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Horror | 1.0 `yautja`
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Vague imagery of honey dipped college memories suddenly tainted with screaming and the indescribable sensation of hearing literal bodies being torn into pieces. The cracking of ribs so each bone snapped from the sheer pressure, flesh squished together as blood vessels burst and spewed out geysers of blood mixed in with their bodily fluids. The stomach lining, organs, soft fleshy innards not covered by bone was consumed like hard liquor on Saturday club night.
Being hit by a car or shanked for belongings in parking lot would've been considered a calculated mercy or bittersweet memory compared to the last moments of the town's population in the past forty-eight hours.
The faint scent of gasoline tingled her nostrils, sending a very faint high to her brain like the chemicals in the pools does. Resisting the urge to cough to flex the muscles of her body in the cramped space of the trunk, the female waited several moments in silence for the slightest shifting of movement or prowling seekers looking to harvest on the strength inept species. Feeling around for the latch on the backseat, bright midday sun poured in through the opening, she inched it forward as she paused every second or so.
'Goddamn it's bright.'
She noticed the torn edges of her emerald painted nails once she fully leaned the seat forward, stringy grime matted locks absorbed the rising heat in the car. Glints of other vehicles windshields momentarily made blackish spots float in her vision, she opened a water bottle once she slid herself out of the car's trunk. The milk spoiled, eggs overheated and bread crusty.
'Good morning America, today's going to be sunny clear skies, maybe chance of rain showers, highs in the whatever seventies and lows- oh shitzerdoodle.'
Leaning on her side to stay within the cover of the car's seat position, she peeked around the edges of the leathery seat, seeing a black mass creep by the front of the vehicle. Ducking down though avoiding on moving her weight around too much, the female stayed in that awkwardly tense angle until she heard it bash through a boutique's doorway a street down.
Sorting through the groceries, she salvaged whatever wasn't affected by the mid summer day heat. Collecting granola bars, a flashlight, screwdriver and some bullets, she found scattered underneath the driver's seat, into a fanny pack. Pressing the button for the window, it slowly slid down. Immediately the intense heatwaves of summer hit her skin, soaking into her body as her clothes suddenly felt too thick to wear at the moment once she eased herself out. 'In this heat I bet ice cream and water would boil. Why couldn't it be a hazy day of clouds.'
Crouching down a little she steered clear from fragmented and little clusters of splintered glass, her footsteps being silent as she could manage. Keeping herself fully aware to pause every few minutes to take a thorough survey of the area, ensuing she didn't have any creatures tailing secretly. Her eyes and top of her head peeking just over the edges of windows, hoods and tailgates of vehicles left stationary in the main street. The crevices of her body's figure little by little condensed with sweat.
Padding herself down a little, she silently lamented as she felt the grains of sand, smears of oil further clogged her pores. All that hard work going down the drain the longer she stayed in the heat and in these ripped and frayed clothes. Without notice her heartbeat sped up, an automatic nearly cemented reaction to the soft skittering of talons, menacing hisses and breathy snarls passing through frosted razor sharp teeth. She crouched down, doing a quick three sixty view of side to side, top to bottom. Seeing all the possibilities where her position made her vulnerable and potential to life ending choices. The vehicles were spaced enough for running and could be jumped across by anything. Though not many of the vehicles had high suspensions to crawl under. And several of the vehicles blocked her in, preventing her from crawling over the hoods from how big or sloped the hood is. Calculating the estimated seconds it would take to jump up, crawl onto the vehicle, run then do the same thing. Another raspy hiss, like sizzling acid in a softer tone. She flinched, her body contracting to still every nerve then slowly releasing to edge forward in a slight crouch.
They were moving by her, a mere vehicle apart.
A few feet away from her fate of being harvested and once again encapsuled in goop to be the fertilizer of an alien colony. She thickly swallowed, forcing back images depicting her chest being tore open from the inside, the sickening sensation of crunched bones. One step, the next and then her body responded in kind. Her fingers kept thumbed over the smooth fabric of her fanny pack, a small assurance against an illusion of control.
'My nails are so damaged and cracked. I should take them off.... though those charms are pretty.'
