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vermillioncrown · 10 months

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ttbh snippet - the kids settle in (sorta)

more fuel for the fire 😎 the time being had is of ambiguous quality, but we're certainly here in collab w @rozaceous

they've been in canon-verse for a few days already, and the bats have updated their opinions on the mini-interlopers

After the dust settles, everyone seem to agree that it was eventually going to happen. None of them—not even Damian (who is indignant at the accusation)—ever aimed to make the kids cry. It’s understandable, however, that the events of the past few days have been overwhelming. For trained vigilantes used to worldending and multiversal threats, context helps but it’s still ten of them confined to one (admittedly large) manor and its surrounding property. For kids without any context or the wherewithal to understand it, being the equivalent of multiversal bookends means nothing to them.

The fact that they held their composure for this long is admirable. They are, overall, extremely easy kids to care for and well-behaved. Retrospectively, it was a trap in making them complacent.

Allie has the most detailed instructions attached. Food intolerances, strict preferences and diet, allotted time outside for being physical, time left alone to read and be quiet are simple enough needs to address once known. During outside time, she plays soccer with an oddly charming combination of vigor and systematization. When there’s too much activity around her, even during things she enjoyed doing, she’d retreat into quiet play until it’s back at a tolerable level. The giant set of crafting beads that Steph and Cass ran out to purchase on Day Two has been lovingly organized and curated during her shy periods. Korvin is the only one she lets into her space, then.

Korvin’s notes are extensive but disorganized and contradictory, as if multiple people threw everything they had at the dossier and didn’t bother cross-referencing each other. Food is straightforward—he eats everything on his plate, nothing more or less, always with a “Please” and “Thank you.” Suggestions on occupying him fall flat; Tim’s attempt to show off the 3D printers and computers was met with a wide-eyed stare and a shake of his head before he runs off after Allie. Hide-and-seek and Sardines worked for a bit until Alfred put his foot down because Korvin followed Dick onto the chandeliers. They don’t catch that some of the soaps in the manor were giving his skin blisters until they see him fidget non-stop under his oversized sweater sleeves.

Eventually, they leave the kids to their own devices; it seems to work better than hovering.

Steph’s the one that points out at their fretting, “Chill out guys, I think they have autism.”

“That’s—wow, Steph,” Tim looks taken aback and almost personally affronted. “That’s so rude. They’re just quiet kids.”

“Hm, kinda ableist of you, Tim,” Duke crosses his arms, frowning down at the now sputtering older vigilante. Cass catches his side glance exchange with Steph. It’s half-serious but entirely shit stirring.

“There is nothing wrong with them,” Damian throws in his two cents. “They are, in fact, more tolerable than most of my classmates despite their age.”

All of them—barring the kids, of course, and Alfred making sure they stay hydrated—are discussing the situation in the second floor parlor. The room overlooks the immediate garden area, and has a balcony they can all leap off safely. Allie and Korvin are chatting and giggling in the garden, inspecting flowers and bugs alike. On a closer look, Allie’s admiring the different flowers and Korvin is gently flicking worms back onto the dirt. A worm flies too close to Allie, who squeals, and Korvin profusely apologizes.

There’s a lot of exchanged glances that happen after Damian’s declaration. Tim looks reluctantly grateful at Damian, who purses his mouth petulantly.

“Woof, Dami,” is all Steph has in response. Duke has a pinched expression on his face and quickly looks away from everyone.

“Look, autism levels in the manor are off-the-charts,” Jason says blandly, disregarding Dick’s frantic motions to stop him. “Just look at that Bat filing system.”

“The ontology makes sense,” Tim can’t help but interject. His expression shows that he immediately regrets speaking.

Everyone looks at Dick, who finally gives up and gives in. “It makes sense but it’s also…” In lieu of finishing his statement, he wiggles his hand in the air.

