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#parallels galore
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Lenny + Midge + Parallels, Callbacks, & Foreshadowing (Seasons 1-5) 
+Bonus
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molination · 8 months
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so yknow how fu hua always had survivor's guilt because she thinks she hasn't done what she could have done. what if in hsr, (assuming marshal hua is fu hua and she retains her memories) there is some supernatural thing ending the hsr world and at that moment she sacrifices herself (i know nothing about hsr).
like here is the scenario, himeko drives the star rail to that supernatural thing to k word it by exploding the star rail on it, but that means she k words herself. fu hua can't handle the fact she is going to send another himeko to her death so she temporarily intercepts the train, gets himeko to safe ground, and conducts the train to sacrifice herself instead and there nothing you can do about it. then you hear her last words over the comms talking about how kiana saved her once, referring kiana as a brave compassionate girl, and also say something how she used to be so weak and helpless and all her life she did what she told to do and not what she was meant to do. Then her speech ends with her bitterly saying that she doesn't believe in second chances.
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darkdisrepair · 2 years
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presuming imogen is in her early twenties, at the time her powers started manifesting (a decade before that) and campaign 3 starts in 843 PD and caleb widogast is 33 in 835 PD (if the wiki is right)
and now this is very loose and more wishful thinking, but the angst of caleb, a well-renowned wizard and researcher, could have come into contact with a desperate liliana temult, seeking answers for powers that were far greater than herself, trying desperately to find answers to powers growing beyond her control, beyond her little daughter's control-
and imagine the thoughts running through caleb's mind, about how he will not let magic rip another family apart, how this is the chance he has, to use his brain and his devotion to science and magic to make a difference, to save this woman whom he barely knows and the little girl whose image liliana shows to him one night
and he tries, and he tries, but the red moon burns on, and the truth keeps slipping from his grasp, over and over again.
and so the cycle continues, of two children, whose magic burns too brightly, too fast, and no starlight or soltryce academies hold the answers for them, two sides of the same coin. they were only children, really, when fire was placed in their hands, and magic blurred the lines between what was real and what wasn't.
perhaps one day, he meets a girl with hair of the purest lavender, and a southern drawl that reminds him of a woman he once met, and maybe this time, he thinks that this spark is something he can coax into something brighter.
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kedreeva · 9 months
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Hey! So I've been following you since you posted a lot about good omens in 2019ish? I remember you talking about wing fics vividly, but I just want to ask:
How are you doing after season 2?
Good! I enjoyed season 2, and I look forward to seeing how things resolve in season 3.
I think there are a lot of folks upset about various things, for various reasons, a lot of which boil down to "the season didn't go how I wanted it to/thought it should go" or "the season didn't end wrapped up neatly like S1 did." Neither of which, imo, are fair judgments of a season that a) isn't that person's story and b) was meant to be a bridge not an ending. Everyone is entitled to their opinions, of course, and to their feelings, but I do wonder how many have taken honest assessment of those feelings and opinions.
In my opinion, it's unfair to claim a story is bad JUST because it didn't do what you wanted it to do. It's not a bad story just because characters didn't act how you predicted or wanted, either. Some of the responses I've seen hinge almost entirely on "but canon didn't do what fanon/I decided is best" usually with the caveat of "before I even saw the season" and that's... ignoble at best. It's fair to criticize poor storytelling, but I feel like you have to have the whole story, or most of it, to do that, and we don't have that. We're actually smack in the middle of the story, by my judgment.
This season was never meant to be The Whole Story, we have known for a long time that there is a season 3 planned (whether or not it's ever able to come to fruition is a separate issue, it has been planned since a long time ago). As such, I don't think it's fair at all to the story to be angry that the season didn't stop at a nice, neat, happily-ever-after, because this isn't the end of the story.
To quote one of my favorite authors, Peter S. Beagle: "Things must happen when it is time for them to happen. Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a very long time, but not forever. The happy ending cannot come in the middle of the story."
They cannot have a happy ending until they've fixed the problems, and even before the end scene there, problems abounded. The unicorns are still unrescued. It's still the middle of the story.
