#the disney company is starting to get it | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Users from the US are the majority of Tumblr visitors.

#the disney company is starting to get it

jotunvali02 · 2 years

Text

Just watched Lightyear

First, it's a Star Trek movie! It's a fucking Star Trek movie!! It even starts like ST IV "with the whales"!

Aside from that, it's such a beautiful, beautiful & breathtaking movie.😍

I've cried at least 5 fives. 😭

Also it reminded me of one of the most painful Star Trek DS9 episodes (fans will know what I mean).

And... the Gamma quadrant?? Are you serious?? 😆

I cried at that too. 😭💘

And the kitty is so cute and funny. He also offers whale sounds.

We got it, guys. You LOVE Star Trek.💗💗💗

And we love it too.

In short, it's a beautiful, magnificent and really emotional movie.

#and at LAST #along with #dr strange multiverse of madness #we fucking have a canon #SHOWN #gay couple #lightyear 2022 #pixar lightyear #star trek #ds9 #TAT #beautiful movie #the disney company is starting to get it #MORE representation!#representation matters #lightyear #star trek deep space 9

22 notes · View notes

aurosoulart · 1 year

Text

I feel like I’ve been posting a ton lately (because there’s a lot goin on!!!!) but FOR THOSE OF YOU WITH TWITTER: Figmin XR just published our AWE competition video!!!

❗ PLEASE like/retweet it if you want to help us with our company mission of using AR (augmented reality) to reduce material waste. ❗

we’re an indie team of 4 people competing against large companies, so we’re relying pretty much entirely on word of mouth to spread the word about what we’re doing. we’re also competing against the AI and web3 (crypto) crowd, which are unfortunately still big in the tech industry

we’re competing in multiple award categories at AWE and will be relying on public votes, so literally any and all visibility helps us immensely right now. 🙏

I’ll be posting the video to @figminxr later, so don’t stress if you’re not on twitter. I’ll be sharing more info about the competition in the post as well!

#auropost #i'm pulling out the exclamation mark emojis so you know i'm serious lol #i am a little bit serious though #there is a non-zero possibility that figmin could singlehandedly transform the way we think about material objects #i don't talk about this much since 1) we're humble indie devs and 2) it breaks my brain to think about #but there is a reason we went on the meta world tour and got into the disney family gallery #and there is a reason every new headset manufacturer recently has reached out to us directly #and also our app is starting to be implemented in classrooms for children AND adults #like a fucking ARCHAEOLOGY team is using figmin as a learning tool #it's international too!!!!#and the reason it's getting so big is that no one else is making anything like this #and if we can prove to the xr industry that the general public WANTS tech like this #that's the next step towards getting companies to make it actually affordable #and once it's affordable.......... you will be able to Download A Frisbee #and just. anything else you want.#MAN!!! what a wild thing to be able to say!!!!

25 notes · View notes

rivertalesien · 3 months

Text

"AI Art" is already being normalized on this site via memes and shitposting that tries to be ironic without recognizing *any* sharing of "ai art" is normalizing, not critique.

A generation is already growing up on chatgpt.

#and it won't be long until companies like Disney start using it full-time to avoid paying actual artists #the more you feed it the better it gets #so please don't fucking feed it #enough people are starving

2 notes · View notes

cookinguptales · 1 year

Text

So I’ve been enjoying the Disney vs. DeSantis memes as much as anyone, but like. I do feel like a lot of people who had normal childhoods are missing some context to all this.

I was raised in the Bible Belt in a fairly fundie environment. My parents were reasonably cool about some things, compared to the rest of my family, but they certainly had their issues. But they did let me watch Disney movies, which turned out to be a point of major contention between them and my other relatives.

See, I think some people think this weird fight between Disney and fundies is new. It is very not new. I know that Disney’s attempts at inclusion in their media have been the source of a lot of mockery, but what a lot of people don’t understand is that as far as actual company policy goes, Disney has actually been an industry leader for queer rights. They’ve had policies assuring equal healthcare and partner benefits for queer employees since the early 90s.

I’m not sure how many people reading this right now remember the early 90s, but that was very much not industry standard. It was a big deal when Disney announced that non-married queer partners would be getting the same benefits as the married heterosexual ones.

Like — it went further than just saying that any unmarried partners would be eligible for spousal benefits. It straight-up said that non-same-sex partners would still need to be married to receive spousal benefits, but because same-sex partners couldn’t do that, proof that they lived together as an established couple would be enough.

In other words, it put long-term same-sex partners on a higher level than opposite-sex partners who just weren’t married yet. It put them on the exact same level as heterosexual married partners.

They weren’t the first company ever to do this, but they were super early. And they were certainly the first mainstream “family-friendly” company to do it.

Conservatives lost their damn minds.

Protests, boycotts, sermons, the whole nine yards. I can’t tell you how many books about the evils of Disney my grandmother tried to get my parents to read when I was a kid.

