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taltos-seidmadr · 2 years

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hello! i'm a burgeoning queer norse heathen and i was wondering if you would be willing to talk about your personal view on odin, specifically his relationship to loki and their partners and children. i'm interested in working with all of them but i'm conflicted on how i feel about odin tricking and getting rid of loki's children, especially the children of angrboda since i am currently working with her. does it ever feel like, unethical to work with gods who have a bad personal history with each other? or is that an oversimplification of the gods? thanks for any thoughts!

Awww dear anon, as another queer heathen let me extend a hug (respectfully)! I'm happy you wrote. I hope that you will enjoy your newly blossoming spirituality and if you wanna talk to someone about literally anything, don't hesitate to reach out.

I think what you're asking is an extremely interesting question because it fundamentally hinges on what you think the gods exactly are, like what is a god overall and what they do, as well as what the myths actually are, and what they mean if anything? These are extremely complicated questions and depending on the underlying beliefs you can get wildly different answers from different people and even one person's belief can change over time (as mine did quite a lot). I can definitely tell you what I believe/built up from my personal experience but I don't want to convince you to think the same, I thought I would just kinda circle around the topic a little bit and maybe you can sort of use it as a springboard to discover what you want to believe.

So... I will start there, that I don't treat the myths like what you are describing, at all. I think of them as entirely man-made constructs, beautiful stories that explain how a certain culture thought the world works. That doesn't mean that they don't matter, of course, but they matter in the same way that for example a beautiful poem does, and not like scientific facts do. I still think that they can and might hold truths, but in ways that are a thousand ways more removed from reality than say, a historical account. It's not even whether they actually happened or not, it's just that like a poem, it's not really the point whether they did.

I wanna point out that if you wanna treat the surviving myths as an actual account of things that really happened, I don't want to attack that - you absolutely can - but keep in mind that that is also an "artificial" and subjective choice. There are two reasons for this. One, is that type of storytelling where the individual stories all hang on a singular, cohesive narrative thread and make up One Big Series of Ragnarök Netflix Original, either didn't exist yet (afaik) or even if it did, it can only be applied to norse myth as a creative exercise, because "norse myths" as they were, were always a collection of regional traditions that sometimes tell wildly different and occasionally conflicting accounts. The reason why this is important is because originally a version of the narrative where, say, Ódin over the course of five separate but tightly connected, linear episodes "turned evil" and "betrayed Loki's family" did not really exist. There is no linear timeline. There are only stories, loosely scattered across a landscape, in which gods sometimes appear, taking on different narrative roles. There are stories in which Ódin is the villain, and there are stories in which Loki is the villain. And there are sometimes accounts that all tell the allegedly same story but in one everything is Loki's fault and in another Loki wasn't even there.

Is this where I insert the gif? You know the one. Yeah, I think it will fit just right here.

The second point overlaps with the first a little bit, but I wanna point out a different side of the same coin. We KNOW this, for a fact, that those versions of the myths that exist today, are texts that were written by human authors (some of which we know by name), specifically for entertainment purposes, with their own unique authorial voices and intent, and the text should be understood within that context before attempting to take it at face value. This is true for all texts, generally. So it's actually less like Ragnarök Netflix Original and more like Ragnarök Extended Universe (as in like, superhero comics) full of parallel universes, retcons, and being handled by different authors who all might have had different visions of what the canon should look like.

Sorry, unfortunately I learned philology and questions like "what is the context?" "what is canon, and why is that canon?" "what does a text actually say, why that, and how is it trying to say it?" are actually SUPER interesting to me and therefore I had to make this detour. But I wanna point out one more thing, and not as a philologist, but more as a friendly fellow believer.

Like I said, treating the texts as something that literally happened is a subjective choice, and not one that I would make, but making choices like that about your beliefs is not only absolutely okay but YOUR prerogative. If someone tells you otherwise, they are either trying to control you, or take your money, or both. Dems the facts.

To stay a little bit closer to the point, my answer to this question is that to me to blame a god for something they did in the myths would be like blaming an actor for something that the character that they played committed in a movie. This would be nonsensical to me because the context is different. Which is a really simple and maybe kinda boring answer. But if you choose to treat the myths as facts, you have some really interesting questions to ask yourself, like, why is it that there are different versions of the same story? Which one do I choose to believe, and why? Are they maybe... really all factually true at the same time? How is that possible? What does that say about Aristotlean logic? Btw I personally do believe that gods come from a place where two things can be true at the same time, if that's anything!

Ok, so, you're asking about the morality of it all, which is I think an even deeper and more intriguing question. The thing is, that there was a time, when I was just a newly beginning Heathen, when I was very convinced that the gods are actually kinda like personified/conscious forces of reality (kinda like forces of nature, but more abstract) and the myths are like an approximation of the blueprint of how they interact, in an extremely metaphorical way. So at that time I was kinda like what I believe is called a "soft" polytheist except that I ALSO did believe that the gods are actual beings that you can interact with somehow, so I was more like a hard if slightly platonistic animist, if you will, without being completely aware of it. At that time, I would have told you that Loki and Ódin being "in conflict" is more like how fire and ice are "in conflict". Ya feel? That's just kinda how things are and there isn't really any morality involved.

However as time went on, I almost completely shedded this belief, and did so extremely quickly. I'm sure there's someone out there who believes the same thing right now, so I don't want to sound even a little bit dismissive, I think it's just a good example of how you don't have to set your beliefs in stone cause time will shape them regardless.

Today, with all the experience(s) behind me, I can say only one thing. I have no fucking idea what the gods really are, where they come from, and what they are doing when they are not interacting with us, if anything. But I do think that even if they are not exactly like people, they are kinda like people. Thinking, feeling persons with their own choices and preferences, and their capacity to have emotions is either like that of a human, or at least comparable to it in some kind of way. So... yeah, from my subjective point of view treating them like the Blorbos from the Ragnarök Show is a little bit reductive... but only if you are willing to take my assumption as true.

That also means that I'm absolutely sure they occasionally experience conflicts among many other things, most of which we will probably never hear about. But I will be honest, just for me, subjectively, it's hard to imagine that the gods engage in conflicts with each other that are irreparable in nature, because it's bad for PR, to put it bluntly. Like, there are so many forces in the world you could be focusing the anger on instead of infighting. It's way harder to Get Things Done (what things, I don't know, but I do believe that the gods are doing Something, influencing the way the world is going as it were) if they sow pointless discord among the few individuals (human followers) that they can count on. On the other hand, even if Ódin and Angrboda are not like, bosom buddies per se, with a little courtesy and encouragement a human who is willing to listen to Angrboda can become a person who is willing to listen to Ódin VERY easily. That's a net positive for everyone involved. Free of charge!!!!