Throughout the entire discussion, Bruce has been sitting in the corner of the parlor, giving careful glances outside with his peripheral vision. He’s the first to realize that Allie and Korvin always know when they’re being watched. And the few times they’ve been separated, he narrows it down to a slight difference: Korvin is hyperaware of his surroundings versus Allie being hypervigilant. They both get nervous when there are too many eyes on them, and Bruce was the first to point it out and be conscientious about it.

A sudden faraway shriek has everyone tense up and scan the area. They find nothing amiss despite the kids sprinting towards the nearest tree. Alfred calls out to them patiently but doesn’t seem alarmed.

“Oh, hah, it’s just a wasp,” Duke points out.

It’s too far away to see the perpetrator in question, but it apparently closes the distance to the kids and they shriek again, sprinting to another tree for sanctuary.

“Let’s stop with the whole ‘armchair diagnosis’, alright? It’s not helping anyone,” Dick returns to the topic for closure. He ignores the knowing look that Jason aims at his back.

#folie a deux #phd-verse #on ttbh #verm bits #when i was writing this scene #the brainstorming w roz was like. realizations about our childhoods #straight a students: anxious. adhd. autistic.#would certainly look odder in the 2nd childhood but lol the 1st one was telling enough #the scene following this snippet will be reserved for if/when this gets for real posted on ao3 #too powerful otherwise

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roseworth · 1 year

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i wish you guys lived inside my head the fics in here go crazy

#me when i have such a fun fic idea but all i have are the vibes and one scene and the knowledge that i’ll never actually write it

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satelliteduster · 2 years

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oh my god i forgot to post my absolute favorite strip from gay comix (issue #2, 1981)

#this collection is full of so many hilarious vignettes #between the fictional and biographical they range from hilarious to saddening but theyre all candid looks at #lgbt life in the 60s 70s and 80s #id recommend it if you're interested in older underground work #edit: for ppl who notice the opening blurb i will say this:#1. Many artists in the underground comix scene (yes the lgbt ones too) delighted in being overly provocative for the sake of it #hence the cringeworthy 'political unity is not the goal' line #2. i worried abt this too when i started going thru the issues but there are quite a few strips and comics focusing on the trans experience #that said. there are unfortunately not a lot of transgender artists involved in this collection #3. given the preceding two points i think its fair to say that a good chunk of the strips in gay comix just. Suck #but like they actually said it's important that we're capable of recognizing that a full 40 years down the line #so we can actually learn something from the life experiences the mistakes and even the lack of perspective tht sm of these artists displayed #nocturnal writings

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ofswordsandpens · 10 months

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actually I also wanna talk about the part where Percy convinces Bob to kill Hyperion because even though Percy never says anything outright sinister, the way he handles the entire situation with such cool ease, playing on Bob’s emotions... its so insane???

Because Annabeth’s reaction to the three of them encountering Hyperion reforming is: “oh this is bad we need to get out of here” She knows if Bob remembers himself, that it's not going to play out well for Percy and her. She also thinks about how they're being pursued and don't have a lot of time. Her solution to the problem, seemingly, is to leave.

But Percy's solution is to work the situation to his advantage. He re-affirms Bob's loyalty to him:

Percy then re-establishes Bob's moral code: "Some monsters are good. Some are bad. This Titan is bad. He tried to kill me and a lot of people. He's not good like you are."

And it ends with Percy leaving the choice of whatever to do with Hyperion to Bob but of course, is it really what Bob chose to do? Bob decides to kill Hyperion. It's not what he may have done, if Percy hadn't intervened. But it's exactly what Percy was oh-so-sweetly leading Bob to do.

And listen, I'm not claiming that it was exactly morally bankrupt of Percy to take advantage of a once-evil titan who could get him and his girlfriend through hell in one piece. Percy, Annabeth, they manipulate monsters and enemies all the time. Annabeth ended the previous book with manipulating Arachne into weaving her own web. So it's not exactly like she's against using manipulative tactics, in theory.

