I’m re-reading Good Omens, or at least making a start at it, and I really don’t think I was prepared for how profoundly melancholy the opening scene is. You expect it to be, I don’t know, funny or even cute if the miniseries is what’s first in your mind, and that version is lovely. But this? is soul-achingly beautiful.
"I'm not sure it's actually possible for you to do evil," said Crawly sarcastically. Aziraphale didn't notice the tone.
"Oh, I do hope so," he said. "I really do hope so. It's been worrying me all afternoon." They watched the rain for a while.
"Funny thing is," said Crawly. "I keep wondering whether the apple thing wasn't the right thing to do, as well. A demon can get into real trouble, doing the right thing." He nudged the angel. "Funny if we both got it wrong, eh? Funny if I did the good thing and you did the bad one, eh?"
"Not really," said Aziraphale. Crawly looked at the rain.
"No," he said, sobering up. "I suppose not."
Slate-black curtains tumbled over Eden. Thunder growled among the hills. The animals, freshly named, cowered from the storm.Far away, in the dripping woods, something bright and fiery flickered among the trees. It was going to be a dark and stormy night.
They’re not enemies. They’re not friends, either, but they’re there, together, figuring it out for the first time side by side. And it’s not funny, somehow. It’s not happy. It’s not even something to be angry about. it just kind of is. And they’re just kind of they. But they’re figuring it out side by side, and that seems a worthy kind of start.
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Blood & Snow
Pt. II
Directory: {Pt. I} {Pt. III} {Pt. IV} {Pt. V} {Pt. VI} {Pt. VII} {AO3}
Day two for @hermithorrorweek!
TWs for this chapter include: minor gore, body horror*, temporary character death
II. ENVIRONMENT
Scar and Tango make an odd pair.
Catching them together is a study in contrasts: Scar’s light against Tango’s dark, Scar’s loud against Tango’s quiet, Scar’s whimsy against Tango’s sarcasm. The theme park owner brightly welcoming you to the happiest place on Hermitcraft, and the dungeon master presiding over a subterranean labyrinth of fear and pain. Scar’s hunger for diamonds, and Tango’s dismissal of them. Scar’s tendency to distraction, and Tango’s unwavering focus that had led him to spend the better part of thirteen months in a cave, despite all of Scar’s attempts to drag him out of it.
And Scar had tried! He’d even succeeded, a few times. More often, he would just hang around and bother Tango while he worked, rambling about Star Wars or Disney or trains or updates or whatever while Tango coated his frosty fingers with redstone and made the occasional comment. And whilst to an outside observer, Scar would come across as an annoyance as he gushed about flowers and Tango rolled his eyes and pulled faces, he knows that they were both enjoying themselves. As different as Scar and Tango seem, they’re still friends.
And as different as they both are, they still have one thing in common: their love for atmosphere.
Because it’s one thing to make a build: it’s another to make an environment. It’s all about movement, and sound, and all the little additions that make a static picture of blocks come alive. And Tango has truly and utterly knocked it out of the park this season—Decked Out is the most alive build Scar has ever seen.
…It’s, uh. Not usually quite as alive as this though.
That’s the only way Scar can think to describe it, as he pushes himself back against the wall, heart pounding in his chest louder and faster than the dungeon’s heartbeat echoes around the walls. Just out of sight, a ravager grumbles, having lost its snack, and Scar heaves as he attempts to catch his breath. His fingers are sticky with berry juice as he presses another to his mouth, grimacing at the sweet taste as it mingles with the blood in his mouth.
Behind him, the stone wall seems to quiver as he presses himself into it, not quite as solid as it should be. I’m imagining things, he tells himself, reaching back with a red-stained hand to feel the rough ridges of deepslate beneath his fingers. He lets out a shaky breath and draws himself up. Right. Back to work. His artefact should be just around this corner.
He glances back towards where he’d left the ravager, ahead to where his compass is pointing, and takes off running towards it.
His lungs burn, and his legs ache, and his head spins as he dives forwards, but he manages to, by some miracle, avoid the ire of the ravager and make it to the alcove where his compass begins to spin wildly around. “Compass skills, perfect compass skills,” he mutters to himself, dropping the compass and hearing the click of a dispenser as it vanishes and an artefact appears in its place. Hypnotic Bandanna. “Oh, come on,” he cries as he picks it up. “Don’t you think I deserve more than that? Did you see my ravager skills? I could have died! And I didn’t! Tango!”
And then the dungeon does something it’s never done before: it laughs.
The sound startles Scar out of his skin, and he clutches the bandanna to his chest in panic as around him the walls shake, stone grating against stone and lava popping and bubbling and water splashing and the ravagers all groaning in time to create a cacophony that some way, somehow, sounds just like Tango’s laugh.
Scar stands frozen until the sound dies down, staring with wide eyes. His mouth is dry. He swipes his tongue around his lips, clears his throat.
“Uh, Tango…?” he calls. “I think there’s something wrong with your dungeon.”
The dungeon sighs.
Its breath tickles the back of Scar’s neck, makes all his hairs stand on end. Nope! No thank you. Scar needs to get out of here. He needs to—
He takes off running, back the way he came, ducking past the ravager and surviving the resulting blow by the skin of his teeth and half a heart. He gasps for breath, shoving more berries into his mouth as he leaps over moving chains and makes a beeline for the stairs back up to level one. He makes it and takes a moment to stop and breathe, the soft light of the skulk twinkling around him.
