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#sometimes when i envision the scenes i just get so eMoTionAl
hawkland · 1 month
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Art masterpost: If Only You Return to Me Author: arlingtonchamberofgay/ @arlington-chamber-of-gay Artist: sidewinder/ @hawkland Time for Pinefest art post #2 for this year! I'm always up for tackling a good fixit fic, and I had a lot of fun doing my pieces for this story.
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This was the first piece I worked on, as it was just a scene/moment in the fic that immediately jumped out at me. I won't say more than that for spoiler reasons, but as much as I love painting elaborate backgrounds and scenes, sometimes it's fun to do an "Empty" scene because of the chance to really just hone in on the character(s) and their emotions against a complete black background.
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The second piece I did for the story is for a scene where Cas, newly resurrected, finds himself back in the bunker right where he died. So I wanted to suggest the sigil still there but faded/darkened on the door behind him. Like the first piece, I did this one on smooth/hot press paper which I've been slowly getting more fond of for certain types of illustrative pieces. I was going to stick with using it for all my art for the story and to do them all on the same size (12"x6") watercolor block, but then...
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...When I started thinking of a banner art piece, I wanted to go bigger. I also felt the need to go back to my usual rougher/cold pressed paper for the layering I wanted for the image in my mind.
This was a really challenging one to try to capture what I envisioned: Dean, in Heaven, chasing through different multiverses looking for Cas (and haunted/thinking about the moment of his death and not getting to respond to what Cas said to him.) So it's meant to be kind of overlapping images with a not-quite-real look to it. I went back and forth working on it a lot and it's a BIG piece (20"x16") but it finally came together in time to post today!
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This last piece ended up being my favorite, and I tried to keep it kind of soft and warm and dreamy to fit the moment :)
Thank you to arlington for being so easy to work with and so enthusiastic for my work! Please go read the story now, and enjoy (and I'll be back next week with, at long last, my own Pinefest fic!)
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pragnificent · 6 days
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Tagged by @tina-mairin-goldstein! Tagging whoever else wants to play.
1.How many fics do you have on AO3?
78.
2. What's your total word count on AO3?
934,933. Wow, maybe I can break a million this year....
3. What fandoms do you write for?
Just HANNIBAL right now (and for like the last seven years or so). Been vaguely thinking about picking up a second but nothing has caught my interest strongly enough.
4. What are your top five fics by kudos?
Attachment - 7,592
The Fisherman and the Beast from the Sea - 4,565
Sashimi - 2,807
Hungry Ghost - 1,585
Identically Different - 1,382 <- This is my best series and yall should give it a shot <3
5. Do you respond to comments?
I try to, and I enjoy doing so, but sometimes the brainworms win and I don't get stuff done even when I really want to.
6. What is the fic you wrote with the angstiest ending?
Breathless
I don't love this story, but "Hannibal is effectively braindead after the fall, but Will keeps caring for the body and feels that Hannibal is there with him, up until the body dies and Will turns himself in because there isn't any point anymore" probably counts as the most angsty? If you are in the market for a "Hannibal receives a brain injury and he, along with everyone else around him, has to cope with that" story Tina's For Remembrance (Holes in the Floor of the Mind) is a much better pick. And as I continue to think about it, Means of Influence has a pretty angsty ending.
7. What is the fic you wrote with the happiest ending?
Most of my stories have slightly bittersweet but still mostly happy endings. Part of the thing about that is I think it's really hard to envision a situation where Will is like 100% Happy Happy, his own mind hates him too much and every little scrap of happiness needs to be fought for and then vigilantly guarded. But I put both him and Hannibal through so much that I always want them to be as close to content as they each can be.
8. Do you get hate on fics?
I have gotten two flavors of Fic Hate. 1.) People calling the five year old kid OC in ATTACHMENT slurs like "r*tard" and saying "he belongs in jail" and etc.
Every time Hannibal or Will fuck someone who isn't each other at least one person decides to Yell At Me.
I think I've gotten the old "you didn't tag for bottom Hannibal!!" nonsense once or twice too, but who hasn't?
9. Do you write smut? If so, what kind?
A little. I actually started Hannishark bc I was really intimidated by sex scenes and wanted to see if I could pull off a short monsterfucker story. I feel like I've gotten better at writing these but am generally more comfortable leaving them sparce on anatomical details and big on feelings/conversations.
10. Do you write crossovers? If so, what's the craziest one?
I've got a WRONG TURN crossover series that I'm very proud of here: Bear Mountain Road AU. You don't need to have seen any of the movies to read it, or anything, the movies' premise of "a clan of inbred mountain cannibals waylays travelers" is really just an excuse to put Hannibal (and Will and D, as child members of the cannibal family) In Situations. If I counts as a cross over, I've got a universe swap between the novels and NBC HANNIBAL here: Shiloh
I also have a vague idea for a SAW / HANNIBAL crossover but I've been sitting on that for so long, who knows if it'll ever happen?
11. Have you ever had a fic stolen?
Not so far as I know.
12. Have you ever had a fic translated?
Yes, several times.
13. Have you ever co-written a fic?
Yep, a couple of times.
14. What's your all time favorite ship?
Hannigram and Reba/D (guys we need a fuckin ship name).
15. What are your writing strengths?
Character, emotions, dialogue.
16. What are your writing weaknesses?
Sex scenes, pacing.
17. Thoughts writing dialogue in another language?
Fine by me, tho I only think I've done it one or twice.
18. First fandom you wrote for?
FARSCAPE.
19. Favorite fic you've written?
Identically Different AU !!!! This it the best thing I've ever written and probably the best thing I will ever write.
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thelioncourts · 11 months
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I’m really afraid jacob won’t comeback on season 3 since he only signed for 2 seasons while sam signed for 5 seasons already. What do you think about that? Do you think jacob will extend his contract? I know rolin want to keep louis as the heart of the series but given that in books he was sidelined by anne rice, would jacob stay or chose other projects to have more chance as the lead actor rather than being limited in s3 and future seasons ?
I don't think we have anything to worry about re: Jacob Anderson in regard to the show. I've been seeing a lot of people worrying about it lately, and while I love that people love Jacob enough to be worried (!), I don't know where the fear is coming from, but I do hope that I can maybe alleviate some of those fears. I'm no expert or anything, but here are some things I think are note-worthy:
I want to point out (and I don't have a source on this one. If anyone does have the source, I would greatly appreciate it and will add it) that I've read that Jacob only signs on for a season at a time when he does shows. I've read that he did that with GoT and so it's not surprising that he, so far, is only signed for the first two seasons of IwtV in order to sign on for the first book. But, again, it's a habit, it's a pattern, he has a reason for doing it. It doesn't mean that he won't sign on for more seasons. In fact, I very much feel (like -- so strongly feel) that we will see Jacob on IwtV until its very last episode. Here's why --
“When I read the novel, it was very clear that this was a romance –indicates the showrunner–. And we wanted to tackle it in a big way: overflowing passion, big fights and big reconciliations. A relationship like that may not be the best thing for you in life, but sometimes you just can't control yourself, and that's what happens to Louis and Lestat." Will the show respect the structure of the books, in which Louis disappears and Lestat comes to the fore? “We want to focus on the relationship between the two,” replies the showrunner. That does not mean that they will be together in every scene of every chapter, but when the second season arrives you will have a clearer idea of ​​what will happen to Louis, and even more so in the third, when we adapt Lestat the Vampire [second volume of the saga ]." "We will keep the spirit of the novels and their emotional arcs, but their plots are built in a very different way than what a TV series asks for. Besides, who would want to get rid of an actor like Jacob Anderson? ".
from this Cinemania article
LOUIS’ FUTURE: If the TV series continues beyond the first book and adheres to The Vampire Chronicles storyline, Louis would be relegated to the sidelines as Lestat takes centre stage. O’Byrne says creators are aware of fan fears that the currentBlack-led story is positioned to serve a white hero’s arc. Assuming more seasons come, he says Louis will remain “a force in the show, in some way or another going forward.” “The way we have envisioned the show from a racially diverse perspective is something that will continue to be a priority for us,” says O’Byrne. “Part of that would be trying to keep Louis involved beyond the way he just dips in-and-out of the canon (after) the first book.” Issues around race were prominent in season one and will continue in season two as Louis and Claudia explore Europe, says O’Byrne, teasing that it will touch on “France’s colonial past.“
from this Toronto Star article
"I came back to them and said, 'I don't think it's a horror show, I think it's a gothic romance. I want to write a very excitable, aggressive, toxic, beautiful love story,'" Jones said of pitching the series to AMC. "And they were down for it." Jones also explained that the first season of the series will cover about half of the story in the Interview With the Vampire novel with potential future seasons getting into the rest of the Vampire Chronicles books, the series has already used those additional books to help build out that toxic love story. "Let's see them really go through all the little obstacles and challenges of a relationship," he said. "Like Bogey and Bacall, with some fangs."