But Bob, at this point, is not just some monster. He is so painfully sincere in his belief in Percy and their friendship, so yes, it does feel a bit sinister whenever Percy uses Bob... and he really uses Bob.

And I think what makes the scene so unsettling, it isn't just that Percy manipulated Bob, its how well Percy manipulated him. He manipulates Bob so well that Percy doesn't even have to kill Hyperion... because Bob does it for him. He manipulates Bob so well, that Annabeth couldn't tell if Percy was purposefully trying to manipulate the situation. (Newsflash, he most definitely was). Like holy shit.

#percy: friends kill for friends <3 #ITS CHILLING #Riordan allowed Percy to be unhinged for ONE book in hoo and then got to boo and went #/um actually writing the realistic outcome of Percy's turmoil in Tartarus sounds like a lot of work so how bout I dont :)/#okay wait while I love this scene in hoh the one part I dont like was Annabeth being like: I had no clue Percy could be so cunning #and like girl YES YOU DO #you were there in BOOK 1 when Percy convinced Crusty to lay down in his OWN bed and then decapitated him #I choose to believe she was simply afraid unsettled and in denial lmaoooo #pjo #percy jackson #annabeth chase #mine

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dekariosclan · 5 months

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Imagine Gale as a talented and impressive young man, able to compose the Weave at will, skilled in a way that few can match, and favored by the Goddess of Magic herself. Imagine that because of these accomplishments, he’s caught the eye of a few up-and-coming magic adepts, and he falls in love with one of them—his first real love. Gale isn’t one to toss the ‘L’ word around lightly, so when he tells them he loves them, he means it; he gives himself over to them completely.

And in return, they love him for his potential. For his status. For the magic he can command. They love the wizard they see on the surface, but not the man underneath. They are attracted to his power, but not to him.

So of course the relationship fails, after the thrill of his magic wears off. But because Gale is a resilient young man and he’s caught the eye of so many, he soon falls in love with another.

And then it happens again. And again.

And each time Gale’s heart is ravaged, his ambition to become a better wizard grows, because he’s being shown time and time again that his magic ability is all that matters.

So much so that, by the time Mystra decides to elevate him from Favored to Chosen to Lover, he welcomes her with eager, desperate arms. Because if all his worth is in his magic, and that’s all he has to offer, and that’s all anyone wants from him, who better to love him than the Goddess of Magic herself?

Except…there’s a nagging voice in the back of his head that whispers she doesn’t really love him. There’s anxiety in his heart as time passes, and he reaches both the limit of what his talents can do and what Mystra will allow him to do. And most troubling of all: a growing panic that, just like his other lovers, she will soon grow tired of him and discard him if he can’t improve his magic any further.

He tries pouting, and pleading, and begging her to let him take more power, to let him be more for her, but she refuses. Smiles patronizingly. Tells him to be patient. But Gale can’t be patient when his power is tied so closely to his self-worth; he can’t be patient when doing so in the past has only ever lead to heartache.

So he does what he believes will be a Grand Romantic Gesture, one that will finally put him on equal footing with the woman he loves. Instead, it turns out to be a folly that dooms him and destroys his talents. And just as he’d always feared, Mystra tosses him aside the moment his magical gifts are gone—because what’s left of him holds no value for her.

————

Imagine Gale in his tower, alone, afraid, the ever-hungry orb in his chest, with only his tressym there to help him. No other friends to speak of. His colleagues forced to keep away for their own safety. His magical talents utterly stripped down, so that even when he does try and distract himself with illusions, he’s bitterly reminded of what he used to be capable of. Waking every morning wondering if it will be his last, ending every day full of loneliness and disappointment.

…and then he meets Tav.

