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#this makes me so angry because it's not even the fandom's choice
iris-drawing-stuff · 8 months
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49% has been breached! He's now at 48.87%
Why is it falling so fast?
Kazui innocent voters, please do not give up.
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thepunkmuppet · 9 months
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btw if anyone still follows me for marvel let it be known that uhhh friendship with marvel ended, not counting the spiderman, spiderverse, deadpool and guardians of the galaxy franchises, quite a while ago
multiverse of madness, she hulk, thor love and thunder, loki and most (not all, but most) of their most recent stuff proved to me that marvel is just cringe overdone corporate bullshit now.
i still love a lot of characters, ships, shows and movies (pretty much everything tfatws and backwards i really like, and no way home, wakanda forever and gotg3 were fucking AMAZING)
but if michael waldron is allowed to write queerbaiting, autogynephilia and incest as if it was a romance AND completely decimate loki and wanda’s characters AND THEN WRITE THE NEXT WANNABE ENDGAME, then i cannot fucking do it anymore sorry lol
the franchise has just descended into unbearable cringey dialogue, oversaturation, terrible cgi due to disney’s terrible practises and just generally bad writing that makes characters and stories feel different and much less enjoyable
i’ll just hang out in my happy little guardians of the galaxy world thank you very much i’m done with the mcu forever :)
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lilislegacy · 16 days
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Okay, I’ve been thinking about something lately
All the time I see people make statements about Percy that start with “Percy would never…”
Some examples I’ve seen: “percy would never kill someone/something in front of his mom” “percy would never yell at someone he loves” “percy would never get drunk” “percy would never let his child go to camp-half blood”
Now if you passionately believe one of those, hear me out. I’m not necessarily saying I disagree!
I’m saying… who would have ever thought Percy would torture a goddess and choke her on her own poison? And…. enjoy doing it? If someone had said that on tumblr pre-HoH, every single comment and reblog would have been “PERCY WOULD NEVER!!” I mean, who would have thought Percy would do a million things he’s done? He’s done some very not so ‘silly little guy’ stuff. He is an extremely complex character. In his own head and to some people, he’s sweet and fun and silly, but to many people he’s reckless and scary and dangerous. Some people see him as someone who’s very gentle and relaxed, but some people see him as someone who’s quick to get very angry and cause destruction. And the truth is, he’s all of it. It depends on his mood. Consistency does not apply to him in many aspects. He has consistent traits, like loyalty, humor, and bravery, but his actual actions and reactions are NOT consistent. I understand why we think Percy would never do certain things. We think we know based off of his past and his history with his mom, or with Gabe, or with Luke. And I’m not saying I think he would do those things, but unless he specifically states it, we can NOT, ever, infer what Percy Jackson might or might not do.
Like for instance, the drinking thing. I am not saying percy would be a big drinker, if one at all. And he probably does have an aversion to the smell of beer because of how the apartment used to smell when he was young. But we have no evidence that Percy associates all alcohol with Gabe. Alcoholic drinks aren’t just foul smelling hard liquors. There are a million different forms that you can consume alcohol in - some of which don’t even smell like alcohol, and barely taste like it. And in The Chalice of the Gods, it’s said that Sally drinks a glass of wine every night. And Percy thinks Sally hangs the freaking moon. So if his mom drinks, he definitely doesn’t believe that alcoholic beverages = the enemy. And here’s the thing, if Annabeth and Piper and Leo were all drinking and having a good time, like college students do, and they go “Hey Percy, come sit and have a drink with us!” there’s a very good chance that he’s so comfortable with his best friends, and just wants to let loose and be a college kid, that he wouldn’t even think about Gabe. He’d just be like “Sounds fun! Count me in!” But I don’t know. That’s the point. I don’t know. Maybe he would, maybe he wouldn’t. I truly think it could go either way. And even if he does drink, maybe he never - not even once - gets drunk. Maybe he’d drink in college and as a young adult, but when he becomes a father one day, he decides he doesn’t want his children to ever smell so much as a drop of alcohol on his breath, and therefore completely stops drinking. Or maybe he doesn’t ever like it, even in college. Or maybe he’s like his mom, and he and Annabeth just have a glass of wine with dinner. Who knows?
Not us. That’s what I’m saying. WE don’t know.
I’m not saying we can’t have headcanons based on what we know about him. I have a million. But the point is, I feel like we can’t try to pretend like we actually know what Percy wouldn’t do. As a fandom, we analyze him and his choices WAY more than he ever thinks about a single choice. He definitely does not think about his life and his actions as much as we do. (I’m not saying that he’s dumb or doesn’t contemplate his life and his actions, but he doesn’t nearly do it to the degree that we do.) Us, we pretend like it’s simple math. (Our first mistake, since math is consistent and full of rules, which is the exact opposite of Percy’s character.) We go “okay luke did this and gabe did this so therefore percy would never do this.” But Percy doesn’t think that way most of the time, especially not in heat of the moment matters. The only thing we 100% know about Percy is that he will always be loyal to his loved ones. But even then, we don’t know what that loyalty will look like. Is it sacrificing himself for someone? Is it murdering the enemy? Is it manipulating someone else? Percy lives in the moment. He doesn’t often think too much before he acts. He just acts. Whether it’s in a life of death situation, or his after school activity for the day. He is unpredictable, like the ocean. It’s one of his defining traits.
Honestly, I think that’s why annabeth is so drawn to him. With everyone else, she can read them super easily and know their next move. But with Percy, she has no idea. Which is frustrating to her, but also exciting. It’s a big part of her initial attraction to him. It’s also why many of us like him so much. We don’t know what’s coming next, and we never know what he will do in a situation. Like, how could we possibly know what he would or wouldn’t do when HE doesn’t even know? Half the time I don’t think Rick himself even knows.
We become so sure that Percy wouldn’t do something because we understand his character so well, right? But I think the truth is, the minute we become certain about what Percy would or wouldn’t do, is the minute we don’t understand his character at all.
Thank you for reading my analysis of Percy on why we can’t reliably analyze Percy
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madschiavelique · 9 months
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was a bit hesitant to ask this but thoughts on how Miguel would feel if reader was vv self conscious abt their body/said anything negative abt their appearance..? (talking abt this as someone who's also self conscious abt their body cuz i need to know how he would react/what he would say to the reader tbh 😭)
AAAAAAA BESTIE I FEEL YOU !! I'm part of the self conscious about their body gang - i just had to write more than just a thought on this<3
when it comes to self consciousness about my body, there's always one line from the song Paradis by Orelsan (french rapper), that says "Je comprends pas pourquoi tu t'inquiètes quand tu prends du poids. Pour moi, c'est ça de pris, ça fait toujours plus de toi." which i used in this text (clue : it'll be in italic)
summary : miguel reassures a self conscious reader on their body content warnings : comfort, fluff, miguel being a worshipper of you, genderneutral!reader, no use of Y/N word count : 739 tag list : @fandom-ash
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Miguel is a man who notices details, all the more so when those details are related to you. He noticed how you looked at yourself in the mirror from time to time, how you sometimes stood on your tiptoes when you were sitting to make your thighs look less large, how some days, even when it was hot, you wore a sweater covering you completely.
You were used to wearing baggy clothes, oversized sweaters and t-shirts, baggy pants, nothing that showed too much of your curves.
He'd noticed how you'd changed your diet lately, and how the portions you allowed yourself were... far too small for a normal meal.
You were depriving yourself of your favorite snacks, and even when Miguel offered you some, you begrudgingly refused. He could see the pain in your eyes, and he couldn't understand.
Then one day, standing in front of the mirror in your underwear, you started to cry. Miguel came running straight to you, taking you in his arms as you wept silently, little jolts shaking your body.
He stroked your back and hair gently, letting the sobs take their place as you sniffled against his shoulder.
"Hey hey hey," his voice was low, as if he felt that a word or a gesture a little too strong could break you into a thousand pieces, "nena, what's wrong?" he asked, stepping back.
He wiped your tear-streaked cheeks, your eyes were reddened and your lips bulged with heartache.
"I hate my body."
His heart cracked, and he came to take you in his arms again. So that was the reason for all this, for your restrictions, for all these choices that were doing you more harm than good. He couldn't understand how you could think such a thing, because he worshipped you like the goddess or god or deity you truly were.
"I wish I just looked different," you murmured against him.
"Why?" he asked, pulling away from you again to cup your face.
"Because, I look ugly, I feel ugly..." you sighed, your brow furrowing as hot tears rolled down your cheeks.
His lips were parted, he couldn't understand how it was possible for you to feel this way, to think this way about yourself. He found you so beautiful that the very thought of you thinking that way seemed almost impossible.
"I'm not pretty enough to be with you. There are so many prettier girls and boys than me-" you began, but he cut you off, not even letting you finish your sentence.
"Don't ever say that again," he said, his tone serious and almost warning.
He looked at you, sorry and almost angry. Because he was wondering who he was going to have to correct (annihilate) for having succeeded in making you think you weren't beautiful.
"Come here," he said, lifting you with ease to rest you on the sink while you were still wiping your cheeks. "Listen to me: Your body is not the reason I love you. I've fallen in love with your soul, your qualities and your flaws... even if I'm still trying to find the flaws."
You blew out a quick laugh from your nose, a tear running down your cheek as he brushed it away.
"It doesn't make you a failure, or undesirable, or ugly not to have the body of a celebrity on the cover of a magazine." he said softly as he kissed your cheek, his hand gently caressing your thigh. "Why should you worry about gaining weight?"
"Because it makes me ugly." you murmured, but he gripped your chin between his fingers so your eyes observed the truth in his.
"No, it doesn't make you ugly," he assured. "Even if you do gain weight, for me it's a given, because it always gives me more of you."
Your chin trembled slightly, and you bit the inside of your cheek.
"No matter how long it takes, I'll make you love yourself," he confirmed. "I don't care what you look like, I'll still love you."
You smiled, tears still gently flowing, Miguel coming to place both his hands on your cheeks to clear them. You let out a little laugh:
"Even if I was a worm?" you joked.
He smiled, sighing softly.
"Yes, even if you were a worm." he laughed, kissing your forehead before hugging you again.
"Lucky worm." you whispered, wrapping your arms around his back.
"Lucky me." he whispered against your hair, stroking it gently.
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Alright PJO fandom. Let’s clear the air on something real quick.