from this ComicBook.com article
And from Jacob:
Coming into this in the beginning, I definitely had a fear that I wasn’t going to be accepted because of how Louis is presented in the original novel. It feels really significant to me that I’m included in the way that people think of this story now. From that point of view, it’s lovely. Loustat is something that…I mean, Sam was way more kind of ingratiated into the Anne Rice fandom than I was early on, I’d only read the first two books, which I was very much in love with, but I hadn’t read beyond at that point. But, we were saying, “Loustat.” We were calling them “Loustat” throughout the shoot... A big part of what made this adaptation really great, especially for Black viewers, was that it was color conscious storytelling. A lot of that had to do with it being set in the American South during the time period it was set in. But in the finale, you’re leaving that and leaving that area. Are we still going to explore that aspect of him, of Louis and Blackness, wherever and whenever we end up in season two? I think as it does with all of us, it follows you wherever you go, because we don’t live in a world that is post-racial. Wherever we find Louis, it’s going to be a part of his story. It’s going to be a part of his existence and his daily life. I mean, it is in Dubai, you don’t really see it, but I think there’s something very interesting about this Black man living up in a tower in Dubai. Honestly, I’m not being secretive, I don’t know yet exactly what is going to be explored in season two, but I always find this thing really interesting about European sensibilities at a certain time. Like James Baldwin going over to Paris to escape racism in America. This idea that Paris was this really welcoming place for Black people, particularly African-Americans. It would be interesting to see what we do with that. I think in a lot of cases it wasn’t necessarily true. It just wasn’t as awful as it was in America at that time.
from this InsideHook article
I think there are a lot of things here that give a ton of hope/confirmation of Louis' long-term part in this show.
From a "my personal interpretation of how they're setting up the show," and "my personal interpretation based on what they've said," and "my personal interpretation based on what is smart for a television show trying to stay on the air in a time where shows get cancelled very easily," here's what I'll say:
A lot of the above-mentioned information tells us that when Rolin Jones went into creating this show, he created it with the romance of Lestat and Louis at its center. I've said this before in other asks, but you can't set up a show that focuses primarily on a romance, turn around and get rid of that romance as a central aspect, and expect viewers to keep watching. At this point, viewers are invested in Lestat and Louis. Any post I see about the show not from stans, or overly involved people running blogs and twitter accounts ( :D ) are about the romance and ship of Loustat. It's drawn people in and will continue to do so, especially when season 2 comes around and we see the immensity of Louis' longing for Lestat, his yearning, and the undoubted 2022!Lestat reveal at the end. Audiences will be clamoring to see 2022!Louis and 2022!Lestat reunite. C l a m o r i n g. To not have it would be detrimental tbh.
It's also important to note that they are not doing a direct adaptation of the books. They are doing the spirit of the books, doing certain big arcs of the books, but clearly they are not doing the books themselves word-by-word. All things considered, it's not that hard to put Louis into these plot arcs, especially with how they've already changed things (i.e. Louis and Armand still being together in 2022, the complications of what Daniel being there means, etc.). And, personally, I think the addition of Louis to these plot arcs would vastly improve them, something I've always felt regarding the disappearance of Louis in the books series (by far my biggest Anne Rice criticism/complaint). In these three asks here [x] [x] [x], I've elaborated on my thoughts about the future of Loustat/the idea of Lestat with any of his future partners in the books/etc. and, to add to this, I feel like it's important to note that Lestat's other romantic partners in the books (beyond being part of what some like to call Anne's "anybody but Louis era") are characters like Nicki (who we will see, but who will die), Gabrielle (his mother, to which I don't see the show going too much into given the network and audience and also she abandons him frequently lol), Akasha (who we will see, but it will be non-consensual so it doesn't actually count in regard to romance), Antoine (who is Antoinette in the show and we've seen how not-full-of-love that relationship is and also its end), Gretchen (?????????), Dora (?????????????????), Rowan Mayfair (which Anne has said was one of her biggest regrets and I pray the show doesn't do it), and David Talbot (who I hope never comes to exist in this world and they give some of his storyline to Louis and/or Daniel, as it should have always been). Like there aren't any other characters set up for Lestat to be with other than the love of his life, Louis. I think we should also take note that Jacob is very much acting as though there are long-term intentions of staying. He's been reading all of the books (last I heard, he was on book 8, which is !!! crazy) and I don't feel like he would be reading them without the intention of knowing what he may be expecting in later seasons.
I could keep rambling, but to sum up what I've pulled from articles and my own thoughts, I think the show is going to continue with Sam and Jacob as pure co-leads for the entirety of the show. I think without them both, the show will not succeed and I think the show very much knows that.
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evansbby · 9 months
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*POYT 5 UPDATE* + some general chit chat lol
lmfao at the way I thought I could contain this beast of a fic under 30k words. I’m at 29k words rn and still have 1.5 scenes left to write plus the epilogue… so it’s safe to say it’ll be longer than 30k words.
Also if anything has made me doubt my writing, it’s this fic. I just… I want it to live up to expectations so bad that I keep going back and editing it. And that’s made me hate parts of it and I panic bc I don’t want to change it but then I do but then I don’t and I just… UGH! I just want to be 1000% happy with it but I feel like that’s impossible at this point.
One thing I hate about my writing is the way I just go on and on and there’s so much unnecessary preamble, so I always go back and try and edit all that out. Like delete all the random extra wording I use and just try and get to the point faster. But then even that’s hard bc every single thing I’ve written in poyt 5 is just so relevant to the story!
Now I have so many doubts bc maybe I should’ve split it into two parts, maybe I should’ve changed the plot and done it different and I just… IT’S TOO LATE TO CHANGE IT and honestly I’m happy with my original plot but I’m also scared of how it’ll be perceived. Bc I remember a few people were critical of the Bucky spin-off and like… with how much effort I’ve put into this 30+k fic, I think I’d actually cryyyy if people perceived it badly.
BUT THEN the rational part of my head is reassuring me that it’ll be fine… that I’ve genuinely worked so hard on it that it can’t actually be as bad as I sometimes think it is. Bc I’ll read it and not think it’s “epic” enough to be a fitting conclusion but like… this isn’t GOT we’re talking about it’s just POYT 🥲😂 and POYT isn’t meant to be epic, it’s meant to be heartwrenching and sad and emotional… which I think it is!!
Ultimately, I’ve stayed true to my original idea. Of course I’ve made minor changes along the way (plus one huge major change to the ending that I had originally envisioned but we’ll discuss that once the chapter is out heheh). BUT YEAH, this is all just mindless mind chatter and insecurities and I’m just writing it all down bc it’s better to get your feelings out isn’t it…
I guess my worst fear is people saying that the fic was draggy, that it got too tedious and long for them, that it got boring halfway through, that it wasn’t what they thought it was going to be, that I let them down, that i bit off more than I could chew and now I haven’t given them a satisfactory conclusion. And I honestly don’t know how I’d defend myself to all this criticism if I got it bc I genuinely tried my best.
But let’s also remember that I started writing this fic back in January. And other writers know that when we reread our work we always want to change it or tweak it or in hindsight we know we could’ve written it better. And I HAVE tweaked it since then and rewritten and edited and all that… but I’ve kept the plot bc I have faith in it… this is the story I want to tell.
And I realise that writing all this is kind of insane and I know people are side eying me and rolling their eyes but guys I’m just putting my emotions down and I’m genuinely scared. I’ve always said that whenever I post a new chapter of poyt, it’s insane the way my heart beats and my palms get sweaty like I SWEAR to you I have a whole ass panic attack each time I post but it’s always vindicated by the amazing feedback so it’s a win win
HONESLTG reading over this word vomit I feel like I sound insane but genuinely I’m just trying to get my thoughts down. I guess I’m just super insecure about this last chapter but honestly, anyone in my position would be?? Right??? I just hope you guys love it. And the characters are believable and you think the writing is good
Okay I’ll stop now byeee
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reverieparacosm · 1 year
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The Unwavering Depths of Despair: A Yandere Bondrewd Oneshot
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Bondrewd (Made In Abyss) x GN!Reader
Synopsis: You killed your lover Bondrewd…But did you really? Sometimes escape is impossible.