Her hands turned a bit red from touching hot asphalt. The shattering of a window made her heart burst into a flurry of emotion though she made herself keep stationary. Slowing peeking back over a window, she noticed they had rummaged through a van. More glass sprinkled to the ground. A bony black mass that showed every ridge of it's unnatural existence skittered then body slammed into a vehicle as they fought over scraps of a child.
'Damnit, that's so disgusting- don't, don't think about it. Keep moving.'
Hurrying in the most silent way possible, she crawled underneath a truck and stayed there for a moment to reassess the situation. Her heartbeat had calmed to a considerable pace without her having to manually breath slower. What she didn't calculate is the sudden crashing sound on the truck's roof, making it cave in as the vehicle itself sunk down a little from the weight. Seeing it's shadow on the asphalt, she realized it's the other creature.
He's crouched, his head swiveling around for a quick moment as it let out a roar. A shinking noise of a blade. Those spindly creatures screeched and lunged for him or a very few ran away.
Curled up beneath the vehicle, she felt it's weight shift and sway as the muscular thing fought. A couple vehicles exploded. Heat razed the ground, acidic blood dripped and splattered onto metal and paved rock. Melting it cleanly beyond repair.
'I can't stay here.'
The truck's undercarriage smacked against her head only solidified that thought. She let out a yelp then instantly felt her heart speed up, the accompanying blush and her mind working nanoseconds ahead. She turned her head and saw one of the black creatures hissing loudly at her while the two species created carnage just on her other side. It tried to reach it's talons inside, she fumbled for her screwdriver in the fanny pack.
Yanking it out, she hit the asphalt several times but got her few strikes in against the black alien, making it rethink it's strategy. Knowing it'll likely try to crawl in, she kept wildly swinging her screwdriver around while she felt around in the fanny pack for the few bullets.
The humanoid creature in weird armor slammed a black alien into a car.
She flinched as more acidic blood dripped down from it's broken skeleton. Finally pulling out a handful of bullets, she tossed the shells across the street and right by the burning vehicles destroyed by a plasma cannon blasts.
A roar and an answering screech, more limbs being cut and slashed into individual pieces.
Letting out a sharp exhale, she swung and frantically swiped at the black creature now joined by two more. One of their talons cut into her lower calf, nearly dragging her out before the tossed bullets ignited. They went off and ricocheted, startling the black creatures a few feet and making the beige colored creature snap it's attention to find the source.
Without hesitation she made a break for it, keeping ducked down as she rolled out on the other side of the truck, scrambling to her feet and sprinting hard. She vaulted, slid over the hoods of vehicles to the other side of the street. Noticing some other black creatures crash out of boutiques and whatever woodwork they came from, chased after her.
She wasn't from here though she did know which streets and areas had been the tourist hotspots. Bigger buildings, more hiding spots. Running barefoot on the hot streets of the town, she didn't look back and she didn't stop or veer off to hide. Pumping herself faster than ever, the female saw the distant shining chain link fence of the fair grounds. Darting to her right, she went down a sandy hill of pointed stones, passing by a few tall cactus before coming right up to the fence.
Jumping it, she crawled up and felt the links snag on her jeans to sharply pinprick her skin. Throwing herself over it to land in a puff of dust, she heard them crash into the fence and scramble up it as she continued to run.
She passed through the carnival, her feet sinking a little into the fine sand and feeling the gravel drag on the soles of her heel. Her sights settled on a merry go round, heading over to the controls, she bashed her hands against everything until the ride turned on and the music blasted out of the speakers. Every noise being amplified in her mind.
Their screeches raked her eardrums and made her body turn cold despite the very dry summer heat.
Running in the opposite direction, she went into a house of mirrors. Her figure reflected on the narrow figure warping surfaces. Taking a breath of air, she slowed her footsteps and moved deeper into the entertainment house. Her cheeks red and bright from exertion and anxiety, her heart thundering in her ribcage, she closely listened for any sounds of the black creatures as her breathing seemed to drown out everything else, even her thoughts.
*ੈ✩‧₊˚✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧┍━☽【❖】☾━┑✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧*ੈ✩‧₊˚
A shift of movement as the female rubbed her upper arms, one of her hands keeping a hold on the flashlight she had. She stared at her reflections, the afterthought of an idling mind being how she needed a shower and change of clothes. As she still kept finding small pieces of that secreted goop on her person she'd been cocooned in only hours ago.