At the lowest point in his life, at his most vulnerable, when he knows he’s going to be considered a burden, he meets this stranger and their group. So he does what he can to be useful—assigning himself to be camp cook, offering up his (now meager) magic skills, turning the charm up to 11—as he desperately hopes this will somehow work out. He’s pleasantly surprised when, after providing only minor details of his condition, Tav agrees to help him. He’s even more surprised when they actually follow through.

Imagine how Gale feels as Tav treats him kindly. As he grows to trust Tav, and then grows to like them. Imagine his surprise as he opens up and shows them more and more of himself, and they don’t turn him away.

But then his condition worsens. And he has to reveal everything: the foolish mistakes he’s made, and how dangerous he is as a result. He clings to Tav’s hand as he shows them his folly. He’s at their mercy now, and he knows this might be the last time he’ll ever feel the touch of another being, if they decide—and Gods, why wouldn’t they decide?—to cast him out.

…but they don’t. They don’t. Instead, they tell him to stay.

Imagine the relief Gale feels. The gratitude. And perhaps…just a hint of something more. Something that he dare not name, but that flares to life every time he thinks of how warm their hand was in his. Something that feels dangerously close to jealousy, when he’s had too much to drink and sees Tav smiling at another…

But he knows these are all foolish thoughts, because he has nothing to offer Tav. They are wonderful just as they are, but he…he is an empty shell of a man, a discarded husk of a wizard, and while they might tolerate him, he could never believe they might actually want him.

And besides, he still thinks of Mystra. He still longs for Mystra. She who cast him out, but to whom he still feels tethered. Sometimes he needs to cocoon himself in the weave, just to try and calm his fears and bring some joy back to his life, because magic is his life. And sometimes he just needs to see her face, even though that hurts as much as it heals.

One night he’s lost in thought, having conjured Mysta’s image after settling down at camp. Thinking that even if she hadn’t ‘loved’ him—certainly not in the way he’d loved her—she’d given him enough otherwise, hadn’t she? She’d amused him and been amused by him, they’d shared countless pleasures, why hadn’t he been satisfied with that?

Gale is so lost in thought he doesn’t realize Tav has come up behind him. Until they ask a question, startling him out of his trance. He’s a bit shaken, so he tries to turn the conversation from Mystra to the weave itself. And then a wonderful idea occurs to him, something that he’d been toying with already: what if they were to conjure the weave together?

He can show Tav how important magic is to him, let them experience what he does, perhaps even impress them a bit. But most importantly, share a moment with them. As friends would do…

He’s elated when Tav agrees. He leads them through the steps effortlessly, and they’re a surprisingly good student, following his instructions correctly (if a bit clumsily). He’s as excited as they are—perhaps even more so!—when they succeed in channeling the weave.

It’s such a pleasant, familiar feeling for him, like coming home to his tower in Waterdeep. Even as the weave connects him with Tav and makes them one, he’s easily able to hide his innermost thoughts, because he’s done it so many times before.

…but he’s forgotten that Tav has not.

————

Imagine Gale knowing every romantic partner he ever had only wanted him because of how he could raise their status, or how he could amuse them, or how he could command magic for them. And, each time, he was happy to oblige them, even desperate to oblige them, because if that was the price of their love, then he was sure it would be worth it.

But it still all came to nothing.

Now imagine Gale connected in an intimate way with someone he likes very, very much—while being what he considers his lowest, most worthless, and most humbled self. As far from the powerful, impressive wizard he once was as he could ever be. And suddenly a vision enters his mind from the lovely creature standing next to him. Only, to his complete and utter shock, it isn’t one where he is providing them with a service, or wowing them with his magical ability, or granting them some kind of power from one of the spells he commands.

Instead, when he sees their desire laid bare before him, it’s a vision of kissing him. Of holding his hand. The two most basic forms of affection and physical connection. The two things that he would still be able to offer them even if every last ounce of his remaining magical abilities were stripped from him. The two things he could share with them even if he was no longer Gale of Waterdeep, and just plain old Gale Dekarios instead.

