Daryl fic so be nice :)

A/N - I’m writing this for me, yes, but I’m also this for the ones who have a problem, I mean… are attracted to men old enough to be their father, so please do NOT read if age gap relationships make you uncomfortable! This also is more or less my version of the walking dead, the group meets Negan, but not like in the show.

ＦＩＶＥ • ＹＥＡＲＳ • ＡＧＯ

There was no denying that you were Daryl’s favorite person to go on runs with, anyone that just showed up could tell you that.

You were fast. Efficient. Very get in and get out type of girl. You didn’t fuck around, and Daryl loved that - but he’d never tell you that himself.

He also swore to never tell you that he wanted you around him because you made him happy in ways that he didn’t really like to talk about.

You were like a breath of fresh air to him, you picked up what he liked and what he didn’t like almost right away, you were one of the very few people that he didn’t get tired of being around all the time, hence why you join him every time he goes on a run.

He wasn’t much of a talker, the very first two runs together, you got a few mumbles out of him, mainly telling you where to go and when to look out.

But, that was until your third run of many run with Daryl. It would be silent, and he would almost scare you with just talking outright.

It wasn’t more than a, ‘how’s your day?’

Or maybe a, ‘ya sleep last night? Y’look tired’

You would always give him a quick, straight to the point response, ‘tossed and turned all night, might need a new blanket or somethin’

Or you would tease him slightly with something along the lines of, ‘Days better now that I’m out runnin’ around with my bestie.’

He says he hated when you called him that, but he would always chuckle and try to hide his smile by pointing out something ahead.

You would go with it, rolling your eyes subtly before you squint, “Daryl, I think you’re seeing things.” You look over at him, “or you’re just scared to talk to me.”

He’d scoff, “Ain’t scared of nothin’, darlin’.”

All you could do was smile and look away, mainly to hide the red on your cheeks from being spotted.

It really wasn’t that Daryl was scared, it was just, as slightly embarrassing as he thinks, he didn’t know how to talk to you.

He would always try to remind himself that you aren’t this delicate little flower, you can handle yourself. If you couldn’t, he would have never stumbled upon you.

You both would keep moving, not really stopping unless a walker or something came out of the tree line. The more runs you added to the list, the more you realized that you were patient enough to wait on him.

You really did have all the time in the world.

Were you also young and twenty one years old? Sure. But in this world, you’d always like to think, What’s it matter, really?

You had to roll with what you found, and you got lucky that day Daryl found you under a fallen tree - long story short, he helped you out and as soon as he knew your name, he couldn’t help but want to bring you home with him.

And that’s what he did.

Daryl has also spoken, well, more or less make comments to Rick about the girl from the woods. He’d beat around the bush as his eyes followed you across the way, watching as Carol showed you around, “y’know that girl I brought in?”

Rock would nod, “Y/n?”

A smirk would play sure Daryl’s lips as he replays you taking out two walkers at the same time, “Little young, though. Ain’t she?”

Rick shook his head, giving Daryl’s shoulder a squeeze as he stood up, “You deserve what ever makes you happy, Daryl. We make our own rules now.”

——

“There was a convenient store on the corner of one of these roads.” You look at Daryl then glancing behind you, “I figured.. if we don’t find it today.” You glance back and then forward, “We can try and hit it another day.”

“Would ya stop fuckin’ doin’ that?” He looks behind you and then at you, “really freakin’ me out today, y/n. What’s goin’ on with ya?”

“Sorry.” You sigh, shaking your head, “I just have this really weird feeling like we should have just stayed back today.”

“You wanna go back?” Daryl stops as you take a few steps ahead before turning around. He nods back, “We’re not that far away, if y’feel safer goin’ back-“

“I’m not letting you go out there alone.”

“I’m not goin’ back.” Daryl was stubborn, but so were you, “Then so am I.”

He scoffs quietly, shaking his head as he nudges you with his elbow, indicating you to walk with him. You turn, staying a little bit closer to Daryl as you make your way down the road.

About an hour away, you stand up from the last of the boxes in a semi fallen down shed, “Nothing.” You turn to Daryl and he shakes his head, “Got the same over here.”

“No where?” You look around the room and he shrugs, “should prolly just head back, it’s gonna get dark here soon.”

The weird feeling you had from earlier returns and you sigh, “Not to be annoying, but I can’t shake this feeling.”

Daryl clenches his jaw, “Alright, it’s alright.” He picks up his crossbow, “C’mon now.”

It’s the way Daryl makes your heart warm with the simple, nonchalant ways he makes sure you’re okay, trying to make sure you’re calm without actually letting you know that that is what he’s doing, but you know.

You’ve come to know Daryl better than anyone in the few short months you’ve been at Alexandria.

“Did somethin’ happen or, what?” Daryl asks as he glances over at you, trying to keep up with your slightly faster pace.

You shrug, “I just feel like something is going to happen, Daryl.” You look over at him, “Something bad.”

——

Your feeling was proven to be worth something because the moment you entered through the gates, you were gunned down, Daryl, too.

“Gimme your guns.” A tall man says in a sing-songy tone as he bends down, looking you right in your face, “And your cross bow.” He looks over to Daryl and Daryl wasn’t going to give it up without a fight.

The man stands up, walking over to lean down in Daryl’s face, “Now.”

“Y/n. Do it.” Rick says catching your attention. Only your eyes move towards Rick, hands up as a gun is pointed right next to his temple, “Daryl. You, too.”

“I’d listen to your boss man, alright. I don’t feel like killing anyone today, which is..” the man tilts his head, scratching at his temple, “Odd, but anyone. Consider this your one time act of kindness because I can promise you, from here on out, ain’t gonna be purdy.”

You tilt your head, taking your gun from your shoulder and laying it down. You take your pistol and set it down next to the rifle, “That’s all I have.”

“Mm.” The man tilts his head, “I don’t believe you.” He grips your bicep hard, causing you to yelp as he yanks you forward and onto your feet.

“Let her fuckin’ go!” Daryl yells, and you know he’s already trying to get up, but the moment you get to look back, there’s a gun in his face, blocking his view of you.

You’re thrown up against the side of the old and dusty moving truck, groaning as your head ricochetes off the side with a thump, “Fuck, ow!”

You bring your hand up, pulling it away to see red when you feel a wetness on your skin.

“You mother fu-“ Daryl starts to yell, but the man puts a gun to your temple, “I’m just trying to do my job, now shut the fuck up or I’ll really give you something to fucking yell about.”

You keep your eyes on Daryl, watching as his eyes quickly move between you and the man holding you hostage.

“I’ll keep it professional.” He taps your shoulder, “Arat. Come check her for weapons.”

You were scared shitless.

You didn’t want to die, or anyone else to die.

Who are these people, you thought as the woman behind you slid her hands roughly over your body, “Simon. This is her.”

You head shot up as Simon, supposedly, laughs, “No fucking way.” He steps back, “Negan is going to love this.”

“Who’s Negan?” Rick asks and Simon turns around slowly to look at Rick, arms spreading out to his sides slowly, “We’re all Negan.”

Simon points to you with his thumb, “Load her up.”

The uproar that happens within your people is instant and there’s a shot fired into the air, making you flinch.

“That’s e-fuckin’-nuff.” Simon yells, “The girl is coming with us, and there’s-“ he raises his voice, “Nothing you can do about it.”

He walks you back to the truck, motioning with his gun for you to get in.

You take one last look at Daryl before you start to get in, heading Simon chuckle as he sighs, “Maybe you’ll see her again, maybe you won’t. We’ll be back with more orders. Until then, stay the fuck here or more we will kill your beloved.. whatever she is to you.”

Simon looks at Daryl, “You got that Robin Hood?”

Daryl holds his heated stare onto him and that’s the last thing you see before the door shuts.

——

“Well, well, fuckin’ well. What do we have here?” A deep voice boasts from behind you. You wiggle your wrists and close your eyes, feeling a presence move around you to your front.

You open your eyes and you’re met with a rugged dude in a leather jacket, a baseball bat that’s wrapped in barbed wire tightly secured in his fist, “You must be the girl who knows her way around those dead fucks out there.”

“What are you talking about?” You look up, eyes meeting the tall, older man and he just chuckles, “A few of my men saw you take on a group, I dunno, five or six deep..” he points to you with each word, “..All. on. your. own.”

You shrug, “I’ve been out there a while.”

“And how longs a while, sweetheart?” The man asks, squatting down in front of you.

“Two years with a group, three on my own.” You say quietly, your brain reminding you about the night had no other choice but to go off on your own.

“Holy shit.” The man shakes his head, “You hearin’ this shit, Simon?”

“Arat said it was her. I can get Gavin to confirm, too.” Simon answers and the man nods, standing up to pull a chair over in front of you, “If I untie you, you promise you’ll play nice?”

You were disgusted. You wanted to go home.

You wanted Daryl. You wanted Daryl more than anything.

You nod, hands gripping the arm rests as his knife slides between your skin and the rope, flicking the blade upward to get it to cut open.

He repeats it to the other side and leans back, “You seem like you have a pretty name.” He tilts his head, fingers rubbing over the stubble on his chin, “Do you have a pretty name, sweetheart?”

“Y/n.”

“Y/n.” The man repeats in a whisper, “Damn. That is pretty.” He shakes his head, smirking as his eyes take in your, very nervous figure sitting in the chair, “Look.”

The man leans forward, “I’ll tell you this, alright.” You keep your eyes off of him, which seemed to upset him. His voice grew louder and his hand reached up to tightly grip your chin, “Look. At. Me. When I am talking to you.”

You force your eyes to his and he picks up speaking where he stopped, “You’re a little spit fire out there, okay. Which mean, you’re a delicacy to your little asshole groupies back at that shithole, what was it called? Alex- some for bullshit?”

“Alexandria.” You mumble out, keeping your eyes on his. He tilts his head back, his hand still gripping your chin, “Oh, oh. Right. Yes. Alexandria.”

The door behind you opens and the man drops his hand, “Gavin, my man. I need you to tell me if this is the girl you say in the woods a few weeks ago.”

The man stands up, spinning the chair around for, presumed, Gavin to see you. His eyes move over your body, “Does she have a tattoo or some sort of mark on the back of her left arm?”

Fuck. Fuck. Fuck.

“When she lifted her arm, it-“

“Lift your arm for me, sweetheart.” The man spins you towards him and you have no other choice but to oblige, you strongly feel that the other choice is death, which you can not allow to happen now.

You pull your shirt sleeve up and the man scoffs, “Bing-fucking-o.” The man shakes his head, “Get a team together, we’re going to meet the people of Alexandria earlier than expected.”

He looks to you, “Take her up to a room. A good room. She hasn’t done anything to not deserve it yet.” He winks at you and you look down as you feel a hand grab your bicep to lift you to your feet.

“Do you have any questions for me?”

You stop, turning to look at the man with the baseball bat resting on his shoulder, “Who are you?”

“Oh, sweetheart.” He walks over, tilting his head as he looks down at you, “I’m Negan.”

——

Your first day here was scary. You cried yourself to sleep, worried both about Daryl and the rest of Alexandria.

By the next morning, You were itching to get out, constantly looking for a way to escape, but they had so many people, no matter where you looked, you had eyes on you at all times.

To your surprise, the last week you spent with what you heard them call themselves, The Saviors, wasn’t in a stone cell like you pictured them doing the second you left that room on the first day.

You really didn’t know why.

You kill zombies, big deal. Doesn’t everyone else on this fucked up planet?

“Come with me, honey pie.” Simon says as he pulls you along with him, “Your time to shine.”

You’re taken outside, squinting at the brightness of the sun shining down from above. You couldn’t help but take a deep breathe, it’s the first time you’ve been outside in days.

“Get in and scoot over.” Simon commands and you climb up into the truck, your eyes meeting Negan’s as he steps up to sit into the passengers seat.

You don’t say a word to him. You just face forward as Simon smooshes you between him and Negan as he closes the door.

“So you and Robin Hood, huh?” Simon asks, referring to Daryl. You shake your head in response.

“Listen, sweetie. One thing we do around here, is answer people questions, with the words we learned how to speak. Got it?”

“Yes sir.” You say, clearing your throat, “No, me and.. Robin Hood are not a thing.”

“Seems to care about you like he does. You catch onto that Negan? The way he wanted to rip your throat out yesterday?” Simon chuckles, “Aw the look in his, man. I tell you what though, if looks could kill, you would have been dead.”

“Gonna have to take more than a nasty look to kill me.” Negan chuckles deeply, “Oh looky here.” He points, looking over at you as he sings, “honey.. we’re home.”

Your heart was racing as you seen Rosita motion to open the gate.

You watch her face shift into a shocked look when she caught glimpse of you through the windshield.

As you drive in, coming to a stop, you already see Daryl, front and center with Rick.

“C’mon.” Simon motions to you and you slide over, allowing him to help you down before you follow him around the truck. He pulls you closer to him, the click sending a shiver down your spine.

“Alright. Here’s the deal. You all want your badass, Duffy the zombie slayer black, but I don’t know.” Negan glances back at you, “She could be useful to me.”

You see Rick tighten his grip on Daryl’s vest and you send him a loving look.

“That thought didn’t even cross my mind, but you know what, how about this, If you want y/n back, give us half of your food today, and I want, we’ll make it easy.. ten guns by next week.”

“T-ten guns?” Rick asks baffled, “by next week? Negan that’s.. don’t you think that’s a little impossible?”

“Fine, make it fifteen by Friday, or you can say goodbye to the only chance you all actually have at surviving.” Negan points to you, “As you can she, she’s alive and well, now.”

Negan motions to the truck, “Let’s go.”

You shake your head and Simon grabs your arm roughly and you pull back, letting your fear get the best of you, “No, please. Nono, please no! No!”

Your pleads only set everyone on your side off, yelling and trying to push past the wall of Saviors.

Knives are drawn and you’re held to Negan’s chest, “Listen here! I make the rules. I have something you want and now, you’re going to go off and fuckin’ get me what I want. I’m done negotiating.”

“Negan, please. Just let y/n stay an I pro-“

Negan cuts Rick off, “You promise what, Rick? Huh? You already doubted yourselves with getting ten-“ He gasps, “Sorry, I mean fifteen by next Friday.”

He laughs, shaking his head, sighing as he brings his bat, Lucille, next for your face, “what makes you think you can handle the load of getting this thing here back.”

Daryl’s eyes squint as Negan calls you, this thing.

You swallow, glancing around.

You can take on six walkers, but not this many saviors, the walkers didn’t have rifles pointed at the people you’ve come to love and care for.

“Why are-“ Negan scoffs, “Why are we even still discussing this? You know what. Fine.” He pushes you to the back of the truck and you stumble, silently begging for help.

“If you’re going to cause this big of a fuss instead of just doing as I say..” Negan looks at you, “Then no one can.”

He shrugs, pointing Lucille at the open back, “Get in, or I kill someone.”

——

ＰＲＥＳＥＮＴ • ＤＡＹ

You held your breath as you pushed your back up against the tree, waiting for the stray walker to move past you, knife at the ready just in case.

You slip around the tree, opposite way from the dead before you continue your journey through the woods.

It’s been, almost five years since you were left stranded in the middle of god knows where by Negan and his Saviors.

You weren’t even sure if they were still a thing or not, but jokes on them, you’re still alive.

And you’re full of fight.

You stopped at the river, bending down to feel the cool water on your fingertips. You’ve been walking all day, and you just needed to take a second.

You look up, taking in the scenery for a few moments before it all starts to becomes, familiar.

You stand up, looking around as your heart starts to pound. You shake your head, laughing slightly as you bend down to grab your bag.

If this is the river you were thinking of, then this river runs directly past your grandfathers cabin, and you can only hope that if Daryl was alive and out there looking for you, that he comes this way.

He should know about this, you stumbled upon it while on a run the one day. You remember about it, but all you knew was that it was next to the river that looked really pretty when the sun was setting, and it still does.

You only had about two hours of sunlight left, and you didn’t know how far you had to go yet, or even if you were going in the right direction.

If this cabin was here, maybe you could finally get a decent nights sleep, that is if it isn’t destroyed by walkers and the storms that plow through.

“I’m going to go get some more firewood.” A woman’s voice sounds through the trees. You stop, moving, furrowing your brows as you try and listen, but she’s already moving, walking away from the small building.

Your cabin.

You feel like you could throw up.

You turn around, trying to see if you can get a glimpse of who she was talking, too, but nothing.

“Raise your hands and turn around slowly.”

You whip around, catching her off guard before her face settles, “Holy shit.” Carol laughs slightly, “Daryl is going to lose his mind.”

She pulls you into a hug and you hear her sniffle, “oh my god, look at you.” She leans back, hands sliding over your hand and down your face, “You grew up.”

You smile slightly, your mind going back to who’s in the cabin, “Is he in there?”

“Every chance he got.” She shakes her head, “So much has happened.” You see the pain in her eyes but you opt to keep things happy right now, “we can talk later. I want to see Daryl first.”

She nods, brushing hair from your face, “Im so happy you found your way back.”

“It was hell, but right now, totally worth it.” You take a deep breath, “You go in first.”

She nods, walking a head of you as she leads you back towards the cabin, “Hey Daryl.” Carol calls as she smaller back at you, “I found something that you’re going to want to see.”

You stand by the fire, the glow illuminates you as you stand there waiting to see his face for the very first time in five years.

The feelings you had, never went away.

“What’d ya fi-“ His face falls and his arms go limp by his sides as he shakes his head, “No fuckin’ way.”

Tears well up in your eyes as Daryl slowly steps down off the porch, “No fuckin’ way.” He looks at Carol and back to you before quickly making his way over to you.

“Where the hell ya been?” He grabs you, pulling you into his chest tight, “I thought you were dead, I-.” He leans back, looking over your slightly older looks.

“Negan told us that he watched you get attacked by walkers.” Carol chimes in, finishing what Daryl couldn’t, “He brought back your necklace, there was blood on it.. we didn’t..”

You keep your hands on Daryl, your fingers moving under the sleeve of his jacket, “Negan snapped that necklace off my neck before they dumped me in the middle of nowhere.”

Daryl scoffs, pulling you closer to rest his chin on your head. Carol smiles as she watches the affectionate radiate off of him.

“They drove me way past the city, too. I don’t know. I’m pretty sure they drugged me or something because I was out for most of the trip.”

You feel Daryl’s grip tighten with your words and you shake your head, laying a hand on his bicep, “So much happened.”

You think back to all the stuff you had to do just to make it back to here, cringing at yourself.

“Ya hungry?” Daryl asks changing the subject and you nod, “Starving.”

——

Since the minute you found them, Daryl hasn’t left your side, and Dog right by his.