Warnings: violence, abuse, emotional abuse, attempted murder, blood, abusive relationship, manipulation, derealization, possessive behaviors, angst
Note: The idea of this Oneshot comes from an anonymous request! I have to admit that this is one of my first full texts. Nevertheless, it was a lot of fun to get out of my comfort zone. While I was writing this, I was listening to "Transcendance and Hanezeve!" The song fits perfectly with the Oneshot. The Oneshot is absolutely inspired by the "Bondrewd Resurrection Scene." Disclaimer: the following text does not describe a healthy relationship and I do not support such relationships in any case.
My love, I never envisioned our story to culminate in such a way. Your blood stains my clothes and saturates the earth beneath us. Nothing in this world can instill fear in me anymore, for I have witnessed so much death that no fate can intimidate me.
As I stand here drenched in the relentless downpour, the tremors coursing through my hands are a mere physical manifestation of the storm raging within me. My heart is pounding with a ferocity that threatens to break free of my chest. For, just moments ago, I committed the unthinkable - I ended the life of the one I once cherished with all my heart. A love that was once pure and unadulterated had decayed over time, morphing into a toxic blend of bitterness and resentment, until it became an unbearable burden that I could no longer carry. And yet, in my moment of desperation, I made a choice that I now deeply regret. The consequences of my actions, I know, will be dire.
The rain washes away my tears as I try to come to terms with what I have done. Now I must live with the guilt of my actions for the rest of my life. But, despite my guilt, I know that I have done the right thing.
My mind is reeling, and I find myself in a state of utter disbelief. Could it be that I have finally managed to free myself from the clutches of my tormentor? Yes, it is true. I have taken the life of Bondrewd - the very same individual who had kept me captive, subjecting me to unspeakable horrors that have left me scarred for life. The weight of his tyranny had been crushing me for far too long, and I had reached a breaking point. But now, as I stand here, my hands still trembling with the force of the act I have just committed, I realize that my situation is far from ideal. The repercussions of my actions are sure to be grave, and I cannot help but wonder if it was worth it.
The thick fog engulfs me, its near-solid presence making it difficult for me to make out my surroundings. I feel a wave of dizziness wash over me, my brain seemingly swathed in a cottony blanket. I can't help but feel like I'm being watched, my mind conjuring up all sorts of dark possibilities that may be lurking just beyond my sight. The chill of the cold wind sends a shiver down my spine, my gaze darting around as I try desperately to see if anything or anyone is in the distance. Despite my efforts, I'm met with nothing but the fog, its heavy presence making me feel increasingly isolated and uneasy.
Waves of memories drown me as I remember the promises, he made to me. I remember when he said to me, “Come with me. I have so much I want to show you. Let me take you to an unprecedented realm, a realm of the unknown. Come, enter this new world with me. I promise you won't regret it… Let me take you down to the deepest reaches of existence, the 5th layer of the Abyss…”
He wrapped me in promises, and soon I was blinded.
That was the moment, the moment that ruined my life, the moment I realized that even the darkness carried a shadow.
Initially, he showered me with an overwhelming amount of affection and admiration, which made me feel elated and cherished. However, I couldn't help but notice the gradual shift in his behavior, which became more manipulative and controlling as time went by. It was as if he had some sort of ulterior motive for showering me with love, and that was to never let me go.
As the days passed, I found myself getting more and more entangled in his web of love, despite the warning signs that were becoming increasingly evident. He would often talk about the Abyss and how dangerous it was, but assured me that all the answers I sought could be found in Ido Front. I was gullible enough to believe him, even though a part of me knew that something was amiss.
Soon, I found myself struggling to maintain my sanity in Ido Front, as the environment was highly oppressive and claustrophobic. My desire to do something about it outweighed my fear of Bondrewd, and I knew that I had to take action before it was too late.
Now, as I stare at his lifeless body lying in front of me, I realize that I will never again have the privilege of listening to him talk about his latest discoveries or spend long hours with him in the lab, discussing new inventions.
Memories of our happy times together come back, of the days when I felt like the happiest person in the world. The past devours me, while I mourn the future, slowly dying in my mind in the ever-present.
Sometimes memories are the worst form of torture.
The rain continues to fall, and I begin to feel a sense of peace. Though I have done a terrible thing, I found solace in the fact that I have taken a stand for myself.
With a focus on a new beginning, I'm taking steps forward. I look one last time at the body in front of me, which is now almost completely soaked by the rain. While watching Bondrewd, I have a tightness in my chest and a heaviness in my limbs. It feels like needles are poking into my throat. My tears are barely distinguishable from the rain running down my cheeks.
As I turn around, I am faced with the daunting prospect of walking into an unknown future, with no clear direction or sense of purpose. It's a feeling of being lost in a vast and unfamiliar landscape, with no clear markers to guide my way. Despite my uncertainty, I know that there is no other option but to keep moving forward.
Suddenly, a clatter breaks the silence, and I turn around to investigate the source of the noise. To my horror, I see an Umbra Hand approaching Bondrewd's lifeless body, picking up his helmet. At that moment, my mind is flooded with a thousand thoughts, ranging from fear to confusion and disbelief.
Before I can even process what is happening, the Umbra Hand takes Bondrewd's helmet, triggering a sudden and dramatic transformation in his body. My legs feel heavy, as if they are rooted to the ground, and a scream gets caught in my throat. It's a moment of sheer terror and unbelievingness, as I watch the unthinkable unfold before my very eyes.
Finally, I snap out of my state of shock and turn around, running as fast as I can. It's a desperate attempt to escape the horrors that have befallen me, and to find some semblance of safety and security in the midst of chaos and confusion. Despite my fear and uncertainty, I know that I must keep moving forward, even if it means facing the unknown.
A sudden constriction grips my throat, and my heart races with an unparalleled intensity. Despite the overwhelming urge to press forward, I hear a low, guttural growl behind me, forcing me to pause in my tracks. "You should not have tried to kill me," the voice hisses, its tone laced with a menacing edge. Every fiber of my being screams at me to ignore the voice, to keep pushing forward. However, my better judgement prevails, and I reluctantly turn around, bracing myself for the worst.
As I face the source of the voice, a towering, dark figure looms before me. The realization that this was no mere nightmare dawns on me, as I come face to face with Bondrewd himself. The man whose life I had taken, is now standing right in front of me. My mind reels, trying to make sense of the impossible situation. How could he be alive? I had made certain that there was no way he could have survived.
My entire body seizes up in terror, leaving me utterly paralyzed. With each slow, measured step he takes towards me, my breaths quicken, coming in short, sharp gasps.
“You have accomplished a great deed. You have shown the strength to hurt me, a lord of the Abyss and a White Whistle. Impressive… Very impressive. You have my respect for that. I find what you did both disrespectful and insulting, but quite remarkable.”
Bondrewd is now standing right in front of me. My words come back to me a bit and I manage to whisper, "But...How...This should not, this should not be happening.... How are you still alive?"
“The Abyss has provided me with all I require. I may die many times, and I will always return, no matter the cost. Do not doubt me. Your strength has allowed you to hurt me, but you will not be the one to bring my life to an end. Do not worry, I will never leave your side.”
There is only fog in my head, and I feel like I'm going to pass out at any moment. This can't be real. It can't. My surroundings appear distorted and blurred. I finally thought I was free of him and now he is standing in front of me, pretty much alive.          
My mind continues to buzz with questions about why he is doing all of this. Why can't he leave me alone?
As I notice his presence, a question escapes my lips, "What do you want?" I make an attempt to sound composed while masking the palpable sense of discomfort that has been triggered by his unexpected state.
"I want to talk to you," he replies, taking a step closer towards me.
"I don't want to talk to you," I respond firmly, taking a step back as I do so. However, he advances towards me again, and I sense my heart racing with apprehension.
"Listen to me," he implores, his tone softening.
Despite my inner reservations, I remain rooted to the spot, feeling as though I don't have a choice but to confront him.
"Why did you try to kill me?" he inquires, his voice calm and collected.
I avert my gaze, unable to meet his eyes. "You know why," I respond, my tone barely above a whisper.