Rubbing away the crusted blood on her wrist, the female let out a silent sigh. Slowing getting up, she paused every few moments with her head slightly tilted and her body making minimal movement to determine whether or not she's safe to breathe.
Measuring her footsteps she walked to the exit that's aesthetically covered by a curtain, listening for another moment she heard nothing. Though her heart pounded a bit harder. Holding onto her flashlight, she noticed no sun shined at the bottom of the curtains or made the fabric seem thinner from it's light.
It must've been hours but at this point, hiding and waiting out for hours seemed to become her only source of exercise and constant state of what her life has come to. Peeking out, she drew the curtain to the side with the end of her flashlight's handle. The orange bulbed lights of the solar controlled lights were on, the sky completely black and the desert terrain standing still just like her.
As if the world now knew the events of what happened in the last five days changed the course of mankind's present and future forever.
The female gently tested her weight on the wooden steps before descending down the short staircase. On a last second thought, she took the curtains with her. Wrapping it around her figure like a jacket and dress, she quietly walked through the fair grounds.
Popcorn bags, cotton candy cones and some push toys laid on the dirt. Some lights of rides flickered like a dying candle running on the last threads of it's wick. Her flashlight in one hand and currently unlit, she went to a small gift shop. There was no phone or landline and no internet for the working iPhone she found dropped on the floor. Picking out a shirt one size smaller than normal, couple water bottles and some paper towels despite no one being around, she still went behind the cashier counter to change.
Uncapping the lids of the water bottles, she dunked the paper towels in the water, wiping it over her skin as she took most of the dirt off. Scrubbing and washing away the grime, blood, sweat and essentially the memories that came with the reason there's blood in the first place.
Sliding on the new shirt, hoodie, wrapping the curtains around her shoulders like a strap for future purposes. She found a water basin for apple bobbing, she dunked and shook her hair free what she could. A relief of one problem being dealt with settled her thoughts. Still no shoes to wear.
That night she opened one granola bar for dinner and slept in the cubbyhole of where they kept the extra plushies and boxes of other prizes.
*ੈ✩‧₊˚✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧┍━☽【❖】☾━┑✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧*ੈ✩‧₊˚
There was no hurry to leave or go anywhere though one designation remained present in her mind the next day when she woke in the afternoon. Her family- well her grandparents had a place up in Alaska. If her memory served her right, which both fortunately and unfortunately did, there'd be enough canned food and natural resources for her to survive there without any worry. They hadn't sold the property but kept it as the ideal family vacation house in the winter.
With that her mind she gathered up four water bottles, dozens of granola bars, candy and some pop tarts from the fair grounds remaining food supply. Finding another flashlight, some batteries and a phone charger in the abandoned vehicles nearby. Apparently no one had kept extra shoes in their once day to day work life. Sliding on her backpack and keeping her fanny pack, she walked the cactus and brush ridden terrain.
SIDENOTE | reblog, comments and lmk if you wanted to be tagged for the next part.
