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#so i'm gonna work with what we have in the lore right now
thefirstknife · 1 year
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Now that we have three of Ahsa's memories delivered to us through Sloane, it's time to put them together and think about what we're being told!
I don't know!
Here's the three we have now:
An oasis in the desert. Seeds of hope... buried beneath the sands... Nomads... wanderers... travelers. Their journey comes to an end... The first to be claimed by the Deep... the first to fall victims to the Witness...
A city of Light... a... a flourishing garden... A silent god... withholds a deeper truth. Questions unanswered, uh... longing... unfulfilled. The sky... darkens... as a new journey begins.
Shrouded in... Darkness. A promise of something more... Two halves of a whole... long divided. A... schism between them. Reunited. [exhales in joy] A glimpse beyond... to the beginning...
Long post under:
I wasn't sure if these are connected for the first two weeks, but now I think they should be. Ahsa is telling us something important, but we can't make out the details just yet. What we do know is that this is about the fabled "first victims of the Witness" who originally had the Veil. The first message pretty much explicitly identifies them as such, including telling us that they lived in some sort of a desert as nomads and wanderers.
But at some point they were "claimed" by the Deep and became the Witness' first victims. How? No clue. It's strange because the second message, if it's talking about the same species, now shows them as living in a city, obviously with the Traveler ("silent god" being the same description used by Zavala in Haunted). Did this city coexist with the previous description of them as nomads? Did they get claimed by the Deep and then the Traveler came? Or are visions possibly not exactly in a direct timeline? So perhaps they were both nomads living in oases, as well as having a city and being blessed by the Traveler (not unusual; something similar happened to Lubrae). I think it's most likely that the first message was just a general overview of the situation and then the rest is going into details, so "oasis in the desert" is the same as "a city of light, a flourishing garden."
From there, obviously the Traveler uplifted them and brought them knowledge, but apparently not enough. They wanted more and we know that the Traveler doesn't do that; it gardens, terraforms, helps, and leaves. It will never reveal some grand plan to a species or force them to follow a path or go in a specific direction. It just opens possibilities; the choice is ours. But we also know that it's not unusual for a species to self-destruct or be unable to follow up on what the Traveler brought (again, Lubrae is a good example). Either way, it appears that this longing for more is what actually made the Deep claim them, possibly noted here as "the sky darkens as a new journey begins."
And the last one seems to be talking about them searching for something in the Deep. They are "shrouded in Darkness" where they find a "promise of something more." The next few sentences are very peculiar. What are "two halves of a whole" that have been "long divided" but now "reunited"? And there's also "a glimpse beyond to the beginning." Very strange; what is this referring to? If we're still talking about the first victims, are they more important than just being a random species that encountered the Veil? That's actually a good point as well; they must be somehow important if they're the ones who first had the Veil. Did they find it? Make it? Manifest it? Before the Traveler or after, when they were claimed by the Deep?
A "glimpse to the beginning" obviously makes me think about the original garden from Unveiling. At least to Unveiling in general as a thing, since the original garden is not really a physical space. But then again, we're dealing with some wild stuff currently in general, including a weird portal that doesn't allow people to pass through physically so.
Similarly, this talk of "two halves of a whole" reminded me of one of Osiris' prophecies, curiously called "Garden Progeny:"
Two siblings cleaved by time and space, reflections never found alone, The ending of the eldritch race—a path long seen but never known.
The Veil also has a really curious look that looks like it combines Light and Darkness; is that the two pieces made whole by combining them to make the Veil? This is best seen in Avalon where the tendrils are clearly modelled in the same way as the Tree of Silver Wings as it was when it was fully of Light:
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I'm losing my mind! What does this mean!!!!
Also, thinking about this and the Witness made me think about all those truths/lies Savathun was telling us about the Witness so I wanted to revisit them. She gave us four different versions and at least one of those has to be correct so I went back to check and I am rapidly spinning this in my brain:
The Witness is the child of Darkness. Those who say there is no final shape, that Darkness exists in perfect, formless neutrality? Liars. Takes one to know one. The Darkness will eat everything, and its shape will be the Witness's teeth.
What is the Witness? This is the truth. The Witness birthed the Darkness. Darkness is the errant child of a tight-fisted creator. A force designed for wicked purposes... but with a will of its own. You have begun a tug of war to claim the Darkness for yourself. I hope you win.
The Witness was once mortal. Its people were blessed by the shadow of Darkness, just as your kind were blessed by Light. In that Darkness, these beings found power and knowledge. But they were not content. Power and knowledge turned to greed and despair. The Witness was forever changed.
The Witness was once mortal. Its people were blessed by the Light, just as your kind were. In the Light, these beings found power and knowledge. But they were not content. Power and knowledge turned to greed and despair. The Witness was forever changed.
Hm. Those 3 and 4 look wildly similar to Ahsa's memories. What if the first victims are the Witness' people? They had both Light and Dark, somehow connected to the Veil, and something happened that made them look for more and that's how the Witness was... created. Manifested? Appeared? It definitely makes more sense than 1 and 2: we now know for a fact that Darkness does, in fact, exist in neutrality as many species used it perfectly fine and ended up being enemies of the Witness. And we know that the Witness didn't create the Darkness; I still firmly believe (for now at least) that the Winnower is not the Witness so the Darkness must've existed before the Witness. There's also a possibility that all of these 4 are somehow true; the Witness may not have created THE Darkness, but it definitely created a certain philosophy around it.
Given that we're supposed to learn more about the Witness this season, it kinda makes sense that Ahsa is telling us its origins. Where it came from and how it turned into what it is now. I don't know what else would Ahsa be trying to tell us that would be so important to risk this much for it. She seems desperate to let us know and on top of that, the whole setup for us having to go to Titan was around "the enemy of the Witness" who has crucial information to share with us.
If this isn't about the Witness, then whoever these "first victims" were must be super important and they would be brand new aliens that we would have to learn about which seems odd. But it's still possible! The Traveler had to have visited someone first. And from that first visit, they also became the first victims. If this is talking about the first species that eventually somehow turned into the Witness, the Witness' obsession with the Traveler and its words to the Traveler would make sense. The Traveler gave them an insight into mysteries of the universe and then left. It opened them up to understand but then left without sharing more. Talk about an existential crisis.
We're 3 weeks in and there's 3 left so I think we should at this point be able to make some connections and start putting things together. Ahsa's message being about the Witness would make the most sense. But I'm also interested if anyone has any other ideas for possible interpretations.
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puppy-the-mask · 1 year
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So I've been cooking up some alternate outfit ideas for my Lmk sona and this is what they'd look like if they were with the Demon Bull Family! The idea is basically they'd be something of a court musician but it's mainly just a title.
Edit: Added the version without her armor <3
I don't have a concrete story but the initial idea was that cas was friends with swk in the brotherhood days and stuck with dbk after everyone else got sealed away and the whole consumption incident went down since she had nowhere else to go (and conveniently was the only lady around that he could ask for relationship advice when courting Iron Fan). They didn't expect Cas to live this long, only really expecting to have her around through her natural lifespan but they noticed she wasn't aging so now she gets to be their babysitter for date nights! Through the years she's been something of an aunt/sister figure and has become fiercely loyal to the family despite having no desire to take over the world. Redson built her electric bass and the armor she wears over her gems, the Bass has 2 extra buttons on it- the fire button spews fire out of the pipes and the Bull button unsheathes her sword from the neck of the instrument since she can't exactly walk around with a sword on her hip so easy these days. She travels with a heavy metal band across the continent- i like to imagine her intro episode has the crew excited about a big band coming to the city and while they wait they run into redson and annoy him cause he's bragging about getting exclusive vip passes to the show. The crew would expect someone mean from the music and the from the rest of the family but Cas is super welcoming and nice when the crew sneak backstage to bother redson some more XD
#my art#sketches#lmk oc#it me!#Cas#i'm not mentioning connie because they're the same no matter the au#though you can bet they're gonna flip when they hear redson and dbk opened a barbecue restaurant without telling them#they want a taste! Cas is probably the only mortal who can eat the Inferno level simply because Connie will consume it#and also they've been eating this boys cooking for years- they've gained an ungodly spice tolerance#i also like this concept because i think it'd be funny to have wukong be weird about Mk knowing Cas now#and innocently being like 'we should invite them over to hang out- since we're cool with redson why not the token nice one of the family?'#and Wukong is just getting flashbacks to the last time they spoke- right after sealing away dbk and is like 'haha that's nice bud-#'but oh darn they're still touring and won't stick around- she'll probably be leaving the city super soon! what a bummer!'#"all the more reason to get together Right Now!!!' :D '... Thats... GREAT Bud- i can see no reasonable point to argue!' ;w;#Meanwhile Cas is Vibing- big chillin- is only gonna realize her mistake when she locks eyes with swk and they both immediately share a Look#and wordlessly agree to simply Not Bring It Up#i have 1 other design i'm working on- i have the sketch and concept done already#i just need to color and finish it#that one i had the entire outfit And Lore a lot more thought out than this one but i had this idea first and REALLY wanted to draw the bass#im so proud of it you have no idea- the idea of the sword hidden in the bass and the flame jets make me so happy#it feels like something Redson would make- Cas uses it for all their performances they love it so much#And they wear the armor he made Religiously- even if their gems are covered by clothes or theyre chilling at home#unless they just woke up and haven't gotten dressed then they're most likely wearing them- the necklace especially#I still gotta make a regular Ref sheet but these are more fun- i have so much random info about Lmk cas i wanna ramble about >:3
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matrixbearer2024 · 3 months
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Reunited Again Aren't We?
Vox x CollegeStudent!Reader
A/N: Lololol I felt bad I left you guys on a cliffhanger in "Troubles Unforeseen" so here's Vox's POV to the whole thing. Bro already has minor panic episodes when you go inactive so let's see how he deals with the fact you're just entirely gone. Oh and this chapter will feature a bit of the iconic radio demon because trolling Vox will never be unfunny to me HAHAHAHA.
A/N: This interlude's gonna be a wild ride, it's also gonna have some lore dumps because of Lucifer lolol. Hence it is fucking LONG- Btw please send me ideas for Vox and Reader now that they've reunited in death. Fluffy, angsty, smutty, doesn't really matter hahaha, I'm still going for the slowburn btw so please keep that in mind XD ANYWAYS- I hope you guys enjoy this interlude and as always, happy reading!
There was something wrong.
Like, really really wrong.
At least to a certain technology overlord.
Vox just couldn't get rid of the sick feeling he had in his gut.
It had been just a few hours after you said you'd leave for the party.
Knowing that, he tried to just distract himself with his work and hoping the feeling would go away.
Only to find himself counting minutes as nothing seemed to change.
Against his better judgement, he found himself shooting you a quick message.
He was just checking in on you, no harm no foul right?
"Hey doll, how's the party?"
He stared at the phone for a bit, wishing you'd reply and quickly put his paranoia and nerves to rest.
Instead, Vox was quickly reminded that he had a broadcast in a few minutes by his secretary.
Fuck.
He just really couldn't shake that ominous feeling.
Despite that, he put on a charming smile and just went about his business.
Unfortunately, he'd lost track of time after getting swarmed up by work.
So it was only hours later that Vox was able to check back in on you.
And to his dismay, there was still nothing from your end.
You didn't even see his message.
He tries to convince himself that he's just being paranoid.
That there really wasn't anything wrong.
But as he was staring at the screens connected to your gadgets hoping for even just the slightest activity-
The one that showed your phone suddenly fizzled out into static and abhorrently loud white noise.
He recoiled from the loud noise before the panic finally settled in.
Vox had known you for almost two years-
And this hadn't happened once.
The screen where your phone's interface had once been just went back to being one of his typical monitors.
Displaying statistics, graphs, surveillance and whatnot.
The overlord quickly checked if he could still interact with your laptop and tablet and breathed a sigh of relief when he could.
Especially when he could still control that little desktop version he made in his likeness for you.
So, maybe things didn't entirely go to shit.
But still-
What fucking happened?!
He kinda goes off the walls blowing up your notifications or trying to get your attention through the devices he was still tied to.
Which only makes his anxiety worse when there's still no response from you at all.
At this point, it's been a few hours since you've completed dropped off the radar and Vox was just not having a great time.
Were you still at the party or something???
That was of course until a news article appeared as a notification on your laptop.
Vox knew he shouldn't have cared about it much, it was probably just another one of those internet clickbait things anyway.
Especially with the headline.
"Students Injured by Drunk Driver, One Dead"
Who wouldn't think that was an exaggerated story?
But something in the back of his mind demanded that he check it.
It was probably the paranoia filling up with just all the worst possible scenarios.
The overlord just shook his head, he'll check it just to prove to himself you weren't part of it.
Just anything that could tell him that you were okay.
But the second he opened the article to read through it-
Vox immediately felt his stomach drop.
He could immediately identify the bloodied individuals in the headline picture.
It was your group of friends that had gotten caught in that accident.
And it was you who'd gotten killed.
Seeing you bloodied and battered in the outfit you so proudly showed him mere hours ago made him feel downright horrid.
It was like he couldn't even breathe.
No-
No way!
It couldn't be, it was just someone that looked like you!
It had to be!
Was what the overlord tried to tell himself.
But when he scrolled down the page and saw your name written in the article as the one unfortunate death-
Vox knew for certain that he didn't see wrong.
The sick feeling he'd been getting was his instincts giving him a warning.
A warning he didn't heed.
And it costed you.
He sat there in his chair for a minute trying to process it all, especially when the overwhelming guilt finally hit.
Vox wasn't ever one to feel that way, especially in his ruthless line of work.
Not to mention how he generally is a cutthroat businessman who would do anything to get what he wanted.
But when it came to you, he felt immense regret for not having better painted his worry.
That he didn't tell you something felt really off.
It was a new kind of weight at the moment, especially when he was still shell shocked from the blitzkrieg of information.
