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bbreaddog · 2 months
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Tagged by @lou-writes-things 💜
Rules: List the first lines of your last 10 published fics and see if there’s a pattern.
“Hey.”
YGSTL (Alex POV) -> Alex & Bobby (JATP) [G, 594 words]
Everyone knows Bobby isn’t a physically affectionate type of person.
Wrap Around Me, My Vine -> Luke/Bobby (JATP) [G, 100 words]
Willie looks at him when he takes a shuddering breath, and squeezes his hand twice.
Marching On Proud -> Willex (JATP) [G, 100 words]
Dec 12, 2023 at 2:33PM
officially diagnosed with adhd!!! → White House Trio (RWRB) [G, 200 words]
Trevor and his partner have been trying for a pregnancy for ages.
(I Walk This Mile) To See You, Child → Trevor POV (JATP) [T, 764 words]
Adventure has always been in Willie’s blood.
King of Your Heart → Willex (JATP) [M, 17.3k words, 10/?]
“You wouldn’t happen to have any ideas, would you?”
Played It To The Beat → Julie & Alex (JATP) [G, 1.5k words]
Oh god.
5 minutes of Julie Molina hating the sun -> Julie POV (JATP) [G, 831 words]
“I’m the king of the ocean,” Willie declares.
I’m The King of the Ocean -> Willex (JATP) [T, 503 words]
It’s sweltering hot.
It’s Not Fair -> Mark/Roger (Rent) [M, 1.2k words, 2/?]
I…? Don’t see a pattern, except maybe like, Willie’s name comes up thrice. Otherwise, it seems pretty varied to me ¯\_(ツ)_/¯ what do y’all think?
Tagging: @floating-in-the-blue, @noworneverphantom, @fiddlepickdouglas
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the tops and bottoms of my legs are so disproportionately hairy it’s unreal
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morallyinept · 2 months
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ADORATION - A Joel Miller x Breast Cancer/Mastectomy F!Reader One Shot
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Written as part of my B O D I E S Series 🤎
BODIES MASTERLIST
Summary: After some completely unexpected and devastating news, a long journey of loss and healing, Joel shows you how beautiful he still finds you.
Pairing: No Outbreak Joel Miller x Breast Cancer/Mastectomy F!Reader (No name or physical description of reader in terms of ethnicity, hair colour etc... However, Reader had breasts and hair before treatment. I've imagined Reader to be around a similar age as Joel, who is 56 when writing this, however Reader's age is not mentioned, so you can determine/imagine it's you, if you'd like to, bub.)
Word Count: 8.3k
Scoville Smut Rating:🌶️🌶️🌶️ “You tell me I'm doing well, and then, you try to kill me."
Check out my Scoville Smut Ratings here.
Triggers & warnings: Mentions of breast cancer/double mastectomy/surgery/grief/loss/depression/body issues/illness & recovery/fear/mentions of death. Established relationship/unprotected PIV (wrap up, folks)/breast worship/Joel loves on you hard.
NSFW. MINORS DNI! OVER 18’s ONLY. YOU ARE SOLELY RESPONSIBLE FOR WHAT YOU READ.☝🏻Don’t come at me; you’ve been plenty warned.
I write for me, and I share with you. If this story isn't to your taste, that's fine. Just slip quietly out the back door. No need to make a fuss. It's just a work of fiction.
Author’s Note: It's important to me that all types of readers are represented in my work, therefore this collection of stories is written for readers with REAL bodies. However, anyone can enjoy them. Whilst this story may not specifically represent your own personal journey, it is my hope that it resonates and offers comfort and enjoyment. The condition/disability mentioned in this story is not 'one size fits all' - everyone's journey is personal and unique, and I have undertaken as much research as I can to write accurately and respectfully. 🤎
MAIN MASTERLIST | JOEL MILLER MASTERLIST
Enjoy! 🖤
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You’re whining, keening softly as your nose dusts the crown of greying curls resting just below your chin.
They tickle gently on the inside of your nostrils each time you inhale, smiling into the beam of sunlight that strobes onto the pillow, blinding you into a warm, balmy bliss.
Causing your body to spasm and jerk beneath him; little bursts of electricity soar with static, crackling down your spine. You arch your back, pushing your nipple further into his warm, wet mouth.
The insatiable pull around your nipple draws hisses from behind your teeth, eyes rolling back into the furthest reaches of your skull.
Your fingers press into the back of his cranium, cradling him close; losing yourself to the never-ending swirl of his tongue around that fleshy, hard bud as he tongues it, sucks it, nips it...
Hips grinding in a languid cadence against his crotch, a hard bulge catches on your clit as you grind against his cock; stiff and leaking into his faded, worn-out boxers.
Joel’s a self-confessed breast man. He likes pawing at your ass too on the very regular occasion, but he spends most of his foreplay time - and any time, really - latching onto your breasts like a hungry infant.
He likes to suck your nipples out of the puffy swell of your areolas on warm mornings when you wake nestled around him. Coax that stubborn left one out of it's invert with a probing, flickering tongue.
He loves to pinch the stiff, hardened peaks through your top when you're chilly to make you giggle and squirm against him. Feels closest to you when you sit together watching a rubbish film on Sunday evenings in his lap, and he casually has his hand up your shirt holding onto your breast like he would your hand.
It’s a comfort you both enjoy; a big, reassuring warmth holding onto you. He likes feeling the weight of them as they fill his palms, watching the bounce of them, mesmerized, as you ride on his cock vigorously.
Joel’s all up in your marvellous chest at any chance he can get. Sucking the pebbled teats between his lips, swirling his tongue around and around as you fist through his wavy locks and groan when he brings you to orgasm just by lavishing your breasts with his mouth - he loves how sensitive they are.
Especially the right one, it's almost as sensitive as your clit.
Just a few licks over it on this lazy weekend morning, has you panting and almost tearing the roots from his scalp as he squeezes the left one inside his deft fingers; flicking the nipple with his rough index pad and groping a lavish handful.
He’s rutting into you, on the cusp of just pulling his cock out of his boxers - that have seen better days - and slipping into his beautiful wife writhing underneath him; he can feel you seeping through the thin cotton against him.
Joel squeezes your breast again as he sucks at the other, humming at your moans. You croak out his name; each vowel rolling off your tongue with abject need.
Opening and closing his fist around the mound, grunting in rapture, he brushes his thumb along the underside, when he stops. Shiny nipple popping out of his wet mouth, with that furrowed brow pulling his face into a tight knot.
“Darlin’,” he says, with a pursed mouth; his heavy eyes falling to your breast, and his stubby thumb running under the obvious hardness of a lump. “Ya feel that?” He questions, gently.
You look down at him realising his pause.
“Why are you stopping?” You gasp, your hips still moving, slit making a sticky mess against his cottoned length.
You stop grinding, sitting up as you take your breast from him and squeeze all around it, slightly irritated at the interruption, until you find it for yourself.
You feel an unwelcome visitor nestled within the soft curve under your breast, inviting itself bluntly into yours and Joel’s lovemaking.
“God,” you say, his concerned eyes meeting yours.
A lump, no larger than a pea, yet heavy with the weight of uncertainty, that suddenly makes your blood run icy. Your heart pounds a frantic rhythm against your rib cage.
Fear, cold and unyielding, spreads poisoned rust through your veins as you trace its contours; your fingers lingering over the unfamiliar bobble of its terrain.
“It’s probably nothin’,” he reassures with a nod, with eyes so deep you could fall into them and never see light again.
"Yeah," you nod too, but your own eyes convey your trepidation.
And it’s enough to halt any chance of morning sex with your burly husband in its tracks, as you disappear quickly into the bathroom for a thorough inspection.
Disbelief, a fleeting hope that what your fingers trace is merely a figment of your imagination, or a cyst at best.
All weekend you fret and worry until you can call the doctor's office on Monday morning.
You can't count the number of times you touch it, prod at it. You tell yourself out loud that it’s probably nothing, like Joel suggests.
Yet, as reality sinks its claws into your rational thinking, fear takes root, gnawing away at the fragile threads of your composure.
Yeah. Probably a cyst.
Your breasts change all the time; lumpy and bumpy; they’re not as perky as they once were. Your monthly cycle sees them ache and weight heavy like granite blocks sometimes.
It’ll be fine. Nothing to worry about. You tell your weary reflection, but she has a hard time believing you as she stares back with unblinking eyes.
When Joel doesn't put his hand up your shirt as you nestle into him during your Sunday night film ritual, that's when the tears kick in.
Excusing yourself to the bathroom, you don’t cry in front of Joel, but he’s not so easy to convince that everything's fine, and it’s just allergies making your eyes red, when he knows it’s not allergy season. Or that you have any allergies.
“S’alright to be worried, darlin’. But ya gon’ be okay.” He tells you he’s coming to the doctor with you.
You argue that it’s fine, but he's insistent with his brooding frown and pursed lips like he’s constantly chewing on a wasp. He tells you he loves you no matter what, and you’ll be fine and that’s that, as he squeezes your hand.
He pulls you close as you watch the film together spread out on the sofa. Still no hand up your shirt. You see the colour moving on the screen, hear the dialogue and music, but none of it sinks in. You’re staring at the TV completely blank.
He excels at making you think clearly, challenges your fears and helps you confront them with simple questions and words to get you to think differently. It’s one of the main reasons you married him. He has a level head.
And you don’t realise how tense you are until Joel rubs your back and you melt fully into his chest.
With more soothing words and reassurances, eventually you believe him that you’re probably being irrational and panicking over nothing, because Joel has this knack of waving a magic wand and making everything okay.
But it isn’t okay, not this time.
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Within two weeks you have a mammogram and a biopsy after the doctor murmurs hmms and huhs at you.
You’re told not to worry as there’s only a two per cent chance that it’ll be cancer, as you’re stripped bare before the prying eyes of medical professionals and the cold embrace of diagnostic tests.
The loss of control over your own physicality is so fast, leaving you feeling exposed and deprived of the autonomy you'd once taken for granted.
Unfamiliar hands groping and prodding on your breasts replace Joel’s warm, tender ones, and you try to hold it together inside the sterile walls.
You break the moment he has you in his arms outside in the long, lonely corridor of the hospital and asks you how it went.
Joel throws himself into work on the construction site, and you throw yourself into a sinking depression, clouded with worry and worst case scenarios.
You’re sent home with stitches and painkillers after the biopsy, and all you can do is wait.
The invasion of a hostile takeover of your once jaunty mood hovers thickly in the air between you both at home during that time.
You do the one thing you shouldn’t and Google fucking everything. Survival rates, post-op images, types of cancer and all the dread that your eyes can take in until you can take in no more.
You then switch tactics and try to stay occupied and distracted. You play Joel’s old country rock playlist full blast, deciding to turn the house upside down and clean and bleach the shit out of every nook and cranny of it, until Joel comes home, eyes stinging with the fumes, and asks if you’ve lost your damned mind.
You smell bleach on your fingers for days after and it reminds you bleakly of the smell in the hospital corridors.
You lay in bed side-by-side at night, awkwardly staring at the ceiling, recalling how most nights you can hardly get enough of one another. But Joel rolls over and mumbles an exhausted goodnight to you, and you try your hardest not to cry; but the tears slip silently out the creases of your eyes anyway.
You’re called to come in for your biopsy results almost a week later, and the car journey there is deathly silent as Joel and you stare out the windshield and don’t say anything the whole way there.
Joel glances at you and you feel the weight of his ginormous hand on your thigh, squeezing it, and you barely register the sensation at first, turning to him as he squints in the sunlight as he turns the wheel.
There’s no casual flirting, no animated discussions about supper; no singing along to Bennie And The Jets together on Rock FM.
You watch the town pass you by out the window like it’s a stranger, equal parts numb and terrified.
The specialist takes a seat opposite you both, their gaze never wavering as they speak in a soft voice laced delicate with empathy, and you immediately know from the look on their face.
“It’s gon’ be alright, darlin’.” He says.
Although you’re unsure if it’s for your benefit or his, as his eyes remain focused on the road and glaze over in their emptiness somehow.
"I wish there was an easier way to say this, but the results of your biopsy came back, and I'm afraid it's cancer..."
Your breath catches in your throat, your world dangerously spinning out of control as the weight of those words settle over you like a suffocating shroud.
"Cancer? Two per cent…" You whisper, your voice barely audible above the rush of blood in your ears.
The medical speak jumbles your brain. Triple-Negative. Faulty BRCA1. Aggressive…
The words fade out and so do you.
But when you come back, you're looking at Joel; at his profile as he speaks. Mouth moving at the specialist with questions fired behind stunned snarls.
You're not sure where you go, or for how long, it’s just all muffled and quiet. Like being underwater, it fills your ears completely as you sink. Peaceful in a way.
The first time in weeks you’ve had any peace inside the tornado of your mind. It all stills.
He’s so beautiful.
You think it’s odd how a man can be deemed beautiful, like it emasculates him somehow, but it's the right word, you think. Beautiful, with heavy features etched with concern, yet softened by an unwavering love that radiates from his soulful brown eyes.
In the opaque light filtering through the window, you notice the creases at the corners of his eyes, the remnants of countless laughter-filled moments you’ve shared; your mind reliving through all of them in a handmade scrapbook decorated with glitter glue.
You can hear that little breathy snuffle he makes as he chuckles at something you say, whether it’s genuinely funny or moronic. His eyes, once bright with hope and joy, now glisten with unshed tears filling round shiny scleras, reflecting the tumult of emotions churning within him.
He talks, asks all the right questions you can't even form into comprehensible words. And somewhere through the falling, the tumbling, you love him even more for it.
You spend a quiet moment tracing the prominent curve of his nose with your eyes down into the way his lips will quirk upwards in a playful, crooked grin that never fails to warm your heart.
Yet now, they’re drawn down into a thin pout of worry; a silent plea for reassurance amidst the uncertainty that looms over you both.
Joel's a practical man, hands on. He needs to know. He needs to have all the facts and weigh up all the options presented to him like a gloomy spread of cards on the desk before him.
You can’t help yourself, reaching your fingers out and tangling them in the soft tendrils of his hair as you brush them behind his ear.
But you're fixating on his hair, once a riot of chestnut curls that framed his face with youthful exuberance, now bear the distinguished marks of time - strands of silver threaded through the greying curls that fall in gentle waves around his temples.
It’s almost like they’re greying further in front of you as you watch him now.
When was the last time he got a haircut?
Your fingers brush against the fuzzy, silken stubble that adorns his jawline and top lip, a tactile reminder of the physicality of your love, recalling the way he rubs it against your face, your inner thighs...
His jaw clenches slightly, a reflexive response to the weight of your shared anguish, yet his grip on your hand remains steadfast.
Your eyes drop to the calloused knot of thick, squeezing tendons and bone crushing around your own.
The look in his coffee bean eyes as you advanced towards him, stacked chest puffed out; filled with love and pride that you were his. You remember his speech, how he choked around carefully thought out words relishing that he’ll get to spend every waking moment with his best friend.
The gleam of his wedding ring and the feel of the warm metal is no longer perfect in its circumference as you trace your finger over the tarnish of it. It’s flecked with tiny scratches from his work.
You remember how handsome he looked in his snug-fitting tux as he waited for you at the end of the aisle scattered with rose petals.
You squeeze your eyes shut as you picture him looking down into your coffin, wearing the same tux; red eyes and snot falling from his nose as he collapses, wailing your name in haunted howls, and it’s enough to have you fleeing from your chair, with a spine-chilling scrape against the floor, in search of the nearest bathroom as your stomach lurches.
You barely make it, spilling your insides into the toilet bowl uncontrollably.
No. No, no, no…
The harsh fluorescent lights flicker overhead, casting eerie shadows against the cold, tiled wall with you pressed up against it; your breaths coming in ragged gasps that echo in the hollow confines of the tiny bathroom.
Tears stream down your cheeks, hot and relentless, as the weight of the diagnosis presses down upon you like a suffocating lead blanket, threatening to engulf you in its darkness.
Panic claws at your chest, its icy fingers tightening with each heartbeat, squeezing the air from your lungs until you feel as though you’ll suffocate beneath its crushing weight.
You can't breathe as you fumble at your buttons on your shirt trying to loosen them.
"I got ya, darlin'. I got ya." He soothes. "It's okay. I got ya. Sssh. Just breathe. I got ya..."
It doesn’t take Joel long to find you at all. All tiny and cowering in the cubicle; sobbing wildly as you reach for him, and he pulls you to him and lets you shatter against his broad shoulders.
His voice is your anchor, pulling you back slowly.
It's not fair. You can’t leave him.
You slur something about fucking it all, you’re going to die anyway, right? Might as well go down swinging, before he takes the bottle from you, muttering fucks of his own, as he prods you back up to bed and wraps band-aids around your bleeding toes.
You don’t remember him picking you up and taking you home, or holding you all night.
You don’t remember him finding you in the kitchen at around two AM, drinking yourself stupid with broken glass around your feet, and his concerned tone asking you what the hell you’re doing.
You eventually fall asleep encased inside of his arms and inhaling the spiced scent of his skin, breathing it in deeply so you don’t forget it.
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He makes you breakfast in the morning that you don’t eat, irons clothes for you that you don’t wear.
Buys you brightly coloured flowers, that he knows you love, to cheer you up. But you simply let them wilt and die on the counter top, not bothering to get a vase out for them.
You just sit and watch them die; their velvety petals shrivelling and curling before your eyes over the course of days.
Cancer just doesn't affect you, it affects the people closest to you, too.
That’s what the website says that you’ve been directed to. You realise this when you notice Joel and you haven't had sex since the day he discovered the lump.
You haven’t kissed either, not passionately anyway. Your breasts have been unloved and untouched by him, for what feels like weeks, when the man usually can’t bear to not grope or pinch them playfully when he holds onto you. Or sneaks up behind you when you're washing up the dishes, making you splash bubbles in his face.
In a bout of feverish desperation, you climb into his lap whilst he’s watching a game and nursing a bottle of beer on his day off, kissing him with wanton bites on his neck making him frown, as you push your chest towards his face.
It only kills you further when he shakes his head and tells you not like this, darlin’ before he lifts you off of him.
It creates an argument. You accuse him of not finding you attractive anymore, and he growls at you that you’re being ridiculous, before you yell even louder.
You don’t even know why you’re yelling or how you even got to this point. Nothing makes sense anymore.
And yet now, for the first time, you don’t know what he’s thinking behind that knot of muscles pulling his face taught; what he’s feeling, and it fucking terrifies you as you plead for him to talk to you.
You and Joel never fight like this. You always talk about things that bother you both. You've never heard Joel raise his voice in the whole entire time you've known him.
Honesty and open communication has always driven your relationship and come naturally between you both.
But instead, he leaves to let you cool off. You don’t know that he doesn’t go far at all. He just drives his truck round the corner and sits there in it, sobbing helplessly into his thick palms until it gets dark and he goes to a bar in town to drown his sorrows further.
You don't know that it kills him not being able to touch you; he wants to. Fuck, he wants nothing more than to ravish you, but he’s terrified he’ll hurt you, or will do something dumb that only his own mounting panic convinces him he’ll do.
For the first time in his life, Joel feels completely helpless.
It’s not fair. He can’t lose you.
“Let me see,” you prompt, and he drops the ice-pack to reveal a nasty black eye in the early stages of birth.
You find him in the kitchen late when he eventually comes back home, and making no effort to hide the fact he’s had a heavy drink.
He looks up at you, holding an ice-pack to his face and waiting for the tirade from you.
Red grazes orbit around his fist too, knuckle skin missing, you note. His eye is almost sealed shut with the swelling that’s a mix between blue and purple, in stark contrast to his golden face. Broken blood vessels litter the area, and he sniffs deeply before he speaks again.
“Ya should see the other guy,” Joel assures with a tight mouth.
He has a large dimple on the left side of his face when he smiles; an almost perfect, crescent like the moon in its waxing phase. But it’s hard to coax a smile out of him for it to be fully revealed these days; his mouth constantly twitches into a downward arch most of the time.
As you look at him, there’s an old man somewhere inside of his face; a burdened man, exhausted and on the verge of giving up entirely.
Cancer just doesn't affect you, it affects the people closest to you, too.
“What happened?” You query, tentatively as you dab at his knuckles.
“I lost my shit.” He replies stoically, as you tend and fuss over him whilst sighing.
You look up at him and as much as you want to be mad with him, you can’t - he’s hurting too.
Comprehension is a difficult task to begin to tackle. You ask so many whys - why me? Why is this happening? But fail to find an answer to any them.
Everything has been spun one-eighty and you’re still dizzy from the shock of your diagnosis.
Hours and soon days disappear from your life, like sand falling in an hourglass, as you try to fully understand what’s happening around you.
You feel as though meandering through a blur, your body robotically doing the things you're supposed to, but your mind not being fully coherent. Get up, eat, work, go to bed and so on. It ticks continuously whilst your limbs belong to that of a zombie.
Questions, thoughts and images... all blinking through you trying to piece it all together whilst you move stagnantly. But eventually the anxiety begins to chip into your mentality and inserts thoughts that you daren’t venture down.
The exact truth is staring you in the face, but try as you might to refute it, it’s plainly obvious and it begins to terrify you in ways that are new.
You have cancer.
It invades your dreams and deprives you of sleep. Tears make themselves acknowledged, at the most inconvenient of times too, like shopping in the grocery store, or typing at your computer at your desk at work, and trying to hide them from the prying world is a task in itself.
And you don’t realise it at the time, but Joel’s going through the same. Questioning, worrying, just as paranoid and stressed as you are.
And you both need to talk about it, you know you do, but yet neither of you can quite summon the courage to do so.
“M’sorry,” he says into your hair, as he pulls you in for a crushing cuddle against him.
“It’s okay,” you murmur, as quiet tears absorb into the plaid flannel pulled tight over his chest from your eyes.
But it's not okay. You have cancer.