"I don't understand why you would do something like that," he continues, inching closer towards me.
"You were always so controlling," I reply, my voice rising with palpable frustration. "I couldn't take it anymore."
"I was only trying to protect you," he counters, his voice turning firm.
"Protect me?" I scoff in disbelief. "You were suffocating me."
Unsure of whether to believe him or not, I look at him with a mix of suspicion and trepidation. Is he really capable of changing his ways or is this just another ploy to manipulate me?
As Bondrewd takes steps even closer towards me, I feel a sense of fear take over me. My heart is racing again, and I can feel the adrenaline pump through my veins. With each step that he takes, my anxiety increases tenfold. His eyes are fixated on me. I brace myself for the worst as I feel something cold and sharp touch my side, just below my ribs. It is small-scaled yet sharp enough to pierce through my skin.
"Do you think I enjoy hurting you?" his voice is deep and menacing. I can feel the fear taking over me as he presses the shard against my skin. The pain is unbearable, and I can feel the blood trickle down my side.
"My love, you are mine and only mine. You are a possession of mine, and you will remain that way until the end. We are one, one in soul and one in body, and one in the Abyss." His words send shivers down my spine. I always knew that there was something off about him, but I never imagined the extent of his cruelty.
"If you have any thought for me, you would give me back my peace," I try to reason with him, but my voice is low and shaky.
"There is no peace for us, darling. Only despair and greatest happiness," his voice is deep and calm, as if he is trying to reassure me. But I know better than to trust his words. I begin to realize that I can never leave him. He has a hold on me that I can never break free from.
A tear rolls down my face as I ask him, "How many times can you break my heart?"
"As long as you love it," he replies nonchalantly. His words are like daggers to my heart, and I know that I will never be able to escape his grasp.
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apocalypticdemon · 3 months
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tagged by @sunlaire! So sorry this took so long, school has been a nightmare this week and I have not had time to think about this, agh
The rules: take your 3 most recently liked songs on Spotify (or the first 3 that pop up on shuffle, whichever you want) and you have to 1) choose a line from each song to be a fic title and 2) tell me the genre of fic it would be and any other fic description you feel inspired to include.
Something in the Orange – Zack Bryan
            “take me back to us dancin’ (this wood used to creak)”
DEFINITELY a really sad fitzier fic, and likely Crozier-centric. The line that precedes this one is “your voice only trembles when you try to speak,” so I’m absolutely envisioning a bedside vigil fic set sometime in season 9, in that tent. I’m not necessarily the most creative, right now, so I am just seeing a scene where Crozier is thinking about his affection for Fitzjames, or even a literal flashback to a moment where they had some privacy and were able to dance together, even if it was in silence.
I’m just seeing something angsty and at the end of things, and leaving it open whether or not they get rescued or if it follows canon’s events.  
Voices of the Dead – Flobots
            “the shadow of another person living parallel (a vision of a better life)”
I can see this being a fitzier fic after they return to England. This one is probably from Fitzjames’ perspective, though it could probably be a dual POV piece that’s longer. Lots of longing and Victorian times social propriety. I’ve had a scene in mind for the two of them for a long time that would probably fit in here. It involves the two of them going to the opera and seeing Dido and Aeneas, and Fitzjames having a lot of feelings about Dido’s Lament (technically called “When I Am Laid in Earth”) when it comes about. Idk how I’d work in the lyrics, but the aria starts with “when I am laid in earth, may my wrongs create no trouble in thy breast,” and culminates with “remember me, but ah, forget my fate,” and I can’t stop thinking that Fitzjames would have really intense feelings about nearly dying in the arctic as Dido’s singer performs the scene. Like, I can imagine James wanting to be remembered, but didn’t want his memory to be painful to Crozier, so that directly parallels to the lyrical content of the aria. And while James is trying to keep his composure, he completely misses Crozier having an equally emotionally fraught moment literally right beside him in the opera box. And of course that all bubbles up into an emotional confession between them, but the specifics are a bit beyond me at this point.
Toxicity – System of a Down
            “somewhere between the sacred silence and sleep”
I am incapable of not having ideas for things that are deeply introspective and moody, but also relatively short, so I’m inclined to set this on the eve of their walk out on the ice. Probably from Crozier’s point of view, and it’s just him and Fitzjames in the wardroom, planning. They’ve been at it for a long while and have most of what little planning they are capable of planning for laid out, and they lapse into silence. Maybe Crozier just starts thinking about how his relationship with Fitzjames has evolved, how much closer they are, and starts to acknowledge that he’s crossed from tolerating Fitzjames into feeling genuine affection for him. Maybe again, since I’m also horribly drawn to angst in my ideas, despite it always making me so sad, Fitzjames falls asleep on the table and Crozier, giving into his affection, brushes the hair from his forehead and discovers the blood along his hairline, and very suddenly he has to grapple with the fact that Fitzjames is not as well as he pretends to be. Maybe he resolves to stay by Fitzjames as long as he is able to, since their time together is now even more limited than he feared.
idk who i should tag to do this, but if you see this and want to participate, feel free!
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thief-of-eggs · 5 months
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HI Ok this is probably going to sound completely unhinged but bear with me: I have this issue where I have lots of ideas (usually very vague ones) for stories that I love to imagine writing—but when I actually get around to writing them I just stare at a blank page; or I have no idea for plot beyond some abstract concepts—I’ve been thinking a lot about Snowjanus recently, and—this is the unhinged part—one of my main interests is early American history and there was this guy named William Strachey who was the secretary of Jamestown, and also an attempted poet, and when I read TBOSAS I realized that I recognized the name Sejanus from one of his poems VPON SEIANVS, which was prefaced to Ben Johnson’s Seianus His Fall,—and it all just works so nicely together since they were contemporaries of Shakespeare (AND Seianus His Fall was performed at the Globe, and Strachey’s story of being shipwrecked very likely inspired The Tempest) who of course wrote The Tragedie of Coriolanus—now thematically or narratively I have no idea how these things would all fit together—I have a lot of other random ideas like that, or vibes but nothing concrete—this is basically a long-winded way of asking if you had any advice on how to go from “man this idea sure would be neat” to an actual story? (I’m obsessed with your writing btw <3)
Hi hi!!! I am happy to help!! Also I understand exactly what you mean- I only hope that my advice actually makes sense!!!
Ok so- for me personally, when it comes to getting rough ideas out onto a page, I have a couple different methods I follow:
- The first is, if I already have parts of a whole scene in mind, but I don’t know the beginning/ending, I often just write the part that I know. So if that means writing the climax for a story, even though I have no idea how I’ll get the plot there? Oh well. At least the idea is out, and often times that will inspire me more.
- If I have a hazy idea but no plot yet, I like to write out little bullet points. Sometimes bullet points as simple as: (using my fic Thoughts of you Consume as an example)
- Coryo and Sejanus begin to have hate sex
- Coryo starts to feel something more
- Sejanus pulls away. Coryo chases after
Like! Those bullet points give me NOTHING. But they also give me a baseline to begin working off of, and from there I can begin to envision where I want it to go. I’ll expand on each bullet point and add subcategories, which only helps make the plot outline grow
- Another method that I sometimes use is to just spitball ideas. I’ll set a timer sometimes, or just devote myself to the task, and will just write out any ideas that come to mind with a particular prompt, and then I take it from there. Example for the prompt “snowjanus first kiss”, I may write out stuff like this:
- Coryo kisses Sejanus after the arena scene, his emotions a whirl
- Sejanus kisses Coryo on the train, too damn happy to see him
- Their first kiss is a dare, and Coryo wont back down
- Sejanus kisses Coryo after a party, when they’re both mildy drunk and confused. Sejanus forgets it, but Coryo never does.
Then from there, I’ll examine each little start and see what I like best. In this scenario, I really like the last one (shoot now I’ll have to turn that into a fic lolol) so my next step would be to outline the plot. When does the party take place? How long does Coryo hold the knowledge in? Does he ever tell Sejanus?
And most importantly- how do I want the story to end? With them together? With Sejanus hanging? With the start of the 10th hunger games?
- One final method I do is daydreaming. I’ll put on a playlist inspired by the pairing and see where it takes me (thoughts of you consume was actually inspired by 2 songs- War of Hearts, and Howl by Florence + the machine). I’ll let my mind make whatever connections it wants to make, and I’ll jot down ideas as they come!