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butchfalin · 6 months
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the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
#yeehaw#1k#5k#10k#posts that got cursed. blasted. im making these tag updates after... 19 hours?#also i have been told it should say speech loss bc nonverbal specifically refers to the permanent state. did not know that!#unfortunately i fear it is so far past containment that even if i edited it now it would do very little. but noted for future reference#edit 2: nvm enough ppl have come to rb it from me directly that i changed the wording a bit. hopefully this makes sense#also. in case anyone is curious. though i doubt anyone who is commenting these things will check the original tags#1) my friend did not do this on purpose in any way. it was not intended to distract me or to hit on me. im a lesbian hes a gay man. cmon now#he felt very bad about it afterwards. i thought it was hilarious but it was very embarrassed and apologetic#2) “why didn't he use 🫵🏼?” didn't exist yet. “why didn't he use 🆗?” dunno! we'd been using a lot of hand emojis. 👌🏼 is an ok sign#like it makes sense. it was just a silly mixup. also No i did not invent 👉🏼👌🏼 as a gesture meaning sex. do you live under a rock#3) nonspeaking episodes are a recurring thing in my life and have been since i was born. this is not a quirky one-time thing#it is a pervasive issue that is very frustrating to both myself and the people i am trying to communicate with. in which trying to speak is#extremely distressing and causes very genuine anguish. this post is not me making light of it it's just a funny thing that happened once#it's no different than if i post about a funny thing that happened in conjunction w a physical disability. it's just me talking abt my life#i don't mind character tags tho. those can be entertaining. i don't know what any of you are talking about#Except the ppl who have said this is pego/ryu or wang/xian. those people i understand and respect#if you use it as a writing prompt that's fine but send it to me. i want to see it#aaaand i think that's it. everyday im tempted to turn off rbs on it. it hasn't even been a week
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madseance · 10 months
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"it's not queer fiction unless the queerness is explicitly declared in the text according to currently accepted terminology and in a way that meets the approval of the entire audience" I mean follow your heart I guess but I trust myself as a queer person to recognise queer themes
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kaibascorpse · 2 months
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some of you people are so obsessed with having an acceptable group to ‘punch up’ at that you would rather pretend a marginalized group are Basically The Oppressors™ than listen to their valid criticisms about the fact that ‘punching up’ very rarely hits the intended target, and the majority of the actual damage of that act is suffered by fellow marginalized people in your own community. there is a significant difference between venting frustrations about privileged groups and just outright attacking anyone who (you assume) experiences that axis of privilege regardless of - and in many cases outright denying - their actual lived experiences. it goes far beyond just ‘venting frustrations’ when what you’re really doing is trying to find a moral justification to bully people you don’t like, and when your own desire for catharsis and moral superiority leads to ignoring the voices of the vulnerable people you hurt. you’re not ‘punching up’ - you just like punching people for the sake of punching.
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notemaker · 1 month
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In which Lucifer starts getting comfortable, forgets social boundaries, and Alastor kind of does so too. Nifty takes 1 interaction and makes it a whole plot.
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reds-skull · 11 months
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Sharing a mask is something that can be so intimate actually
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magpie-trinkets · 1 month
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continuing that "maya tries to contact claire" post, i present you the post-Spirit of Justice follow-up
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oobbbear · 3 months
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recent gitm doodles
All character belongs to @venomous-qwille
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one thing about ik is that she will always reach out
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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rysttle · 2 months
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HELLO HI!!!
youtube
I know it's boop day but I MADE A LIL DUNMESHI ANIMATIC AAAAAAAA
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potatobugz · 1 year
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I CANT BELIEVE PROFESSOR CHAOS IS AN NFT GUY.
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r0b0t1me · 1 year
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. . . . . . . . .
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moonstruckdraws · 11 months
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RaphRaphRaphRaph!!!
More fanart for @somerandomdudelmao's apocalyptic series! This line hit me so hard as Raph saying 'again' has such a heavy weight to it, I just had to draw something about it!! Decided to go more of a heart-warming approach instead of heart-wrenching lol Elaboration spiel incoming: I have no idea what the color of Casey's outfit I used in the second drawing are supposed to be, so I made some up. Nothing too groundbreaking except for his cape. I thought it'd be a fun, cool thing that Raph's old cape was ripped and made into Casey's cape since his brothers new that Casey was so attached to him at such a young age. Raph's cape being given to him, most likely by Leo, and leading to him being told more about him as he had forgotten him. This could also link to this episode part in the series where Casey says, "Raph.. like.. the actual Raphael I've heard so much about from Sensei??" The glow and effects are supposed to represent their bond, you can even think it's Raph's ninpo emitting, I guess. In the first one, you can tell that their bond is strong and bright. In the second one, it's dim and weak as Raph realizes Casey doesn't remember him. Doesn't have that spark of recognition, from Raph being a robot and Casey being so young. In the third one, it's more of a reconnect, not what it used to be but is there nonetheless and will only continue to grow. And with Casey having the refresher of his earliest of memories, his connection with Raph is only stronger.
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cutter-kirby · 1 year
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I adore Caleb’s expression here. “die faster. bitch.”
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creatureesque · 5 months
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ermmm been watching mcyts a lot lately to cope with the horrors (uni) thos block men unironically saving my life rn
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