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fauxbia · 1 year
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miscellaneous doodles!
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blastedking · 1 month
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Universe: Stargazer I - Chapter 16: Angus  I
Look who it is. The angry lad!
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bylertruther · 2 years
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sorry, but i can't stop thinking about how enzo said "right, she saves your life because of friendship 🙄😏" to hop regarding joyce in the season that they're going through the same plot that mike went through in season one (where he's going to extremes to find will and stopping at nothing to save him, knowing all the while it could have killed him and his friends) and as lucas + max are going through the literal exact same plot as mike and will did in season two (where will is cursed/possessed by vecna and mike is at his side the entire way through, unwilling to let him go through this alone).
mike and will came out on the other side both times. mike didn't HAVE to go out, endanger himself, his friends, and his family to find will. he didn't HAVE to spend his every waking moment of that week desperately doing whatever it took to find will, even when others had given up hope. but he did it anyway. why? because of friendship? lucas and dustin are will's best friends, too. they joined the fight, they devoted themselves, too, but not like mike did. not even jonathan, who loves will more than anything, had that much unwavering hope and dedication. why?
in season two, mike didn't HAVE to glue himself to will's side and treat him in such an attentive and fiercely protective manner. he didn't HAVE to trail after will, attune himself to his each and every tell, or comfort him as much as he did. he didn't HAVE to go to will's house when he failed to go to school and strong-arm his way in when joyce tried to send him away. he didn't HAVE to stick by his side as it became clear that will was no longer just will, that there was an indescribable and otherworldly evil sitting within him, too. he didn't HAVE to stay at his bedside, both at home and at the laboratory, rousing from his sleep and immediately tending to will whenever he woke up. he didn't HAVE to follow them into the shed, where it was only them and this will that isn't will. he didn't HAVE to pour his heart out in front of everyone and set it in will's lap, pleading with him to please, please, please come back. no one forced him or prompted him to do this, as we've seen them do in seasons three and four, but he did it anyway; without hesitation and entirely earnest. lucas, dustin, and max all wanted to save will, too. they cared, of course they did, but not to the extent that mike did. mike was there from beginning to end and refused to be away from him until it was absolutely necessary. even then, he devised a plan to help, because of course he did. again, it was dangerous, risky, and there was no guarantee it would work. still, he did it anyway. why?
furthermore, when it comes to lucas and max going through the same plot that mike and will did, theirs failed to turn out the same way. mike is the only character on this show who has been able to pull someone out of a curse with just his voice. mike is the one that snapped will out of it whenever he used true sight. mike is the one that always finds him whenever he runs off, because he knows will better than anyone. it's after mike tells will that asking him to be his friend is the best thing he's ever done that will is seen communicating in morse code, having found his way to fight back and show that he's still there. mike has always seen will and understood him in a way that others don't. mike is the one that has repeatedly found vecna's weaknesses and devised plans to exploit them and hurt him, and had those plans actually work.
the show itself has painstakingly shown us from the very beginning that mike and will's relationship is different. it isn't like any other friendship or romantic relationship they have within the party. they show us the endless, unconditional, and unwavering devotion that mike has for will by putting them on these journeys that last entire seasons. they set the tone for the show and propel the plot forward.
those same journeys are then given to other characters that are in explicitly romantic relationships. many of the pivotal scenes for those relationships "coincidentally" happen to be frame-by-frame or direct dialogue parallels to previous byler scenes. yet... for whatever reason... the general audience seems to find the idea of byler to be impossible and nonsensical?
why is it that when joyce endangers her and her friend's lives and risks the very real possibility of not being able to go back home to her family to find hopper, it's seen as romantic, but when mike does it for will it's just friendship?
why is it that when hopper tells joyce that he just wants her to feel safe and does everything in his power to ensure that, it's considered romantic, but when mike tells will over and over that he won't let him get hurt and does the very same thing it's just friendship?
why is it that when hopper sleeps outside of joyce's house just in case she needs him and to not let her sit in this sorrow alone, it's considered romantic, but when mike sleeps on the floor beside will's bed after he learns of his possession and sleeps at his bedside at the lab after it's just friendship?
