Pentagram, Ekaterina Lukasheva || 30 units (7.50 x 7.50, square) || Reverse Engineered
not to be bottomphobic but WHY are there holes.
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Marbled Monday
It’s time for another Marbled Monday! This week we have some gorgeous marbling found in the binding of C-S The Master Craftsman by American book collector and businessman Norman H. Strouse and British book designer and historian of print John Dreyfus. The book includes two essays about English artist and bookbinder T.J. Cobden-Sanderson, each by one of the authors. It was published in 1969 by the Adagio Press in Harper Woods, Michigan and printed by Leonard Bahr, who founded the Adagio Press. Printed in Palatino type designed by Hermann Zapf, the book is printed on handmade Tovil paper, which was printed dry (usually this type of paper is best printed on damp). Bahr explains in the colophon that there were many issues faced while printing the book, namely time (owing to the fact that “The Adagio Press is a sparetime printing activity, confined to the evening and weekend hours available after normal employment”) and the number of pages able to be set at one time due to the amount of type owned by the press. The book was printed in an edition of 329 copies. Our copy is another gift from our friend Jerry Buff.
Oddly enough, the 2-page colophon doesn’t mention the marbled paper used for the binding! The marbling pattern isn’t to be found in my trusty reference from the University of Washington Libraries and appears to be a unique, floral or foliage-inspired design. Done in cream, black, and red, the pattern features flowers or leaves with the colors swirled together. It’s interesting and lovely, especially when you get up really close to see the swirly interstitial bits.
View more Marbled Monday posts.
VIew more posts about work by the Adagio Press.
-- Alice, Special Collections Department Manager
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Green and Brown Digital Woodland Animal Patterned Papers
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Barks Quick "Turing patterns in CSP" tutorial
you need some pixels to start with, either just grab the spray bottle tool or go to Filter>Render>Perlin Noise
Filter> Gausian Blur> value: 6
Filter> Sharpen> unsharp mask>
Radius: 22, Strenght: 255, Threshold: 0
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you need to repeat step 2+3 over and over. to make that easier you can go to:
Auto Action> create new auto action set
hit record in the bottom left of the auto action window
perform step 2+3
stop recording
right click the actions in the set and duplicate them
make sure they are sorted correctly and hit play a few times
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before you color your pattern or do anything with it go to
Edit> tonal correction> binarization
to get rid of any odd colored pixels
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Unknown, Japanese paper from the Wazome Katazome Moriki Paper Company
RCW Museum Collections
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Rose Unit, Tomoko Fuse || 60 units (3.75 x 7.50, 1:2)
Instructions in Tomoko Fuse’s みんなで楽しむ多面体おりがみ
last time i folded it i got the angle wrong. this time the paper is a bit too thick so some of the layers sit ever so slightly off the paper and create shadows in some of the places where the yellow normally connects
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Marbled Monday
Today’s lovely marbling comes from the book The Lives of Dr. John Donne, Sir Henry Wotton, Mr. Richard Hooker, Mr. George Herbert, and Dr. Robert Sanderson by Isaac (or Izaak) Walton (1593-1683). Walton is best known as the author of The Compleat Angler, a book of verse and proses about the spirit and art of fishing.
Walton’s original biographies of these men were published individually over time and then as a collection in 1670 and then again with subsequent additions in various editions. This edition was published in 1807 and was printed by T. Wilson and R. Spence in York, England.
The marbling mainly features a nice reddish-orange color sprinkled over blue, black, and cream. You can see the color difference between photographs of the marbled paper and the final image here, which was captured with our flatbed scanner. The scanner image better shows the pops of blue in the marbling, but the photographs come much closer to the actual color of the reddish-orange. To create this pattern, the darker colors would have been dropped into the water/sizing combination first, followed by the reddish-orange and the cream color, causing the darker colors to constrict and create the look we see here. This is called a Turkish pattern, though it seems like the term is sort of loosely associated with this method more than being strictly about the pattern.
The cover is blind stamped with a nice diamond pattern and the edges of the book are marbled to match the end sheets. There are two bookplates on the front end sheets, one for a Henry Cockburn and the other for David Cleghorn Thomson. Both were Scottish!
View more Marbled Monday posts.
-- Alice, Special Collections Department Manager
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sorry this origami book is typeset in what now
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This gorgeous purple and violet Waved Gelgit will also be available at the shop next Monday, July 24th. Release time is 12 UTC. Don't miss!
Home | Renato Crepaldi Hand Marbled Papers (bigcartel.com)
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