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Over the course of your discussions with the doctors, specialists and oncologists - and other medical professionals, whose names, faces and titles get lost in the swampy fog of your brain - the words ‘bilateral mastectomy’ are tossed around.
It’s clear the risks aren’t worth you keeping both of your breasts when they tell you you’re at high risk of it potentially coming back. To add another punch to the blow, they suggest removing your ovaries too, mumbling the words just in case.
Just in case…
You look at Joel, devastated. You’d both agreed that children were something you weren't both keen on having years ago, but it still feels like that choice of having an open dialogue about it is ripped from you.
When you agree it’s the best way forward, and he agrees too with a face that looks like he’s just had a lobotomy and doesn’t know where he is, a date is put in the diary for the surgeries and treatments, and it’s sooner than you think it will be.
There’s hardly any time to breathe and take it all in.
A day before the surgery and you’re sitting at the kitchen table with a face on as Joel comes in from work, sawdust caked in his hair and boots.
Your voice cracks as you explain that perhaps you should just call it time. Let him find someone else. You won’t be upset, you want him to be happy as you mutter incoherently about death and divorce, and death again, until he shakes his head defiantly and huffs loudly.
He reaches into the fridge for a cool beer and offers you one, but you don’t reply. He looks down at your face.
At the face that Joel affectionately calls butt face.
The beer fizzes over the top in a foamy eruption as he slams it down on the counter top.
“Ya really are an idiot, ain’t ya?” He says, slumping down heavily into the chair beside you.
“But,” you begin and he makes the butt face at you, with pushed out lips and squinted eyes. “You won’t want me anymore.” You whisper.
His face pulls serious as he drags your hand into his blistered ones. “I ain’t fuckin’ goin’ anywhere.” He grits. “And neither are you.”
“But-”
“Quit with the butt face, darlin’. In sickness and in health. Ain’t that what we promised?”
“Yeah, but-”
He shakes his head again, his stubby fingers finding their home on your face, catching renegade tears in the whorls of his fingerprints.
“What, ya think m’gonna not love ya anymore because ya ain’t gonna have any breasts, is that it?”
That’s exactly it, hit the nail on the head, and although you don’t say it, he knows. Damn it, he knows.
“Ya really think m’that shallow?” He clicks his tongue around his teeth.
“No, of course I don’t,” you shake your head. “I’m just… I’m scared, Joel. I'm really fucking scared.” You gulp.
“I know.” He says, pulling you into his lap and wrapping those big, strong arms around you. “M’gonna be right there, when ya wake up, okay? M’gonna bring ya home and we’ll get through this, together. You n’ me. One day at a time. Okay, butt face?”
It’s the first time in weeks you smile and the first time in weeks you kiss; a soft, but tentative peck against your lips, that still holds back somewhat.
Pushing your foreheads together you sigh out, unable to think about anything else.
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Two operations, four and a half months of chemotherapy and three weeks of radiotherapy, and it takes months for your hair to grow back.
You remember recoiling in horror as it fell out in clumps a few weeks after the chemo started, until you decided to just be done with it, and had Joel shave it off for you.
He offered to do his own in solidarity with you, until you snatched the clippers from him.
“Don’t you dare!” You almost shrieked as you ran your fingers through his tufty curls, smiling. “You’re never getting a haircut ever again.” And he smirked at that.
“Yes, ma’am.” He'd said as he put them away.
You had woken, groggy and aching, to Joel's face smiling at you and pushing a water beaker to your lips. You looked down to see your chest covered in bandages and drains under your hospital issue nightgown.
It was an odd feeling, you didn't feel much of a difference in those first few, post-op days; weighted down by the drains and dressings, and in and out with the pain meds.
They shifted you out of hospital the next day to recover at home, and Joel took up the role of carer, doctor and home cook as he fussed and got you comfy on the couch in a suffocating fort of pillows and blankets.
After the ovarian surgery, you started taking aromatase inhibitors, which were an added nightmare as these treatments bring on an almost immediate menopause with your ovaries now gone.
No gradual decline - a full push over the fucking cliff, face first. You can’t bear for Joel to touch you when you’re burning up and sweating; soaking the sheets through completely that you fear you’ve wet the bed.
When you’re sick from the radiotherapy, he feels useless hearing you heave behind a locked door. All you can do is lay in bed for days, struggling to keep food down and sleep it off.
You're too weak and exhausted to climb the stairs sometimes, so Joel carries you in his arms up them, even though it kills his knees and makes him groan silently when it pulls on his back. But he still does it anyway.
There are more discussions as the treatments carry on. More options, more pills, more chemicals. More time spent feeling like sludge.
Your bandages and dressings finally come off and you see yourself for the first time in front of a mirror, and there are a few moments when you can’t feel anything. Like there’s no water left in your body to cry anymore.
You just stare at your reflection with the nurse hovering by your side.
They warned you you’d be left with scarring. The scars from the mastectomy extend across the skin of your chest either side and into your armpits where you had lymph nodes removed too. They’ll fade over time, but will never completely disappear.
They warned you they’ll also feel permanently numb. And they’re right, as you touch your mutilated body with shaky fingers, you feel… nothing.
It’s another loss to mourn, the loss of your femininity, of yourself.
And that’s the worst feeling of all as you stare at the mess of your chest that was once curved and bouncy and shapely like a woman ought to be.
Now you’re flat as a board and there’s nothing remotely feminine about your body now, you think.
You can feel the sensation of touch to some degree, but it’s nothing like before. No sensitivity, no prickly feeling that creates goosebumps, just completely numbed out.
And over the course of some weeks, you can feel odd sensations arise, like you’ll touch your chest and you’ll feel it under your armpit. Your body feels all out of sorts as it slowly heals.
You have options; you can have more surgery to build you a pair of breasts if you'd like, but that comes with more pain and recovery and you decide you’re done with that.
You can wear a padded or filled out bra, you can have a tattoo which you briefly consider to cover the scarring.
But you settle on remaining as you are for now. Overwhelmed by the options out there, when you truly believed there was nothing that could make you feel even remotely feminine again.
Maybe something pretty, like flowers…
And Joel nods at all of them as you ask for his input, but ultimately he just wants what you want.
You cover the scars up with layers. You sleep with long sleeved tops and no longer undress in front of Joel. You can't bear him to see you like this, not yet.
Each day you think will be the day when you garner enough bravery to show him, but don't.
It feels weird, like some days they’re still there, akin to a phantom limb. You find yourself checking your chest as you feel the familiar bounce of them as you run down the stairs, or go to grope them with the suds to clean in the shower and the loss devastates you all over again.
He reassures you, telling you that you're beautiful with sincere eyes, and there's nothing that you need to worry about. But it still niggles away.
That lone, renegade thought that he might not be attracted to you anymore when he sees them, suddenly becomes the loudest of all.
They say time is a healer. Patience, understanding. And Joel has been all these things and more.
He’s carried you above the surface of the muddy water when all you’ve wanted to do is drown at times. He’s the one who nudges you awake each morning with a nose in your cheek and reminds you to take your pills.
He’s the one who brought you a beautiful coloured scarf to wear on your head when you lost your hair. A gorgeous floral print that you admired with a smile at the intricate pattern of petals as you ran your fingers over the silk of it.
He’s the one who, despite working all the hours God sends, still comes home and makes you something to eat because he knows you might not have any energy to cook.
He’s the one who still tells you he loves you, no matter what’s going on under your tops and sweaters that swamp you in their bagginess.
It isn’t time that does it at all, it’s him.
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You wake one morning, months after, as the sun pools in the bedroom, and look at Joel on his back, asleep and snoring gently.
Joel’s seen you at your absolute worst; your most vulnerable, and he’s still here. Resilient, strong. A man who puts others to shame.
A man that you still desire, and you want him to desire you, even if you’re not whole anymore.
You reach out and touch him, hand brushing over the swell of his golden belly to convince yourself he’s real. Soft, downy hairs around his belly button tickle your palm gently.
He stirs at your stroking, sleepy eyes looking down at you as he blinks, adjusting to the light.
“Ya alright?” Joel asks, and you nod with a smile.
“I love you.” You say to him and he blushes, like he always does at that. Pink capillaries coming to life in his cheeks.
“I love you, darlin’.” He confirms, clutching your hand and kissing across the knuckles gently.
His hair is a tousled mess, the greys on his chest seem more plentiful and it stirs something within you; something the intense and gruelling treatments haven't fully killed off.
You straddle him and lean over, kissing him, much to his surprise. Your hands roam over his soft belly, squeezing gently as he smirks around your lips, and yelps a little when you pinch a ticklish spot. 
“Hey now,” he warns, as your tongue licks over his lips. 
He hums out as his hands sweep up your back, cupping the back of your head as he slips his tongue inside your mouth.
To taste him again is divine as your body instantly relaxes onto him. He nips gently on your lip and you groan out as you feel how hard he gets underneath you.
You can’t help but subtly grind on him as he groans into your mouth.
You break the kiss to sit upright, heart thrumming in your chest as he looks up at you with those dark, molten eyes.
"I'm ready to show you." You say and he straightens up.
"Okay," he nods, thumbs stroking over your thighs gently.
Without hesitation, you lift up your top revealing the flat, scarred wasteland that is your chest now, that you haven’t had the courage to let him fully see.
For a moment, his face is completely unreadable and you consider reaching for your top to cover up again.
You hold your breath as his eyes wander over the puckered welts; you feel his fingers twitch against your hips.
He sits up on his elbows, eyes locked onto yours, licking over his lips slowly as his peepers follow the lines back and forth.
His eyes dip further down to the two, little dimpled scars from where your ovaries were removed, either side of your tummy.
“Don’t ya dare,” he says, as if able to read your mind.
And you realise that he can, in his own way. He’s always been able to see you even though you try to hide sometimes. He just has the patience to wait until you're ready.
He never pushes, he just waits, because he knows that eventually, you’ll crawl out from whatever hole you need to hide in for a while to deal, to process - whatever it is you need to do. Then you’ll come back to him.
And he’ll always be there aith open arms when you do.
Joel takes you in his arms, twists you so you’re laying on your back and he kisses you there without hesitation. Kisses gently where your breasts once were in the same way that he used to.
Runs his mouth delicately over the numbed skin, dragging lips and leaving wet tracks with open mouthed kisses.
You gasp out as your eyes fill with water, your fingers finding their rightful place, raking through his curls as he glides his tongue over every creased line of your scars.
“Joel,” you whimper, cradling him as you feel his hardness press up against your centre.
You can feel a tingle of the warmth from his lips on your skin kissing gently as your eyes pool. He looks up to see you crying.
“Baby, baby. Does it hurt?” He asks, worried.
You shake your head. “No. No, I can feel you.” You gasp, shaking. “It’s weird, but I can.”
“Where?” He asks.
“There, kind of,” you say, as he brushes his lips over the spot where your right nipple used to be.
He kisses you there and runs his tongue gently over the area making you shudder, and you feel the tingles again, strangely in your armpit.
It makes you giggle at how your nerves have patched themselves up all wonky, and he smiles at you, chuckling as he licks and tests all places that might have an ebb of feeling, with little kisses and watching your reaction to each one.
All the tension leaves your body, muscles relaxing beneath his gentle ministrations; breath steadying as you surrender to the intimacy of this moment.
Reaching down, you cup his swollen cock over his boxers, with the fraying elastic tickling your wrist.
“We really need to get you some new underwear,” you titter at the state of them.
He simply shrugs with a smirk. “I could just simply take ‘em off.”
You nod eagerly and he pushes them down over his hips as you stroke him; your palm sticky with him as he leaks undeniably into it.
“Ya sure?” He queries gently as you swipe him against your folds.
"Mmm, Joel." You groan at the feel of him as you pump him. "God, I want you."
It feels so good to have him touching you, so close. The weight of his body pressed into yours, crushing you again. How warm he feels against your skin. 
“I fucking want you, Joel.” You plead, as you clutch his face in your other hand. His warm breath breathes life into your tired bones. “I don’t want you to be gentle either. I need you to fuck me, hard.”
“Ya so fuckin’ beautiful, darlin’,” he grunts as he pushes his thick cock head against your drenched hole.
You both groan out as he fills you, stretching you wide around him and pumping into you gently as you acclimatise to his girth - it's been a while.
You wrap your legs around his waist as he mouths at your neck; tongue trailing down to your chest and finding that spot again.
“Snug as a bug in a rug... damn.” Joel quips, his tongue running over his teeth and then shaking his hips from side-to-side, making you feel all those little movements as he furrows up so tightly in there.
He flexes his groin and begins moving back and forth inside of you, pressing on that sweetly, pinchy spot deep inside; slightly uncomfy and yet incredibly good at the same time.
“Fuck me, Joel,” you plead, gripping onto his arm skin, “fuck me hard, please…” You whine as he sets to ploughing you like you command and demand of him.
You’re so wet that the sounds coming out of your pussy are almost farcical, making you giggle and him grunt as they squeak and soak him. He slips out a few times trying to gain his momentum - it’s like a damn slip n’ slide.
Joel presses down on your knee, bearing his weight on it so you can’t shut your legs. Making you endure it - to ride that full gigantic wave smashing into your pussy and rising up through your body.
“Ya so fuckin’ wet, ya drenched.” He’s panting, beside himself with the state you're in. “Gushing for me already, huh, darlin’?”
Your eyes roll back into your head and he smirks as he fucks hard into you like you want.
“Like this? This how ya want it?” 
“Yeah, Joel. Don’t stop!” You wail. 
“Ain’t gon’ stop til’ ya come for me, baby.” 
He only slows to lean in and kiss you as he pistons in deeper, winding those hips of his into you further.
“Joel…” you drone. It feels so good as he grinds, so deep.
“Darlin’ ya feel too good. Fuck, m’not gon’ last like this…” he whines with a panting smirk.
“Slow it down,” you moan as he grips a hold of your thighs and brings you back onto him slower, deeper.
He licks over your mouth clumsily, tongue swiping across your nostrils, grunting out loud as your pussy clenches around him as you shudder underneath him.
He watches with a smile, lighting up the contours of his heavy set brow as you come around him.
And it’s like staring at the sun for too long; his smile brands itself into the back of your eyelids - a permanent scorch that you never want to forget.  
And you feel every inch of him like this. He fucks into you slowly; your breaths hitching and falling from your chest quicker as you both work to build you up again.
“Joel!”
He reaches forward, stroking his thick fingers over the marred scars; feeling the smoothness of healing skin juxtaposed with the slight roughness of the scar tissue.
He strokes up to your neck, pulling you upright gently as you cry out when his cock hits so deep. 
“Like that, darlin’...” he croons, as he winds further into you. “Mmm, fuck!”
You tremble and shake uncontrollably as he brings you to another orgasm.
“There ya are, baby. There ya are…” Joel smiles, kissing over your nose and cheeks. "So fuckin' beautiful, ain't ya?"
And he’s right there with you, head pressed into yours, watching; feeling as you squeeze and contract. Feeling you tremble and shake.
Watching as your eyes water and you gasp; your hands squeeze around his biceps, nails digging in. 
You claw at him. Pulling him closer as he whimpers. A ragged cry escapes from his throat as he drives his hips deeper and struggles to contain himself.
You feel his teeth on your shoulder, grazing and desperate to bite down through the flesh. Your nails rake through his scalp, twisting and pulling as you pant and groan.
He watches in awe at you shaking on the end of his thick cock, rattling about as he turns you out and finally has his way with his gorgeous wife again.
His eyes fall over your chest and he looks at you adoringly, tongue weaving across the scars again without hesitation. Planting kisses and mouthing over the scars.
“Oh God! Oh Fuck!” You holler.
Making you feel every thick, beastly inch of him, as he pounds up into your insides like a boxer taking his fury out on the bag.
Joel pulls you by the hips upright, as he rolls onto his back, so you’re now on top of him. Everything’s fluid, swift and in a blur.
He anchors you down by your waist, making you sit on him; making you unable to escape him.
“Holy shit, oh shit-shit! Joel!” You exclaim as you gasp and struggle to swallow as the frantic intakes of breath choke you. “Oh my God!”
“Ya can take it… ya can do it, that’s it. Ride it.” Joel encourages. “So fuckin’ beautiful when ya take my cock like this, darlin’. God damn."
He just keeps coming at you; powering and thundering through you, without any hesitation in letting up anytime soon. He’s a powerhouse of sweat and grunts, breathing like he’s dying; small, quick rasps and wheezes gurgle in the back of his throat.
You find your pace, pressing palms into his broad chest and letting your hips bounce, and it feels so damn good as the curve of his cock rubs in all the sweet spots deep inside.
You reach down and stroke your clit, groaning at the feel of it tingling wildly under your fingertips.
“Stroke that pretty clit for me,” Joel croons, hammering up into you.
You stroke and rub the sticky nub, and then bring your digits up towards your mouth, sucking and teasing your lips with your fingers, and he watches enthralled.
“Suck those fingers, darlin’.” Joel hisses. “Tell me how good ya taste.”
“So good,” you smirk. You push your fingers to his lips, and he sucks them too.
"Yeah, ya do. Taste so fuckin' good."
You feel his thumb circle over your clit bringing you closer and closer with each swish of his pad against it.
“Yes, yes, yes, yes. YES!” You pant, as he grips around your waist tighter.
“Ya want me to fill ya up, hmm?”
“I want all of you, Joel.” You whine, desperate for him.
“That’s it, grind on my cock. Just like that.” He coos; his lip caught between his teeth as he cranks you around, holding onto your hips.
Your head flops onto his shoulder, your hand gripping onto the other as your lower half powers through.
“Mmm, Joel... please!” You groan, feeling your body tighten and clench again.
“Ya close again, baby?” He wheezes in your ear. "Gonna come for me?"
“Mhm… so close.”
“Come all over my cock.” He encourages. “Soak it, I want it all.”
“Oh God!” You whine.
“So damn good, fuck,” he grunts as you move around and around, your back tensing. He rubs it fondly with his big hands. “Right there, that’s it. Oh fuck, that’s so sweet, darlin’.” He groans. “M’gonna come so deep inside of ya.”
You cry out; your body shuddering and trembling on top of him, and you feel him tense and grunt out on a long, satisfied sigh.
You come, your head expanding and your body floating; your cunt clenching around him as you milk him completely dry. Tingles flood your body, your back arches and you can see the sun burning behind your eyes again.
Unable to think or say anything, Joel kisses you; silencing you before you have the chance to ruin this moment by shrinking back or wrapping yourself back up and hiding your body away from him.
For one millisecond, he’s weak; just a sweaty mess of bewildered man meat beneath you. Joel loses himself inside the holistic spiral of your irises for a moment, unable to get out or find his way through the maze of them.
And part of him wants to stay lost in them forever.
He trembles as he rocks slowly, feeling himself empty and deflate with a final grunt of your name, and his shoulders sag in unison into the mattress.
You wrap your arms around him and finally collapse upon him and lay there for a few minutes, listening to nothing but his heartbeat thrumming in your ears, eventually slowing its pace back to its normal rhythm.
Joel looks down at you as you run your fingers across his scalp and it makes him shiver; goosebumps travelling down his spine at breakneck speeds.
You stop winding the curls, shifting and resting your head up against his as you catch your breath.
He holds you, kissing you gently over your eyelashes and cheeks.
“Ya more fuckin’ beautiful to me than you’ve ever been, ya know that?” He murmurs into your face.
"They made 'em neater than I thought they'd be." He says.
You feel his knuckles sweep over your chest gently, unafraid to touch you at all, and you feel like a weight as been lifted as he does it.
You watch as he traces the ridge of the scars delicately.
"Yeah." You nod. You lift your arm up so he can see them run into your pit.
"Do ya feel much pain still? I didn't hurt ya, did I?"
You smile and shake your head. "No. It's just mostly numb. Just feels different. I'm really happy that I could feel something when you kissed me. Even if it was in my armpit," you chuckle.
"Ya still fuckin' beautiful," he smiles, and kisses inside your armpit.
You smile bashfully, headbutting his chin gently as you try not to let the tears water your eyes.
“Look at me, darlin’.” His fingers tip your chin up to him. Thumbs smearing away any tears. “I mean it. You’re the strongest woman I’ve ever known. Fuckin’ balls on ya are bigger than mine.”
“I don’t know about that,” you say, reaching down to cup and stroke the soft swell of his between your fingers.
He groans, biting on his lip before his mouth finds yours again. "Ya tryin' to kill me?" He slips his tongue inside and tastes you all over again, his hands slipping down your back and groping your ass. “Ya so fuckin' sexy."
"You think so?" You smile.
"Oh, I know so. Ya always have been. Don't hide from me anymore, okay?"
"Okay." You breathe.
"Want ya sleepin' naked next to me again." He thinks for a moment. "Why don't I take ya out to dinner tonight? Anywhere ya want. If ya feelin' up for it?"
"You taking me out on a date, hmm?"
"Yeah. I am. Maybe put one of them nice dresses ya got on. I'll put on that shirt ya like. The green plaid one. Spruce myself up for ya."
"That's my favourite." You agree.
"Ya deserve to feel good, darlin'. Wanna take ya out. Show the world how fuckin' lucky I am."
You smile into his face. "What did I do to deserve you, Mr Miller?"
He kisses you again. Soft lips brushing against yours. "M’gonna keep loving ya. You n’ ya stupid butt face. Ya hear me, Mrs Miller?”
You nod, chuckling, safe in his arms; a place where you can feel safe and heal, and begin to feel like yourself again.
“I hear you.” You smile, as he pelts your face with swamping kisses in the warm sunlit bedroom. "I love you."
He smiles and he's never looked more beautiful.
“I love ya too, butt face.” Joel hums, as he crushes you to his chest and never lets you go.