I don't actually believe that the gods are forming like little high school factions against each other that will one day actually and physically go to war, even though the myths literally say that. I'm sure a lot of people would beg to differ, and they would not be able to convince me. In my belief, there are enormous conflicts in the world, maybe even battles, but they are somewhere completely different, and on entirely different scales.

Because I see gods as Kinda Like People, I would treat the issue of hanging out with one or the other as more or less like an interpersonal relationship, as well. Which is to say, I would ask what they think of it, and then I would think about it for myself and whether I give the gods the right to have a say in that or not. And if you believe in gods as persons you can talk to, I would urge you to do the same.

I wanna go into a hypothetical for a second, cause I feel like there is an interesting sub-question embedded into this that I have several thoughts on. Let's say that you take the myths as something that actually happened (which I think you do) and you also think of a god as a person, more or less like you and me (I don't know if this is true but I wanna assume it for the sake of the hypothetical) AND you think that "following" a god means something like "having a friendly or familial relationship with" (which I agree with, and... I think that's also what you think? I'm not sure but let's assume that too, for now.)

So let's say, that said god comes to you, and they reveal it to you as your friend that the other god was really mean to them and/or their family, and let's say you have accepted that as your personal truth. Is it unethical to hang out with said god knowing that they were in some way harmful to your friend? On a completely hypothetical level I think there is at least some sort gray area. But I wanna add two things to this. One, I personally believe that if your answer is "Sorry, I'm a human and this is god stuff and I don't want to be involved/take sides" or even "I don't want you to try and influence my relationships with other gods" it is entirely in your right to set that as a boundary. The second thing is, that the hypothetical is completely moot, because it is my personal experience AND logical conviction that gods never actually do this. If this exact thing happened to someone reading this, I'm not gonna fight that, that's your truth and I'm sure that happened for a good reason. But again, generally this is bad for PR, and also they tend to respect people's boundaries about making their own worship. If a spiritual entity comes to you and tries to control what other spiritual entities you are talking to, that is usually the exact same in the spirit world as it is in the human world. A big red flag.

I will say this. I, as a devoted Lokisperson, not only work with Ódin very frequently, but second to Ódin from his family the one I interact with the most is actually Baldr (if you can believe!) and the only conflict that has ever arisen from this was that at the very beginning Loki was a little bit upset that I assumed he could cause problems about it, which he never did, and truly, it was unfair of me to put him into such a defensive position right off the bat.

I wanna add just one more thing, that I don't really know if it will help or not but I feel like is important to add. Even if you don't believe in the myths as fact even the slightest, like me, being influenced by them on some or other level is not stupid, and in fact in a way kind of unavoidable, I think. Unfortunately it happened once that I had to say: sorry, I know this is unfair to you but the story about you just hits so incredibly close to home in a bad way that it might not ever work out between us in this whole lifetime, no matter what I do. I do think of this as a bad thing, but it is what it is, and we could discuss that and let it rest with no further conflict or issue. I don't really know in which direction the pendulum is swinging for you. But however you feel about working with these gods, is valid, and it's up to you to change it or leave it as it is.

Okay, so Ódin. I like to talk about him, because I think he is a little bit misunderstood and I fancy myself being capable of bridging over this gap, even if shoddily. I think he gets a bad rep because his followers love to talk about him as That Motherfucker(affectionate) and it makes perfect sense from an inside joke point of view but it scares potential new followers away from him as someone not to be trusted. This is really bad for many reasons but especially because he deserves way better than being (mis)represented by fascists and we could always use more people to drown them out.

You know, "tricksterness" is an extremely broad term that entails an entire kaleidoscope of different things, and trickster entities can be so different from one another depending on what aspects they tend to take to. I don't know if you have a personal connection to Loki at this moment, but if you know him, then whatever you think of him (and I can blindly say that, with certainty) you will find Ódin somewhere deep down, in the core, a little bit of the same but in the actual, practical manifestation completely different. What I personally think - and I'm not alone with this view, as far as I can tell - is that Ódin likes to perpetually do something that I could scientifically describe as a "little bit of trolling". If you pick up contact with him, it is very possible that he will purposefully challenge you and especially provoke your intellect and worldviews. Depending what kind of person you are this may seem exciting, annoying or a mixture of both. I think that the sentence "Ódin cannot be trusted" is a 10000000% true statement but more like an optical illusion cannot be trusted. In an emotional sense, he is perfectly capable of building a relationship based on trust and he does deeply care about his followers, like any god worth their salt would. It is definitely worth at least a conversation to figure out whether this is for you or not.

You did ask what I believe personally, so. In my experience Ódin and Loki are clearly very close, and I have never personally witnessed bad blood between them about anything even the slightest bit. Do they bicker, or even fight, yes of course but in the way that two people (and/or two beings who are intertwined across narratives and beyond time and space) who care about each other do. Honestly... I don't even know how to describe that but whatever they have going on makes even such a weighty thing as a narrative plot point in a thousand years old myth completely irrelevant and weightless in comparison. Wherever the story goes, they can go bigger. A book about them may say whatever, their bond is like that which holds the ink of the print to the paper. It cannot be torn apart because it's just on an entirely different level.

As for my tiny little personal perspective, they only ever encouraged me to reach out to the other, I often ask one of their opinions on my workings with the other and they are always supportive and helpful. Needless to say, I treat the myth of Ódin mistreating Loki's kids as entirely fictional, and while this does not necessarily mean that Ódin has never crossed them in any way in the history of time, I have literally never heard about it, saw them behave like that's a thing that happened, or even encountered them referencing it even one time. Somehow I never actually saw Ódin interact with any of Loki's kids but I know that Sleipnir and Ódin are in contact with each other a lot, obviously, and seem to be just fine (yes, I know this may not be the same for everyone but I do treat Sleipnir as a god in his own right). Just going off of gut feeling I would say that out of the whole bunch maybe Angrboda and Ódin are the farthest from each other emotionally, though it wouldn't veer into animosity, just in a room full of gods it's very little likely that they would be the ones to stop to talk to each other unless they had something very important to say. I must admit that I interacted with Angrboda very rarely and I really don't know her well enough to know her true opinions on anything. When we interacted, she seemed like a person who likes to keep a little respectful distance in general, but it was not even a little bit a problem to her that I was connected to Ódin.

The tl;dr of the whole thing is that I don't think that you have to be afraid of picking up contact with either of them if this is what you truly want. I don't know what they will tell you if you do. But I can't imagine they would have anything against it - as far as I know, being an Ódin and Loki follower in some or other capacity, at the same time, is actually very common.