And even if you still chose to go to the party-
He still could have warned you.
And that was a fact he couldn't let go.
Holding his screen in his hands, Vox just sat there trying to calm himself down.
He definitely couldn't just go back to work like this.
This was bad.
He couldn't remember the last time he felt this kind of overwhelming anxiety.
Was that it?
Would he ever see you again?
Or had he lost you for good?
The overlord was about to kind of just let his emotions run it's course until another realization hit him.
It only popped up in his mind when he saw some random surveillance footage of the city on another one of his monitors.
If you were dead-
There was a chance you could be down here.
He highly doubted it given your nature-
But there was still a chance.
He hadn't lost you yet.
So that was how Vox found himself rapidly traveling through wires and cameras all over pentagram city just holding onto a thread of hope that you would be around somewhere.
Velvette had given him an odd look when he just bolted of the Vee tower like his own ass was on fire but he couldn't bring himself to care.
The priority was you.
As he had unfortunately realized over time.
Zapping himself around through some cables, and cameras wasn't hard.
Tiring as he continued to do it but moving around like a shock of electricity was nothing new to the overlord of technology.
The problem now being that Vox had absolutely no idea where to even begin looking.
Pentagram city was huge, there was his tech and products in nearly every corner.
Aside from Alastor's stupid hotel-
And maybe cannibal town-
So it wasn't that difficult for him to get places.
But where would he even start?
It was unlike him to do something in such a sporadic manner.
Appearing here, appearing there-
Just to check, just to see.
He'd completely lost his cool in his panic and tried to picture what you'd look like as a sinner.
If there's one thing Vox had grown to recognize and love about you, it was your bright eyes.
That gaze that always looked at him with either cheer or mischief.
He was certain that wouldn't have changed even if you were launched into heaven or hell.
Problem was that didn't narrow his options at all.
How was he supposed to know how your other physical features would translate once you were down here?
Hell, he had a TV for a head!
The overlord zapped himself out of a nearby CCTV camera with a huff.
He couldn't keep traveling like that unless he wanted to exhaust himself before he'd even searched half of the pride ring.
So he straightened out his bow and brushed off his suit before just walking down the sidewalk and subtly searching that way.
He wasn't phased when some sinners took pictures of him, nor did he have the capacity to even care.
As long as they didn't get in his way, he left them be.
So imagine his surprise at the sense of familiarity he got passing by someone staring at the display TV screens on one of his many stores.
He swears he's never seen the person before, but there was something about their vibe that just hit like a sense of Deja vu.
Looking over at the sinner that seemed to even be amused at one of his broadcast reruns-
He got a good look of your face.
Your gaze really didn't change.
"Huh, so this is what he does down here. Goofy ass TV-"
And that was your voice.
He wouldn't mistake that anywhere.
"(Y/N)?"
You screamed in shock before you turned your equally surprised gaze to him.
When you met his eyes, Vox knew for sure it was you.
"Vox!!!"
You dropped the bag you were holding and immediately tackled him in a hug.
The overlord opened his arms instinctively to catch you, but he was caught off guard by your sudden movement that he ended up falling backwards and landing on his ass with you in his hold.
He couldn't really say anything when you were just rambling on and on into his chest about who knows what.
Vox couldn't even keep track of what you said.
He was just too relieved to still have you around.
It took a brief moment for him to tighten his hug on you, fearing that if he let go you would disappear.
The both of you stayed like that for a good while, until a certain princess Morningstar and her girlfriend found the two of you.
"(Y/N)???"
"(Y/N) get away from him!"
Vox could only compare how fast you whipped your head around to the times he'd caught you doing something silly.
Subconsciously his hold tightened on you as Vaggie approached, how in Lucifer's name did they even know you were here?
"No! I'd been looking for Vox ever since I ended up down here! I know he's not going to hurt me!"
He was more surprised at how quick you were to defend him, especially since-
Wait-
You'd been looking for him ever since you ended up in hell?
He couldn't catch the rest of the conversation you had with Vaggie and Charlie as he was too busy buffering.
By the time he'd finally been able to pay attention again, you were helping him stand back up with a bashful smile.
And that was when his worry finally reared it's ugly head.
"Wh- How the fuck are you even down here?! I told you to be careful and you'd gotten yourself killed?!"
"As if that's my fucking fault! How was I supposed to know I was gonna die that night?!"
The both of you go back and forth for a little while and you slowly calmed Vox down from his emotional rollercoaster.
He only noticed he was shaking slightly when you grabbed his hand and smiled at him.
A smile Vox was scared he'd never even see again.
He felt a little funny with your hand in his, not to mention just how small your palms were against his own.
"I'm okay now, see? You're such a worry wart."
"I could've lost you, why wouldn't I be?"
You just flick his screen with your free hand in response, but Vox didn't miss the slight red that dusted your cheeks accompanying your pout.
It was only then that he was able to get a good look at you.
He wanted to both laugh and scream at the fact you seemed to have taken traits of a doe, ears and all.
It was like Alastor just had to give him a middle finger no matter what he did.
He also noticed your outfit was the same as the one you had died in, which was probably a hint that you hadn't been down here for long.
Plus, you were just...
Short.
Well, you only stood up to his chest so you just seemed small in comparison to him.
A soft cough brought his attention away from you.
Ah.
Right.
"Hey there Mr. Vox! I see you're well acquainted with (Y/N)!"
Vox was about to just shrug off Charlie's greeting and leave with you when he noticed your stern gaze.
Oh fine, he'll play nice.
"You can just call me Vox, princess. No need for the formalities. It's a pleasure meeting you!"
He returned, extending his free hand to shake with his signature grin propped up on his screen.
Charlie just smiled and shook his hand, introducing herself and Vaggie.
Well, he already knew who they were but he played along.
"Oh just call me Charlie and this is Vaggie, we were actually just shopping with (Y/N) before you appeared?"
Huh?
Vox raised an eyebrow at you but you just nonchalantly pointed to the dropped groceries nearby the two of you just sitting on the sidewalk.
So that was what you were holding before you tackled him.
Before he could respond to Charlie however, you beat him to it.
"Saaaaaay why don't you go back to the hotel with us?"
"Excuse me?"
"I mean I'd reckon it's not like you have anything else to do if you're out here."
Vox didn't really know how he was supposed to react first.
One, he was done with the day's work so you had him kind of cornered.
It wasn't like he could say no to you anyway-
And two, the hotel-
If Charlie and Vaggie were here with you then he could assume what hotel you were talking about.
And he was absolutely livid because he knew fucking Alastor was there.
Alastor.
And you were staying there?!
Though it seems like you heard his thoughts and poked his screen to snap him out of it.
"Oh and don't worry about Alastor, I've been a pain in his side ever since I came to the hotel. He's just really easy to piss off, kind of like you actually- and it's entertaining to watch."
Vox just gave you an annoyed glare from the comparison to which you shrugged.
Though when he weighed his options, maybe it was for the best that you stayed at the hotel despite his rival being there.
It was probably the safest space in hell at the moment-
Especially with how they were able to drive away the exorcists.
That and...
He wasn't so sure about having you in the same space as Valentino.
The pimp already blew up at him when you were just on his phone-
How much more if you guys were in the same room?
He broke from that train of thought though when you just suddenly started messing with his bow tie.
Tugging and poking, Vox couldn't help but find your behaviors as puzzling as it was cute.
He gaze softened slightly at you before he chuckled.
"Just what do you think you're doing doll?"
"Messing with your tie, what else?"
"Hmm, I can see that. Mind telling me why?"
"Cuz I can? Besides- do you wear this outfit all the time?"
"Only when I'm working, aren't you curious."
"Eh, it's all I've seen you wear so I figured I'd ask. Besides, this is the first time we've physically met."
Vox missed the weird glance Charlie and Vaggie gave the both of you.
Not that he would've noticed anyway when you were busy taking up all his attention.
Eventually, you were able to talk the tech overlord into walking you back to the hotel.
He felt a little weird when you finally let go of his hand to pick up the groceries you'd dropped but he wasn't sure why.
Well, more like you were dragging him along.
Charlie and Vaggie were talking excitedly in the front as he just strolled alongside you.
He wasn't really paying attention to them.
"I don't actually know much about what happened in the accident, just that it was a car crash. Speaking of- how did you know I died?"
"A news article popped up on your computer, I almost thought it was clickbait at first."
"Huh, well at least I ended up on the news!"
You both fell seamlessly into conversation all the way on your walk.
And despite you just behaving the same Vox was familiar with, seeing your reactions in person was a completely different experience.
Your energy was almost contagious even.
Vox just intended to drop you off at the hotel and return to his tower-
But you being you, decided to drag him inside despite his protests.
Charlie and Vaggie went ahead inside with the groceries while you once again grabbed Vox's hand to take him inside.
The overlord could already feel all eyes on him the second he stepped through the doors.
Talk about awkward.
"Greetings old pal! What brings you around here?"
Vox visibly cringed when he heard Alastor, forcing his trademark smile onto his face before looking at the deer.
Everyone already seemed to be taking cover for the inevitable fight that was going to happen between the two overlords when-
"Cut the shit Alastor, I don't need you antagonizing Vox when I want to chill out with him."
Vox didn't even have room to reply when your voice immediately cut through the tension like a knife through butter.
Even he looked at you with slightly widened eyes, did you just not fear Alastor at all?
In hindsight, Vox realized you didn't seem to fear him at all when you guys met so was this really unexpected?
The radio demon only narrowed his eyes at you in annoyance, static starting to surround him and you simply crossed your arms.
"If this is meant to be scary, I suggest trying something else. Cuz, you're honestly kinda just being creepy."
Alastor tilted his head before suddenly laughing off your words, your own deer ears pinning back in irritation.
"Why I was just trying to say hello my dear! No need to get so hostile!"
"Don't call me that. It's either my name or nothing ya weirdo."
That piqued Vox's interest, you never had any issues with his petnames-
And yet it seems like you had every bone to pick with his rival.
Was that because of him???
He bit back a laugh and just continued to spectate your exchange.
"If you do insist (Y/N), but I will say you have a terrible taste in companions."
You just flipped Alastor the bird and Vox raised an eyebrow at you.
He didn't even have to say a word to the deer before he disappeared back into the shadows.
"So what was that about who antagonizing who?"
"So much as say another word about this exchange I'm going to punch your screen in Vox."
"That's if you can reach it dollface."
And just like that, you both fell back into your usual banter.
The others would've thought you and Vox were arguing if it weren't for the seemingly genuine grins on both your faces.
There wasn't an air of hostility around you and Vox like when you confronted Alastor.
It was friendly, which was... weird to say the least.
All the more for the current residents of the hotel.
You were a new arrival, so the fact you were so buddy-buddy with one media overlord while having every bone to pick with the other was a little confusing.
Not to mention that Vox was kind of just... there.
Like he wasn't trying to strike up a deal, or even do anything to the hotel.
Was he there just for you???
That fact made them more concerned about your backstory than anything.
When a lull in the conversation between you and Vox finally hit, Angel spoke up.
"Say uh, toots. How'd you end up down here?"
You didn't seem to mind the nickname this time, instead simply shrugging nonchalantly.
Vox was sure now you just said you had problems with it because it was Alastor.
"That's actually a good question. I've got no idea."
"Seriously? Then how do you explain the fact you're friends with like- hell's biggest media overlord?!"
"Oh that? I met Vox when I was alive. No biggie though."
Vox just snickered from everyone's dumbfounded expressions.
Of course he could leave it to you to completely misunderstand just how important the title of "overlord" is.
"I think I might be able to help figure out why you're down here (Y/N)."
It almost entirely caught Vox off guard when Lucifer of all people suddenly made his presence known.
Not to mention the guy was just really short.
Like- wow.
You'd think with all the paintings and tales he'd be a bit more intimidating too but nope.
Vox just looked over at you next to him while you just gratefully gave Lucifer a hug and accepted his offer.
Seems like he wasn't wrong when he mentioned that you could easily make friends anywhere in the past.
The overlord nodded his head slightly to acknowledge the king of hell but was more focused on what he was going to do to help.
It wasn't like they could just watch your entire life on rewind-
Or could they?
Vox just watches as Lucifer uses his magic to form this... golden orb thing in front of everyone.
So color him shocked when it suddenly starts playing some of your memories.
From when you met him because of the ouija board incident-
Up until the point you died.
Was he the reason for your damnation???
Was that why the orb showed that??
"So that's how you guys know each other- don't see anything that could've caused you to be down here though. Let's go farther back."
What-
Now the overlord was completely stumped.
Just what.
Okay, maybe he jumped to conclusions too soon.
Apparently, from skimming through your memories- it seems like the main reason why you were down here with the rest of them-
Was because you stole a candy bar when you were like- five.
"And you were worried about not meeting me."
"I mean, how was I supposed to know I was damned since I was FIVE?! What the hell is this bullshit?!"
Vox could only laugh at you throwing a hissy fit, everyone else around you still being a little confused and dumbfounded that you were in hell for such a small and kind of idiotic reason.
"It's not funny Vox! I can't believe I'm stuck down here because of a fucking candy bar!"
"I thought you didn't mind being down here?"
"Oh trust me I don't, I'm good with wherever you are. But I could've at least gone down for a cooler reason! Fucking hell!"
He couldn't help but smile fondly as you continued to rant.
It wasn't the first time he'd seen you like this, but he always found it cute anyway.
Screens between you both or not.
517 notes · View notes
innerslumber · 4 months
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Me imagining Deadpool abusing the TVA in his third movie to pop in on Steve Rogers during Endgame:
Wade: Hey so, I know you got this plan to go back to the past and stay there because the writers are hacks and they can't even keep their own lore intact but LISTEN, how about you hand me those stones and I'll take care of them for ya.
Steve: *staring bewilderedly at the man in Red and Black who just materialized out of thin air* Uh...do I know you?