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I really hope you enjoyed reading this story with Joel, and welcome your comments/thoughts. I'd appreciate a re-blog if you liked it so others can find it on their dash to read and enjoy too - thank you very much! 🖤
BODIES MASTERLIST
MAIN MASTERLIST
JOEL MILLER MASTERLIST
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mint-yooxgi · 2 months
Text
Permanent - Wooyoung X Reader
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Tattoo Artist!Au - Part of the CODN Spring Event - The Language of Flowers
Genre: Fluff, Non-idol!AU
Pairing: Wooyoung X GN!Reader
Words: 1,408
Rating: E for Everyone :)
Warnings: Mention of needles, tattoos, unconventional proposals.
A/n: Something short and sweet! I just thought the idea of Wooyo as a tattoo artist was really nice to think about lol As always feedback is greatly appreciated! Enjoy!~
Summary: Expect the unexpected, especially when it comes to your boyfriend.
Bluebell - Grateful
Lavender - Faithful
Lily of the Valley - Sweet
The soft buzzing of the needle fills the air, your hand tightening lightly over the tattoo gun. Wooyoung’s skin is soft and pliant beneath your touch, a soft sigh exhaled through his nose as the needle touches the side of his ribs.
“You okay?” You hum, sparing a glance upwards to his face.
He smiles back, his one arm tucked neatly beneath his head as he watches you. “Never better.”
“This was your idea, you know.” You reply, wiping over the artwork blooming over his skin. A matching print which already rests over the side of your own ribs, curtesy of the man currently laying on the chair before you.
“Do you regret it?” He tilts his head slightly, blinking at you curiously.
You take a moment to finish outlining the final bud before lifting your gaze to his. Nothing but sincerity can be found within your eyes as you smile softly at your boyfriend. “I could never regret you.”
His lips pull upwards bashfully, a giddy giggle escaping his lips.
“I love you,” He coos, reaching out with his free hand to brush his fingertips over the side of your cheek.
You turn your head, pretending to nip at his fingers.
“I love you, too,” you chuckle as he whines, watching as he pulls his hand away from your face. “Now, stop distracting me. I don’t want to mess this up.”
All you receive in response is a hum, another comfortable silence falling around the both of you. You work meticulously on the design, making sure the colours are blended thoroughly into his skin. It has to be perfect, especially if you want it to match your own.
“I still can’t believe you agreed to this.” Wooyoung’s voice is soft, his gaze shining in adoration at he watches you work over his body.
“I’m surprised you didn’t suggest it sooner.” The corner of your lips twitch upwards, wiping the excess ink from his skin once more.
Despite being a tattoo artist, Wooyoung isn’t covered in tattoos. It takes a lot for him to decide to permanently ink his skin; it has to be of great importance to him, and he needs to know that he wants it. He already has a few, sure, but each holds a very specific meaning to him. Just like you.
The moment he suggested the both of you give each other matching tattoos, you went wild. Thoughts of what you could give him, and of what he could give you swirled within your mind until finally, you settled on something meaningful for the both of you. It’s his design that rests on your skin, and your design that rests on his own, drawn in each of your own art styles to make it all the more special. Two of the same, but still unique in their own ways.
The design itself is simple: three individual sprigs of flowers which symbolize you, him, and your relationship. 
On one stem, bluebells reside, handpicked by you to represent what he means to you. You’ve always been grateful to have him in your life, and now you can always show him without having to tell him. 
The centre stem is a sprig of lavender, meant to symbolize the both of you in the relationship. It took some discussion between you both, but neither of you are anything less than faithful to the other, and this flower represents that. It will always represent that.
Finally, you get to the final flower that was personally picked by him to represent you. The lily of the valley is bright upon his skin, and you notice him smiling down at you as you stare at it a bit longer than the others. You can still recall the very words he said to you when he showed you the flower he had chosen.
Because you are the sweetest thing that has ever come into my life, and stayed.
Thinking back on it now, your heart warms.
Tying the three stems together with a neat little bow is a thin red string. You’re still unsure who came up with that idea, whether it was him or you, but you know as soon as it was suggested, it was a given. There is nothing you wouldn’t do to guarantee keeping him in your life, just as there is nothing he wouldn’t do to keep you. You both work well together, and have grown significantly since meeting all those long months ago in the spring.
How fitting to have such delicate flowers be the symbol of your love.
With another swipe over his skin, you pull the needle away. A flick, and the buzzing stops, taking a moment to admire your work. Though, in reality, you’re simply admiring him.
“Done?” He asks eagerly, attempting to look down at the design on the side of his ribs.
You hum, lips tugging upwards in a satisfied smile. “Done.”
Wooyoung grins, sitting up eagerly in his spot only to hop off of the chair and waddle excitedly over to the full length mirror you have resting at the side of your shop. His eyes flit over his side, admiring the new tattoo as he shifts back and forth lightly on his feet.
He lifts his gaze to yours in the mirror. “It’s beautiful.”
Gently, you place your tattoo gun to the side, reaching to grab the materials you’ll need to wrap it properly before you can truly say you’re finished for the evening.
“You’re beautiful, Wooyoung,” you respond casually, your expression soft as you watch him continue to admire the new tattoo.
He turns to you, a serious expression suddenly painted on his features. “Marry me.”
The words are so unexpected, you nearly drop the bottle in your hand.
You look up, blinking at him in shock. “What?”
Wooyoung begins to walk back over to you, each step firm and determined.
“Marry me.” His gaze is just as intense as the first time he says those words, coming over to kneel before you. Gently, he takes your hands into his own, holding them softly as he stares into your eyes. “You’re the only one for me, and I love you. I only ever want you. So, marry me.”
Your breath catches lightly in your throat, blinking down at him a few times as you study his features. You can see how his eyes shine with nothing but love and adoration for you, his throat working slightly as he waits with bated breath for your response.
Your lips part. “Okay.”
Now, it’s his turn to blink in shock at you. That is, until a brilliant smile is lighting up his features. “Really?”
“Really.” A low chuckle escape you, and you lean forward to place a tender kiss to the tip of his nose. “Now, get back up here so I can wrap you properly.”
A devious grin tugs at his lips as he stands back to his feet, moving to sit back on the chair. His eyebrows wiggle suggestively, hands gripping the sides of the seat as he leans towards you.
“Want to get a head start on practising our vows?”
You smack his arm lightly. “Wooyoung!”
“What?” He chuckles, his eyes crinkling at the sides as he positively beams. “I’m just enjoying the perks of marriage early!”
You shake your head, beginning to treat the freshly inked tattoo on his side.
A loud gasp escapes him, causing you to nearly stumble out of your stool.
“Does this mean I finally get to call you wifey?”
You can practically see him trembling in excitement as you huff out a breath in amusement. “You already call me that.”
“Yeah, but context!” He beams, wiggling his eyebrows once more. “Oh! I wonder if Hwa will be your maid of honour.”
“Why don’t you ask him?” You snicker, knowing damn well Wooyoung is going to be smacked for so much as inquiring such a thing.
“And then we have to decide on a cake, and flowers-“ His excited ramblings fill the space, only causing a loving smile to pull at your features. 
Once you’re done wrapping his tattoo, you look up at him, heart swelling with warmth at how excited he seems to be. Your eyes settle on the side of his ribs. You have a feeling you know exactly which flowers are going to be used, and if you’re being honest with yourself…
You wouldn’t want it any other way.
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hugmekenobi · 26 days
Text
S3: The Bad Batch (1)
Chapter One: Confined
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Gif by @ventresses
Hunter x femaleJedi!reader
Series Rating: 18+
Series Summary: Ever since Eriadu, Clone Force 99 had been a fractured squad. Months have passed but you're finally back with the Batch but Omega is still out there and you won't stop until you find her again.
Chapter Summary: Imprisoned on Tantiss, Omega finds herself needing to adjust to life there whilst the rest of you decide on your next mission to give you intel you desperately need.
Masterlist for S1 and S2
Genre: Friends (idiots) to Lovers (we're in the lovers stage now)
Chapter Warnings: Very mild canon-typical violence, one use of y/n, Hemlock, brief wound description, nightmares with emotional hurt/comfort, my interpretation of various people's headspaces, slight angst, me going off script/episode plot in the last part, and remember, italics represent silent Jedi communications
Word Count: 5K
Author's notes: And we're off! Happy Star Wars Day!! We are pretty much just following the plot of this episode, save for a bit at the end so it might feel like a bit of a slow start, but bear with me! Technically, this will also wind up being a 'fix-it' fic so just stick with me on that process too! Hope you enjoy! And I have already started working on the next chapter! Also, I am just going off my past taglist so anyone who wants added/removed, please let me know!
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21 days since Eriadu
Water dripped from the faulty tap in the small cell as light crept through the bars on the window.
Omega stared out into the open space with a forlorn sigh as she envied the birds that sounded their freedom as they chirped their usual song. She stepped down from her bed and started pacing anxiously as she waited for Emerie to make her scheduled appearance.
Sure enough, a couple seconds later, the door opened, and Emerie stepped inside.
“Good morning, Omega. How are you feeling today?” Emerie asked.
“Like a prisoner.” Omega replied curtly. “I want to leave.”
“Prisoner?” Emerie repeated, surprised. “Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there. Come. We have much to do.” With that Emerie turned to leave.
Omega reached under her bed and brought out her box before she followed Emerie out into the corridor. The grey colouring of her new clothes matched the other scientists and the non-descript design of the inside of the base.
They turned a corner to pass a squad of clone prisoners being escorted past and Omega let out a gasp as she recognised the figure at the front of the line but despite her effort to look at him, he only stared at the floor.
--
Omega entered the lab and watched in quiet upset as the clone was subjected to a blood sample being taken from the back of his hand. They all had similar expressions of pain and defeat written across their faces and she wished she knew how to stop it.
Emerie placed the test tube into one of the free slots in the tray that Omega was holding before she took the datapad out and created a record for Omega. “And now I need to take a blood sample from you.”
“From me?” Omega repeated. “Why?”
“The samples are used for various research projects. All of us serve a purpose here.” Emerie explained. “It won’t hurt.” She added as a means of reassurance before she readied the equipment to take the sample.
Omega sat up on the bench. “Can you at least tell me where my brothers are? Or my friend, (Y/N)?”
“I do not know.” Emerie replied simply.
Omega held her hand out and braced against the sting of the needle as her blood was drawn. “If you’re a clone like me, how come I never saw you on Kamino?”
“Because I was sent elsewhere until Dr. Hemlock took me under his wing. He saw potential in me, like Nala Se sees in you.”
“I never knew that I had a sister. It’s nice not being alone.” She offered Emerie a small smile, but it wasn’t quite returned.
“Head to the lab.” Emerie ordered as she took the device away and placed Omega’s sample in with the others. “Nala Se is expecting these.”
--
As the security scan was completed, Omega entered the lab and walked over to Nala Se who was busy placing more blood vials into a centrifuge.
“Thank you, Omega.” Nala Se said as she took the tray from her and started processing the data from the samples and it was through that that she saw the concerning sight that Omega was now a part of the system. “Omega, your sample was taken?”
“Mn-hmm. Emerie said it was routine.”
Nala Se deleted the record from the system before she destroyed the physical sample.
Omega watched this with curiosity. “Why are you discarding it?”
“Tell no one.” Nala Se replied before she took the other samples to the centrifuge. “It is safer this way.”
Omega knew the Kaminoian well enough to pick up on the worry in her voice. “This research, it’s not like what we did on Kamino, is it?”
“No, it is not.”
“I don’t understand. Why did they bring me here?” Omeag asked, hoping that if Emerie couldn’t give her the answers that she sought then Nala Se would have some idea.
“To ensure that I co-operate. The Empire seeks the reproduction of a genetic M-count, but the experiments on the specimens have yet to yield the desired result.”
The M-count was something she was aware of but nothing else Nala Se was saying made much sense to her. “What specimens? You mean the clones?”
“No. Not the clones.”
Any further elaboration was cut off as the lab doors opened and Omega turned to see who it was.
“How nice to see you reunited with your trusted assistant.” Hemlock commented to Nala Se. He massaged the palm of his gloved hand. “I’m sure Omega’s presence here will only strengthen your efforts. Shall we head to the vault?” He waved a hand in front of him towards the doors.
Omega went to leave but Nala Se’s hand on her shoulder stopped her from advancing.
“See to your remaining tasks.” Nala Se instructed before they left the lab.
Omega watched them from the window and wondered what was so special about this vault Hemlock had mentioned but she didn’t have the means to find that out yet. For now, she had little choice but to head to her next chore of the day.
--
She glared at the droid as he shocked one of the Lurca hounds and she irritably scooped some food up before sending it through the hatch into the bowl of the hound she was currently tending to. As the droid’s attention was focused on something else, she took the opportunity to gather more loose straw from the ground and hid it in the bottom compartment of her box.
She carried on to the last cage to see her favourite of the hounds. “Hi Batcher.” She whispered to the hound curled up at the far end of the cage but her only reply was a low growl. It was then she noticed the bowl was overflowing with uneaten food. “Hmm. Still won’t eat the food, huh? I don’t blame you.” She stole a quick glance back to the droid to see he was still paying her no attention and she took the chance to fish out her lunch from earlier. “Here, I saved you some of mine.”
Batcher got to her feet but snarled and pressed herself aggressively against the bars of the enclosure.
In the shock, Omega had dropped the nuggets inside the cage, but she watched as Batcher ate them and swiftly retreated to the back of the space. “Better? I’ll bring you more tomorrow.” She stood up and left to do what she had been wanting to do the entire day.
--
As she slowly walked down the corridor, she glanced between each of the cells, the sounds of teeth chattering and coughing made her concern grow as she saw the effects this place was having on all of the clones here.
She made her way to the cell she’d been searching for. “Crosshair.” She called quietly. “I tried to come earlier, but there were too many guards watching me.”
Crosshair sighed. “You shouldn’t be down here at all.”
“Well, how else are we gonna plan an escape?”
“There is no ‘we.’ And there is no escape.” Crosshair sat up. “I’ve already tried.”
“Every stronghold has a weak point.” Omega said. “Maybe I can convince Emerie to help. She’s one of us.”
She sounded just like them and that was the last thing he needed. “Not every clone is your ally. You trust too easily.”
“Maybe you don’t trust enough.” Omega countered but as she said that she noticed a tremor in his right hand which he tried to conceal with by holding it with his left. “Crosshair?”
“Just…” He sighed again. He didn’t need her pity or her concern. “Go, before you make things worse for both of us.”
Omega went to leave but she stopped herself. “There has to be a way out of here. I’ll find it.” She didn’t expect a reply, so she didn’t wait for one, instead she left now.
Crosshair watched her go. Even from that small interaction, he’d already seen so much of them in her and that would either make her or break her in this place and he wasn’t sure if he wanted to be around to watch.
--
Darkness had fallen and it was that time again where she scratched the next tally into the wall. She brought the Lula hay doll out and held it close to her chest- it wasn’t much but it was the reminder of home she needed. If you truly weren’t here, then Omega knew you all would be looking for her, but she was going to do whatever it took to make that easier.
--
5 months later
The dripping water, the sunlight creeping in, the birds chirping, the concealing of her doll at the bottom of her box… the routine was all so familiar now. She was already standing at the ready for when Emerie opened the door and, like clockwork, it whirred open to reveal the older clone who had the same opening remark she always did.
“Good morning, Omega.”
“Good morning.”
“Let’s begin.” Emerie led the way out.
--
Yet again, they walked the same route to the testing centre and yet again she passed Crosshair in the corridor, but she had long since learned that trying for any sort of recognition from him in this environment was pointless, so she kept her gaze down too.
She let her blood be drawn, her hand was now numb to the sensation, and she took all the samples to the lab where Nala Se once again destroyed all traces of her sample. She hadn’t been able to learn anything more about the vault or the specimens but what she had gathered was that you, Hunter, and Wrecker definitely were not here and that made the thought of escape feel far more feasible and appealing.
--
The lurca hounds were the same as they always were but as she made her way to Batcher’s spot, she saw the hound tending to a nasty cut on her front right leg. “Batcher? K-9X1! Hurry!” She yelled to the droid.
“What is the issue?” The droid asked as he approached the girl.
“Batcher’s hurt.” Omega informed him.
“LH-201 sustained injures during the nightly patrol. If her wounds do not heal, the subject will be terminated.”
“Then do something to help her!” Omega demanded.
“I am not a medical droid. It is not part of my programming.”
Omega could only watch as the droid merely walked away, and she turned to the sound of Batcher’s whimpers of pain. She wouldn’t accept termination as Batcher’s fate, if the droid wouldn’t help Batcher, then she would.
She ran over to the medical kit on the wall and took the bacta out but when she reached into the kennel to try and tend to the wound, Batcher snapped at her. “Now look. I need to clean your wound for it to get better. It’ll only hurt for a second, so put those teeth away and behave.” She said sternly but it seemed to do the trick as Batcher let her do it. “See? That’s not so bad.”
Omega worked in silence for a few seconds before she spoke to the hound again, “You know, I have a friend that would’ve been able to help us get along a lot faster.” She said warmly as she continued to apply the bacta to the wound. “But I think we’re getting there now.” She smiled as Batcher gave her hand a tentative lick once she finished with the bacta.
--
“I dressed Batcher’s wounds as best as I could. At least she didn’t bite me. That’s progress, right?” she looked at Crosshair, but he gave her nothing, so she continued talking. “If she doesn’t get better soon…” She sighed. “Maybe I can steal a med kit from the lab and see if there’s anything I can use-”
“Stop.” Crosshair interrupted her with a frustrated sigh. Clearly the others hadn’t done a very good job of making her stay on course and now he needed to be the one to remind her. “What is your primary objective?”
“Escape.” Omega answered.
“Then stop wasting time on lost causes. Forget the hound, forget me, and complete the mission.”
“Not without you.”
“If I get the chance to escape, I wouldn’t think twice about leaving you behind.”
“You’re lying! You wouldn’t do that. You’re my brother.”
She had been insisting on that for months now, no matter how many times he tried to push her away and he didn’t know how much more of that he could tolerate hearing. “I’m not them.” Crosshair snapped.
Omega couldn’t accept that. “I’m not giving up, Crosshair. I won’t let you either.” She got up to leave.
Crosshair stood up with a heavy breath and called out to her retreating figure. “Omega.”
Omega stopped and turned back to face him.
“Don’t risk anything for me. I belong in here.” He said, meaning every word.
“None of us belong in here.” She replied before walking away.
--
Her door whirred open before the usual time, and she woke up with a gasp as two troopers entered her room. She got to her feet and concealed her doll behind her. “What’s going on?” She asked Emerie.
“Surprise inspection. Standard procedure.” Emerie informed her.
“Clear.” One of the commandos said.
However, the other noticed the doll hidden behind her back and he tore it from her grip and handed it to Emerie.
“We’ve been over this before, Omega. Personal items are forbidden.” Emerie chastised her. “I’ll dispose of it.”
“Don’t!” Omega protested. “Please, Emerie.”
“It is for your own good. Come, we have work to do.”
--
It was a welcome sight to see Batcher so happy to greet her this time around. “Hey, Batcher.” Omega said fondly and she saw the wound had nearly scarred over. “Look at you. You’re almost at a hundred percent.” She gave her a soft scratch on the jaw.
“Did you not read the standing order for the day?” The droid yanked her to her feet. “LH-201 has been slated for termination.”
“What? Why? She’s healed.” Omega argued.
“The creature’s recent domesticated disposition has been deemed a liability.”
“But that’s my fault, not hers.” Omega tried to resist being pulled away, with Batcher also barking in protest, but the droid’s grip was strong.
The droid groaned. “It is protocol.”
Omega finally managed to weasel her way out of his grasp and steal his datapad but the droid reacted swiftly and started to pull it away from her. She allowed herself to be tugged airborne and she braced her feet against the droid’s torso and leaned back, the momentum giving her the victory. She got away from the droid with the datapad in her hands and she quickly activated one of the large crates on the ceiling above and it fell on top of K-9X1. She grabbed his electro-staff and shocked him with it but not before he had the chance to call security so now, she had to act swiftly.
Omega used the datapad to open the exit hatch in Batcher’s kennel and deactivated her collar. “Batcher, come!” She ran over to the bars and reached in to take the collar off the hound. “Now you need to run away and not come back, okay?” It pained her to let her one close companion go but it needed to happen. She patted her snout. “And try not to bite anyone.”
Batcher hesitated and whined at her.
“I can’t go with you yet.” Omega explained. “I have to get Crosshair first. Batcher, go!” Omega watched her run down the tunnel with both relief and sadness, but she’d get out soon too, she knew she would.
“Breaking the rules, I see.”
Omega jumped and turned around to see Hemlock standing before her and Emerie standing behind him.
“And releasing a weak lurca hound into the wild? I didn’t know you were so cruel, Omega.”
“Me? You were gonna terminate her.” Omega said angrily.
“And you believe your actions changed that outcome?” When Omega faltered in her reply, he kept speaking, “Now some rotations ago, one of our shuttles crashed just beyond this mountain. But that is not what killed them. No, it was the creatures that roam the jungle. Even our strongest lurca hounds struggle against what’s beyond these walls. And your domestication of LH-201 only made her vulnerable.”
“You don’t know she won’t survive.” Omega disputed. “She deserves a chance.”
“Oh, the flawed logic of an idealistic child.” Hemlock’s tone fuelled with quiet mockery. “Emotion and sentiment have no place within these walls. You would do well to remember that.”
She wasn’t afraid of his threats anymore. “Or what?”
Seeing the way he turned to look at Omega again, Emerie hastily intervened. “Doctor, perhaps I should return Omega to her room.”
Hemlock held a hand up to stop her from going any further and kept his gaze on Omega. “You have more to say?”
“I know you brought me here to make Nala Se cooperate. You need her. She won’t work for you if you hurt me.” Omega said confidently.
Hemlock only laughed. “Of course I’m not gonna hurt you, Omega.” He inhaled deeply. “Your friend in the detention block, however, may not be as fortunate.”
“Don’t hurt Crosshair! He didn’t do anything.”
“I did have plans for CT-9904, despite his resistance to re-education, but I am willing to make a few sacrifices if your misbehaviour continues.” He bent from the waist and leaned down towards her. “Actions always have consequences. Sometimes not in the ways we imagine.”