why is it that when nancy says she and jonathan are just friends that everyone understands they aren't, but when mike reiterates that he and will are friends, despite their conversation not being about romance at all, it's seen as something purely platonic, true, and not at all suspicious?
why would other romantic relationships on the show have frame-by-frame parallels in their undoubtedly romantic and pivotal scenes to previous mike and will scenes if byler isn't romantic?
why would they show us that mike is in a relationship where he is not understood or comfortable expressing his true self, and then have him tell will how it is that he needs to be loved and seen, only to then have will express that he does understand, see, and love mike in precisely the way that he needs and feels he does not deserve, if they are not romantic? why would they then have will reveal that mike's love for him is exactly what he needs, too, if not to show us that the love is there and it is real and that they're each other's true match?
why would they make mike himself finally state that his relationship with will is different from all of his others, that will is what makes home feel like home (and thus, by extension, is mike's home), that it's what makes life feel normal and right and easier, and that he wants it back, if it's all just friendship and nothing more? why is their relationship the one that he just can't lose? why is will the one person that he needs more than anyone?
why does he fight to keep this relationship in his life time and time and time again, each and every single season, but he is able to let eleven go every time? why does he abandon all respect for authority and whatever warnings people throw his way when it comes to saving will, but he is able to sit at home when it comes to eleven, his girlfriend? why does he intuitively understand what will needs from him and unashamedly provide it without will ever having to ask, but he cannot do the same for his other friends or his girlfriend? why does he allow himself to truly open up, talk, and be vulnerable and true with will, but not anyone else, not even his own family or his girlfriend? why is it always, always, always will... if it's just friendship?
why do we correctly assign romantic love and intention to the other heterosexual couples on the show, but when it's one boy loving another boy with everything he has and in every possible way that he can... suddenly that's just friendship?
i know that an overwhelming amount of people refuse to see their relationship as romantic because of homophobia and heteronormativity, but after a certain point... it just becomes ridiculous. inexplicable; an offensive bastardization and gross perversion of the original text.
byler is the blueprint. byler is the heart and light of the show. they're the original copy, the first to love and be loved. at this point, post-season four, if you fail to see that then that is a choice all of your own making. i'm tired of pretending like byler is built on subtext. it isn't. not anymore. not when m/f couples are doing the exact same thing that byler did first in precisely the same way. not when everything has been set up to show us what love and light can do, and which characters represent that love and light. not when the narrative is shoving it in your face for hours, reminding you with these characters' each and every action and inaction which other character it is that they love and choose. i'm over it.
byler is endgame. byler has been endgame. the love that they have for each other has never once lost; it has beaten the overwhelming odds each and every single time, a record which not all relationships can claim, and it will be what puts vecna in the ground for good and rids hawkins of all evil in season five. there is no other narrative but the one we've been given and to assume anything else is to purposely delude yourself tbh.
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jojoblessed365 · 10 months
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So Far Away From Yesterday
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Jess has had to deal with a lot of blindsides in his lifetime, but he wasn't prepared to become a widower and the single dad of a six year old daughter in one afternoon. Spiraling in grief, he moves back to Stars Hollow to be closer to Luke and Doula. Five years later, Jess is still attempting to get parenthood right- his daughter is in the early stages of adolescence and his teenage sister thinks it's time for him to move on. What happens when he crosses paths with Rory? Is it the universe's way of telling him that his story with Rory isn't over yet? Or will he continue to be faithful to the woman who left him six years prior?
A first collab with the ever talented @ernestonlysayslovelythings!!!
You have been nothing but the best with taking an idea I had out of the blue at 2 am and then waking up to find you have written the first chap and making me cry!!! It has been so inspiring and exciting working with you on this one!!!
Strap in folks- it's a bumpy ride!!!
Check out the first chapter here:
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burned-lariat · 1 year
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The Robinson/ashford family being against Spencer reminds me of the quartermaines being against Zander when he first got with Emily.
Hmm...interesting...
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adamruz · 2 years
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I can't wait to gif all the things after tonight's episode!