Wade: Wade Wilson. HUGE fan. I can do this all day. I'm just a kid from Brooklyn. Til the end of the line. Although that last one isn't gonna be real honest if we let the writers ruin a decade of character development, right? *wriggling fingers* Now let me at them sparkly Josh Brolin Space Kidney Stones.
Steve: Look, I really shouldn't be surprised by anything at this point but this is really important and I can't just hand over-
Wade: You know what else is important? Making sure we keep giving Disney the middle finger despite our inability to stop sucking their tits for content because at the end of the day, we're all victims of capitalism. So just give me the fucking stones, Captain Sexy Ass and not ruin my motivation to finish writing the 300k slow burn best friend soul mate AU Stucky fic that I've been working on for two years. Capiche?
Steve: Uhh...
Wade: *picks up the case with the stones and gives finger guns at a confused Bucky* Buckaroo, just a reminder that the serum shortens refractory periods and Wakanda is reallll nice this time of the year for honeymoon destinations. *Large Obvious Wink*
Bucky: Uhh...
Wade: *random beeping from his toolbelt* Oh gotta go! Have fun! *disappears*
Sam: *giving Steve and Bucky the Stink Eye* How short is your refractory period?
Steve and Bucky: *redfaced*
Bruce: *sighs and walks off to go make a sandwich*
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unseelie-grimalkin · 1 year
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I'm going for gold, lads, lasses, and other gendered classes!
Do you like visual novels? Do you like stories about the fey? Do you like your entertainment as EDUTAINMENT?
IF SO, BOY HOWDY DO I HAVE A VISUAL NOVEL PROJECT FOR YOU.
youtube
The Good People (Na Daoine Maithe) is a lore-rich and choice-driven romantic visual novel inspired by Irish mythology. Play as an Irish tenant farmer from the mid-19th century, whose path becomes inexplicably entwined with fairy affairs after getting robbed by the roadside and lured into the mythic and war-torn world of Tír na nÓg: A once unified land, now divided into the Seelie and Unseelie Courts. Will you escape with your stolen belongings? Or does fate have something else in mind?
OKAY, BUT WHAT DOES THIS MEAN FOR YOU, SEEKER OF SEROTONIN?
6 wonderful romantic/PLATONIC options (each love interest can be pursued entirely platonically)
a visual novel whose philosophy is less on anxiety-inducing, arbitrary choices to get a good or bad ending, but instead focuses on if you, the player, are interacting with a character in a healthy or unhealthy manner, leading to player freedom and choice
intelligent and reflective writing that is reflected within character moments and dialogue
and MORE! (so much more!)
WHERE CAN I FIND MORE OUT ABOUT THIS GAME?
Here is the bio link, which has links for the indie developers' social media accounts (Tumblr, Twitter, Discord Server) along with the link to their official website, which has a deep dive into every main NPC and the philosophy of the game. The demo is out now and free on both Steam and Itch.io
(As an official statement: I am in no way employed or affiliated with Moirai Myths and I was not approached in any way to make this post. This is me being a feral fan on main, blazing this post)
EDIT:
HELLO EVERYONE! DID YALL KNOW THE KICKSTARTER FOR THIS GAME JUST LAUNCHED TODAY? NOW YOU DO! MORE DETAILS AND MORE FUN TO BE HAD!
They’re doing voice acting reveals this month, along with an early bird special to see blushing/flirty emotes!
EDIT THE SECOND:
WE HAVE REACHED FULL FUNDING WITH THE GAME! Which is excellent, because it means that my little hyperfixation is gonna be made!
However!
It would be very nice if we could reach some of the stretch goals (which go into depth here: x). Not only are they fun (MC customization, a switch port, expanded voice-over work, more sprites, mini-games, side stories), but I think they'd spark a lot of serotonin for folks playing (myself included).
If this post has interested you at all, please, please, please check out the Kickstarter above! Thank you!
EDIT THE THIRD
Since this is still getting notes beyond my wildest dreams:
Hello! It's been a while! The Kickstarter ended a bit ago (I did not update this post when it did end, due to being ecstatic to how much the project managed to get: 130% funding!), but development is ongoing and strong! The first two routes are in development right now. Please keep tuned at @moiraimyths for official development updates!
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Text
People talk a lot about how Fit didn't want a kid when the Egg event happened, but I'm watching his Egg Event Day stream for the first time and picking up a few interesting things that both confirm and contradict what a lot of people say about Fit's perspective of the Egg event, So here are some notes from his VOD:
Fit immediately went over to Ramon when he saw him and cooed at his cute little mustache.
Fit repeatedly said to himself "I'm not a dad I'm not a dad I'm not a dad" while the informational videos were playing. HOWEVER--
When Ramon flashes the "Egg" sign repeatedly to them, Fit says he has eggs at his base and tells Ramon to wait with Spreen. Ramon chases after him, and Fit insists that he stays with Spreen, saying: "I will be right back, Ramon. Don't worry, I will return. I promise." ~ 1h 17m
Moments later when he's on his own, Fit says "Spreen better keep that Egg alive. I'm not emotionally attached to the Egg with the mustache, ok? I'm not emotionally attached." (Mirroring the things he often says these days about not having separation anxiety. Which is a lie). ~1h 18m
Fit says even though Ramon has a mustache, he doesn't know if Ramon is a boy, girl, or enby. (This isn't really relevant lore-wise, but I thought that was sweet). ~1h 20m
Foolish and Vegetta introduce Leonarda to Ramon, and Vegetta says "Look look, it's a friend, it's a friend! 😊" and then two seconds later says "Now fight to the death! 😊" ~1h 25m
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(The QSMP admins also make a whoopsies here and call Fit "Feet" in chat LMAO)
Despite joking that he's going to build Ramon a dog house near his place, when Spreen asks if they should build a simple house or something nicer for Ramon, Fit says, "Well he is our kid, so he deserves only the best, right? Maybe we should make a big mansion." ~1h 31m
Ramon makes a beeline to Fit's starter house (which the admins poked fun at) and excitedly jumps on the bed
Spreen accidentally hits Ramon (again) and Ramon runs off, and Spreen apologizes while he and Fit chase him down. Fit says "He didn't mean to do that, he loves you very much!" ~1h 36m
Fit gifts Ramon a seashell. ~1h 42m
Fit jokes that there's no doubt he's the father because Ramon looks just like him -- bald as an egg
They put Ramon to bed, but Spreen and Fit introduce Roier, Jaiden, and Bobby to Ramon while he's asleep. ~2h 10m
Spreen says he left food for Ramon in case he gets hungry at night. They get worried about Ramon because he's been sleeping for a long time and check to make sure he's still breathing. ~ 2h 14m
Spreen says they'll be a really good team, and Fit says, "We will be very good parents together, I can feel it." (oof) ~ 2h 15m
Fit and Spreen say goodbye to each other, and Fit says "Being a father is not easy, that's why I've put off fatherhood for so long, I don't know if I'm ready." He says it doesn't seem so bad, but Ramon's sleeping a lot and he's kinda lazy, so he doesn't know how he feels about this child, but "We'll make it work." Right after he says this, he suddenly finds Ramon climbing up the hill towards him, and they go fishing together. ~2h 16m
Fit calls Ramon "Mi huevito." ~2h 19m
"I dunno how I got roped into this fatherhood thing" he says while waiting for Ramon to finish using the bathroom. Then he teaches Ramon how to cook the fish they caught (classic Dad behavior) ~2h 21m
Spreen tells Fit he's going out and to take care of Ramon. Fit teases him and says it's a shared responsibility, and Spreen says he has to go to work. ~2h 26m
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IMAGES THAT AGED VERY VERY BADLY
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The subtitles don't show it, but Spreen is saying "Don't worry, Ramon. You'll see me tomorrow." Fit says he'll teach Ramon how to grow crops, and Spreen says, "That's right Ramon, I want to hear all about how to grow crops when I get back."
Fit tells Ramon "You are my huevito" and sings him a lullaby. 2h 30m
"Spreen going out for cigarettes my ass! I'm not gonna see him for months now. See - someone's gotta step up and be a parent, and be there, and take the responsibility! That's me. That's me. It's weird though, I mean, I'm not used to this whole "fatherhood" thing, keeping a living thing alive. It's weird." ~ 2h 31m
Fit says he thinks he and Spreen will be a good parenting pair if Spreen comes back. But he's glad the child is doing well right now. ~ 2h 36m
Not related to Fit and Ramon, but these are some other funny moments:
Fit gets kicked for "flying" (he was jumping off a tall tower, but manages to clutch it) ~ 2h 43m
Fit meets JuanaFlippa! ~3h 12m
Slimecicle gives JuanaFlippa a landmine. ~ 3h 21m
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freminet-writings · 6 months
Note
Hiii~I'm the anon who requested grand priestess reader- could I request the same story but this time they get sent on a date- like this time freminet wants to keep her so he uhm fucks her wanting to keep her by his side no matter what cause..in freminet lore we know he is interested in penguins so he might think penguins mate for life that kinda situation. .
Breeding is the correct explanation..
Sorry if it's too much
FINALLY SOME INTERNET 🙏 my laptop is the only thing that will get any lol so i can at least keep playing genshin and star rail, and write some on there!!
tags: @astroellez @sukirosiac @lyneys-hat @scaranaris-lil-niko @sukiidreams @circles19 @xyvelin @kirbystrange @saralovesyouu this is a fem reader if i got anyone wrong please lmk 😭
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now it had been weeks since what happened with you and freminet, the two of you interacted occasionally because of mutual friends, you always tried to avoid his eyes, even with how badly it he wanted you to look
back then, freminet used to be bothered with how outgoing and teasing his brother was, but now he couldn't be more grateful as lyney noticed his stares and arranged the two of you for a date, all alone in their house
it was perfect, you were all alone with no way of avoiding him, he knew you wanted it too, if the last time was anything to go off of
it barely felt like a second you were alone when he practically jumped on you, taking your lips in a rough fashion, weeks of passion and frustration pouring out of him
"you're so beautiful... I've thought about nothing but you...under me, begging me for more, you want it too, don't you?" he whispered as he pulled away, his mouth moving down to bite and lick around your neck, his hand squeezing your thigh as it slowly went higher
your breathing came quicker, you didn't even realize he had already taken his cock out as he kissed and marked all over you
"hm~ you're mine, I already decided that when i last did this...but why don't i make sure we're together forever...?" he pushed into you, making you gasp out
"m-mnhng...what do you mean...? a-ah~" his hips thrusted into you, as his hand moved down to flick and rub at your clit
"haah...if i got you pregnant, i would take care of you... I'd make sure you were well, and never had to work again... don't you want that?" he thrusted harder, his groans and moans in your ear
you couldn't even respond as he held you down, thrusting repeatedly and seeming to know every little thing that makes you see stars
"that's right... you'll be mine forever, we'll have as many as you want, I'll breed you day and night if you want it, oh, god..." his thrusts became faster, his grip on your thigh was tight as his cock worked perfectly into you, as if you were made for it
his fingers skillfully flicked your clit until you came around him, squirming under him as he continued, he moaned out your name as you slowly milked him, but he didn't stop as he came
"what? i said i was gonna get you pregnant..." he grunted as he gave a hard thrust "I'm not stopping until you're about to pass out..."
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satoruxx · 6 months
Text
NORTHERN LIGHTS.
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✧ PAIRING: kaeya alberich x fem!reader | 4.5k words
✧ SUMMARY: smut, p -> v, praise, fingering, lots of pining, angst, angsty bc it’s kaeya tbh lol, kaeya lore but it’s vague, also military themes bc sometimes we forget kaeya is a captain and i love the knights of favonius, he’s highkey got commitment issues but i think he’s valid, man is whipped tho, he's just an overthinker and traumatized, also can you tell i’m a med student?
✧ RHEYA'S NOTE: first i have to apologize bc this is SO late??? i got this request back for my 200 event, asking for kaeya with the song northern lights by kennie (which is such a good song). at first i was gonna make it a short little drabble, but the more i wrote, the more i wanted to make it a full fic, which is what ended up happening. kaeya's character has so much depth and i wanted to explore it hehe. northern lights is such a fitting song for him so i just had to go all in. but i'm so sorry that i got to your request so late, hopefully you still enjoy it lovely! (even tho it’s not the main focus in this fic, this is technically my first real smut fic so take it with a grain of salt; i don't think i write it that well LMAO)
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it was rare to truly know your own weaknesses, but kaeya knew his a little too well. behind his carefree, unbothered exterior he cared a little too much. he cares a little too much when klee tugs on his fur cape and whines about a scolding she’s gotten from jean, and he ends up indulging her with whatever she’d like. he cares a little too much when rosaria spills just a tad more than usual during her drunken ramblings. he cares a little too much when he sees the discomfort in the face of certain fiery bartender as they speak, and he consistently lies awake and remembers days when that discomfort between them didn’t exist.
it’s a curse, he thinks, because he always ends up feeling too attached to people he knows he shouldn’t be attached to.
even now, his weakness is acting up as he barks orders to his soldiers. they scramble around him as they enter the city, carrying their wounded brethren to safety up at the cathedral. kaeya knows he shouldn’t blame himself but as their captain he feels like he should’ve seen this coming. new recruits wouldn’t be able to handle the hordes of monsters at daduapa gorge—he miscalculated.
“take them to the sisters at the cathedral. sister barbara and the others should be able to heal them,” kaeya commands, clasping one of the men’s shoulders and helping him up to the church. he’s ignoring the now dull throbbing in his side as blood stains his clothes—his soldiers were most important right now. like he said, he cared a little too much.
the nurses had set up a medical station at the cathedral, and in between all the commotion, kaeya’s finally able to hand over the groaning soldier to a nurse, who immediately gets to work.
he then takes a few steps back to assess the damage, grateful that all of his soldiers are getting the attention they needed. he’d hate himself if there were any losses today.
he doesn’t even realize that he’s now leaning against the wall, panting shallowly as blood continues to pour from his abdomen. oh well, he’d wait his turn—only after his soldiers were taken care of.
kaeya shuts his eyes, letting his body rest for a minute.