You were able to handle the news of the deaths and destruction among your group and homes, it hurt to hear, but it’s better that you know how than walking in expecting everything to be all sunshine and rainbows.

ou cried, but there was one question you needed the answer to.

“Are the Savior’s gone?” You looked up at Carol as she looks to Daryl. Your attention moves to him and he nods, “Ah, yeah. Yeah. But..”

“What?”

“Negan is at Alexandria.”

You’re on your feet, “What.”

“It’s only tem-“

You turn, walking away from Carol as she tries to explain, but you walk over to a tree, pressing your hand into it.

As you take a few deep breathes, you feel someone walking up to you, “I just need a minute.” You tilt your head, closing your eyes as you swallow the feeling of wanting to puke away.

“S’alot to process.” Daryl mumbles, unsure of what to do, “Take your time.”

Do you resent him now?

Are you going to leave again?

He wanted you to know everything, but he wouldn’t have if that meant you leaving again.

“Daryl?” You wave your hand in front of his face and he blinks, “Sorry I just..” he shakes his head, “please don’t leave me again.”

“Leave you again?” You laugh slightly, letting out a sigh, “Why would you think that I’d leave you? I’ve been looking for you.”

“I haven’t stopped. I came here because I-“

You smirk slightly, “Because you actually paid attention to your bestie?”

He gives you a small smirk, shoulders heaving as he laughs ever so slightly, “You’ve changed..” Daryl brushes his hand over your hair, his thumb gently brushing over your face, His brows furrow, “when did you get this?”

His finger brushes over the scar on your top lip, “Did someone do this t’you?”

“One of those assholes that pushed me out of the car, hit my face on a rock.” You shake your head, “It’s just a scar, Daryl.”

Which was one of many you have received.

“Sorry I-“

“Don’t. Don’t do that.” You shake your head, “What happened to me wasn’t your fault, okay.”

All he does is nod but you frown slightly, “Have I ever told you that I liked you?”

“I don’t think you’d come on runs with me if ya didn’t.” Daryl looks at you and you tilt your head, “No, like..” you bite your lip and sigh.

He laughs slightly, “M’old enough to be your daddy, y/n.” You smirk up at him, getting ready to say something but he pulls you towards him, “Watch out.”

Natural instinct, you have your knife in your hand within a second and you both swing around, the blades of your knives entering the dead’s skull in unison.

You look at the knives and back to Daryl, “Either way I look at it.” You pull your knife from the walker, “You and I will always have unfinished business to take care of.”

Daryl shakes his head as he withdrawals his knife, “You think?”

You lay your hand on his chest, “I know.”

You couldn’t let yourself feel what you’ve pushed through, but both Carol and Daryl can see that.

“Hi, boy.” You bend down to pet Dog, your shirt riding up to reveal a slightly bigger scar than on your lip. Daryl’s eyes fixate on it right away and he clenches his jaw.

Before he can ask, you stand up, “You fix up everything?”

“Yeah, go take a look.” Daryl sniffles and walks towards Carol as you walk into the cabin. Memories of growing up here flood through, almost breaking that barrier until Dog pushes between your legs, whining as he trots in.

“Do you need anything?” Carol asks walking up beside you. You shake your head, hesitating to look over at her at first, “No, no. I’m good.”

“We can head back to Alexandria in the morning.” She rubs your back, “It’s really good to have you back.”

You smile, nodding, “It’s really nice to not be alone.”

“What happened out there?”

You shake your head sluggishly, “I don’t-“

“Okay.” She says quickly as Daryl walks in. You look up at him, “I think I’m going to go lay down.” You walk over to where your bag is and sit down.

You bring your knees to your chest, eyes focusing on Dog as he glows in the light of the fire.

A few moments later, Daryl’s footsteps move closer to you. He stays silent as he moves to sit next to you. He brings his arm out, laying it around your back as he pulls you into his side.

You immediately fall into him, your head on his chest, arm around his torso. He inches back, just enough to lean against the wall for support.

Daryl looked down at you, gently playing with strands of your now long hair, it was just a little past your shoulders when you were separated.

You lost weight from having to scavenge for any food that was safe to eat.

He knew what you went through was tormenting you, he just wanted you to know that you aren’t alone.

“Look at me, y/n.”

You roll over into your back, head in his lap as you stare up at him.

“When you’re ready to tell someone, m’here f’ya.”

You close your eyes as his hand strokes over your hair. You haven’t felt this safe in a while, so you were just trying to soak it all in without having to worry every single second of the day and most nights.

“I love you.” Daryl whispers, “Should’ve told you that years ago.”

“It’s about time you say those words to me, Daryl Dixon.” You sit up, keeping your chest on his arm as you lean in, “I love you.”

——

I started to hate this towards the end but I NEEDED to get this off of my chest. I hope you enjoyed. As always, I love you so much. Thank you for reading! 🖤

likes and reblogs are majorly appreciated!

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put-me-through-the-wall · 3 days

Text

Girl Next Door- Pt. 2

Simon 'Ghost' Riley x reader

Word count: 3k

Summary: Simon finally accept your offer for dinner. Did you mention you can cook?

A/N: I was a little slow on this but the idea of them getting close was stressing me out, okay? Also my MIL was in town and I couldn't get in the groove. All the support so far is amazing, thank you guys so much! If y'all like it there will be more to come. Warning: still slow burning

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Part I

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Simon sits across from you at your tiny dining table pressed against the wall of your cramped kitchen. You managed to lure him in with a fairly nice bottle of unopened scotch you found in the back of your cabinet that had potentially fallen into one of your own boxes when moving from your ex's house.

He looks around your quaint little one bedroom apartment. It was a lot different than his own. The literal layout was the same. No extra rooms or walls but you’d done something different in here. The whole space had a cozy feeling to it. Every surface was decorated with useless gadgets and trinkets that he didn't understand the purpose of. Lots of blankets, pillows, soft things. You had music quietly playing through your TV speakers in the living room. A few lamps fill the dim room creating a subtle yellow glow that hits the high points of your face, softening your tired features.

"Do you think there's something wrong with me?" you suddenly blurt out.

"S'cuse me?" Simon asks, caught off guard by the question.

"Lately I've been feeling like there's something inside of me that attracts horrible guys. Like, is there a beacon coming out my head that says 'hey, come over here. I'm vulnerable and easy'."

Simon pauses, unsure how to respond. He watches your face closely. You're sad eyes looking to him for an answer he doesn't have. "I think you're...nice," but he has a feeling that's not what you wanted to hear.

"nice?" You let out a humorless laugh. "Maybe that's the problem. Nice must translate to doormat," You sigh and drop your head into your hands.

Simon takes a sip of his drink. He's growing concerned this is entering too friendly territory. Then you pop your head back up.

"So, how much did you hear?"

"Not much"

"Yeah right," You toss him a coy smile. “Can I tell you what happened?”

“Sure,”

“Alright, so” you take a sip of your own drink and a deep breath before recounting your story. "I met him at work. He was really nice and offered to pick me up a coffee on his way in one day. I haven’t made any friends at work yet so it was nice just to chat over a coffee. Then we started having lunch together. Nothing serious just in the break room but it felt good to hear about something other than notes from my editor. I wasn’t looking for anything serious, I mean I moved here to focus on myself not continue dating more crappy guys. So of course he started texting me and he was really sweet. He complimented my outfits and thought all my jokes were hilarious apparently. I really wasn’t trying to get involved with this guy though. He said something about hearing I can cook and of course I said I do. It’s part of my job, duh. He’s giving my shit about it so I invited him over for dinner. I made this creamy potato gnocchi with Italian sausage that I got from that great butcher on the corner. I even hand rolled the gnocchi. I mean, who wouldn't kill for an authentic Italian meal?"

"He's sounds like some guy"

"Not really, I was testing out a new recipe for the column so, two birds one stone. Anyways, he comes up and we have some wine and listen to some music. It was going really well so far. Then I go to bring out a nice charcuterie board for an appetizer while the pasta finishes baking. While I'm bringing it to him I can see he's on his phone, texting someone and literally giggling. I walk up behind him and he is sexting. On my couch!" you throw you hands up incredulously. "Well, I thought he was. He’s looking at a picture of some girl bent over then I realize it’s me. He took a picture of my ass, while I was making him dinner. I couldn't fucking believe it. What kind of a scumbag does that to a woman preparing a fucking meal for him? Now, this is not something I'm proud of so let the record show this is very out of character for me but these were extraordinary circumstances. So, I dropped the fig chutney on his head. Right in his stupid quaffed hair. He jumps up and he's all mad and starts yelling and I'm yelling back. He calls me a crazy bitch then I call him a perv. After that he left." you conclude with a shrug.

"Wow" Simon responds, truly taken aback by the series of events.

"Yeah, then you know the rest from there. I don't know what came over me. I guess after my last breakup I haven't felt very good about myself and this guy made me feel, I don't know- fun? That feels silly to say. I should’ve known better from a guy that works the celebrity gossip section. I probably looked like a big baby out there, how dramatic. I'm sorry about that, again."

"You don't need to apologize."

"After I moved here I thought things would be different. I thought guys in the city were classier I guess. Turns out all guys are the same. Just take what they want and go. Do you want another drink?" You point to his now empty glass.

"Sure." You snag his cup and stand. He watches you walk over to the counter in your silky slip dress. The sleek fabric clings to your waist. Flaring around your hips and down your thighs. The warm light reflects on the shiny material, shifting with each step you take. It tightens perfectly about your waist and cinched with a neat little bow in the back. He wonders why you would wear a dress like that for this guy.

"So, do you date?" you question in a seemingly casual tone.

"No"

"Yeah right," you laugh and look over your shoulder to see his stoney expression and your smile fades. "Oh, sorry, I just- I find that hard to believe."

"Why is that?" He tilts his head and you focus back on filling his glass.

"It's just, you're a good looking guy. I would think you'd get plenty of female attention," You pivot back around and place the glass before him. You lean on the table with one hand and prop the other on your waist.

"'M not interested," his gaze stays fixed on the brown liquid, grabbing it and taking another sip. He doesn't miss the way you deflated the slightest bit.

"Maybe I should take a page out of your book, as in maybe swearing off men completely" The oven timer dings. "Oh! pasta!" You jump over and grab your oven mitts. You drop the oven door and slide out the sizzling dish. An aroma of cheese and basil fills the air. Your stomach audibly growls.

You pull down two plates from your cabinet. You serve up the steaming pasta, sprinkling parmesan and fresh chopped herbs for garnish. You proudly carry over the two dishes and place them carefully on the table. You place your hands on your hips while gazing down at the platter.

"This looks...great." Simon is truly taken aback by the incredible looking dish.

"Wait, don't eat yet. Let me get a picture." You scamper into your living room, grabbing your phone off the coffee table and scurrying back. You hold your phone high above for a birds eye view. Simon scoots his chair back to avoid the gaze of the lens. The camera clicks with a flash. You examine the photo, seeming satisfied with the quality and finally taking a seat in your own chair. "It was okay if you were in the picture. I don't mind."

"I do," he says simply.

To anyone else, Simon comes off as rude or callous but you, you never seem to let his shortness affect you. You take his words and just keep going. You don't mind his lack of conversation. It seems you are totally satisfied with having someone there to listen. He was starting to think he didn't mind listening so much.

"Oh," You shift uncomfortably in your chair. "Sorry then. Well, let me know what you think. Try to be detailed with your feelings about it if you can. You're my guinea pig and be honest. I don't want to put this out when it's garbage."

He proceeds to take a forkful in his mouth. He cannot control the groan that escapes his throat as the bold flavor hits his tongue. This is far cry from his usual take away food. He can't remember the last time he had a home cooked meal now that he thinks about it.

"This is quite good." He grumbled between bites. Not caring to finish chewing before he's stabbing at the pasta on the plate once again.

"Really? You don't need to be nice to spare my feelings. I don't mind criticism."

He shoves more in his mouth. "I’m serious"

"Thank you" You giggle watching him scarf down the still steaming hot meal.

The two of you finish your respective plates without much more conversation to be had. On your last few bites you meet Simon's eyes as he reclines back in the creaky wooden chair, hands laying across his stomach. His head tips back with a satisfied grumble making a proud smile play across your lips. This may be the first time you've seen him express a true human emotion in your presence.

"There's more if you want?"

"No, I'm stuffed."

If you know one thing as a part time chef, food is the way to a man's heart. You knew if Simon tasted what you could make his ice exterior would melt away. You stand up and walk to the fridge.

"Too stuffed for dessert?" you pull out a glass bowl filled with layers of custard, strawberries, cake, and whipped cream. "I made a traditional English trifle. Y'know for the holidays coming up and who doesn't love custard?" you shrug while carrying the bowl over to the table. You hurry back to the kitchen to grab two saucers and plate up the dessert.

"If I didn't know any better I'd say you're trying to butter me up." he comments, intently watching as you carefully slice through the layers. "What do you know about English food?"

"Not much, which is why this is a special occasion. I can get some insight from a genuine Englishman," you slide the saucer to him. "Everything happens for a reason, I guess you were meant to be here tonight" you don’t realize how weird that comment is until it's already left your mouth. You suppress the feeling and internally cringe. You take a seat with your own plate and try a bite. "Hey, that's not too bad. I think Gordon Ramsey would be proud"

Simon actually chuckles when you compliment yourself making you giggle in return. This whole night is very different than you expected. Not that you were complaining.

Your leg bumps his underneath the narrow table. Your bare foot brushing up the edge of his pant leg for the briefest moment. A deep blush rises to your cheeks the second you realize it's his leg instead of the table's.

"Oh, sorry!" you quickly draw your legs underneath your chair. Simon pauses his eating and meets your gaze.

"S'alright," he slowly slides his long leg across the distance and nudges the shin of your tucked legs with the toe of his boot. "You scared?"

"What?" you allow your legs to relax, your calves sitting on either side of his outstretched leg. It felt natural, almost domestic. "You don't scare me." you're lying paired with an anxious laugh.

"No?" As he says this his foot shifts underneath the supports of your chair and yanks it forward causing your chair to skid a few inches across the tile, pressing you further into the table as you let you a surprised yelp. Hands brace against the edge of the table. Simon maintains his calm composure. "Are you sure?" he takes another bite of the fluffy dessert.

You weren't sure if it was the liquor going to your head or the rush of adrenaline but you felt bold. You rest your cheek on your propped up hand, offering the most innocent eyes you can muster, as you delicately slide your foot along the smooth leather of his boot. Simon swallows and gently places his fork back on the table.

"What do you think of it?" you question in a hushed tone. your foot travels further up his ankle, dipping under his pant leg to feel his hot skin underneath.

"It's sweet," He states simply but his words roll off his tongue smooth as butter.

"Not too sweet?" You tilt your head the slightest bit.

"Hm," he hums in contemplation. Your eyes drift down to watch his hands grasp his drink. He grips the glass in his large palm. The rolled sleeves of his long sleeve reveal the muscles in his arm shifting when he raises the glass to his mouth. For the first time you notice a faint raised scar cutting through the outer corner of his lip and stopping just shy of the edge of his nose. He takes a long swig of the brown liquid, not quite finishing the drink. As he pulls back his lips glisten in the warm light. "Not bad when it's paired with a stiff drink," his tongue is quick to swipe across, collecting the residue.

"I'll be sure to make a note of that." you smile sweetly. "Can I get you another drink?" You look down at the last sip coating the bottom of the glass. You make sure to flutter your lashes when you look back up at him.

"Are you trying to get me drunk?" A smirk raises the corner of his mouth.

"No," you laugh. "Why, do you want me to?"

He releases a deep gravelly laugh that makes your stomach stir. Then he glances at his watch and your stomach drops.

"I need to get going." He mumbles. He pulls his leg away from yours and rises out of his chair.

"Wait," you rush to stand, almost knocking your seat over in the process. "Can I- uh- get you a bit of pasta to go? There’s plenty left" Trying to think of any excuse to keep him here a moment longer.

"S'okay, save it. Maybe I'll come by another time." He turns and steps out of your kitchen and into the hallway leading to your front door in only a few wide strides.

"Are you sure?" You don't intend for your voice to come out as needy as it does. You follow on his heels like a lost puppy.

"I've got an early morning." Before he reaches the door he turns, seemingly surprised by how close you are to him. He looks down at your big round eyes.

"Okay," you smile trying not to look defeated. "Well, you're welcome over anytime. I mean it, just knock and I'll probably be home. I'm gonna try writing at home more. Try to avoid that guy." You let out a halfhearted chuckle. "Maybe, you should get my number. Y'know, in case you want to check if I'm home."

"I'm alright, I'll just knock" His hand finds the doorknob. "Thanks for dinner, it was nice" Then he turns to go. Closing the door politely behind him.

You rush to the peephole, watching his distorted figure step out of sight followed by the sound of his own door shutting. You rest your hot forehead against the cool wood grain of your door.

You step back in the kitchen and begin putting away the leftovers. Piling the pasta into tupperware, rinsing the plates, collecting silverware. His glass remains in place with a sliver of scotch leftover. You hold the glass up in the light and see a faint smudge on its rim. You twist the cup around so your own mouth lines up with the imprint he left. You swallow the last bit slowly, savoring the way the sharp burn eases into a smooth, smoky aftertaste. You never liked scotch, but now you are starting to understand the meaning of an acquired taste.

The low atmospheric music is abruptly interrupted by an ad loudly cutting through the calm space. You rush into the living room to find the remote, hiding among the cushions and various throw pillows. Growing frustrated you end up walking over and manually hitting the power button. The silence that replaces it isn’t much better though. You step back and let your weak legs carry you until you collapse onto the comfort of your couch. The wine followed by the glass of scotch you polished off makes your head feel light but your limbs so heavy. You turn from your back to your side, realizing the used glass is still clutched in your hand.

You reach across the gap and set it down on the coffee table with a thud. Your hand retreats back to rest under your head. You stare at it, taking in all the imperfections left on its reflective surface. Your eyes trace the rim once again looking for the smudge. On the corner you see the shadow of an impression peeking out underneath the red lipstick mark you have smeared over it.

𝜗𝜚

Across the wall Simon falls back on his own couch. He looks around his dull apartment wondering what you have done differently to make your place look so welcoming. He never minded the minimal decorations he had. A photo frame with his team that his buddy gifted him and a couple of books always seemed like enough. After comparison though it just feels empty.

He can hear you stomp across your floor. Footstep rushing from the kitchen until you're straight ahead. The sound of your TV turning off bathes the room in sudden silence. Only thing he can hear now is the rushing of his air conditioning unit. He considered your music annoying but now he couldn’t deny the way it added an unconscious energy to the small unit. Now sitting here, the cool tone of the overhead kitchen light illuminating into the living room he feels as though something is missing. Maybe a nice lamp would help.

