My father was martyred by Israel on 10 October 2023 after sacrificing his care in hospital so the injured children could take priority. Today would have been his 60th birthday. He was always selfless, kind, and giving for others. My father gave up everything for me to be able to have a better life, because that is what he always dreamed for me and my sister. The world suffered a great loss when he died, and my heart is always with him and every Palestinian who has lost someone.
In his honour and memory, I would love for anyone who is able to do so to consider donating to The Palestine Children’s Relief Fund.
The PCRF is an amazing organisation that does so much for those in Gaza right now, including helping provide food, water and medicine. You can donate any amount you are able to- there is no minimum! My father would have given his very last cent if he saw the way Palestine was continuing to suffer after over 100 days with this limited aid, so I know celebrating him by helping others is the least he would have wanted.
I saw @parrot-parent do a very successful donation match and I thought it was such a good idea so I will also match all donations up to $500! If you feel comfortable sending me proof of the amount of your donation, I will match it as a donation at the end of February. (My messages are set to mutuals only, but if you donate and we aren’t mutuals if you send an ask with the proof I will make sure to answer it privately.)
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the official @shaxqueer list of "shakespeare i've done"
*updated 5/6/24*
All's Well That Ends Well
Antony and Cleopatra: saw a performance that friends were in, which was cool because nobody does this play
As You Like It: saw a performance that a friend was in, would love to be in one day!
Comedy of Errors
Coriolanus: I really really want to direct/act in it (thanks @lungthief). only read it so far though
Cymbeline: no, but had vague plans to direct it before the pandemic
Hamlet: Holy moly yes. 2019-2020 Claudius/Ghost/asst. director; 2021 Rosencrantz/Marcellus; 2023 Ophelia; 2024 fight choreographer. Plus ones that didn't get off the ground (2021 Player Queen; 2020 Fortinbras/Marcellus).
Henry IV, Part 1: A personal fave, but only read (once with @socialshakespeare!). Prince Hal is my dream role.
Henry IV, Part 2
Henry V: Saw friends perform
Henry VI, Part 1: Watched as part of Hollow Crown, read as part of Rose Rage
Henry VI, Part 2: ditto
Henry VI, Part 3: ditto
Henry VIII
Julius Caesar: Another fave. Will be fight choreographing this summer (2024).
King John: I played a character who played Constance and Arthur in a different show, does that count? I don't think anyone's gonna put on King John anytime soon...
King Lear: Was going to be involved in a Lear-adjacent show as Goneril and fight choreo, but it was cancelled
Love's Labour's Lost
Macbeth: Directed/performed an audio adaptation (2020, Malcolm/Banquo/Lady Macduff), acted in another (2022, Malcolm/Lady Macduff), and acting/fight choreo again (2023, Duncan/Lady Macduff). Plans are to fight choreo again (October 2024).
Measure for Measure: My problematic fave that I want to direct/act one day.
The Merry Wives of Windsor: Acted/adapted (2022, Mistress Ford/Slender)
A Midsummer Night's Dream: Acted/co-directed (2019, Titania/Hippolyta). Doing fight choreo in 2024.
Much Ado About Nothing: Did fight choreo in 2023, acting in 2024 (Don Pedro/Verges + other tracks)
Othello: Only read.
Pericles
Richard II: If you ask me what my favorite Shakespeare play is, unprompted, this is what I'll say. One day I'll direct/act in it. One day.
Richard III: One pandemic reading that never materialized (2020, Anne), and one audio drama that thankfully did (2024, Anne again).
Romeo and Juliet: I have the dubious honor of having played Gregory, Sampson, and Abraham... all at once (2018, different show). 2023 Nurse/Montague.
Taming of the Shrew: Alas, no. The 2024 production I was going to fight choreo was cancelled.
The Tempest: Did a virtual pandemic reading. But one day...
Timon of Athens: I wish.
Titus Andronicus
Troilus and Cressida: Underrated.
Twelfth Night: My first Shakespeare ever (2016? Captain and Priest). 2022 Sebastian, and currently (2024) Andrew + other tracks
Two Gentlemen of Verona: Another bucket list item.
A Winter's Tale
MISC. CLASSICAL THEATER + ADJACENT:
Emma (2023, Harriet)
Cyrano de Bergerac (2016, Cavalier 1/Cadet 1)
Doctor Faustus (planned to direct 2023, hopefully directing in 2024/25)
Edward II (have you ever read a play that sucked so much that you fell in love with it?)
On ne badine pas avec l'amour: performed IN FRENCH (2022, Camille)
The Legend of Sleepy Hollow (2017, ensemble)
Le Misanthrope (I have a dream to direct it with a female lead)
No Exit (2020, Inez)
A Christmas Carol (2021, Belle)
Emilia (2021, Lord Howard)
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I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after
The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually
Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-
He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.
And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.
When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings
"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.
It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)
"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species
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