#sithi replies #sithi's posts #anons #blood brotp #odin #odindeity #all dad #loki #lokideity #lokean #general religious #the nine long nights #spiritworkings

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netherfeildren · 3 months

Text

The Cassandra Complex : Chapter XII : Venus

Series Masterlist : Moodboard

(Din Djarin x F!Reader)

A/N: I realized shortly after posting chapter 11 that I’d made a small mistake in the timeline I’m intending this to follow. I included a line from Din saying Paz had already tried to take the Darksaber from him and failed, but where we’re at now, chapter 5 of The Book of Boba Fett hasn’t happened just yet. So I’ve gone back and deleted that small detail from the previous chapter, and why am I even telling you this, idk, but if you guy could do me a solid and pretend to forget my fuck up, I’d love you forever for it.

Writing Star Wars is hard

Also, the indomitable @dirtysouvenir has rendered the most gorgeous artwork imaginable of Din and Sithy, and I still can’t quite believe my eyes every time I look at it. Everyone please go show Jonis all the love and praise she deserves.

Anyways… like always, forgive me for the wait. I love you all for being so patient with me. And shout out to chapter four of Someone’s Wife in the Boat of Someone’s Husband which served as inspiration for this. You will always be famous to me!

Rating: Explicit 18+

Word Count: 8.1K

Read on AO3

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CHAPTER XII : VENUS

What are we doing here, and why are our hearts invisible?

Anne Carson, Kinds of Water

“Just like that, yes. Good girl–keep doing what you’re doing.” His hand slides to circle your wrist, leather and the thick weave of your tunic, the slight shake of your nerves caught between. “Grip it firmly, but squeeze it gently. Yes– yes, good. You’re doing so well.”

You suck in a trembling breath, too hyper aware of the feel of his chest plate brushing against your back, the cap of his left knee gently bumping the back of your own, his arms wrapped in a loose and careful cage around your frame where he’s helping you direct the blaster at the target he’d set up several meters away for practicing. He’s got one of your wrists wrapped in the leather of his fist, the other cupping the underside of your elbow to keep your shaking arms steady.

“I don’t know why I’ve never been very good at this,” you whisper over the sound of the burning desert winds lashing you in the brow. “It’s just never come very easy.”

“That’s alright. That’s why we’re practicing again.” The hand cupping your elbow moves slowly to your waist, all his handling of you these past few days has been so intentional, cautious and patient and aware of himself and you and your reactions. Your heart beats, thumps and thumps hard enough to make you a little dizzy, a little sick. “Keep your right arm firm, but fluid. Try not to lock your elbow, let the recoil move through you steadily.”

He’d covered your hair and face in soft white linen wraps to keep you from being scorched by the sun and sand, and his voice is so deep, head pitched low so that the modulator is vibrating right at the level of your ear, the sounds of him sluicing through the linen to curl around your ear. You shiver again, squeezing your fist too tight around the butt of the blaster. You’d asked him if he’d help you practice just before you’d made planet fall a few hours ago, and now here the two of you are. A few clicks outside of Mos Eisley, he’d found a cluster of sandstacks to land the Crest amidst for a couple hours of target practice—near an area he’d told you is called Beggar’s Canyon.

You’re not sure if it’s just an excuse to have him touch you, but here you are now, in the circle of his arms, shivering with nerves and heat and want. The sun burns, but the places where he grips you burn worse, and your heart rings in your skull.

“Focus your gaze between the eyeline, eventually, it’ll come naturally, your aim, but for now, use the field the blaster sets. Squeeze gentle–” He grips your now healed elbow firmly, anchoring your arm, the hand holding your wrist moves to your waist, securing you in his hold so that when you pull the trigger, the zing of the blaster bolt leaving its chamber moves through your limb, into your chest cavity, electrifying your heart, and his hold is steadying all the way through. He’s there to keep you up, keep you strong, and so it’s almost thoughtless when you do it, a gut instinct or some muscle inside your brain desperate to flex and stretch or come awake because faster than you can blink or think, you take hold of that bolt of plasma with your mind, freezing it midway between where the two of you stand and the target he’d set.

You feel his hands flex around you, but he keeps still and silent, watching, waiting for what you’ll do next. And your heart beats faster and faster, the bright of the sun gleaming and nauseating, refracting off the sand, the plasma, your eyes. The bolt screeches and writhes and defies the laws of nature by your hand, and it does not feel good, but it does feel right.

The first time you’ve really wielded the Force since the night you escaped.

There’s something painful and uncomfortable and familiar about it coming back to you. Your breath goes fast within your chest, the taste of the desert on your tongue and the grit of sand sneaking beneath your clothes, sweaty line of anxiety down your spine, and his steady, calm breaths up against your back every other moment, this power inside of you that’s always been the cause of everything bad and only some things good. It vibrates in everything, moves through all living things, the Force, within you, within him.

“Let it go, cyare. It’s okay if you miss.” You shut your eyes and let it fall away and now it’s not the Force or you or anything else, it’s only him keeping you up against the rest of everything.

The two of you, like grief and the mountain.

“How did you meet this woman again?” You ask for about the third time, seemingly unable to keep your mouth shut and your nerves to yourself.

“She’s been keeping up maintenance on the Crest for a while now. And she helped out with the kid, watched him for me a couple times—I trust her.”

“Peli,” you repeat the name contemplatively, taking in the sight of him as he checks the pre-landing codes, flipping switches and punching toggles a little too roughly. He’s agitated, covered and swathed in it. You know he’s worried about you, the way you’ll feel being around someone else, scared you’re still feeling fragile or tired or weak. And you’re accepting it for now because you are. You are tired and you do feel fragile and you do need taking care of. If only for the time being, if only for a little bit longer. A sort of end feels very near, and you’re still working out what that such end is going to be.

“Peli,” he sighs, hitting the last button and finally swiveling in his chair to face you, and you eye him suspiciously, you know that sigh and head tilt. “How do you feel?”

“Fine.”

“Not tired?”

“No.”

“Your shoulder?”

Hurts. “Fine.”

“Cyar’ika.”

“Din.” Another sigh. Another shake of his head. You’re sure he’s rolling his eyes at you beneath that stupid lug of metal he wears on his fat head. But you hope that he’s smiling too, and you give him a soft, small one of your own, twisting your fingers together tightly in your lap. You want to reach out for him, to go to him and sit with him and kiss him again like the other day. But you don’t feel ready again. Again, fragile, tired, a weakness of heart within you that you can’t understand the source of, or you can, but you don’t want to accept it, you want to be able to move on, to get over it, to be like you once were. But that you also know he’ll let you feel for as long as you need to.