When we later moved to Florida, I realized just how many queer people work at Disney — because historically speaking, it’s been a company that has guaranteed them safety, non-discrimination, and equal rights. That’s when I became aware of their unofficial “Gay Days” and how Christians would show up from all over the country to protest them every year. Apparently my grandmother had been upset about these days for years, but my parents had just kind of ignored her.

Out of curiosity, I ended up reading one of the books my grandmother kept leaving at our house. And friends — it’s amazing how similar that (terrible, poorly written) rhetoric was to what people are saying these days. Disney hires gay pedophiles who want to abuse your children. Disney is trying to normalize Satanism in our beautiful, Christian America.

Just tons of conspiracy theories in there that ranged from “a few bad things happened that weren’t actually Disney’s fault, but they did happen” to “Pocahontas is an evil movie, not because it distorts history and misrepresents indigenous life, but because it might teach children respect for nature. Which, as we all know, would cause them all to become Wiccans who believe in climate change.”

Like — please, take it from someone who knows. This weird fight between fundies and Disney is not new. This is not Disney’s first (gay) rodeo. These people have always believed that Disney is full of evil gays who are trying to groom and sexually abuse children.

The main difference now is that these beliefs are becoming mainstream. It’s not just conservative pastors who are talking about this. It’s not just church groups showing up to boycott Gay Day. Disney is starting to (reluctantly) say the quiet part out loud, and so are the Republicans. Disney is publicly supporting queer rights and announcing company-supported queer events and the Republican Party is publicly calling them pedophiles and enacting politically driven revenge.

This is important, because while this fight has always been important in the history of queer rights, it is now being magnified. The precedent that a fight like this could set is staggering. For better or for worse, we live in a corporation-driven country. I don’t like it any more than you do, and I’m not about to defend most of Disney’s business practices. But we do live in a nation where rights are largely tied to corporate approval, and the fact that we might be entering an age where even the most powerful corporations in the country are being banned from speaking out in favor of rights for marginalized people… that’s genuinely scary.

Like… I’ll just ask you this. Where do you think we’d be now, in 2023, if Disney had been prevented from promising its employees equal benefits in 1994? That was almost thirty years ago, and look how far things have come. When I looked up news articles for this post from that era, even then journalists, activists, and fundie church leaders were all talking about how a company of Disney’s prominence throwing their weight behind this movement could lead to the normalization of equal protections in this country.

The idea of it scared and thrilled people in equal parts even then. It still scares and thrills them now.

I keep seeing people say “I need them both to lose!” and I get it, I do. Disney has for sure done a lot of shit over the years. But I am begging you as a queer exvangelical to understand that no. You need Disney to win. You need Disney to wipe the fucking floor with these people.

Right now, this isn’t just a fight between a giant corporation and Ron DeSantis. This is a fight about the right of corporations to support marginalized groups. It’s a fight that ensures that companies like Disney still can offer benefits that a discriminatory government does not provide. It ensures that businesses much smaller than Disney can support activism.

Hell, it ensures that you can support activism.

The fight between weird Christian conspiracy theorists and Disney is not new, because the fight to prevent any tiny victory for marginalized groups is not new. The fight against the normalization of othered groups is not new.

That’s what they’re most afraid of. That each incremental victory will start to make marginalized groups feel safer, that each incremental victory will start to turn the tide of public opinion, that each incremental victory will eventually lead to sweeping law reform.

They’re afraid that they won’t be able to legally discriminate against us anymore.

So guys! Please. This fight, while hilarious, is also so fucking important. I am begging you to understand how old this fight is. These people always play the long game. They did it with Roe and they’re doing it with Disney.

We have! To keep! Pushing back!

#disney #ron desantis #gay rights #lgbt #queer #lgbt history #queer history #homophobia #florida #us politics #religious fundamentalism #christianity #long post #god that should cover all the pertinent tags and content warnings phew

52K notes · View notes

wocado · 7 years

Photo

The way to get started ~ @Disney

The way to get started is to quit talking

start, business, business quotes, doing, start quotes, talking, talking quotes, Walt Disney Company, Walt Disney Company quotes, doing quotes, getting started, getting started quotes #PICTUREQUOTES, #QUOTES

#start #business #business quotes #doing #start quotes #talking #talking quotes #Walt Disney Company #Walt Disney Company quotes #doing quotes #getting started #getting started quotes #PICTURE QUOTES #QUOTES

0 notes

mostlysignssomeportents · 4 months

Text

It all started with a mouse

For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:

https://web.law.duke.edu/cspd/publicdomainday/2019/

No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:

https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada

But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.

The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.

But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.

Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:

https://web.law.duke.edu/cspd/mickey/

Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.

Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.

Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.

As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.

Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.

Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.

Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.

Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":

https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf

This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.

So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.

Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.

But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.

But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.

Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?

Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:

[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.

This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:

[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.

Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.

But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.

Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:

This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.

https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom

Here's the Ninth Circuit again:

When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.

Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:

https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf

And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:

https://en.wikipedia.org/wiki/Rogers_v._Grimaldi

What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.

Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.

As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.

Public domain day is 17 days away. Creators of all kinds: start your engines!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg

CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en

#pluralistic #copyfight #scotus #mickey mouse #public domain #ip #contract #trademark #tm #jennifer jenkins #copyright #disney #nominative use

6K notes · View notes

leidensygdom · 2 months

Text

Something I really don't understand about AI companies buying the rights to steal content from social media to feed their data training sets is, well. It's illegal as hell.

That content does not belong to the social media companies to start with. Personal data is a bit nebulous as it is, and some countries have better protection about it than others, but posting a picture on tumblr doesn't mean that Automatic automatically has the right to use, distribute and sell it as it sees fit.

I mean. Official accounts for big companies like Disney use social media for advertising. But posting a picture of Elsa on Twitter doesn't mean they're giving Twitter the right to use and sell that picture. But suddenly Twitter sells the nebulous ability to "scrape content from Twitter for AI training", so now Midjourney owns that picture of Elsa? What's the fucking ruling there?

People own the rights of what they have created even without officially registering it for trademarking (which is expensive as hell, by the way). Social media selling content means that they are selling copyrighted material created by its users- Some of it coming from big companies that have trademarked the shit out of everything, some of it coming from small creators who STILL have the rights to what they've created even without a trademark.

Curently, what you produce through AI generators is not actually copyrighted, since it was not made by a human, but what gets fed into the data training sets is often copyrighted material from unconsenting people. It basically is a copyright laundering scheme.

I do wholeheartedly hope that some regulations will be put in place, and hoping that big companies will, at least, do their best to help this case even if its just to protect their own IPs and property. Given how overprotective have Disney, Nintendo and other big names been about their content, I can't expect they'll be happy having it being sold to Midjourney, OpenAI and other crap for free, without their consent.

#anti ai #antiai #fuck ai #fuck ai art #long post

2K notes · View notes

neil-gaiman · 7 months

Note

Mr Gaiman,

Why don't you start your own production company if you don't like the terms of Netflix, Warner and so on? I hope there is a good ending

I have my own production company (it's called The Blank Corporation). The writers weren't on strike against production companies. We were on strike against the big studios who are also the places you go and get your content from: Netflix and Disney and Max and Paramount and Prime Video and the rest. They are the members of AMPTP , the organisation that negotiates collective bargaining agreements on behalf of the studios.

I'm happy to say there was a good ending for the writers. We won, which was a better ending for everyone than taking our toys and going home to try and start our own version of Netflix would have been.

Right now the Actors of SAG-AFTRA are still on strike, and suggesting to them that they start their own production companies if they don't like the big studios not paying them residuals and wanting to replace them with AI actors will not end well.

#sag aftra strike

3K notes · View notes

reachartwork · 6 months

Note

How exactly do you advance AI ethically? Considering how much of the data sets that these tools use was sourced, wouldnt you have to start from scratch?

a: i don't agree with the assertion that "using someone else's images to train an ai" is inherently unethical - ai art is demonstrably "less copy-paste-y" for lack of a better word than collage, and nobody would argue that collage is illegal or ethically shady. i mean some people might but i don't think they're correct.

b: several people have done this alraedy - see, mitsua diffusion, et al.

c: this whole argument is a red herring. it is not long-term relevant adobe firefly is already built exclusively off images they have legal rights to. the dataset question is irrelevant to ethical ai use, because companies already have huge vaults full of media they can train on and do so effectively.

you can cheer all you want that the artist-job-eating-machine made by adobe or disney is ethically sourced, thank god! but it'll still eat everyone's jobs. that's what you need to be caring about.

the solution here obviously is unionization, fighting for increased labor rights for people who stand to be affected by ai (as the writer's guild demonstrated! they did it exactly right!), and fighting for UBI so that we can eventually decouple the act of creation from the act of survival at a fundamental level (so i can stop getting these sorts of dms).

if you're interested in actually advancing ai as a field and not devils advocating me you can also participate in the FOSS (free-and-open-source) ecosystem so that adobe and disney and openai can't develop a monopoly on black-box proprietary technology, and we can have a future where anyone can create any images they want, on their computer, for free, anywhere, instead of behind a paywall they can't control.

fun fact related to that last bit: remember when getty images sued stable diffusion and everybody cheered? yeah anyway they're releasing their own ai generator now. crazy how literally no large company has your interests in mind.

cheers

#ai art #ai art discourse #ai discourse #discourse #not art

2K notes · View notes

Last Seen Blogs

secondamendmentshooting-blog

Second Amendment Shooting #1 NFA dealer in NW Florida Livescan

ask-fet-toy-chica

The Expandable Animatronic

yourturntokinfess

Tell me things, woof!

mean-scarlet-deceiver

Gordon the Virgin Engine

backlinkdailynews-blog

Backlink Daily News