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shallowrambles · 4 months
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I love that John is problematic, actually, anon. That's the appeal. When I say I like that crusty old bastard, it's knowing he's a Problem with a capital P.
Besides, it's a series full of Monsters with a capital M. John isn't uniquely Bad compared to the other characters, and realizing that is kinda freeing, actually.
Exhibit A: Rowena forgave/looked away from Sam and Cas for their part in the killing of Oskar because they're just animals doing animal things; Winchesters doing Winchester things. She couldn't forgive Crowley, because he's her family--he isn't supposed to do the uncaring animal things to her. That's why she verbalized her glee about Crowley's son Gavin dying.
We tend to see that when "animals do animal things," they're only doing what's in their Nature. It's not personal.
Exhibit B: When Crowley non-consensually fucks, then kills a bunch of queer Christian-coded swingers just to put in a call to Hell at the beginning of season 11, the fandom politely looks away. Because (a) Christian-coded swingers don't have the right aesthetic; in fact become "silly undesirables" even to a gloriously queer audience (b) most importantly, it's just Crowley doing Crowley things.
Not personal. Funny, even.
All that to say, fandom doesn't hate John because he's uniquely evil. Au contraire, he's probably objectively less evil than many of the characters we actively see on our screens. We only hate him because of who he wronged and how. We can almost hear Dean in our heads, yelling at Henry Winchester, "Your responsibility was to your family, not some glorified book club!" Or like the woman in the My Bloody Valentine, "You can't keep choosing work over me, Jimmy!"
There's inherent tension in doing work, going to work, keeping family safe, getting them battle-ready etc. etc. etc. versus the heartwarming business of proper caretaking and spending time together.
John's not allowed/supposed to be an animal out doing animal things, even if it's in the name of the Greater Good. Because he wronged his own family. Violence is good in a man; it makes him a hero even, under the right circumstances. But the violence should not be targeted inwards under any circumstances. That's not allowed to do to your own family, only outsiders' families. That's how society works.
This is why our reaction to John is kind of...outsized compared to other "bad: characters, even early-days Rowena. It's why even though John (and maybe even Lucifer) aren't objectively always leagues-worse than other characters, talking about them with any nuance gets you branded "BETRAYER" and bashed with hate-anons.
Aside///It's also why Dean's reactions to Cas are so outsized. Because Cas has an unspoken responsibility as family protector. Same as John had, though John was a failed family protector. (John is a father. Cas is and has always been a narratively "overworking husband." Yes, even when they imply the other is childlike; that's how spouses do; getting mad when the other doesn't understands their specific area of expertise or doesn't rise to the occasion as expected. Women tend to get infantilized for having opinions/not loving enough and men tend to get infantilized for not being tough enough/stepping up to the plate etc etc)
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Chenford Week: Day 2: TV Tropes Day: Favorite Season 5 parallels
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wheelercore · 11 months
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Reading It and thinking about First Shadow
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randomishnickname · 6 months
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Must-read Destiel fics - my superduper Nov. 5th rec list
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Three years ago, on the blessed day of November 5th, 2020, I had:
never seen an episode of SPN,
only had a vague inkling of what the two pale coconuts were on about,
and I hee-heed and ha-had with the rest of Tumblr about the love confession scene and the Internet errupting in an unparalleled craze
At first I thought, that's it.
Then ... I got curious. I watched some YouTube Destiel supercuts. I read some fic (I think @andhumanslovedstories beautiful Cas/OC fic was my entry point?). I read meta. I watched some more YouTube scene packs. I read even more fic. I watched some of S4, some of S1, some random fan fav episodes. And then Destiel lodged itself so deeply, thouroughly into my brain that it took over and hasn't relinquished control in the last two years. The most tenacious, pervasive brain worm to date.
This ship got it all, and this fandom got it all, and there's such delightful, powerful, batshit crazy, romantic, expertedly crafted fanfic out there, it's like being a starving child in the world's biggest candystore.
So without further ado, here's some of my very favorite fics from this infinite trove, with all my thanks to the wonderful writers who keep delighting and awing me with their dedication and craft. There'll of course be some recency bias at play but you can browse my bookmarks over here to chose from over 100 excellent and well-curated SPN stories.