Sorry for the overly complex answer- I guess at the end of the day, I really have no tried and true method. It all depends on how inspired I am.
But I hope one of these methods can be useful to you!! The biggest thing I think is to not be afraid of writing stuff that you may end up discarding. If a connection doesn’t work, if a plot point doesn’t fit- it’s ok to scrap it!! It sucks to lose time, but if it doesn’t fit, it doesn’t fit.
I’d definitely recommend that you write out all the ways that Snowjanus connects to the historical elements that you said! Determine if you want to write some sort of crossover set in old times, or if you want to bring historical figure’s personality traits onto the characters of Sejanus and Coriolanus.
So yeah! I hope this helps, and feel free to reach out with any other questions!!! Sorry, my brain is quite a mess lol, but best of luck to you!!
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meownotgood · 11 months
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music producer! aki would be such a vibe. I’ve been thinking about this for like a week and I resigned myself to accepting that Aki would probably never be an artist but I love music sm so I will force it by any means! Anyways….
Aki is an extremely loving, devoted and kind soul but he expresses his affection through his actions/acts of service. I don’t think verbally expressing his feelings is his strength. I imagine music being the perfect medium for him to express everything that he feels within without words, utilizing the universal language to reveal the profound emotions that lay dormant within his soul.
I don’t think Aki seeks fame or notoriety so he’d be that one producer behind all your favorite songs but nobody really knows who he is… It’s the allure for me. I can so see him with an underground fanbase that zooms in on celebrity studio pics and you just see Aki’s topknot sticking out and we’re like “THAT’S OUR MAN!” and the girlies make edits of that. There’d be such a sexy mystery surrounding him and who he is. He’d serve us once in a blue moon with the hair down look. Badboy Aki knows what he’s doing FR
I envision him being really active in the underground rock, metal and rap scene. But he’d always give smaller artists a chance. He’d definitely be versatile too like don’t act like he ain’t produce ur favorite pop song. He’s just skilled like that 💋
Winter instrumental album in Hokkaido that gets sampled in every song like???? Hair down, graphic t, (key word) BOYFRIEND jeans, black converse, silver earrings and rings but without the t shirt, jeans and converse is such a lewk
Concert date, studio date, him making you songs, singing to you at night, playing guitar to you and other devious business *wink*
I rest my case.
I GET IT I SEE IIIIIITTTTTTTTTTT
I always think about what kind of music aki would listen to, I think he likes softer stuff but he's into some rock as well. he really likes anything as long as it has a good sound to it. gaaaah and aki making music to express how he feels is such a perfect idea I love it so much, I think it really does fit!!!
as a music producer, he's pretty talented and his work is really recognizable. he's been making music ever since he was younger; he got super into it because it was somewhat of a coping mechanism after he lost his family. he gets hired often and he has a hard time turning down any job because he wants to experience as much as he can. he'll make beats for any genre of music, in any sort of style, but he really likes when he gets to make something sweeter, something that's more true to himself.
when he makes the rare original song, it's instantly a hit — not in the way that it's super popular but more like it resonates with a lot of people immediately. he rarely sings or adds vocals to his music (he prefers to use other people's vocals) but when he does... whew.....
he's kind of elusive cause he doesn't go to a lot of parties or meetups and tends to keep to himself. he's well respected by everyone but no-one in the industry really knows the real him or anything about his personal life. they know some tidbits, but not enough to really call aki a friend. I'm thinking of aki who has his hair half-up and wears casual band tees and has his ears all pierced... maybe some other piercings too... perhaps lip piercing or eyebrow piercing... GAH
you see him play in person at a set once and you're just like... wow. sometimes he djs or plays guitar for local events and he rarely talks to anyone there but he's super good at what he does and always seems so focused. you're pretty intimidated by him, in all honesty, but he's actually really kind once you get the chance to talk to him. you catch him while he's having a smoke outside the building, you compliment his playing and he says thank you, he's glad you enjoyed it.
omg thinking about his social media... he definitely has a faceless pfp and literally never posts pictures of himself so the rare pictures of him are just ones that other artists have uploaded when they took selfies with him. he never posts anything personal either, his posts are just so business-y and serious lolol
boyfriend music artist aki who will turn and smile at you when you're watching him from backstage... who not-so-subtly writes songs about you... who's a little shy when it comes to his singing voice but he'll sing you to sleep any time you ask him... who will have you feature as background vocals in his latest song and make everyone wonder who's voice it was..... he's intimidating to everyone else but to you he's the absolute sweetest
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senlinyu · 6 months
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when writing manacled or any of ur stories what was ur favorite scene to write? Or just what was ur favorite type of scene to write?
I don't really write for a super specific scene so much as a certain fruition of feeling, so it's not so much for the sake of a particular event in and of itself as the culmination that excites me. I'm very much all about the journey that make a particular moment meaningful. So, while I'll sometimes have a particular concept for how something with culminate, if in the process of getting there, I realise it needs to play out differently than I initially envisioned it, it usually doesn't bother me too much, because my investment is mostly in landing the emotional payoff that I've been daydreaming about for months. Lmao.
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pangolinheart · 8 months
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FFXIVWrite 2023 DAY 20 - HAMPER
AKA "Rhiki no!"
(This one is a little last-minute and half-baked because I had some kind of crazy and stressful stuff going on at work [and yesterday's will have to be my make-up for the week because I had to work from 8:30 am to 9:00 pm so I was too tired to write when I got home.] So have a little scene I envisioned when playing through the Stormblood Dark Knight questline. Rhiki is suddenly so full of bloodlust.)
Rating: Teen Characters: Z'rhiki Irhi (Warrior of Light), Sidurgu Orl, Rielle de Caulignont Word Count: 1,316 Content Warnings: Swearing
Life had been difficult since Haurchefant’s death. It had been difficult in all of the ways loss usually was, fraught with anguish, sorrow, and grief. He wasn’t the first person she had lost, and, as unpleasant as the feelings were, they were not entirely unfamiliar to her. It had also, however, been difficult in entirely new ways. In the aftermath, she had contended not only with sadness and regret, but anger. White-hot anger that seared through her chest and up into her throat. Swelling, uncontainable anger that made her want to scream until her voice gave out, or smash something with every onze of force she could muster – anything to get the anger out of her, even if she knew it would just make room for more. It was simultaneously primordial and completely alien, and it scared her.  
She had experienced pain and grief before becoming the Warrior of Light, but the causes were always nebulous, a confluence of personal choices and random circumstance that fermented into a tragedy. Sometimes, terrible things just happened, for no real reason, even to good people, and it was no one’s fault, really. There was no one person to blame, no villain to rage against. Just the inexorable chaos of the universe.  
Haurchefant’s death, though, was different. It had not only been someone’s fault, it had been intentional. There was a person, then an institution, on which to focus all of those swirling negative emotions, crystallizing them into rage. All of the heart-wrenching agony had a target. Someone that needed to be punished. 
The anger, however, did not die with Ser Zephirin, or Thordan, or the rest of the Heavensward. Even as their glittering aether dissipated into the air, the fury raged on. The evildoers were vanquished, and could do no more harm. Yet she was still so angry! But who was left to blame? Aymeric? Herself? No. In truth, there was no one. There was nowhere to direct such anger, and yet it festered in her chest, screaming to be released. 
She had tried to swallow those feelings, to press them down so far into her chest that they would never see the light of day. Even if she couldn’t hide them from herself, she could certainly shield others from them. How could she tell her friends, or anybody, about them, after all? Everyone believed she was a hero, that she was a good person. But surely a hero – surely a good person – couldn’t possibly have such ugliness buried inside them. What would they think of her if they could see the anger smoldering within her, like crackling embers awaiting a sudden updraft? 
It had taken her own reflection to teach her that that wasn’t sustainable. Shoving that anger down would only burn her alive from the inside. It had been a hard lesson to learn, but seeing her own face before her as she might see another person’s, the face of someone who was lost and hurting, had driven it home like a nail through her heart. It hadn’t been easy – it still wasn’t easy – but she was learning to be kind to herself. She had to give herself the grace she would show another girl, just like her, were the situation different. She at least had to try, anyway. This realization had helped to temper the rage, not by forcing it into submission but by acknowledging it, and recognizing it for what it was: pain. She now let such feelings wash over her, through her, without getting stuck in her heart or her throat where they might once again take root. It no longer built up inside of her, no longer needed to be vented to prevent her from exploding. She still felt it, of course, but it never made her ache for violent, bloody vengeance. 