So if you’ve watched the PJO premiere, I’m sure one of the major changes you noticed was Gabe, and how toned down his behavior is compared to the books. There is also a clear change in the dynamic between Gabe and Sally, with Sally being more assertive and snarky with him.
The fandom seems pretty split on this change. Some people hate it and feel that a dark yet important aspect of the narrative has been lost, some people are neutral about it and are wondering if the whole Poker Player Statue bit is getting removed, and some people welcome this change, saying that Sally is more cool, strong, and badass now, and that showing a woman staying in abusive relationship in hopes of protecting her kid is not okay for current audiences.
To the people who are saying that Sally is more cool, badass, and strong now…
…FUCK YOU.
And here’s why.
I cannot even begin to describe how awful and disgusting it is to imply that book-Sally was weaker, less cool, and less strong because she struggled to stand up to her abuser, struggled to balance the need to leave an abusive relationship and the desire to protect her kid, and found herself making difficult choices in an abusive household. I am baffled that people think that this is an okay thing to say in the year of 2023, going on to 2024.
Are all of you shitting me right now? Are you seriously fixing your fingers to imply that book-Sally is inferior to show-Sally because her story reflects an ugly truth about how hard it is for mothers to stand up to their abusers while trying to look out for their children? Are you all fucking joking?
I have never felt so angry to see so many people diminish what book-Sally went through, and claim that it would be bad to depict something like that on TV. I know what Sally goes through is triggering and not fun to watch, but it is the very fact that her story reflects an ugly truth about what many wives go through that I think her struggle with an abusive husband is so fucking important!
Yes, we don’t want to encourage victims to stay in abusive relationships. Yes, we don’t want to make women feel like the only way to be a good, loving mother is to endure bad situations for your kids. Yes, we want to make it clear to mothers that they, under no circumstances, are obligated to endure an abuser. HOWEVER, the ugly and unfortunate reality is that many mothers have such a strong desire to protect their kids that they will find themselves making this unfortunate choice, and that is not a truth we should shy away from. A depiction of difficult choices that victims feel like they have to make is not necessarily an endorsement of that choice, but rather, a realistic reflection of what people go through.
And I will be DAMNED if I sit here quietly and watch so many of you tread into victim-blamey territory, or imply that book-Sally is somehow inferior because she struggled with the courage to leave and accept the risk of Percy not having Gabe’s protective smell. I literally saw a comment on Reddit where someone was trying to defend the change, and they typed out the sentence “You know what’s not badass? Staying in an abusive relationship.”
As if most abuse victims have the full freedom, resources, and support to just pick up and leave whenever. As if every choice that an abuse victim makes isn’t being made in the context of danger, pressure, stress, anxiety, depression, fatigue, and so much more. As if an abused woman’s top priority should be to look “badass” instead of trying to take care of herself.
I am a proud Book-Sally defender, and I will happily fight anyone who dares to imply she isn’t as strong or badass as show-Sally because standing up to her abuser wasn’t easy for her. I am extremely disappointed in this fandom for this ugly language regarding book-Sally in comparison to show-Sally.
And quite frankly? All of you can kiss my ass.
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I deserve financial compensation every time I have to read a post that posits that Jason is actually the good big brother that's there for his siblings and Dick is the big mean golden child that can do whatever he wants and turns his siblings away when they need help. I'd have like a gajillion dollars now.
This bothers me so much specifically because it's the exact opposite of canon, in Dick's case anyway. Ain't nobody going to Jason for help in the first place. I really can't get past the backwards logic of it all. No, the utter lack of logic. Like it's the Exact Opposite.... The Exact Opposite!!! How did you come to this conclusion???
Well, I mean, I know- you don't read the comics AND you take everything at face value. I get it, when I first entered the fandom- the way people talk about Dick and Jason and Tim and Damian? They'd have you believe that Jason and Tim were delivered to Earth by angels with a chorus singing in the heavens and a light following them everywhere their delicate, innocent feet went. Everything they do is either Justified or Morally Correct. Nothing is Ever Their Fault. They deserve your sympathy and awe, and nothing short of worship is an attack on their character. They'd have you believe that Dick is a Monster, that Everything is his fault, that he's an inherently bad and selfish person because He Tried but He Didn't Devote Himself Entirely to Jason and Tim and Thats Bad and He Deserves To Be Punished For It and that Damian is a Demon, that he's always going to make the choice that serves himself and hurts others, that even though he's a 10 year old boy with a complicated, abusive upbringing, Everything is His Fault Entirely and He Doesn't Deserve Understanding or Mercy.
That's what you see and hear when you enter this fandom. And unless you actually read the comics or do the research by looking through blogs with meta commentary on the comics (with panels provided) or interact with fan media that is based on the comics And Not The Fanon- this is the false opinion that remains.
It drives me crazy that people refuse to engage with the actual canon of something they claim to be a fan of. What are you a fan of if you have no idea what you're talking about? It drives me crazy, because theres so much of this fanon content, you have to literally dig and dig and dig and dig and dig and dig to find the truth. And the truth is so Unbelievably, Undeniably
Not That.
In fact, in most cases whatever you read- the opposite is what actually happened. Or what you read is Entirely Made Up to make one character, (Dick and Damian), look bad in order to prop up the other character, (Jason and Tim). Then people get angry when you point that out, for ruining 'the fun' or their false perception of their fave character. Well I'm angry for having to do it in the first place.
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kybelles · 9 months
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so after a recent conversation with my friends we’ve come to a realization: fandom loves Slave Rights Advocate laurent trope. whether it be an arranged marriage au, a time travel au, an auguste lives au or any kind of setting where slavery is still in motion; it’s always laurent who opens damen’s eyes to the horrors of slavery and insists they can’t be with each other until slavery is abolished, that slavery is a deal breaker on whether they can be together or not. now i certainly don’t want to sound like i’m policing anybody’s creative choices but it’s become such a common trope in the fandom that it is baffling at this point because. here’s the thing. slavery isn’t one of laurent’s battles. at all.
allow me to explain further before i make people angry. it’s clear laurent is against the fundamental premise of slavery and finds it inhumane. but through the series (counting out taofc where he and damen are trying to build an empire together), he doesn’t actively fight or challenge the system or slavery. i don’t even think this is a hot take when you remember that he;
i. didn’t protect the akielon slaves in arles until damen begged him to and sold them to torveld for personal gain (which was the best course of action he could take under the circumstances but as i said, he wasn’t above using them)
ii. referred to damen as his slave constantly in both a technical and romantic sense
iii. got turned on by playing master and slave and master and pet
iv. used isander as a way to get back at damen: was fed by isander in the feast, stroked him, allowed him to kiss his feet and boots etc.
in fact here are plenty of instances where it’s clear laurent enjoyed the type of power he had over damen:
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and here’s the only part where i can remember damen and laurent discussing slavery after damen’s identity is revealed and they have the possibility of a future together. as you can see, laurent’s attitude towards it is pretty neutral. he doesn’t approve, but it’s clear he’s not a passionate champion of the anti slavery movement.
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let me make it clear that none of this is a criticism towards laurent. it’s important to remember that capri started as a slavekink fic (in pacat’s own words) and though it evolved, by the final draft she still kept some of those elements: like making the first night between lamen a romantic, sacred, precious thing between them; laurent telling damen he’s his slave by feeding him as a slave would, damen calling himself laurent’s slave as a sign of submission/love/romance before their first kiss, laurent saying damen is still his slave before sleeping with him… the narrative still eroticizes slavery to some extent and uses it as a vehicle of romance.
the thing is, laurent finding enjoyment in these practices is not the problem. when the fandom loves to pretend like laurent would be so disgusted by the idea of slavery (even though the text repeatedly shows he’s not) , that he; a perfect civilized blonde veretian angel would come to akielos and educate those barbarians about how horrible slavery is and damen would only open his eyes to the truth through laurent’s guidance, that’s when my issues start. because, like i said, this was never laurent’s battle and it pretty much reads like laurent is some sort of white savior, someone who comes to damen’s country to “fix” the problems of akielos without understanding their history, needs, or the region’s current state of affairs.
another very important thing to underline is that the whole slavery ordeal in the series was damen’s character arc, not laurent’s. he’s the actual slave in the scenario, and as much as laurent doesn’t like slavery, damen didn’t come to the conclusion that it was bad because of laurent’s preachings. it leaves a bad taste in the mouth that damen was the one who actually experienced slavery and faced countless humiliations in vere and yet people still insist on making laurent educate damen about why it’s wrong, even though he himself has never experienced slavery in his life. (one might argue in aus where damen was never sent to vere as a slave he wouldn’t come to the same realizations but that still doesn’t mean laurent would have a passionate agenda regarding slaves. at best i believe he would demand damen to stop sleeping with his slaves as they are monogamous.)
choosing laurent as The One who firmly stands against slavery is bad from a narrative pov too. making this specifically about laurent makes no sense because it's got nothing to do with him. it's not his country! he doesn't care about akielos the way damen does. everything about it thematically relates back to damen; who exists as a metaphor for akielos - any insult or injury done to him is an insult to akielos. he embodies it’s values and it’s people, and by becoming a slave he’s reflecting the current slave state of akielos, and through finding liberation for himself he’s also finding liberation for akielos. it’s a powerful symbolism for how akielos is changed and freed directly BECAUSE of his own personal liberation. laurent has nothing more than an intellectual interest in anti-slavery and he only ever begins to care about akielos because he cares for damen. but damen was raised with it and experienced it and cares very deeply about it. it’s his country! it's his story!
tldr; through the series, it was damen’s journey to experience what it was like to be a slave, to see the true horrors of this practice and decide he doesn’t want to rule his country that way anymore. so taking his agency and giving it laurent, someone who was neutral at best about slavery, feels incredibly insensitive and wrong.
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lovemyromance · 27 days
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I'm gonna need the ACOTAR fandom to be so fcking for real right now. Which of these is a better story?
A) An uncomfortable/awkward indifference between two people that have been declared mates already, turns into love. Join Elain & Lucien as they grow...and heal...together...and end up together to the surprise of absolutely no one. Elain, again, bends to the will of others and makes a choice that makes everyone else happy. She leaves her sisters, and moves into the human lands or day/spring/autumn/anywhere but Night court with Lucien for her happily ever after.
B) A priestess who is afraid around men due to her traumatic past ventures out to start her healing journey by learning self defense in order to never be weak again – only to fall for her training instructor. They fall in love through training, where the instructor is very careful and respectful of her and all the other women he trains. The training instructor is known as a freak in bed, and she is suddenly all healed to go have kinky sex with him. Follow their journey of fighting, and fucking, and bantering, and fucking some more as they fight and banter. There are ribbons and friendship bracelets. And a pegasus shows up.