💕CATEGORY: SWOONWORTHY💕
Wildly romantic fics that warm you up from the inside.
It Won't Be Perfect by someonetoanyone (10K words) Summary: Dean daydreams about what it'd be like to let himself love Cas freely.
Why I love it: the humor, the spot-on characterizations, and the quintessential late season Destiel-ness of being so deeply love with your best friend that it's too big to actually do anything about. Just. So warm.
Rock Lobster by Ginger Fail (13K) Summary: Cas decides that the lobsters Dean planned to cook need to get back home. Impromptu beach vacation ensues!
Why I love it: This road trip story is fresh and invigorating like a sea breeze! Fun, entertaining and full of deep, deep fondness.
Seek to Know You Better by ahurston (32K)
Summary: On a road trip, Dean and Cas play the 36 Questions That Lead To Love.
Why I love it: They’re so deliberatedly, carefully starting a relationship here. They try so hard to bridge the gaps and meet each other halfway. A very mature take on love that feels nourishing.
☢️CATEGORY: BRAINWORMS GALORE☢️
Fics that make you go BARK BARK BARK.
samson went back to bed by piesexuality (9k, @twoheadedcas) Summary: Cas strikes a deal with Chuck - keeping his family together comes at the price of their free will.
Why I love it: What if Cas got his revenge for the Mala'ak box? What if love came at the price of everything you've been fighting for? What if a story twisted the knife oh so sweetly? Each word of this one lands a punch. Made me insane in the best of ways (cue pinned fanart).
In sickness by @saintedcastiel (41K) Summary: S4 redux but Castiel has a fetish: giving Dean the sniffles.
Why I love it: This one is soooo. Can barely find words for it. It taps into Cas' early season alienness and psychosexual obsession with Dean, brilliantly demonstrates Casdean vs Samruby parallels, and each word is just. Perfect. ARGH!
so much smoke in a hall full of mirrors by AreYouReady (6K, @autisticandroids ) Summary: Godstiel is losing his heavenly war. Crowley provides a compliant Dean-doll for him to release his frustrations upon.
Why I love it: Urgh, this one is sooo dark. Taps into the scary, intimidating and alien aspects of Godstiel so well. Gore, consent and psychosexual issues galore. Delicious.
Special mention: In a Parked Car, Exhuming Ophelia by @an-android-in-a-tutu (17K). Still need to comment properly ;)
💣CATEGORY: EMOTIONAL WRECKING BALLS💣
Angsty fics that tear you to pieces to remake you better.
What Used To Be Mine by someonetoanyone (48K words) Summary: Dean never makes his apology prayer in Purgatory - Cas dies, Dean mourns.
Why I love it: Oh god, this is a heavy hitter. Just, straight up insurmontable grief, packaged in poetic, raw language to make you shed tears and tears. Loved it so much.
Ignite your bones By ilovehowyouletmefall (67K, @angelinthefire) Summary: Dean accepts Chuck's deal: killing Sam to save the world.
Why I love it: Cruuuuel cruel premise for a story that doesn’t pull its punches. It gets dark in Dean’s head and everyone around him suffers. Wonderfully written. The ending set my brain on fire.
Right Where you Left Me by outdean (93K, @armandgender)
Summary: Cas comes back from the Empty after 10 years to find Dean married to another man.
Why I love it: This one is a riiiide. When grief has become a part of you but your love comes back… When you return from the dead and have to carve a new space into the world for yourself... nothing is easy here, but the emotions are INTENSE. Also, autistic!Cas for the win.
Special mention: Who Ya Gonna Call? by saintedcastiel (50K) and Clear skies in spring by enochianprayer (WIP)
💥CATEGORY: EPIC RIDES💥
Expansive, wild adventures with lots of ups and downs
Spirit of the West by teen_dean (140K, @urne-buriall)
Summary: An 18y old Dean grew up on a horse farm – cue veterinarian Castiel. The summer of a lifetime ensues.