“I promise I feel okay, and that I’ll tell you if I don’t.” The target practice had left you tired and awake, and there is something moving inside of you—a recognition of sorts you can’t pinpoint exactly, but which you know is going to show or tell you something about yourself soon, the Force, the things you’d done or the things you’d do. And there’s patience too, a waiting, a readiness to receive whatever this would be without pressure or urgency. You feel entirely strung tight, a knot about to be set loose, entirely at ease, as well. Something strange about the anxiety you carry within yourself, like it doesn’t really matter much anymore and is only waiting for the right moment to be expelled.

He gives a soft grunt and turns back to face the control panel. The rolling golden sands of Tatooine like an ocean before you, and then there in the distance, the littered smattering of sand blighted little buildings that make up the spaceport of Mos Eisley. He directs the Razor Crest towards Hangar three-five, the ship jostling with the lowering of the landing gear.

“What if she doesn’t like me?” You ask nervously, following him down the ladder once he’s eased the ship into the landing bay, fretting over this ordeal of having to meet someone else from his life, a friend, which wasn’t even something you were aware he knew how to have. You hear the heavy thud of his boots against the durasteel, and then his hands are circling your waist and pulling you down the rest of the way, paying no mind to your indignant squawking.

He’d been strange with his touch, as well. As if he couldn’t help himself some moments, overcome by habit and familiarity, and then afraid and cautious in others. And you can’t understand how you feel about this either. Grateful, a sort of soft that makes your eyes smart and your cheeks bleed with heat. He’s so aware of you, so aware of what you might want or need, but then overcome, as well, needing you, wanting you. And you feel so afraid you won’t be able to give him those things—the ones he wants or needs, that you won't be able to find your way back to the way things had been between the two of you before.

“You’ll be fine,” he says, little compassion to be found for your fretting. You stick your tongue out at the back of his head, rolling your eyes and steeling yourself as he lowers the hatch, and a chirpy little voice calls, Mando!

The plank lowers, and lowers, and lowers, and finally, a mess of springy dark curls come into view. The small woman, Peli, claps her hands excitedly and spreads her arms in wide welcome of him, and something in your heart throbs.

A friend, indeed.

“Peli,” he greets her, heavy, swaying gate stomping down the gangplank, voice serious and not all matching her enthusiasm. You roll your eyes at him again as the reverberations of his steps tickle your feet through the soles of your boots.

“Hey, look everyone! It’s Mando,” she says to the chittering droids whirring around her. You follow him slowly, slinking directly behind him so that the breadth of his shoulders conceals you for a second longer before, “And who do we have here? Another unlikely companion?”

He pivots, letting you step into full view and brave shyness, a hand coming up to hover around your waist, urging you forward, but not actually touching you. The sound of your name rings in tune to the thump of your heart through the modulator. Careful, so careful, and it makes you hurt at your own self. Wanting to touch you one moment, unable to stop himself from ripping you into his arms; another, afraid, feeling like he can’t even put a gently motioning hand on your body, and how will you ever fix this? How are you going to ever be able to get the two of you back to where you were?

You take a hurt little step away from him, swallowing the heat in your throat several times before you can force a smile onto your face.

His body shifts and sways towards your retreating one.

But the small woman steps towards you, pit droids spinning and skittering frantically around her, and she claps a work hewn hand on your shoulder. “Let Peli take a good look at you.” Her gaze is cheerful, full of a youthfulness that belies her age and an even more cheerful, gap toothed smile. “Pretty girlfriend, Mando.” She waggles her bushy brows up at him. “Brought me another set of bright eyes, didn’t’cha?”

“It’s nice to meet you, Peli.” Your throat feels humiliatingly tight when she takes your hand in her smaller one, giving it a swift shake, no gentleness about the way she handles you, and there’s something comforting about the forsaking of the kid gloves. Your fracture isn’t obvious for the whole world to see, there’s still normalcy to be found for you.

She looks up at Din as you avoid his burning gaze, laughing scowl on her sunny face. “Who woulda thought you had it in, ya, huh?” She thumps a fist on his chest plate, shaking her head and moves to take a look at the Crest. “To what do we owe the pleasure? Chasing down some elusive bounty? Carbon scoring’s worse than last time.'' She chatters a million miles a minute, pulling out some sort of electric scanner, assessing the old gunship.

“We had a long trip,” he sighs, hands fisted on his hips as he watches her impatiently, turning his gaze back to your face every few moments. You want to bare your teeth at him in a snarl and tell him to stop fucking worrying. You want him to take you into his arms or hold your hand.

“Long trip, sure. That’s what he always says,” she tells you over her shoulder with a roll of her eyes. “Turns out it’s usually a gun fight or something just as idiotic.”

You snicker, enjoying the easy way she handles your Mandalorian’s surliness, grateful for the cheerful buffer she provides between your own internal angst and his overzealous worrying. “It was a long trip this time, I swear. We’re coming from the Core,” he grumbles, and the two of you follow her while she inspects the damage on the ship, and in a moment of bravery or desperation for normalcy or closeness or just him, you reach up to grip two of his thick fingers in your fist. His hand immediately adjusts and curves to wrap around yours, intertwining your fingers and taking you securely in his grip. You feel him turn to look down at you questioningly, but you refuse to look back. This is normal, this is how it should be, this is what feels right even if you need the barrier of his gloves to feel like you can breathe.

“The Core! Long way’s.” Hmm, she muses as she goes. “Got a fuel leak.” Again. He huffs. “Taking a vacation now?” She turns back with another smarmy smirk.

“Something like that.”

“Nice little honeymoon?” She teases. “I could use one of those myself.” She scans something else, and the pit droids chatter and chirp around her, almost full her height, she’s so small.

“Peli–” he grumbles. Your grumpy, shy boy; you wonder if he ever blushes under that thing, squeezing his hand in yours as tight as you can.

“Yeah, yeah. No droids, I know. When are you gonna get over that nonsense, huh Mando? It’s about time, you know!” She bends to inspect something closer near the landing gear, covered in carbon scoring here too, examines her scanner again, then clips it back to her utility belt. “Alright, here’s the deal–” But he cuts her off, pivoting while pulling his blaster in one fluid motion to shoot at a poor little droid that's gotten too close. “Hey! Hey! What’ve I said before? You damage one of my droids, you’ll pay for it!” She shouts.

“Din–” you scold, gripping the thick of his arm to pull the weapon down.