“you’re wounded.”
his eyes shoot open to see you standing in front of him. he assumes you’re not one of the nuns because your clothes are entirely different. you’re young, appearing to be around his age as you eye his torso critically.
“it appears so,” he answers.
“did someone take a look at you yet?”
“i’d prefer all my soldiers be taken care of first.”
your eyes flash with recognition. “so you’re captain kaeya?”
“indeed i am.” he lets his eyes roam over your concerned features.
you give him a small smile before continuing with a sigh. “i can safely tell you that all the wounded are being treated. i’m still an apprentice so i’m only here to deal with the non fatal injuries. like yours, captain.” you crouch down in front of him, fingers reaching towards his clothing with a silent question of permission. he lets his hand slacken as he gives you a nod and you attempt to peel back as many layers as you can to asses the damage before you’re motioning him towards a tent.
a few minutes later and kaeya is letting you strip his torso bare until you have a full view of his injury. your fingers brush over the wounded skin gently, and he wonders if you even touched him at all. “it’s long, but not too deep. a few stitches and you should be alright. if you’re okay with it, i’ll get started,” you tell him.
kaeya wants to tell you that he’s no stranger to the pain of injuries, but he finds something oddly refreshing about your comforting attitude, so he just says yes and lets you begin to work.
you thread through the skin with a delicate hand and despite the sting he honestly can’t even focus on it, choosing instead to analyze your features.
he realizes that you’re awfully pretty.
kaeya makes small talk with you as you work, partly to stay awake through the pain and mostly because he can’t stop his curiosity. he finds out your name, your hobbies, your goals. you may not have the most exciting life but kaeya thinks there’s something so alluring about you it makes him a little dizzy. he's not sure what it is, but he thinks about it the whole time you tend to his wound. realization hits when you finally finish, looking up at him with a smile, and kaeya realizes that your eyes hold the stars in them.
it’s hard to explain but when kaeya watches you work, nose scrunching in the dim lighting of the tent, he thinks you remind him of home.
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(kaeya has chased the stars for as long as he can remember. he remembers shouting with diluc in the grass behind the winery, the two of them reaching for celestia because the stars up there were so undeniably pretty.
"we're never gonna get them!" diluc would laugh, trying hard to balance kaeya on his little shoulders. "they're too far…"
and kaeya only grins down at him toothily, raising his fists to the sky. "no way! i'll catch them one day!"
and yet his whole childhood went by without being able to capture the stars. as he grew older he started to learn that it was impossible to steal what the sky so selfishly held on to.
but even as an adult, kaeya knows to appreciate the stars when he gets the privilege to see them in the sky.
especially after he finally seems to find them in the dim glow of a medical tent.)
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he hates to admit how often his eyes seek you out after that one encounter. sometimes he’ll see you at the cat's tail, giggling with your friends as you slam tcg cards down on the table triumphantly. other times he’ll catch a glimpse of you at good hunter, chewing on a quick meal as you browse through a book. almost every time he gets caught staring you only smile and offer him a little wave that sends his brain into a frenzy.
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(maybe in another life kaeya would allow himself the luxury. he’d let himself go through the motions for you. let himself stress every time you threw a glance his way. work up the courage to ask you out on saturday afternoon. finally get the chance to press his lips to yours. trace your skin with nimble fingers and have the privilege to call you his.
in another life maybe.
but for now he’ll just keep you his own little secret—a guilty pleasure he’ll indulge in because it’s hard to rid an addiction, especially if you don’t have the will to rid it in the first place.)
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kaeya’s messed up this summer. he knows it in his soul that he’s made the wrong decision as he watches you babble about something as you lean against his bare chest, still basking in your own afterglow.
he knows that he should have resisted the temptation. as soon as he and the troops got back and he saw you sitting in a secluded corner at angel’s share he knew that his feelings for you hadn’t dissolved.
they say absence makes the heart grow fonder and kaeya only now knows this to be true because just the sight of you sends his mind into a frenzy. you could probably feel his gaze on you because you look up from the book you’re reading and make straight eye contact with him. for a second, he wants to turn away but then you smile at kaeya like you’ve never once forgotten him, and he’s putty. before he knows it, he’s buying you a drink and walking over to your little corner to make himself comfortable.
it’s a slow descent for him because in his head he knows he shouldn’t get too attached. he’ll leave again soon with the troops, and who knows maybe he’ll leave them behind one day too. his future has always looked so clouded to him, and he knows you belong in the sun. he’d like to leave you there in the light—avoid dragging you into his darkness.
so he tries to keep it simple, occasionally meeting you for a drink or catching up around the city. but then you’re showing him your favorite place to study near starfell lake and he’s showing you his favorite stars while laying on his back on starsnatch cliff. and he knows he can’t avoid it.
soon enough he’s giving into everything he said he wouldn’t, finally finding out what you taste like. finally knowing how his name sounds when it falls from your lips.
it's more addicting than he could've predicted, the feeling of your breath against his skin as you pant out his name. kaeya can't even bring himself to pull away from you to stop and think for a second. if he did then maybe he could slap some sense into himself and draw some distance because archons above he was digging himself deeper into this hole. but he can't, not when you're gripping his shoulders as he presses you against the wall of his bedroom, whining into his lips for all that he can give you.
and kaeya is nothing if not generous.
so he indulges both you and himself—the perfect mix of selfless and selfish as he guides you to his bed, nimble fingers loosening the ties of your clothing until you're bare in front of him. he can see the bashfulness settling into your cheeks and he almost feels like goading for just a minute, but he decides he'll be nice.
you've always deserved a nice guy anyway.
he tries to push that thought away, instead distracting himself with the heat of your body, his fingers dancing along your skin eagerly. maybe, just this one night, he can let it be about you two. he can afford to forget about all the old promises he's made—all the responsibilities and duties he devoted himself to a lifetime ago.
kaeya ignores the flush of heat crawling up his neck as he hovers over you, caging your body underneath his as you squirm in anticipation. he understands—the tightness in his pants is enough for him to feel the same. but he's not worried about that, not when his fingers part your thighs eagerly, brushing over heated skin and finding slick wetness there as he dips into your cunt. he hears the sharp intake of breath, the quiet restrained moan, and he preens. kaeya revels in the sounds he pulls from your lips as his fingers curl against your slick heat, your head lolling back against his pillows.
there's a possessive streak of something that cuts through him then—something that tells him how he aches to be the only one who gets to hear those sounds.
it makes him slightly sick.
kaeya realizes then—he's been quite stupid when it comes to you. he's kept the maelstrom of feelings brewing in his soul trapped under all his bravado, arrogant and cowardly all at once. he needs to tell you, needs to be honest because this isn't something he can trick his way out of.
but all he wants to do is run. run so far away from you because he doesn't want you to to get caught up in his own ruin. you're far too good for him, too sweet and carefree to be tainted by his sin-laden hands. he needs to run.
but he does none of that, not when he's guiding his fingers to the apex of your thighs and exploring territory he knows he shouldn't claim. because then you look at him with an expression so blissful—so thankful, relieved that he's giving you a part of himself he never wanted to—and he can't even be angry about it.
kaeya presses his lips to the swell of your chest, feeling the rapid thumping of your heart under your skin, and he shuts his eyes as he breathes out your name. you answer with a resounding mewl, catching his eyes even through the dark strands of his hair.
he then chooses to focus on pumping his fingers in and out of your cunt because archons do you look heavenly when your eyes roll back like that.
but it scares him, the way you leave him open and exposed and aching even when he doesn't want to be.
in his head you're perfect, all bright and glowing under him as you chant his name like he's some kind of savior. but kaeya isn't a savior—if anything he's destruction in human form, sent by the heavens to wreak havoc on those around him. he'd destroyed enough already—he doesn't think he can do it to you too.
but archons the way you're looking at him now, from under fluttering lashes and dewy eyes that shine even brighter when they're trained on him—begging, pleading, and oh so trusting of him and every thing he wants to give you. he can't even help himself.
"i know, sweet girl," he sighs, voice strained as you buck your hips just perfect—a temptress, sent to lead him to his doom. and yet he can't stop his fingers from pushing back your hair from your sweaty skin, knowing that he should be careful because he doesn't want to destroy something as fragile as this.
"kaeya please," your breath comes out in short desperate pants, nails digging into the fabric of his shirt and sliding it off his shoulders haphazardly.
"i know," he repeats, reaching down to heft your thigh over his waist as he slots his hips against your own, biting back a groan at the sensitive brush against his cock—throbbing, aching, needy.
"ah fuck," he's almost shy at the way his voice shakes as he lines his cock up, the heat and slickness of your cunt a teasing caress against his sensitive head. he drops his forehead against your shoulder, breathing heavily even before he's inside you because something about this makes him so incredibly nervous. a single desperate whine and the soft squeeze of your fingers into his biceps and he's stilling—breath catching, heart pounding.
for a moment, he doesn't even feel like himself. he's not anything, no one.
and then he slides in and kaeya knows that there will never be anything better—another experience that would feel this right in his life.
he pulls out a little, gaze lingering at the sweat beading at your forehead, and something in his chest stutters. "okay?" he traces your face for any hint of hesitation—of the nervousness that he feels in his gut, but all he finds is a stormy mix of desire and devotion.
"uh huh," reassurance, stability—everything he isn't. his brows pinch, eyes shutting because he doesn't want you to know.
he's pulled out of the whirlwind that is his thoughts when he feels your fingers on his cheek, brushing over his skin gently. his eyes snap open, and even through the haze he can feel himself relaxing under your touch, because the way you're looking at him is so undeniably loving and it makes his stomach flip.
"you okay?" you whisper, looking up at him carefully, and kaeya feels as though you've put him between the halves of a microscope slide to analyze him.
"i'm fine," he breathes out, not a lie but not the whole truth either. "don't worry."
his words do little to quell you, but one roll of his hips has your eyes fluttering, a choked moan escaping your throat, and the sound makes his pride sing.
there's an image then—hazy and yet so obvious as his brain registers it. the implications behind it makes his stomach churn.
quiet smiles, hazy kisses, soft goodbyes—and then the inevitable distance as he crosses over the border separating your world from his. a lone figure standing in the streets of mondstadt, always waiting for him to come back. always disappointed.
you buck your hips upward, blissfully unaware of the torrent of conflicting emotions in his head. kaeya's brain short-circuits, and then he's pushing back, a steady rhythm against your gummy walls that takes the breath out of your lungs. you savor every thrust, punctuated by the sharp grunts he lets out against your throat.
your fingers rake over his back, desperate and needy and focused on one thing only—kaeya, kaeya, kaeya.
"that's it sweetheart," he doesn't have any more control—not on his mind, his body, his mouth. they've all escaped his grasp, too spurred on by you and everything you're willing to offer him.
"'s okay…ah fuck…it's okay," kaeya groans into the column of your throat, not sure whether he's telling you or himself. the clench of your walls sends him spiraling, hips picking up the pace as he pistons his cock in and out—trying to find out just how far he can go.
then he hits one spot, and his vigilant gaze catches the way your jaw slackens, eyes glazing over even as they roll back and a shaky moan escapes your throat—surprised, unexpecting. his ego jumps.
an experimental roll of his hips against the same spot and you make a sound so unhinged that he finds himself already addicted to it. and to tease is in his nature.
"yeah? right there?" he drawls, masking his anxiousness with his bravado once again.
"right there," you whimper, nodding meekly as you grip his shoulders. he huffs out a soft laugh, pressing a gentle kiss to your eyelids like he's trying to kiss away the tears that have gathered there. you preen under his ministrations—it feels a little too domestic.
he understands. it scares him, but he understands. he wonders what the point of worrying is—wonders why he's letting his paranoid brain taint this moment that he'd been waiting for. the only solution left is to ignore it. because you're here, writhing underneath him in the throes of pleasure, vulnerable and trusting and just for him. he should give you what you deserve after all.
so kaeya pushes every other thought out of his head, only focused on you and making you feel good because that's what someone like you deserves—everything you desire laid at your feet.
he presses a chaste kiss to your mouth, paired with a languid roll of his hips as he quietly groans. "okay…." his voice comes out an octave lower, pushed down by the barely concealed need for you. "okay sweet girl. i've got you."
another searing kiss as he breathes through his nose, picking up the pace again as he slams his cock into the spot that makes you see stars. your moans get louder even as they remain muffled against his lips, and kaeya can't help but dig his fingers into the meat of your thigh, leaving behind finger shaped dents in the plushy skin.
a claim—possessive, desperate, selfish.
your kisses become sloppier as kaeya leads you closer to the edge, walls clenching around the length of him, tighter with every thrust he delivers. the chants of his name have become almost reverent, and kaeya thinks his name couldn't possibly sound more beautiful than in that moment. he wonders if he could be blessed to hear it for the remainder of his life, and the thought sends pure unadulterated need through him.
his hips stutter, red hot fire coursing through his chilled veins—building, climbing, overwhelming as every sense goes fuzzy with heat. his grunts become more irregular, in time with the reckless thrusts of his cock as your cunt tightens around him greedily.
his cock twitches as you suck him in eagerly, feeling every ridge and vein as he grunts and groans and tightens his hold on you—unyielding, unrelenting, selfish.
your eyes stay locked on his even as your orgasm rips through you, and kaeya sees celestia in them—brighter than ever before. your muscles spasm, clenching almost painfully as you tremble and writhe underneath him, and he follows you to the doorstep of nirvana with a throaty groan. his hips stutter, twitching and throbbing as he pants out a broken chorus of your name and every praise that doesn't do you justice.
then he drops his forehead against yours, watching your eyelids flutter—celestial stars dim. a soft brush of your lips against his.
your muscles go lax, every guard dropped just for him—trust he realizes, trust he doesn't deserve. he doesn't know how to tell you that.
because even after everything—when you're curled up against his chest, skin warm and dewy against his own, he does not think about how he adores the feeling of your hair brushing against his arm, nor does he focus on the soft tickle of your breathing washing over him. instead he thinks about how he's ruined it all, how he's dragged you into him, and how he needs to let you go before he destroys you completely.