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@azkza @neurolept @contractedcriteria @hidden-treasures21 @sprokat @stark-red19

#call of duty #cod x reader #cod #simon riley x you #simon ghost x reader #simon riley fic #simon riley x reader #simon ghost riley #ghost cod #ghost mw2

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schlong2 · 21 hours

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latest fix rant time

none of my friends want to talk to me about monkey movies and then i remembered i have a whole blog dedicated to my latest fixations so. i've watched Kingdom of the Planet of the Apes two (TWICE ✌️) times in theaters. this was after watching the newer trilogy (Rise, Dawn & War) and the first 1968 original in prep.

things (SPOILERS!!!):

Kingdom's run time is 2 hours and 25 minutes. this is incredibly long for a movie. compared to 1968's 1 hour and 52 minutes, that's a half hour difference. Infinity War was 2 hours and 36 minutes for reference. that's a whole marvel cinimatic convergence, but ape. the run time isn't exactly the issue i've seen talked about. it's the pacing. sitting twice through this movie was not a problem for me. i sat there engaged all the way through. on the second watch, i tried to be mindful of times in which it might have been dragging for the average person, and i like, literally couldn't find any. pretty much every scene had meaning and didn't drag imo. which is something these newer movies do extremely well. Kingdom is pretty equally split between verbal communication and sign language compared to the first three before it. the apes use both verbal and visual cues to talk. but because they don't talk every single time, it makes every moment that they do feel special. it reminds me of the Quiet Place concept, where most of the movie you only hear a human voice a few select times when it's safe to do so. Rise, Dawn, & War were kind of like this, as Caesar only really spoke when he was trying to make a point or communicating to humans, who are mostly speaking in those movies. he speaks more as he gets more fluent, and by War, he can speak very well. we see other apes like Koba, Maurice, Blue Eyes, and Bad Ape also speak English. these moments are rationed pretty well throughout Kingdom, making the dialog more select and meaningful. this makes every time these beasts talk feel like it means something and isn't just fluff to fill your ears. every other scene feels like it's building or showing a side of a character we hadn't seen before, and the scenes between those advance the plot or are like, really action-packed. i just don't see why some people say it has pacing problems. it's just long. i understand the average person's attention span is super short, but when you're sitting down to watch two and a half hours of movie, you gotta know there's gonna be downtime. moments where they're not fighting or advancing the plot. and i think that's GOOD man. but im also not one for action/adventures very much so maybe that's it? i think a lot of people maybe watch these apes for the violence and conflict rather than their introspection, genuinely thoughtful world building, and complex characters. and hey, that's completely fine to enjoy, but POTA is originally about morals and asking the audience questions and posing dilemmas to popular beliefs at the time. ok

Raka. he's great. Peter Macon has this butter smooth voice that's just perfect for the kind of character he plays. you can't help but like him. but he dies like 1/3 into the movie and is really only there to religion dump about Caesar (ape jesus) and then he's swept away. people are complaining that that's all he was really there for. to explain the real values of Caesar and provide a foil to Proximus. and i agree to some degree. i really hope he's not actually dead. his presence and death are felt throughout the movie, as both Mae and Noa (mostly Noa vocalizes it, Mae just silently shares in his loss and i think cries at one point?) seem to mourn him, saying shit like "if Raka were here..." and especially at the end when Noa gives the Caesar pendant to her. it's the shared memory of Raka and what he devoted his life to. but they never really like, actually linger on his death. there's a moment after he's swept away, and the shot stays on the rushing waters, Raka no longer visible and plays some sad tunes, but like. C'MON. he's not really dead. he isn't please tell me he isn't PLEASE

Noa isn't Caesar. i honestly do not get why you would want otherwise. of course, he isn't Caesar. we don't need another Caesar. he had a whole three movies to be the center of. i would be extremely disappointed if they just made a carbon copy of him or made Noa like a direct descendant of him or whatever. i hate that Chosen One bullshit. Caesar was just a guy that wanted peace for his people and that got him killed in the end. Noa is also a guy who wants peace for his clan. they're both leaders and have good hearts, but like. they're different characters. i LIKE that Noa has no relation to Caesar, i LIKE that he's his own character with his own ideals and purpose. Owen Teague does a wonderful job making the character his own. i mean Andy Serkis is Andy fucking Serkis. pretty big shoes to fill and i think Teague has the right foot size you know. i heard one guy say like "we've had our time to mourn Caesar" and yeah. we have. let's accept that and move on

WHERE MY APE DIVERSITY AT. we get a fuck ton of chimps, ONE orangutan, ONE gorilla, and ONE bonobo. what the hell. i mean. what is with the bonobo villian. Koba i fucks with because bonobos are some of the most playful, nonviolent apes out there. that humanity and its cruelty could twist a naturally peaceful creature into what Koba became.. i mean, that's great. but again with Proximus? maybe trying to evoke some of the same energy and nuance Koba had? ALSO. GORILLA PSA they are like so sweet. all that muscle is there to protect their families, and they're strictly vegetarians. i feel like Rise, Dawn, & War portrayed this better with most of the gorillas getting bodyguard jobs because of all their bulk. especially when Luca tucks that flower in Nova's ear. man. and Red going out like he did. gentle giants. in Kindgom we just have Sylva. gorilla henchman for Proximus. that's it. then we have Raka, the one orangutan character that i saw. wise and knowledgeable, guides and accompanies Noa and Mae then dies. at least we get one female chimp character that's more than just wife or mother. wikipedia lists Soona as Noa's love interest, which i can totally dig, like it's there. he takes her to the telescope at the end of Kingdom, which is more than what we saw romance-wise between Caesar and Cornelia. and the only other important chimp female is Dar, Noa's mom. in Rise, Dawn & War there was usually only one of each species of ape assigned a main role, but we saw much more diversity it felt like. maybe that's because there were smaller in numbers and have since spread out in the last 300 years? also like, bonobos are known for having female-female & male-male sex. dont know about the other apes. my friend mentioned that Raka said something about having a male companion and promptly searched reddit. all they had to say was: gaype?

the visuals. dear god the visuals. this movie is just visually stunning. absolutely breathtaking. they did a great job. i mean Rise, Dawn, & War are all triumphs of cgi and are excellent examples of the animation style done right. i did hear some guy say there is a loss of texture, as mostly everything in Kingdom is cgi, from the characters to the landscapes. but there's an explosion of texture in this film. there's one point where Noa is covered in the ash of his village and you can see it on his fur. there's quite a couple water scenes where the moisture clings to the apes' fur. It's all very impressive. great work

the references!! Rise especially has a ton of them (IT'S A MADHOUSE!!! & GET YOUR STINKIN PAWS OFF ME YOU DAMN DIRTY APE), and names like Nova and Cornelius, but Kingdom... i picked up on at least three main instances, but im sure there are more. there's the scene where the apes are rounding up the feral humans, and its very reminiscent of the scene from 1968 where they're doing the same thing for sport. there's the scene where Mae is running in the field, and she jumps on that log structure to get to Noa, which is nearly identical to a similar scene in 1968. the scene when Noa, Soona, and Anaya are exploring the human bunker and they come across an old classroom. one of them picks up a doll that says a distorted "Mama" which was huge in the original because that was evidence that once man did speak, why else would he make a doll that talked? superb call backs to the og. respect what was there before

SCHLONG THEORY

here me out guys. the starring ape-human relationship in Rise was between Caesar and Will. this type of love is called storge and describes the love a child has for a parent as well as the love a parent has for their child.

the starring ape-human relationship in Dawn was ultimately between Caesar and Malcolm. which i believe is truly philia towards the end, the love between friends and allies. just two dudes trying to keep peace in the world.

in War, i mean Caesar well and truly hates the Colonel. like more than he's hated any human in his life before. close to mania, obsession. anyways it's a study on this type of relationship between an ape and a human. true, all consuming hate.

SO in the newer movies we've explored familial love, platonic love, and hate, between an ape and a human.

in Kingdom the main ape-human relationship is between Noa and Mae. and their relationship is complex. not really that friendly and certainly not familial. no trust. some kind of begrudging respect maybe? i just think it would be neat if in further installments they explored a romantic love between a human and an ape. ok.

i KNOW Noa and Soona are probably going to get ape married and they're never going to touch on the subject but i just find it hard to believe that in the last 300 years or so that's NEVER been heard of. apes have the same level of intimacy between each other as humans do in this universe and can willingly consent. what are you so afraid of wes ball

after all, the whole franchise is about how apes, when given intelligence, compare to humans and begs the question: how different are we really?

is it possible for an ape and a human to fall in love?

#WILL talk about sentient apes for hours #straight off the noggin #kingdom of the planet of the apes #he was an ape #she was a girl #can i make it any more obvious

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packsvlog · 7 hours

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❛ 𝐀𝐍𝐂𝐈𝐄𝐍𝐓 𝐋𝐎𝐕𝐄 | 愛 𓈒ㅤׂㅤ 𝗴𝗲𝘁𝗼 𝘀𝘂𝗴𝘂𝗿𝘂

✶ 𝐬𝐮𝐦𝐦𝐚𝐫𝐲: never one to trust old men in high positions, you decide to follow your guts and track down your best friend to question him on the rumors. what you didn’t expected was to be forced to sit in a small chair and play tea party with two little girls.

✶ 𝐚. 𝐧𝐨𝐭𝐞: it took me two days to write this, i’m super sick, but i love geto. i also really need to make a masterlist, but i don’t know how to make the link with the name, pls help sos. also reader’s domain name is embarrassing pls ignore it, i’m not good with names. english is not my first language. 𝐂𝐎𝐍𝐓𝐄𝐗𝐓: reader’s cursed technique is basically ‘enhanced’, anything they do is 100x more, and it’s heavenly influenced by their emotions, mostly anger and another one very special.

✶ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭: friends to lovers, mostly fluff but has a bit of angst, mentions of murder, blood, violence, reader has no gender specified except one part where they are called ‘Queen’ but you can read as you please. reader is a special grade sorcerer. suggestive theme at the end. happy end.

✶ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 4.8k

You know the Higher Ups can sense the aggressiveness in your aura. Even behind their so called protection nothing could stop you from slicing them with your bare hands, the thought of that ignites your energy. Behind you, someone gasp.

“I’m going to be gentle and kindly suppose this energy you are emitting comes from your anger towards the criminal Geto Suguru.” A male old voice makes itself present.

“If you want to believe that, then be my guest.” You answer in a heartbeat. Principal Yaga is by your side, that was supposed to be his reunion, but when you heard the talk would be about your best friend, Geto Suguru, you barged in the room before Masamichi.

“You are not supposed to be here, insolent girl.” Another voice, still old and male, speaks to you. You roll your eyes and snicker at it.

“You are talking about an important Special Grade Sorcerer, and I know this talk will reach me eventually. If it is true what you say, is either me or Gojo Satoru you will be sending to try to kill him.” Yaga sighs at your answer, but does not stop you.

“What we say? Haven’t you know? Haven’t you seen the pictures?” The first person ask, voice shaking in anger. “Geto Suguru is a monster who needs to be exterminated, he annihilated a whole village and we have prove to believe his own parents as well.”

“We will not send you, L/n Y/n, for your insolence.” A third leader speaks, much calm and colder than the others. “There will be no such thing as try to kill him, Geto Suguru is certain to die. You and Gojo Satoru may be special graders as well, but your loyalty is stained with the blood of those innocents. Someone else will do the job.”

Principal Yaga’s hand reached your back, you turned to him hesitant, you see his head pointing to the doors outside telling you your time here was over.

You moved faster than anyone could see, leaving the school grounds in mere seconds, you reached the forest and let your anger dissipate in the form of a scream, so loud and so yourself, a barrier was created leaving your throat and splitting the trees in front of you.

“Your cursed technique never fails to amaze me, Y/n.” Gojo appeared behind you, his hands falling from his ears. “Unconditionally, huh? Everything you do, you do majestically. Run, scream, jump, punch…”

“Shut up, Satoru.” The tall boy laughed at that.

“I wonder if it works for all your emotions, don’t you?” Gojo circled you, much like a predator ready to strike. “Your anger is your strong point, am I right?” He doesn’t wait for your answer. “Whenever you are angry, you could break Tokyo with just one punch to the floor.”

“Where are you trying to get with that, Gojo?” It had been too long since the last time you addressed your friend as that, your squeezed your eyes at him, but the boy was unfazed.

“Don’t you think the oldest, most powerful emotion in humanity could change you? Transform you into something more dangerous?” He stops in front of you.

“What could possibly be more strong than anger?”

“It’s, obviously, love. I can feel it in your aura the amount of love you have for Suguru.” Gojo says nonchalant, making you question if you heard right.

“What…”

“He is my best friend as well, Y/n.” The white haired interrupts you. “And I love him enough to want to go after him, but for some reason I can’t. I’m afraid I’ll see something terrible, sense the reality, and try to kill him.” Gojo takes your hand in his. “I don’t think I can kill him, but the thought of trying scares me. I can’t lose him, and neither can you.”

“What do you mean by all that, Satoru?” Your whisper barely reached Gojo.

“If it comes to meeting him, you should do it. Your love for him could be either his salvation or we lose you to him, but I don’t think you would mind that, would you?”

“You think he did it?”

“I don’t want to think.”

A week after that weird conversation, Gojo, Shoko and you had been meeting more than normal in private spaces. For the unknown eye, the three of you are just friends catching up after the loss of the fourth party. But in the reality of your room, Shoko has been using her secret weapon to make Gojo’s plan work — her messages with Geto Suguru about you, cute and overly sweet.

“I don’t like this. I don’t get this!” You mumble on your cat plush, a gift Geto gave you. Your whole face is pink and your lips are numb for the amount of time you have bitten it.

“I don’t get it either. She already loves him too much, no need for this torture.” Shoko laughs at your embarrassed state, when she turns to Gojo, the girl scrunches her eyebrows. “What is it, weirdo?”

You turn to look at Gojo and he is intensely staring at you, which makes you feel uncomfortable, and a little scared.

“You can’t feel it?” He simply ask.

“Feel what?” Taking the pillow from under you, you hug it tight to your chest.

“Feel Geto.” Gojo whisper. “Can’t you sense where he is?”

“How on earth would she be able to do that, Satoru?” Shoko mumbles before grabbing her cigarette and moving towards the window. Unfortunately Ieiri is in Gojo’s presence, and the boy follows her quickly to complain about the smell.

You turn your face down to meet the fluffy cat under you, it’s quite ugly but lovely behind its weird black shaggy tissue. Geto had given it to you after one of your first missions together, he took you to a fair and got you the little fella you kindly named ‘Catoru’.

In your heart you could sense the connection to the ugly thing, linking a string that connected your core to its own, and if you turned down the sound of Shoko and Gojo’s bickering, you could feel a third presence in it. You wondered silently if Satoru was right and your so called love for Geto could create this bridge between the two of you, enough that you could sense him anywhere he was. Could Suguru feel you too?

You tried to focus on that silver string that laced both your heart and the plush, closing your eyes you scanned the deepest part of your soul, of your technique, that you had never been knowledgeable about. It was only in what seemed hours later, you opened your eyes with goosebumps all over you.

You turned back, seeing Gojo and Shoko still arguing — it had only been a few seconds. Maybe you were stronger when it came to fondness, love.

You took some days practicing this new technique and also to make sure Geto was still in the same place, not moving around like the criminal everyone thought of him. If he was still that meant he was innocent, right? It had to be.

Gojo barged into your room on the fourth day, his breath unhinged. You jump out of the bed in a second.

“They already send someone!” You stared at your friend with confusion all over your face. “This Grade One from Russia, they said he will become a Special Grade if he kills Geto. He is strong, I could feel him all across the campus.”

Gojo didn’t stop you when you moved to your bathroom and returned with your uniform. You turned to him, who was now sitting on your bed and hugged his shoulders.

“If this is the last time, you need to know you are my best friend as well. And we may fight a lot, but I would burn this world for you.” You let Gojo go and move towards your door, he stays petrified at the ideia of losing you and Geto. “Tell Shoko I love her as well.”

You leave so quickly, lifting dust from the floor and creating a warm breeze that kisses Satoru’s cheeks and tears.

It takes your half an hour to reach the other string — the location Suguru is. And you find him almost instantly, in the garden of the temple he has settled, he uses traditional clothes and his hair is half up and down. You are taken back by his new look, but mostly by the fact he is fighting the russian sorcerer, and he does seems to be nearly losing.

One of Suguru’s curses launches at the unknown male, and that’s the moment your friend notices you. By the look of his face, he was normal, but his hands instantly trembled in your presence. You start to walk towards him, but the foreigner appears again, his sword nearly slashing Geto’s arm off.

You can feel fear creeping your veins, and it’s not good — Fear makes you weak, but how to avoid it when the man you hold so dearly is fighting a life and death battle?

“I wouldn’t oppose to a little help, sweetheart.” Geto’s voice snapped not only you, but the russian, he punches Suguru, who falls, and turns to you.

“They warned me about you.” He says with a thick accent, pointing his sword in your direction. “They gave me the green light to kill you if you come here. So be patient, love. I’m right at you, gotta end this one first.”

You are disgusted by him, but the way he says “Love” reminds you of your mission, and so you look at Geto, who is already staring at you. He simply smiles, and that turns into fuel for your next movements.

It’s like sliding through water, in a quick second you are behind the foreigner. He turns to you startled, and Geto uses the opportunity to move inside the temple. Before the man can do anything, you punch him in his face, and during his dazed state you move your hands, making your signal.

“Domain expension, Unconditional Disaster.”

It’s not long before you come inside the temple, blood drips from your head to your toes, but you are unharmed. Geto knows this, but he can’t help himself and lunges at you, holding your wet face and searching for any bruises, as if him himself isn’t scattered with some.

“My savior.” Geto laughs quietly, and you can’t help but mimic him. He takes you by your shoulder, tainting his robes, he moves with you to somewhere you don’t care to know. You are in his arms and that’s the place you were meant to be. You wonder if Gojo was right, would you trade anything for Suguru?

Inside an ancient decorated room, Geto grabs a pair of clothes you could only guess belongs to him, he takes your hand and you follow him into the bathroom. He doesn’t say anything when he turns the water to cold, as you have always enjoyed.

During the shower, you can’t help but wonder what is going to happen now. Would another sorcerer be sent to kill you and Geto? Would it be Gojo? He wouldn’t do it, you knew that. A part of you was growing accepting your place besides Suguru, maybe Satoru and Shoko, even Nanami, could come as well, you all would be happy.

You left the bathroom already dressed with Geto’s black sweater and pants, while drying your hair you notice Suguru is not there, and also the eerie feeling the whole building has, with that you hold the towel with a bit of strength, before returning it back to the bathroom. You move towards the door, needing to find Suguru like your life depended on this, but before you reach the door pain shoots through your feet.