C) A woman who everyone underestimates and makes decisions for finally gets to make her own choice. Fate has given her a partner she does not want, who makes her uncomfortable. An iron crockpot has stripped her of her mortality and forced her into a life she did not choose for herself.
Yet, this woman, this female, is so lovely and good that she finds the best in things, despite the circumstances. She adapts to her new life, her new world. She makes friends, she tries to bridge the gap between her relationship with her sisters. In the process of acclimating to her new life, she starts to have feelings for someone else.
A quiet male, the first to truly see her for who she is. The first to talk to her like a real person, the first to hand her a powerful weapon, the first to discover her powers and free her from her depressive murky realm. The male seems to want her too, but is careful around her because she already has a mate. Yet, he cannot seem to stay away from her. One night, under the cover of the night, they meet and are about to share a kiss when something pulls him away. He says "This is a mistake" and she is hurt - Was she imagining all the secret touches? The shy glances? The time they spent together?
She doesn't know that he was physically ordered away from her. The High Lord of their court ordered the male to stay away from her, claimed that she is already spoken for. The male immediately argues, says, "You can't order me to do that". But after some more angry threats, he relents. His own brother basically affirmed the fact that he does not deserve a female as lovely as her. He is tortured endlessly of how he could love someone so much, and yet, fate gave her to someone else?
Then their journey officially begins in the next book. Fate once again, brings the two secret lovers together. Circumstances demand Elain train her powers, and who better to do that than the Spymaster himself? He is the only person (other than Amren, perhaps) with the type of skills (Seeing/Hearing/Spying without physically being there) to be able to understand how to build her powers. They train together, are forced to interact and finally they make up. They cannot stay away from each other, but they have been expressly forbidden to be together. So they sneak away to the garden, under the covers of the stars, when not even the shadows are awake to witness the two lovers find peace in one another. Their love, their bond grows stronger - until Azriel can't physically stay away from her and he finally tells her his suspicions - that they also share a bond. Once it snaps into place, Elain, sweet lovely Elain, understands she has been given not one bond, but two bonds. The cauldron loved her so much, it wanted her to have the choice of whom to love. Elain, after understanding this, decides they've hidden their love long enough. She accepts the bond with Azriel, making her choice forever. They live happily ever after, raising their kids alongside her sisters and their mates.
Idk you guys, clearly I have a bias, but I'm going for option C 🤭
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tartiloser · 6 months
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MORTAL KOMBAT HEADCANONS ☆ the cutest engineer!
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starring. . . engineering major! feminine reader and tomas. warning for nothing! requested by ; anon ( 10 / 24 / 23 ) + fandom masterlist ; here
author notes; this concept is so cute i think he’d be so approving and supportive! btw this is written like modern au ish & he’s not an engineer in this :p but i cld try writing him as an engineer if that’s wanted ( i’m no engineer btw lol )
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tomas vrbada!
— he follows you like a puppy, accompanying you to the library when you need to study and gladly coming to watch your dissertations. tomas only ever wants to support you. plus, he finds your ‘focused’ face really cute. when you furrow your eyebrows in concentration or frown as you reread something over.. he knows you're working hard and he admires you for that.
— talk to him!!! goodness, he loves listening to you explain your work to him. vrbada might not understand things fully, but he's quite intelligent so he gets the gist most of the time. he loves hearing about your major, mostly because it relates to you but also because it’s insanely interesting.
— “you’re so smart,” he’ll murmur softly, glancing from your paper up to you with a small smile that makes your heart melt. “i love that about you, y’know.”
— occasionally when you’re free or you’re putting off work, the two of you play sims or minecraft together. he absolutelywill be the farmer to your builder. tomas isn’t too fond of creepers, by the way, so expect a lot of cat pets in your minecraft worlds.
— he often gives certain incentives so that you’ll get to work, such as offering to kiss you for each piece of work you finish. it’s really not too hard, however, to convince him to give you kisses regardless of whether or not you've done any work. anything more than kisses, however, and you’ll definitely have to work for it. don’t worry, the reward is worth it ;)
— vrbada typically makes breakfast for you each morning before or after your first class, just to make sure you’re eating properly. breakfast is the most important meal of the day, after all! tomas wouldn’t mind making you lunch and dinner too, if we’re being honest. the only reason he doesn’t as of now is because he’s unsure if you’ll enjoy or even want his cooking.
— he’s the type of boyfriend to bitch with you about superiors or peers whenever you’re upset. he’ll be just as angry as you, though he keeps you from doing anything rash. it’s tough being a woman in stem and vrbada knows that, so he always tries to make sure you feel heard. if there’s ever a moment where you doubt yourself and your chosen major, he’ll comfort you and let you know that you've made the right choice. it’s your major, don’t let anyone push you out of it!
— tomas 100% has your schedule memorized for boyfriend purposes. he sends you texts when certain classes end and offers to bring you snacks throughout the day, just to make you smile when you can. occasionally he’ll just surprise you with a visit, standing outside your class’ door with a small smile that grows the moment he lays eyes on you. he’ll give you a hug and maybe a kiss on the forehead before wishing you luck in class.
— “hey! i just wanted to see you.. you make me so proud,” he’ll mumble into your ear as he hugs you. “i love you so much. good luck today, baby.”
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Jealousy (Sihtric Kjartansson x reader)
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synopsis: An order from Uthred has Sihtric and you in a situation that is less than to both of your liking, for very seperate reasons. However it also brings to light more than what you were sent there to do.
warnings: Sihtric being jealous (obvi), smut but nothing too graphic, p in v, love confessions, afab reader
word count: 1.8k
taglist: @hopelesswritergall @foxyanon @sihtricfedaraaahvicius
(If you want to be tagged in the `kissing booth AU´, for a specific character/fandom or in general let me know in my asks, comments or DMs)
A/N: Thank you @wildchild2707 for the lovely request! I´m sorry it took a bit to actually get to and finish it. I still hope you like it!<3
Dividers by me
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You thought it was a bad idea, but when Uthred had come to you the previous night to talk to you about his plans for you and Sihtric to secretly spy on another clan of Danes that had settled to draw the borders between Daneland and the remaining land ruled by Saxons even further, you couldn't deny him. Still, you spend the whole night awake with all sorts of bad feelings swirling in your stomach. It was one thing not to let the others know where you went, but to stage a fight... It wouldn't have been your first choice. The allegiance of the men surrounding you seemed to waver from day to day as it was already. Of course, Uthred wouldn´t hear any of these concerns. According to your leader the clan was prone to violent behaviour just because they could and made up of many different country men. Your knowledge of languages would come in practical according to Uthred, but the prospect of being able to use your knowledge didn´t make you any happier. Instead of planning a staged fight, he should have been planning the attack that wiped out the clan. A deep sigh left your lungs as you sit with the others, waiting for the operation to start. The sound luckily goes unnoticed by Finan and Osferth, who are too busy with their own banter to pay attention to their surroundings. It was driving you crazy. They had fought against Danes alongside women before. What made you so different from them that you weren’t good enough to do something you were easily capable of. At least in his eyes. He had seen you fight and now when he had the chance to harness your power, he was going so far as to even put someone by your side to, what, secure everything would go to plan? Sihtric breaks your line of thought by 'provoking' Uthred, catching the attention of everyone sitting around in the tavern. It was a mess with the two men 'arguing´ while Finan tried to intervene and conciliate them, of course to no avail. After several fruitless attempts you begrudgingly play your part.
“Sihtric.” You call out to him with a firm voice. Surprisingly having his attention immediately. The brown puppy eyes search yours as you continue to speak in a calming tone. “Let us go.”
The two of you make your way away from the ground. Ignoring the off handed comment from somewhere in the crowd about how whipped Sihtric must be to follow you so easily and how you had him henpecked. It made your blood boil and fists clench tightly to be reduced to this caricature of an angry housewife, but you had to prepare for the coming night.
When everyone finally goes to sleep, you sneak to the stables, take your horses and begin the journey to the new camp. It is tough, but you get accepted by them eventually and trusted enough to collect the information you want to get. Yet the longer you stay there, a change settles over your life, that no one could have foreseen.
Your plan going into the mission was to get in get the information and get out. To get involved with anyone as little as possible. If only plans always worked out the way they are supposed to.
Over time, you grew closer to one of the men. He had to be a few years older, yet you found yourself sparring with him often and even outside of that, something akin to the sentiments of a friendship formed between the two of you. Even if it admittedly made Sihtric quite huffy, you felt like Krystof saw you for all of you, there were no lingering or lusting glances or looks of underestimation and that felt nice, it truly did. It was a welcome change, even if the simple sight of it soured not only Sihtric's mood, but also the friendship you had once shared. If one could have called it that before, it surely wasn't anymore now. Discussions of what information you had gathered and steps to take from then on were laced with sarcastic comments of all kinds. Every single one going ignored or being answered by a roll of your eyes. You told him often enough why you were leaning into the affectionate behaviour of some of the men. It is not until one dinner that you get an explanation ass to where these remarks stemmed from.
Krystof and you sat together, eating and talking with your heads close together as to understand each other over the noise of the others, when you catch Sihtric shooting you another one of those sour looks.
“You are aware he is far beyond wanting to simply hump you, right?” Krystof asks with a conspiratorial grin.
“Do not be silly now.” You scold him, but the smile on your face is firm in its place.
“I am not being silly; this is a man deep in love if I have ever seen one. A very jealous one at that.” He insists.
You look over to Sihtric who looks about ready to murder the entire settlement by himself. Quickly and to not raise suspicion, you turn back away from him, but barely get enough time to open your mouth to say something to your new friend, when someone taps you on the shoulder.
“We need to talk.” Sihtric began. The words not a question, but a statement. “Now.”
“Are you feeling well Sihtric? You are quite red in the face.” You noted the state he was in. Breath heaving his chest, fists clenched and a red tint colouring his face.
“Yes, I have never been better. I need to talk to you.” He insists.
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“What is this about? You have been behaving so differently ever since we arrived here.” You question the dark-haired man as the two of you enter the empty stables nearby.
“Do you seriously have to ask why?” His answer is more affected and rawer than you would´ve thought it would be, making your heart skip a beat in surprise.
“Would you please just explain it to me?” You ask this time with more insistence.