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at the end of the summer, kaeya tells you he can’t.
“what are you talking about?” you ask him, a light chuckle escaping your lips as you barely focus on his words. your nose is buried in some medical text, and kaeya thinks that the universe is punishing him now by making him repeat himself.
“us. we shouldn’t have…” he sighs, shoulders dropping. “i mean, we should stop…seeing each other.”
he can practically feel the way his words pull your attention and when he looks up he sees the way your grip on the book has slackened. there’s panic settling in your eyes, mixed with a bit of confusion. a conflicted emotion runs across your face and kaeya’s fingers itch to touch you. “w-why?”
it’s a simple question and he should have no problem answering it, but he struggles to get the words out, his throat constricting uncomfortably. “it was fine in the summer, when i was back here with the troops. but now i’ll have to leave and-“
“so what?” you question, turning in your seat to face him completely. his eyes drop to the shirt you’re wearing, his shirt, and he feels his heart squeezing.
“so-“ he gulps, head spinning as he tries to explain himself. he doesn’t even have a proper answer—he just knows that this is his only option. because there’s no way in hell he deserves this kind of comfort, this kind of happiness. “so i cant-“
“can’t what, kaeya?” you stress, voice going slightly higher and he only then sees the real fear in your expression.
he pauses, mulling over his words and the bitter taste they’re leaving in his mouth. he can feel the sting of your pleading stare, and he swallows hard. “can’t stay,” he finally answers, and he’s shocked at how miserable he sounds.
you look at him like he’s insane, and honestly he feels like he might be. you’re confused and rightfully so, because there are so many remnants of him left in your space, so clearly evident the impact he’s left on you.
“can’t or won’t?”
kaeya’s eyes snap up to yours, because the tremor in your voice sends a jolt of fear down to his stomach, churning and roiling until it makes him sick.
he regrets looking, because he can feel himself breaking then and there.
you’re looking at him with these shining eyes and he swears that he’s glimpses them again—the brightest stars he’s ever had the privilege of seeing. for a second he thinks the light of those stars might disappear because that’s what always happens. but they remain, glowing against the backdrop of your irises and he’s captivated all over again.
his plans to leave you in tears fly out the window then and there.
he’s reaching for your cheeks in less than a second, holding them delicately as he lets his thumbs brush over your teary lashes. there’s a reasonable bit of confusion in your face at his sudden change, but when he leans down to kiss you, you don’t protest, melting into him even though he’s so undeniably cold. kaeya doesn’t even realize he’s saying he loves you, choosing to murmur it against your lips because it’s not meant for anyone else to hear—just the two of you.
he remains there, in the quiet darkness of your room for the rest of the night, because he doesn’t want to leave your side even after he told himself he would.
and yes, he dreads tomorrow. he dreads tomorrow because he knows that he will have to choose between the comfortable home he’s found in you or the dark abyss that has swallowed his past.
he’s scared that the more he allows himself to fall into you, and the more he finds that your eyes are the ones that hold the stars of celestia, then the easier his choice will become.
he’s been chasing the stars for so long after all. now that he finally has them, why in teyvat would he let them go?
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genericpuff · 3 months
Note
Not related to lore Olympus but this discussion seems a bit uhh strange. Some of the comments are calling Mattie bites a right woman hater. If you don't believe me,check this out.
https://www.reddit.com/r/webtoons/s/4zaDi6fWos
god okay I feel like I'm opening Pandora's Box with this shit but I have lots to say about it so... yeah fuck it, let's do this, I'm brave-
So I can absolutely agree with OP's sentiment that BlackLightJack's content has become uh... more aggressive and mean-spirited , and don't get me wrong, that was always sort of his vibe, but now it feels like he's straight up just weaponizing his fanbase and like... y'all know how curt I get about LO here, I can be a real asshole about it, even I think what BLJ is doing feels really shitty, immature, and frankly just uninformed? Because most of his videos are just him pout-screaming profanities into the microphone, like I know this is gonna sound nitpicky and petty but I can literally hear it in his voice that he's enunciating his words the same way an 8 year old would so that spit would land on the person they're yelling at ("STOOOOOOOOO-PPP-UHHHHH") and lately his content just feels like what it used to feel like being in CoD lobbies back in the day. Him having the name 'webtoon killer' just gives me such a sour taste in my mouth. Like... this feels like some kind of Batman villain in the making LMAO
But maybe no one wants to hear that opinion from someone like me who's literally called themselves the "far superior off brand" as a gag LMAO and that's fine honestly if you think I'm full of shit, this is also just my opinion!
But like... and I know I'm being an asshole going 'b-but-!' but... BLJ is also building an entire ass monetized platform off his vibe and using that platform to specifically go after Canvas series and creators. And let me tell you, while many would argue "well it's just the webtoons that are grossly negligent / breaking Webtoons' ToS / etc.", his fanbase is also constantly just sending him new comics to read and trash on and I feel like it's only a matter of time before he goes after a completely innocent creator whose only crime was being not great at webcomics which... shouldn't be viewed as a default crime punishable by pitchforks. That sorta already happened with the Fulcagay situation, I don't know Fulcagay and he almost definitely wouldn't know me, but he's a fellow Canvas creator who I've run into and shared a space with, and BLJ's original comments about him just felt incredibly off-base and volatile without giving even a shred of benefit of the doubt. I get the sense BLJ doesn't know about Hanlon's razor ("Never attribute to malice that which is adequately explained by stupidity") because EVERY video he does about every comic and creator he's addressing assumes maliciousness always.
This is the same shit we got with Youtube creators like Leafy who became infamous for just taking the piss out of everyone until they took it too far. Like, take it from me, it can be VERY easy to get so entrenched in being an asshole and taking the piss out of everything that completely innocent people get hit with splash damage, and if you're not willing to take responsibility for that, then you're gonna look like a bigger dick than the people you were aiming for. This pee analogy working for y'all? 😆
As for what Matty Bites has to do with that, I don't really get it? Like maybe I'm just misinformed here, maybe I haven't watched enough of her stuff, but she's never given me anywhere near the amount of red flags I get off listening to even one episode of BLJ. Matty feels like someone who actually reads and analyzes and researches the stuff she's criticizing in a way that's relatively harmless with her own flair sprinkled in (and her humor is hilarious btw, her opening skits are great LOL); BLJ meanwhile feels like he's constantly one opinion away from starting a #victimofcancelculture campaign because he's just trying to be as edgy and angry as possible LMAO (and ironically they're both often criticizing the same thing, but it goes to show how delivery makes a hell of a difference when it comes to dishing out criticism)
All that said, if there is something with Matty Bites that I'm missing here, I'm fully open to being informed because I haven't watched many of her videos and there could just as well be something that I've missed. But I don't think she's anywhere near as hostile as BLJ tends to be, I don't think Matty Bites' comedic video editing and sassy commentary has ever resulted in creators actually being attacked and bullied like BLJ's have.
Overall I think anyone who builds a platform or audience off criticizing content (and this includes me!) needs to practice responsibility and accountability in what they put out and what they choose to focus on and criticize. It can be really easy to accidentally use "criticism" as a get-out-of-jail-free card to just be a bully. It can be really easy to wind up leaving your criticism so unrefined and surface level without any deeper reflection that you never actually open your mind to anything and you just end up echoing out hate speech without even intending to. And it can be really, really easy to ruin your own palate from willingly consuming nothing but shit all day.
Just to quote some very famous words from a fictional character that absolutely apply here:
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matrixbearer2024 · 3 months
Note
Idea for your "get off my screen" series! So what if the reader is like visiting someone/housesitting for someone and they have a radio that reader is listening to because she loves it, and they (of course) bring their phone and laptop to stay talking to vox, and when they connect him to the TV in the living room and the first thing he sees is the radio and he's like "get that thing the fuck away from you" and the readers like "um, no? I love it. I was thinking about getting one for my room" and he's like "absolutely not"
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Get That Shit Off My Screen!
A/N: Oh this is fucking golden, I absolutely need to write this to displace the absolute angsty unit of an interlude I wrote hahahaha- I'll be finishing the requested interludes before I continue with the story. I ended up posting the continuation so y'all could already get down to brainstorming and scheming on lore ideas XD
A/N: Vox is kind of a pissy little rat here and we just annoy him a bunch more too lololol Anyways, I hope you guys enjoy the story and as always- Happy Reading!
You have seriously got to stop accepting favors from friends.
Because that was how you found yourself walking down the sidewalk on the way to go housesitting.
Just a week ago you'd had to impromptu take care of a little puppy.
And consequently placate a certain jealous TV demon-
And now you were asked to carry another favor as well.
Well, more like that friend practically begged you to accept.
You slightly readjusted the backpack you wore, it wasn't as light as hoped when you left your home.
Which, makes sense all things considered.
After all, it had your devices in there along with the necessities.
If you had to end up bored today you were going to rope in a certain annoying overlord just to avoid it.
Fumbling with the keys a bit, you opened the door to the house and entered before locking it behind you.
A habit you'd grown up with after your parents constantly reminded you to do so.
The home was... pretty big, especially compared to the place you were currently living in.
Tossing your bag onto the living room couch, you explored the rest of the home for a bit before returning.
"Gonna be housesitting today, mind if I connect you to the TV?"
When he simply replied with a thumbs up emoji, you figured he wasn't doing anything and just connected your laptop to the living room television again.
He didn't appear right away though, so you decided to look around the home once more.
It was filled with a lot of old stuff, reminiscent of a time gone by.
Which, kind of makes sense since it was the house of your friend's grandma that you were watching over for the day.
Ooooh- what's this thing?
"Hey doll sorry I'm late, got a bit delayed from a meeting and- GET THE FUCK AWAY FROM THAT!"
You jumped at suddenly hearing Vox's words from the TV, when did he even get here?!
You had half a mind to yell at him for scaring you but you were far too curious about this old boxy object you found.
"Whaaa??? Why? What even is this?"
You asked while messing with the knobs, you doubted it even worked when it randomly started to play a song.
Oh.
OH.
So that's why he was so pissed.
And so you decided to troll with your digital companion as he often did to you.
"Woaaah, I've never seen one of these old radios before-"
"I'm surprised that one still works, it's an obsolete piece of fucking junk!"
Vox didn't really have time to scan the new surroundings when he'd connected to your devices and consequently the TV.
It didn't help either that the first thing he noticed was that you hunched over messing with something.
Only for him to find out moments later that it was a fucking radio.
The same old shit he'd been busy trying to wipe off the face of hell ever since his rival's return.
And the fact you were starting to get interested in it made his blood boil.
You held back a snicker seeing Vox just angrily glare at the old relic as it continued to play tunes.
You were aware of his entire vendetta against Alastor-
Or well, with as much as he'd tell you when he ranted.
But the fact something so simple as just a reminder set him off?
"Well I think it's niche, maybe I should get one of these for my room-"
"NO- zzZzzZsT THE FU- zZzST -CK YO- ZzZZsT -U AREN'T!"
You couldn't hold the laughs back this time, doubling over when Vox started buffering and yelling about how stupid and old the radio was.
He didn't even seem to notice that you were just pulling his leg.
Something this old wouldn't fit into your home, besides-
You had a new Bluetooth speaker with loads better audio quality.
This old thing was just a nice reminder of times long ago.
Times you didn't even live in.
"Finnneeeee, fine fine you pissbaby. I won't get one. Still think it's pretty funky though."
You said as you plopped down on the couch, noticing Vox's face was still glitching and fizzing on the TV screen.
He wasn't even looking at you and instead was glaring off to the side.
Was he that upset about the radio?
Really??
"Dude, you know as much as I do how ancient that stuff is. If I did end up getting one it would be because someone dumped it on me. I like looking at the past but not collecting relics."
Vox still didn't react and you raised an eyebrow.
Silent treatment huh?
Okay, you could play his game.
"Anyway, I was looking up stuff from around the decade you told me you died."
He finally looked back to you with a raised eyebrow.
Bingo.
"And I ended up finding this serial murder case that's still unsolved to this day."
Vox only furrowed his eyebrows, he wasn't in hell for murder.
As far as he was concerned, it was probably because he was a lying and cheating businessman.
As you continued to talk more about the details of the case, it started to paint a more familiar picture.
And as entertaining as it was to watch you discuss with him something interesting you found-
Vox was not fond of you talking about Alastor so avidly.
Geez, if only you'd look that cute talking about him like that.
What-
What?
That was probably the envy talking.
"Doll, I know you were probably trying to cheer me up but I'm kind of certain that's one of Alastor's cases."
"Huh? Why do you say that?"
"The old fuck's a cannibal. I knew for sure it was him when you mentioned the bodies were found cut up like a butchered pig."
At least Vox was talking to you again, even if he still looked more than peeved it was about his rival.
He actually looked more grumpy and pouty in your opinion-
But that was probably because you weren't seeing right.
"Well, why did you end up in hell then? I would've thought you'd be in for something just as horrible to be as powerful as you say you are."
Vox just sighed, he wasn't actually sure what got him dammed for eternity.
But he did a lot of bad things over the course of his life, so it was probably the accumulation of it all that had sent him into the inferno.
"What makes you ask dollface? Curious much?"
You just shrugged, shifting to lie down on the couch and just look up at the antique chandelier hanging above on the ceiling.
"Dunno, I just want to know more about you. I mean, I know enough- but I want to know more."
Vox could feel his screen heating up slightly in his chair.
Why did you have to be so damn cute-
The fact you wanted to know more about him, it made him feel... odd-
Well, a good odd.