“Argh! What the hell…?!”

You turn to look down, and what you would expect to be a knife, turns into a mini lego castle, now dismembered. You scrunch your eyebrows, turning your attention from the toy to the room, you start to notice how Suguru’s room is splattered with a couple of children’s plaything. On the wall next to you there is a mini wooden kitchen, with an equally small dinning table. To your other side, near the bed, a fortress made with blankets, massive pillows and fairy lights, there is also an immense amount of animal plushies. Was Suguru trying to heal his inner child or something?

“Getou-sama!” A high pitched voice comes from behind the door, you jump frightened and for the second time, you land on the lego, now breaking it, a few swear words scape your mouth. “What was that? It’s that his girlfriend, Mimiko?” You don’t hear an answer to that. “Hey lady, can we go inside, pretty pretty prettyyyyyy please?”

“Nanako! Getou-sama told us to let her alone.” The second voice, much more calmer interrupts the first girl.

You bite your lips trying to contain a laugh, especially when you notice the doorknob being shaken. If you could guess, the little girl is trying to open but her height doesn’t help. You sigh, grabbing the broken toy near your feet, dropping in a box near the door and with a slow movement, you open it.

“Oh, you are prettier than Getou-sama described.” The blond girl says as soon as she sees you.

She doesn’t wait for your reaction, quickly grabbing the other’s hand and moving both of them inside the room. You turn to her, but keep still at the door, waiting for maybe Suguru to come in and address what is this.

“Come on, please. I want to have tea with you.” You can guess by her voice and direct personality that she is Nanako. She lefts her friend by the small kitchen and comes to you, closing the door behind and grabbing your hands, she moves both of you towards the dinning table, where she makes you sit. You don’t tell her you are uncomfortable sitting on the extremely small chair, but you can bet she wouldn’t care.

While you are fidgeting in your seat, both Mimiko and Nanako are playing pretend with the fake food in the kitchen. You take the opportunity to stare silently at them. Nanako is, obviously stated before by herself, the extroverted one. The girl keeps glancing at you from time to time, giving you either cute smiles or funny faces, to which you start to return back and she laughs sweetly. Mimiko, you could tell since the beginning, is more shy. The dark haired keeps her head down, she steals some glances at you, but when she notices you are looking, she goes back to her play with crimson cheeks.

“What pie do you want?” Mimiko asks with a slight tremble in her voice. The child comes to you with a plate decorated with wooden pies, you pretend to be inspecting each-one.

“What is your favorite?” Your question takes her by surprise. The plate starts to shake a bit but in her lips a small smile is forming.

“The blueberry one.” Mimiko whispers, pointing with her small finger the one of her choice.

“Then I want that one.”

The girl goes back to the kitchen, putting your ‘desert’ on a pink plate. Nanako turns to you with an also pink teacup.

“Then can you have my favorite tea?” Her pretty brown eyes stare at you like a sad puppy, you know she is trying to make you fall for her, and you do within a second, nodding your head.

When your tea and pie is in front of you, the girls fix their own plates and take a seat on the chairs by either side of you, Nanako specially moving hers closer to you.

“Gerou-sama talks about you a lot.” Nanako says while pretending to eat her raspberry pie, she ‘cleans’ the side of her mouth before looking at you. “Mimiko and I have been begging to meet you. He told us you needed to rest, but I think a tea party is the best way to rest.”

“I agree with you, honey.” The girl smiles at you. “And where is Geto?”

“We waited ‘till he was in the shower.” Mimiko answers you, less shy now. You can’t help but laugh with how sneaky both of them are.

“What does Geto talks about me?” You grab your teacup, raising your little finger like Nanako told you to, and pretend to sip on it.

“He talks about how strong you are, stronger than anyone he had ever met.” Is Nanako who answers you, and Mimiko nods. “Getou-sama also says you are his best friend in the whole world… Well, now he says we are his best friends as well. That’s why we wanted to meet you, the four of us can be good friends, right?”

“Yeah, we are going to be the bestest of friends.” Nanako smiles at that.

“He…” Mimiko starts but pause when you turn to her, you smile encouraging. “He also says he likes you a lot.” The little girl whisper, with her small hands on her mouth. “Do you also like Getou-sama?”

Before you can answer, there is a knock on the door and soon it’s opened by none other than Suguru. Long gone is his traditional clothing, now he wears something identical to you, a large pastel pink sweater with sweatpants. His hair is in his famous bun with his charming bang decorating his pretty face. Suguru’s eyes find you instantly, before catching two little girls who are running out of their seats to try to hide behind you, giggling loud.

“Hm.” Geto simple hums, before closing the door and moving toward you, and you bite your lips to avoid laughing. “You know, Y/n, I was going to introduce you to two little sisters I met a while ago, but I couldn’t find them. You haven’t seen them around, have you?”

“Oh, I haven’t, I’m just here by myself having an one person tea party.” You hear two small laughs after your answer.

“Then why is there two extra plates?” Geto sits in the chair in front of you, in his lips is a large smile you haven’t seen in a long time. You are wonderstruck for a moment, before blinking your eyes and staring at the girl’s plates.

“I was very hungry.” At that, Mimiko and Nanako can’t help but laugh louder, coming out of their hidden spot and tackling Suguru with hugs. He closes his eyes and hold the girls in both his arms. Staring at them, you feel your chest warming with a good feeling, he was still your charming Geto.

For some time, the four of you spend the tea play pretending to delight in the fake food, laughing at Suguru’s imitation of a monarch and addressing both Nanako and Mimiko as princess.

“If Getou-sama is the King, then that means Y/n-sama is his Queen?” Mimiko asks after some time, taking you by surprise.

“Hm, I don’t know. Why would that be?” Suguru turns to the little girl who shrugs her shoulders.

“Well, of course, Mimi!” Nanako answers her sister. “Can’t you see?”

“See what, Nanako?” You catch yourself asking.

“You guys are best friends who love each-other, it’s clear as crystal.” The girl get up from her chair and sits on your lap. You pat her little head and stares at her, avoiding Suguru’s eyes, but you can sense he is focusing on you.

“I think it’s time to go to sleep, girls.” Suguru gets up slowly, when you look at him he is picking Mimiko in his arms. “Don’t even try to give me your puppy eyes, Nanako. I’m avoiding them.”

“But…” Pouting, the girl shifts in your lap, hugging your body and staring at you. Damn, she does have puppy eyes that make you want to give her anything. “I don’t want you to go.”

“I’m not going anywhere, sweetie. I’ll be here in the morning.” You shouldn’t have said that, what if Suguru is only opening his house for you for today. You look at him worried, but sighs when see his beautiful contempt smile. “Yeah, I’ll be here.”

Nanako smiles triumphantly, before getting off your lap with a quick kiss to your cheeks, you get up as well and move towards Geto, before you can do anything, Mimiko also kisses your cheek, hers again burning pink.

“Thank you for coming back to Getou-sama.” The girl quietly says, and you pat her head while she hides her shy face in Suguru’s chest. Nanako grabs the man hands and the three of them leave the room, with the girls waving you goodbye.

You turn to the toys around the room and start to clean the dinning table and fix the little mess, trying to occupy your mind from the persistent question: would Geto come back? You hoped so, you wanted to question him on the rumors, but could you possibly do it? You moved towards the bed and sat on it, looking at your hands and remembering the amount of blood you had in it just a couple hours ago — did the same happened to Suguru? Would you still be by his side if it was true?

The door opens a moment later and Geto moves your way so quick, like both of you are magnets. He sits by your side and takes one of your hand in his, his breathing is calm but a part of you can sense the turmoil of his heart.

“How did you knew where I was?” It’s the first thing he says you, his eyes are focused on your tangled hands. “That I needed you? The moment I started to lose that fight, can you believe I prayed for you? And you came.”

“I’ll always come to you, Suguru.” You whisper back, catching his face with your other hand and making he look at you, there is a yellow bruise on his cheek that has your heart breaking. “I knew where you were for some time. Gojo helped me with this… Honestly, I don’t know what it is, there is a connection between you and me, and I followed it to you.”

Geto uses his free hand to caress the one you have on his face, he closes his eyes as if he was finally in peace.

“You want to know the truth, right?” You nod, he doesn’t open his eyes but you know he can sense you do. “I did it.” It’s a quiet confession that has your core shaking. “I went to that village, killed the curse and had to swallow it, the same thing over and over. The monkeys… The non-sorceress took me with them to an abandoned house, leading me to a makeshift cell where there were two sisters, little girls, so beaten their eyes were closed and bruised, their whole body was covered in bruises.” You gasp when you realize Suguru is talking about Mimiko and Nanako. “They have cursed energy, but they didn’t do it, I killed what was tormenting that village and still they were blaming the girls. How could they be so cruel and terrible to defenseless creatures?”

Geto catch his breath before letting go of your hand on his cheeks, he sighs when you remove your hand and his eyes open, moving to the ceiling. You know he wants to cry, that he is frustrate and sad.

“They told me, demanded me, to kill the girls. I couldn’t do it, Y/n, it’s not in my nature, y’know that.” You nod, squeezing his hand. You wouldn’t have killed the girls if you were in his place, but would you have killed the humans? “So, I took the non-sorceress outside and told them everything was fine, the girls were innocent. I begged to take them with me, the assholes wouldn’t have to worry about them anymore. And guess what? They denied me of it, although the girls are orphans, they wanted them for themselves. I was going to open that prison with my bare hands and take Mimiko and Nanako whether they wanted or not. But when I turned back to the house, a man said he would kill the girls himself, and the others agreed.”

You closed your eyes, already knowing how the story ended. Catching your breath, you move your head towards Geto’s chest, and he hugs you instantly.

“What…” You voice is trembling. “What about your parents?”

“I explained to them what happened, but they are non-sorceress, they didn’t understood. Humans are selfish and only trust themselves, they believed the villagers, even when they saw the girls covered in bruised, limpering. I sometimes regret it, but I was so angry, I snapped.”

Suguru’s arms hold you tighter, you could sense the fear he was having right now. After all, he had dropped all his cards at the table, the truth of his murderer nature in front of you, bleeding honesty and terror. You raised your face from his chest and stared at him, the tears shinning his purple eyes fixated on you, only you.

“You can go, if you want.” He says after some time, pain evident in his voice. “Go back to the school, tell them what happened. You can even give them my head if you want.” It hurts your heart that he thinks that of you. But should you do it? Leave Geto, go back to the High Ups and a world of fighting battles against curses, to be killed and replaced by a younger version who will follow your steps, dying as well.

“I want to stay.” You say minutes later. “I want to stay with you, with Nanako and Mimiko. If you would have me.”

Geto’s hands move to your face, staring at your eyes in search for uncertain, for maybe a lie, you can’t tell. You stare at him back with love, after all Gojo was right, you love Suguru more than anything, and have always loved him. From the first day you met each-other, especially right now, where the reality of this cruel life shifted everything you knew. There was no questioning if this decision you made was right, you couldn’t go back to the school after this, your place was by Geto’s side, had always been.

Suguru caress your cheeks, a beaming smile forming on his perfect lips, he touches your forehead with his and the two of you close your eyes. In that moment, you feel his lips on yours, and you don’t take a second to answer his movements, letting his tongue slips in your mouth and his hands fall into your tights, bringing you to his lap. Geto Suguru kisses like a starving man, starving for your love and affection you grant to him so easily, he whimpers under you.

You let his kisses fall to your neck and chest, goosebumps sure to follow, you let Geto be devoted to you like the a deity he worships. He holds you so close, afraid you might disappear somehow, slipping through his fingers. But you don’t, you bring Suguru to your embrace with the same strength he shows you.

That night you know your life changed forever, and maybe the old men with unknown faces and strong powers might send a thousand soldiers to try and kill you, but with Suguru by your side no one could touch you. After all, the ancient and strongest feeling on earth, Love, was the fuel for your powers. And love was with you, in the bed and tangling sheets, love was also in the room next door, sleeping with teddy bears. It was at the other side of Tokyo, white hair and cigarettes, in the future exchanging secrets letters and secret hangouts, even playdates with two more little loves.

You were surrounded by it, emerged in the pure essence. No High Up could come near you or your family, you would make sure of that.

⠀© packsvlog, 2024, 01 june.

#geto suguru x reader #geto suguru x you #geto suguru x y/n #suguru geto x reader #geto suguru #geto suguru fluff #geto x reader #suguru x reader #getou suguru x reader #suguru x you #jjk x reader #jjk x y/n #jujutsu kaisen x reader #jujutsu kaisen fluff #jujutsu fluff #jjk suguru #jjk geto #geto fluff

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guardianofnightmares · 2 days

Text

Forbidden

At that moment Bumblebee finally realized that he couldn’t keep the paranoid thoughts locked inside his processor anymore.

He desperately needed to speak to his friends, consequences be damned. He had to make sure that he’s not glitched in a processor. That what he got himself into was a right course of action for any good-natured Bot.

... or, rather, for any sensible Prime.

Hence why, after making a deep inhale, a minibot finally forced the dreaded words out of his intake:

"... is it wrong that I feel... bad for the prisoners? That I... periodically... h-help them?"

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Hello everyone, long time no see). Can hardly believe it's been a whole year since the last @blitzbee-week event and man, was I glad to participate in it once more. All of works were submitted on time to an event chat, but, unfortunately, I am uploading them here only now (full-time job drains me up).

Anyways, here is my first drawing from BlitzBeeWeek event Promts List. I think it will be fair to mention that this and next couple of my works will be dedicated to my fanfic called "TFA: Icarus". I will leave a link [here] for anyone interested to give it (and an existing teaser) a try. And yes, I am, in fact, going to finally upload first chapters pretty soon, it's happening, guys))). Thanks a ton for everyone who left their kudos there throughout a year, you have given me courage to put this behemoth of a story on paper and actually work it through.

As for the current entry for an event, I will provide part of a draft to one of chapters which is related to a depicted scene. It'll be "hidden" under a cut line for anyone wishing to get a more... fleshed out picture of what's going on here. Hope you'll enjoy reading it)

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“Bumblebee… are you listening to me?”

It was beyond confusing for Ratchet to see a younger Bot acting so out of touch with reality. He’s hunched over a console, helm resting in one servo while a wielding tool was twirled slowly in digits of another. Bumblebee looked so tired, clearly not caring about a task at servo, nor about an advice coming from his elder friend.

White and red Autobot knew how cheerful Bumblebee got each time they met via video calls, clearly waiting for a chance to talk to old teammates, even if these calls didn’t last long. That’s why him being so silent and lost in own thoughts was that much more worrying to witness.

Upon being prompted again, the young bot finally raised his optics, the weight of his gaze almost making Ratchet flinch in surprise - to think that a recently promoted Prime was capable of behaving so out of character was indeed an alarming sign of change.

The truth was, the minibot couldn’t help but to act all secretive, as if he’s done something wrong.

Because, all things considered, he has.

Minibot was well aware of what his actions could lead up to. All those rendezvous and revelations were such a dangerous subject to talk about, something that surely could lead him to being court marshaled if he’s caught by anybot. And what’s even worse - Bumblebee wasn’t certain whether telling friends what’s been troubling him was a good idea.

Surely they’d not rat him out… but would they continue interacting with a yellow Autobot if he shared said secret with them? Wouldn't it be more mature of him to leave mechs oblivious (in order to protect them) and let his fears to silently fester in his processor?

... yet, to his shame, a minibot felt his resolve to keep his intake shut breaking upon seeing a haunted expression on Ratchet’s faceplates. Bumblebee wished he hadn’t looked up into the wise optics of his, those that seemed to read him as an unlocked datapad. How could he play it cool when a medic was looking at him in such a manner?

“…kid?” Now Ratchet was truly worried for his companion. He wasn’t even certain he’s ready to hear an explanation, but knew in his spark that he had to get to the bottom of a problem for minibot's sake.

At that moment Bumblebee finally realized that he couldn’t keep the paranoid thoughts locked inside his processor anymore.

… or, rather, for any sensible Prime.

Hence why, after making a deep inhale, a minibot finally forced the dreaded words out of his intake:

“… is it wrong that I feel… bad for the prisoners? That I… periodically… h-help them?”

… a fleeting moment or relief at voicing his concerns instantly evaporated, changed to regret once he saw Racthet’s optics widening beyond usual capacity and heard Optimus sputtering and coughing on his energon ration off the camera.

Such reaction made Bumblebee hide his helm between shoulder pauldrons in a clear sign of dread - so much for the support coming from teammates it seemed.

“What?” Optimus asked after standing up from a table he’s sitting next to, the stool screeching audibly after a mech span in it. “Help them? What do you mean by that, Bumblebee? Are you alright? Do they… force you to do something for them or..?”

Minibot didn’t answer any of those questions. Wasn’t able do it under the searching gaze of an elder mech’s optics which seemed to pin him to his own stool. Bumblebee felt like energon was going to freeze in his lines and tubes from a rising horror. Time seemed to stop for him, not unlike inner mechanisms in a frame of his. He couldn't utter a single sound, words swimming in a jumbled mess that was his processor.

What could he possibly say in his defense, now that his teammates knew of his secret? That there was a proper reason for him to feel pity for the inmates? That he was the only one to keep those mechs alive because nobody else did? That perhaps, Primus help him, all this time they were held in prison, somebot tried to take them out of game by starving them to their deaths?

A yellow Bot clearly hasn’t thought the conversation through, just as he always did, hasn't prepared himself for such a reaction even, and now that mistake was biting his aft.

But then… then minibot heard something that immediately tore him from a panicking state he got stuck in.

“I’ll take care of it, Prime.” Ratchet announced in a calm tone, breaking the tense silence which settled over the video call. Bumblebee was so stunned that he didn’t register those words right away, looking dumbly at warm optics of a mech on the other side of a call line.

“But-“

“Optimus.” Medic cut off his commanding officer in a stern but good-natured manner, showing that he knew what he’s doing. Trusting the judgement of an older Bot, red and blue mech nodded to him and stepped away from a console, giving both of his friends some room to talk to each other.

Young Prime could hardly believe what he’s been witnessing in front of him. Afraid to hope that his situation might’ve not been so dire after all. Baiting his breath, he watched red and white Bot turning to him again and leaning closer to a screen.

“Bumblebee, tell me, what’s happening back on Cybertron.” Ratchet asked his young friend, trying to look as non-threatening as possible, ready to tentatively listen to everything minibot’s about to say.

And that’s when Bumblebee understood, felt it in his spark which gleefully thrummed in his chest that his old teammates were not mad at him - only worried for his well-being. Said realization made the built up over orbital cycles tension leave his frame and gave him courage to answer as honestly as he could.