For a moment there is silence between the two of you while Sihtric is struggling to find the right words.
However, the moment concludes with not a verbal answer, but his rough hands cupping your face and as your eyes widen and your heartbeat accelerates, he pulls you in to press his lips to yours. Expressing every feeling he harbours for you with the touch. It takes a moment to process what is happening, moving you to pull away from him.
“The depth of the affections I have felt for you since the moment I first laid my eyes on you is too far to ever be accurately put into words. Out of respect of your lack of interest in romantic relationships I swore myself to stay away, but seeing you fully lean into the pretty words those men poured into your ear like honey, drives me wild. Tell me, what changed so suddenly?” Sihtric's words are raw with emotion. So much that it would have stunned you, where you a different person.
“Sihtric, you would not have to ask this if you heard the way any of Uhtred’s men talked about women? Even the women who fought along them? We are nothing more than objects in the end. Here I am recognized for the qualities I have, not the ones that men wish I would have. Besides, it got me a ton of information we otherwise might not have gotten at all.” You doubt your words will make much of a change, yet Sihtric seems to always be good for a surprise.
He pulls you close once more, the hold on your body is gentle enough for you to pull away should you wish to, but still firm enough to show his intention.
“If you allow me, I will prove to you that I am not like them.” He whispers against your lips, waiting for a sign of your consent.
Which follows in the form of a nod and a whispered “Yes.”
In the blink of an eye his lips crash onto yours again in what this time is a reciprocated kiss. Your lips move together in perfect synchronisation. Languid movements speak the depth of your affections for each other into the world. Your hands move to wander over his strong upper arms, feeling the muscles tense underneath. All the while the dark-haired man pushes you backwards to lay against the stack of hay, never once breaking the sweet, yet passionate kiss.
Your heart beats wildly against your ribcage, warm breath huffing against his face like his does yours.
“I have dreamt of this forever.” Sihtric muttered.
His hands are all over you. Caressing you with the most reverend touches anyone has ever graced you with, making your heart beat out of your chest as the two of you begin to undress each other slowly. Hands moving over ever inch of skin as it gets exposed. Everything about this moment steals the words and thoughts right from your brain. In truth you had been feeling much the same for him, yet you had never seen a chance for the two of you to be together like this.
“You are a goddess.” Sihtric´s quiet voice in your ear pulls you from the attempt at coherent thought.
His surprisingly soft lips ghost over the shell of your ear, but the tingling is soon overshadowed by his hard length running through your folds to tease before positioning himself at your entrance. With slow, deliberate movements he pushes inside of your tight hole, setting a steady pace. Even the dull feeling of fullness only aids in the conveying of the affection the two of you have for each other. This isn't senseless humping. With expert moves Sihtric brings you closer to climax.
A string of desperate “I love you”´s falls from your lips uncontrollably, like a prayer, voice raw from whining and moaning.
Each one is answered by Sihtric calmingly shushing you as one of his hands caressed your forehead, eventually settling to rest against your cheek.
Your eyes move up to meet his and Sihtric bows his head to lean his forehead against yours.
“I have always loved you.” He mutters breathily.
His lips capture yours to muffle the louder growing whines and whimpers and with steady, deliberate, perfect rolls of his hips, you are made to feel the waves of pleasure crash over you. Your legs tighten behind his back to pull him close as your hips shake and walls flutter until he follows off the edge. Shooting his seed into your cunt until he has no more to give.
The two of you remain there until you hear voices filing out of the hall, basking in the afterglow of your love making and each other’s presence now that the tension had been dissolved. You were aware that there were still things to talk about probably, but now was not the time.
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kanmom51 · 2 months
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I have always wondered why JM Stans hates JK. I have seen posts about how JK is being the Company's favorite and that Scooter is trying to use JK to out sell JM. I don't believe it but I do want your opinions on this. I know you will probably say that's a very stupid thing to ask for but I see it a lot and I wonder why they keep saying that JK and V are the companies favorites. And also do you think the company didn't actively promote JM? This Fandom has finally twisted things around. I just need to know your thoughts on this matter. Thanks
Hey love.
Ok, where do we start?
Maybe from the end.
It being that it does feel at times that JM gets the raw deal from the company. If it's intentional or just because he's too nice and doesn't speak up enough I don't know. But this has been going on for years. The way the promotions for Face were handled, the way his name or photo somehow seem to disappear at times from official sites. For example the official BTS US store had all the members apart from JM in the index.
The issue has been since fixed, but it took angry JM stans posting and sending messages and emails to the company to notice it and make it happen.
Or, another example is JM's Like crazy Korean and English version streams being counted separately by Spotify.
Little things that make you ask "why him?" or more so "why is it always happening with him?"
Now, it's not that Jin has been forgotten at times as well (being cropped out of group photos at times). Somehow it's always those two, but with JM it's way more frequent and feels off.
Saying that, I do feel that some JM solos tend to make JM out as a constant victim (perhaps part of allowing them to be his saviors). While doing that they are constantly making comparisons with the others and while doing so also try to tear the others down.
I think this is part of the issue with solos. Forgetting that these 7 men are part of one band. A band they ALL want to be part of. Something they have said multiple times in the past and recently as well. 7 men that love each other (not to mention the elephant - cough couple cough - in the room).
It's more than ok to have a preference. A member you feel you like more or feel more connected to. It's a different matter to call yourself a fan of a single member elevating him by tearing down the others and constantly calling for said member to ditch the others and go solo. Spewing hate at the other members in that person's name, supposedly for him. Obviously you are not a fan of BTS when you do that, but more so you are not a true fan of said member who loves the others you constantly attack and wants to stay with them as a group, as he constantly and repeatedly tells us all.
Like the whole comparison made between JM's promotions and JK's (two totally different stories, different artists' objectives, different markets). And let me be clear here. I am not saying it felt like JM's success, which was, I feel, unexpected, was downplayed or not properly formally and publicly recognized. At the time it certainly felt that way. What we don't know is what JM's feelings were on the matter. Did he want it that way or was it a company decision? I know how it looks, but at times we need to understand that there are so many undercurrents and we don't get to see most of what's under the water. We only see what's shared or not shared with us, by the powers at be's decision. For example: Later on, in his documentary we saw that JM did get a cake for the #1 billboard achievement. So was it his choice not to post a pic? At the same time we saw his success, again, kind of being downplayed in articles, in BPD's interview, so this is one of those things I am leaving with a big question mark. Was he given the well deserved acknowledgement (even if not publicly)? Was it downplayed from the start, even towards him? And if so, why?
That being said, attacking JK, writing hateful posts about him, his looks, his artistry, his character not only would not make a damn difference as to how JM is being treated by the company but goes against everything that JM is and everything that JM feels towards JK.
Same issue, btw, with all solos. JK solos and the hate towards JM, the person JK loves the most in this world.
Do you see what I mean?
That was a little long winded, lol.
So, I do take issue with the need to cut down at another members success only to lift JM's up (he don't need no lifting, he's bloody amazing). I can assure you that is something he personally would not want, being the beautiful soul that he is, he wants the others to succeed and is not in competition with them.
I also hated this need to cut down JK even before his music came out, during JK's promotions, when he was choosing to mirror JM, a clear friggin calculated choice with a clear friggin purpose, by calling him lazy and a copy cat.
First of all you could see, if only you had eyes and kept them open, how throughout ALL of his promotions JK was mirroring JM. It was with similar outfits (even using the same exact black leather pants). It was with wearing the top part of an outfit to which JM wore the bottom part in his promotions. It was with his hair style and colour choices and references to JM's album. Anyway, point being once again that attacking another member does nothing to help lift JM up.
I always find it funny that JM solos hate JK so much.
The person that JM loves more than anyone else, and who loves JM more than they could ever.
The person who knows JM more than they could ever.
The person that JM chose to spend the 18 months of his army service with together, 24/7!! This was not forced on either of them. This was their choice.
Could it be jealousy perhaps? You know, JK gets to get JM and they don't.
Or perhaps this need to be the savior - poor JM needs them to save him from the big bad JK and the big bad company.
p.s. - maybe, just maybe, if indeed JM is being targeted by someone in the company, that's the issue that someone has with him. The fact that he will always come first for JK. The fact that because of him they can't control JK. Well, JK is not someone easy to control, but a. with JM in the picture some of his priorities are different (like wanting to spend time with him, like wanting to go public with their relationship) or perhaps the effect JM has had on JK, being his catalyst (JK's words) and all; and b. Outright homophobia. JK is the golden goose and he is in a long term relationship with a man, a bandmate. It makes life much harder for those that would rather milk the badboy hetero fuckboy image to the limit when said person wants to be accepted for his true self...
Well, that was definitely me digressing from your questions. Oopsy.
Bottom line:
Something kind of feels off with how things seem to go with JM and official content at times over the years (that includes photos, sites, spotify etc.) including his solo promotions.
That said, the comparison with other members, in my opinion, is unjustifiable. Because first and utmost they wouldn't want their fans to be comparing them. They all put themselves out there for their fans and all heartedly supported each other on that journey. Every single one of them had a different kind of solo debut. This is about different music genres, collabs or not, writing their own music or not, promoting out side of Korea or not, even down to the language of the songs. And with this also comes the different kind of promotions. Music shows or live/recorded performances for army, in bigger or smaller venues or even a tour, like Yoongi did.
The comparison with JK is just unfair to both of them. Especially given the very special relationship those two have. Both being the other's biggest fan and supporter.
That aside, the two went on two very different journeys. JM went on a personal journey releasing his first album taking part fully in it's creation, it being a very personal story he was telling us. JK, on the other hand, for whatever reasons (some of which he told us some of which he most likely didn't) decided to go with songs written by others, choosing to challenge himself with singing in English, and new genres and vocals. The choice for an album in English could very much have been pushed by the powers of be, and I do not want to go into the discussion of just how much influence SB has or not, other than say that Bang PD, a very smart and savvy man, knows his way around the music industry and business worlds and has much more influence on JK than anyone else, and that JK is a grown ass man and has told us on more than one occasion that he tends to make decisions for himself, even if at times they might not be the right ones, he goes with his gut. JK also told us he wants to be a huge superstar and singing in English, what can you do, opens up the US and other markets for him in a way that singing in Korean wouldn't.