Now that threat was one that she knew he would follow through on and she didn’t want to be responsible for Crosshair suffering even more than he was already.
“Take her back to her room and restrict her access.” Hemlock ordered Emerie as he exited.
Omega left with her a few seconds later.
--
Night had fallen and Omega sat huddled on the edge of her bed, but she heard the door open. “Go away.” She said with a sigh, not even bothering to look at Emerie this time.
“Omega…”
“Please… just go.” She requested, hoping the misery in her voice would be enough to convince Emerie to leave and she was grateful to hear her footsteps retreat and she angled herself towards the door to see that her hay Lula had been returned to her. She picked it up, but the sound of a lurca howling brought her back to the window.
She attempted in vain to peer through to bars to the outside for any sign of Batcher, but she couldn’t see anything. She then looked at the growing collection of tallies that represented the months that she’d been here. It may take more time, but now more than ever she knew she needed to get out and she needed to take Crosshair with her.
--
Hunter’s eyes snapped open, and his heart was pounding in his chest, but his surroundings told him it had been another dream. The ship was still steadily travelling through hyperspace towards Oba Diah, and the three of you had been using the long journey to catch up on some much-needed rest before the mission would begin.
Reaching out to Roland Durand of all people had felt like a long shot but when he said he could help if you only found the Pyke that had disgraced him and the Durand name, it had been an easy decision to accept but it had done nothing to quell the worry and fear that coursed through his veins. He sat up and began the usual routine of deep breathing.
Ever since you’d fully opened yourself up to him and the Force again, he didn’t need to wake you anymore when this happened, you would feel everything he felt and wake up a couple seconds after he did, and this time was no different. “Which one this time?” You whispered; your tone filled with tender understanding.
“I’m sorry.” Hunter rasped as he steadied his breathing. He hated that this was having a knock-on effect on you two, especially since your own sleep had only now started to get better. You were another person he was still finding a way to let down.
You shushed him softly as you sat up next to him. You have nothing to be sorry for. “Which one?” You prompted again. You knew his sleep had been haunted by more than just the reminders of what had happened in the recent months, it was these new nightmares that were plaguing him more and more.
Hunter released a heavy breath. “Same one as the nights before. I can see her, she’s right in front of me but no matter what I do, I can’t reach her and- and then she’s taken away.”
You pressed your lips to his shoulder, and you rubbed soothing circles on his back. “This mission for Durand is another step in the right direction. You’re doing all you can. We will find her, Hunter.”
Hunter shook his head and swung his legs out to the side of the bunk. “We took too long to find you, and you weren’t even really hiding.” Hunter countered without glancing back at you.
He didn’t need to look at you for you to feel his distress. You reached a hand out to his shoulder to try and get him to face you again. “Hunter-”
He gently but firmly pushed your hand away. “I’m going to go over what we’ve got again. Go back to sleep, I’ll be back soon.”
You sighed and watched him go to the cockpit. You’d seen the shift in him as had Wrecker. The relief of your reunion had long since passed and he, like the two of you, was getting more desperate to find Omega but it was affecting him far more than he was willing to talk about. His once calm and collected demeanour had vanished and he was taking on missions with little care for the risk or conditions they came with and this mission for Durand was no exception. Whilst you and Wrecker were happy to agree, there had been little discussion over the matter or the conditions of the deal. The two of you had done what you could, but you knew the only true thing that would bring him comfort would be finding Omega again.
Although a strong part of you wanted to follow him, you knew that right now, he needed the space, and you would give him that, but you couldn’t stand by and watch him drive himself into the ground for much longer.
--
You woke up again to find the space next to you ice cold and you knew that Hunter had not returned at all, and he wasn’t planning too. You tossed the blanket aside and silently walked towards the cockpit where you could hear the faint tapping of fingers against the keys of a datapad.
You leaned against the entryway to the cockpit and studied him for a moment as he kept his focus on Tech’s datapad. He looked utterly exhausted. His head drooped every few seconds, his shoulders were hunched, and weariness was written all across his face. It pained you to see him like this.
Aware that his brother was sleeping a few metres away, his words to you were quiet, “I said I’d be back soon.” He continued to tap through the intel that he’d been anxiously scanning for any detail he could’ve missed.
“You said that hours ago.” You matched his volume and straightened up. “You need to talk to me. Shutting down like this isn’t good for you.”
“I’m not shutting down. I’m doing what needs to be done to get Omega back.” He couldn’t stop. He’d let her down for long enough. The answer was there, and he kept missing it and he couldn’t stand it.
You fully came into the cockpit and kneeled in front of him. “You may be a leader, Hunter, but you’re not alone. This isn’t just the fear that we’re not going to get her back because you know we’re not going to stop until we do. There’s something else you’re afraid of.” You searched his face for a sign of what more it could be, but he wasn’t giving anything away. You kept your voice low but kind, “What is it?”
Hunter ignored you and kept his eyes fixed on the words on the screen in his possession, but he wasn’t reading them anymore.
“Hunter, put it down.” You attempted to take the datapad but his hold was too tight.
“I can’t stop. I can’t. She-” He cut himself off and swallowed thickly. “I can’t stop.” He repeated again, his voice barely above a whisper.
“You’re no good to anyone if you’re too exhausted to think straight.” You said with concern. “Talk to me, please.”
Hunter silently shook his head. The responsibility of all of this was on him, you shouldn’t be worrying about him now.
You knew how hard this was and he rarely allowed himself those moments of vulnerability, but he’d been there for you countless times, it was now your turn to be the one he could lean on. “You’ve helped me through so much, Hunter.” You placed one hand on his tattooed cheek and stroked your thumb along his cheekbone and whether he meant it or not, you felt him relax into your touch. “Let me help you now.” You whispered as your other hand fanned across the datapad and started to push it out of his grasp. “Put it down.”
“I-”
“Put it down.” You repeated again, applying more pressure now as you felt his resistance fade and relief coursed through you as he let you take it from him.
Hunter finally let the datapad slip from his grasp and he let the tiredness take over and his body sagged against the chair.
“What else is it that’s bothering you?” You came back from putting the datapad away and crouched again and laid your hands on his knees.
Hunter hesitated for a moment but for this first time since he woke up, he caught your eyes and he saw nothing but love and concern behind them and he swallowed thickly. “All she wanted was to not end up an experiment and that’s exactly what I’ve let happen.”
“Hunter…”
The words just tumbled from him now. “I let down Crosshair, I let down T- I let down Tech. I was too late to save them, but I still had you, I still had Wrecker and I still had Omega. Then you and Omega were ripped away from us and that was another thing I couldn’t stop. I relied too much on Wrecker when we were looking for you, I wasn’t who he needed me to be, and I can feel that happening again. I can’t be too late again. I can’t let another person down… I can’t let Omega down.” He turned away from you once more.
Your heart broke for him. “You have done no such thing.” You brought your hand back to his face to keep his eyes on you. “Listen to me, you didn’t let them down and you weren’t too late for them. At that time, Crosshair had made his choice, and you wouldn’t have been able to change his mind. Tech, he-” You felt the emotions rise up in your throat, choking the next words you were going to say. After pausing for a second, you cleared your throat and started again, “Tech made his choice. That wasn’t you being too late for them. As for Wrecker, he won’t and doesn’t think that. You’re his brother first, Hunter, he would never think that.” You paused for a moment to let that sink in before you added, “And you weren’t too late for me either. I’m right here with you and I’m not going anywhere.”
Hunter’s jaw tightened as he listened to the words you said but he couldn’t quite bring himself to fully believe them.
Still seeing the reluctance behind his eyes, you took his hand and placed it over your heart. “Feel that? I’m not worried, I’m not doubting you. We’re getting her back, you have not failed her, Hunter and she’ll know we’re looking for her. She’ll know that.”
Hunter closed his eyes and let the comfort of your steady heartbeat flood his senses.
After some time had passed, you decided it was time for him to get some proper rest before you arrived on Oba Dia. “Come on.” You took his hands, and a gentle tug encouraged him enough to get to his feet.
Hunter was so tired he could barely register his movements; all he knew was somehow you were getting his feet moving and leading him back to your bunk.
“Lie down.” You instructed gently as you reached the bed.
Hunter did as you said, and he felt you slide in next to him, he willed his weary body to turn and hold you like he usually did.
You shook your head and nudged him, so his back was facing you. You wrapped your arm around him and put your hand in his and placed it over his chest. “Just close your eyes and breathe with me.”
“This mission’s gonna help us somehow, right?” Hunter murmured with a tired voice.
You planted a soft kiss to the hinge of his jaw. Yes, it will. Drug syndicates were not high on your list on the people you were looking to stay on an even keel for. The Pykes weren’t going to stop you from doing whatever it took to get to her.
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the0doreslover · 9 months
Note
hii ! i absolutely love your writing and i don’t really know if you do requests but if you do i have one for theodore nott.
it’s inspired by the song blue hair by tv girl. basically the reader is a metamorphmagus and has blue hair. this song can be interpreted in many ways and i absolutely love it for this so it’s really up to you. i personally see it as the blue hair would represent her childish side. how theodore and her have known each other since their childhood and been through every moment in her life, her insecurities when she asks him how to be funny or pretty. he loves this side of her. he’s always had a crush on her. but then he slowly sees her falling apart. maybe from other people’s jugement or she just matured. and she cut her blue hair or maybe decided to change her hair colour because of this and he just misses her old side.
feel free to change as much things as you want
xo
Thank you so much! it means so much to me when people say this, i absolutely love this request here you go x
Blue hair | theodore nott x fem!reader
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You and Theodore had been friends longer than either of you could remember. The vibrant threads of your connection began in the earliest days of childhood, where laughter and whispers echoed through hidden alcoves. He was your confidant, and you were his. He saw you for more than the colors of your hair, something you were deeply insecure about.
He was there through some of the most important moments of your life (even the most embarrasing ones) like when you accidentally dropped an glass of water on the table while your family was having dinner with the notts and turned your hair purple out of sheer embarrassment. While your mother scowled, he pushed his own glass all over himself getting up and throwing a fuss, shifting the attention onto himself. It was something you would never forget.
As the years passed, your bond only grew stronger.
From the moment you entered hogwarts you were noticed, not in the way you wanted though.
"why is your hair blue?" a little girl asked while you were all waiting to be sorted
"why is yours blonde?" theo butted in for you watching as the girl stuttered before he put an arm around your shoulder.
Your unique ability as a metamorphmagus had always fascinated him. He loved how you could change your appearance at will, yet he could always see the true you beneath the surface. Your blue hair, which was what he sometimes saw as a representation of your childish side, only added to your charm in his eyes.
He would happily fight anyone who bullied you, and he did a few times
you had gotten one of the highest scores in your charms assignment and you were getting heavily praised which seemed to upset a few people,
"the chameleon got more than me?" you didn't even have time to see who had made the comment before you heard a loud bang, you turned around and saw theodore on top of seamus finnigan holding his arms down shouting at him to apologise.
After that incident no one dared to say anything... to your face at least.
One day, during your fourth year, as the sun set behind the castle's spires, you found yourselves sitting by the Black Lake. The waters shimmered in shades of gold, and the air was filled with the scent of blooming flowers. Your voice broke the peaceful silence, "How do i make myself interesting ?"
He turned his gaze towards you, increasing your heart rate as he opened his mouth to answer. "you don't"
"what do you mean?" you asked
"you're already the most interesting person i know"
"theo i'm being serious"
"so am i"
you dropped the subject realising you weren't going to get the answer you wanted and it quickly settled back into a comfortable silence
"You know that you're more than your hair right? more than anyone's judgment. you don't need to change a thing."
"yeah, it was stupid sorry" you said lying through your teeth
Over time, your feelings for Theodore began to shift. What once was an innocent friendship evolved into something deeper. You found yourself looking forward to your moments together, cherishing the way his laughter warmed your heart and his presence made the world feel a little brighter.
But life had a way of throwing unexpected challenges your way. As sixth year approached, the weight of impending reality and responsibilities pressed down on you.
The colors of your hair began to fade as you grappled with the complexities of growing up. You started questioning yourself, your choices, and even your appearance.
What even was normal? brown, blonde, black, ginger? why do you have to look the same as everyone else to be liked.
you stood before the mirror in your dorm room, your once-vibrant blue hair now a muted shade, it only ever shifted to murky colours now. You felt a pang sadness, your hair didn't glow like it used to anymore, You hated it, just as much as everyone else hated you for it, you weren’t ‘normal’
You grabbed the pair of scissors on the desk and brought it to your hair. You closed your eyes and once you opened them again you saw a chunk of 'normal' coloured hair on the ground.
Pansy came into the dorm a few moments later and saw you on your bed staring at the wall.
She helped you even out your hair while rubbing your back, she wasn't used to seeing you without some sort of colour tinting your hair but she stayed silent and instead stayed rubbing your back and wiping your tears.
a lot of people noticed the change in your hair... how could they not, your hair hadn't been a different colour for weeks
"your hair looks so much better like this"
"i love your hair"
"keep it like this"
"you look so much better now"
"why would you do that?" Theodore said slowly coming into the common room where you sat between your friends.
"do what?" you asked quickly waving at a new person who had taken interest in you after your change
"y/n don't act dumb, why would you cut your hair"
"i wanted to do something different"
"you wanted to do something different or you wanted to be someone different"
"i-"
"don't even answer that" he said storming up to his dorm
After a few days theo had apologised to you, which you happily accepted missing his importance in your life, he still made it very clear his views on your choice but decided to quiet down.
You wouldn’t admit it but you were slowly regretting your decision more and more each day, you missed the way you got to wake up every morning wondering what colour your mind had made your hair today, you missed feeling different and most of all you missed the way theo loved it.
"Theo?" you asked breaking the peace of your current predicament, which was you both under a tree while he read aloud to you.
"yeah"
"Do you think i'm pretty?" The words tumbled out before you could stop them.
He set his book aside and scooted closer to you. "i've always thought you were the most beautiful girl in the world."
“even without my colourful hair?” you pressed
“of course, it made me sad you thought you had to cut your blue hair off in order to become liked but you did, and i can’t change that… i don’t love you any less”
You sighed, feeling the weight of your insecurities pressing down on you.
"But Im not pretty anymore right! i used to be funny, didn't I? And my hair... It used to be... I thought maybe it's time to grow up. My hair was childish"
Theodore reached out, placing a hand on yours. "Your hair was, or should i say is, a part of who you are, you're allowed to change, but sometimes it's best to keep the most amazing parts of you the same. Your blue hair was never a sign of childishness; it was a testament to your uniqueness and your willingness to be yourself."
Weeks turned into months, and as the final week of your sixth year drew to a close, the future loomed before you both. On the eve of your last day, you stood on the Astronomy Tower, gazing at the stars.
Your hair had slowly been returning to its colourful hue, but you knew that this time, the color was more than just a physical trait.
Theodore stood beside you, his presence comforting. "It's a big world out there," he said softly. "But no matter where life takes us next year, remember that you'll always be the girl with the cool hair to me, as much as you hate it, you're my girl with the cool hair"
you smiled and leaned against him
"i love you" he said confidently "i love you for you and that's not going to change. Even when your hair goes back to it's normal colour i'll still love you more than i will ever be able to express"
“you think my hair is going to go back to it’s normal colours?” you asked hopefully
“i know it will, i’ll personally make sure it does”
"i love you too"
and despite the fact you couldn't see it, theodore pulled you into a tight embrace looking down on the new blue hairs that had just begun glowing.
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themakeupbrush · 6 months
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Miss Universe Malta 2023 National Costume
"IL-FARFETT" This year's costume represents a butterfly, which in Maltese is called 'Farfett'. In Malta there used to be approximately 50 different species of butterflies and around 550 species of moths. This costume is a representation that unfortunately due to over construction being carried out on such a small island, without consideration for local fauna and flora, are having a devastating effect of the state of Maltese biodiversity, according to experts. A few decades ago, butterflies of every shape and colour would take off in swarms as you walked under carob trees. Unfortunately, nowadays, the decline of butterflies is occurring at such a high rate that when naturalists spot a particularly uncommon species, they do not disclose its location to protect the insects from harm. While migratory butterflies can still be spotted with some frequency, local butterflies have all but disappeared from view. Another issue which the flora and fauna are facing in this modern age is climate change, combined with rapid changes in temperature, the use of fossil fuels and pesticides are compounded upon flora and fauna, giving the environment very little time to adjust. This costume is a representation of creating more awareness about taking care of our nature.
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syrma-sensei · 2 years
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→ A Doe's Trap.
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gif credit.
pairing: daemon targaryen x baratheon!reader.
rating: explicit.
word count: 3.9k
warning: daemon targaryen is a warning himself, usual westerosi agendas.
PART II: A GOLDEN LOCK.
masterlist | ao3
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COURT IS INFINITELY BORING; the flashing red colour on the outside walls is merely a clever cover for the ennui of what's happening inside. And the Small Counsel is, Seven Hells, dreadfully, the most tedious place one can choose to spend time in. King Viserys, however, is persistent on having his younger brother in his counsel. His Grace has given his orders and nobody, not even the Rogue Prince, can refuse his liege's commands.
Nevertheless, even his royal duties and counsel obligations get habitually interrupted by certain cunts. After several replacements for his job —stirred by those cunts— the prince, eventually, takes the post of the Commander of the City Watch, and he isn't pleased one bit. The supposed city protectors are nothing but lost and lowly scum. But he knows better, that cunt of a Hand wants nothing but to offend the Prince and his potentials, such an elaborated attempt to irritate the hot-tempered prince; the current heir to the Iron Throne is nothing but a mongrels tamer. But if the bearded wanker thinks himself subtle, then he's terribly mistaken, thus, Daemon accepts the challenge. Because after all, if he truly wants to be King someday, conducting with the riff-raff is a good way to prepare himself for the role, rather than transacting with sickly old men who swagger through the glories of their ancestors and making none of their own.
Tonight though, to his bother, he has to take a break from his new duties, for King Viserys has blessed the court with yet another of his many festivities. Queen Aemma, his cousin and sister-in-law, is with child, again. The celebration is held in the Red Keep's grand yard under the full moon's glimmer. And to his surprise, Daemon finds himself rather enjoying himself in the fresh air.
His violet eyes are fixated on the table where the King and Queen are seated, two vacant chairs next to them. One is his, and the other is Rhaenyra's, his beloved niece. His gaze, however, is not, by any chance, drawn to the royal couple, rather, the ones who escort the Queen. That specific one, with the blue eyes and dark hair. The Baratheon Lady, his precious doe.
She stands next to her queen as one of her most trusted ladies-in-waiting. With a bright mind, and pure soul she has captured the hearts of most men, and the Prince is no exception. The niece of Lord Boremund Baratheon is sent by her lord uncle to represent their house at court in her aunt's stead, Lady Jocelyn Baratheon, Prince Aemon's widow. Once the Prince saw her, she stirred something familiar within him. Something he thought he'd not feel as he fucked his way through almost every whore of the Street of Silk. The place that provides him maidens whenever he desires to claim their innocence. What's better than a whore maiden but a paramount and maiden lady?
Virtuous isn't a word one can label Daemon Targaryen with. Rather, the Rogue Prince has an equivocal proclivity for those of virtue, of purity. He cannot brush off the image of that beautiful doe clinging to his shoulders and sobbing in delight beneath him, while he rams inside her virgin hole as he deflowers her. He fantasizes her calling his name as she willingly gives herself to him, as he fucks Mysaria in the recent days, and his high would be unmatched. The only thing can outdo it is having the doe herself in his bed.
The doe senses his heavy gaze, and her sapphires lock with his amethysts, and she tries to hide her sheepish smile. Gods be good, he can't decide wether he likes that smile of hers, or the cries she'd be making when he's inside of her. His predatory eyes follow her slender figure after she dips in courtsy for the King and Queen, excusing herself. He traces her golden gown, the one he'll have much pleasure ripping it off of her and see what she's treasuring beneath it.
“Good evening, Prince Daemon.” The doe bows to him, then he sees clear blue eyes looking straight into his, the plumping heart between his ribs skips for a moment, “Congratulations on your new office!”
“Why, thank you, Lady Baratheon.” His tone is solemn.
“Please do not call me as such,” The doe bites on her lower lip adorably, “We're much more familiar with one another.”
Ah, the red cheeks, they're definitely his favourite, and perhaps what's more delightful is making them grow redder.
“Much more familiar? Hmm.” Daemon teases, “Then why did you not come and congratulate me when I first got appointed as the Commander of the City Watch, my lady?”
Daemon's grin goes wider as his tiny trick makes her cheeks flush with dark crimson.
Tearing her face aside, she says under her breath hotly, “Gods,” Then her eyes are staring back at his face again, adding hastily, “I'm terribly sorry, my Prince! The instant I heard of the marvelous news I looked for you everywhere to do so, but...”
Her blue eyes dart everywhere but his face now. Daemon purses his lips into thin line, tugging a dark lock behind her ear. “But what, my lady?” His tone is bored, unamused, supposedly.
“Please, let me explain, Your Grace.” He nods, granting her her wish. “I did want to be the first to congratulate you. But when I couldn't find you anywhere, they told me you're making new arrangements for the City Watch; to ameliorate the state of the soldiers.” She adds breathlessly, and Daemon can clearly imagine her breathing heavily after he sends to her highest high. “So, I presumed you were occupied with much more important matters, and I couldn't bring myself to take from your valuable time.”
Oh, isn't she delightful? So sweet, so caring. Does he deserve such consideration? Of course not. Should he take it? An absolute yes. How not? And she's practically showering him with it.
Daemon twists his lips, grinning. “In that regard, I should forgive you, my lady. But on one condition.”
“Name it.” Her answer comes immediately.
Ah, he does like those moments when her Baratheon blood rises, when she shows signs of challenging and daring, and the confident feature she wears is truly pretty.
So, Daemon indulges her. “I want you to honour me with a dance, my lady.”