“You don’t know even half of what's going on, guys,” He stated after a breath moment of silence, then scooted on his chair closer to a screen as well and continued speaking in a hushed tone as to not to be heard by anyone else on his side of a video call.

While retelling the recent events, which took place in Tripticon Prison, young Prime couldn’t help but periodically glance at a screen to his right side, a list of main convicts taking up most of its surface.

Their stern gazes seemed to burn a viewer with hostility. Evil, cold, sparkless optics on unsightly faceplates. That’s what fellow guards always tended to whisper to each other either in fear or in bold mockery while walking down the hallways.

But to Bumblebee the very same pairs of optics, those he'd looked into more times then any of the local mechs, more then his friends even, told another story. Each time he saw Decepticons, bound and stripped of their weapons, there was no rage in their expressions, nor malice or contempt - only an eternal tiredness, hopelessness... and resignation with Fate.

Warframes. Mighty mechs being brought to their knees and stripped of their pride. Truly a sight which made minibot feel more miserable then three inmates he tried to take care of.

“Bossbot… Ratchet… please, come back here as soon as you can," Recently promoted Prime finally said as a conclusion to his speech. "I… I am afraid I won’t be able to handle this situation on my own anymore.”

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xonavia · 21 hours

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✮ - Thinking about Kuroo, who has no clue how to flirt with you, so he instead tries to use science pickup lines (which ends horribly)

You had first met him through Kenma, which was surprising, but you formed a mutual connection when he saw you playing a video game at lunch. It wasn't long after when you met his best friend, but the first time that the dark haired captain ever laid eyes on you he knew that he wanted to be with you, it also helped that you were already friends with his best friend (Which probably contributed to him liking you in the first place). You soon learned that Kuroo was quite a bit of a science nerd, especially after hearing him say things like "docosahexaenoic acid", you always question on what he was talking about but never actually said anything, mostly because it wasn't directed at you, well until one day. It seemed to start off normal, in the morning you had a quick conversation with Kenma, maybe asking him about something in a game, or asking him about what he did that night, only to be interrupted when Kuroo came over, which was a little weird as he normally didn't say anything to the two of you until lunch. "Let’s be lab partners, I would love to try some experiments with you, especially in the biology department~." Kenma could only roll his eyes, and look over towards you, who was quite confused, before realizing what he said. "Oh sure! I mean I wasn't the best in Bio when I took it so it couldn't help to get more practice on it, especially since you're really good at science! Or so I've heard from Kenma!" Well.. He thought you understood, sadly you just thought he was trying to get your grade up, but before Kuroo could go back and try to explain what he meant the bell rang and you grabbed your bag from beside Kenma and hurried off to your first period. Kenma could only offer him a small pat on the back when his friend sighed. It wasn't until later during lunch that you saw the duo again. This time Kuroo was so sure that you were gonna get his pickup line, and Kenma was already placing a bet with Yaku that you were gonna be confused by it, once again. He shook off his nerves before walking up to you with his signature smirk. "Hey (Name), Is it just disproportionate gravitational force or are your eyes just a Great Attractor~?" You looked at him for a second, the words trying to process in your head before you looked deep in thought for a second before smiling and turning towards him. "I think that was a compliment so thanks! But I have no clue what you just said!" Kenma could only chuckle in the background knowing he was gonna be 10 dollars richer by the end of the day, all while Kuroo could only let out a groan. Well at least he was one step closer by finally getting you to understand that he was trying to compliment you. Though maybe science puns weren't the way to go about it..

OMG This is my first fic for the Haikyuu fandom, and all because I almost started crying at the end of the dumpster battle movie yesterday (The only reason I didn't was because I had to drive myself home, and I wanted to make sure I could see the road 😭) Also as I science nerd myself I loved this more than I can say and science nerd Kuroo is one of my favorite things on the entire planet<33 (Also the movie was so so so great, and the best part was the fact there was only me and my two friends in the whole theater, we love that for us!! Totally making them go see Episode Nagi when it comes out though-)

#haikyuu x reader #haikyuu #kuroo tetsurou #kuroo x reader #kuroo tetsuro x reader #xonavia's writings!

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c-e-d-dreamer · 1 day

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Top Shelf Love: Chapter 2

A/N: Has anyone else been watching the Stanley Cup Playoffs? Just Me? I haven't decided yet who I want to be in the final ever since my Canes have been eliminated... Anyways! All this to say that it's been fun writing this hockey fic while watching hockey, and I hope everyone enjoys reading this latest chapter :)

Read on AO3 // Chapter Masterlist // Previous Part // Next Part

Cassian

Despite having played the Kraken in Seattle once last season, Cassian has to admit it’s pretty nice being on the home side of Climate Pledge Arena. Sure, playing in a place like Madison Square Garden most nights was a dream, one he held since he was just a boy, but there’s something to be said about all the upgrades and modernity that a newer arena has to offer.

Following the director of team services out of the elevator, they come to a set of frosted glass doors, the Kraken logo split between the two. As they step closer, the doors automatically slide open, revealing the locker room, and Cassian barely swallows down an impressed whistle. It’s certainly spacious, even for an NHL locker room, LED lights and the Kraken logo displayed on the ceiling. At least, he won’t have to worry about stepping on it here.

“Valdarez.”

Cassian turns just in time to see a tall man walking toward him, blonde hair cut short and beard trimmed to just a stubble along his cheeks. His grin is wide and easy, revealing the chipped upper tooth on the left side. It’s easy enough for Cassian to recognize the captain of the team, Fionn Donoch. He still remembers watching him lift the Cup back when Cassian was just a teen.

“Wanted to make sure I came down to meet you myself,” Fionn continues, holding out his hand for Cassian to shake.

“Are you sure you didn’t just want to come down and remind me who’s really in charge here?”

Fionn laughs good naturedly at the joke, slapping Cassian on the back. “You’re going to fit right in here. So, what do you think so far?”

Cassian glances around the locker room again, thinking back to the practice facilities he’d toured earlier. “Yeah, it’s pretty nice, all the fancy arena upgrades.”

“Definitely not the worst place to call home, right? Listen, they don’t have the ice down yet, but I can still show you if you want.”

At Cassian’s nod, Fionn leads the way out of the locker room. They pass through a glass lined hallway, Fionn explaining how during game days, it’s lit with blue LED lights, how fans typically line the other side, banging the glass and getting the boys going. Then they’re stepping onto the home bench and the arena floor, and Cassian gets to appreciate what the view will be from ice level. He turns slowly in a circle, taking in the stands, the scoreboards, the afternoon light streaming through the wall of windows.

He takes a deep breath in, and for a moment, he can almost hear it. The blare of the goal horn. The roar of the crowd. He can almost feel the cool bite off the ice against his cheeks. Can almost feel the surety, the peace that comes from having it beneath his skates, from the comfortable weight of a stick in his hands.

“Have you met with Miller yet?”

Cassian shakes his head of the daydream, turning back toward Fionn. “Yeah, I met with the whole staff earlier this morning.”

He and Fionn continue to talk shop, talk the system, before making their way together toward the garage and their cars. Or, in Cassian’s case, his rental car until he’s able to secure a new apartment and get all his things shipped out. He supposes he should check in with that realtor Eris connected him with again.

“If you need anything, don’t hesitate to reach out,” Fionn tells him, offering another easy grin as he hits the remote of his car. “Even if it’s just food recommendations.”

“Thanks, but I’m actually meant to be meeting up with a friend after this. She’s going to give me the whole tour of the city and all that.”

“She, huh? Let me know if I need to pass her number along to the wife. I don’t think they’ve done dues yet for this season.”

Cassian chuckles at the teasing smirk on Fionn’s face, the implication of his words. But then he thinks back to Nesta. Thinks back to the photos of her Instagram, to those icy blue eyes and that damn expression on her face. He can’t deny there’s been a low, simmering heat in his gut all morning, sparking at the fact he finally gets to meet Nesta, finally gets to witness that fire in person.

“Only if I’m lucky.”

~ * * * ~

Large, looping letters declare Grumpy & Sunshine Books above the door, the window display to the left of the door decked out with an artsy display of flowers and hanging book pages. Cassian glances down at the phone in his hand, the Map displayed on the screen there, confirming he’s in the right place. With a nod, he pockets his phone and presses forward, stepping through the front door.

The scent of paper and ink greets him as soon as Cassian steps inside, along with something vanilla. A candle that he can’t see? There’s a table display of books immediately inside, and Cassian casts them a cursory glance, taking in more looping text and what looks to be a variety of cartoon characters on the covers. He weaves around shelves and more table displays, past a wall of vines and succulents and a pink neon sign declaring Most ardently.

And at the very center of the store, Cassian finds the register and the woman he’s looking for bent over a book behind it. Cassian had known Nesta was the most beautiful woman he’d ever seen since he first saw her picture, but seeing her in person is another thing altogether. Seeing her standing there in front of him almost has him wanting to drop down to his knees right there in the middle of the bookstore.

Her hair is braided back in an intricate updo, but with her head bent down, a strand of golden brown hair tumbles down her temple and kisses her jawline. Deft fingers brush the hair aside and behind her ear absently, further revealing the sharp cut of her cheekbones. When she turns the page of her book, her lips part, eyebrows jumping, and Cassian thinks he might give anything to see her eyes properly, to see if they spark and flare along with whatever she’s just read.

He’d give anything to have those eyes on him.

“Reading on the job?”

Nesta snaps her book closed, her attention finally rising, and Cassian gets his first look at those blue eyes he’s so often thought about. They’re a similar shade to Feyre’s, sure, and yet so different somehow. They seem to burn with a silver fire that leaves the cool shade of them looking like a storm roiled sea, especially when that gaze narrows on him, her lips pinching into a scowl.

Cassian doesn’t let the reaction deter him. If anything, it only stokes the embers in his own chest, beckoning him into the flames. He closes the final few steps between them, leaning against the register counter with a smirk.

“Nesta Archeron,” Cassian greets.

“Cassian Valdarez.”

His name falling from her lips shouldn’t sound as sweet as it does, especially with the clipped tone she speaks it, but a zing of electricity still skitters down Cassian’s spine nonetheless. What would it take to have her saying his name again? To have her sighing it? For him to taste it?

“So you do know me, then?” Cassian drawls, daring to glance down at her book. A Calanmai Secret. “And yet, you couldn’t answer any of my texts.”

Nesta crosses her arms, leveling him with a hard look that Cassian is sure is meant to send him running. “Most people would take that as a hint. Yet here you are. In my bookstore.”

“Feyre said you’d show me around the city.”

“Feyre asked me to show you around. I don’t recall ever agreeing.”

“I’m starting to think you’re the grumpy on the sign outside,” Cassian chuckles softly, hoping to at least earn the hint of a smile at his teasing joke.

Instead, Nesta settles both hands on the register counter, leaning forward. “Buy something. Or get out of my store.”

Cassian tilts his head, taken back by the harsh reaction. He’ll clearly have to work harder to get her to smile or laugh. Challenge accepted. Already, he can hear Az’s voice in his mind, making a dry comment about his taste in women. Already, he can see the way Rhys would roll his eyes.

“Fine,” Cassian says easily with a shrug, stepping back from the register counter. “The historical section is…?”

Nesta merely points to a bookshelf to his left, so Cassian turns his attention toward it. He grabs the first book within reach, the spine a blue and green. He’s intent on striding right back up to Nesta and proudly purchasing the book, but then he catches sight of the cover. Of the shirtless man that takes up the cover, the model’s skin clearly oiled up so every ridge of muscle is on full display. A tartan hangs low on the man’s hips, and just above the man the title is scrawled, Highland Escape.

“This… is not what I meant.”

Rather than direct him toward the historical fiction section, Nesta crosses her arms across her chest, her lips tugging up into a smirk. And, oh, there’s a real challenge blazing in her gaze now, that fire that had called to Cassian even in photo form sparking in her blue eyes. It’s beautiful, that look on her face, daring him to play.

He glances around the bookstore again, this time with fresh eyes. The greenery on the walls, the different table displays, the pink neon sign with an Austen quote. Of course. He’d heard of bookstores like these, ones that specialize in romance novels.

When he looks back toward Nesta, she has that same daring expression on her face, her smirk already starting to grow as though she’s won. As beautiful as it is, as beautiful as she is, Cassian refuses to back down. Heat flares through his chest as he fights back a smirk of his own, more than ready to keep this game of theirs going. He clears his throat and turns back to the shelf, sliding the book in his hand back into place. He takes his time reading the different titles along the spine before finally settling on a different book, tugging it free and sidling back up at the register counter.

“I’ll take this one,” Cassian tells Nesta with a grin, sliding the book across to her.

Nesta hums, glancing down toward the book he’s selected. Viking Bride. Cassian waits for the mask to slip, to see a hint of a reaction take over her face, but she’s nothing but cool and silent as she rings him up. The transaction complete, she tucks his receipt into the cover of the book, sliding it back over to him.

“Have a nice day,” Nesta offers, her tone mockingly sweet.

Cassian reaches for the book, his fingers brushing along Nesta’s own until she snatches her hand away. “You know, I’m beginning to think you don’t like me.”

Nesta snorts and rolls her eyes. “Whatever gave you that impression?”

“Oh, yeah, Nes, you’re a real ray of sunshine right now.”

“Don’t call me that.”

There’s no stopping Cassian’s smirk at earning that reaction, a little tidbit he tucks away, even as he continues, “but it’s not really fair, is it? I mean, you don’t even know me. This is literally our first time ever meeting. What could I have possibly done?”

Nesta’s face falls, a new emotion flashing through her blue eyes. It’s certainly the cool, haughty mask slipping away, but not how Cassian wanted. He frowns at the sudden change, but before he can even begin to attempt to decipher what that emotion is, what that expression could mean, Nesta turns away from him.

“If I give you a tour of the city, will you leave me alone after that?”

~ * * * ~

Nesta

Nesta doesn’t know what she expected. She knew, in the back of her mind, that despite never responding to a single one of Cassian’s texts, that that wouldn’t be the last of things. But she can’t say she expected him to show up at her bookstore. Didn’t expect him to stride in with a smirk and an easy confidence, to almost proudly buy a viking romance novel.

She wants to hate that he still looks as good as the last time she saw him at Feyre’s engagement party. His hair is loose, dark curls hanging around his temples and tumbling down to his shoulders. His eyes are a hazel as bright as Nesta remembers, a maze of greens and golds that seem to spark with a flickering flame. And that cocksure smile has no damn right being as attractive as it is.

She wants to hate the way he didn’t back down from her ire, from all the quips she threw his way. Instead, he only seemed to rise to meet her, seemed to enjoy it as though it was a game between them. She wants to deny the way his fingers brushing against hers sent a shiver ricocheting up her arm and down her spine.

And he doesn’t even remember her.

She’d felt stupid that night in New York, but she feels even more stupid now. She certainly hadn’t expected an apology or anything, but this is like a slap in the face. And on the heels of that churning feeling roiling through her gut is anger. It burns red hot through her veins, flaring like a wildfire that licks between her ribs.

“If I give you a tour of the city, will you leave me alone after that?”

Cassian clears his throat awkwardly, that cocksure smirk finally slipping. “You want me to leave you alone?”

“What are you doing here?”

Nesta’s attention snaps toward the new voice, finding Emerie standing just inside the door, her brown eyes narrowed on Cassian.

“Hey, how’s it going?” Cassian answers easily despite Emerie’s clipped question. He holds his hand out toward her to shake, but Emerie doesn’t take it. “I’m Cassian.”

“I know who you are,” Emerie tells him airily, stepping behind the register counter.

She reaches out as she passes, fingers curling around Nesta’s wrist and squeezing lightly. It’s a silent question out of view of Cassian’s eyes, to check that she’s alright. Nesta meets her best friend’s gaze and offers the smallest hint of a nod.

“You do? Are you a hockey fan, then?” Cassian asks, unaware of the silent conversation happening without him.

Emerie snorts at the implication. “No. There’s only one hockey fan in this bookstore, and it’s not me.”

“I feel like you don’t like me either…” Cassian comments quietly, tilting his head slightly. “Is everyone the grumpy on the sign? You might want to consider a new name if there’s no sunshine.”

“Gwyn is the sunshine, and trust me when I say you’re lucky that you don’t have to deal with her.”

Nesta has to press her lips together to keep from laughing at the way Cassian’s eyes widen slightly in horror. It’s certainly not a misplaced expression. Gwyn was one of Nesta’s first friends when she first moved to Seattle, and while the redhead is one of the kindest people Nesta has ever met, she’s also the fiercest. Beneath all the bright smiles and easy laughs there’s a viciousness that can and will be released, especially when it comes to those Gwyn cares about.

“I don’t know. You said there’s one hockey fan, right? And I’m guessing it’s this Gwyn. Maybe I do want to meet her. We can talk all things Kraken.”

“Gwyn’s a Nashville fan,” Nesta informs Cassian. “They’re her hometown team.”

And dedicated to her hometown team she is. Nesta doesn’t think she’ll ever forget the first time she and Gwyn went to grab dinner at a sport’s bar, the first time witnessing the way Gwyn ranted and shouted at the large television on the wall.

Nesta waits for Cassian’s face to drop again at this newest tidbit, but what she doesn’t expect is for his grin to grow wider and stretch across his face, for the golds of his eyes to glint. He looks like a child that just stepped foot into a candy store, like this is exactly what he was waiting for, and it has Nesta frowning in confusion.

“My brother plays for the Preds. Azriel. You know, if she wanted, I could probably get her a signed jersey.”

“Gwyn would absolutely lose her mind,” Emerie comments under her breath.

“And what’s the price for this signed jersey?” Nesta dares to ask, squinting suspiciously at Cassian.

Cassian shrugs a shoulder, all faux innocence. “Well, you clearly don’t want to give me a tour, so how about just dinner? You can give me a list of your recommendations then.”

“You’ve got to be kidding me.”

“A dinner for a jersey. Sounds like a fair trade to me. Don’t you think, Nes?”

Nesta sighs, shaking her head. “Fine. One dinner and in exchange, you’ll get a Nashville jersey signed. By the whole team.”

Cassian’s smile twists into a smirk, gaze flickering and darkening as he holds his hand out across the register counter. “It’s a bargain.”

Nesta already knows she’s going to regret this, but she reaches forward, sliding her hand into Cassian’s. His fingers curl around her own with ease, his grip surprisingly gentle. His hand is so large compared to her own, practically swallowing hers whole, and the callouses slide against her palm when she pulls her hand back. She has to forcibly shove down a shiver before it can skitter up her spine in reaction.

“Let’s go, then,” Nesta says, gathering up her things where she stored them beneath the register.