That was what she told herself, at least. Which had been all well and good right up until she saw Ignasse. Until she saw that blue and white armor. 
She hadn’t even known Ignasse. He had been but one face among the many that had been absorbed into Thordan’s primal. Yet even still, it was like someone had pulled a lever inside of her that opened all of the floodgates. The hounds that had been sleeping quietly within were once again baying for blood. She lunged before she even realized what she was doing, fury singing through her veins once more. 
By the grace of the Twelve and Sid’s own quick reflexes, her friend was able to grab her before she had made it more than a few steps. Realizing upon doing so that she fully intended to fight for her freedom, he wrapped both arms around her in a more serious attempt to restrain her. Still, she thrashed about wildly in his grip, and he struggled to keep hold of her despite his great size advantage. 
“Let go of me, Sid!” She almost screamed, instead spitting out the words to keep them at a more reasonable volume. Sid didn’t comply with her orders, but made a sound of aggravation as she continued striving to free herself. She hadn’t even grabbed her sword; she was going to kill him with her bare hands if she could. 
“What in the name of the Fury-“ he hissed, voice strained. He readjusted his grip on her, and she tried to slam her foot down onto his despite the fact that they were both wearing metal sabatons. “Rhiki! Stop it! Hey!” She elbowed him in her attempts to escape. 
“What in the hells?! So when you want to kill someone it’s fine but when I want to suddenly it’s-“ 
“Rhiki, please calm down!” Rielle had also leapt into action when she saw the  alarming fluctuation in Z’rhiki’s behavior. She had dashed in front of the grappling pair, placing herself between Rhiki and the conjured man consoling his bereaved cousin, hoping to further hamper her efforts. Luckily, they had been watching the scene unfold from such a distance that the pair, with their backs mostly turned, didn’t seem to notice the small scuffle that had broken out. 
“Stay out of it! Both of you!” She growled, though with her voice’s high pitch and lilt it sounded less than threatening. “How dare that little shit use my aether to bring back a fucking Knight of the fucking Heavens’ Ward!” 
Earlier, she had been happy to help the boy, Myste, fulfill his strange purpose, despite the theft of her aether. He was a bit odd, to be sure, but she had felt that his heart was in the right place. This, though? This was too far. 
She renewed her struggle, and Sid had to almost lift her off the ground to keep her from pulling herself out of his grasp. “Not. Happening.” He grunted through gritted teeth, clearly frustrated. 
“Rhiki please!” Rielle begged again. “Myste is just trying to help! I’m sure of it! We don’t even know what’s really going on! If you’ll just calm down we can sort everything out, I know we can!” 
Though the words themselves did little to stem the tide of Rhiki’s anger, the pleading tone of her voice seemed to reach her, and her writhing subsided, if only a little, allowing Sid to grab a firmer hold of her. “Look!” He said, keeping his voice low, “It looks like they’re finishing up! At least let him get out of sight of his grieving relation. Then you can kill him.” 
This sounded to her like a much more reasonable proposal, and she stilled in his arms. “Fine,” she relented, voice still frayed from the exertion. “Now will you let go of me already?” 
This time Sid did release her, but kept his hands on her shoulders should she decide to make another dash for the man. She took a few deep breaths, but still seethed. 
“That boy has some explaining to do.” 
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ahmedmootaz · 9 days
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Would you like to play a Q and A game?
Out of all the chapters in Adventures in Parenthood! fanfic of yours, which was the:
1. Hardest to write and/or taking the most amount of time to write chapter vs easiest to write and/or taking the least amount of time to write chapter
3. Most fun and exciting to write chapter vs most frustrating and uncooperative to write chapter
4. Required the most planning, research and drafting to write chapter vs the most spontaneous, free flowing and struck by inspiration type of chapter
5. Longest vs shortest chapters (counting the chapters that were supposed to be one chapter but got too long and broken up because of AO3's word limit as one chapter)
Dear Anonymous,
Why, yes! I would in fact, like to play a Q&A game, thank you very much! I do like these sorts of Q&A asks, so allow me to thank you in advance!
Also, obligatory SPOILERS! for Adventures in Parenthood, in case anyone would like to read it spoiler-free!
Honestly, the easiest Chapters to write were the Chapters from 17 through 23. Those were the Chapters I first envisioned when I began writing the storyboard for AiP, and so finally getting to them made them very easy to write, as there wasn't a point where I needed to think of what came next; it all happened very naturally. As for the hardest Chapters the write, they have to be the Epilogues. As the Epilogues are at the very end of AiP, they have to be conclusive. They have to answer every question and leave no loose ends...at least, that's what I personally believe. One of the things that (sometimes) frustrates me with PM is the loose ends they leave, and while I get that (sometimes) it's intentional on their end, I don't want to have that happen with AiP, so I'm trying to be as thorough as possible...not to mention the Epilogues just happened to be written at a time when I'm pressed with lots of work and exams and such. It's part of why they take so much time to publish, not to mention it always feels like something happens in real life when I start getting into the swing of things while writing.
3. Again, I think the title for the most fun Chapter has to go to the Sweeper Saga. There was plenty of action, drama, and fluff, so it was diverse and plentiful, although a close second would be the Karaoke Chaos one, and I think the answer is quite self explanatory. The most fun part about it, however, was how it made a lot of people drop their guards and thus get doubly blindsided by the Chapters that followed, hehehe. As for the most frustrating or uncooperative Chapters...I want to say that all of them have been pretty cooperative, but for some reason the Epilogues just drag on and on and on...I wanted to release two Epilogues last summer, but as you can see, that just didn't happen. I suppose the most frustrating thing is that the circumstances that surround me when writing the Epilogues just aren't that conductive to writing quickly, ahaha.
4. Hmm...This is a good question. I think, from a research point of view, I needed a lot of research for When Fathers Cry and for Fathers Scorned as well, simply because I needed to know how much chlorine and blood loss a human can take to write some of the more...violent scenes there are. I think I needed to research some anatomy for Crimson Tears as well for obvious reasons, and I really needed to watch and rewatch Binah cutscenes for hours so I can try to get a grasp on a childish version of her and the actions she'd take in Arbitrary Emotions.
But the simples Chapter that I wrote in pretty much a day was Old Promises, Same Idiocy. It was completed really quickly and it was a simple prompt I wrote for a very dear friend at first before we realised it fit better as a Chapter in AiP to involve the A3 again. So it was quite spontaneous in both how it was written and how it was inserted.
5. Longest Chapter so far is Epilogue I at around 134,650 words, while the shortest is Old Promises, Same Idiocy; I think it was around 10-14K words. Something along those lines.
Thank you for the fun Q&A, Anon! Until next time, be well, take care, and see ya'!
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turbulentscrawl · 4 months
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hi hi! i hope you're doing well ^^ i'd love to request a match up if that's okk!
i use they/them pronouns, dress mostly in masc/androgynous clothing and prefer feminine terms/pet names (a whole shit show i know 🥴). i'm demiromantic/demisexual and would prefer being matched with a male if that's okk. i'm INFP 9w1, neutral good, leo rising, libra sun, pisces moon.
as far as personality goes, i'm described by others as open minded, slightly extroverted, blunt, honest, witty and flirty. while i am aware that i am indeed all these things, it's mostly a facade. i tend to be shy, introverted, can seem pretty cold and distant if you only see me from afar and don't approach me but i just have a hard time showing love and care so openly unless i'm comfortable with the person. not sure if you know these characters, but mostly like a vanitas, dazai, scaramouche, lyney type beat personality.
to expand a bit more on the outer personality, i do tend to be flirtatious towards people who i know i have an effect on or are easily flustered, it's pretty fun and cute to see how they react. all fun and games till someone pulls a reverse card on me tho, if someone tries to do the same to me, i immediately get flustered and stumble over my words because i genuinely never expect the reciprocation. as for inner personality, i did say im not so open about showing love and care unless im comfortable with the person but once i am comfortable enough, i go to hell and back to smother them with so much love, especially with gifting things and lengthy paragraphs (because im bad verbally). what does get me to fold most of the time is someone straightforward, doesn't beat around the bush on what they want to say or do because i do like being caught off guard by such people and it just makes me happy (and quite flustered) knowing that they're so open about it.