Imagine the embarrassment and trepidation he feels at first, because surely he is mistaken?…and then the elation when he realizes that he is not. So much elation that his concentration is broken, the weave dissipating as he forgets about channeling it, as he forgets about Mystra. Because all that matters to him now is the image before him—the most pleasant and welcome image he’s seen in a very, very long time.

Imagine how that would feel…and how besotted, enamored and completely devoted he’d be to Tav afterwards. To know that someone finally—finally—just wants him.

Just imagine.

#Please enjoy this huge dissertation about Gale #(which was unintentional)#I originally wanted to talk briefly—BRIEFLY—about why the weave scene is so important to him #And then I….kept writing lol #Please also note that while this focuses on successfully channeling the weave I also LOVE the talk you have with him if you ‘failed’ it!#The same themes apply there because when you tell Gale you still think about being alone together he replies that he hopes to embrace you #It’s all about Gale finally finding someone who appreciates him just as he is and being able to connect with them #gale of waterdeep #gale dekarios #baldur's gate 3 #gale x tav #bg3

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starry-bi-sky · 5 months

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(Part of this post with older brother danyal al ghul)

...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.

She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.

Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.

The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.

Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.

He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.

He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.

But she's starting to see the resemblance, as subtle as it is.

And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.

His eyes turned on to her, and they locked gazes for a moment.

Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.

Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.

"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.

"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more

Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"

Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.

On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.

And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.

Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.

Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?

She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.

Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."

She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?

Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."

"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."

Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."

The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.

She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.

But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.

"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.

Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."

Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.

(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)

"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."

"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."

"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"

Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."

Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."

It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.

"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.

Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.

She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.

"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."

(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)

(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)

Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.

Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."

With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.

#dpxdc #dp x dc #dp x dc crossover #danny fenton is not the ghost king #dpxdc crossover #dpdc #danyal al ghul au #older brother danny #sam is one protective gal. this scene went differently in my head. way differently. but alas. i am not complaining.#sam: if bruce wayne abandoned my best friend i'm gonna physically transform myself into a dragon and incinerate him. how dare he.#bruce and damian got to watch in real time as a random girl who knows danny suddenly realizes he's related to them. which is comical to me #because she suddenly goes from being disinterested but weirded out by damian. to suddenly looking at bruce like she's gonna kill him #which is very funny to me bc from their pov at first its like this random girl just speedran hating bruce. and then her parents bring up he #friend danny and then she calls him danyal. and suddenly its starting to click into place like 'oh fuck wait we may just have a lead on --#-- finding danyal and his whereabouts.' especially after sam's mom mentions the scar on his face. like wow. what a crazy ten minutes.#not seen but def happened: sam gets her phone out to go text danny in the corner. she's not gonna bring up the bruce thing yet. she needs #a pick me up. related note: danny and tucker know she's gone to some gala thing with her parents but not to a wayne gala. if danny had know #he may have told her that he was related to damian wayne. just to prepare her for that. not so sure on the writing in this one folks #but i also dont wanna go through and edit anything its like half past one in the morning and i also dont wanna wait until morning to post #when i can just do it now. and get instant serotonin. i thought of this scene in various ways. like sam calling damian 'danny' out of shock #and then quickly correcting herself. and then excusing herself very quickly. or her mentioning that damian resembles her friend danny a lot #so she was just thrown off by him. because i def think that could happen if sam has no reason to think that she needs to hide danny from th #waynes. i also thought about her parents mentioning that damian resembles danny a little bit. only for one of them to go 'oh no no couldn't #- be. how insulting to damian since the daniel they know has this horrid scar on his face.' and then go from there. either way i thought #a scene like this would be fun. get to also kinda explore how danny looks like from his friends' povs. of which he is #'our lovable jerk who is an ex-cult member and whom we will maim someone over.'#not a scene that was added but i wanted to: sam mentioning in parenthesis that she and tucker think danny was part of a cult prior to the #fentons. and that sometimes danny will say something alarming and sam and tucker will stare at him until he frowns and goes #“that... isn't normal. is it?” and tucker will clap his shoulder and cheerfully go “no buddy. no it isn't” bc i think the idea is funny.#sam is so focused on the idea that bruce abandoned/ignored/was unaware of danny's existence that she momentarily forgot that bruce may have