She and Emerie share one final look before Nesta leads Cassian out the door and back onto the street. Thankfully, it’s a short walk to one of the local restaurants that focuses on PNW cuisine, a good introduction for Cassian to the city and area.

“So, I have to ask,” Cassian begins once they’re seated at a small table near the back of the restaurant, the waitress vanishing with their drink order.

“Ask about what?” Nesta asks, not even bothering to look up from the menu even though she already knows what she’s going to order.

“About the bookstore.”

Nesta’s gaze flicks over the top of the menu in her hands, eyes narrowing. “Some people like to read, meathead.”

Cassian tips his head back and lets out a booming laugh, earning a few curious looks from the other tables. “Did you really just call me a meathead?”

“I’ve seen you play, seen you fighting other players on the ice.”

“Are you watching my games, sweetheart?” Cassian asks, leaning across the table to smirk at her, those hazel eyes of his glinting in amusement again.

Nesta rolls her eyes, leaning forward as well to sneer, “you wish. I told you, Gwyn is a Nashville fan. I occasionally watch a game with her.”

Cassian hums, and Nesta bristles at the way he continues to eye her. Something about those hazel eyes is almost unsettling, as though he’s looking through her in a way no one ever has. It takes everything within her not to shift in her seat, to simply turn her attention back to her menu.

“History.”

Nesta looks up again with a frown. “What?”

“History,” Cassian repeats, leaning back casually in his chair. “That’s what my degree is in.”

“I thought hockey players got drafted at eighteen? That’s what Gwyn has always said at least.”

“That’s true, but not everyone joins the NHL right out of the draft. I played for my college team for two years before I was finally called up.”

“And what? You magically finished your degree in two years?”

Cassian laughs again, this time a low chuckle that’s surprisingly warm, that practically wraps itself around Nesta’s limbs. “Lucky for me, there’s this really amazing thing called online classes.”

“Oh.”

Nesta doesn’t know what else to say to that, but thankfully, she’s spared when their waitress returns to their table, ready to take their food orders. When she steps away again, Nesta no longer has her menu to use as a distraction, has nowhere else to look except at the man sitting across the table from her. The low light of the restaurant cuts shadows across his cheeks and jaw, the candles on each table flickering in and deepening the hazel of his eyes. The large span of his hand is on full display as he curls his fingers easily around the bottle of wine he ordered, filling Nesta’s glass before he fills his own.

“You never answered my question,” Cassian tells her, setting the bottle back down. “About the bookstore.”

“I told you, some people enjoy reading. Myself included.”

“Yeah, but I remember Feyre talking about how you went to law school, that you’d be terrorizing courtrooms and making everyone regret going up against you. So, what happened? How do you go from lawyer to bookstore owner?”

The urge to lash out, to make a snapping reply that diverts the conversation, claws up Nesta’s throat. She rarely talks about it, about him. The reason she made the move to Seattle in the first place, leaving a gaping wound as big as the distance between them with her sisters. The reason the dream she thought she had, the dream she swore she always wanted, shattered between her fingers like glass, shards cutting deep and leaving her bloodied. The reason she retreated and fell back into the shadows, that Emerie and Gwyn had to pull her out.

There are days where it all still feels so raw, no matter how much time has passed. Days where a sickening feeling will churn through her gut as soon as she opens her eyes. Days where she can still hear his voice, still feel his hands. Days where the voice in her mind morphs into her own worst thoughts, into her mother’s clipped, cool tone.

“My life fell apart, and I decided to open a bookstore with my friends,” Nesta finally answers with a derisive drawl. “Happy?”

Cassian’s face falls, lips tugging down in a small frown. “What does that mean?”

Nesta doesn’t want his pity. It’s the one thing she hates most, people looking at her with pity in their eyes. As though they feel sorry for her, as though she’s weak. When she finally walked away, finally got out, she swore to herself that she would never be weak again, and she’ll be damned if she starts now.

“Last I checked, I don’t have to tell you my whole life story. I answered your question, did I not?”

“Nes–”

“You get one dinner as part of our bargain, remember? Do you really want to ruin it?”

—

Taglist (let me know if you’d like to be added or removed): @moodymelanist @nesquik-arccheron @sv0430 @talkfantasytome @bookstantrash @eirini-thaleia @ubigaia @fromthelibraryofemilyj @luivagr-blog @lifeisntafantasy @superspiritfestival @hiimheresworld @marigold-morelli @sweet-pea1 @emeriethevalkyriegirl @pyxxie @dustjacketmusings @hallway5 @dongjunma @glowing-stick-generation @melonsfantasyworld @lady-nestas @goddess-aelin @melphss @theladystardust @a-trifling-matter @blueunoias @kookskoocie @wolfnesta @blurredlamplight @hereforthenessian @skaixo @jmoonjones @burningsnowleopard @whyisaravenlike-awritingdesk @ofduskanddreams @rarephloxes @thelovelymadone @books-books-books4ever @tenaciousdiplomatloverprune @that-little-red-head @readergalaxy @thesnugglingduck @kale-theteaqueen @tarquindaddy @superflurry @bri-loves-sunflowers @lady-winter-sunrise @witch-and-her-witcher @fieldofdaisiies @freakingata

#nessian #nesta archeron #cassian #acotar #acosf #nessian fanfiction #nessian fic #nesta x cassian #Top Shelf Love #my fic

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insanityclause · 2 days

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“It must have been in about 1979, I was in New York on holiday. I was sitting up with a friend, and we were both stoned as owls.” Jane Wymark was retelling her brush with a piece of theatre history. She recalled the sound of a telephone cutting through the sour, rising smoke. Wymark answered. Distant and absurd on the other end of the line, a telegram message from her mother. “It said something like: ‘Wonderful job. Hamlet, please come home.’”

After several minutes of laughter, it occurred to Wymark that the call might not be a joke. “So I rung my mother up, and said ‘I’m really sorry if I’m waking you up in the middle of the night for no reason, but is this real?’ And she said, ‘Yes, come home right now, because they want you to play Ophelia.’”

Wymark was being parachuted into a production of Hamlet that was being talked about as among the best of the century. Derek Jacobi, a Shakespearean actor then in his forties and recently made famous by his star turn as the Roman emperor in the television series I, Claudius, was in the title role. In some quarters, Jacobi’s poetic, volatile performance was being talked about as the Hamlet of his generation.

A film of the production would be broadcast in America and viewed by more people at once than any in history. When The New York Times asked Jacobi how he felt knowing that a generation of viewers would come to consider his interpretation definitive, he replied: “That way lies madness.”

One night, Wymark recalled, the cast were taking their bows in the furnacelike auditorium. “By the time we got to the end of the show we were pouring sweat,” she said. “Well I wasn’t, because I’d been dead for a while, but Derek and the guy playing Laertes were just sopping. We’d done all the usual curtain calls and everything, and then Peter O’Toole comes wavering on to the stage.”

O’Toole, then almost 50 and skeletal-gaunt, was carrying in his hands a little red book. As the audience hushed he explained that the book was given to the actor who was considered the definitive Hamlet of his generation. When O’Toole had played the part in 1963, the actor Michael Redgrave had given him the book. Redgrave had been given it by someone else, a great actor of the previous generation, and now O’Toole was passing it on to Jacobi, who in turn could give it to whomever he pleased.

The notion that each generation has its definitive Hamlet is a critical will-o’-the-wisp that has dogged the play almost since it was written. The Edwardian essayist Max Beerbohm called Shakespeare’s most famous part “a hoop through which every eminent actor must, sooner or later, jump”, but only one actor in thousands gets to “give” his or her Hamlet in a professional production. “Everyone — great, good, bad or indifferent — wants to play Hamlet,” the actor Christopher Plummer once said.

Why? The question feels redundant. If you are someone who needs to perform, you are someone who needs to perform Hamlet. In Withnail and I, the 1987 cult comedy film about actors and their ambitions, the bloated, fey, lecherous character known as Uncle Monty has a short speech on the subject: “It is the most shattering experience of a young man’s life when, one morning, he awakes and quite reasonably says to himself, ‘I will never play the Dane.’ When that moment comes, one’s ambition ceases.”

Earlier this year, I set out to find the red book.

As a trophy, a tradition, a secret succession, it seemed to embody some of the most romantic ideas about the part. I felt that in mapping its passage from player to player, I could trace a shadow history of the thing that has been driving the whole theatrical world for centuries: ambition.

This is what brought me to ask the retired Wymark about her encounter with the book. And this is how I eventually came to be standing outside a rambling, gabled cottage in north London, uncertain about whether to ring the bell until a vast Shakespearean sneeze told me I was at the right place. The door opened and I shook hands with a neat, elderly man who looked just like Derek Jacobi. The living room, decorated with antique furniture and hung with flower paintings, left an impression of a precisely chosen life. I said that I wanted to ask him about a red, leather-bound book, handed down from actor to actor, that had passed through his hands decades ago. I said he might be the oldest living actor to have held it in his hands. He furrowed an alpine brow and fixed his pale blue eyes on a tiny point just past my left eye. “Oh God,” he moaned, in an agony of remembrance. “It was a little copy of Hamlet . . . ”

Of course, there is no definitive Hamlet. This is true, and so obviously true that people have been saying it for hundreds of years. “There is no such thing as Shakespeare’s Hamlet,” wrote Oscar Wilde. “There are as many Hamlets as there are melancholies.” This is true! Hamlet is sour, obedient, suicidal, sarcastic, self-indulgent, flip and outright murderous before the end of his second scene. Modern scholarship has been wincingly keen to stress the heterogeneity of possible responses. As I once heard a professor say in a university seminar, should we be speaking of Hamlets, rather than Hamlet?

Perhaps. But we should also be honest: that sucks and we hate it. We also can’t ignore the genealogy of great Hamlets that exists, stretching all the way back to Richard Burbage, Shakespeare’s star performer and business partner, for whom the role was written. That the character and the play are both radically unstable and look totally different in different hands seems to have made us more eager to pinpoint a single actor’s performance as the one. Producers, theatre managers, actors and journalists have connived to reinforce that idea.

Hamlet does offer an actor a scope and centrality that no other part does. “It’s the great personality role in Shakespeare,” Jacobi explained when we were sitting down, his hands conducting the silence around him as he spoke. He had settled in a winged leopard-print armchair, like a portrait of himself. On the side table was an Olivier Award, a small bronze sculpture of the great Laurence Olivier himself, the man who won both Best Actor and Best Picture for his 1948 film of Hamlet, and then launched the National Theatre in 1963 with a production of the play. “You use much more of your own personality as Hamlet,” Jacobi said, “rather than becoming Hamlet by going out and acquiring things. . . Hamlet will look how the actor looks, sound how he sounds, move how he moves. You play yourself as Hamlet.”

Jacobi first came to prominence as a teenage Hamlet, in an eye-catchingly serious schoolboy production at the Edinburgh festival fringe. In his early twenties he joined the germinal National Theatre and played opposite O’Toole’s Hamlet as Laertes. In his forties, he was given the red book by O’Toole, filmed in the role and toured the world. He was sworn to revenge under sheets of pelting rain outside the real Elsinore castle in Denmark. He soliloquised and played mad by the Egyptian Sphinx as the sun set.

A particular challenge of playing the part, Jacobi told me, is delivering lines so famous they risk breaking the audience’s suspension of disbelief. In his production, the second act began with Hamlet’s most famous soliloquy. Unusually, it was played as a speech delivered to Ophelia, rather than on an empty stage. In Sydney, at the end of the tour, Jacobi was waiting nervously in the wings. “I thought, ‘This is probably the most famous line in all drama. What if I forgot it? What if I went on and my mind went blank?’ And I went on, and I started . . .

“To be, or not to be, that is the question/ Whether ’tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune/ Or–

Or–

Or–”

Blinded to the astonishment of a thousand spectators by the force of the footlights, Jacobi realised he’d dried. Dried completely. It wasn’t like he’d forgotten the words. It was like he’d never known them. An entire minute of silence passed, until he was audibly given his line by Ophelia. Somehow, he got through the performance and the rest of the run. Afterwards, Jacobi didn’t go on stage again for two years. When I mentioned the incident, his eyes turned tight and hooded. He asked to talk about something else. Sensing my cue, I returned to the red book.

“Oh God. Rich!” he called into the next room. “Who did I give the book to?”

“You gave it to Ken Branagh,” called Richard Clifford, Jacobi’s partner, from offstage.

“Ken! I gave it to Ken,” said Jacobi. Then, calling back: “Who did Ken give the book to?”

“Tom Hiddleston!”

“Tom! He gave it to Tom.”

I asked how he had received the book himself and he went back into the trance of remembrance. “Now, I was playing Hamlet at the Old Vic. And at the curtain call one night, Peter O’Toole came on to the stage with this book and gave it to me. And he had originally been given it by . . . Oh . . . ” He trailed off, unable to remember Redgrave.

“Oh!” cried Clifford from the kitchen.

“Oh!” cried Jacobi in the living room.

Johnston Forbes-Robertson. That was the name of the first owner of the red book. Forbes-Robertson was a legendary Victorian actor who played Hamlet into his sixties. The book itself was a Temple Shakespeare, a handsome reader’s edition of the play printed around the turn of the century and bound in red leather. He probably bought it in a West End bookshop, pacing around between rehearsals. Or so I’m told by Russell Jackson, an emeritus professor at the University of Birmingham. “It would have been instantly recognisable,” he told me. “You can hold it more or less in the palm of your hand.”

In 1996, Jackson was working as a script consultant on a film of Hamlet directed by Branagh, who was then in the middle of a hurtling, flame-tipped ascent to near-unprecedented eminence among Shakespearean actors. As a leading man who had run his own theatre company and could direct and star in internationally released film adaptations of the plays, there was no one to compare him to but Olivier. He was now at work on a princely four-hour fantasia, shot amid fake fallen snow at Blenheim Palace with himself in the starring role.

He had cast his old hero, Jacobi, as Hamlet’s murderous uncle Claudius. On his last day of shooting, after the traditional applause that follows a final take, Jacobi asked for silence. Jackson kept a diary at the time: “[Jacobi] holds up a red-bound copy of the play that successive actors have passed on to each other, with the condition that the recipient should give it in turn to the finest Hamlet of the next generation. It has come from Forbes-Robertson, a great Hamlet at the turn of the century, to Derek, via Henry Ainley, Michael Redgrave, Peter O’Toole and others. Now he gives it to Ken.”

Hamlet had been a pivotal document in Branagh’s life. As a teenager in 1977, he had seen Jacobi play the role at the New Theatre in Oxford. In his memoir, he remembers it as one of the moments that inspired him to become an actor. “I didn’t understand it at all, but I was amazed by the power of it because it seemed to be affecting my body. I got the shakes at times.”

Two years later, Branagh went to interview Jacobi, who was then playing Hamlet at the Old Vic. “I got a note from someone called Ken Branagh, saying, could he interview me for Rada’s magazine?” Jacobi told me, referring to the prestigious London acting school Branagh attended. “He was a personable young man. He asked good questions. As he left, he said: ‘I’m going to be playing Hamlet one day, and you’re going to be in it.’”

“Ken,” Jacobi added with a smile, “wasn’t slow in coming forward.”

It was no secret that Branagh had set his sights on matching, even reanimating, Olivier’s career. With his movie of Hamlet, he was threatening to run away with the crown. But while the film won plaudits from some critics, it made back only around a quarter of its budget, and Branagh was nominated only for best adapted screenplay at the Oscars, a curiously backhanded compliment for a Hamlet that advertised itself as the complete text.

Branagh held on to the book for more than 20 years, passing over several acclaimed Hamlets (David Tennant’s agonised spectre foremost among them) in that time. “I took special pains to make sure it was preserved,” said Branagh, who was reached with written questions via an agent and an aide during the shooting of his new film. “I felt the book was something rather treasured and private, and not something that you in any way crowed about. You were a temporary custodian.” In 2017, he finally handed the red book on to the actor sometimes thought of as his protégé, Hiddleston.

So there it was. Redgrave to O’Toole to Jacobi to Branagh to Hiddleston. But still, something wasn’t adding up. I began desperately ringing round old actors asking for snippets of information about the red book, and started reciting the list of names from Jackson’s diary entry: Forbes-Robertson, Ainley, Redgrave, O’Toole, Jacobi, among others. Every time I read the list, everyone said the same thing. Where the hell is Olivier?

Here is a story about Laurence Olivier. Once upon a time, in the early 1800s, there was a great Shakespearean actor called Edmund Kean. He was the Hamlet of the Romantics. Samuel Taylor Coleridge wrote that watching him was “like reading Shakespeare by flashes of lightning”. Kean was also renowned for playing Shakespeare’s other great soliloquist, Richard III. As the hunchbacked villain, Kean would rage and swagger and strut about, swishing a great sword in his hand. That sword was passed to William Chippendale, a member of Kean’s company. Chippendale gave it to an actor called Henry Irving, who gave it to the great Ellen Terry who, we understand, gave it to her great nephew. His name was John Gielgud. Gielgud gave the sword to his contemporary, Olivier, telling him to pass it on to the great actor of the next generation. And Olivier kept it.

He is rumoured to have been buried with it. Certainly, the sword has not been seen since his death. (One of the last people to see it was Jacobi, who confirmed to me that Olivier still had it as a very old man.) Is Olivier really lying in his grave with no tongue between his teeth and Kean’s sword beside him? If he is, it feels like a little parable about the sharp, inward points of ambition. Here was a man who got everything and more from a life in the theatre. But he couldn’t bear to part with a prop sword.

The question of why Olivier never received the book becomes more pressing when you read the letters he received playing Hamlet from the Edwardian actor Henry Ainley, the book’s second owner. On opening night, January 5 1937, Ainley telegrammed Olivier in his dressing room: “THE READINESS IS ALL.” Later that night he wrote: “You, my sweet, are the Mecca . . . Pay no heed to the critics, they do not know. You are playing Hamlet; therefore you are a king [ . . . ] You rank, now among the great.”

Ainley’s hornily free-associating letters seem to imply a physical affair at times. “Larry darling, I have been tossing (now now) about at night thinking of you,” he writes in one of the letters, currently kept by the British Library.

“Well, you know what you did. I can’t walk [ . . . ] And the child has your eyes.” Yet it is Olivier’s fame that Ainley most obviously covets. “Soon you will be like [me],” he writes in another. “Your public, your following all gone, dear old boy! The harlequinade. We do not endure!” There is no mention in their correspondence of the red book. Whether Ainley had already given the book away, or felt compelled to hang on to it, or simply had forgotten it, remains a matter of speculation.