“What’ve I told you?” He barks.

“No droids. No droids. Blah, blah. You have got to get over that! I’m tryn’a make a deal with you here, ya womp rat.”

He jerks aggressively towards another little droid that wanders too close, sending it skittering away in terror, and you pinch his arm beneath the thick duraweave, frowning up at him, be nice, when he looks down at you, giving him a jut of your eyebrow and thrusting your chin at Peli. He groans, cursing low and grumpy in Mando’a. “Fine. What’s the deal?”

“If you let them work on the Crest–” She jerks her chin at the little pit droids quivering behind the crates strewn about the hangar in abject terror of the mean Mandalorian.

“No,” he cuts her off, stubbornness in every line of his frame.

“Din!” You scold again, bumping your hip into his.

“Come on, Mando! I’ll charge you half price–”

“Deal,” he cuts her off again immediately, the cheapskate.

“Ha!” She hoots and claps loudly. “Droids! Get to work on this lovely man’s ship. Lemme see the cash.” She holds out a grubby palm, wiggling her fingers. “He’s pretty easy, you ever notice that?” She says to you conspiratorially.

“Constantly,” you can’t help the laugh in your voice. Your first laugh in what seems like years.

“Loose knickered is what they used to call it back in my day.” And you have to turn your face into his arm to muffle your cackling, listening to him start up another string of curses beneath the helmet.

“I’ve literally never heard anyone say that before, ever,” he mutters sullenly.

“Well, you’re young.”

“Not that young,” you provide helpfully, big cheesy smile that feels slightly unnatural and rusted spreading across your face.

“Whoopee, Mando! I like this one! You really do know how to pick ‘em.” She claps him roughly on the shoulder, her little paw slapping loudly against his pauldron. “Anyway, I’ve got somewhere to be for the next couple of days, you see. I’m dating that Jawa again—the one I’d told you about,” she announces, proud as anything, big smile across her leathery face.

“A Jawa?” You repeat, making sure you heard right.

“Don’t knock it ‘til you try it, bright eyes. They’re quite furry… very furry, but…” She clicks her teeth together, “You know…” Grins.

You look up at Din, squeezing his arm in your grip. “Guess I gotta try it.” You’re pretty sure you hear him grumble something to the effect of over my dead body, before he’s agreeing to Peli’s deal with a clap and a shake, and the promise of two hundred and fifty Imperial credits and absolutely no harm done to her droids while she’s gone and they work on the Crest.

“Treadwell, get in there!” She shouts, and the little pit droid chirps fretfully, trembling behind an R5 unit. “You can’t say no, you’re a droid. Oh, he’s not going to shoot you. Stop being a coward! What is this, a democracy all of a sudden?” Losing the fight, the droid wheels forward to get to work. “Yeah, thought so.” She turns back to you and Din. “You two can stay here, look after the shop while I’m gone? It’ll only be a few days.”

“We have some resupplying to do, but we’ll stay until you’re back,” he promises.

“And you’re not going to shoot my droids?”

“And I’m not going to shoot your droids,” he agrees, but later, you catch the too rough nudge he gives one of the little droids with his boot when he thinks no one’s watching. This man and his droid complex, you roll your eyes.

“How’s the N-1 keeping up?” He asks as she’s packing up to go.

“Just how you left her. That honey’s faster than a fathier. You should take her out while you’re here, give that baby a spin. Oh! And I added that turbonic venturi power assimilator I’d mentioned before. Remember? S’how I reconnected with my Jawa,” she nudges you with a wink. “You’re gonna be the fastest ship on the Outer Rim.”

“You got a new ship?” You ask curiously.

“Just a side project we took up while I had some spare time.” But the way he says it is a little strange, making you pause to look up and try to read the blank face of his helmet. Ah, and he smooths that same hovering hand from before along the line of your spine, an attempt to soothe or quell your curiosity without actually giving you the gift of his touch.

Peli leaves a few hours later, and she really does have a Jawa lover. The little critter comes to collect her right before the suns set, off to catch the sandcrawler before it journeys off into the desert, leaving you alone with only Din and the little pit droids for company.

And suddenly, that shyness from earlier is back for some reason. The distraction of travel and the buzz of hyperspace lost to the calm silence of the quiet spaceport as the suns set over the horizon and night settles in, cool winds coming in on the sand gusts from deep in the desert. After hours of work, Din posing as the menacing overlord barking orders and complaints, intruding on their work when it isn’t up to his ridiculous standards, the droids finish up for the night, and Din engages the hangar security system, and then the ship’s, locking the two of you in safely for the night.

“Dinner?” He asks as he moves slowly around the hull, pulling the cloak from his shoulders, a river of sand sluicing in a rain sheet onto the steel floor. The sound of it has a shiver moving through you as you lower yourself to the floor, crossing your legs beneath you at the edge of your makeshift bed. You desperately want to crawl between the covers without a shower and find the peace of evasion through sleep, secure in the knowledge that he won’t follow you into bed. He’d refused since you’d reunited, even though you’d invited him several times to share the much more comfortable pile of blankets than what you know his pilot’s chair or bunk provide. He’d not taken you up on the offer yet, and right now, fluttering heart and hot eyes and sweating nape, you’re glad for it.

You don’t know what’s wrong with you—or you do. You’re overwhelmed with want and fear, of him, of his touch, of having lost what the two of you had before. And as you watch him start to pull his armor from his body, first one pauldron, then a vambrace, then a thigh guard, no sense of congruity to the pattern with which he divests himself of his Creed, it’s suddenly like he’s standing right in front of you, and yet you miss him anyway. Miss him in a way that makes you sick and devastated.

You must make some sort of sound, a funny look on your face or a change in your breathing because he turns suddenly, a too worried, “What’s wrong?” on his tongue.

“Nothing.” You look up at him from your spot on the ground, head falling back on your neck, and you can feel the wet of your eyes, trying to force yourself not to blink so that they won��t fall—the tears. “Nothing’s wrong.”

He comes to a slow crouch before you, long legs folding down, down. “What is it? Tell me.” Half missing his armor as he poses now, it’s like he’s half him, half yours, half only-man, half Mandalorian. A little bit like what you feel yourself; half, half, half.

Pulling one glove from his hand, he lifts it, palm spread towards you, showing you his intention before he carefully cups the side of your face; thumb at your pulse, pointer and middle fingers giving your temple a soft pressure, pinky poised at the bridge of your nose. Your lashes brush against his index every time you blink, and his skin is smooth and rough at the same time, and warm—sun-hearted man.