“A dance?” She arches a dark brow quizzically, shockingly.
“Does it not rise to the doe's expectations?” He teases her again.
And for the second time, it remarkably works. “Did I give such an insinuation to the dragon?” The way her brow switches from puzzled to intrepid puts the Prince under a charm. The irony, how effortless and unintentional her gestures are, but oh, the way she wraps him around her beautiful fingers. How bewitching she is.
“It is said that dancing is much similar to battling.” She adds, “I dare not stand against you in the second, but dare I say, I enjoy doing the first with you. It is a sliver of reminiscent of what fighting by your side might be like on the battlefield.”
It's Daemon's turn to raise an eyebrow. “You wish to dance with a dragon, little doe?”
“Yes, very much so.” She says it with utmost thrill.
“Even if it might get you burned?” He asks her, eyes glistening with something menacing, but the doe does not see it.
“He won't hurt me.” The certainty in her eyes makes Daemon's head whirl. Perhaps he isn't the only one under a charm.
“What you speak is true.” His smile is gentle this time, and what he speaks is also true. Lust did indeed blind him at first, and the desire to defile her has driven him mad for quite some time. But no, after getting to know this doe, his delicious prey, he cannot bring himself to hurt her. But has his craving for claiming her ceased within him? Not once. It's been like raging fire, huddling and jostling in his chest, and taking hold of his head. It's like a curse afflicted upon him. He's no patient man, and the gods have put him in a laborious test. But again, since when the gods are indulgent with man? But Daemon Targaryen is as unyielding as them as well. And he'll be so until the gods get bored of him and give him what he wants. Daemon, however, won't wait for gods to get lenient. He shall take it by himself.
They dance, the dragon and the doe. And the shy lady is back again as her face turn red as she is spinning between the Prince's arms, holding his hands. Their feet move in such harmony with the music, and they capture everyone's eyes. Her face is close, so close to his, and hers is as dark as blood. Her fresh breathing is on his face, and the dragon inside him goes feral. He wants her. Gods, He utterly and wholly wants her.
The music comes to a stop, and a cheered applause rages from around them. King Viserys is the strongest clapper, and the Queen shakes her head at her husband's excessive excitement.
The dancing comes to a pause, and the King raises a toast, and the feast for all is set. The guests eat, drink, and laugh. The King gets drunk soon enough, and the Queen becomes tired. Viserys keeps on drinking, while Aemma retires to her chambers to rest. The Prince is next to his brother and niece, thinking of the doe who's nibbling on her food ever so delicately.
It is a rare thig she is, to be born a Baratheon and have a tender character. It's known that the stags are of vigorous spirits and adventurous endeavour. But unlike her house and himself, she seems quite enjoying herself at King's Landing's court. That, however, does not nullify the hints of fury within her soul. She's a daughter of a stag after all, and stags have always attracted the eyes of dragons; his great-grandmother, Queen Dowager Alyssa Velaryon, married Rogar Baratheon, lord paramount of Storm's End, their wedding is known as the Golden Wedding. And Daemon's cousin, Princess Rhaenys Targaryen, is half Baratheon herself from her mother's side, Lady Jocelyn Baratheon. Daemon still remembers how Caraxes was enthralled by his doe when they first introduced them to eachother; she has Valyrian blood after all. He smiles at the memory, she has the dragon and his rider enchanted.
“You're quite taken by her, uncle.” Daemon's ears prick at Rhaenyra's High Valyrian.
“Quite the woman she is.” He replies in their mother tongue.
“Indeed.” She nods. “She is quite taken by you as well.”
That piques his interest, his niece has all of his attention now. “Oh, really? How did you learn that, Princess?”
Rhaenyra chuckles. “Oh, uncle, you have no idea how much smitten she is with you.”
Trying to conceal the curiosity eating him up, he clears his throat. “How so?”
“You have a reputation, uncle.” Rhaenyra remarks, “But the lady refuses to believe it exists, claiming that she knows you better. She sees you as her knight in shining armour.”
A queer sensation clasps on the Prince's heart. And for a moment, he feels as if someone has kicked the air out of his lungs. He directs a wavering smile to his niece.
“How unfortunate.” Then he falls silent, and speaks very little for the rest of the night.
After an hour of feasting, the music replays, and a merry yet drunken enrapture sweep over the place. From his seat, Daemon looks for his doe and he finds her laughing at some stupid jest cracked by Ser whoever the fuck he is. When their eyes lock again, she smiles at him sweetly, but he doesn't return it. Instead, he stands up, and maneuvers his way through the drunken singing and wobbly dancing.
It was an ill decision to come here from the outset, but what choice he had when the King forces him to attend the banquet that's held in the next royal's honour. The one might brush him off from his current line to the throne. Daemon, sometimes, thinks that his brother taunts him deliberately, and perchance he's pulled by other hands.
He directs his indignation upon his royal brother as he threads his way to his private chambers; where he's going to drink himself till sleep, and maybe giving his cock a hand-fucking before falling asleep. Momentarily, he thinks of visiting Mysaria, but no. He needs some solitude away from everyone else.
Once in his chambers, he shrugs off his formal attire and slips into more comfortable clothing. Before he starts his drinking session, he hears soft knocks on the door; he grumbles. Perhaps the one behind the door wants to be the victim of his wrath tonight.
Striding down to the door, he opens it sharply. He freezes.
“Prince Daemon.”
Gods, how does she do it? Putting off that raging fire within him onto ice just like that. Mayhaps she is an enchantress after all.
“Lady (Y/N).” He responds.
“Is everything alright, my Prince?” The concern in her eyes tugs the strings of his heart.
“Yes.” For the first time, Daemon finds his lying unconvincing. Seven Hells.
“Then why did you leave the feast in such manner?” The doe inquires, brows knitted, “You made the King worry.”
Of course, she came here upon an order by his brother.
“You made me worry.”
Daemon regards her, then he retreats back to his chambers, leaving the door open. A private invitation for her to follow him inside which she obliges to.
“What caused you distress, my Prince?” The eager concern in her voice makes him melt. A strange mixture of sensations coil at the tip of his stomach. It is the first time she comes to his private chambers, and he feels as if he led her into a trap. The poor doe, she doesn't know she just entered the dragon's den, and in his current state, he has no guarantee of what he might do next. He is mad.
“You.” Daemon spins around and faces her, she stands a few steps away from him. “You cause me distress.”
Gasping, her dainty hand rises to her now heaving chest, and her blue eyes widen. “How could I ever do so?” Daemon takes a step towards her, and her eyes are focused on his figure. “My Prince, I implore you to—”
Seven Hells. His doe can be annoying when she becomes rather talkative, sometimes. And it is a perfect moment to silence her in the way he most desired; his lips on hers. And oh, they are much more delectable than he ever imagined, and he could've sworn he can sip wine from them.
The doe stands still, eyes as wide as saucers, as he claims her lips as if he is the thirstiest man alive. When realization casts upon her at last, she pushes him away. Daemon whips his mouth looking at her. She's horrified.
“Do forgive me.” Daemon looks at the floor, not bearing to gaze at her scared face. “But I've been wanting to do this for a long while.”
When she doesn't answer; he dares look up at her face again. A more questioning expression adorns her face instead of the terrified one moments ago. She doesn't flee, nevertheless. Which is a good sign, Daemon supposes. He narrows the gap between them, cautious steps as if he's afraid that the doe to run off.
“I desire you.” He confesses, “Gods, you're the one I lust for the most.” His hands reach for her reddened cheeks. “I want to have you. Let me have you... please.”
“How can I let you have me, and we're not wedded, Daemon?” He sees two thin strings of tears rolling down her cheeks. She tears her face aside. “Gods, they warned me about you.” She sobs, “They told me to steer clear of you, but I didn't listen.” A hand covers her mouth. “The Queen even promised my lord uncle to match me with another to prevent your dark reputation raising questions about my virtue.”
Any ounce of sense left in him until this very instance is blown away now. The Prince's hands latch onto her forearms, and he draws into a vicious kiss. He tastes the salt in her tears and he's fuming.
“You're mine.” He whispers against her mouth, “Mine. You belong to the dragon, and anyone dares to think of having you, they'll have to deal with fire and blood.”
“Daemon, please...” She cries. “I do not want it.”
The Prince cradles her face softly, his hot breath licking her face. “Tell me, what do you really want, little doe?” He brushes the tears away, “Tell me what you wish for and I shall grant it for you.”
His fragile doe gulps, looking at him with the eyes of a prey begging for mercy between its predator's jaws. “Do not allow us to be separated.” She weeps, and her heart feels heavy.
“No, no, little doe,” He says in whisper, “Not a single soul can separate us, my little doe. Give yourself to me. Let me corrupt you...” He inhales, he's almost begging, “Let me defile you, and they'll have no choice but to let us be.” He leans to her ear, adding, “Let me fill your belly with my child.”
“Do not let another have me, my dragon, please.” She clutches into his chest, beseechingly.
Daemon's violet eyes dart over her face, before he plunders her lips again. His hands adroitly baring her, layer by layer, until she stands naked before him. Through her blurred mind, the realization of her nakedness casts upon her. She gasps and tries covering herself.
Daemon, on the other hand, laughs, shaking his head with such amusement. “Do not shy away now, little doe.” He makes her lay down on his bed, removing her hands from the parts she attempts to hide. “Let me see your beauty.”
Daemon has to pin her hands on the either sides of her head to make submit to his request. He looks at her body, and she turns redder and hotter than Caraxes's fire.
He has to admit, she exceeds any fantasy he ever had. And now she's all his to claim. The Seven be fucked, this is the one who deserves worshiping, perhaps she is The Maiden herself, and mayhaps he can be her Warrior.
“Fuck.” Daemon hisses, “You're beyond anything I've ever imagined.”
“Daemon...” Her voice is breathless, “I-I feel queer things in my stomach.”
The Prince laughs again, kissing her temple. “They are good things, my lady, worry not.”
She nods, unsure of what might happen next. Daemon isn't going to disappoint her. Although the strain in his loins is unbearable, he takes his time to spread what he dares to call... affections upon her. His rough-padded fingers massage her shoulders, his lips lavish her erected nipples, and his mouth leaves no spot of her soft skin neglected.
When his fingers reach her core to fondle, she asks him about the moistened sensation. He shushes her, and tells her it's normal and a good sign. He brushes her clit and her moans become uncontrollable, he enters a digit and she screams.
Daemon laughs and grins as she's innocently grinding against his fingers, chasing something building inside her belly, she tells him. He adds another, then another, and her virgin drawers can take no more and flutter around his fingers with a sigh of his name leaving her mouth.
“Is this why people lay with eachother, my Prince?” She asks when recovers from her high, sweat glistening on her forehead, “Even when they don't want to have children.”
Daemon chuckles amusedly. “People fuck for many reasons, little doe. Pure pleasure is what, sometimes, one only seeks.”
“The Seven forgive me,” She says in something akin to shame, “But I want you to fuck me, Daemon.”
The words, coming off her tongue so effortlessly, make the blood travel straight to his cock.
“It might hurt you, though.” He warns.
“No,” She raises her chin stubbornly, “You won't hurt me.”
Before he gets off the bed, he kisses her. Then, he starts to take off his cotton tunic. He glimpses at her, and he finds her tracing his moves, intrigued. She gulps when he slips his dark trousers off, her pure eyes witnessing a man's cock for the first time in her life.
He chuckles, and cannot let the chance slide without a tease. “You like my small dragon, little doe?”
“I wouldn't call it small, my Prince.”
The latter throws his head backwards as a loud laughter bursts out of his chest. “Yes.” He lands a knee on the bed, dipping further to her face, bringing her hand to touch him. She looks up at him then down at his cock, as her hand faintly brushes the dripping tip. She shivers and he grins. His hand never letting hers crawl away. She gathers some courage when she sees him delighted, and her fingers curl around his cock, squeezing gently as he twitches. Daemon grunts deeply as her inexperienced hand caresses the bulging veins of it, and he feels himself coming. With a groan, he removes her hand away. He didn't want to scare her off with loads of white strings slamming her stomach and face. Rather, he wants it deep inside of her. “Open your legs for me.”
She does so, but uncertainly. He positions himself between his legs, wrapping her legs around his sculpted waist. Inevitable tears pour from her eyes as he thrusts himself into her, and Seven Hells, her virgin cunt feels heavenly. How her walls suck him up greedily even though he's yet to move.
With a hoarse voice, the doe whispers his name over and over, as he takes her slowly while his hair is ghostly brushing her arms around his neck. She cries and begs, and he kisses and reassures her that he'll give her what she wants. She tells him it's building again, and he hits that innocent spot of hers again and again until the fluttering he felt around his fingers is now happening around his cock. He's already at his limits and his seed fills her waving cunt.
“Well done, little doe, well done.” Daemon eases her quivering body.
When he pulls out of her, the Prince is utterly surprised when the doe flips their positions, as she straddles him instead. Their liquids are oozing from between her legs onto his muscled stomach. Shock is blatant on his face as she bites on her lip unsurely.
“What is this, little doe?” He teases, “I supposed this was your first.”
She lolls her head down timidly. “I've always wanted to do this with you, everyday when I look at that painting in the Queen's chambers.”
Daemon is well aware of what picture his doe is referring to. That salacious portrait Queen Aemma has received as a gift from Lys. It's called: The Seven Arts of Love. Perhaps his sister-in-law has kept it as a mockery of the belief of the Seven. He'll never know, or perhaps the Seven made her keep it, so his doe would witness it and mock him with her straddling him on their first night. The notion stirs him to the bone, and his cock is painfully hard now.
“Perhaps another time.” He cups her breasts softly. “This position is not meant for the first time.”
A surprised yelp escapes her mouth as he flips her again beneath him, clicking his tongue. “If you want to ride a dragon, little doe, you have to tame him first.” He leans down, his silver hair dangling over his shoulders, “And believe me, it is not as simple as you might think.”
“We shall see, my dragon, we shall see...”
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sanctus-ingenium · 2 years
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u guys wanna see more WIPs... similar to the last post, here are Some WIPs
all of these were started in sai before going on to procreate. before going back to sai again in the case of the strength card
so Blue Sky/Out Of Time... yeah it’s extremely self-explanatory, it’s very obvious what this scene depicts and i’m sure everyone gets it (this is a joke i’ve had multiple people dm me asking wtf this even is). the one element that absolutely NEEDED to be there was the LED digital clock with a bullshit time on it, and i decided to replace it with an AIRE warning sign instead and put the LED readouts in the bg. the warning sign in this setting serves the purpose of informing ppl when there are hostile faeries around. i knew what the colours would be from the beginning, but it took a bit for me to realise what sort of shading style i wanted (it took forever). but i did know i wanted to contrast the very sketchy black void against the cleaner and almost cartoony/comic book style rest of the drawing, to emphasise the fact that the foreground sky and background void are made of two very different things. again i used a colour shifting brush to quickly make all the shards of sky different colours, but originally i planned to have some of the shards be dark or night time (with stars or the moon etc). unfortunately it didn’t work, it was too dark and pascal got lost against it.
My Eyes Are Up Here is pretty obviously the exact same scene with the same character, in the same field, but with a different sort of atmosphere. i sketched this in sai then did the final in procreate. originally it was going to have a black background
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i really like this version tbh but the blue works better. i think he looks good against dark backgrounds where it’s kind of hard to see wtf is even happening there
so about the neon signs..... i’m well aware that the sketch has way more promise than what the final ultimately was, and that’s because i found that i didn’t have the technical or artistic ability to pull off the complex neon signs like i wanted to. i couldn’t get it looking good enough so i had to scrap them. but these signs will be back, i want to draw them properly and do them justice. the gif was unplanned too but i thought it would be fun to have the flicker be very intermittent so that if you scrolled past it you might not even realise, or you’d have to stick with it just to catch it looping. i used GIMP to make the gif and change the frame rate, and this actually took a very long time because i had to preview it over and over. anyway if you WERE to get lost in the púca’s field, in this story, you would see neon signs like this encouraging you to follow them.
Strength is actually the last drawing i ever made that ended with a paint-over in sai, and the oldest drawing here. as such i actually don’t think it’s representative of my current ability but i do have a soft spot for it for sentimental reasons lol. the reason for the paint-over in sai was because i drew this at a time when i still did not trust procreate to be able to place the level of finish on it that i wanted
the background took me a thousand years to figure out. literally it was so annoying that i considered scrapping it for something simpler. but the idea was for it to be a kind of fairytale-ish lost in the woods sort of look while also appearing like the blood vessels around the human heart. the branches were also supposed to be heart-shaped in cross-section but i spent so long zoomed in painting them that i forgot to zoom out to see if all those fine details were actually visible, and it turned out they weren’t. i was disappointed that i couldn’t get félix’s tattoos to look right but that’s what i get for making a character with shit tons of both tattoos and body hair. i also got rid of the foreground branches really soon because they weren’t adding anything and muddied up the readability of his pose
the swan is from a daemon au and bears no relation to my other swan characters. i just like swans a lot
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greenhorn-art · 4 months
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World Champions | Artwork for World Champions by TheDefenestrator by TheDefenestrator, art by Blurb_brain
Fandom: The King's Avatar | 全职高手
Rating: Teen And Up Audiences
Category: Gen
Words: 71 944
At the end of season 4 of the Glory Pro Alliance, the government finally receives the information it has been waiting for: The other players have caught up. Or, In which Glory has been a government recruitment ploy for remote-piloted mecha operators all along.
About the Book
FONTS: Mundo Serif, Azonix [dafont], Segoe UI Symbol
IMAGES: Illustration by Blurb_brain [AO3]; cover image by NASA ID: 440611 [Rawpixel]; Planet Earth background ID: 6331593 [Rawpixel]; Circuit lines background ID: 3117935 [Rawpixel]; endpapers' image by Eric Eastman [Unsplash]; Swoksaar, Desert Dust, Lord Grim, Vaccaria, and Cloud Piercer [The King's Avatar Wikia]
MATERIALS: regular printer paper (8.5"x11", 96 bright, 20lb), 80pt bookboard, Iris Bookcloth (colour: Black Pearl), Neenah cardstock (8.5"x11", bright white, 65lb), waxed linen thread (white, 30/3 size), embroidery floss (shades 3750, 350, 3845, 370), leather cording (1.9mm diameter), Reeves’ acrylic paint (Mars Black, Phthalo Blue, Titanum White), Americana acrylic paint (glow in the dark), ph neutral pva glue (Books by Hand)
PROGRAMS USED: Typeset in Affinity Publisher, cover/title page/endpapers designed in Affinity Designer/Photo, QR codes generated with LibreOffice Writer, PDF arranged for printing with Bookbinder-JS
BINDING STYLE: quarto, case bound (slightly rounded, with oxford hollow, forgot to use tapes)
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Fenes' "Glory's tech isn't handwaved" AU. This was great! Funny and creative, and I'm both amazed and full of admiration for Fenes' ability to juggle so many characters.
I was feeling excited and ambitious with this one. Tried some new fun things (double core endbands, painted edges) and used some new equipment (a lying press).
The Text
TITLE/HEADINGS FONT: Azonix says 'SciFi' to me, it's a bold, non-serif, sleek font.
BODY FONT: Mundo Serif, it's a decent serif body font I haven't used before. Felt like it worked with Azonix.
SCENE BREAKS: a special character in Segoe UI Symbol of a black & white icon of Earth, the globe showing Asia.
TYPESETTING: Finished typesetting the fic, left document open on my laptop, laptop's battery failed, file now crashes immediately upon reopening, issue persists with copied versions of file (; ̄Д ̄) . Thankfully I had a backup file for the typeset with the barebones of the text, so I didn't have to restart from scratch...
Title Page
My thinking: it takes place in space, the world's at stake, and it's the dawn of a new horizon for Earth. Glory and the titular champions are represented by Swoksaar, Desert Dust, Lord Grim, Vaccaria, and Cloud Piercer – the captains of what I'd call the 'big 5' teams. A circuitry board background element hints at the tech/mecha nature of the story's competition. It may not match Blurb's art, but I hope I was able to convey some of what the story is about.
The circuitry image is used as decoration throughout the book. I only used the avatars of the top five teams' captains because too many silhouettes would lessen their impact and readability. (Removing the backgrounds was tedious, but worth it.)
Here's what it should have looked like. The test prints for this and the BB art were fine, but I think my inkjet started running out of ink just when I printed the final copies and I didn't reprint them. (Too impatient, really wanted to finish up and read the book)
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The Cover
World Champions is another Big Bang fic, and once again I based some of my design choices off of the accompanying artwork. The dominant colours of Blurb_brain's illustration are red and blue-green.
COVER PAPER: For the decorative cover material I used NASA's ASTER image of Poyang Lake. NASA has some really interesting photography some of which remind me of marbled paper, thought it could be interesting. I chose this image of Poyang Lake because 1) it's in China, 2) the colours were similar to Blurb's awesome illustration (fate strikes again, dropping matching images and artwork into my lap!), and 3) NASA is tangentially relevant to the fic, which takes place in space.
BOOKCLOTH: Verona bookcloth in the shade Black Pearl, a lovely dark navy blue colour. Thought it suited the cover paper and title page. (Bought it for this fic specifically, but the colour goes well with almost all of my decorative papers so it should see a lot of use in the future!)
Endpapers
The final decision that held this project at a standstill for two months. In the end I drew inspiration from the matchups against the final opponent in the story. The image I used is a little chaotic and a little too unrelated to identify why I picked it without an explanation, but this book is for me and I know why, so there. (Note that I played around with the colours and cropped the photo.)
Endpaper inspiration: the maps for the matches against the Infilhites
"a long bridge through an enormous tube-like hall, where light seem to come from every side through stained glass windows. It was visually confusing, limited lateral motion" "a warehouse, crates stacked on and beside metal racks that went all the way to the ceiling." "a house of mirrors, fully enclosed to be sure the Infhillte couldn’t fly out of it." "like a volcano, rivers of lava moving sluggishly down a slope, occasional vents of overheated air nearby." "a series of overlapping bridges between halls and stairways, level after level layered over an open abyss."