“It’s fine,” he tells himself as he finishes the last of the berries. “You’re fine! It’s just—the dungeon. Same as normal. It’s just a normal—normal run, you’re gonna get out, it’ll be fine…”
The stairwell is, for a moment, eerily silent. Scar feels more acutely than usual that he is being watched. He draws in a breath—
“STUMBLE,” the dungeon announces.
—and lets out a squeak.
Okay. Probably a sign that he should get going. He can do this!
He presses the button at the top of the stairs and creeps out into the throne room of level one. Luckily, there are no ravagers here. Unluckily, the hazard door is closed. Okay, the long way it is.
His legs are cramping something awful as he races down the stairs. He takes a left out of the crypt and stops for a moment in the tunnel, breath rattling in his throat, reaching down to rub at the aching muscles. Normally, the fun of Decked Out outweighs the pain he knows it will cause him, but right now his fear is outweighing the fun and the pain is something awful. He needs to get out. Once he’s out, his wheelchair is waiting for him upstairs, and he won’t have to get up for the rest of the day—
He’s so focused on the pain that he doesn’t notice the ravager until it’s too late.
He falls, face-first, into powdered snow, letting out a strangled cry. It’s instinct more than anything else that pushes him up, that digs his fingers into the snow as he tries to escape—
As he blinks snow from his eyes he sees, where his hands have cleared the snow, revealing the ground beneath them, something pink and red. It shudders and pulses beneath his fingers, cold like ice, yet undeniably alive. Scar, without thinking, digs his fingers into the flesh.
The dungeon screams.
The stone and ice around him shakes, snow falls from the ceiling above him, and behind him the ravager lets out an agonised wail before stomping a heavy hoof down onto his back.
Scar screams too as his spine shatters and he sits straight up in bed, several hundred blocks above his own head.
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i understand all the older og fans who are annoyed that a lot has been revealed about sephiroth's past. i really do. a mysterious villain, if done well, is super effective, and in the og the hints at a somewhat normal but slightly traumatic past is what made sephiroth very compelling.
and yes, ever crisis may very well be fanservice. but who fucking cares.
but a lot of the claims from angry fans that sephiroth's backstory is unrealistic or it ruins his character is so unfounded imo :/
a traumatic past does not take away from a compelling, mysterious villain. a backstory that lays out the situations that influenced a villain to become 'the bad guy' does not make him less of a villain, nor does it ruin his character. many mainline final fantasy games have shown the backstory of their villains — kuja got one, kefka got one, so why not sephiroth? why not expand on things that we already technically know from existing canon lore?
i don't think this is an attempt to make sephiroth a stereotypical, trope-y 'tragic villain'. i don't think it's an attempt to distract us from the atrocities he's committed. i think it's more to see the human in the monster, and to symbolise just how pervasive and destructive shinra is.
if you've watched the boys, you will see many similarities (and of course differences) between sephiroth and homelander, and shinra and vaught. both sephiroth and homelander were pawns of shinra/vaught from the beginning, literally created to be weapons and objects for their organisations. both are manufactured, sort of humans. both were lied to about their origins, both were 'lab rat kids', both had childhoods devoid of what all childhoods should be. manufactured monsters. they are both results of their environment.
and yet, they both are irredeemable in the end, regardless of the fact they were forced on a path they had no say in. AND fans of the boys weren't fucking foaming at the mouth because homelander got a backstory. none of us thought it ruined his character. we all still see him as a man too far gone. why are ff7 fans like this.
i'm not too sure if square will change things up in rebirth and the final game, maybeeee they'll give sephiroth a redemption arc, i'm not sure, but fans are speculating. i don't think they will. but either way, based on the current canon timeline, he isn't redeemable. he's turned into a monster, and he now has the complete opposite of a normal life which is what he wanted as a child.
i also feel like he encapsulates the sort of madness and entitled viewpoint that only a human being, and male villain could possess. and this isn't to take away from his character and it isn't a diss. it isn't a diss at men either. but i think it's extremely realistic. if we think of current society, how men are socialised, they are socialised to believe they have an inherent uniqueness, something special — an inflated ego. and tbh, i think if we look deeper, i think in a lot of western, individualistic societies, this also transfers to everyone, not just men. sephiroth admitted he always thought he was special ("i knew, ever since i was a child, i was not like the others. i knew mine was a special existence. but this… this was not what i meant") and different from the rest. i think this dialogue, while heartbreaking, really does show an insight into his inflated ego. and i personally believe that his ego, his entitlement, was borne of utter loneliness and isolation. what else could give him comfort, other than believing in this idea that he was of a special existence?
while sephiroth turned into a monster, i feel like he is so incredibly reflective of the human condition (or, at least, a facet of the human condition), which to me, is what makes him such a compelling yet tragic character/villain.
who and what else, but a human being, a man, to think the world owes them something, to think they are entitled to justice in the form of suffering and destruction? to think that everyone is deserving of pain all because he was objected to it? to think they can take and take and take some more? to act in a rage so strong that it is no longer blind, but calculating, intentional, thoughtful and nearly prophetic?
who and what else on this earth could be so utterly consumed by emotion to the point of complete destruction? THAT is a facet of humanity, or maybe it's a facet of a lack of it; of the human condition. sephiroth, the monster, the manufactured monster, the one who was of a special existence, the one who is not like the rest...ends up acting in a way that only a human being would be able to. the irony. he doesn't even see it!
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