Why I love it: So this is one of my very favorite stories, ever ever, and I cannot recommand enough to immediatedly suscribe to the author’s Substack to be able to follow it in „real time“ next summer. It’s cinematic, rich, full of darkness and light, it’s everything a story can aspire to, I’m just. I just really love it.
Second Verse, Same as The First by LaLaCat1 (135K)
Summary: Endverse!Cas is sent back to the start of S1 and is determined to make things right this time round.
Why I love it: a desperate and badass Cas, unfridging everyone, a thrilling plot, moments of awesome for the entire cast, gripping action scenes, a romance for the ages… this is a genuinely amazing story.
back road, black road by eden22 (167K)
Summary: 18y old Sam gets kidnapped by Hell on his way to Stanford. Dean tries to deal.
Why I love it: So this one’s not Destiel-centric but does have wonderful Destiel moments. It’s also very heavy on the gore and the angst (NOT for the faint of stomach), but expertly crafted, fascinating and frankly it deserves more love. Held my breath for half the read and never knew where it’d take me.
Special mention: It's The End Of The World (As We Know It) by tiamatv (140K)
🤪CATEGORY: DESTIEL INSANITY🤪
Uproariously funny stories about the intricate rituals these two weirdos get up too.
Life Skills by ilovehowyouletmefall (26K)
Summary: Dean teaches a newly human Cas how to be „a real man“.
Why I love it: Dean coming to Big Self-Realizations while trying to have platonic threesomes with Cas is so perfect. Very endearing, tender and funny. Also, smoking hot sex.
the cheapest room in the house by biggaybenny (89K)
Summary: Dean downloads Grindr for Cas
Why I love it: Just. Late season Dean being deranged about Cas’ sexuality while everyone watches on in utter confusion. Equally hilarious and deeply moving
according to all known laws of life by @sobsicles (29k)
Summary: Cas comes back from the Empty to a Dean who won’t stop playing gay chicken.
Why I love it: They are both such petty, insane weirdos in this one. They said „can every situation be turned into a squabble“ and didn’t wait for an answer. So funny, so tender
Special mention: Wedding Vows and Negotiations by GingerFail (6K)
That's it, enjoy and leave your writers some much-deserved love!
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jovial-thunder · 2 months
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Lancer Tactics devlog
I'm gonna try out posting my ~monthly devlog roundup here as well. These suckers are glorified changelogs with anecdotes and gifs galore. Let me know if this is something you like seeing show up on your dash?
Map Editor
Got units able to be placed/deleted/moved in the mission editor
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Can paint/remove command zones in the editor
Can paint minecraft-like terrain blocks in the editor
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Can paint/rotate multi-tile props in the editor
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Can edit unit character sheets and portrait via the editor
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3D maps
Did a bunch of art tests with 3D mech models, provided by GeneralChaos, which we ended up deciding not to go with to keep things simple.
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To avoid the can of worms that is animation, we'd have to lean into a static "tabletop minatures" aesthetic which we decided is not a style we want to be stuck with. By sticking with 2D sprites, we avoid falling into a sort of uncanny valley; it's easier to get away with not animating a 2D sprite than it is for a 3D model.
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 We also experimented with 3D terrain. We decided to make a rule that the visual style for a piece of terrain should match its mechanical effect: obstructing terrain that you can't move through, such as rocks or buildings, will be in 3D, while non-obstructing terrain like trees will stick with 2D sprites.
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Hooking up the 3D camera to follow events like movement and attacks did a LOT for making it starting to feel like it's cohering into an Actual Game™
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Implemented cover! And an attack preview! Cover works by aiming a ray from the target to the originator (technically to and from each voxel of each, respectively, to handle size 2s shooting above size 1 cover) and tracking all the terrain blocks it hits (how we'll handle non-terrain hard cover TBD). I think I have it working according to Perijove's cover rules manual, but I'm sure there'll be edge cases to work out. This is a case where things are significantly simplified by working in squares instead of hexes; hexes have a lot more possible weird angles you have to deal with.
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Re-added what I'm stubbornly calling Combat Popcorn; little bits of text that pop out when you use abilities and attacks.
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UI & game screens
Added ability for the engine to show UI that's anchored to the game world via a little word bubble line but also stay on screen as the camera moves around.