Trimming & Painting the Edges
Going all out, a 2-for1 deal: the opportunity to use my lying press for the first time and learn a new technique!
TRIMMING: Used a paring chisel and lying press.
CHISEL: The 1.25" wide paring chisel I used was form a modern manufacturer. (Vintage paring chisels are very thin, enough so that you can bend/flex the blade. But don't do that.) It's long and wide blade made it easier to register against the surface of the press for consistent cuts. Looks like this one below from Lee Valley.
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LYING PRESS: My dad's project. Solid black walnut, hand carved screws and internal threads — he even made the tools to make the threads too! The jaws of the press are each 3 7/8" wide. It's big and heavy (though much smaller than full-sized professional ones omg), but there's enough of a flat surface to register the chisel against. A thicc boi, much like this one below from Bookbinding Supplies.
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PAINTED EDGES: The idea was to have dark navy edges, speckled with white stars. I used acrylic from a tube to paint the edges — tutorials recommended it over liquid bottled acrylic, and I had an old set hanging around. Had to water it down because otherwise the paint just flaked off.
My test of trimming and painting went well. Then the trimmed book itself came out slightly crooked, the paint required significantly more watering-down than before, and the white paint did not want to be both opaque and speckle-able. Unfortunate, but still book-shaped! And now I have an idea of what to do differently next time.
Also, did not like the glow-in-the-dark paint. Looked too translucent in the light when compared to the white acrylic, and needed a thicker coat to be visible in the dark. (The thickness combined with the translucence and base colour kinda reminded me of boogers... Ended up scrapping most of it off, so there's not much left to glow.)
Endbands
Still in the mood to have fun and go all-out, I attempted double-core endbands for the first time.
TUTORIAL: YouTube @ BookbindersChronicle: Bookbinding 101 Sewing Headbands Session 2. Also watched @ DAS Bookbinding's Double-Core Endband // Adventures in Bookbinding, but I personally found Chronicle's closeup video easier to follow.
I used embroidery floss from a 100pk of assorted colours off Amazon, wrapped around a core of 1.9mm leather cording from Michaels. I drew from Blurb_brain's art for the general colours, choosing a dark base, with red, blue-green, and gold. The specific shades were picked to go with the cover.
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xoxotifia · 1 month
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╭─────────────────── ·  ·  ·  · ♡ ───
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╰─────────────────── ·  ·  ·  · ♡ ───
OCTONAUTS HEADCANONS: WORLD EDITION
HEAVILY BASED ON THIS POST, FULL CREDITS !
-ˋˏ ༻ ♡ ༺ ˎˊ-
— there are parallel cities and countries to our world, and the locations of their major cities and counties are all the same
— most animals live in places close to or in their natural habitat, but cities like London and New York have animals from all over the place mingling (but to a certain level of logic like you’re less likely to see a polar bear or a reindeer living in South America)
— many of the cities have slightly different designs to accommodate for the variety of species living in them
— the world population is split between anthro and non-anthro animals, because the Octonauts are clearly anthro but the animals they rescue aren’t
— there used to be a lot of conflict between the two, but now most places don’t care and are designed to accommodate both kinds of animals (like Tweak and Sandy are friends)
— whether or not predation of other animals (especially the non-anthro) is okay is a pretty heated debate in their society
— it’s possible for some non-anthro animals (most likely mammals) to learn to walk and to use their paws (hands?) like anthro’s but it’s very difficult (and vice versa if an anthro wants to learn to be more like a non-anthro)
— there’s also a United Nations equivalent who are tasked with keeping peace between species— they have a representative for each major species of each biome and with groups such as rainforest or polar regions working as groups, or having one collective vote on large scale issues (they’re also the ones who fund the Octonauts)
— their world is just as, if not more technologically advanced in some areas than ours (I mean hey, they manage to hide whole helmets in small collars!)
— humans never existed so many animals evolved in almost identical ways to fill that niche; some did, but some didn’t, which is why there are non-anthro animals as well
— most of, if not all, the world share a collective language that basically makes cross-species communication easier
— adding: each genus shares a language (with species having, like, slightly different versions, e.g.: wolves and dogs have slightly different pronunciations or slang, but sound very similar when compared to a fox) but all animals are taught the universal language
— like all things, the Octonauts probably have a few haters and enemies (because no world is perfect) and they sometimes have to watch their backs when at ports to resupply
— adding: they probably get into conflict with people who overfish, or people who pollute the ocean or oil rig people
— most animals have extended lifespans that are closer in length to humans
— some objects we use that usually have simple handles have grips, or whole shaped loops for paws to make holding them easier
— coat colour possibility and variations are far greater than in our world (I mean— Tweak’s GREEN and she also glows in the dark), and it either developed as a result of evolution, OR there was a nuclear war and some species’ genes were affected by nuclear radiation several generations ago; or both
— the Polar Scouts, in terms of world history, are a very recent invention—they were, most likely, introduced as a way to get young polar bear cubs to grow up in an environment that encourages equality and helping others (based on this post)
— the Polar Scouts programme was put in place by a Polar/Arctic sector of that United Nations style group, and whilst it HAS BEEN very successful (crime rates and the amount of violent polar bears has dropped A LOT), there are still quite a few bad eggs
— there are stereotypes about different animals; e.g. polar bears are expected to be violent and cruel, and enough live up to this stereotype that it persists
— adding: which is why Barnacles is really careful, patient, and understanding when helping other creatures
— although some countries are still using oils and plastics, society is gradually switching to sources more helpful to the environment
-ˋˏ ༻ ♡ ༺ ˎˊ-
NOTE : WILL BE UPDATED WHEN I FIND / COME UP WITH NEW STUFF !
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Day 9: "You too." – Good Omens
[TW: Angst, The Flood, and after]
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(A tribute to the sad yet poignant 4th Chapter of “Anatomy 1.0.1”, a fanfiction written by Fyre/ @amuseoffyre.)
“I can’t,” Aziraphale cut across him, holding up his hands, trying to stop the words and the reminders and the bodies and the screams.
“Can’t?”
“Can’t,” he repeated. Can’t say anything about it. Can’t do anything about it. Can’t… understand it. Can’t… can’t anything. He took a shuddering breath, shaking his head. It was… a lot. Too much. To stand by, to watch, to listen, to do nothing.
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All at once, there were hands in his hair, carding through it, over and over.
“Hey, stay with me, angel.” Crawly was in front of him, so close, wriggling closer, almost in Aziraphale’s lap. (…) At once, damp skin pressed to his, and Crawly wrapped himself utterly around Aziraphale as if trying to press his heat through every point of contact into Aziraphale’s cold, shivering body. His hands ran in widening circles at the points where wings would emerge, palms rough and warm and gentle.
There was something comforting in the weight of his body, the warmth, the tangible solidity of it.
“It’s a bastard of a thing,” Crawly said softly, close to his ear, the warmth of his breath sending a ripple down Aziraphale’s spine. (…) “They’ll pick themselves up, dust themselves off, get back on with things.”
“Yes,” Aziraphale agreed in a whisper. There was no reason for his eyes to be wet or for his body to feel utterly weighed down with exhausted grief for people he didn’t even know. Not really. Names, yes. A little of their lives, yes. But could he ever know people like that? Mortals lives were so short, a blink and they were gone.
Crawly leaned back a little way, searching his face. “You too,” he said.
Excerpts from "Anatomy 1.0.1", chapter 4, by Fyre aka @amuseoffyre.
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[Previous] [Next Day] [First Day] - Don't forget to 💕/ reblog ;-)
Personal challenge: a simple sketch each day
Goal: forcing me to keep things simple - inking, shading, just a few sashes of colour
Improvement pursued: to get the movement, the emotion, finding how to add depth, learning how to leave things barely finished
Max time allowed: 2 hours instead of 8-20 on my previous projects 3h30, because I had to. It's one of my favorites fanfictions ever, and for so many reasons.
Today's theme chosen by me:
There's a relatively classic headcanon in the fandom where Aziraphale and Crowley are present for the 40 days of the Flood. If Crowley then does everything in his power to save as many humans as he can, Aziraphale has to abide by his mission to protect Noah and the Ark – thus, not seeking to save anyone. He can only watch, hear and feel without being able to act in any way while countless people die around him, some quickly, others after several never-ending days, tossed about by the waves.
In a fanfiction written by Fyre, this headcanon is remarkably well used. Aziraphale going through such an event is atrocious, painful. But what comes after is almost worse. The shock of the rescuer who has remained helpless in the face of horror and death – a situation behind real PTSD among emergency doctors and first-aiders – is shown with an accuracy and a respect which left a deep mark on me. Aziraphale remains shocked and torn apart, while questionning his trust in Heaven for forcing him to do nothing but watch. What would have become of Aziraphale, devastated and in a middle of a metaphoric Falling, if Crowley hadn't been there to catch him during the Flood?
"Anatomy 1.0.1" is an E-rated fanfiction striving to describe the evolution and the feelings of Crowley and Aziraphale through the ages, as supernatural beings but first and foremost as a literal couple.  Those who have read and enjoyed this story – like me 😊 – will tell you that the terrible passage of the Flood is not representative of the story's spirit and I would agree, this fanfiction is mostly appreciated for its sensuality and eroticism. And yet, this scene from the 4th chapter brings, for the first time, the sincerity and the depth of the feelings between the two characters to the light. I find it to be one of the most touching and realistic scene I have ever read in this fandom.
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thedrarrylibrarian · 5 months
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I cannot tell you how excited I've been to have this lovely writer on to rec - I fell in love with the fic she recced and I think it's a great pick for the holiday season. If you haven't read it before, I think it'll be the perfect read to get you into the Christmas spirit. Without further ado, here's the lovely @skeptiquewrites!
I was delighted to be asked to write a Happy Hour for December by the Drarry Librarian. I still consider myself more of a reader than anything.
This time of year represents a lot of contradictions for me: the joyfulness of gathering with my loved ones, the loneliness that springs up as I revisit old places and things. I love all the lights and candles, and bundling up against the cold. I can’t stand the disappearing sun, and the long hours of darkness in my part of the hemisphere. It’s sweet, but sorrowful too.
So back in July, I knew I had to pick @sweet-s0rr0w’s Waking Up Slow with all of @ihopeyoubothstaysafefromharm’s beautiful illustrations. Wireless has always been one of my favourite fests in current fandom, and 2023 was no exception.
Waking Up Slow by @sweet-s0rr0w (24,941 words, rated E)
'Twas the night before Christmas, although it’s July Draco’s a shopkeeper, no-one knows why There’s hiking and witch caves, freak snowfalls and more Bad Christmas jumpers, nosy neighbours galore Narcissa’s here too, but… something’s amiss And what’s in those chocolates that’s making them kiss?
From the first paragraph, I was in love with Pickerings Christmas Shop and Cheddar, Somerset. It came to life with careful, beautiful writing of Harry’s curiosity and Draco’s initial sharpness, and Joy’s saturated, poignant use of colour.
Besides the writing, I love how many direct references to other fanfics that Sweet has with the footnotes. It always reminds me how key intertextuality is to fandom. We’re all in conversation and all participating in a gift exchange of sorts.
Waking Up Slow is just as wonderful in December for a read (or re-read in my case) as it was in July. Scorching, weighty, interesting, and I can recommend it for a slow morning, lazy afternoon or under the covers late night fic reading.
After all, ‘tis the season.
Thank you so much, @skeptiquewrites for joining me for Happy Hour with Friends of the Library! And seriously, check this fic out!
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mindstriker · 9 months
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I'm sorry but what the fuck happened to uquiz. "rate my controversial opinions" "should I break up with my partner" "smash or pass" x100 SHUT THE FUCK UP. bEGONE. where are my shitty "answer these questions and I'll give you a smell on the wind that represents your soul" quizzes. where are the "what character from x franchise are you" quizzes with 17 fucking lyric questions. where did all the "what type of Elmer's glue are you" and "choose 7 things I keep in my room and I'll tell you what colour to dye your hair" bullshit go. bring it back.
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johannestevans · 8 months
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Workplace Connections
Romance short. A junior secretary makes a friend at work, and some more besides. 
10k, rated M, F/F. A young woman makes friends with one of the only male secretaries in her workplace. 1960s Manhattan, featuring lavender marriages, period queerness, misogyny, etc. Light-hearted age gap cheeriness. 
Read on Patreon / / Read on Medium.
---
Elsa had considered herself lucky to work in an office like this one. A lot of the girls she went to college with went on to get fancy jobs in the city, but hers is almost certainly the fanciest – she works up so high in a Manhattan skyscraper, after all, and because the company trades in a lot of different materials, she gets nice perks on top of her pay packet.
Silk scarves, in May – she has different ones for every day of the week, made to match her different dresses; she likes to match her earrings to her hairpins, too, and colour them altogether.
It’s sort of expected of you in an office like this, to be well put together, to not just be capable and adept at typing, but… pretty. And Elsa might not be the prettiest girl in the world, but she’s pretty enough, especially the way she dresses, the way she puts her face on.
Some of the girls even ask her for fashion advice from time to time in the office, which is nice – not because she’s particularly on trend, but because she’s got such a good eye for colour and detail. A lot of them are trying to find husbands, want to get married to one of the executives or to a client, at this office or another.
There are handsome men in the office, she supposes – Elsa doesn’t know she’s ever had much of an eye for handsome men before seeing the details in their faces, their clothes.
Her boss, Mr Lockwood, would perhaps be handsome if he weren’t so cold and miserable all the time, was perhaps more handsome when he was a younger man – in any case, even the least attractive men in the office are balanced out by their secretaries. This is a sales office, after all: it’s all about marketability, at its core. She knows no one would want to hear all that feminist talk, but it’s about the status symbol of a beautiful woman on your desk, representing you – you’re selling her and she’s selling you, almost, an additional tactic.
Most of the men in the office have beautiful secretaries, anyway – Mr Garvey doesn’t. He’s a red-faced, unpleasant man, cold, and he disapproves of women so much you’d almost think he cared about the feminist angle too, but really, he just hated them, Elsa thought.
He’s never had a woman for his secretary, the girls say, and he absolutely won’t have one – his secretary is called Jasper, and he’s one of the only male secretaries Elsa knows. They’re more common in some industries than others, she’s heard.
Jasper is handsome, but in a plain, forgettable way – he has dark hair, thin pink lips that naturally turn to a frown when his face is resting, brown eyes. His eyelashes are lighter than the chestnut of his hair and eyebrows, and the golden tint in them catches the light at times.
He’s not a pretty face or a sweet voice or the phone, and some clients and coworkers are actually disappointed to work with his boss, make playful comments about how they’re missing out when they meet him instead of “one of the girls”. People mistake him for one of the executives, at times, which he shrugs off.
The other girls don’t always know how to deal with him, the rest of the secretarial pool. He’s one of the more senior and experienced of them, knows a few tricks of the trade, is extraordinarily capable – and if one of them asks for his voice, if they’re in a hurry and want to avoid flirting, or if they need to make a call and know that a woman calling won’t be taken seriously, Jasper will call up on their behalf, even read off a card if they want him to.
Not every day – not every week, even – but sometimes, he’ll do it.
“Happy to,” he always says. “What else am I for?”
Elsa’s having a bad day when she comes into the kitchenette frazzled and exhausted, sweating in her Wednesday dress and with a tear on the cuff of her blouse that her hands are shaking too much to fix – maybe from lack of sleep, or from too much coffee, or just anxiety.
Mr Lockwood’s been riding her hard today. He’s going to lose an account, he thinks, and he’s taking it out on her, keeps changing his mind about how he wants letters written, what tone to use, what calls to make. He’d just slammed his hand onto the desk beside her typewriter, demanding he get one in a different font set, and she’s got to go and get another before he comes back from lunch.
Jasper is sitting alone at the table, smoking a cigarette and idly paging through a magazine. It’s a woman’s magazine. All the magazines in the secretaries’ kitchenette are women’s magazines, and he never complains.
It’s a bit odd. He’s a bit off. Some of the girls think he might be wrong, somehow. Why else would a man take a job like this in an office like this one?
“Just you?” she asks. Her voice sounds thick from crying, and she stifles a sniffle, feels the snot thick in her nose.
“Anita’s birthday – most of the girls on the floor went out with her to Kiplings’. I expect you can still catch them up.”
She doesn’t say anything, pouring tea.
“Are you going to repair that tear?” he asks. He has a sort of cold, quiet voice – most of the men in the office are either warm and flirty, charismatic, or they bark and bluster. All of them are louder than Jasper is. He only ever puts more volume in his voice when he’s on the phone – ordinarily he speaks very quietly, deliberately.
She doesn’t know why, but him asking that is the straw that breaks the camel’s proverbial back – she bursts into tears, letting out a wail, burying her face in her hands.
“Oh, dear,” says Jasper in that toneless, detached way of his, and stubs out his cigarette.
Elsa’s grateful that Mr Lockwood had gone out to lunch with two of his partners, that there’s no chance of him coming to find her until at least three o’clock.
Jasper takes her gently, his palms gripping her upper arms, and guides her to sit. She watches powerlessly as he finishes pouring tea for her, putting in the sweetener she uses before she asks, and as she tries desperately to pull herself together, he opens up another drawer and pulls out the sewing kit.
It’s the communal one, and all the threads are put away messily, the needles shoved into one little cushion that’s smaller than a golf ball and splitting apart at the seams.
“My mother would tell you there’s never much point in crying over a man,” Jasper tells her as he scoots his chair closer and sinks down into it. She’s in parallel to him now, and she sniffles as he pushes the hem of her cuff up, sliding the needle through the fabric and smoothly beginning to sew it neatly together with surgical confidence.
“Have you done this before?” she asks.
“I take dictation and read fashion magazines,” he says mildly. “Is it such a stretch of the imagination that I also know how to sew open a tear in a woman’s sleeve?”
After a pause, because every retort she can think to that is too rude, she says, “I’m not crying over a man.”
“I suppose Mr Lockwood isn’t much of one,” says Jasper, and she laughs and cries at the same time, a shudder going through her.
“He thinks he’s going to lose the Sachs account.”
“He is. Roux Gold’s new brother-in-law owns a sawmill – family trumps a business connection every time.”
She hadn’t known that, and she stares into space as Jasper finishes sewing up the tear with a neat flourish of his wrist, trimming off the excess thread and then putting the needle back. She can barely see where he’s sewn it, the white thread matched to the fabric colour.
Mr Lockwood has been muttering angrily about deals and prices and inventory and logistics, and he’s never once mentioned that Roux Gold’s gotten married, or that it might impact his situation.
“He can’t keep it?” she asks.
“Not unless he marries into the family as well, no, but he has to appear to try. Just let it wash over you, Elsa. Let the man tantrum as he pleases.”
“It’s not a tantrum,” she manages to say, wiping her eyes, and Jasper nudges her tea toward her and she picks it up, drinking from it. It’s too hot. She swallows. “He’s stressed.”
Jasper stares at her blankly as he relights his cigarette. He can make his eyes go so dead, when he wants to.
“Don’t cry over a man, Elsabeth Lorne,” says Jasper quietly, “but don’t you go making excuses for one either. Least of all a substandard boss.”
“He isn’t—”
“Yes, he is. He’ll be gone by September anyway – the Sachs account is his third loss this quarter. I shouldn’t be surprised if he loses a few more in the meantime.”
“But it’s not his fault,” she hears herself say almost reflexively.
“The Sachs account isn’t, I’ll grant you,” says Jasper, tapping the butt of his cigarette and sprinkling ash into the tray. He has pretty hands, pale, with manicured fingernails with pink beds. “The others were. Weather the storm, as I told you. Once he’s gone, Eva will move you onto someone better – your work is very good, and Anja on Paul Vine’s desk is getting married in August. It might line up nicely that you take over his desk.”
“Mr Vine’s?” she asks. “But he’s so much higher up than Mr Lockwood.”
“And you’re a good secretary,” Jasper tells her in blunt, even tones, as if he’s irritated she would doubt it, or show any sort of modesty for her skill or position. “You’re neat, well-organised, keen. You’re very adept and highly adaptable – flexible.”
“But today I—”
“You’re crying today because you’ve been asked, I’m guessing very unreasonably, to do the impossible,” says Jasper. “When the impossible is expected of you, it’s hardly up to you to meet expectations. Understandable, as well, to have a bit of a cry.”
She looks down at her lap. “Why are you here?” she asks. “Why do you work here?”
“Is this your coy way of asking how much more money I make than you?”
“What? No!”
He chuckles softly, and she feels her cheeks burn as she stares at him, indignant, as if she’d ask that. As if she would.
“Why are you a secretary, I meant,” she mutters. “And part of the pool here. When you could be like one of the men.”
“Am I not one of the men?” he asks. His voice is very deliberate, just like everything about him is deliberate, but more so in this moment even than usual. Suddenly she feels very ashamed.
“I didn’t mean—”
“Of course you did.” He takes a drag from his cigarette, and offers her one from his case, which is made of brass and has roses carved into the metal. She shakes her head, and he clicks it shut. “It’s a sensible question. Why would I be a secretary when secretaries make so much less money than the men they serve? Why would I do women’s work when to do so is to invite mockery? Why would I drop myself in the midst of women rather than doing serious, men’s work?”
There’s something sardonic about how he says it, the words blistering with irony. She doesn’t know anyone alive who talks with such disdain for men as Jasper Hackett is right now – and it’s for them, Elsa thinks. He’s not angry at her for asking, just hates the question, hates the world that makes her ask it.
“I lack the stomach for masculinity,” he says, gesturing with one graceful hand, his cigarette a moving glow. “I don’t well-digest red meat, either.”
“You don’t like other men.”
“I suppose not.”
“Not even Mr Garvey?”
Jasper smiles at her.
Mr Garvey is the Chief of Accounts and one of the senior partners. He’s terrifying, so square it’s like they made him at the canning factory before they tailored his suits for him. Some of the girls joke that he wouldn’t let women in the building at all if he could.