You press your face harder into his palm, letting him support the weight of your head, nuzzling against the rough of his calluses, blaster blister scratchy against your carotid, and heat pulses all through you from the crown of your head, sliding down the length of your, still yet, too long hair, the back of your neck, your chest, pooling to settle deep in the pit of your belly.

And yet there’s something missing or different or off, like you feel empty but too full of trepidation to conjure up that old desire you’d always had, that need for him to fill, fill, fill you. Like the heat is there, but it’s remembered, not necessarily present. It all makes you want to cry and scream and go to sleep.

The truth, and plainly: you’re terrified of anything that might hurt, can’t fathom the idea of it.

Your heart beats in your throat, you taste it on your tongue, and it mixes with the sad when you say: “Do you remember when we were on Kashyyyk—when we sparred?”

“I remember,” he says, voice deep and low—through the modulator. You hate his helmet. You wish you could get beneath. You wish you were brave enough. The feeling of it coming on sudden and unexpected, thought, bitter and foul and not something you’d necessarily felt before, certainly not so viciously. It’s just that you hate that all this has happened—you want to feel the press of his lips at the crown of your head and the wash of his breath like heat moving through your hair—that you are not in the same place you once were, that you’re too afraid to move forward.

“When we switched weapons—”

He hums: “Yes.”

“It was so green there.” You turn your face further into him so that you’re speaking into his palm now, words pooling there in the cup of it like a well of truths and fears.

“It was.” The pointer and index stroke your temple, press once, twice, thrice—harder on the latter. It feels good, it feels real and reminding. He lets a heavy silence pass for a moment, he’s thinking of something, contemplating a push. “Do you remember—” He passes a swallow you can hear the thickness of, “Do you remember how I had you in the dirt—like a fucking animal? How you let me do whatever I wanted, however I wanted.” He gives the hardest press he’s given yet, at your temple, you think you feel the press against your brain, and you open your mouth to let the edge of your teeth dig hard into the meat of his palm. He growls a rough sound, a hungry sound, a sound like one he’d have made when he had you in the dirt like a fucking animal.

You drag your teeth along the hill of his palm, closing your mouth at the end. You don’t give him the wet of your tongue, you don’t feel ready to taste his skin like that just yet—an assimilation of violence.

“Yes,” you finally say, realizing that he understands what you were thinking without having to say it, or knowing how to, that you’re full of memories of past desires and how badly you want them back and how out of reach that all feels, but also, that suddenly now, in a single blink, the heat in your belly isn’t remembered, but present, alive, awake. That you’re cunt clenches once, twice, thrice around nothing—harder, hungrier on the latter. That you’re wet for him. “I remember.”

“Good. I remember every single thing we’ve ever done.” You roll your face in his palm so that you can look up at him now, feeling something like brave. “Every word, every breath, I remember all of it. Alright?”

“Alright,” you say quietly.

“And if you need me to help you remember too, then I will.”

“Alright.” And then: “What if I can’t, though?... What if we can’t ever have that again? What if I can’t remember? What if I can never give you that again?” A tear slides over the bridge of your nose, and now it’s not only truths and fears cupped in the palm of his hand but the saltwater of grief too.

“Then we’ll find something new. A new way, a different way. We’ll do it however you want now.”

“Are you sure?”

“Yes, cyar’ika.” It’s very much a promise, a new Creed being established here.

“Okay.”

He nods, “Okay.”

The water is warm verging on hot verging on scalding. It feels incredible slithering over your tired and sore muscles, the ligatures in your arms still trembling from the blaster practice earlier today, from your overwhelm of emotions.

You hate that you’re not good at it, that the only weapon that seems to become you is a lightsaber.

The suds of his earthy smelling soap slide through your hair, slipping down your spine, over your ass and along your legs to pool around your feet and disappear down the drain. You shiver once, as though letting something fall away as you slide your hand down, over the swell of your belly, to cup the palmful of your cunt, wedging your hand between your thighs. You pet slowly at the wet curls there, realizing some of it is also the sticky slick of your desire. You were right, you’re wet for him and your clit pulses, slightly swollen and wanting. Your body is awake and hungry for him for the first time in what feels like eons.

You explore slowly, your cunt slightly trembling at the feeling of being prodded and touched for the first time in you can’t remember how long. Moaning softly, you pull your fingers from between your legs, hands sliding up now to cup the weights of your breasts in each palm and squeeze tightly. Oh, you want him, you want him, you’re afraid. Your head falls back on a thump against the fresher wall, loud enough that you hear his lurking voice through the door, you okay in there? And instead of being annoyed at his overbearing caution, his hovering, you shiver again, something coming back to you now.

Your desire.

You shut the water off, grabbing one of the soft linens he’d slung over the warm pipe for you to wrap yourself in. He knocks a knuckle against the wobbly little door, “Cyar’ika?”

Looking at yourself in front of the steamy mirror, too long, naiad hair, bright, strange eyes, you want him, you want him, you want to feel alive, awake, anything. You can’t deny your shortcomings, fears, whatever they might be called, but there is yet still a soft place inside of you that they’d not snuffed out, that wants Din still.

You turn to slide the fresher door open just as he’s readying to knock again.

He’d showered before you, after he’d fed you your soup and your disgusting fake bread he’d promised he’d find a real substitution for soon enough, and you’d needed a moment alone to sit in your grime and silence, digest your feelings. He’s clad now in one of his soft, dark undershirts, his flight pants and the helmet, opposite your towel and water dewed skin, steaming from the hot fresher.

You watch a swallow pass through his throat, words caught, slow and heavy. He clears it once, twice, tilts his head down to take in the state of you, before he says, “You alright?”

You nod, wide eyed awake. He’s standing right in front of you and you miss him and you want to shock him wide eyed awake too. “The water was too hot. I got dizzy,” you lie, swaying towards him a little, letting your lashes flutter dramatically.

Not all the way, but enough, just a little, as much as you can bear, that’s what you want from him right now.

His hands come up to grip the sides of your arms immediately, his bare hands, soaking up the wet of your skin. He pulls you into himself, pressing you carefully against his chest, and you shiver and shake against him, teeth rattling with a sound entirely lacking temperance. Your blood feels like it’s boiling, there’s desire alive and writhing in your tummy, and you squeeze your thighs together tightly, shifting from one foot to another while you drip a puddle onto the cold floor.