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kasieli · 1 year

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Hear me out: MC and Seb exploring the underwater caves together

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jaggedjot · 13 days

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There is a deep rooted bitterness underneath Claudia’s immediately infamous “two blood fat cocks slapping hands” line. After having spent more than a cumulative decade of her life searching for another vampire and being met with nothing but silence or pain, Claudia was welcomed by more than a dozen in one night, only to then be told by Louis that she should not see them again. It must reignite the resentment Claudia felt towards Louis’ open pessimism and misery while they travelled through Eastern Europe. The purposeful crudeness of the line, a sudden sour note after her teasing Louis’ fear “of your own lust”, suggests her frustration at being unable to fulfil her sexual desires. The disagreement the pair have in this scene about the significance of Lestat’s portrait reflects the larger rift in their relationship over Louis’ unwillingness to move past Lestat (“He's a hundred-and-something-year-old painting in a frame.” “They got a fսcking shrine to him!”). Claudia’s life was forcibly shaped time and time again to better serve Louis and Lestat’s love for each other; turned into a vampire so that they could repair their relationship, intimidated and hurt when she encouraged Louis to leave Lestat, made prisoner by Lestat ostensibly for Louis’ welfare, and now the memory of that relationship threatens her newfound kinship. It is galling enough that her long awaited introduction to a vampire community comes as an afterthought tacked onto Louis’ hand delivered invitation (“Come. And bring the petite beauty with you.”, “Monsieur de Pointe du Lac. Our finest seats.”), but the realisation that even that was determined by another man’s attraction to Louis has to be beyond infuriating.

#the subtitles are not accurate for this scene at all by the way #if anyone else wants to write about it #also I want to note Claudia’s 'joke' about them having to leave America due to Louis’ beauty #when your brother-mother-father's pussy is good you become permanent collateral damage #Claudia #Louis de Pointe du Lac #Interview with the Vampire #Jagged Jottings

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bardandbear · 9 months

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But whose heart would not take flight? Betray the moon as acolyte On first and fierce affirming sight Of sunlight, sunlight, sunlight

#bg3 #bg3 edit #bg3 screenshots #astarion #i have so many fucking FEELINGS about this scene #like the bathing in sunlight would be powerful enough #but it's freedom it's cleansing it's healing it's peace #in the context of what happened the previous night #he doesn't want to turn and look at the PC #his FACE when he has to #UGH #I could write essays #novels #epics

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spacedace · 2 months

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Still thinking about the Social Worker Jazz concept that @gilbirda posted about and it's slowly turning into a full Anger Management fic send help

Jason at length - much longer than it really should have taken really - set the resume down.

The new Social Worker’s resume. Because she was there, in his office, trying to convince him to hire her as a member of his criminal organization.

Crime Alley’s new social worker. A bright eyed Midwestern transplant from some tiny speck of a place that only qualified as a city because there was nothing bigger in a hundred miles in any direction to claim otherwise. The new social worker who had a Psy D. and three masters degrees and who had graduated Valedictorian. The one that had high paying private gigs lined up all over the country with the offering companies fighting over her.

The one who had, apparently, decided to take a shit job in Gotham’s shoddy social services department instead. The one that got kicked to Crime Alley - which was its own division despite technically being a small neighborhood in the grand scheme of things - within her first month. Supposedly for the sole purpose of scaring her off or getting her killed for all the questions she was asking and secret dealings she was sticking her nose into.

That social worker.