He didn't really know what to do with himself.
"I'm not actually sure. I've been a businessman my whole life, probably the worst of the worst when it comes to principles but I haven't directly ever killed anyone if that's what you're guessing."
"Huh, makes me wonder if I'll end up in hell for the stunts I've pulled on other students too."
"The hacking? Or the blackmailing? Because I doubt either of those would actually send you down here."
"Oh come onnnn, I swear at this point I'll actually kill someone so I can guarantee I'd meet you."
You raised an eyebrow at the screen turning pink again.
Pfft, did he seriously get embarrassed by that?
A smile worked onto your face when Vox softly excused himself and disconnected from the TV.
Ha, cute.
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chiriwritesstuff · 5 months
Text
The Girl in IT - IT Ticket: Print Job
A Boss! Joel Miller x IT Specialist F! Reader AU Byte-Sized Microfic
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The LIST │ Read the main series here!
Chapter Rating: T
Story Summary: What if Joel tried to print out his list to put in his wallet but botched the print job? Who does he call in his time of need?
Word Count: 430
Inspired by this ask from a sweet anon:
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A/N: Lately I've been receiving a lot of messages in my Asks and it's led to a lot of me sharing the lore and backstory of 'The Girl in IT'! I decided it would be fun if I answered these with a short, byte-sized fic! Thank you, sweet anon for the ask! Keep them coming!
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"Ellie?" Joel's voice echoes from across the hall. "Get in here for a sec."
Ellie strides into Joel's office, hand on her hip. "What's up? I'm about to head out to the job site with Tommy."
Joel looks somewhat sheepish. "Need a hand."
"Okay… is it going to take long? I needed to be in the parking lot five minutes ago."
"Well, I tried to print out a document-"
Ellie groans, plopping onto the chair in front of him. "Isn't that why we hired Sugar? To help you handle your computer mishaps?"
Joel sighs, "She's with Tess right now. I figured this wasn't pressing enough to warrant the interruption. Besides, you know Tess."
Ellie rolls her eyes as she nods in agreement. "Fine. What happened after you hit print?"
Joel scratches his head, avoiding eye contact. "I may have pressed the wrong button. Instead of printing one page, I accidentally printed the entire manual for the printer. Now it's sitting in the tray, and I have no idea how to fix it."
Ellie chuckles, "You're lucky I'm here. Let's take a look."
They both stroll over to Joel's desk, and Ellie surveys the printer, a cascade of papers flowing out of the tray. Ellie bursts into laughter. "Yeah, you definitely printed the manual. Congratulations, Joel. You just set a new record for the most paperwork generated by a single print job. We should frame it."
Joel smirks, "Well, at least I know how to complicate things."
"What were you printing anyway?" Ellie asks, trying to peek at his laptop.
"Nothing! I mean, there was this form-"
"So a PDF, then?"
"I think so?"
Ellie shoves him aside, grabbing the mouse to check the document. "Joel, this is a Word doc, not a PDF. All you need to do is click on-" her eyes narrow as she looks at the screen, her eyes widening in shock. "Joel, WHAT THE FUCK!"
"Ellie-"
"Are you out of your mind, Joel? Printing this at work? Tess is going to kill you," Ellie admonishes.
"How is she gonna know?"
"Don't you know that Sugar monitors all computer usage for all of the employees? That includes all print jobs, moron!"
"I own this company, Ellie! My computer should be off-limits!"
"Not after the stunt Tommy pulled, getting the servers hacked with all of his explicit internet usage. If you have a bone to pick, take it up with management!"
"Hey! I AM management!"
Ellie shoots him a look as she heads to the door. "Not according to Tess!" She gives him a one-handed salute. "Adios, Romeo!"
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enam3l · 1 year
Note
https://vm.tiktok.com/ZMYHUKpBj/
Three words: Dad! Eddie Munson
Ok well I'm obsessed? I was literally just gonna reply like I love this but no I got too carried away and produced one of the most random and bizarre fics I've ever done. I'm sleep deprived okay!
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the munson sandwich (rockstar eddie x reader)
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/ hella fluff / taglist and requests open
you can see all rockstar eddie x reader stories and lore at #enam3ls rockstar eddie or the masterlist! and check out my new series love, lola
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Should kids sleep in their parents bed? It was always going to be a bone of contention. Eddie was to the core, a clinger, he wanted to be in physical contact with you constantly. So you knew from the get go it would be no better (if not worse) with your children. After reading all the parenting books your brain could handle before imploding, you decided you didn't have a strong opinion either way on whether kids slept with you or not. 
However, once you had Sloane, both of you were so besotted, it wasn't even a question. As if meant to be, she fitted perfectly between you and Eddie in bed. Every night you would all get cosy and form the Sloane Sandwich. A perfect recipe with a slice of mom and dad and in between was the filling of Sloaney Bologna (a nickname coined by Eddie that neither you or your daughter were too thrilled about). Both of you were infatuated with the perfect little cherub you made together and just wanted to be near her always. Sloane could happily snuggle against her dad with you being big spoon and still able to keep your arm over her and Eddie's torso. It was ideal. 
Then Iris came along aka Eddie's clone and shadow. Naturally, she inherited her dad's clinginess as well as everything else. Unlike Sloane, who just slept happily in the middle enjoying both parents. Iris insisted on clinging to Eddie like a tiny curly headed spider monkey. Now it was a slice of you, Sloaney Bologna and then Iris insisted on being so close to Eddie, she was more like a condiment smeared on top of him rather than an extra filling. For the first time in your relationship, your sleeping position of having your arm draped around Eddie's stomach was no longer possible. Instead he just had a little Iris laying right on top, a mini Munson stack. But, you couldn't be angry, not when they looked so cute. Little duplicates of each other who'd become inseparable. 
It worked out that you had two years between each daughter. So by time you were pregnant with Maeve, the bed was full with four year old Sloane and two year old Iris, plus you and Eddie. Realising there's quite a difference between that and just a baby and a two year old in the bed. Iris was now less of a little mini Munson stack on top of Eddie but rather a lump. All of that mixed with your baby bump, meant it was time to have the talk with Eddie. 
'Baby, we can't all fit in the same bed anymore,' you broke it to him. 
He gasped like you had suggested something outrageously cruel, as if you now wanted your kids to sleep in cages. 
'But we're a Munson sandwich?!' He huffed. 
'Well, you've overfilled the sandwich,' you raised a finger at him, stopping him from sniggering at the innuendo. 'I am the top piece of bread that can no longer balance on top! Between you, your clinger, Sloaney and now the bump, your beloved wife and carrier of your children is practically falling out of bed.'
Over the years, you had learnt using carrying his children was a sure fire way to win with Eddie. He groaned like a teenager, knowing you'd used the secret weapon. 
'Fiiiine. We'll get a bigger mattress, sweetheart!'
Your jaw dropped. 
'Eddie! That is not what I was suggesting!'
He held his hand up in protest. 
'Well, sweets, you should've known better than to have ever let me have my way and have the girls in the bed. We're a bed sharing family now. Deal with it. We shall be getting a bigger mattress!'
By the end of the week you were the proud owner of a mattress that seemed to be the size of every other one you've owned, stitched together. Yet, Eddie would soon learn it would not be enough. Nothing was a match for the terror of Maeve Munson. 
'I don't know how, but I know you've taught her to do this,' he accused, outraged that a baby kicked him so hard he had a black eye. 
After you dealt with Iris clinging to your husband for the last two years, he was now getting a taste of his own medicine. Although, Maeve was far more ruthless than her sister, even as a newborn. 
'You were in her way,' you smirked, 'she thought you were trying to steal her Mommy.' 
'You were mine first,' Eddie grumbled from the other side of the bed, sore eye and all. 
Now Sloane was six, she wasn't a permanent feature in the bed but her absence did not create more space. Maeve simply turned it into a buffering zone. If her dad were to encroach on the space, little limbs would kick ferociously to keep him at bay. 
One night you had even been awoken by a wail from Eddie. 
'AHhh you better be sure that you didn't want anymore kids, Y/N because Cerberus Munson has just crushed all hope of it!!'
To go with his now sore balls, he got a hard shove from yourself. 
'Cerberus Munson? Absolutely not. That nickname is vetoed. Far worse than Sloaney Bologna. If Maeve is Cerberus, that means I'm hell!!'
He knew he'd stitched himself up with that one so sulked in silence the rest of the night; bringing you your favourite breakfast in the morning. 
As you sat on your bed, eating your apology breakfast, alongside a black eyed and tender balled, Eddie, you strategised. Despite how funny it was, there was no denying your precious, protective Maeve was a health hazard. It would be a real shame to injure him further considering you'd married a man with such a pretty face and balls. So, a new arrangement was made. No longer were you and Eddie the slices of bread in the Munson Sandwich. It now went a slice of Iris, a filling of dad, a filling of mom and then a slice of Maeve. It meant for the first time in four years, you and Eddie could actually fall asleep on each other like you had your whole relationship. Then, on the occasion Sloane joined, she could slip perfectly in between you just as she had when she first arrived. 
Even as your children grew older, the Munson Sandwich was still beloved. On sad days or chilly nights, the Sandwich would reassemble. It didn't matter if they were adults with their own children, Eddie and you were going to cuddle your girls like they were still your little babies. 
---
my taglist angels: @whoahoney@lukewearingbeanies @esme-viridian @elysian-chaos @munsonology@mseddiemunson @kreepja @midnightsgetawaycar @therosietoesy @littlepotatobeansworld
@josephquinncore
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arthurtaylorlester · 3 months
Text
malevolent season 4 was... something, that's for sure
i want to preface this by saying i LOVE malevolent as a show and this is no means an attack on the creator or anything like that, i don't think i'll ever stop listening halfway, no matter how i feel about it. i'm not saying season 4 is all bad either.
it is a deviation for malevolent, though i found it VERY well written up until part 31 (and part 31 is my favourite malevolent episode ever)
s4 started off really strong for me, part 29 set the tone really well, much lighter after s3's emotional lows. the butcher was an interesting enough new villain to put yarson aside for now. part 30 had some charming moments, but the real star of the early season was part 31, a truly incredibly written and directed look into arthur's psychology. it truly gave us everything, from lore to highly comedic moments (to me)(no because why was arthur dreaming of waking up next to a shirtless man who tried to kill him)
parts 32 through 34 i'm not sure about, but i can write them off as awkward mid season points. part 34 was an interesting shift in perspective, but here is where my doubt's about the season's villains started rising
but the oscar & scratch arcs.... guys i'm gonna be honest, i might be oscar's #1 hater
scratch and oscar in this season were functionally useless filler. it's not unusual for arthur and john get sidetracked during their missions, but it usually ends up leading them right where they need to be by the season finale. this felt like a parenthesis that killed any tension created by the butcher.
this season had, quite unnecessarily, 3 antagonists. now this wouldn't be a terrible idea, had they been established before. but no. for some reason it was chosen to leave the only villain we could genuinely be afraid of alone, in favour of introducing not one but two antagonists yet to be established. neither because of this have the adequate fear factor (the butcher is better about this) and both get the most abysmal ends i could've imagines. what do you mean scratch is just gone like that after causing some emotional conflict with his deal. what do you mean the butcher was KOed by the fucking priest with a bedpan? what? that's it? you expect me to be scared or even care about the butcher now?
speaking of the priest. i want to like oscar i really do but. he's a terribly written character. we get to know him while arthur is teaching john intimidation tactics so out of gate our initial impression of him is as someone meek. and then in part 36 after "sorting out" the butcher, oscar just dumps out his trauma point blank to someone he's spoken to a handful of times in the past 3? 4? days.
malevolent in general has a bit of an exposition problem, but it usually works out if it's john expositing because. that's literally all he can do. but when a character with more agency do it, it makes them flat. oscar didn't have to tell us all that, he didn't have a reason. arthur confessing to 7 murders isn't a prompt to make himself vulnerable like that. i did not start caring for him, just because he had a tragic backstory. that's... not how you get someone to care about a character. oscar could be defined as a static character, and while it's not too unusual for a static character to be the focal point of an arc, i don't think it works the way most authors think it does.
also the worms in the farm only happened because of him messing with the stove so like. that's not helping his case.
the completely unnecessary farm arc concluded, we return oscar to the hospital, with arthur caving very quickly to john's demands if he truly cared about oscar so much. and so, a single episode before the finale, we get properly acquainted our main ally for the showdown. a choice definitely, but i feel like this one worked out pretty well considering noel had time to simmer before we got know of his past + he had interesting conflict with john and arthur.
and then there's the big one, the thing that appalls me entirely. leaving larson and yellow, the main villains of the finale COMPLETELY alone until the very end. why? why would you choose to not use them earlier? we spent so much time away from larson, so we weren't really as scared of him as we were at the end of part 28 (i literally was listening to the last 15 minutes of this ep on my toes because i thought he might do something) and we had had no CHANCE to even fear yellow, since we knew nothing of his power?
and what, the butcher is on our side now because noel granted his release? just like that? i know he's a contract killer but arthur insulted him to his face, he can believe they understand each other but did he feel no anger?
the finale did well, considering the context it was given to work with, though i did not understand the point of the memory thing... that didn't go anywhere? because not arthur nor noel actually lost anything. we don't know what the box was for, we only know some guy wrote "the birth of my son" on slip of paper and put it in. arthur assumed it was a memory, when it just as well could've been a literal offering, arthur assumed it would involve losing said memory, and they assumed it was related. initially i thought it would only go through if the ritual took place, which, it didn't. but reading back here is no further clarification on it. hold your angst horses, blindfaith enjoyers
i feel like john physically manifesting, if now an established power of his, was very cheap. unless it was a one-off, or some sort of power up, it just literally took away the main premise of the show. an all-powerful god rendered powerless by being stuck in some guy's mind and being forced to confront the troubles of someone infinitesimal to him. if you let him astral project and save people, then what's the point?
but i do actually think it was a one-off, so we'll see how it goes
simply put, john saving arthur when he jumped in s3 had more impact than this because he did it with a single, human, hand. no magic.
it was pleasant to have kayne and his expected chaos back, jarring as always. john's deal was exactly what we all thought it was going to be, maybe more about himself than arthur, but i don't think anyone can fault him for that.
one things though, and this questions may just be me not remembering, is arthur supposed to know that yellow is a separate entity from john when they realise larson has him in his head? because i remember arthur just assuming that 'yellow' just had all of his memories returned in part 23, and therefore not knowing that he's a separate guy from john.
just in general, i feel like s4 had a LOT of good ideas that weren't given enough room to breathe and therefore weren't written very well that really weighed down my enjoyment of the season. that's not to say there weren't things i liked. the emotional moments hit just as hard, like reconciling with daniel, the comedy was on point (genuinely this season was so funny) and even the most out of pocket thing arthur has ever said, calling john a child, no matter how much discourse it caused, was actually sort of in character for him? i mean arthur is an asshole so like i get why his immediate reaction to his severely emotionally unintelligent friend being possessive is babying him. they're awful people. they deserve each other. it made somewhat sense in retrospect.
all this to say, while i didn't hate s4, i think it had a lot of writing issues, especially when comparing it to the other 3, and it could've been done WAYY better but hey we all have our moments.
i await anxiously intermezzo's public release and the rest of season 5 👀
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ratwithhands · 3 months
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1 - Diantha security detail comic
2 + 3 - Emmet's UDF uniform vs Kalosian Guard uniform
4 - Lore/Background comic
Hooo boy ok so this idea has been simmering on the backburner for a while now. So Legends Z-A had its trailer released a few days back and I figured I'd make something around it. I know logically it's going to be a game set in the past but I found myself wanting to work on something more futuristic/sci-fi which is why we have our little Cyber Emmet here.