i'm currently in university studying communications so my interest mostly are in medias like socials, tv, movies, radio, photography, etc. my main focuses are tv and photography however. with tv, i really enjoy the behind scenes work of it. being able to set up the space and bring it to life. just seeing your creation put into motion is just the most satisfying feeling ever. as for photography, i just enjoy the serenity of it (as if i'm not cursing the weather and people that get into a shot every 5 minutes but anyway), it's very calming in its own way. i have a personal preference for landscape photography since nature and ambiance itself have a lot to offer/say for itself but really i'm just bad at telling others how to pose and what emotion to convey. i just prefer to let them do their own thing unless there's something in particular i really want.
i tend to daydream a lot, like excessively. maladaptive daydreaming go brrr, bUT ANYWAY. i could go on hours and hours daydreaming, that type of daydreaming that got you walking around the house and shit to help you envision things better. because of the excessive daydreaming, i do sometimes write but only when i'm feeling down or stressed as a way to cope.
another thing that i do is watch a lot of videos and movies. i mostly watch fantasy related movies and my all time favorite movie is coraline, with nightmare before christmas in second place. i have an absolute soft spot and big love for stop motion movies and love watching the behind the scenes of it, for any movie tbh because i just love seeing how things come to life and how the crew works to create such things. for videos, it's just watching others talk while they play a game or do something. i just like hearing people talk about things they're doing or enjoy while they're actively doing something, it keeps me engaged.
i do game a lot! mostly genshin and idv, but i do play a few other games as well and i'm willing to try any game once if someone asks, especially if it's a multiplayer/coop game since i feel like games are more enjoyable with other people. hmm, other things i do are book readings and tarot! i have a lot of fantasy books that i've bought over the years as well as many tarot decks (my wallet is not okay 💀😭). tarot in particular is something i've always been fascinated and interested in so i've researched and gotten into it for a few years now!
not really sure what else to say about me tbh so i hope this is enough 😭 thank you in advance!
I Ship You With Andrew Kreiss!
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-Andrew does better with people who aren't social butterflies (because it allays his fears that you prefer the other people you speak to over him), and who like to keep the peace (because they're often good for helping with Andrew's constant grumpy-boy miscommunication.) He's also a bit slow to warm to people, but it sounds like you're a bit of the same, albeit with better manners.
-A fun mix, Andrew is blunt enough and you flirty enough that you constantly fluster one another. He's crass and direct, and though he may stutter and flush beet-red sometimes, Andrew is usually good about telling people what he wants. He's also not used to people complimenting or flattering him, so he flusters easily. You're constantly blushing around one another.
-He's mostly indifferent to your daydreaming. Andrew is more philosophical than he lets on, and you two could easily have an hour or two of lounging in the gardens, you zoned out and him contemplating life. Alternatively, just leave your lap open so he can take a nap. Andrew loves to have his hair played with.
-Andrew lacks any real "hobbies" as most of his life up to this point has been consumed with the church and survival. He's likely to follow you around as you engage in yours and try to figure out if they're things he's interested in as well. I don't think he's likely to be a tech-y guy even in a modern world, so he's more liable to read a book along with you than play a video game.
-Photography might actually help Andrew with some of his self-image issues! Getting him to pose would be a hard-won battle, but if you take a lot of candid pictures of Andrew, and especially if you fawn over them, it gives him a lot to think about. At some point, he has to accept that you don't find him monstrous in any way.
Runner Up: Naib Subedar
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rillils · 2 months
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RILLLLLLSSSSSSSSS AHHHHHHHHHHHHHHHH HKJFHSDKJ
i so terribly want to write but i dont know howwwwwww ughhhhhhhhhh hsdkfhasdhfjk i have one (1) singular blob of words that i think is amazing, one (1) convo between them. and youre telling me that i have to write a whole fic around it 😭😭😭 how do you do it rils 😭 the little thing i wrote is so soft and so pure, i dont wanna ruin it 😭 its just steve talking and all the actions are in my head, how on earth do i put it into words
not enough appreciation is being shown to writers istg, i owe them my life
honey, you're asking the big questions here 😭😭
I know, sweetheart, writing can be both a pleasure and a struggle - actually, sometimes it is both at once xD I never got the hang of it, myself, but all the writers in the world deserve an actual medal for every single line they write and put out there for us to enjoy!!
I don't think there is one fool-proof recipe for a smooth writing session, where the words simply come to you and it's like the fic just wrote itself without any bumps in the road (that's an extremely rare occurrence, if it ever happens at all); but I do think there are some things you can consider when you're writing:
if you already know what needs to happen in your fic (that is to say, if you know what the characters are going to say and/or do), that's a good thing!! amazing, actually! I know that, when you envision a certain scene, it can be hard to translate the characters' actions into words. try to picture that scene in your head: what do you see? are the characters talking? if they're talking, what's the tone of their conversation? are they whispering, are they chatting, are they arguing, yelling, laughing...? how do they feel: are they happy, anxious, angry, sad...? you can focus on their mannerism too, to convey their emotions: are they gesticulating? are they tense, maybe sitting up too straight? are they nervous, bouncing their leg, biting their lip? are they comforting someone? are they showing affection with their body language? leaning into the other character's space, or touching them, or snuggling up to them, hugging/kissing/sharing meaningful looks? there are so many things you can try and explore with your writing! which, maybe that makes it feel even more scary sometimes, but you don't have to explore everything all at once. you don't have to already have everything set clearly in your mind from the get go: you can build your fic (or your scene) little by little, line by line. one step at a time, honey <3 and if you don't like the first draft, don't worry! first drafts are made to be edited and changed and even taken apart, that's perfectly normal!
you won't ruin your fic, honey, trust me on that <3 now you have the foundations: all you're going to do is, you'll keep building on those foundations, and around them, bit by bit, without hurry, because there is no hurry. you'll pour all your love into it, and you'll watch it grow, until you feel that it has reached its natural end.
the thing about completing a story is, the finished product won't always look like what you had in mind originally. it's so very common for a writer's plans to be completely derailed, and that's okay! the writing experience is unpredictable, but that's half the fun of it <3 the finished fic might look a bit different than what you set out to write in the first place, but that doesn't make it bad, believe me.
you're the one writing this fic. which means that you're probably going to be reading, and re-reading, and editing and tweaking it over and over again. the reader has the privilege of looking at the finished product, without seeing the struggle and labour that went into it; but you, you've seen every stage of it, from when your fic was just a couple of snippets with a big hole in the middle, that you weren't sure how to fill in just yet, to when it finally looked like a whole story. you've re-read every line and wondered if that was the right phrasing, the right rhythm, if the character's voice felt right or if it was off. you took it apart and put it back together over and over. which is why, your own writing is never going to look perfect to you, especially when you're still in the process of writing your story. but more often than not, when you leave it alone and come back to it after a little while, you'll find yourself thinking: "hey, actually this wasn't half as bad as I thought it was!"
I don't know if any of this is going to help at all, but... if you're struggling with your writing, please know that you're not alone <3 That being said, I hope you do finish the fic you're writing, and I'm looking forward to reading it, because you're amazing and I just know that you're doing a fantastic job, darling <3 Happy writing, my dear!!
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coffeebanana · 2 years
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Sometimes writing is not so different from running a scientific experiment. It’s like I’m sitting behind the scenes making hypotheses about what word combinations will work and then logging all of the different reactions to said words. I’m reading other writing for research. and I’m nerding out about my field because HEY! WORDS ARE COOL! Like when someone comments on that one little detail you wove in and you feel that sense of accomplishment? Hypothesis fulfilled! When someone gets something different out of the fic than what you envisioned? Unexpected discovery! There’s even an element of evil scientist in there. Because yes, I love to make people laugh or smile. Reading that in a comment genuinely makes me smile. (Reminder to self to start using the phrase “this made me smile” more in comments.) But I also laugh at angry comments on an MCD fic or feel like I’ve done well when someone says I made them cry. (I swear that’s never my intent, I’m only a slightly evil scientist! Please check the safety data sheets tags before reading angst and venture at your own risk!)
I remember running into my high school creative writing teacher about a year into university, and she was so disappointed that I wasn’t writing anymore at the time. But all of the life experiences I had during the years I didn’t write still made me a better writer. Because the world is my research lab. People are my research lab. Writing is the science of chucking words at a page, making them prettier, and then seeing if and/or how they’ll evoke emotion in another human. And that’s just...really cool.