But even putting that aside people seem to forget that from the get go JK was always the Golden maknae, the one that not only the company saw as their golden goose, but also all other members put on a pedestal. Not saying that's right. Not saying that's fair. But it is what it is. The company is a money making business. And now that BH are under Hybe, although they have autonomy (mostly) on the music, the costs and promotions, they don't have free reign over. And if it's about money making and profits, at times these will be the guidelines as to into what and where the money goes as far as promoting an artist. Let me be clear here. I'm talking here about costs and profits as in how much hard cash was put into a member's promotion over another's. This here isn't about other shit that's happened, such as no public acknowledgement or counting streams of different versions of the same song together or separately. That is another issue. What I'm trying to say here is that the starting point was and never will be the same also due to financial decision making.
Ok, so I think that maybe I've made more of a mess here than anything else, lol.
My bottom line is that even if I feel that JM is being wronged by the company in one way or another (and this goes for any member that might be wronged as well), I would never turn on another member and blame them for it nor would I compare between them. You can like or dislike the music each and every one of them released. That's fair enough and makes sense too. But belittling a member just to try and lift up the other one, that is just wrong in my books.
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neuroticbookworm · 3 months
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Another Thai BL, another Asian parent-child conflict that enrages the audience and yet, is extremely nuanced. I’m gonna try and speak on it as an Asian kid who grew up in the East, but currently lives in the West, carrying complicated feelings on the Asian parenting I received.
I’m seeing a good discourse in the tags from @lurkingshan, @respectthepetty, @bengiyo, @heretherebedork and @williamrikers, among others, on the hypocrisy of a dad who hit his son in anger and is now lecturing him on the importance of controlling one’s actions when angry. I agree with everyone that the dad is being a hypocritical piece of shit. But I do not think that this is a failure in the writing of the show. Quite the opposite, actually. Because of how Ten responds and acts in the face of this hypocrisy.
Ten comes across as belligerent and confrontational in every interaction he has had with his dad, but it is never uncalled for, and he never seeks it out himself. He tries to stay out of his dad and his stepmom/his dad’s girlfriend’s way as much as possible, and only responds in a defensive manner when provoked. And in today’s episode, he even kept himself open enough in the conversation with his dad, despite his anger, to concede and accept a very good point when raised. Ten understands his dad’s hypocrisy but refuses to stoop to the same level of pettiness because he knows being a good partner and a good friend is more important than being right. This is a mark of excellent writing, in my opinion. The main character is fiercely loyal to his partner and his friends and does not let his baggage with his dad cloud his course of action.
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I also see calls for an apology from the dad already brewing in the fandom. And I understand the instinct to want that. It is always so satisfying when mistreated children finally get the apology that’s been long overdue. But it’s rarely this simple in an Asian household. Times are changing faster than most people can in a lifetime, and there are systemic, cultural flaws in how an Asian society understands and teaches parenting. And if we factor in the social, economic, religious lines that heavily influence how an Asian person forms their social circle, it would’ve left these parents with little to no peers who can tell them what they’re doing is wrong. Parents striking their kids is clearly considered evil nowadays, but only a few years ago, it would’ve been a perfectly acceptable response to control a bratty child, on and off screen (and it still is in some Asian cultures).
Now, NONE of what I said above is an excuse to write off the behavior of Ten’s dad as acceptable, just because it’s very Asian. As an Asian who grew up in the East, the demand for an apology does not particularly resonate with me, because Ten and his dad both know that their problems are not gonna go away as soon as Ten’s dad apologizes. Because:
If Ten starts demanding an apology for every shitty thing his dad has ever done, where should he stop? Should he demand an apology for the time his dad probably struck him as a kid when he was trying to get him to memorize multiplication tables, as is wont of every Asian parent ever (it is such an ubiquitous experience to Asian kids everywhere that there are reels with millions of views on IG, referencing this experience. Does this mean every Asian parent is evil and must be put on trial by their kids? Holy moly, think of all the money therapists would make if every Asian kid in the world decided to call out their parents on their shit. Entire economies would crumble to dust from the sudden disruption in cashflow.)
Is an apology going to comfort Ten? Asian parenting warps the sense of self of both the parents and the kids, because of the levels of abject sacrifice involved in it. It is extremely possible that Ten’s dad had worked day and night to provide well for his family, for his son, before Ten’s mom fell ill. It’s the same choice he made for his wife, but in this case, it paid off, because now Ten is financially well taken care of, and he is privileged enough to pursue a career in medicine. If Ten demands an apology from his dad for not being there when his mom was dying, do we know for sure that when he gets that apology, his mind won’t conflate the sacrifices his dad made for him, thus making him feel guilty for forcing someone who clearly cared about him enough to work hard for him, into defeat (look at this rich soup of Asian parenting misery, yum yum yum. I know it’s delicious because I’m paying my therapist weekly to make the broth less spicy).
The dialogue in the show whenever Ten’s mom is brought up and discussed is always very carefully worded:
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Not “because you did not act”, but “because you took so long to act”. Looks like Ten’s dad made a choice that ultimately did not pay off. He cared, and he wanted to do something to save his wife, but whatever he chose to do ultimately did not help. And now she is dead and he has managed to not help and comfort his wife in her final days AND unwittingly traumatize his son with his absence. The show has painted this storyline with enough nuance that I don’t believe we are meant to read Ten’s dad as a simple villain, but rather a father who does care but has made some serious mistakes. This situation is so emotionally complicated and realistically, it’s gonna take years for both of them to find a middle ground. Ten is gonna have to grow up and make a few mistakes of his own in life to develop proper empathy for his dad, and that’s gonna put a couple things into perspective for him (I’m not saying Ten is bound to make mistakes because he is bad. He is going to because shit happens in life and human beings always do better in hindsight than in the moment). And the dad is gonna have to grow old and let his aging body humble him a little and shrink his ego enough to see that he had failed his son by not being emotionally available to deal with their trauma, together.
I’ve been watching Kim’s Convenience, a Canadian sitcom that follows a Korean-Canadian family and their shenanigans. I’m only on S04E02, but there is a father-son conflict at the centre of this show that is still not directly addressed by both the dad and the son. It’s been years (almost a decade, I think) since the son has been driven out of his home by his dad for a dumb mistake he made as a teen. And the way the show works on it is so infuriating, because it is so Asian. It is rarely addressed aloud in the presence of the dad or the son, lest it leads to anger and screaming and storming off. The path to reconciliation is built with mom calling her son for help to fix something in their home because his dad is too stubborn to ask for it. With the son visiting the hospital when the dad had to undergo surgery, and having their first real conversation in years which the dad forgets after waking up from the influence of pain drugs. With the daughter’s old phone passed down to the dad with her brother’s number on it, which leads to them texting each other. It is all extra frustrating for me because I’m extremely straightforward in my conversations with my parents. I do not like ambiguous endings to verbal conflicts because they are a ticking time bomb and I do not have the capacity to forget its existence and let it tick away in the background. But, I understand it when my friends, and Asian characters in TV shows, don’t want to force things out in the open if it can be swept under the rug for the time being, because peace of mind in Asian households is fleeting and you would be wise to take what you get.
Good TV shows can best serve their audience when they serve their characters, and stay true to the experiences of the people they are trying to represent. My teen ass was regularly shocked, appalled and intrigued by the sexual liberation promised by Western media I consumed while I was in school and college. I was surrounded by a sexually repressed society that was convinced that the only moral way to enjoy pleasure was after marriage with your partner. And very predictably, this means a lot of dead bedrooms, unhappy marriages and kids growing up with no real understanding of what romantic love looks like. I would’ve never had the courage to move my entire life to the West, if the Western media I watched had not represented its people in all their messy, horny glory, albeit with a rose-tinted lens on gender, race and sexuality.
Some Asian parents in media need to fall at the feet of their children and apologize. I remember being absolutely fucking enraged while @lurkingshan and I watched Double Savage at the behest of our friend @waitmyturtles, and in the finale, Korn was the one who fell at the feet of his absolute piece of shit of a dad to apologize for FUCKING NOTHING. And after Shan and I were done surviving that show, I remember telling my friends that most Asian media does not have strong writing whenever Asian children need to defy their shitty parents and come to terms with their destructive parenting, because chances are, most Asian creators would not have successfully done it. Hence, intergenerational trauma (gasp! It’s all connected!).
So. I would never demand to see Ten’s dad apologize to him to consider Cooking Crush a successful show, because that is not the cultural context this story operates in. Would I enjoy it if he does? Hell yes. Would I be mad if he does not? No, because Ten is proving him wrong time and again, and that’s a constant reminder from the narrative of who is in the right.
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annabelle--cane · 4 months
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I confess, I've never retained much interest in Martin but I think that's mainly because his fanon analogue has always cringed me in a way but during my re-listening to the podcast I realized how fucking complex he is. Dude exploits the underestimation that everyone imposes on him but ends up that he also underestimates his own capacity for harm, like he's not even making an effort to do good just as the fandom believes he's just terribly alone and never had many opportunities to do evil and I think that's a reality for a lot of lonely people out there actually. That's a really interesting concept for a character, I'd love to see more of it.
I don't think it's quite right to say he's not making an effort to try and do good, there are clearly a few points in seasons two and three where he kind of assigns himself the role of the archive den mother and tries to keep everyone from falling apart, but I think his relationship with caring for people is more fraught than a lot of people give him credit for. on the one hand, he has a very pure altruistic motive of wanting everyone to be okay, and he does try to work towards that, but on the other hand that motive can become overly simplistic and make him start operating on a very good guys vs bad guys moral code. there have also been very few times when caring for people has actually been his choice, and that can both make him feel completely inept at acting on his own and, on occasion, explosively angry and resentful at the people/situations he's trying to help.
there's a counter to that "power corrupts, absolute power corrupts absolutely" aphorism that goes like "power reveals; if you give a guy the power to do anything he wants then you'll see what the guy always wanted to do," and for martin, the thing he always wanted to do was make everybody safe and happy so he could stop being so constantly terrified. when he realizes there's no way to configure the world so that everyone's happy, he tries to convince himself that hurting the people he hates must be somehow helpful to everyone else, and rejects the idea that he has any power at all.
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linkspooky · 2 months
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"And we don't have the luxury of thinking of ourselves. We just got to save people. So start by saving me, Itadori!" This actually shows Megumi has somewhat of an agency as a sorcerer. Ater all he vowed to get stronger after Yuji's apparnet death. He doesn't think of giving up being a sorcerer to be a kid. Now, Megumi's rejecting Yuji's help, the very same thing Yuji did to him. Plus, refusing to even try to 'wake up' means the death of other characters (Gojo, Higurum probably more others soon) will be for nothing... because Megumi's being selfish by giving up in the eleventh hour. That's why the fans are all mad at him."