There's a lot of different things to mention so I'm just gonna break them down by the images.
1:
Diantha is attending a conference/ceremony where she will be discussing the plans for the urbanization of Kalos with the assistance of neighbouring tech giant and long time trade partner Unova. As a sign of goodwill, the Unovan Defense Force sent several people to either work as security or to help organize and prepare the ceremony. Among the list of people is Emmet, who was recently "working with" the UDF, and who is going to serve as Diantha's bodyguard for the event
Emmet's uniform was made by a mix of Unovan and Kalosian designers. It's meant to mimic the shapes while still keeping aspects of his Unovan uniform (mainly the collar, cuffs, and silver trim). He is carrying a handgun from his UDF uniform, however due to the public nature of the event, he is using his charge pistol instead of his wired pistol. He's also using a different face shield, using a silver one as opposed to his black one, since it better matches the uniform he's wearing for the event
Diantha's fur coat still has the angel wing shape. This isn't lore relevant I just couldn't fit the full thing onto the panel but it's definitely there
2 + 3:
Emmet uses a wired pistol (left side holster) and a charge pistol (right side holster). Both are standard issue firearms used by the UDF, however charge pistols are more common thanks to them being easy to hold and carry. A wired pistol connects to a battery pack of some kind to fire at a greater speed, whereas a charge pistol will generate its own power but take longer to fire and load. Emmet's wired pistol connects to the battery network that powers his body, allowing him to take advantage of his fast reflexes by using his faster weapon
Emmet doesn't get anything to wear for his Unovan uniform! Part of the contract he signed for his cybernetics states that he can't cover the prostheses unless it could lead to a breach in confidentiality (such as going to a foreign region or appearing in public outside of work reasons) since he's meant to effectively advertise the quality and construction of the body built for him. Of course he refuses to go outside completely naked to fight so the UDF got him a cropped version of his coat and shoes so he can have some more cover
The face shield is meant more for form than function. Technically the only purpose they serve is to cover his face when he's out on patrol, though it can also act as a screen to show him information about what he's seeing (kind of like an AR headset). He could technically get the screen function though cornea implants but he's not doing that + he wants the anonymity provided by the shield
Sections of the body can split open or be removed. The front abdominal panel can do both due to the different processing mechanisms inside needing easy access for repair/maintenance. Limbs can be swapped for different prostheses provided they have a compatible socket
The sockets in Emmet's back can be used to power other weapons/devices if he has a compatible cable. Emmet was given a bag of different attachments and cables to hook into his back so he can power a range of things from phones to laser rifles
He has removable skin. Any shot of him with the black body is the body without skin. In situations where he could possibly have skin showing or he is required to wear something that shows more skin, he'll have material rolled over the sections of his body that will be visible so they look more normal
4:
Emmet got run over by a train ♥ long story short is that he went to rescue a passenger who had fallen off the platform and miscalculated how much time he had before the train pulled in. Once he got stabilized in the hospital afterwards, he only has around 30% of his original body intact, along with some sections they were able to somewhat repair but required new hardware being installed in order to return their function. Anything under the waist and a large portion of his arms were crushed beyond repair and as such, he's been connected to different machine to mimic the functions of his organs
The UDF (in a rather scummy play) contacted Emmet for business, asking him to sign a contract that would ensure he would live by letting them test their confidential new tech on him. He is the only ethical candidate they have for testing such prostheses so to get him to agree, they offer to cover the cost of everything relating to his health and work, as well as paying him a salary for the trouble. Since the only other options are "die slowly" or "lose all self sufficiency and go bankrupt living in hospital", he agrees, and so begins his second job as a living experiment and tool for the UDF
I think that's the most I've written for one post yikes. This isn't even everything but I'll cut it here because my hands are not pleased with me typing.
I still have a lot to think about for this concept, mostly what kind of work Emmet will do while overseas in Kalos and whether something dangerous enough will happen to warrant him using his body for what it was made for. That might be funny, only two settings and they're "I love macarons :)" and bloodshed.
Anyways hope you guys enjoyed this dump, feel free to ask on anything (it helps me write too ^^). See you later and have a nice day!
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strawberrylabs · 10 months
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Lyney drabbles
ok so...
i know i said id be getting all my other requests out like a month ago and i promise im working on them- just slowly
but i my brain is ROTTING with Lyney headcanons atm because I just finished fontane archon quests and his story quest so yall are gonna have to let my numerous lyney dabbles tide you over until i upload anything else
(also please send me lyney headcanons or prompts i am DYING to write about this man)
ANYWAYS!
reader can be interpreted as any gender! no gendered terms are used
WARNING! this will have spoilers to fontane lore and Lyney's story quest!! I will also be mentioning death, grieving and slight depression! read with caution if you're sensitive to these topics.
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spoilers will be under the cut!
I'll be here
synopsis: after the events of Lyney's story quest, his lover comforts him as he finally finds closure after Cesar's death.
After the traveler and Paimon left Lyney and Lynette at the steambird, Lynette turned to look at her brother.
"So, Cesar's honour has been restored."
Lyney smiles to himself
"That it has my dear sister. Now, I do believe a certain someone is at home with Freminet waiting for us." Lyney turns to his sister expectingly.
"Actually, I'm going to the port. I need some time to shut down. And I think you need some time too, Lyney."
Lyney sighed and smiled a melancholy smile. Of course Lynette could see through him.
"You're quite right, as always dear sister. I think I shall take your advice."
-------------------
When Lyney walked through the door to his home expecting to be greeted by his brother and lover, he only found his lover in sight.
"Freminet said he wanted to go diving by the opera house tonight. Something about the tildaga being different at this time of year." (y/n) answered, almost as if hearing Lyney's confusiong.
"Ah I see. Lynette has gone to the port to unwind after the weeks events."
(Y/n) smiled knowingly at the magician.
"And I suspect you'll be needing to unwind too."
Lyney gasped in faux astonishment
"My word! I didn't know you learnt telepathy? I suppose when you spend so much time around such a great magician you do pick up a few things. Maybe you can join Lynette and I and we can form a magical trio?" Lyney emphasised his words with a florish of his hat.
(Y/n) chuckled and moved towards Lyney, grabbing his hand.
"As much as I would love to know exactly what's going on in your mind, I do not have telepathy. I do however, know you well enough to know you need a rest."
Lyney's smile faltered a smidge. Despite knowing he can be vulnerable around (Y/n), he still struggles to let his guard down. Apparently years of working for the house of the Hearth does that to someone.
While in thought, (Y/n) pulls Lyney to their room, and places him on their bed, sitting him down wordlessly, and moving to sit behind him.
Lyney registers the feeling of his hat being taken off, and fingers in his hair taking out his braid.
"Just relax. I'll take care of you. I know everything with Cesar has been tough. You've been preparing yourself for this moment for years-- but I know it's still been heavy."
(Y/n) presses a kisse to his head.
"Cesar would be proud of you. I know you feel guilty about with holding the truth from him, but I just know he'd understand. He would be so, so proud of you and Lynette."
Lyney doesn't remember when the first tear fell down his face, or when his performance clothes were removed and replaced with pjamas, or when he was tucked in against (Y/n)'s chest.
"Cesar can be truly at peace now with his name cleared. You did great Lyney."
Lyney takes a deep breathe, and burries himself in the safety of his lover's embrace.
"..Thank you (Y/n).."
"Of course Lyney. I'll be here for you, always."
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this man has me in a chokehold
(thank god I pulled him<3)
-Strawberry
masterlist
Rules
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terminatorbuns · 2 years
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Frye is the new Marina: Exploring Frye and Minority Anxiety (An essay by @Terminatorbuns)
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I'm gonna preface this with something very important: Frye is best girl. Fight me, I write lore essays. I wrote that other essay on Deep Cut and I've continued to obsess over them since, especially on Frye, who's been an extremely interesting character for me to analyze.
We know Frye, she's the chipper Inkling idol partner to the more sophisticated Octoling Shiver. There's obvious parallels to be made with the previous idol group, Off the Hook, since Frye is like the energetic Pearl and Shiver is like the cool Marina. And uhh .. that's probably all there is to it, essay's over, everyone go home.
No but seriously, what I want to share instead today is the personal, alternative interpretation I arrived at after obsessively overthinking the situation since release. It's not fully supported by canon, but this is a reading of Frye constructed from the most subtle lore details a Frye-obsessed lore nerd could find, and I hope to at least highlight some lore elements the community might have missed. I want to demonstrate the layers upon layers of complexity that can be read into Frye as a character, and why I care so fucking much.
Frye isn't the new Pearl, she was the new MARINA this whole time and it took me months to see it. Yes, it has absolutely everything to do with their skin color. Splatoon's world is designed with real life racial diversity in mind and, intentionally or not, are also influenced by real life racial dynamics in turn. Like Marina, the analysis of Frye absolutely OPENS UP if we examine her through the lens of her real life racial status, we start to infer stuff about her motivations, her fears, her secret needs and wants, EVERYTHING is on the table. Good news for Shiver fans, I can't talk about Frye without digging into her relationship with Shiver (platonic or otherwise) so that's going to happen too. We need to talk about our precious brown baby.
1. Frye the Minority
To state the obvious, Frye's ethnicity is South Asian, probably India. The Splatoon world doesn't really have a Squid India in it but it's clear what her real life inspirations are. She's very brown, she wears Aladdin pants and mango chutney on her head. She's got a snake charmer flute thing going on and all her musical motifs are played with South Asian instruments. It's a bit on the nose.
Thing is, Splatsville is a Japanese city in design. Splatsville is called Bankara city in Japanese, it's named after a literal Japanese fashion movement and the visual design elements of Splatsville are reminiscent of a rural Japanese city. Splatsville takes little visual inspiration from South Asia, and that makes sense since Splatoon is made by Japanese devs who would be most familiar with Japan.
The consequence of this is that Frye stands out as a uniquely brown-coded person in a world where nobody else looks like her. Not even playable inklings with dark skin look like her, what with her teeth and her pointy mask and her big forehead. It's worth noting that the Octoling narrative in Splatoon 2 takes inspiration from the experience of Black Americans, and the dark skinned Octolings of Inkopolis are mostly coded black, not South Asian. Even if the racial identities of squids don't necessarily match real world racial identities, Frye is recognizably a minority both visually and culturally in-universe. This is reminiscent of Marina, who was one of the only visible Octolings in Inkopolis until playable Octolings were formally implemented.
It's worth noting now that Shiver, in contrast, fits in perfectly: she's a traditionally attractive Japanese girl (we're talking about fem Shiver right now, bear with me) in a Japanese city. Even though Octolings should be an in-universe minority, and even though she too has somewhat unconventional features, the idea that she's a minority just doesn't track visually. We'll circle back to this and discuss why it doesn't really work for her character narratively either.
2. Frye the Villain
I've covered this in my previous essay but Frye is a stage villain by trade, and her style of performance is inspired by Kabuki. The Japanese inspiration makes sense, even though she's an ethnic minority her sunken scrolls suggests that her family is well established in the region, meaning they immigrated a long time ago and Frye's grown up in Splatsville. Frye is a Japanese national with roots in South Asian culture, it's understandable that she has adopted mannerisms of both cultures.
But like, why a villain? And what's the deal with Marina also representing Team Villain in the heroes vs villains Splatfest? I was wondering if there was a connection there until it hit me, Frye's TOO BROWN to apply for hero roles. In real life, the Japanese entertainment industry famously has problems with colorism and racial representation. Even darker skinned Japanese people have trouble landing gigs as leading heroes because the industry favors light skin, and Frye is both very brown and not conventionally attractive by Japanese standards. Film industries in the West have very similar problems with colorism so it's a recognizable problem to western audiences, also. Frye's career choice as a professional villain is informed by the fact that people like her literally cannot land jobs as heroes.