It’s not the only agonising gap in the archive. In 1963, an older Olivier cast Peter O’Toole in the production of Hamlet that would open the National Theatre. O’Toole had already played a wild, revelatory Hamlet at the Bristol Old Vic in 1958, in which he famously climbed the proscenium arch mid-performance. It was an interpretation that harnessed the young actor’s modernity. “He’s a lean, lank, individualist Teddy Boy!” one reviewer enthused.

But in 1963, Olivier had other ideas. “It was very strange,” remembers Siân Phillips, O’Toole’s then wife, now aged 91. “Larry [Olivier] had talked him into this terrible costume. He looked like Little Lord Fauntleroy, with a Peter Pan collar and clean, beautifully cut dyed blond hair.”

Phillips thought Olivier seemed to want to trim the edges off her husband. “Larry had this new kind of concept of a very tidy Hamlet, which was the opposite of what [O’Toole] did best. But he had such regard for Larry, who was flattering him enormously. He just did everything asked of him.” Phillips had put her own starry career on hold to let O’Toole have the spotlight. She did his filing and kept track of gifts he had been given, making sure people were thanked, which was why she found it strange that she’d never heard of the red book.

Together, we wondered if the unhappy production had made it a sore point for her husband. “The thought did cross my mind once or twice that Olivier might be trying to sabotage him,” she said. “But how could he want to do that on the opening night of the National Theatre?” On the other end of the phone, I thought of Kean’s sword.

Perhaps this is harsh. Perhaps we can understand the desire to have and hold on to a physical token of fame, strength, adulation, applause, youth — the things that slip away from even the greatest artists. All performers live in fear of unemployment and redundancy, and even the successful ones are loved, fiercely and temporarily, for being someone they’re not. “Today kings, tomorrow beggars, it is only when they are themselves that they are nothing,” wrote William Hazlitt, the English essayist.

“British theatre has traditionally privileged innovation,” the Shakespearean scholar Michael Dobson told me. In France, he explained, you could see Phèdre performed with the same gestures, the same intonation, for hundreds of years. “The British are always inventing new things, like gas lighting and ways of doing ghosts with mirrors. It’s never the old, boring Hamlet your parents used to like. It’s always got this young, original, absolutely real actor in it, instead of those stylised old geezers.”

In which case, let us sit upon the ground and tell sad stories about great actors who fell from fashion. It was Burbage who first delivered Hamlet’s acting advice to the players: “O’erstep not the modesty of nature: for any thing so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as ’twere, the mirror up to nature.”

Until the modern day, actors didn’t play big roles just once or twice in their careers, in a long run of performances. They performed them frequently. Even in Shakespeare’s time, actors became associated with certain parts in the minds of spectators. Burbage died in March 1619, and the funeral baked meats were hardly cold when he was replaced by another actor, Joseph Taylor.

An unreliable but enticing story has it that Burbage taught Taylor, and Taylor taught the next great Hamlet, Thomas Betterton. Betterton was the Hamlet of Restoration theatre, among the first to play opposite women. Confronting his father’s ghost, Betterton’s Hamlet could “turn his colour”, as though his face had drained of blood with fright. Betterton made his face “pale as his neck cloth”.

Betterton died in 1710, immortality assured. Within a few decades his reputation had been all but vaporised by the greatest actor of the century, David Garrick. Garrick was almost a religion among theatregoers. “That young man never had his equal as an actor, and will never have a rival,” was the poet and critic Alexander Pope’s verdict. Garrick was both a shameless showman and pioneering realist. He played Hamlet in a mechanical fright wig that made his hair stand on end when activated.

Garrick was replaced by John Philip Kemble, a severe and statuesque Hamlet. In the early 19th century, Kemble was outmoded by Kean, whose ascendant star was quickly selling out theatres. “Places are secured at Drury Lane for Saturday, but so great is the rage for seeing Kean that only a third and fourth row could be got,” wrote Jane Austen, struggling to get seats. Out with the old. Next came Samuel Phelps, the actor-manager who first made a point of performing the original texts of Shakespeare’s plays. He was toppled by Henry Irving, a drawn and gothic actor. Irving was supposedly the inspiration for Dracula; his theatre manager was Bram Stoker.

Enter the melancholic, effeminate figure of Forbes-Robertson, the first owner of our red book. His Hamlet, first performed in 1897 and still being revived into his sixties, was in some ways the last definitive stage performance in this unofficial, highly debatable but surprisingly enduring tradition. “Nothing half so charming,” George Bernard Shaw wrote of his performance, “has been seen by this generation.” Orson Welles described one recording of Forbes-Robertson as the most beautiful Shakespearean verse-speaking he ever heard. You can still listen to it on YouTube, uploaded from an ancient LP.

“The next reference to the actor’s art,” creaks the old voice above the hiss of imperfectly transcribed sound, “is Hamlet’s advice to the players, written, obviously, by an actor who has complete command of his calling.” In a voice ponderous with time but still capable of lightness and precision, he begins the passage in which Hamlet gives notes to a theatrical troupe. “Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue.”

Forbes-Robertson would have seen more clearly than many of his successors how rapidly the galaxy of theatrical ambition was expanding. He was the first great Hamlet to play the part on film, in a lumpy silent production in 1913. If that film looks stagey and stylised to modern eyes, then looking back at these nested revolutions in realism, it’s also obvious that old actors have always looked that way in the eyes of their successors. Naturalism is just the style each era brings with it.

Hamlet’s advice was itself part of this reach towards the endlessly receding goal of the real. To an Elizabethan audience, the travelling troupe with their heroic verse and stagey couplets would have seemed obviously to belong to a previous generation of players, one playwrights like Shakespeare, and plays such as Hamlet, were making redundant. Hamlet says to the players what the theatre is always saying: be young, be modern, be new.

You can’t ask too much of very famous actors. Basic professionalism demands that they don’t tell you anything too interesting. They live like criminals, travelling under pseudonyms and booking the front seat on aeroplanes. We abhor in their personal lives the basic human latitude we praise in their work. “I am myself indifferent honest yet I could accuse me of such things that it were better my mother had not borne me,” Hamlet says to Ophelia. “What should such fellows as I do, crawling between heaven and earth?”

I had hundreds of questions for Hiddleston, the 43-year-old star of the Marvel Cinematic Universe and current holder of the red book. Unfortunately, Hiddleston is not an easy man to reach. As the man who plays Loki in the Marvel series (global gross about $30bn), he has been watched at his craft by an unimaginable number of human eyes. He does his work in green-screen and widescreen settings that would also have been unimaginable to 90 per cent of the people named in this article. Where Burbage played Hamlet without an interval, Hiddleston’s fame is a postmodern mosaic, put together in franchise films with an average shot length of two seconds. Given that he commands multimillion-dollar fees for these acts of cinematic pointillism, you may imagine his time is precious. I was able to reach him by phone for 15 minutes during press week for Loki season 2’s Emmy campaign. “Good morning,” he said, dialling in from Los Angeles. “I mean, sorry, good evening.”

Hiddleston played Hamlet in a fundraiser production for Rada directed by Branagh in 2017. He told me how he had left drama school and joined Declan Donnellan’s Cheek by Jowl theatre company, standing out as Cassio in a somewhat legendary modern Othello, in which Ewan McGregor played Iago opposite Chiwetel Ejiofor in the lead. Branagh saw the production and persuaded Marvel studios to let him cast this relative unknown in Thor, which then grossed almost half a billion dollars. Afterwards, they sat down for lunch and Branagh suggested Hamlet. “And I said, ‘I would absolutely love to do it with you. What an honour.’”

The production played for three weeks in Rada’s tiny theatre, with tickets that were won by lottery. Among the critics, Michael Billington, Britain’s most decorated theatre writer, was one of the few to have got a seat. “If I had to pick out Hiddleston’s key quality, it would be his ability to combine a sweet sadness with an incandescent fury,” Billington wrote in his review. On Saturdays, Hiddleston remembered, there were gala performances for graduates and theatrical somebodies. “I think at the first one almost everybody with the last name ‘Attenborough’ in the UK was in attendance.”

On one of these evenings, a glass was clinked with a spoon. Jacobi began to speak, explaining something about a book that had passed from actor to actor. “And then Ken was at the microphone, explaining that the responsibility of the keeper of the book is that they pass it on to the next generation. And suddenly Ken said, ‘I’d like to present it to Tom.’”

We were 10 minutes into our 15. I looked at my list of questions — on frontispieces, annotations, signatures, printing quirks — about the red book. Hiddleston was in LA. The book was in London. He was not contractually obliged to talk to me, as he was to the other journalists who were waiting on iPhones all over the world. All that was sustaining this conversation was the actor’s private enthusiasm for the kind of acting he is rarely, if ever, able to do anymore.

Hiddleston began to talk at length. He said the gift of playing the part was to be presented with the most beautiful, profound poetry written in English about the question of being alive, of death, of the possibility of spiritual life after death.

An email arrived saying our time was up. “It has the effect of making me feel more alive,” Hiddleston was saying. “Learning and internalising those great soliloquies, and having to perform them, there is no escaping those big questions of what it means to be alive,” he went on, the minutes ticking by. “And actually I find it very reassuring to ask those questions. I find it repetitively reassuring to say those words. Because it actually makes your life mean something.”

#tom hiddleston #kenneth branagh #Derek Jacobi #hamlet #the red book

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compressedrage · 19 hours

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*barges in* Your Hollow Head Siblings hc's, hand 'em over!!!! 🔫

(But fr, gotta love your thoughs, they're neat and scratch my brain juuuust right!!!)

YOU HAVE OPENED THE FLOOD GATES MY ANONYMOUS FRIEND

Keep in mind I am very tired rn so this will likely be very unpolished okay here we go–

The order of age goes Victim Chosen Dark Orange, we all know this, but I think for a long time Dark thought he and Chosen were a lot closer in age than they actually were. Chosen had to warm up to telling Dark about all the horrible things he went through, and that included the fact that he was alone for four years. (it's four years right? it might be five. I can't be bothered to look it up rn, its fine)

In between the Showdown and Wanted Orange is starting to think of Chosen as an older brother. He connected the dots to figure out that Chosen was also made by Alan and he saved them! He's so cool! This idea was only a little bit shattered when this older brother figure barged into the PC and kidnapped him and promptly got them both captured. But honestly what are older siblings for.

In canon Chosen does not let himself feel emotions enough for him to see Orange as a little brother, but the connection is there. He'll come around :)

SPEAKING OF CONNECTIONS– I recently had this idea that the Hollowheads had some sort of empathy-telepathy with each other. For example, one normal day out in the Outernet Chosen feels the exact moment Orange was created. He doesn't know what that feeling meant, and he never felt it again. Orange felt drawn to this new stick figure who saved their lives, and immediately follows him through the portal. Chosen felt something snap in his chest the moment Dark died. Orange and Victim lock eyes for a moment in the Box and feel something click. None of them talk about it, but it's there.

(that last one might qualify as an AU, who knows maybe I'll do something with it)

This one is more of a wish than a headcanon– Chosen takes Orange under his wing at some point, teaching him how to use his powers as best he can. However, since Orange's powers are rather different from Chosen's, it just results in a chaotic sparring session and setting a field on fire. The CG are not amused by the amount of bruises Orange gets, but Orange is having an absolute blast.

Orange is Chosen's "Second Coming"– surely that comes with consequences. I saw a hc where they shared portions of code and I liked that; something like Orange and Chosen have similar tastes in foods. Their eyes shine the same way when they smile. Sometimes they accidentally speak in unison because they each had the exact same thought. When stuff gets serious, they both narrow their eyes and make an expression that promises pain on their enemies.

Dark would be the best big brother and let me tell you why. Orange is often left with the Braincell of the CG. Have you seen how stressed this boy gets. He gets premonitions of his friends getting hurt. Dark allows him to mess around a bit more, in a "We might get in trouble, isn't that fun!!" kind of way. Orange has always had a chaotic streak, it just takes certain circumstances for him to tap into it. They would be able to get Red back for his pranking.

Orange would teach Chosen and Dark all about modern video games. They know video games, sure, they destroyed Angry Birds. But I think playing Minecraft would solve both of their problems. At least a lot of them.

I don't have many headcanons for Victim, I just haven't seen enough of him to get a solid enough foundation to make headcanons, but as an oldest child I can relate to him on a spiritual level. He may be gray now but with those three as younger siblings he's gonna get a whole lot grayer.

Gosh I love them so much, a house with all four Hollowheads would be the most chaotic house ever. Victim– the eldest with an actual job, no nonsense, the less-than-respected Holder of the Braincell. Since he is out of the house a lot because of Job, the responsibility falls to Chosen– older middle child, delinquent, failure of a cook and the only one Dark will listen to. Speaking of Dark– younger middle child, Chaos Incarnate, fellow delinquent and Escape Artist Extraordinaire, he is a terrible influence on the youngest– Orange. Orange is the black sheep of the family in that he is actually rather emotionally stable. He's in school, has friends, hobbies– his brothers just a bit jealous but supportive anyway. He also helps Dark prank the others; he's got great aim with water balloon catapults.

I cannot impress upon you enough how much they love each other. Their lives have been filled with isolation, suffering, rejection– but now they've found family in likewise people. None of them are alone anymore. Sure, Orange wasn't really alone to begin with, but surely he noticed how different he was from RYGB. He's not replacing them, not for a million dollars, but it is nice to have brothers who are similar to you.

#WOOO this was long!#I love these dorks so so much #this was fun #I really should write some more for them they have so much potential #if there are typos in this I will get to them in the morning #*tosses this at anon and falls back into bed*#alan becker #animator vs animation #rage's ramblings about sticks #thanks for the ask btw #it was a lot of fun <3

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retrogradedreaming · 11 hours

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I just rewatched Full Moon and seeing that last scene Blitzø and Stolas ripped my heart out AGAIN and these are my thoughts after watching it a couple times, please don't throw rocks at me

First, I think this is a pretty realistic progression of miscommunication and I've seen a lot of people be on either of their sides, but I don't think there's even a side to be on. Both of them went into this with their own thoughts and pre-formed ideas of what the other wants and how they'd react, and that colored their responses and clouded their ability to process what the other was saying.

Stolas opened the whole thing with "Blitzø, I need my book back permanently" which was absolutely the wrong tone to set here. It reinforced Blitzø's belief that Stolas was getting tired of him, and as far as Blitzø (who is NOT known for his ability to accurately and objectively read people or situations) is concerned, Stolas has just confirmed that he doesn't want him. Stolas immediately clarifies and pours out his feelings, but honestly, that's a lot for Blitzø to hear immediately after feeling like his literal worst fear has been confirmed, that his business—the ONE thing he's worked so fucking hard to build from scratch—is in jeopardy. So along with wondering whether Stolas even wants him anymore, he's now contending with the panic of losing two things, so he likely barely heard and couldn't comprehend Stolas's feelings.

In ordinary circumstances, less high stakes ones for Blitzø, I think Stolas actually did a pretty decent job of communicating himself and his feelings. But I get why Blitzø didn't take it seriously—he's been in an arrangement with Stolas for so long, thinks Stolas is getting bored, so of course he'd think, "Ah, yes, a new role play, a chance for me to do better and keep him from getting bored." Stolas is understandably upset by this, but man, he really did not give Blitzø a fucking second to process at all.

And this is why I think Blitzø's reaction is understandable (not necessarily reasonable or healthy or even appropriate, but I GET IT). Of course he feels like he's being thrown away. Stolas still has power because he's rich and he's royalty and Blitzø is used to being used and discarded and not good enough. Of course he's angry—he doesn't even feel like he's being given a choice because Stolas has already scripted this in his mind, went in prepared, and imagined how it will go. He mistakes Blitzø's misunderstanding and shock for rejection—also understandably because that's what Stolas is used to, and he doesn't seem to have any friends or support, which we've seen is a pattern since childhood.

What we're seeing is two lifetimes of trauma surfacing in the face of genuine connection and love, and neither Blitzø nor Stolas knows how to deal with that. Neither of them has ever seen what it's like to receive that before. Blitzø was in the circus with a dad who sold him to a prince for "a wadded up $5 and a slim fit condom" and was always placed in the shadow of his best friend, who then hated him for 15 years because he thought Blitzø purposely blew him up. Stolas was essentially raised by a butler with a dad who had zero emotional literacy and was then forced into an arranged marriage with someone who treated him like absolute shit.

They've both lived a life where love and relationships are transactional, and they don't know how to function when someone loves them for who they are. Of course they're going to struggle to communicate, and I don't blame either of them for their reactions, but I really, really want to see them have a calmer conversation where they can process this and understand each other and accept love.

#i put most of it under a read more because it got so fucking long #I JUST HAVE A LOT OF THOUGHTS AND FEELINGS AFTER ALL THAT #fighting the urge to delete all of this but damn it i didn't type all that just to throw it in the trash #tl;dr: they both have issues and i hope they can work them out #their issues aren't their fault but mannn are they standing in the way of them being together #if you read this whole thing thank you and i love you #someone's probably said all this already but i'm gonna say it again!!#helluva boss #helluva boss spoilers #full moon spoilers #helluva boss full moon #helluva boss blitzo #helluva boss stolas

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angelfirstclass · 3 days

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Magneto: A Villain playing Dressup or Reformed Tortured Soul?

This is going to be hard one for me because I don't want to be too negative about Magneto because I think in X-men 97 he isn't the villain, but upon rewatching the show I think this question is viable. I may be accused of being a Romy shipper and Charles apologist, but I'm not really. I like Magneto in the show and he says some of the best lines in the show. But sometimes he says and does things that are kind of assholey am I right?

To start off with, the way that he introduces himself and announces that he's the heir to Xavier's mansion and the X-men. Did he really have to barge into Xavier's office and confront the team as they were bonding together playing basketball? He is so smug in that scene which is something I like about Magneto, his Alpha male strength and directness. It's hot and works when I'm writing Magneto fan fiction, but it is a tad presumptuous. His first reactions from everyone on the team is anger and suspicion and then he wonders why he's not getting a warm reception. He could have been normal and called or rang the doorbell or something, but it wouldn't have been as dramatic or as Magneto to come barging in.

The way that he says My X-men at the end of episode 1 is kind of smug and sinister is not? Maybe it's just the writers wanting tension out of that moment and having the readers shocked by Magneto, a known X-enemy inheriting everything, because at that moment we don't know if Magneto is going to be a good leader or not.

Then we see Magneto in action and he's playing the good guy. He saves a child from a busted ride and the Morlocks from the Friends of Humanity. It is shocking to the X-men but also shocking to humankind because of Magneto's past crimes. He enters leading the X-men tamping down his evil past and his more destructive methods of getting back at anti-mutant groups, but he is still Magneto with all his arrogance and his confidence and his strength of belief in himself.