Hello, friend I thought I'd use your post as a jumping off point to continue our discussion. I'm not necessarily trying to argue with you, just further explain my point and why Gege made the story choices that he did.
So one of the reasons I chose Killua as my comparison to Megumi, besides the obvious inspiration Mgumi takes from Killua's arc, is that despite the fact that Killua has many of the same character flaws and setbacks as Megumi he's much more well-received in western fandom spaces.
Killua also has a pretty straightforward arc, he still has character flaws, he idolizes Gon way too much and that makes him incapable of calling out Gon's flaws, or getting Gon to listen to him in his worst moment during the Neferpitou fight where Gon gives up everything to destroy Pitou pointlessly. However, even in those moments where Killua is failing Killua is still portrayed incredibly sympathetically. The audience reaction when Killua is failing is vastly different to when Megumi fails. When Killua is at his lowest point in chapter 241, there's no "get back up loser" it's "awe Killua."
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That's because again Killua's arc is so clearly telegraphed. When Killua is at his lowest point, you in the audience understand that he is there and why he can't get up instead of yelling at him in frustration. At his lowest point he's still presented as being selfless towards Gon and chiding himself for not being of use to Gon, he's not giving up because he's too weak to keep going like Megumi is.
Killua on the whole is a lot more likable than Megumi too, but I think this stems from the fact that the narrative of Hunter x Hunter paints him in a better light, he has a mostly positive character arc where he learns to stand on his own two feet and forms a healthy relationship with both Gon and his sister - whereas Megumi has a negative / corruption arc which goes in the opposite direction of Killua's.
However, I would argue because Megumi is painted as more selfish, and allowed to be more unlikable that he is better written in Killua because there's an element of ambiguity that's not there in Killua's arc.
Megumi reaches his lowest point where he can't move similiar to Killua, but instead of spending his last moments thinking about how much he wanted to be of use to Gon, instead he's begging for death and drowning in his own self-pity not even looking up to see Yuji right there in front of him trying to save him.
You're right that he comes off as selfish, and a lot less likable to the audience and rightfully so. I feel like we're supposed to be frustrated at Megumi here for not seeing how much effort everyone is putting into saving him.
However, sometimes characters are unlikable on purpose!
Sometimes character writing and what a characters actions means for their story and themes is more important than whether or not the audience finds that character likable. Sometimes a writer might even have the character make an unpopular choice that the audience will disagree with, in order to make the audience angry and frustrated with them on purpose. After all, you yourself are saying you're worried about all of your other favorite characters getting harmed now that Megumi doesn't want to be saved - that creates tension in the scene. The scene is more complicated now and there's more at risk, because now things aren't as easy as Yuji reaching out and saving Megumi.
Gege is also using a tactic called delayed gratification here. Delayed or deferred gratification is the resistance to the temptation of immediate pleasure in the hope of obtaining a valuable and long-lasting reward in the long term.
Instant gratification would be Yuji's first attempt at reaching out to Megumi working, Megumi reaching out his hand, Sukuna being defeated, Megumi and Yuji hugging and everyone going home happy.
Of course, then the story would be over as well.
By delaying gratification and not giving the audience what they want right away, the effect when Megumi is finally saved, or in my opinion, what should happen when he decides to save himself will be even greater.
As I was trying to illustrate above Megumi's arc is in my opinion better than Killua's, because it doesn't follow a handy dandy roadmap on where Gege is going to go with his character. Things aren't as clear cut and there's an element of ambiguity. Ambiguity in this context meaning what the author wants, Megumi's thoughts and his wants / trauma, and where Megumi's arc is going are not as clear cut.
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Gege cited Nasu's writing as a major inspiration on his because they skip explanations and instead let the audience try to explain things and put the pieces together for themselves.
I think when writing gets really good, we reach a point where "What's written is just as important as what's not written." That doesn't really make a lot of sense so let me explain it. Good writing does not spell out everything for the audience, but instead relies on audience inference to fill in the blanks, because then the reader becomes an active participant in writing the story and has to draw their own conlclusions instead of remaining a passive reader.
Megumi never thinks out loud that he didn't want to be a sorcerer and that he wanted to be a kid like Killua did, but there are things in story that implies Megumi thinks that way. The way he thinks he can never live up to Gojo's level or reach Gojo's heights. The way he doesn't even seem to want to. The way that personal connections like his connection to Yuji and Tsumiki is way more important to him then his duty as a sorcerer.
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The way that Megumi doesn't ever seem to believe that he's as capable as being strong of as Gojo, and doesn't even seem to want to try either. This passive resistance Megumi shows to becoming what Gojo wants him to be, is basically the only way he ever grasps for agency.
Megumi is kind of like a really lazy smart kid, who never turns in his homework but manages to pass classes anyway because he's good at taking tests. He's so naturally talented that unlike characters like Yuji who are newcomers who have to give it their all - Megumi can just coast on being born with an extremely strong technique and not having to put the effort in for most of the story.
Megumi's choice to coast though is like I said - passive resistance. Megumi never says out loud that he doesn't want to be a sorcerer, but we can analyze from his behavior, his constant habit of half-assing things that maybe there's a reason he can't put his all into being a sorcerer. I mean someone on reddit put this entire collage together on how unmotivated Megumi is to put the work in to develop his talents.
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The question is why in the manga where everyone is trying to be stronger, does Megumi keep half-assing things and not put his full effort in, why doesn't he seem to enjoy getting stronger the way say, Maki, and Yuji does. The answer isn't directly given to us, but all the way back in the third chapter Yaga says that sorcerers can't use other people as their reasons for being a sorcerer. It's an incredibly deadly and terrible job and if you don't know your own reason for why you want to be a sorcerer, you won't perform as well and you'll begin to doubt yourself.
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Yet, here's Megumi doing that exact same thing that Yaga warned about. Megumi didn't become a sorcerer because he wanted to or for his own reasons. He was groomed into being a sorcerer by Gojo, his options were 1) starve, 2) go to the zen'in and be a sorcerer anyway and your sister will most likely be abused 3) be a sorcerer under Gojo but Gojo will leave your sister alone.
Megumi convinced himself that he wanted to become a sorcerer for Tsumiki's sake, that he was sacrificing himself so Tsumiki could at least continue to live a normal life but he's not even able to protect Tsumiki. When she becomes cursed, he's robbed of his entire reason for becoming a sorcerer under Gojo in the first place, but he has to just keep going on the vain hope that Tsumiki will wake up one day. Perhaps that's the reason that Megumi immediately grew so close to Yuji too, because Yuji reminded him of Tsumiki, but while he failed to save Tsumiki Yuji was still around and someone he could actively want to save.
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Megumi doesn't want to be a sorcerer, but he has to be one and so in order to convince himself that he wants to do his job he tells himself he's doing it for the sake of Yuji, or Tsumiki. If he thinks that his sacrifice is somehow helping the people he loves either directly or indirectly then he can keep going.
That small amount of selfishness is the only agency he's able to reclaim for himself, that he's not sacrificing himself for the greater good or trying to save everyone like Yuji is, he's only trying to save a small group of people so he doesn't have to exert himself too much.
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However, even that is basically just lipservice to being selfish, because in the end Megumi doesn't really benefit from his own actions. He does everything he does for other people. Even if it's for his own selfish reasons - to give him a motivation to keep going in this really shitty job of being a sorcerer he was forced into, even if he's using other people as an excuse to keep doing his job he's still not really a selfish person. He's not allowed to be selfish because he's not allowed to think for himself or make decisions for himself b/c he's been so thoroughly undermined by Gojo's grooming of him.
This is the paradox that is Megumi Fushiguro. He is presented to us as a very selfish character, especially in contrast to the all-loving hero Yuji, he's much more childish, prone to angst and failure and yet Megumi isn't really that selfish. Because true selfishness requires agency and the decision to decide for one's self and Megumi doesn't have that.
Sometimes, characters will make selfish and unlikable decisions in order to serve a greater story purpose even if the audience doesn't approve of them.
Megumi's character is better written than say Killua's, or even other characters in Jujutsu Kaisen because as a complex abuse victim he struggles internally with his issues, and growing past them instead of immediately getting back up on his feet to do the right thing. It's really easy to sympathize with Killua not wanting to be a murderer, because that's easy to understand. When Killua goes he wants to make friends not be an assassin the audience is immediately on his side. When Megumi doesn't want to be a sorcerer, a job that everyone else in the manga including characters like Yuji and Maki are fine with being and don't question whether or not they want to be sorcerers or get stronger then he looks selfish and weak-willed in comparison.
Megumi's internal struggles to form his own identity and grasp at agency are probably the most complex and best written character work because it's not immediately gratifying. Megumi's arc is not a straightforward arc, things have to get worse for him before they get better.
It's like in season 3 of avatar with Zuko. Zuko looked ready to change sides with team avatar at the end of season 2, but he regresses and sides with Azula instead when he thinks he's getting everything he wanted on a silver plate. It might seem more frustrating to not get what the audience wants, Zuko joining team avatar right away, but by delaying that immediate gratification the payoff for when Zuko does join team avatar is greater. Sometimes it's better to be less straightforward, because then characters feel like people with internal struggles and not pieces you are moving down a pre-determined path.
Let me compare Megumi to a character in story who's arc is pretty universally beloved, but I will argue is less complex than his. You could say for Megumi, well Maki's sister died and not only did she get over it she used that death to climb to even greater heights and she's now one of the most powerful characters in the manga.
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This seems to be what readers want for Megumi, for him to get over Tsumiki's death and then live up to the potential that he's been foreshadowed to have. If the audience had their way, the same way that Maki was destined to become the next Toji, Megumi would step up right away after Tsumiki's death, become the next Gojo and become as powerful as Maki.
However, here's my question do we as readers really feel Maki's mourning for Mai? I mean if you were a fan of Mai you probably feel sad at her death because she was a character that you liked, but does the narrative ever take the space to have Maki struggle to come to terms with the loss of Mai?
No, because Maki pretty much immediately gets a power up afterwards. We don't really feel Maki's loss for Mai, because we get that immediate gratifaction. Maki never lays on the ground and wallows, she never gives up, in fact we get some pretty immediate catharsis too because Maki goes on to murder all of Mai's killers.