“Come here, sit down,” he murmurs, gently moving you to your bed, easing you down onto it slowly. “You need to take it easy,” he clucks over you, gripping your elbow to let you down carefully, keeping his hands on your bare skin until the last moment. “You’re pushing yourself too hard. You’re still tired, you’re still recovering. And you never listen. You have to listen to me when I’m trying to take care of you. You don’t eat enough, and I know your shoulder still hurts, little liar. Your elbow is barely better, and I saw you making strange faces when you were walking up the plank the other day. Your hip hurts doesn't it? Or your knee, something. No, don’t answer. I know you’ll just say no.” He talks and talks and talks, and you love him and you think that—

There’s a name for this…

He’d told you he loved you and he’d not said it again, neither had you, it felt too huge a thing to talk about again just yet while there was still so much left to discuss and bridge, but what does it matter if your body sings or screams in pain when you have the love of this beskar titan? What could you care for all the rest of everything?

Yes, Din. Yes, Din. Whatever you say, Din, as he huffs and puffs and arranges you, brings another pillow and blanket from the bunk, his only one in there, not that he cares, lovely man.

And it’s not only that you feel like you need to give him the things he wants or needs, because of course you do. You love him, you need to be able to give him things, everything, you want to be able to give him the whole galaxy. But it’s also that you want to. That to give him what he desires is to feed yourself, to live together, to be together, to give each other the things you need to stay alive.

You let yourself fall back onto the soft blankets slowly, this nest where you’ve always felt so safe and so protected and so loved, even when neither of you knew it was love that was holding you here. And you watch him for a few anxious moments as he pulls the covers this way and that, tucking them here and there, trying to avoid looking at the bare expanse of your dew damp legs. But then, taking hold of his hand, you still his nervous movements, and he finally looks up at your face, letting go of his fretting, taking hold of the bravery in the palm of your hand.

Shy—but brave. Brave—and wanting.

“We’ll take care of each other, won’t we?” You want to tell him you love him again, but there’s something slightly terrifying, gloriously intimate and fragile about the words.

“Always.”

“And we’ll keep each other alive?” Maker, I hope we keep each other alive.

“Yes.”

You take hold of the edge of the linen covering you, revealing your naked body to him slowly, exposing your soft underbelly. You hear his breath hitch, exhale on a groan that sounds like dying. His grip on your hand goes tight to the point of bone crushing pain for one brief, brief moment before he remembers himself and gentles again. You shiver at the pain, belly swooping and quivering with fear and nausea and lust.

You wish you could see his eyes, his face, his want.

“You—” he stutters, swallows, “You don’t have to, my love.” My love. He doesn’t need to say it out loud again now with teeth and tongue, he says it in all the things he does.

“You have to know that I want you so much. That I want you more than anything, Din.”

“I do know,” he says immediately. “I’ve never doubted that.”

“I want to show you.”

“You don’t have to. I know—” His other hand comes up to grip yours with both of his, caging your limb within the strength of his fists—to keep himself from touching you anywhere else, you think. But you can feel the intensity of his gaze along your skin, over your bare breasts, quivering with your hitching breaths, water droplets translating the frantic beat of your heart in their trembling on the surface of your skin. The line of your belly, the slope downward to the soft place between your thighs.

He’d seen the scarring on your hand, it was inevitable as much as you’d wished you could hide the deformity they’d left. As much as you wish you could’ve kept it from him, held an illusion for the rest of your lives together to spare him from the reminder of the things that’d been done, happened, chosen. But now… now he is to be subjected to the whole truth of it. Scars like cobwebs, strangely shimmering in silver lights beneath the surface of your skin—they’d been clever and ingenious in their torture—covering the whole circumference of your left hand up to your elbow. But also, from the lowest point of your last rib, over your right hip, traversing lower down the contours of your skin to wrap around the uppermost swell of your thigh.

They’d left their mark like they’d intended, and it wasn't something you could ever hide from him, the reality of what’d been done, what you’d chosen. It was obvious in everything, etched into your skin, a chasm in the still present distance between the two of you.

You feel like a bruise; tender, vulnerable, incongruously desperate to press on it harder and feel that dull throb, dark and ugly and on display.

His hands go tight around yours again for a moment, before he’s snatching them back to grip his bent knee, white knuckled, silent anger on display when his eyes reach the scarring.

“It’s okay,” you whisper, smoothing a hand over your hip down to your thigh to grip yourself there, digging your fingertips lightly into the plush softness. Your skin vibrates. “It doesn't hurt now.”

“What did they do?” His voice is like gravel, restrained fire-full fury.

“They wanted to see what it’d take to leave a mark. They figured it out.” The helmet turns away sharply, a short, brutal curse spit from his mouth. The tongue of his mother, beautiful despite his violence.

“It’s okay, Din.” You take hold of your thigh, pulling it up and apart, spreading yourself for him. Brave, wanting heart, be brave. He turns back immediately. “I want you to see how much I want you,” you whisper. “How much I still need you.”

You let your fingertips flutter lightly over your swollen, needy sex, and you can hear the obscene, sucking sound of your wet lips spreading apart when you part your legs wide enough for your sex to bloom. Cunt hungry and weeping for him.

Fuck, he spits, leaning closer, and his hand snaps forward to grip your ankle all the way around, pulling your foot up onto the uncompromising muscle of his thigh—your only point of contact.

“Show me, cyar’ika. Show me how much that pretty cunt missed me,” he growls.

You start slow, wide eyes fixed on the dark tee of his vizor, fingertips swirling around your clit slowly, it pulses and throbs and beats to the rhythm you can feel his own heart beating at within his own chest. But you pet it slowly, teasing both of you, and then feel lower down to the clenching mouth of your cunt—fuck, he spits again—slicking your fingers in your sticky wet. You start to rock your hips against the flat of your hand, the sound of your cunt, loud in the quiet hull, nothing to interrupt but the too desperate sound of your mutual panting. His fingers around your ankle are so tight they’ll leave a sore spot, and you can't think of the later hurt now, afraid it'll scare you out of this, all you can focus on is the beat of your cunt, the way it cries for him.

You swirl your fingertips at your opening, again, again, “Put them inside. Let me see you fuck yourself.” And it’s a demand.

You start with one, slow and tentative, a little, shocked gasp as you probe shallowly within the tight, little hole. Then further, wiggling inside until you’re impaling yourself with your own small finger, the first thing inside of you in so long, and suddenly, you wish it was him. Your eyes fill with tears at the thought, spilling over at the wish that he could’ve been the first thing inside of you after all this time, but the reality that you’re just not ready for it yet. The salted proof of your inevitable shortcomings slide back along your cheeks to drip into your ears.