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What do you think about Mothy’s writing? I’ve been recently reading some reviews of Mothy’s first novel, both in English and in Japanese. All of them were saying the same thing: his writing is bad.
What do you think about it? Do you think his writing improved? If so, how well did it improve?
Just up front, I would be cautious about English reviews of his first novel (that is, the original Cloture of Yellow, not the VG version that I translated) because the only translation available for it is a steaming pile of garbage (and this translation was the only one available for Cloture at all for many years before I came along). I would take the word of the Japanese reviews alone on that.
(also worth noting that my translations of Cloture and Wiegenlied were my first completed book translations, so even my "good" translation is clumsier than it should be)
I will say though, yes--his writing at the beginning is very amateurish. But in my opinion there is noticeable improvement as the series goes on. I'll put a disclaimer in here though that it's pretty much impossible for me to look at this with an objective lens, being in the position I am. And that it's hard for me to judge Japanese writing standards overall--I haven't read a huge body of work actually in Japanese.
Mothy has a very brown prose, blunt style to his writing. This is what makes the initial novels in the series feel so clunky. He has a lot of exposition to deliver, but it's not always given in a very interesting manner, and it sometimes feels jarring. Actions are simply put and at times can feel silly. Emotions and thoughts are conveyed in a manner that's straightforward and without much wordcraft. And there are some times (both then and now, albeit) where he will just skip over an action sequence to get to its conclusion.
I think he's someone who envisions scenes largely in terms of visuals and dialogue, rather than words on a page (or maybe I just think so because I write that way). It's clear he has a solid picture of what's going on both action-wise and in the mind of each character, but not always the best way to convey the emotional and tonal impact of it to the reader.
I think a lot of what makes mothy's writing better in later books isn't that he's become more creative with his prose (although he has), or that his writing style has changed (it hasn't), but rather that he gets better at knowing when to provide detail, how much, and how to be more emotionally provocative with what he provides. The simpler the writing style, the more crucial it is to be able to encourage a reader to project onto a scene, and I think he just gets better at doing that.
...Eh, I don't know if I'm making sense here. Been a while since I read all of them and it's hard to compare. --The short answer is yes, I think his work improves in quality over time. It's definitely still genre fiction aimed at teens, he's not writing the Next Great Novel, but it no longer detracts from the actual thing I'm reading for, which is the characters and worldbuilding.
(I guess to give an example of what I'm talking about with being provocative, maybe...Cloture features a scene where Allen screams for an entire paragraph. This is extremely funny, and the scene is meant to be very sad. This is the kind of thing where encouraging the audience to imagine Allen's breakdown would have been more effective than just writing out the scream itself.)
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lykegenia · 6 months
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For the commentary track, I'm so curious to know about your thoughts during the Chapter 12 interrogation scene in Like Glitter and Gold :) (-wayhavenots)
Chapter 12 gave me such trouble XD I'd love to talk about it!
The difference between Samantha and her husband is stark as she sits on the far side of the table in the interview room, prim in her work blouse and heels, defiant rather than cowed. Leah watches in silence from the observation gallery, chewing the inside of her cheek. Mason and Rebecca work seamlessly together in their questioning, like a pair of collies herding sheep towards the inevitable gate at the end of a field. It must have taken them years to become so used to each other, and the thought sparks an unwelcome resentment in her chest, a twitch like a phantom limb. She stamps it out before it can fully form. That Rebecca’s colleagues know her better than her own daughter isn’t news, even if this is the first direct evidence she’s seen of it; the disappointment should have worn off long ago. Besides, she should be paying attention to the interrogation. Next to her, Nate stands poised, utterly still in the way she’s noticed vampires go sometimes. They don’t need to breathe, or fidget, but he at least only forgets to do so when something has captured his full attention. His arms are crossed, the knuckles of one hand pressed against his mouth as he frowns through the glass, as if it’s an effort to bite back whatever is on his mind. She spares a glance to look at him properly, but he doesn’t meet her gaze, and it worsens the discomfort dancing like static down her arms. Unaware of this small drama, Rebecca slides the photo of the murder weapon across the table. “You know what this is.”
So, first off, this whole fic was very inspired by crime dramas so there was a very cinematic quality I was envisioning when writing. In this scene especially, I was trying to split the focus between Rebecca and Mason doing the interrogation, and Leah and Nate reacting to it. There's not much to say about Rebecca and Mason because the emotional weight of the scene is with Leah, seeing how practiced they all are at this sort of stuff. In a way, the cuts back and forth were meant to feel disjointed because there's a lot of emotional turmoil going on: Leah is worried about the shadiness of the Agency (which I don't dismiss as easily as Mishka) and Nate is hung up on the fact that relationships between humans and supernaturals don't always end well. And of course there's the lowkey jealousy Leah always feels when one of Unit Bravo shows they know Rebecca better than she does - she doesn't want that familiarity, but she recognises that it's just a little bit fucked up.
“This is taking too long,” Mason huffs, and leans forward, reaches out. “Why don’t you relax?” A cold shiver crawls across Leah’s shoulders. The sterile scent of a blood lab, an iron grip around her forearm. Without meaning to, her thumb strays to the silver bump of scar tissue on her left wrist.
Leah likes to pretend Murphy doesn't affect her, but he does. I specifically went back to Book 1 to find Murphy's exact words to properly freak her out. It's not just her reaction to the pheremones that's important here, though, it's that Mason is so casual about using them to get what he wants. Is it simpler than due process? Maybe, but the ethics of it don't square away with her sense of justice.
“He thought I loved him. He thought I could love him after I found out what he was. How could anyone? I had to do it. God, I let him touch me. And the chain – when I –” Her hands come up clenching around imaginary iron links. “The chain was stuck to his skin. His eyes were so dark, just… staring. But I had to do it. I had to.” By now she’s nodding to herself, rocking on the chair as her lips press together and her arms snake around her middle as if otherwise she’ll shatter.
The whole process of weaving together the details of the mystery took a while, and I'm not sure when I decided who the murderer should be. The most important thing was the thematic parallel between that relationship and the one between Leah and Nate. There are obviously Dark Tragic Backstory things about Nate that we don't know about yet, but the idea of secrets and revulsion leading to rejection is something that's clearly on his mind.
This particular bit was tricky to get right, because I couldn't quite find the right level of despair in Samantha without her seeming to lack remorse for what she did. She's horrified by Russell, by what she did, and by what the aftermath looked like, and that was surprisingly hard to convey.
“Are you ok?” Leah asks. He glances up from the floor, but can’t quite break his face out of a grimace. “I can’t believe she did it.” “It’s not so surprising. People have committed murder for less.” “For less?” He says it like an accusation. “Leah, you don’t… you cannot think as she does.” “I can understand her motive,” she retorts. “Isn’t that the whole reason all of this is secret? Finding out there’s an entire world of supernatural beings hiding in plain sight isn’t something everyone’s going to be happy about, even without insane vampire serial killers wanting to hunt you down.” She thinks of Verda, of the way he hunched over his desk in the morgue and the deep, exhausted shadows under his eyes. “He hid a lot from her – lied to her. All I’m saying is I understand why she was angry.” His hand drops from her waist, leaving a cold echo behind. “Her reaction goes a little beyond anger.” “Yeah, well, maybe if Russell had told her what he was instead of letting her find out through someone else it wouldn’t have gone that far.” It’s a bitter point, spiteful, but the day has gone sour and he’s the only person left to take it out on. For a moment he just stands there, searching her face for something he cannot see. She recognises fear in his eyes. “Sometimes people have reasons for keeping things to themselves,” he replies at last, quietly, looking away. “And he did tell her in the end.” “Only when he was forced to,” she snaps. “Pretty familiar, don’t you think?” He reels at that, like it’s a physical blow. “It almost sounds like you blame him for what happened.”
They're misunderstanding each other so much here. The real point of the argument is so I can have them make up in the next chapter, but the heart of the problem is that they're talking about different things. As already mentioned, Nate is thinking about the things in his past he's worried about sharing, but Leah doesn't know that exists, and instead she's seeing parallels to Book 1 and the fact that it ended badly partly because everyone around her was so determined to keep secrets. The body language between them is important here as well - most of the time, Leah isn't a very touch-y person, but Nate is the exception, and it means something when he pulls his hand away. It's a fine line to draw between letting the dialogue speak (haha) for itself and detailing every little gesture, but I wanted to get the broad strokes of how they move towards or away from each other.
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