Mai's death doesn't seem like the tragic event that it is, because it's not played as a tragedy, but as Maki coming into her own power. There's nothing wrong with this I suppose, but it's less emotionally complex because we take no time for Maki to internally deal with the loss of Mai, to feel that loss. Tsumiki is way less of a character than Mai, but her death is an unequivocal tragedy because nothing good comes out of it, Megumi doesn't get to avenge Tsumiki's death, it's only a tragedy, it's only suffering.
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If you're satisfied with Maki's arc that's fine, but like I said it's a lot like Killua's in that it's very clearly signposted where we are going. It's narratively convenient. Like, when Maki is at her lowest point, a sumo guy shows up out of nowhere to give the exact words to encourage her and lead her character to the conclusions she's supposed to draw.
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Megumi and Maki are both victims of abuse but Megumi's allowed to be a lot more unlikable, he's allowed to stumble, to do things the audience wouldn't approve of. He's not shown to be more virtuous than his abusers, to rise up and get revenge against his abusers, he doesn't immediately free himself through the power of his hard work and determination alone.
In fact compared to Maki Megumi's kind of just a loser.
Yet, sometimes the road less traveled is the better one. Megumi doesn't follow the paint by numbers abused child overcomes their abuser and finds their own strength / freedom / agency arc and because of that he doesn't come off as a character with a character arc, but rather a child struggling to grow up properly in a world where he has no positive adult figures to help grow and nurture him. Just like a child Megumi has no idea how to be an adult, and unlike Maki there's no path to adulthood clearly laid out for him.
In fact when he does try to take steps or reclaim his agency for himself, someone usually appears either Gojo or Sukuna to rob him away of his agency and further sabotage him. Megumi's arc has a pretty clear pattern of one step forward, two steps back. Megumi bonds with Yuji, Yuji dies. Megumi promises to get stronger for Yuji after his death, Yujhi turns out to be alive and also he finds out that his decision to save Yuji after Yuji ate the finger led to fingers all around the world awakening more people dying. Megumi decides to keep this fact from Yuji to spare his feelings creating a wall between him and Yuji.
Megumi creates his domain for the first time, but then in Shibuya he's put into a corner by his father stabbing him and takes two steps back using Mahoraga as a suicide move again another curse user. When he does that too, he thinks about how he'll never be as strong as Gojo wants to be five seconds before calling Mahoraga.
Megumi comes out of the culling games with a plan to save Tsumiki, manages to defeat one sorcerer using his domain expansion and pushing his limits again like he did in the death painting arc, only for Tsumiki to turn out to be possessed and Sukuna to take his body.
One step forward, two steps back.
However, the complexity from Megumi's character comes from this fact, the fact he doesn't just walk down the path the audience wants him to, he doesn't simply do what Gojo laid out for him to make him the next Satoru Gojo. He doesn't find meaning or reason in being a sorcerer, he doesn't get stronger as a sorcerer because he doesn't want to be there.
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There's no convenience there, no one pops up with an inspirational speech the moment that Megumi needs it to keep going instead it's the opposite the narrative keeps robbing Megumi of his agency agian and again, pulling the rug out from under him when it looks like he's gotten the strength to stand out on his own two feet and Megumi has to keep going. The narrative rewards Maki and gives her what she wants her arc is basically over, whereas it punishes and denies Megumi at every turn. Maki's arc isn't bad but it is basically already over and it's a lot simpler and more straightforward than Megumi's.
Megumi is also called on to do a lot more than Maki is, because Megumi's issues can't really be solved with a power-up. This quote "let fate toy with you before you die like a fool" is probably one of the most important quotes when speaking about Megumi, because Megumi really is the fool in the fool's journey.
The Fool's Journey is a metaphor for the journey through life. Each major arcana card stands for a stage on that journey - an experience that a person must incorporate to realize his wholeness. These 22 descriptions are based on the keywords for each major arcana card. The keywords are highlighted in the text. A card's number is in parentheses.
The Fool's Journey is different from the Hero's Journey, because the Hero's Journey is the standard narrative for how a character rises up to become a hero, whereas the fool's journey is how a person goes from being an innocent but empty child a fool, a zero, into being a whole, and well rounded person. In Tarot the Fool (0) is basically a newborn, with no identity, no opinions, an empty vessel.
We begin with the Fool (0), a card of beginnings. The Fool stands for each of us as we begin our journey of life. He is a fool because only a simple soul has the innocent faith to undertake such a journey with all its hazards and pain. At the start of his trip, the Fool is a newborn - fresh, open and spontaneous. The figure on Card 0 has his arms flung wide, and his head held high. He is ready to embrace whatever comes his way, but he is also oblivious to the cliff edge he is about to cross. The Fool is unaware of the hardships he will face as he ventures out to learn the lessons of the world. The Fool stands somewhat outside the rest of the major arcana. Zero is an unusual number. It rests in the exact middle of the number system - poised between the positive and negative. At birth, the Fool is set in the middle of his own individual universe. He is strangely empty (as is zero), but imbued with a desire to go forth and learn. This undertaking would seem to be folly, but is it?
Megumi is the most underdeveloped and childish character in the series. He is as people have constantly referred to him, immature and selfish. He doesn't see things for the greater good, because he's ego-centric like a child and can only see what's around him.
What Megumi needs to do is to become a whole person, to develop an entire identity on his own, that's not dependent on Yuji or Tsumiki. He needs to be able to stand on his own two feet.
Now, how does Megumi go about doing that while he's also asked to be a sorcerer, people who aren't allowed to be selfish, who are asked to be identity-less cogs who exorcise curses for the greater good.
Megumi's arc is a lot harder, and a lot more difficult because it's not resolved by him getting a power up. That wouldn't fix his central issue because the problem isn't that Megumi's weak, it's that he's weak willed and doesn't think for himself.
Megumi can't become the next Gojo or the next Toji, he has to become himself.
Yet, Megumi and the audience at large don't know exactly what that means yet. That ambiguity, will Megumi be able to save himself, how exactly will Megumi save himself if he's not taking the hands that Yuji offers him. How exactly will he find the will to live with Tsumiki gone, and with no reason besides himself to keep on moving? It's that ambiguity that makes his arc more compelling.
Also, if Megumi were to resolve his arc by just getting a power up that kind of just means that Gojo was right all along. Like I hate to borrow from Homestuck of all things but this quote heavily applies to megumi and the way he was raised by Gojo.
So in the context the character Dave was raised from childhood by his brother to go through some super ultra ninja training, where he was basically forced to spare with his brother with swords every single day and put through the ringer with training, and that training didn't make him stronger it just made him afraid to fight. Dave can't see himself as strong or as a hero, because he's number one constantly feeling inferior to his brother who has like destroyed his entire childhood and number two because he didn't have a childhood he has no solid basis to build his sense fo self around. There's no strong foundation for Dave because he was robbed of the childhood years that help us form our identity. He never formed an identity, the only thing he could do was try to passively resist what his brother wanted him to be. That's not really forming an identity though, that's saying "I don't want to be that." Dave in his arc is continually reluctant to be a hero, and to go through the steps of a straightforward hbero's journey, because he doesn't want to be like a hero, because his brother was a cool brave heroic hero and his brother abused him.
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Dave's character shines in his reluctancy to be a hero, because if he just sucked up all of that abuse and then decided to be a hero anyway then wouldn't that just prove that his brother was right? That his brother was right to put him through all that abuse because look it made him stronger in the end.
Gojo took Megumi's childhood away from him with the intention of turning him into a stronger sorcerer, but it had the opposite effect. It didn't make him stronger or into another Gojo Satoru, it made him not want to become a sorcerer, it made him weak willed and made him cowardly and made him want to run away from danger and made him unable to believe himself to be strong enough to win.
Even Maki's arc doesn't ever suggest her abusers were right. If anything it's the opposite, Maki wanted to be a sorcerer, she would have willingly become one but her family sabotaged her at every chance and denied her the opportunity to become one - only to show that Maki was right all along that she had more potential than anyone else in the family and her family should have given her that chance. That if from the beginning the Zen'in accepted and raised Maki then the tragedy at the end of her arc could have been averted. The child who is not embraced by the village will burn it down to feel it's warmth... etc, etc.
So Maki's arc may be way more straightforward than Megumi's, but her arc doesn't suggest that her abusers were right to put her through what they did. However, Megumi just being told to suck up all his abuse and get stronger would be doing just that, because it would mean Gojo was right all along to do what he did, Gojo stealing Megumi's childhood would be right because look how much stronger it makes him.
However, Gojo's actions didn't make Megumi stronger, it made him the opposite, it made him never want to fight, or see blood, or be near danger. It made him passive and cowardly and selfish rather than active and brave and selfless.
Sometimes a writer may have a character make an unpopular choice in service of the story and themes.
You're not wrong friend for pointing out that Megumi comes off like a hypocrite for giving up, when he called Yuji selfish for giving up on his own before the beginning of the culling games. If anything it's worse, because Megumi has chosen to give up at the moment when everyone is basically making a group effort and risking their lives to help him instead of going for the more tactically solid strategy of killing Megumi alongsde Sukuna. Megumi is not respecting the feelings of those who wish to save him, nor is he thinking about how much the others are risking their lives just for the chance to save him.
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However, this intentional parallel of Megumi being able to reach Yuji at his lowest point when he wants to give up, and Yuji not being able to reach Megumi illustrates the difference between their characters.
Yuji became a sorcerer by choice. His ideal of wanting to help people is something he chose for himself, and apparently according to Sukuna he believes down to his very bones which is why it's something he'll never waver from. Yuji is the outsider who became a sorcerer by choice, he wants to be in this world - even if it wasn't a total choice like he chose to eat the finger but he didn't think of the ramifications and afterwards his choice was like "die now, or die after eating 21 more fingers." Yuji still views it as his choice though.
Megumi on the other hand never had a choice. All of his justifications and reasons and "I selfishly choose who to save" those are all lipservice, ex posto factor justifications, lies Megumi tells himself to cope with the fact that this life as a sorcerer was forced upon him.
That's why Megumi doesn't have the unshakable determination to get back up at his lowest point that Yuji had, because Yuji at the end of the day is kind of like the embodiment of the ideal sorcerer the way Nanami is, he's decided to give his life to be a sorcerer and live up to what sorcerers should be so he can make the world a slightly better place and then pass the torch to the next sorcerer.