Something that I actually love is the line that he toes the line between trying to be a good X-man and his feelings about humanity. He has seen so much that he is formed by those traumas and pain which cannot be so easily let go of. When he talks of not harming the Friends of Humanity members, the sneer when he says "sapiens" is pure gold. This Magneto is a tempered Magneto and we have to appreciate how far he's come. If it wasn't for his love of Charles Xavier he would be 1000 times worse.

It could be argued that other people might have made better leaders of the X-men, but for this season's storyline having Magneto play the leader was brilliant. He was just enough of an asshole to make the whole thing interesting and made the twist at the end more believable because he never really lost himself completely. You saw moments of him being potentially selfish, arrogant, cruel throughout the season which made him an interesting, complex character.

"My intentions here was not to cause drama or discord." Lol! Says the man in the cape and big M on his costume and the one who barged into the mansion without notice. Yeah, sure, Jan. He yielded to the UN, but not until after he proves how powerful he could be. A note to point out his that Wolverine talks about people being upset over all the things Magneto has done and "can't say I blame them" for being upset and I take this seriously. So currently he's trying to reform, but in this universe and timeline, Magneto has done some awful things.

The trial scene is really amazing. There are some great lines in it. The speech is probably the most compelling reason to want to trust Magneto. He is a great public speaker and he speaks of his past, how the oppressed become oppressors and that loving or being different will cause you to be punished. He is speaking Xavier's words and attempting to walk his past, but he must also acknowledge his past and the consequences of them. This is where I get confused or conflicted as I don't know if Magneto went too far or just enough or is justified or crazy. I don't know and I don't think it's something that the writers even know- like that is the crux of the show itself.

His sardonic wit is the best! "Oh to play by the rules and still they come for you." Yes. It's all going sideways and Magneto is not panicked in the least. He may be a lot of things, but dumb is not one of them. He saw this all coming and knew it was a matter of time that the extremists broke through and the judges would be deemed traitors of the race. It's like a part of him wanted things to get extreme, so the X-men would get to be on his side and see that humanity is not to be trusted and making nice doesn't work.

When asks if this is the high roads destination and essentially kidnaps all the judges, viewers are justified in thinking he might have snapped and gone back to his evil ways. We are surprised to see that he is walking Xavier's path and applaud him for that. He eventually lets the people go and asks them to not let him let them down and that's so poignant because we see just in episode 2 what Magneto is capable of and what he could do if he wasn't walking Xavier's path.

Magneto did a pretty good job of leading the team from episode 3 to 5, he is concerned about Jean, Scott, and Nathan and coordinates the team. He fights clone Jean or Madelyn and she taunts him with the line about a villain playing dress up as a hero. I think that line is so apt with Magneto because I think that his character arc is at the heart of the storyline. I wrote once saying that his relationship with Xavier was the thesis of the story and I also believe that Magneto's belief of Xavier's ideals and his own is also a pivotal part of the story. Madelyn had the power to delve into the psyche of each mutant and find their weak spots, so it proves here that Erik is self conscious of seeming to play the hero and most likely doubts his own commitment to Xavier's cause.

Then we go to Genosha in episode 5, where Magneto is king, literally. There are posters and statues of him everywhere and this all was his dream. Magneto is a savvy politician and understands making grand speeches or doing publicity stunts. Even other mutants at Genosha understand that he is the handsome face of Mutant kind and especially after joining the X-men and following moderation is liked by moderate mutants as well as humans. Even when he speaks to the group, he acknowledges that this was all Charles' dream and he didn't believe that it would happen. He is asked to be king and then he asks Rogue to be his queen. Episode 5, I think is tragically the peak of when Erik is believing Xavier's dream and thinking that peace is possible and happiness is possible for him as well. He is letting down his guard, accepting the King position, declaring his love for Rogue, trying to walk Xavier's path, be a good X-man, and etc. We know what happens next tragically however.

Everything he believed gets snatched and beaten out of him in Genosha. He tried to walk Xavier's path and it did not work out for him. He was already scarred, but this time was too much. He was kidnapped, tortured, and saw many deaths. He was already toeing the line before and felt justified in a way for committing crimes and atrocities and Genosha set him back to that way of thinking.

When we see him later, trying to persuade X-men to join him, EMPing the planet, attacking members of the X-men trying to stop him, he is traumatized and reacting poorly to Genosha. I don't justify his behavior, but I understand it. This is an Omega level mutant that has a track history of hurting humans for hurting mutants, so when a massacre hits it is not surprising that the mutant in question flexes his powers and gets angry.

What I don't know and am still on the fence about is how dedicated he truly was to Xavier's cause. Was he really a believer and dedicated to being a X-man or did it just take one incident for him to return to his ways? Also, how far is too far? Who is allowed to seek revenge or retribution? And to what extent? It is these questions that I think are so fascinating and I'm glad I don't know. These questions about Magneto are what made the show so interesting and complex and wants to make me see Season 2.

#x men #x-men #magneto #erik lensherr #x-men97 #x men 97

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prince-liest · 1 day

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Dr Prince! You have very effectively infected my brainslug with ‘Lady’s First’ (fire name, btw. the meaning hit me in the face when typing this and you would only know when checking the spelling) I can’t stop thinking about it.

Sorry beforehand, this may bully your inbox with a wall of text.

There are so many things I want to write and analyse about this, but right now I’d like to focus on Vox:

(also: feel free to ignore this if my insane ramblings go off the rails, lol, they tend to do that)

So I find it fascinating how both of them interact in this. Clearly they were talking about emotional and personal things way more than male Alastor. It’s very hard for me to put into words, not gonna lie. Vox, I feel like, has experienced a very different kind of ‘hell-socialisation’ in this version. Since it’s not ‘my gender is eldritch monster’ Alastor he’s looked up to but Alastor the woman who also happens to be the mighty Radio Demon, things turned out very different.

We can all agree that friendships between men and friendships between men and women are different. We can’t forget that Vox is also playing a role here. His presentation is carefully crafted to be the ‘man’s man’. He is all ‘I’m going to present as toxic masculine as I have learned men to be during my lifetime’ -> probably very much imitating the way that his boss used to present. Because that’s what a man does, of course(lol)! The competitive edge, so to say, is missing that would be present between ‘old-boy’ male friends. This is laced with the fact that Vox is also queer as Hell and not immune to his own upbringing. So he was able to clock Alastor’s insecurity IMMEDIATELY and tried his best to dispel them (even though it was for different reasons than one might think initially). Because he’s probably been subject to the same thing when he was alive. (Again, ignore if I’m being stupid about this, it’s just my own interpretation and I’m INSANE)

Also it kinda feels like talking about feelings is something that comes more naturally to Vox and thus, things like him being transgender and them having talked about his vast collection of dildos beforehand is interesting but I also can’t quite put my finger on WHY, exactly. Is it because a male Alastor would have absolutely snooped around Vox’s room as well, taken note of the dildos and just not given a shit? I don’t know! And Vox being so soft and considerate throughout the whole thing hit me in the face out of left field, not gonna lie.

Now, coming over to Alastor for a moment. You can almost see the gears turning in her head that led to this decision. All the little hints beforehand and the interactions throughout. As you said: socialisation as a woman dictated to her that if she wants to have a meaningful friendship with a man, it is expected of her to give herself over. She clearly likes Vox enough but I think there are also other layers to this. There is also that “choosing a partner” vibe. She is just as curious and wanting to try things as her male counterpart. She also already knew she probably wouldn’t enjoy sex but she’s not above trying it out nevertheless -> combining all the things: Vox being a friend that is near and dear to her heart that she also doesn't feel ‘weaker’ to, if that makes sense. Vox can’t ‘take’ her power or perceived status away the same way a non-Overlord would in this scenario. I interpret/project a lot of “men sleeping around are heroes, women sleeping around are sluts” into this. Then there is Vox being trans and having had very similar socialisations during his lifetime. It almost created a safe space for Alastor. If it was going to be ANY man she was ever going to try this with, it would be Vox. (Of course that notion of ‘safety’ is a very flimsy and badly worded descriptor that goes out the window the second we bring hypnosis and the fact that they are DEMONS in HELL into the mix but I’m very bad at describing my thoughts in this otherwise)

Phew. ok, so that was so many words to say: I love this stuff!

Now I wish that it was a series but my brain already can’t comprehend how this masterpiece even saw the light of day so….

Thank you so much for this!

HENCHY THIS ASK WAS SO LOVELY <3 No apologies, I love long comments (though for continuous conversations I tend to start putting things under a cut, haha).

I think you're very on-point with a lot of this, especially with Vox feeling like a safe enough option that Alastor was able to get far enough as to try this in the first place. And it's not just because she thinks Vox understands where she's coming from, having experienced life "as a woman" (in Alastor's eyes, though that's not precisely actually true to the trans experience), but also because they're from similar enough time periods that she thinks Vox has a proper understanding of how things should be. Vox in this fic has been historically actively more respectful to Alastor in a very gendered way because he's socially canny enough to pick up on the fact that Alastor expects him to be, and he cares enough about what she thinks of him to continue behaving that way even decades after they met when it's not actually the 1950s anymore.

Chivalry is dead, but they're both in hell with it!

And talking about his feelings comes more naturally to Vox in this fic because he's talking about them to a woman rather than another man, so a lot of society's "men shouldn't have soft squishy feelings (unless it's to their mother or female significant other)" bullshit doesn't register, especially to a guy who, y'know, has a vested interest in performing masculinity "correctly." If that makes sense! >:D

Anyway, thank you so much! I didn't expect the sheer amount of interest and positive response that this fic would garner and it has brought me a lot of joy. I'm really happy that you enjoyed it!

#ask #personal #henchy5824 #t #my writing #long post #nsft #lady's first

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glade-constellation · 3 days

Text

TSAMS Ships I Like and Why

These are just my personal views about TSAMS ships that I like, and why I like them. I would like to preface that I don’t think any of these will be canon, I just personally like the ship dynamics. Also, they are in no particular order.

(List under cut)

1.) Monty/Earth/Eclipse

Vee-polyamory. Earth would be the hinge, and Earth and Eclipse have a queerplatonic relationship. It is a very big comfort ship for me. I do feel like Monty and Eclipse could be friend if they got over their issues, with each other and themselves. Their dynamic is basically the scary dog privileges trend. It may never be canon, but it’s currently my favorite.

2.) Lunar/Gemini

Honestly, I do genuinely think it could work out. Everything went wrong in canon around the time they died to get together, but this is fanon so I say it works. Another vee poly style relationship with Lunar as the hinge. It been shown a decent amount that Lunar does work well with both Castor and Pollux, and they all have similar vibes. Lunar is able to calm down and just talk with Castor about things, and can also match Pollux’s really high energy. They may have a rough time communicating with each other, but I think if they worked on that it would be a really cute relationship.

3.) Solar/Ruin

Yes, this is a tragic romance, but that is literally the whole reason I like it. Listen, these two are both sassy mfers, and would just play off each other really well. They’re the kind of couple to engage in parallel play all the time just because they like being near one another. They also just have a lot in common about coming from a dying world and being pretty hated by everyone in their respective dimensions. Ruin knowing what he was doing was going to end up killing Solar is devastating. It’s an interesting couple in the fact that is a doomed romance from the start, and Ruin knows that.

4.) Sun/Foxy

Someone I follow mentioned KidsCove as being a queerplatonic relationships and it’s changed my whole perspective on this ship. Yes. 100%. I love the idea of this. I think the whole reason Kids isn’t canonical (in universe) is that the characters seems to have a very specific views on what relationships are and how they’re supposed to look. I think if someone explained to them that you don’t have to be restricted to those things, they might be more open to the idea. Plus, like, Sun does a pretty good job handling FC, and I feel like Foxy would enjoy having someone around who can help and doesn’t complain about his child being too much. (Sadly, TSAMS has made it pretty clear that, canonically, Sun and Foxy both seem to be straight.)

5.) Canon/OC or Self Insert

Any sort of OC or Self Shipping is great, I love seeing that content. As long as it’s not Moon or the children characters, we’re chill. I myself have an Eclipse/Self Insert AU and have been low key cooking up something for a Sun/OC. Do whatever, cringe culture is dead.

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eatmeandbirthmeagain · 3 days

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hello! a little fic request I’ve been thinking on, not pressuring you to write it or anything, just wanted to share.

the y/n is a hot tempered foreign princess who got married to Baldwin when they were both children. she’s very energetic, straightforward, man-like in her character, but has to adapt to fit in the court of Jerusalem and also to „suit” her husband’s calm manner and the fact that he’s ill doesn’t help.

she’s unhappy about it; maybe even tears a little during the wedding, but doesn’t let anyone to think she may be vulnerable (mostly because she understand that that can be used against her in the future after Baldwin dies). but over the time she finds herself drawn to Baldwin because, well, unlike her teachers, he lets her study and play chess with him. he cares about her desires and interests. he also respects her, not just like a woman but as a friend, and a clever one. maybe some of her advice on the politics is used by him at some point (which would be absolutely unrealistic, but really, we’re talking historical romance with a leper king here…). a cute detail would be him gifting her a weapon of some sort to protect herself because he knows how she doesn’t like being treated like she’s helpless. bonus points if he says something romantic and or pathos’y about it.

did I write this whole oc story as a multiple chapter fanfiction in my head? yes, I did. am I going to finish it? absolutely no. but I’d love to read your interpretation!

♧ "Princess" - King Baldwin x Reader ♧

♧ Angst ♧

A/N: Hello Anon! So sorry for taking so long to write this, ive had so many requests. I'm not sure if this is what you had in mind but it was my interpretation and I hope you like it! I dont really like how it turned out as your request had so much detail and my writing does that no justice, but I hope its okay ☺️! As always, this is based on the film Kingdom Of Heaven, not the real historical figgures. This is also set pre-film. Enjoy!

TW: Leprosy

At thirteen years old, marriage was the last thing on young y/n’s mind. But yet, here she was. Soon to arrive in the city of Jerusalem, to be wed to a boy she had only ever met a handful of times.

Baldwin the fourth. The leper, who's mother just so happend to be ready to find him a wife at the same time her father was ready to find her a husband.

She sat in silence for the entire journey, this was uncommon for her. She usually always had something interesting to say or something to observe with curiosity. But as per request by her father, from now on she “had to act like a proper lady. No more of this ridiculous 'masculine' behavior”.

“You will be wed to a king y/n” he had told her. “You must stop acting the way you do. No king will be allowed such behavior from his wife”.

Her attempt to keep to herself for the journey had been successful so far. She remained silent and still. Just as her mother taught her. “Just how a lady should be”.

As the city came into view, y/n felt tears begin to burn her eyes. She would never again be allowed to explore the wilderness on her fathers land, or read every book she was allowed to have from the library. She surrendered herself to a life of boredom and suppression.

Once exiting the carriage, she was greeted by the royal officials as well as the king's mother.

“I am so pleased to finally meet you young lady" she greeted her with a smile "you shall make a fine wife for my son” . Y/n thanked her and was ushered off quickly to prepare her for the hour of the wedding.

Y/n held back tears as servants worked busily around the room. Dressing her in beautiful garments, jewelry, and makeup. She was distraught. But she dare not cry. They could not see her so weak.

----------------------

The events proceeded and y/n barely even looked at the boy she was marrying. She could not bring herself to make eye contact with the man who would rule her life forever.

They told her to smile. “No man wants to see a lady disappointed on her wedding day” the king's mother had told her before they entered the church.

Baldwin himself was nervous about this day but just enthusiastic. Unlike y/n, he was looking forward to being wed to a young woman. He did not want just a wife to serve him, but a companion too. Someone who he could speak to about all kinds of things. Someone who would love him as much as he loved them. When he saw her, she looked beautiful, but sad. Very sad.

He hoped she was not sad about marrying him. Perhaps his illness deterred her from wanting to even be near him.

But she was still beautiful. She was 14, just like him. He could not take his eyes off her. He had met her a few times before, and she interested him deeply, even though they barely spoke. He more so just watched her play and talk with the other young people from his bedroom chamber window, longing to join them if it was not for his illness.

She played more with the young boys than she did with the girls. Always full of energy and life, always talking and laughing. But now, she looked different. As if the light had been drained from her.

--------------------

When the wedding was over, the young king and queen got acquainted in the boy's chambers. She still seemed very quiet and unsure about his presence.

“Are you alright?” He asked her the second they were alone. “Yes your highness” she replied in a small voice, very different to the excitable tone she used to have. She sighed and lowered herself onto the small couch, turning away from him to look at her hands.

Baldwin thought for a moment, but then remembered that his mother requested he chose a wedding gift to present her after the affairs.

“I have a gift for you,” he said happily, lightening the mood.

He noticed her eyes light up a little at the comment. “You do?”

“Yes, would you like to see it?”

Y/n nodded excitedly, a smile forming on her face for the first time all day. The boy stood and disappeared behind the red, satin curtains that covered the large windows. He returned a few seconds later with something behind his back and a wide smile.

"I had to hide it, so my mother did not see what I chose for you" he explained. This peeked y/n's intrest greatly.

“Alright, close your eyes, '' he told her, the smile still plastered to his face. Y/n shut her eyes with anticipation. When he told her to open her eyes, she was lost for words. In the young king's bandaged hands, he held a shining silver sword with a pale pink ribbon tied around the handle.

Her eyes widened and stared at the sword for a long time before taking it in her hands to admire it. “Do you like it?” he asked, cautiously, hoping he had not offended her.

“Baldwin.. I love it!!” she exclaimed with a grin, jumping to her feet and wrapping her arms around his neck and pulling him into a tight hug. The smile returned to his face and he put his arms around her waist.

“Now you can defend yourself my love. No wife of mine will be left vulnerable, even if there are men to protect her. She will defend herself, because she is strong.” His words filled the queen with happiness and hope. Perhaps her father was wrong after all and she could remain as herself. At least in the presence of her husband.

-------------------

From that day on, they were inseparable. Unlike y/n’s tutors and parents, he allowed her access to his entire private library so they could study and read together. He allowed her time to herself, so she could do the things she loved without anybody telling her how to behave.

He quite often went as far as to seek her out for advice on political issues, not allowing her straightforward intelligence to go to waste.

Overtime, y/n became used to her duties as queen, but as much as she learnt to fit the role, she treasured her time alone with Baldwin. He cared about her interests, her desires. He respected her, more than anyone else ever had. They played chess together as well, each game being a delightful battle of the mind.

He saw her as not just a wife, but as a companion and an intelligent one at that. And for this, she would be forever greatful.

#king baldwin #king baldwin iv #king baldwin iv x reader #king baldwin x reader #kingdom of heaven #king baldwin x you #kingdom of heaven fandom #kingdom of heaven 2005 #king baldwin iv x oc #the leper king #kindgdom of heaven #kingbaldwin #koh fandom #koh

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