“Another,” he demands. “Oh, it sounds so pretty, little one. Give it another.” You pull your single finger out, sucking, wet-cunt sound that he groans in tune with, to press another one in, mewling at the pinch and stretch of it, the slick slide. Yes, just like that. You’re doing so well, he says, a mirror of his earlier words to you today during target practice. “Roll your hips, ride your hand.” You hitch another sob, “Don’t fucking cry,” he grits, pressing your heel hard into the meat of his thigh. “Don’t cry, don’t cry. You’re going to come for me, you’re going to let me see it.” He spreads his thighs wider in his kneeling crouch, pushing his hips forward into nothing, drawing your gaze to the heavy bulge behind the plaquette of his flight pants. He’s so hard.

You crook your fingers inside yourself, hill of your palm against the swell of your engorged clit, fingertips against the spongey ridge at the front of your cunt, rolling your hips faster, chasing the orgasm you need to give him. Your foot feels numb in his grip, your cunt, on fire, so tight it hurts. Your belly hitches and heaves, open mouth gasping and you cry his name, moaning and writhing wantonly, your stomach slick and glistening again with sweat now instead of water. One of your palms reaches up to take hold of your breast, nipple caught between your fingers, squeezing tight, tight, tight. And suddenly he’s surging forward, letting go of your ankle to lean over you and rip his pants open, freeing his furious erection. The tip is red-purple and swollen fat, drooling a thick string of sloppy, white precum, and he wraps one massive fist around the angry thing. Din, Din, Din. He beats at his cock furiously, the sound of your name, the slick thwack, thwack, thwack of it sends you spilling into your orgasm, belly pulling tight, cunt twisting even tighter.

“Fuck, fucking come—fucking come,” he snarls as he twists his fist cruelly around the head and the thick white viscosity of his semen starts to spill from the fat head, bubbling up and over his fist and between his fingers, splattering heavy and hot onto your spasming cunt, coating your fingers so that you’re pushing the thick of his come into yourself, slicking you further. “Yes, yes, yes, like that. Let me fucking see it…Look at what you do to me.” And there's so much furious want in his voice, and he’s so big, long and thick, and you know it’s going to hurt when he puts it inside of you for the first time again—you remember how it hurt before, how you loved it—and you’re afraid you’re not going to be able to handle any sort of pain ever again, not even the sort you’d been so hungry for before.

But your womb pulls tight, pulses and throbs, and suddenly your two skinny fingers arent enough, you want the thick heft of his cock fucking hard and fast and deep inside of you, punching at the deepest spot within you.

His orgasm ends on a fierce groan, panting, thick chest heaving, his head hangs low between his shoulders. You pull your shaking fingers from your clenching hole, and he gives a few last lazy strokes, squeezing the last drops of come from the slick tip to splatter against your pussy. “I fucking missed this—your cunt covered in me.” His dripping cock bobs so close, and you have the sudden insane thought of him just shoving it in, holding you down prone and fucking all of his spend into your sloppy cunt, forcing you to take it and be his again. “I can’t wait to eat it. I can’t wait to fill it with my come again and eat it out of you.” There’s a part of you that might want it, that might wish for it.

“Maker, Din…” you moan, rubbing the thick semen into your overstimulated clit, your mound, up the curve of your belly, slicking yourself in him.

If you can’t have his touch, this is enough, and you bring your sticky, soaking fingers up to your mouth, sucking the come from them. He groans, not fair, sitting back on his knees, spent cock hanging obscenely from his open pants, wet and glistening. He reaches behind his head to tug his shirt up and off, leaving his sweaty chest bare and gleaming. Your eyes flutter shut, cupping your cunt in the palm of your hand, covering the slick curve of it, and you arch your back, spreading your thighs further, putting yourself on display for him.

“Gorgeous, cyar’ika,” he says between pants. “So pretty, my love.” He reaches down to squeeze his half hard cock once more. “I can be patient for you, I promise. You’re so worth it.”

He lays beside you in the dark, stretched out long and entirely clothed, but here with you, forced and convinced to share your bed with a line of pillows as a protective moat between the two of you at his own insistence.

You’re on your side, hands folded beneath your smushed cheek, wide eyes searching fruitlessly for the shape of him in the pitch dark. You want to say something else. You want to tell him you love him again, to hear the words fall from your tongue.

“What are you thinking?” He asks.

“Nothing.”

“Liar.” You hum a barely breathed laugh. And then, “I know you’re scared or regretful or worried that we’ll not get back to where we were,” he reads you.

“Yes.”

There’s a name for this…

He sighs long, goes quiet for longer, and then finally: “What’s happened’s happened, which is an expression of faith in the mechanics of the galaxy.”

“Fate?” You muse, a little unbelieving.

Dark red—

“Call it what you want. We met, we separated…you were—gone. We waited. Now we’re here again. It’s meaningful, isn’t it?”

“Yes. You believe in this—fate?” I didn’t think I believed in anything anymore. But I believe in you.

“Call it what you want, but yes.”

—String.

There’s something about this that you need to consider, chew on. The fact that you’d felt, all your life, cursed to know how a thing would happen, be, end, always. Something like fate, perhaps, the whisper of it making a home for itself within the shell of your ear, and now the truth that he too believes in this thing you’ve always lived with. Destiny, what have you—you believe in the same things, you believe in each other.

“Will you hold my hand?”

He turns over, reaching to twine his fingers through yours; large, rough palm against small, soft palm. You want to tell him you love him again, you want to hear the words for him, but they feel trapped, tender, timid.

You’d always thought your destiny fixed, poised, on the tip of your tongue. A thing was what it was birthed unto the galaxy in perpetuity, and no amount of desire could absolve you of its sunken teeth. But this—this desire is like the creation of myth, that dark red thread that goes by the name of fate being pulled taught, humming in accord with a frequency heard only by the two of you.

Now: “Will you kiss me?” A beat of silence, his fingers around yours going tight, tight.

“Come here,” his voice blends with the darkness, and tugging you into himself, protective border between your bodies and his hand around your jaw, he slips a kiss onto your tongue. His mouth holds the hot recollection of being alive; the drag of his teeth against your bottom lip, the taste, your fingers weaving through his hair, your names sounding together, a pair because they belong on the same breath.

You pull back, and it’s only a small brevity, but it’s enough, and that confusion from earlier, that shiver of letting something go or taking it back into yourself, settles.

You’re afraid or regretful or both, yes, sure. You also find yourself to be, suddenly, forgiving, full of empathy. You won’t be able to have him unless you take possession of yourself first, and on the tail end of a comet breaking across the sky: I love him, but I must also love myself. He deserves someone who loves themself, but more than that, I deserve it too. To be able to give him the things he wants and needs: I deserve to be in love with myself.

You let the Tartarian memory become nothing.

Love manifests itself primarily in forgiveness.

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