“No one at all likes Mr Garvey, young lady,” says Jasper mildly. “Barring his wife, perhaps, and even her affections can’t be taken as given. But I do appreciate his severity, I suppose – one knows where one stands, no politics, no nonsense. No masculine posturing.”
Elsa is quiet, reaching up and touching the new stitching on her sleeve.
“Might I ask you a question now, or is this a one-sided interview?” Jasper asks, and she feels her brow furrow, her nose wrinkling slightly as she looks warily across the table at him. “Have you eaten?”
“Not yet.”
“Have you brought something?”
“A salad.”
“Good.” The way he says it, it’s less like praise and more like a verbal check mark – he says it in the same tone he does after receiving an affirmative in a meeting. Brisk, business-like, in-motion.
“How did you tear your sleeve?”
“I caught it.”
“Obviously. On what?”
“One of the shelves in the stationery cupboard. There’s a loose nail.”
Jasper frowns, and as she watches, he takes a notebook out of his suit pocket and makes a note, probably to tell the janitor. “Are you certain you don’t want to catch the girls up to join them?” he asks as he writes it down.
“I’ll just cry more,” says Elsa. “It’ll embarrass me. Maybe later. Why don’t you go?”
“I’m not man enough for the men in this building,” Jasper says with a shrug. “But I’m too much of a man for a girls’ lunch.”
Elsa’s instinct is to argue with him, for some reason, or try to somehow comfort him, although she doesn’t really know what he needs comforting for. She doesn’t know what he means exactly by that, about not being man enough. He’s the one who’s become a secretary, who wants to sit outside the boardrooms and take dictation rather than be inside them making presentations, or going out to dinner with his coworkers, with the other men.
Maybe it’s the culture.
Some men don’t like it, she knows, the “culture” – they don’t like to drink or go out with girls because they’re already married, or shy, or disinterested. The men get to opt out of it, or go home to their wives, and leave.
She doesn’t get to opt out. None of them do, really.
She hates the way they look at her sometimes, the men in the office, hates the hungry stares and the up-and-down flickering looks, the hands on her back, her waist, touching her cheeks, her neck, playing with her hair. It’s not as if it’s just the men in the office – it’s the men in the world. She just works here.
She’s not Mr Lockwood’s type, and it feels, sometimes—
Well.
Sometimes, the way he snaps at her, the precise way he raises his voice, it feels like he’s angry at her for not being what he likes, for not being pretty in the way he enjoys, the way he would enjoy. It feels like he’s angry that he doesn’t want her, and blames her for it.
She goes on dates, sometimes. Some of the girls live for it, the dates with clients or with copywriters, with the accounts execs, with the accountants. They talk about it like it’s a game – she feels less like a player and more like a poker chip, bet and played on the table.
Jasper is one of the only men her age in the office – well, he’s a bit older, thirty-something, but not forty or fifty – where talking to him doesn’t feel like it might turn around on her, like it might become a date.
That’s why the girls think he’s off, maybe. It feels dishonest, like there’s a trap there, somehow.
“Does it make you—” Elsa starts, and then she stops herself, not wanting to speak out of turn, not when she already feels like she’s made things mortifying for herself, when Jasper’s seen her cry, and now that’s what he’ll think of her whenever he sees her, sees her work.
“Hmm?” he prompts her.
“Did you eat lunch?” she asks.
They say he doesn’t, sometimes. She’s heard the girls gossiping about it in the break room or in the corridors, that he’s just like them in some ways. That he skips meals, that he likes to keep trim – and he is that. He’s got sharp cheekbones, and you can tell when he’s been more stressed out than usual, because he eats fewer meals, because the hollows show more in his cheeks.
He smokes more. Eats less.
“Mr Garvey is in one of his moods,” says Jasper.
It’s not that she doesn’t get the connotation – she hears that it’s negative, just that Garvey has so many negative moods that it’s hard to narrow down the estimation.
“Do you ever cry at work?” she asks. It’s half a joke, but his smile is wry when he shows it.
“Not anymore,” he says evenly, seriously. “When I was young, I did, now and then. Younger than you, I mean – at twenty, twenty-one. When I started.”
“Right out of college?”
“Yes.”
“Did you go to a woman’s college, too?” She winces at the words as they come out of her mouth, but he laughs again, doesn’t seem offended. She likes his laugh – it’s throaty and has a hoarse quality to it, maybe from the cigarettes. It’s not as deep as some men’s, but it’s not high either. No one would ever mistake him for a woman on the phone.
“I went to a secretarial school, yes.”
“Was your class all girls?”
“Mostly.”
“Does Mr Garvey treat you like he’d treat a woman?”
“Spit on me and tell me not to spike my heels into his carpet? Only when I find him in a jubilant mood.”
It shocks a laugh out of her, one of her hands over her mouth. He’s starting another cigarette, tapping it on his case before lighting the cigarettes head to head.
“You’re terrible,” she says.
“I am,” Jasper agrees, catty and just a little smug. “And I don’t know. Mr Garvey is a passionate misogynist but his hatred of women is more to do with his religious nature. Men have sex with women – ergo, men see women, and think of sex. In Mr Garvey’s mind, the mere presence of a woman stirs men to distraction. He doesn’t want people to think of sex in the office.”
“Well, I don’t want people to think of sex in the office,” she mutters, and she lowers her voice as she says the word, almost whispers it. She looks behind her shoulder to see if anyone else is there, but it’s just them. She doesn’t know that she should engage him on these terms at all. He speaks bluntly about the subject in a way that makes her nervous.
“No,” Jasper agrees. “Nor I, really. But Mr Garvey’s methods aren’t fantastic, and in any case, without revealing myself as a feminist, Elsa, women are more than a reminder of sex on legs.” He trails off, gesturing broadly with his cigarette, and then says, “He doesn’t treat me like many of the other men treat you girls, no. He doesn’t pat me on the backside or flirt with me, or fuss over my appearance – doesn’t scream at me in the same way some people do their secretaries, or nitpick my work so. Kimberley says I’m one of our best clerks, but honestly, I’m middling.
“They might not like my company, Elsabeth, but because I’m a man, our esteemed coworkers assume I must be better at my job, particularly my figures and so forth. And because I’m a man, my work isn’t constantly interrupted with male attention and attempts at my seduction – or just the distraction of someone staring at me while I’m trying to get things done.”
She sips at her tea, digesting that for a moment. “I never thought about that,” she admits. “All the time it takes up. Obviously, I know it… But I never thought about it in terms of minutes.”
It’s a lot, in the day. It’s more than minutes, in the day – it’s an hour, at least. Multiple, probably.
“I’m relatively invisible, of course,” he adds. “Being noticed, observed, in one thing in small doses, but a stressor when constant.”
She doesn’t say anything. He doesn’t ask, “Do you ever feel like a zoo animal, or perhaps a farm animal up on the butcher’s block?” because, she supposes, he knows enough that he doesn’t have to.
“I wish I could be invisible,” she says. She’s astonished by the weight of the envy in her voice.
“I’m sorry,” he says. “I’d hide you if I could.” He taps a little more ash from the head of his cigarette. “What made you choose secretarial work as your profession?”
She thinks about the question for a moment, wonders how honest she should be. That’s the thing about working in an office like this one. You’re meant to be honest, but not too honest.
When people ask, “How are you?” they don’t really want to know – you’re meant to make the right small talk, and talk about things without really talking about things, talking around them instead. It’s the same thing about who you are. What you’re meant to say, how you’re meant to behave.
Dressing as neatly as she does, as perfectly, is as close to being invisible as she can get – because she never has a detail out of place, and because she keeps her clothes in uniform, men don’t have anything new to comment on. She feels an additional surge of gratitude for Jasper fixing her sleeve.
“You can be honest,” Jasper says.
People usually mean it as a trap when they say a thing like that in this building – no one can really be honest in sales, unless the honesty is cover for a lie. Somehow, it feels different with him. She feels a sort of kinship with him.
“I could make more money here than in a factory,” she says. “Much more.” It’s true, and she regularly says it, and often it makes people laugh, but Jasper doesn’t. He nods his head in understanding.
“Much more,” he echoes.
“I took a typing course in high school. My English teacher said I’d be good, streamlined the process for me.”
“That was why you went?”
“I think so,” she says quietly. “I just didn’t really know what to do. More school was easy – I was good at school. And then I came out east with a girl from home, we got a place together. I work here – she works across town.”
“In sales?”
“In insurance. She says it’s a better office to find a husband in, that the men are less flighty, more reliable.”
“One can count on an insurance man to be risk-aware and sensible with his investments, I suppose.”
“How will you find a wife?” she asks, and he glances up from where he was looking at the tabletop, his eyebrows raising slightly. “I mean, would you— would you marry another secretary? Meet someone here at work, like we do? Or…?”
“You don’t listen to the office gossip, do you?” he asks. “Or you do, but you don’t understand it, exactly. Not sure why it matters, nor where it comes from, what spurs it on, what turns those wheels. Why ever does it matter so much, what they talk about? Why do they treat it with such gravity, these little faux pas, the arguments, the seemingly insignificant remarks?”
Her stomach flips, and she’s aware that her expression has crumpled.
“Oh, don’t worry,” he says softly, getting to his feet. “It’s not my intention to bait you or to be cruel to you. I’m not looking for a wife, young lady.”
“You’re, um…” She trails off. She’s heard people joke about it. Laugh about it. Not about Jasper, just— Just in general.
“You’re that way?” she ends up asking.
“I’m already married,” says Jasper. Her gaze drops to his hands, looking for a wedding ring she knows isn’t there. In response to her dropping eyes, he pulls out a chain from under his shirt, a ring shining on it, and says, “I don’t wear a wrist watch either.”
She swallows hard around the lump in her throat, suddenly so embarrassed she feels she could burst into tears, and he pulls his shirt forward by the tie, dropping the chain and ring back under his collar.
“Oh,” she says. “I’m— I’m so sorry, Mr Hackett, for, for saying—”
Jasper smiles at her, and steps out of the room.
* * *
Elsa doesn’t understand why he’s never mentioned it to the girls. She’s heard them say it, heard them call him a single man or joke about what he’d be looking for in a wife. Anja had once joked that he was probably hoping some man will mistake him for a girl and take him home as a bride.
All the girls had laughed and then gone hushed and quiet, but some of them had giggled for ages afterward, kept nudging each other and tittering when he went by.
“It’s illegal for a reason,” Joanie Eames had said at the bar. “Like having sex with farm animals.”
Elsa doesn’t know that it’s exactly the same, but she knows it’s wrong, that it’s a depravity of the worst sort, that those sorts of people are dangerous, ugly inside. She feels bad for thinking Jasper might be one of them, for letting herself assume, for saying it. She’s lucky he was so unmoved by it, that he just found it funny.
They used to tease her at school about it, for being the way she is – too literal, too naïve. “Don’t you know anything?” used to ring in her ears on the walk home, she’d heard it so often.
“He’s married, you know,” she says the next time Anja says it after Jasper had come into the break room to pin a note about typewriter repair policy on the board, her talking about how lightly he walked in his loafers.
He wears Oxfords, anyway, not loafers.
“What?”
The girls all go quiet, staring at her, and Anja felt like she’d been spot lit – she was normally in the background, in amongst the crowd of them, not looked at or stared at like she’s being stared at now.
“Jasper Hackett,” she says. “He’s married. He just wears his ring on a chain.”
“Why would he do that?” demands Anja, looking suddenly angry, little pink marks appearing at the tops of her cheeks, because she never has a full blush. “How do you know?”
“Oh, he just mentioned it,” says Elsa, trying to sound casual. “He doesn’t wear a watch, either.”
She wonders if she shouldn’t have said anything, because at the end of the day when Jasper comes out of Mr Garvey’s office and there’s six of them all crowded together, Anja calls him out.
“Hey, Jasper!” she says in that sweet, bubbly voice she has.
“Something I can help you with, dear?” asks Jasper in an even sweeter voice than hers is, so fine and cutting you could probably use it like those wires they cut ham with.
Anja falters, blinking. “I just wanted to ask,” she says. “What’s your wife called?”
Jasper smiles, and it’s a very polite smile, his eyes flittering over the group of them. His gaze locks with Elsa’s for a second, and she almost mouths, “Sorry,” but doesn’t.
“Linda,” he says lightly.
“You don’t have a picture of her on your desk,” Anja says.
“I don’t, I’ve never cared for cluttering a workspace,” Jasper says. “In any case, I well recall what she looks like, I don’t need a reminder. I see her very often.”
Anja doesn’t seem to know what to say to that, so Joanie asks, “What’s she like?”
“She’s tall, two inches taller than me, in fact. She has a beautiful head of hair, a lovely chestnut shade – not like mine, it’s got a shine to it, a bit more red. She’s a very impassioned speaker, an academic. She’s a research assistant over at City College.”
He waits for a few seconds, his expression anticipant, one eyebrow raised, until Joanie says – sort of impotently, “She sounds lovely.”
Jasper says, “She is! Night night, girls,” and moves off down the corridor.
“He walks like a woman,” Anja remarks once he’s out of earshot.
Elsa doesn’t know that he does, but he does walk gracefully, with a kind of flow. Maybe he is light in his Oxfords. She isn’t sure exactly what that means.
* * *
Jasper, some weeks later, comes by Elsa’s desk just before lunchtime, and says, “Would you like to join my wife and I for dinner this evening?”
She stares up at him, her fingers hovering over her keyboard.
“She keeps a kosher kitchen, if that makes the offer more appealing.”
“I haven’t been keeping kosher since I left home,” she admits guiltily. “But that sounds nice. Should I bring anything?”
“Just your fine self and a smile. The smile isn’t even mandatory, if it’s hard to keep up.”
She’s in a bad mood by the end of the day, feeling maudlin and sorry for herself – Mr Lockwood had actually shouted at her, had screamed so loudly that the walls had rattled, and only because she’d asked which Mr Smith he wanted something sending to, because he hadn’t been clear.
All the girls have been so nice to her all day, have been a bit gentler than usual and more sympathetic – several of them regularly refer to Mr Lockwood as a short straw, and they say she’s good to be so patient with him.
Jasper is just covering his typewriter as she goes up to his desk, and Mr Garvey steps out of his office, where Jasper stands to help him on with his coat.
Mr Garvey gives Elsa an ireful look, and she’s in such a poor mood she just stares back at him.
It’s beginning to rain outside, and Mr Garvey surprises Elsa by asking Jasper in gruff tones, “Do you want me to drive you two to the station?”
“No, thank you, Mr Garvey, I have an umbrella. Safe home.”
Garvey mutters something incomprehensible and stalks out.
“Come,” Jasper tells her as he pulls on his own coat and belts it shut over his suit. “I’m only a few stops away, on the same line, and it’s not too much of a walk.”
“Do we have to pick anything up?”
“There’s a bakery across the street from us, but that’s more a siren call than anything.”
“It must be hard,” Elsa says as they step into the lift. “With both of you working – to get groceries and so on.”
“Lina works four days a week, which does help,” Jasper says. “But yes, we’re often reliant on friends to fit some things into the schedule.”
He calls the lift operator by name when they leave, who bids them good night, and Elsa walks beside him into the street and follows his lead toward the subway.
“How long have you been married?”
“Ten years next November.”
“Ten years… You got married young?”
“Twenty-seven isn’t so young.”
“You’re thirty-seven!?”
Jasper blinks, and she looks away, because not only was he surprised, but several people had looked over.
“I thought you were— Well. I didn’t know you were so old.”
“So old,” Jasper repeats, huffing out a soft laugh. “Kind of you to say.”
“Sorry.”
“I’ve made my peace with my youthful features – I looked damn neat pre-pubescent in my early twenties. You’re twenty-two?”
“Twenty-three next month. I feel old.”
“Do you indeed? Why’s that?”
“All the girls are right out of school.”
“Ah. Not world-weariness, just comparison.”
She doesn’t normally ride this line of the subway, and she sits beside Jasper and looks at all the different people, careful not to keep her gaze on anybody for too long. She wants to look without being looked at, without being talked to. No one talks to her – at one point, a man glances over at her and she shifts immediately, wondering if he’s going to come over as his glance becomes a stare and he keeps concentrated on her.
She can feel the weight of his eyes on her face, feel them come down to her body, and in her periphery she sees him shift on his feet—
Jasper leans toward her and starts talking about something Jackie Kennedy said on the radio as if resuming a conversation, and she’s so surprised she doesn’t even realise the man has got up and left until they’re at their stop and they both stand to their feet.
“How do you know to do that?” she asks as they walk up the steps and into the street again. There’s no line at the bakery, and Jasper points out some pastries, buys them and a loaf of bread as well.
“Do what?” he asks.
“You do it with the girls at work sometimes too,” she says. “One of the guys will be flirting with her, and you’ll distract him, or ask if she’ll go and do something for you. Or you’ll just stand in the way and he just… won’t.”
“Men respect other men in a way they don’t women,” says Jasper. “My experience of that is diluted for the sort of man I am, granted, but I’m still a man. Linda and I met in a similar situation – we rode the same train, men were always bothering her. I started standing in the way.”
“So you could marry her instead,” she says with a slight challenge in her voice, and he laughs as he takes the package from the baker, thanking him in Yiddish – the whole conversation was. It’s been a while. She never hears it at work, maybe the occasional “oy”, but nothing else.
It’s not classy enough for the men in the office, the big clients.
“Believe it or not, we knew each other three years before all that. We talked on the train sometimes, and then she used to invite me to parties, and I’d go along with her. One morning, she said she was tired of her roommates bickering with her. She said we should get married.”
Elsabeth stares at him, at the faint smile on his face as they cross the street.
“She did?”
“Oh, yes. I thought she was joking, but she had a whole presentation prepared and she laid it out. A very strong public speaker, my wife, even when her public amounts to one easily convinced man.”
“So you got married then?”
“A few months after our discussion. We’ve been living her since, and we have two cats together. You’re not allergic, are you?”
“No, no. What about children?”
“Oh, we haven’t got room for that,” Jasper says casually. “My mother-in-law gifted us a bassinet, but it doesn’t go unused. Ido and Noam barely share it already without fighting an infant for space as well.”
Elsa thinks about this for a moment. She’s never really imagined being nearly forty and not having children at all. It’s always felt like there’s a sort of ticking clock on her life, until she has to give it over to a man’s children – children that have to be hers as well, but they never really feel like that in her head.
“You don’t want any?”
“Not particularly, no. Parenthood isn’t for everybody.”
“Isn’t it?” she almost asks, but he’s leading her inside, and the question evaporates on her tongue as they step into the house and he eases off his shoes before he takes off his coat, so she copies him.
Linda isn’t home yet, the two of them alone in the house together.
She feels kind of stiff and uncertain, keeping her distance from Jasper as they hang up their hats and coats, as he steps through the living room and into the kitchen, beginning to wash his hands.
Ido and Noam are sitting either end of a shelf with their tails hanging down like bookends, peering at her.
“Where’s your wife?” Elsa asks, hearing the slight quaver in her voice as she walks toward the cats and reaches out her hand to one, letting it sniff her fingers. They’re both huge, fierce-looking animals, muscular with dark, shaggy coats and strong facial features. They’re almost dog-sized really, and she’s surprised the shelf doesn’t creak under their weight.
“On her way home, I’d hope,” Jasper calls from the kitchen. “Linda is less punctual than I am, I’m afraid – timeliness is not one of her virtues.”
She wonders if she’s made a mistake, coming to Jasper Hackett’s apartment, to a man’s apartment, alone with him. No one even knows she’s here except for the cats, and maybe Mr Garvey, and Mr Garvey hates women – would he even care if something happened to her? Would he even notice? It could be his wife doesn’t even know. It could be that he doesn’t even have a wife, that Linda’s made up and she’s here, in a man’s flat, alone, just them.
Her heart is beating faster in her chest.
She turns to look around the rest of the flat, and she feels a bit more nervous when she looks and looks and doesn’t see photographs of the two of them together, just art on the walls, and a lot of books.
Her mouth is dry as she steps into the middle of the living room to look into the kitchen without stepping closer. As she looks, she sees that Jasper has stripped off his suit jacket and rolled up his sleeves, that he’s chopping vegetables.
Elsa’s never seen a man cook before outside of a restaurant, and the knife moves fast, his movements neat and easy, well-practised and at-home with what he’s doing. She feels sick about it, the grip he has on the knife, the fact that he’s not even looking at her.
“Um,” she starts, her mouth dry. She feels a little faint. “Mr Hackett?”
“Goodness, girl, don’t call me that. Jasper is fine. Sorry, would you like a drink? There’s tea and coffee, a few cordials – let me get this mise-en-place finished, and I can make up some lemonade for you.” The wooden noises of the knife on the block keep sounding, and she wrings her hands in front of her belly, rehearsing excuses to leave on her tongue.
And then the door opens behind her and she lets out the breath she was holding, feels her body sag.
It tightens up again when the woman in question walks in, nudging the door closed behind her with her hip so she doesn’t have to put her bags down, and Elsa realises that Jasper Hackett is married to the most beautiful woman she’s ever seen.
Linda Hackett is an Amazon – when Jasper said she was tall, she hadn’t taken into account the idea that she would still wear high heels. Jasper is just under six feet tall, but Linda is past that. In her heels, she must be six feet and two. She has thick cascades of gently curling chestnut hair, warm in colour with golden red undertones and a healthy shine, deep red lips, dark eyes. She wears pants, yellow-beige plaid with her sleeveless blouse tucked into them, a cardigan around her shoulders and held in place with a chain.
“Ah,” she says when she lays eyes on Elsa. “You’re here, good.”
Elsabeth’s tongue feels frozen in her mouth, and she can’t make it work, can’t make herself say anything.
“You said she was shy,” Linda remarks to Jasper, and presses a bag of groceries into Elsa’s arms. “Unpack these.”