That's not to say Frye resents her role, Frye loves being a villain. Her poses are dynamic, her speeches are charismatic, she's at her happiest when she is playing an antagonist. If you look at her blasting off with her smoke bomb, she has the happiest smile on in direct contrast to Shiver who's comically losing her shit. Thing is, Frye identifies with the underdog villains who never win, because Frye herself struggles in an industry that does not favor her. This also explains her sympathies for the underprivileged, and why she's made it a personal mission to raise money for the poor. Looking back at Splatoon 2, Marina was sympathetic to villains for the same reasons, as an Octoling (and as a black person) that was villainized by the society she lives in.
Frye brings her cultural identity into her performance, where she incorporates traditional South Asian dance and snake/eel charming into her fighting style. She takes her heritage seriously too: where Frye comes off as a clown elsewhere, she's deadly serious when using her culturally inspired techniques in a fight. The fact that she has named choreography for each phase of her fight is proof enough of that. Deep Cut's boss fight theme also opens with South Asian instruments and they are the most prominent thematic element throughout, highlighting the fact that villainy is Frye's domain of expertise, not Shiver's. Frye sees both villainy and her cultural background as core parts of her identity and expresses herself with a combination of both.
3. Frye the loner
Thinking back to Splatoon 2, Marina and Pearl had a very clear extrovert vs Introvert dynamic: Pearl likes networking and building musical connections, and Marina is shy and prefers to hole up in a comfy chair and write music all day. We do in fact see this again in Deep Cut, except Shiver is the extrovert who flourishes in front of an audience or a camera. She's eager to play tableturf with agent 3 because she just likes social interaction and competition. The Anarchy Splatcast version of the Deep Cut theme instead features Japanese instruments, signaling that newscasting in front of a camera is Shiver's area of expertise. Shiver's design and mannerisms also visually invoke that of a Geisha, who are professional entertainers trained in hospitality.
You see where I'm going with this, I hope. In a wild fucking twist, the cheerful energetic Frye is secretly an INTROVERT. Frye's area of expertise is the desert wastelands, she's at her most comfortable when there's almost nobody around. She's happy to be on camera with her friends but she also squirms in her seat, being not completely comfortable. Her go-to stress reliever is fighting salmonids who do not speak, and Shiver tells us that Frye runs away from the group during a Salmon Run shift to fight the bosses. Also, Frye's villain specialty isn't well suited to making friends when she kinda attacks strangers on sight.
Frye's tableturf habits are most revealing because she does not make eye contact with Agent 3 sitting across a table from 3. Frye's zoned out thinking about Big Man and Shiver, her closest friends and the people she's most comfortable around. In the news room Frye's attention is also focused on her friends and rarely makes eye contact with the camera. Without her friends nearby, Frye can actually get a bit lost in a social setting.
This reminds us of Marina who's also shy around people, except Marina's anxieties come from being a literal enemy of the state. Marina actually has quite a few contacts in the Octoling community despite being nervous around Inklings for good reasons. Frye has habits that ACTIVELY avoid people, and currently we're not sure she has ANY friends outside of Deep Cut. There's likely a racial aspect to this, of course, the same cultural biases that prevent Frye from playing hero roles are also likely affecting her ability to connect with new people, and it's not a big stretch to guess how it affects her personal habits. Frye doesn't have Shiver's conventionally good looks, she makes a poor first impression as a pointy big headed brown girl in a Japanese-coded world. This might feel a bit familiar as we've seen a similar process play out in real life since Shiver was a lot more well received at launch and Frye took more time to grow on the fandom.
4. Marina and minority excellence
So we've established some similarities between Frye and Marina in that they are likely both introverts affected by racial anxieties, but it's also worth discussing the ways in which they differ. I feel that Frye and Marina take two different approaches to address their racial anxieties, and this accounts for their very different personalities as characters.
Marina represents a picture perfect image of black excellence on an Octopus. She's a prodigy composer that knows every fucking black music style and a genius engineer and she can even draw manga; girl works three jobs. Marina's approach to her minority status is to work hard to be an exceptional representative of her people in the hopes that it will help them be accepted in Inkling society. She's determined to be presentable to the degree that she will hide some parts of her past (although those parts involved a lot of weapons engineering so maybe it's for the best that she's not proud of that). Also, and this is a very lukewarm take, Marina is hot.
Frye has to take a different approach out of necessity, because Frye is not a genius. As talented as she is, Frye is a more average person with anxieties and flaws that she can't hide, and she doesn't have the talent to excel in multiple fields of expertise or the patience to learn how to present herself in polite society. Rather, Frye channels her flaws into her art: her violent tendencies and her social anxieties both inform her villain performance, giving her a distinct edge and charisma that suits her chosen art form. In Japanese, Frye also speaks with distinct country bumpkin mannerisms which are also associated with low societal status. Thing is, Frye embodies Splatoon 3's theme of Chaos as a non-conformist: she can't succeed by conforming to polite societal standards, so she chooses to promote her own, rough around the edges style as a viable art form.
I'm fascinated with this particular interpretation of Frye, whether or not it was intentional by the original designers at Nintendo, because of how much depth it gives Frye's personality. Not only that, but this version of Frye also creates some interesting implications for her contrasting partner, Shiver.
5. Making sense of Shiver
Shiver's role in Splatoon 3 is rather mysterious when you think about it. Our previous understanding was that Octolings was an oppressed racial underclass that come from the military dictatorship in Octo Canyon and have only been integrated into Inkling society for 2-4 years. And yet, Shiver's family history goes back pretty far with very specific artistic traditions that they've preserved, and she has distinctly different visual features than the Octolings of Octo Canyon. I should also point out that the systematic oppression of Octolings draws heavy parallels to the experiences of Black people in America and Japan, and Shiver is… very not black.
Shiver doesn't really work as an Octoling from Octo Canyon, but she also doesn't have to. The Splatlands is a new region with new history and racial politics, Shiver starts making more sense if we assume that she's been in Splatsville this whole time, and her family simply wasn't living under DJ Octavio's rule. If Shiver's history isn't tied to the Octo Canyon narrative, then we have some very interesting angles to explore through the lens of her IRL racial identity as a Japanese girl and how that effects her design and personality. If we follow this line of logic to its conclusion, we'll start to understand how Shiver is actually the new Pearl.
Shiver as a character design is defined by privilege, or at least, the ILLUSION of privilege (more on this later). She's conventionally attractive by Japanese standards in a Japanese setting, so she has the natural advantages of being a member of the racial majority where Frye does not. Shiver's Japanese dialogue speaks in a very formal theatrical tongue which is… fucking weird admittedly but also a clear allusion to high social status, in the same way people use Shakespearen English to sound fancy as shit. Shiver has the looks and mannerisms of a highly presentable racial default Japanese entertainer and she takes advantage of that to achieve her personal goals.
Shiver's goal is to be on TV. Shiver is Deep Cut's newsroom specialist, she wants to be on camera and to be seen by everyone, she's a little obsessive about attention really. Shiver knows her looks are naturally appealing and wants to be in a format where people can see her face, and she uses stage makeup to accentuate her strengths. This is in direct contrast to Frye who prefers stage performance for smaller, curated audience's, and even then Frye uses a mask to hide her face in battle.
This is where Shiver's relationship with Frye starts to resemble Pearl and Marina. Shiver is perfectly aware of her natural advantages as a fair skinned person and has extended that privilege to include her dark skinned partner. This is similar to the same that light skinned Pearl makes it a mission to promote Marina as a minority artist (Pearl's privilege in this case being mountains of money rather than attractiveness). Even though TV is not Frye's specialty, Shiver insists that Frye (and Big Man) be included because Shiver thinks they deserve a spotlight.
That being said, Shiver's style of partnership differs greatly from Pearl. Pearl has a partner with confidence problems, so Pearl takes a very hands on approach to push Marina to seek out new artistic styles and opportunities because Marina is directionless without guidance. Pearl has high expectations for Marina because Marina is a prodigy who will rise to meet those expectations, and Marina appreciates Pearl's involvement greatly. Marina in turn helps Pearl with her destructive vocals, they fill in each other's weaknesses while working towards a similar goal.
In contrast Shiver takes a hands off approach to Frye. Both Shiver and Frye are confident entertainers in different fields of expertise and do not need external motivation, so they do not need to push each other in the same way Pearl and Marina do. What they instead do for each other is provide safe spaces to participate in each other's art forms without judgment: Frye comes to the TV studio despite being awkward on camera, and Shiver gets to play a villain despite being clumsy and manic on stage. Big Man gets to show up to both despite having little ability in either field.
6. Shiver x Frye
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I'm not saying Shiver and Frye have to be a romantic couple, they form an excellent platonic duo dynamic that is just as narratively valuable to the world of Splatoon. I would never be so crass as to suggest that Shiver and Frye should kiss passionately on the mouth. But like, with the information we now have we can dive a little deeper and make some educated guesses on the inner workings of this particular pairing.
Shiver and Frye directly influence each other's personalities, each member of the duo changes when the other is around. Frye becomes softer around Shiver: Frye on her own is tough from a life informed by adversity, she's focused and takes losses with dignity. However, Shiver is using her personal privileges as a light skinned, presentable Japanese girl as a shield for Frye's racial disadvantages to get Frye TV opportunities that Frye would not have had access to alone, and I think Frye appreciates the protection. Frye feels safe enough around Shiver to let her guard down, she feels less pressure to be strong and competent and has an opportunity to be goofier and more vulnerable. This is the Frye we see most often on screen.
Shiver becomes edgier around Frye: Shiver gets to play a villain when treasure hunting with Frye, And we discover that her villain performance is BUCK WILD. This is the second layer of Shiver's personality that I've only alluded to so far, but it's very important to discuss what Shiver gets out of her relationship with Frye.
Shiver's character is about presentation; she has gone to great lengths to learn the behaviors of a traditionally feminine, high class entertainer. She's polite to a fault and extremely particular about her movements both on TV and on a dance stage. There's no reason to believe this is a facade, Shiver has put so much energy into her act that it's more likely that this is Shiver's idealized self, the image she actually wants to present to the world.
What is simultaneously true is that Shiver DOESN'T perfectly conform to her own idealized self image. There's a messier side to Shiver's personality that she tries very hard to hide: she's competitive, petty, and vindictive under specific circumstances, all traditionally unfeminine traits. She's not doing a great job at hiding them either, these traits are part of her personality and slip out despite her best efforts. It's important to consider that Shiver likely also grew up in Splatsville, making her a country girl too with the same rough rural upbringing as Frye. This just makes her attempt to present as high-class even funnier.
My personal interpretation of the dynamic of Frye's relationship to Shiver is that Frye accepts all of Shiver's messier personality traits, enjoys them, even. Frye is a deliquent that stands for conflict and non-conformity to begin with, so Frye offers a safe space where Shiver can both embrace her messier side and be celebrated for it. Shiver can take nasty verbal jabs at Frye and Frye will fire back cheerfully. This is why Shiver is so wild as a villain, the repressed parts of her personality comes out in full display when she's in a space with only Frye and Big Man, and Frye in particular seems to know all of Shiver's secrets to a level that Big Man does not. This way, Shiver feels no need to erase the messier parts of her personality, she simply saves it for the people she trusts. And Frye is the person Shiver trusts the most.
7. Shiver's Gender
I saved this for last because we have little evidential support for it in canon, but the Shiver character analysis really isn't complete without it. Up to this point I have referred to Shiver with She/Her pronouns because that is Nintendo NA's current official stance on the matter (I'm going to keep doing it for consistency but I really don't feel strongly about this), and my analysis is written with the assumption that Shiver is a cisgendered woman. BUT. I actually see no reason that an alternative interpretation cannot be true.
The overall art community has already figured out that there's a VERY potent TRANS narrative that can be told with Shiver. Shiver's narrative is about presenting as a traditional cisgendered girl while struggling with all the ways she does not conform to tradition, but there's an entirely new layer of meaning to this if Shiver is not, in fact, cisgendered in some way. There's a lot of visual information that initially led the community to this interpretation, Shiver's features are more androgynous than feminine, she wears a Sarashi wrap that has cultural connotations of being a binder, and she has a half shaved punk hair cut which is traditionally considered to be very unfeminine. Shiver's art form itself is gendered, as she has the design elements of a Geisha which is a feminine job, but the gender she presents on the job doesn't have to match her personal gender identity: drag queens exist, for example. I'd also like to point out that historically, there were in fact, MALE geishas that went by the title of Taikomochi, they are just less common in modern days.
In practice, Shiver's gender expression is so complicated that ANY interpretation is viable. Not only that but the various trans interpretations have VERY interesting implications. This would recontextualize Shiver's advantages not as majority privilege, but PASSING privilege, or the ability to LOOK heteronormative while not actually being that. It adds a lot of meaning to Shiver's focus on presentation, and her desire to be validated by a lot of people on TV.
Additionally, this would reinforce the idea that Shiver needs an outlet to address her gender nonconformity off screen, and trusted, accepting friends to keep her secrets while she perfects her preferred forms of gender expression. It's the exact sort of thing that would draw her to the delinquent Frye who has no respect for tradition, and who would encourage Shiver to embrace the most literal interpretation of "be gay, do crimes". It would connect Frye and Shiver as two parallel interpretations of minority anxiety in the same game: one who passes for "normal" and one who does not, and how differently they see the world. And that's… kinda beautiful?
At this point I don't have the relevant personal experience to dive any deeper into possible trans interpretations of Shiver, I think there are other artists with more relevant backgrounds that are already exploring this topic. Just know that I've seen the art that depicts Shiver with top surgery scars and they are my favorite.
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8. Conclusion
Deep Cut's only been out three months and I've already written this much about their lore, good lord. I'm an artist who works on Splatoon fan fiction so the story and themes of Splatoon matter a lot to me as they influence the direction of my work, but my god, does Deep Cut give me a lot to work with. Some of this will have to be retracted as we learn more about Deep Cut's lore, there's lots of ways Nintendo can introduce canon to contradict my take, and that's fine GIVE US THE LORE. Regardless I plan to be making more Deep Cut fan content in the future and I really wanted to share the information that my future work will be based on.
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