Yuji chose that for himself, and for better or worse he keeps making that choice over and over again. He's resolved to live and die as an ideal sorcerer, and carry on the burden that Nanami left for him.
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If Yuji's arc is to figure out what kind of sorcerer he wants to be and then be that person to the very end, then Megumi's arc is the opposite. It's to find out who he is outside of being a sorcerer, because being a sorcerer wasn't his choice it was something that was imposed upon him. That's what Killua's arc is too, Killua's arc is not him learning to live up to his full potential as an assassin because that would once again validate his family's abuse of him. No Killua can't grow up into what his family wants him to be, he has to figure out for himself what he wants, and try to grow into that person.
However, Megumi has that added layer of difficulty in that Megumi doesn't get to use "I want to grow strong enough to protect my sister" as an answer the way Killua did. Megumi unlike Killua gets the crutch ripped out from underneath him. He's not allowed to live for Tsumiki anymore, because Tsumiki is gone.
Now Megumi has to find a way to keep living for himself without Tsumiki, and show that life is worth living even if you lose your loved ones or he sinks. Which as I said again is harder and more complex o Megumi because he doesn't get the simple answer "I want to grow strong to protect my sister" he's called to do more than that and stand entirely on his own.
Finally, Megumi not immediately taking Yuji's hand when it's offered to him adds complexity to the story in another way.
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Again we are asking the question, is it possible to save someone who does not want to be saved? It's repeating the same conflict in the past between Gojo and Geto now with Yuji and Megumi. Can Yuji really do anything to save Megumi if Megumi himself has decided to give up and that he's beyond salvation. If Megumi does not want to be saved then what does Yuji's attemps to reach out his hand amount to?
One last thing is I think Yuji's attempts to save Megumi were always going to fail, because as it's already been stated above by Gojo you can't save those who aren't willing to be saved.
In broader story terms though, if Megumi's arc is about reclaiming his own agency then how is getting saved by Yuji a proper end to this arc? Megumi being rescued like a passive damsel is not giving his character any agency, if anything it's robbing him of agency because it's reducing him to a victim to be saved by Yuji.
This is why I bring up delayed gratification, because if Megumi was saved here then his arc would be over and it would also be brought to a pretty unsatisfying conclusion. There would be no real moment where he learned to stand up for himself, he didn't find the meaning in living past the death of his loved ones for himself someone.
Not only is Megumi not letting Yuji save him, but story-wise it's kind of impossible for Yuji to save him because what Megumi needs narratively to complete his arc isn't to be saved.
What Megumi needs is to save himself. So no matter what Yuji did, no matter what heroic speech he gave, no matter what lengtsh Yuji went to to free Megumi's soul for Sukuna it would not have worked anyway, because that's not what Megumi needs.
Megumi needs to become himself. Megumi needs to save himself.
The fact that Megumi doesn't want to be saved, that he doesn't want to keep living, is the struggle he's going to have to overcome in order to achieve these things in the end.
And it will be much more gratifying when he does save himself, because the manga didn't go the easy route and just have Yuji save Megumi.
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Note
Mystery i’m really really really really hoping that Keanu is still a rumor. I feel like Jeff Fowler is still waiting to release the actual voice actor when the trailer comes out because god i’m so disappointed. There’s no way Keanu is casted cause he doesn’t bounce off Ben’s voice that nicely. And don’t get me wrong, Keanu is an amazing person but mannnnnnn he doesn’t fit. Crossing my fingers so hard that it’s just more mindless rumors.
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I’m trying hard to be positive here. Please do not be angry with me.
I am so incredibly happy for those that have wished for Keanu Reeves for years. I can’t even imagine how much joy you feel to have your dreams come true. It truly is a happy day for Keanu Reeves fans! And I’m so happy that y’all have allowed me to be a part of your joy. Thank you very, very much!
I don’t like to be negative—that’s not me. I try to be optimistic about a situation and news whenever I can. I think for me to make a final decision… I need to hear the voice before I make a call. Keanu Reeves is a talented actor. I’m sure that he could do a decent job. Right now I’m having a hard time picturing Keanu playing “Shadow.” I have very mixed feelings right now and I’d hate to make a decision where I’m seeing the fandom so divided.
Until then, let’s be respectful of others—regardless of where they stand with their beliefs/views of the casting choice—and continue to have fun!
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maireyart · 8 months
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Face Expressions Art Challenge
The sketches depict Obito in a post-canon AU: Obito dies, sees the glimpses of the Pure World & Rin, but the Sage brings him back for some unknown (yet) purpose. Obito doesn't understand why; doesn't get why he should live, after everything. On the surface, he's experiencing apathy and accepts imprisonment. Inside, he's scaldingly angry that he's back to life. He chose death, but death doesn't like him very much, does it? His uneasy karma, however, drags him on.
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The art challenge from the previous post reminded me that merely drawing white-haired Obito in all his harsh, tameless glory heals and delights my soul, so I completed a new art challenge with him (been slowly drawing these pics as warm-up sketches). He's the main reason I returned to the fandom after a good deal of years, so... ♡ If you're as crazy about this phase of Obito as me, take a look at my A Flare in the Dark comic 😉
Some glimpses into this AU and the scenes connected with some of the face expressions are under the cut:
'poker-faced' (originally 無表情 expressionless - the challenge comes from Jp Pixiv): his shitty prisoner ID photo. Obito has never been lucky with ID photos. Eyes like a drowsy deer in the headlights, hair messy, expression like he's seen some shit but doesn't have enough energy to react. (His chuunin ID photo was even worse).
'in front of something they hate': he looks at his reflection. The evidence of his plunge into hell is all over him... Obito deepened the hole in his heart himself. The world may have opened it, but he himself did everything to make it abysmal. Here it is, the eerie aura of his catastrophic choices. But not in the eyes. Sharingan-less now, they're dark, so, so dark, restless and painfully honest like a long time ago. He's not used to seeing this look again all the time.
* * * The angsty glimpse:
At first Obito tries to accept the idea of continuing living, but can't. Can't face life again. What is there to do for him? Especially from behind the bars? Either in prison or when transported from one place to another, he gets attacked: someone tries to murder him and fix "Sage's big mistake." Obito is even glad and doesn't resist—he wants death. But the assasination attempt fails; however, Obito is injured. His Zetsu cells aren't healing him miraculously anymore in this Sage-restored body. A medic nin and even Kakashi try to take care of him, but Obito hates it. Obito yells that he doesn't want this existence, that he sees no fucking point in it, and Kakashi gets angry too and tells him that he's a coward, because what else is he? Living when you don't want to live is not easy, but it's the only worthy option as long as you're alive; if the Sage brought him back, then there has to be some point in it even if he doesn't see it yet! Man the fuck up, Obito, it's the consequences of your choices!
'enraged': Obito threatens to kill himself with a kunai, stealthily stolen from Kakashi's thigh holster. He doesn't need healing, care, attention, 'the consequences,' nor life itself. He doesn't need this shit. He must either see the POINT, or die. Staring at a cell wall is definitely pointless and changes nothing.
Kakashi is suddenly petrified.
'sad': Obito sees Kakashi's face, and it's the same face he saw 18 years ago, lying under that rock—the terrified face of his friend, so full of pain. And Obito realizes he's been neglecting this part of his team. He'll see Rin eventually... But he was about to abandon Kakashi—again. They have a chance to work things out, they have a chance to explore their friendship. Then he thinks of Kakashi visiting his grave all those years, and his suicide attempt fails. He... suddenly... can't do this to Kakashi, even if living sounds like the worst idea ever, the wildest mockery of fate he can't come to terms with. He throws the kunai into the wall. Silence.
'weeping': Obito breaks the silence and talks then, and shares with Kakashi what he remembers about the Pure World, the conversations with the Sage, the—the feeling of relief and weightlessness and… and how he "executed" himself to get there. He starts crying first because of Rin, she stands before his eyes when he's describing his death experience to Kakashi, and then he cries just because of the PAIN of living that is back, and he can't take it anymore. He admits he's a coward who wants to end it no matter what. He has already done what he could, and now—he can't do anything anymore. Kakashi just tells him straight that he needs Obito. He doesn't know why, what for, but he needs Obito, here, living, and that they'll think of something. Kakashi is suddenly so kind at this moment (in contrast with his prior rage), that it's the last straw for Obito. This ray of compassion and gentleness from somebody who Obito remembered as a cold and caustic boy pierces Obito's heart, and his breakdown reaches its peak. Later, when Obito calms down, he's thoughtful and tired. It feels like some mental comatose, but he also feels a little better now. Life doesn't look too appealing still, but finding something in it... starts sounding more interesting.
'bashful': Obito grabs the only lifeline in this mess that he sees. "Okay, Kakashi. If you need me, I'll try. Try living for you. Maybe we'll figure out what the Sage wanted, too..." Kakashi exhales overwhelmedly: "This is a ... good beginning..."
* * * The funny glimpses: 'smiling': One day, when Naruto comes to visit him in prison, Obito tells him a bunch of embarrassing stories about kid Kakashi xD He can't help it! 'impatient': Kakashi is always LATE. So damn late for their meetings that sometimes he misses visiting hours in prison, and everything gets postponed for another day. But they have things to discuss! Never had Obito imagined he'd be annoyed with Kakashi being late. And... never had Obito imagined he'd be so impatient every time, waiting for these meetings... 'surprised':  😏😏😏
The world was on fire and no one could save me but you It's strange what desire will make foolish people do I never dreamed that I'd meet somebody like you And I never dreamed that I'd lose somebody like you No, I don't wanna fall in love (this world is only gonna break your heart) No, I don't wanna fall in love (this world is only gonna break your heart) With you (cool 'Wicked Game' cover) xD
*** The wholesome glimpse:
'in front of something they like': unexpected compassion; acts of kindness, not necessarily directed at him. Forgiveness. Experiencing wonder, uncertainty, hope over and over. Wonder, uncertainty, hope. Wonder, uncertainty... Hokage Kakashi, who does so much for the village—the embodiment of his childhood dream, in a way. Naruto, even—the embodiment of his childhood ideals, in a way as well. Wonder, uncertainty, hope. Channeling some of these long-buried feelings is so... soul-shattering and reviving at the same time.
The joy of giving. The joy of giving is not only your own secret feeling. It's a strong, unifying energy. One of the pass codes to unity. Something that could patch Obito up. His past self knew it. But what could he give, considering this state of things?.. There must be something...
*** If you wanna try your hand at this art challenge, here's the empty template ♡
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