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Got word bubbles working; you can now write dialogue in the mission editor, hit playtest, and see it work in a mission! (it does actually translate correctly now; this gif is just from a bug I thought was funny)
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Got ability effects mostly behaving appropriately again, including muzzle flashes. The easiest way to handle them ended up being NOT billboarding them so they always face the camera (like all other 2D sprites in the game); instead, I put them on a plane parallel with the ground and just spin them around the unit to point at wherever their target is.
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Did some work ironing out our tooltip system. The standard in CRPGs these days is this kind of nested labyrinth of tooltops that you see in Baldur's Gate 3:
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I Did Not Want to try and figure out how to wrangle that much UI, so we're instead opting to cap the nested tooltips at the second layer. You can lock a general tooltip for e.g. an action and then mouseover various items within that tooltip to get glossary definitions...
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...and then instead of having those glossary tips be lockable/mouse-overable themselves, I collect all related terms to that glossary definition and let you tab through them.
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Added skin overlay functionality to the portrait maker, enabling textures like scars, tattoos, stubble, and vitiligo to be applied to just the skin and not extend off into space.
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Midway through writing this update, Carpenter sent me this gif of the randomization button working! There's a still a bunch of skintones/assets missing and a few are a bit janky, but it was exciting to start seeing the range of these lil freaks (affectionate) that this editor can create.
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Mourning cloak license!
This is the one I'm probably most excited about: I did a bit of a content dive and implemented a basic character sheet + all Mourning Cloak traits and equipment. They don't have fancy graphics yet, but the weapons and systems can be added via the character sheet and used in-game.
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It took a little under a day, including adding soon-to-be common mechanisms like bonus damage. This is great news in that it means the engine we've been building for so long in the abstract seems to do a great job in handling comprehensive actual game content, and that it looks like we've set ourselves up for success when it comes time to buckle down on churning that out.
I'm sure other licenses will come with unique difficulties (I fear the day it comes time to do the Mule Harness // Goblin CP) but I'm feeling good about it!
Vertical slice?
Taking a step back, the pressing question on my mind has been "when will we have a playable early access build?"
I was originally hoping for Feb/March, but what we've internally been referring to as the "3D cataclysm" has pushed everything back by at least three months, so the target for the first alpha build is now in May. So, ah, thanks for your patience! Seeing things come together, I've become more and more convinced that moving to 3D was the right call.
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lilmashae · 2 months
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hihihixxixixi!!!can you do Jake and y/n is at their parents' house since Jake’s dad is having a small party? Jake got drunk and fuck y/n later that night and prove to everyone in that house that she is his. ( even though y/n warned her not to do it since they’re at their parent's house). And their parents and maids lowkey heard their noises🙏😞😔
i can :) i changed it up a little tho because i wasn't sure if i read it right !!!
you first met jake's parents a couple of months ago. they're nice — incredibly proper and genuine people. however you weren't expecting this...
your relationship was hardly new. however jake'd never disclosed any of this: the big mansion with halls and rooms galore — completed with a house staff. jake's parents greeted the both of you. it was like you were stepping foot into a whole new world... and to be completely honest you were a little nervous. it was a world totally parallel of your own. lucky for you though, jake was there and he assured you that you were one of the most beautiful, deserving women there.
however he wasn't the only one — several men of all ages had approached you that night: asking you to dance. they'd flirt with you in front of him — making his blood boil with jealousy. on one end, he was proud to call you his, but on the other why would you waste time trying to make impressions when his parents already loved you? jake's grip on your waist grew tighter and tighter, until he couldn't take it anymore. he'd pull you into a corner and whisper in your ear. "how about i fuck you in every single room? would you like that princess?"
"we can't jake... the guests your parents the staff? everyone would hear us..."
"so what? let them hear you baby... you're all mine..."
unfortunately he couldn't make good on fucking you in every room. yet he somehow made good on fucking you loud enough for everyone to hear: thrusting deep inside of you with his tip kissing your cervix over and over again — loud enough that breakfast with his parents was awkward enough for you to want to disappear.
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