For some reason, Elsa’s cheeks blossom in a blush, and she obediently takes the bag, stumbling into the kitchen and setting it down on the counter. It’s a small kitchen, so she ends up back to back with Jasper as she unpacks it – some frozen things, some fruit, rather than things they’re eating tonight.
“How was work?” asks Jasper.
“I’m thinking of murdering one of the adjunct professors,” says Linda casually, leaning in so that Jasper can kiss her cheek, which he does without looking away from the vegetables he’s chopping.
“Only one?” Jasper asks in reply, and Elsa looks at the two of them side by side, at how Linda leans back against the kitchen counter and stands beside him as he chops, swiping a piece of bell pepper to chew and swallow. They look incredible, side-by-side like this – Jasper looks far more handsome, beside his wife, than he does on his own right. They sort of complement each other. “Elsabeth Lorne, meet Linda Hackett,” says Jasper.
“Hi,” Elsa croaks out, her voice breaking on the word.
Linda’s laugh is low and deep – her voice isn’t hoarse, but it has a resonance a lot of women’s don’t have, and it’s naturally far louder than her husband’s is.
“How was work for you?” asks Linda. Her shoulder gently nudges against Jasper’s, but her gaze is locked with Elsa’s. Her arms are crossed under her chest, and it’s— distracting.
“Sam is on a new blood pressure medication. He’s nervous about it – it’s making him quite antsy.”
“Taking it out on you?”
“No more than usual. He offered us a lift, actually, but I declined. I didn’t want poor Elsa here to receive the full force of his personality in such a small space.”
“Mr Garvey?” asks Elsa.
“He can be really lovely outside of the office,” says Linda.
“Really?”
“No.” She smiles as she says it, shifting her arms. She hasn’t got a low neckline, her blouse buttoned up to the neck, but even under the cardigan, Elsa can see how significant her chest is, how big her breasts are. It makes sense, with what a big woman she is, her broad shoulders and her tall frame, that her chest should be in proportion, but…
She feels like some sort of pervert for noticing, her lips quivering, the tops of her ears feeling hot as well as her cheeks.
Linda is lighting a cigarette, and before she takes a drag of it, she holds it to Jasper’s lips, letting him take a drag as he keeps prepping.
“He’s a prickly personality, even in the home,” says Linda. Her fingernails aren’t painted, but they’re beautifully manicured and buffed to a pink shine like Jasper’s are – she’s got quite short fingernails for a woman, doesn’t wear lacquer or have pointed nails. She probably types a lot herself at work. “God knows we’ve had our share of furious arguments over dinner here, Sam and I. But he means well, which is more than most.”
“What do you argue over?” Elsa asks.
Before Linda can answer, Jasper says, “Those two fight over everything. If Linda said the sky was blue, Sam Garvey would be about ready to insist it was green.”
“He’s an awful prick,” says Linda, then chuckles. “I miss him when I don’t see him for a while.”
Elsa’s laugh is breathless, nervous. She doesn’t know any women like Linda, she doesn’t think. Women who smoke like she does, or are so tall, or who call people pricks so easily and so confidently like it’s nothing at all.
“How do you find the work?” she asks Elsa. “Jasper says you two have been chatting recently, that your boss is a bit of an ass?”
“Mr Lockwood,” says Elsa quietly, folding up one of the brown paper bags. “He’s, um… He’s an angry man. He loses his temper a lot.”
“Some men would be happy typing their own letters,” Linda says dryly, tapping her cigarette into an ashtray. “But then they wouldn’t have a secretary as a punching bag. Do you like the work, your boss aside?”
“I like typewriters,” says Elsa.
“Oh?”
“My father is a watchmaker,” Elsa says. “He repairs them back home – watches, clocks. When I started typing at school, he bought some to take apart, to learn to repair, so he could show me. He wanted to make sure I knew how.”
“Oh, that’s sweet,” says Linda softly. Her lips are beautiful when she pouts them out. “So, you can repair them?”
“Yeah, actually, I can repair them okay,” says Elsa. “Especially older models, you know, ones from the forties and earlier – my school actually had a bunch of different models in case people were working at small businesses. The ones at work are newer models, and they’re more accessible for small repairs, less so for deeper mechanical work. Typewriters these days are made to be transported more, so the casements are heavier and more fixed, but that makes their guts less accessible too.”
“Are you excited about the new typewriter ball?” asks Jasper, and Elsa laughs, nodding her head.
“What’s that?” asks Linda, raising her eyebrows and leaning back to look at Jasper. As he swipes the vegetables from the chopping board into a roasting tin, he turns to Elsa can see his face too.
“IBM have released this new typewriter with a ball that all the letters are embossed on,” Jasper says, gesturing with his hands. “Instead of having individual hammers that strike the ribbon, you know, with those layers of bars and hammers like an organ, the ball rotates and moves to be struck by one hammer instead.”
“You can take out the whole ball to clean it at once,” says Elsa, “and that means one typewriter can easily have a bunch of typefaces, because you can just swap out the ball.”
“Oh, look at that smile,” says Linda softly. Her lips are shifted into a smile of her own. She’d been walking closer to get the chicken out of the fridge, and as Elsa stands there Linda holds her cigarette between her lips and reaches out to brush her knuckles over the side of Elsa’s cheek. It’s only a delicate touch, but it’s such a rush Elsa feels dizzy with it.
Once the chicken’s in the oven, Linda and Elsa go into the living room while Jasper makes lemonade, and when Elsa sits down on the sofa, Ido and Noam come over to sniff at her legs and then hop up to sit with her. They’re both heavy, dense animals, and they purr like engines.
“Hi, baby,” says Linda, gripping the larger of the two – Ido – and lifting him up into her lap. Elsa stares at the way he goes limp in her arms, letting her hold him like a baby and rock him in her arms, her thumb rubbing against his thick, tufted chest.
“So, um, Jasper says you’re a research assistant?”
“That’s right, I work in biochemistry – I study metabolism, effectively, the ways in which people digest different things, how quickly, and so on.”
“That’s interesting,” says Elsa, which must ring false, because Linda chuckles.
“It is to me,” she says, rocking Ido, who is looking up at her lovingly, his eyes half-closed. Noam has his big face mashed into Elsa’s belly, and is kneading at the blankets either side of them. “I love my work, I just wish it wasn’t… Ah, you know.”
“It’s hard?”
“I work with men.”
Elsa sighs, and nods her head. “I, um… On the train, Jasper stopped a man from talking to me. Like, he noticed, before he said anything or came over.”
“He’s good at that,” says Linda. “Men like Jasper are a real relief.”
“There are other men like him?”
“There’s a few knocking about.”
“Maybe I should try to find one,” Elsa says quietly, and Linda tilts her head as she looks at her, easing Ido down in her arms. He stays laid on his back, his back legs together like a bunny’s, pressing up on the underside of one of Linda’s boobs, which makes her laugh.
“I hate it when he does that, he knows it,” she says, rubbing the thick fur on his belly. “He just likes to push on it, I think – Noam’s worse, he’ll pad up to me and use his forehead to push one of them up as if he’ll find treasure underneath. It’s a bit like lifting weights for him, I suppose.”
Elsa giggles, covering her mouth, and she shakes her head, scratching Noam under his ears.
“Do you find Jasper handsome?” Linda asks.
“Sure,” says Elsa.
“No, I mean…” Linda starts, and then exhales, smiling at her kindly. “Physically, is he the sort of man you like?”
“Well, most men look the same, really,” says Elsa, and when Linda raises her eyebrows, she wonders if it’s the wrong thing to have said, if it’s not right. “Um. Sorry. I don’t mean anything bad by it. I just mean— Men aren’t like women, right? We all look different.”
“We do,” Linda allows.
“I just— All the men in the office, they get their hair cut at the same places, they wear the same suits, have similar coats. They try to look the same – we all try to look different. Beautiful.”
“You don’t think men can be beautiful?”
“Handsome, maybe,” says Elsa. “I’m not— I’m not saying I… Sorry. I think I’ve said something odd.”
“You haven’t,” says Linda. “Sometimes girls at work will talk about men, Paul Newman, Steve McQueen. It feels like they’re speaking a foreign language sometimes.”
Elsa rubs the top of Noam’s head, between his ears.
“Fools, all of them,” says Jasper as he comes back into the room. “It’s like they don’t even see Marlon Brando.”
“The man looks like a thumb,” says Linda, and Jasper scoffs.
“With lips like peaches,” he says.
Elsa feels herself blink, and she stares at the three glasses as Jasper starts pouring fresh lemonade for them, the ice clinking in each one.
“You think he has nice lips?”
“Jasper thinks Marlon Brando has nice everything,” says Linda.
Elsa doesn’t know what to make of it, exactly, because at the same time, Linda reaches out with one foot and rubs against the side of Jasper’s ankle, making him jump and shove his wife in the arm, laughing. “Horrid woman,” he calls her.
“We were just discussing what Elsabeth here might like in a husband,” Linda says, and Elsa looks at Jasper as he leans back in one of the armchairs, crossing one ankle over the other.
“We can introduce you to some people,” says Jasper.
“Men like you,” says Elsa, haltingly.
Jasper looks at her over his glass, wearing his face in that blank, neutral way he does. “Men like Marlon Brando,” he says evenly. “So the rumours say.”
Elsa looks between the two of them, tries to get a handle on it, tries to understand, really understand. “Really?”
“One hears whispers.”
“So you’re— You two are…” She looks to Linda. “You married him so that people wouldn’t know? And you know that people are— Is that why you know how women feel? Because you, because you’re… Are you and Mr Garvey—”
“Slow down,” Jasper says when Linda hiccups. “Take a breath.” He breathes in demonstratively, inhaling very slowly, and Elsa copies him automatically before taking a few gulps of her lemonade.
“It’s alright,” Linda murmurs, and she strokes over the back of Elsa’s neck, making her shudder. It’s… Nice, though. It’s nice.
“Mr Garvey is not of my inclination, no,” says Jasper. “His father was – it’s made him astonishingly liberal in this area and this one alone.”
“Why would you tell me? Isn’t it illegal? What if I told somebody?” She feels nervous, uncertain, overwhelmed by it, by the weight of the knowledge.
“What if you did?” asks Jasper, raising his eyebrows. “What evidence do you have?”
Noam puts his front paws up on Jasper’s knees, and Jasper picks him up under the armpits, cradling him against his chest so that Noam can shove his face into Jasper’s neck and purr loudly there.
“Why would I want to marry a man like you?” asks Elsa.
Jasper shrugs. “For the same reasons Linda did, I suppose. A man is a useful shield, if you want one – you’re still young, though. I wouldn’t worry about it just yet, if it’s not a priority for you.”
“A husband, a cooperative one, can mean more independence,” says Linda. “Less harassment, albeit only slightly.”
Elsa looks at her, at her beautiful hair, at the cat sprawled in her lap. “Only slightly?”
“He wears his ring on a chain – I wear mine very obviously,” says Linda, waving one hand and showing its glint. “They still come sniffing around, inviting me places, wanting to put their hands on me.”
Jasper sighs longingly, blinking his pretty eyelashes and looking jokingly wistful, and then breaks into laughter when Linda kicks him in the shin.
“No, it’s awful,” he agrees abruptly, dropping the joking expression. “Would that you could have an all-female chemistry department.”
It’s now Linda’s turn to sigh wistfully, and Jasper affectionately pats her knee. They really look a picture like this, across from each other, both of them with their matching cats. They match one another, they really do.
“Why would you trust me?” Elsa asks.
“Why wouldn’t I?” asks Jasper. “You’re a sweet girl, Elsabeth. Kind, caring.”
“Isn’t it wrong?” she asks.
Jasper shrugs his shoulders. “Isn’t everything about the world we live in?”
Elsa hesitates, uncertain what to say.
“Would you like to play cards?” asks Linda.
That’s what they do.
* * *
It’s astoundingly easy to play with the two of them, to relax into the experience and just chat over cards and the cats. She doesn’t play cards much – the girls always want to just drink and talk and sing and dance, and that’s nice in its own way, but different to this.
She wonders if he’s ignoring it, what these people are, if that makes her awful, for ignoring it, except she isn’t, exactly. The idea of it, of Jasper being… that way. The fact that the girls were right all along, joking about it, thinking about it, knowing it.
They knew what he was just by looking at him, talking to him – is that why Jasper was so unaffected by it when she’d asked outright, even though a lot of men would be furious to be asked, would go into a rage at even the implication.
Shouldn’t she hate it? Shouldn’t she be angry, or disgusted? People say it’s disgusting, that it’s awful, but Jasper is the same now as he has been. He’s witty, gentle, soft-spoken. She wonders what he’s like, when he’s with men who are like him, if he’s the same, or somehow different.
“Let me go check on the chicken,” Jasper says, getting to his feet – both of the cats must know that word, because they follow after him with their tails up high and straight, cheerful, and he laughs as they weave around and through his ankles.
“Do you sleep in the same bed?” asks Elsa. Her voice comes out very quiet, in little more than a whisper.
“We do,” Linda says. “It’s lovely in winter – he gives off heat like a furnace.”
“What’s it… like? The— I’ve never…”
“Had sex?” asks Linda.
Elsa nods. “I’ve never even kissed a boy,” she breathes out. She’s thought about it. She’s heard people talk about it in movies, she’s heard the girls talk about it, about the actual act, and it’s never seemed… She doesn’t know that she likes the idea of being so intimate.
It’s like when the girls talk about men who are attractive, when they talk about Paul Newman and how handsome he is, when they talk about kissing men. Anita was talking about how it makes her feel when her fiancé puts his hand on her waist, how it makes her heart flutter.
Elsa’s never felt that.
“We don’t,” says Linda. “Jasper and I. We’re quite comfortable with each other’s bodies, we see each other naked, help each other dress. Jasper broke his leg a few years ago, and I helped him in the shower a lot, so we’re used to bathing together.”
“I can’t imagine it,” says Elsa. “Being close to a man like that.”
“And to a woman?” Linda asks.
Elsa’s breath arrests in her throat. “Did, um— Did your husband bring me home… for you?”
Linda slowly shakes her head. “He thought you might be like us, had his suspicions,” she says. “But we have friends, Elsa – I was serious when I said I could find someone like him to match you up with. A man inclined like Jasper, if you’re inclined… like me.”
“How do I know?” asks Elsa. “That I am?”
Linda looks at her with her dark eyes, and then she slides closer on the sofa, until their knees brush against each other, and Elsa hears a little noise come out of her own mouth, a shock running through her.
“May I?” asks Linda, and Elsa doesn’t know what she means exactly, is hypnotised by the gesture of one of Linda’s hands, so she just dumbly nods her head, dizzied, drawn in.
Linda cleans closer, and Elsa breathes in the scent of her perfume.
It’s far, far subtler than anything they wear at work – she finds it too sickly sometimes, the scents the other girls wear, too overwhelming, but this is nice. It’s sweet, but there’s a muskiness to it, a depth.
Then Linda is kissing her, and Elsa feels like she might die.
Linda’s lips are plump and soft and so, so warm against hers, the movement gentle, and Elsa feels full up with her – with the scent of her perfume and her shampoo too, with the warmth of her mouth and the lemonade taste lingering on her lips, Linda’s fingers delicately resting on her thigh. Linda’s chest is brushing against hers, and Elsa can feel the weight of them, the weight of—
“Oh, God,” she whispers, almost whimpers, and Linda’s laugh as a curl of smoke through it, so that Elsa feels hot and burning all over.
“Would—” Linda starts, and Elsa feels horribly rude because she cuts her off, but she just craves more, crushes their lips together in another hungry kiss, and this time Linda opens her mouth and they kiss each other more deeply, their tongues sliding against each other, and ohGodit’sthebestthingintheworld—
Linda cups her cheek, tilting her head to kiss her deeper, controlling it, and Elsa’s hands scramble for her, to grab at her – she squeezes one of Linda’s thighs, her head spinning with how muscular they are, how strong she must be. She’s got broad shoulders and strong arms and strong legs, and Elsa’s head spins with questions, wondering if she cycles, or if she rides horses, or if she does archery, somehow, and is some sort of warrior goddess like Wonder Woman, and—
Their lips make a smacking noise when Linda draws back.
“Is that what it feels like?” Elsa asks urgently. “When people kiss men?”
Linda laughs at her, stroking her cheek with her thumb. “It’s what Jasper feels, maybe. I’ve never enjoyed it much.”
Elsa is breathing heavily, sweat on her skin under her clothes, burning on the back of her neck. She wonders if she’s as red all over as she feels – if she’s as red as all that, she must be glowing like a beacon.
“Can I, um,” she starts, her hands trembling with anticipation. “Can I touch them?”
“Touch what?”
“Your… bosoms?”
Linda sniggers, and Elsa laughs helplessly, at herself, at the absurdity of the situation, at the intensity of her own swirling emotions, the feeling that she’s balanced on the head of a pin with a storm swirling around her. Linda takes her gently by the wrists and puts her hands on her breasts, and they’re so, so warm, and so soft, and so big, and—
“They’re magnificent, aren’t they?” Jasper asks. “A wonderful pillow my wife makes, too.”
“I’m so glad I make good furniture for you,” snarks Linda witheringly, and Elsa slowly cups her chest from underneath, feeling how heavy her breasts are – Linda’s brassiere is made of a more reinforced fabric than hers, she thinks. Maybe that’s why she’s so muscular, just so that the weight doesn’t hurt her back as much. She knows some of the girls have difficulty getting a brassiere that supports them well, that if you have a big chest, it can hurt your posture, your neck, your shoulders.
“The cat pushes these up?” she asks, weighing them between her palms like she’s two halves of a scale, and even knowing that some of the weight is being taken by Linda’s bra, they’re heavy.
“They’re very strong boys,” says Linda.
“Wow,” Elsa whispers.
“You love them now,” says Jasper mildly. “Wait until one of them smacks you in the face in the heat of the moment.”
Elsa does think about that for a second, feeling like her brain is short-circuiting somehow, that there must be steam or perhaps smoke rising up from her ears. What’s Linda’s skin like, underneath her cardigan, her blouse, her bra? Her— Her nipples?
“You are just cute as a button,” Linda murmurs. “Jasper, do you mind if we…?”
Elsa looks over when Linda trails off – Jasper is already pulling his coat on. Elsa keeps struggling to remember that he’s there. “The timer is set for an hour,” he says mildly. “I’ll drop in on Evan for forty-five minutes or so. You two… explore.”
“Sorry,” says Elsa reflexively.
“Sorry?” repeats Linda, raising her eyebrows. “Don’t be sorry.”
“Darling, what would you even have to be sorry for? Look at that smile on your face.” Jasper puts one hand on his hip, looking over at the two of them. “I did know this was a possibility.”
Elsa bites the inside of her lip, looking at Linda’s amused expression, at the affection in it. She feels searingly hot on the inside, and warm – not just between her legs, but also in the core of her, a spiritual warmth, beyond the physical. It feels, somehow, like something inside her has slotted into place, has become complete where it wasn’t before. She is smiling, she realises, her lips curved naturally into the crescent of it.
“Only forty-five minutes?” she asks, and Linda and Jasper both laugh.
“Only to take the chicken out,” says Jasper over his shoulder as he goes to the door. He’s wearing a pocket watch, she realises – no wrist watch, still. “I know from experience that Linda won’t hear the alarm.”
“Not all of us can be domestic goddesses,” Linda says dryly.
“Happy to play the Parvati to your Shiva, my dear,” he says, and winks before he closes the door behind him.
“Is it okay?” Elsa asks as the door shuts closed. “I don’t want you to think that I, that I’m treating you like a man would.”
“Oh, sweetheart,” Linda murmurs, “I’m not remotely worried about that. Why don’t we kiss again, hm? Slower this ti—”
Elsa cuts her off again, and she swallows Linda’s answering laughter as the older woman curls her fingers through her hair and pulls her closer for more.
(They don’t hear the timer. Jasper teases them about it for weeks.)
FIN.
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loving-n0t-heyting · 2 months
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In a recent post complaining about a certain type of person doing a certain type of take, you listed 'there is literally nothing to be said about housing than "build moar and abolish zoning"' as one such take, alongside other more disagreeable ones, etc.
Could you expand upon your disagreements with this? Is it that you think "homelessness will require active spending to fix", "Housing policy should include improved legal protections for renters(and just building more housing to provide alternatives isn't enough)", or something more fundamental in opposition?
I will say that housing is an area where a lot of my concrete stances are unsettled, i used to more or less imbibe standard yimby views from my social sphere and have grown more agnostic over time. But milquetoast fence sitting aside i will say this:
Building lots of high end housing can, in fact, cause problems for existing local residents that need to be considered when implementing construction. Short term rising rents and displacement, primarily
Idt any amount of market rate housing will fully solve the problem of housing affordability for poorer tenants. Some amount of govt intervention—best of all in the shape of vienna-style public housing projects, plus rent control and other forms of decommodification—is necessary to properly relieve the burden of housing costs for all sections of society. For at the very least the obvious reason that low income housing is just not that profitable
I am any amount sympathetic to preserving and fostering local urban community and culture. This talk gets abused but i think i take it more seriously than most "just build!!!" yimbies. Jane jacobs type stuff
Its petty but gawd the new luxury construction that i see built around here is so ugly. Theres no fucking law saying a high rise isnt allowed ornamentation or colour or anything besides the aesthetic of babbys first minecraft architecture. And the brutalism and hideous masses of steel and glass fandom has gotta stop whining about how persecuted they are. You guys have a monopoly on new devt and yr design preferences are massively unpopular, they should be represented in architecture in proportion to their meagre popularity among the public that has to live around it. Theres a reason the far right loves "retvrn to buildings that look nice" as a foot in the door for radicalisation, its bc most ppl are agreed the buildings yimbies drool over look like shit. Architects are an oppressor class
I am probably a "left yimby" with caveats when all is said/done. More housing and denser housing seem like urgent needs but these are not problems you can fully offload to the market without unfairly screwing a lot of ppl over
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