“I’m gonna need you to run this by me again.” Jason said, never so grateful for the voice modulator in his helmet as he was in that moment. It stripped out the bewilderment that had bled through into his words and made him sound stoic instead.

“I’d like to work for you.” The social worker - one Dr. Jasmine Nightingale - repeated primly. Back straight, clothes neat - if skewing more on the librarian side of professional - expression confident and hopeful. Completely and utterly oblivious of how fucking insane she sounded. “I was told that you’re the person in charge of Crime Alley.”

He resisted the urge to scrub at his face. It’d just look weird with his helmet on and not do anything to actually settle him in that moment anyway. “I understood that part.”

“Look, Doc,” She earned a doctorate and she was crazy enough to waltz into the office of one of Gotham’s most powerful Crime Lords, he’d be respectful about using her proper title at least, even if he suspected she was ten pounds of crazy in a five pound bag. “You’re going to have to tell me why. I was under the impression the only reason you ended up dumped on our end of the city ws because you wouldn’t play ball. But now you want to sign up for my crew?”

Nightingale frowned a little at that.

“Is that what people are saying?”

“What else are they gonna say?” Jason answered, leaning back in his seat, “Head of the department only dumps Crime Alley on folks he don’t like. And everyone knows he doesn’t like anyone that can’t or won’t play his game by his rules.”

“Alright, well. I’ll give you that.” Nightingale conceded, “Payne doesn’t like me. The feeling’s mutual. But for the record,” She added giving him a wry smile, as if sharing wry smiles with Red Hood was just something people did, “I asked to be assigned to the Park Row and Bowery neighborhoods.”

“You wanted to work here.”

“Yes.”

“Bullshit.”

Nightingale laughed. It was a bright sound. Not especially clear or pretty, but warm and welcoming in a way that carefully calculated giggles or overdone guffaws couldn’t be. Something with real and honest amusement in it, that encouraged those nearby to laugh along. Not the kind of involuntary, nervous chuckling people tended to slip into when they thought they had pissed someone that scared them off.

She just wasn’t intimidated by him at all, was she?

Behind his helmet, Jason found himself smiling. Just a bit.

“I’m serious.” She assured, blue-green eyes meeting the dark stare of his helmet without a moment of hesitation. He watched as she brushed a lock of her bright red hair behind her ear and out of the way. She’d woven it all into a practical, neat braid but a few sly pieces had snuck out to bounce around her. Gilding her quiet professionalism with a playful charm that worked well with her academia but make it cottagecore kindergarten teacher aesthetic.

“I’ll admit, Gotham wasn’t part of my plan when I first graduated. Time and choices take you funny places sometimes.” She plucked an invisible bit of lint off her soft blue cardigan, not nervous but absent as her gaze went distant for a moment. Thinking back on the events that had led her to his fine city. In a blink, those sharp eyes were back to focusing entirely on him. “But Gotham is where I am now, and I want to help.”

She looked at him, a serious, determined expression settling easily on her face. “The city as a whole has so much chaos and crime breaking out all the time.” No censure or horror in her voice, just a neutral fact to be observed. “But where the rest of the city has millions of dollars poured into it by various foundations or charities run by the Waynes, Park Row is largely ignored.”

Jason watched as steeliness sharpened her gaze, the blue-green shifting from the shine of a bird’s wing to the warning hue of something poisonous and deadly. “No one deserves that. No one.” Her chin tilted up, proud but not imperious. “So yes, I want to work here. There are people in Park Row and the Bowery who need help and I refuse to let any of them feel like they are going to be ignored.”

Jason considered her.

Really looked at her. Pealing back his initial off handed impression of her as some clueless transplant in over her head with no idea of what she was doing or what she was poking her nose into to find the real woman beneath. Her confident poise, her clear unshakable belief, her unflinching willingness to look danger in the eye and not blink. The tense curve of her frown, the lines of pain at the corners of her eyes, the simmering anger beneath it all. There was an edge to her, too. Something sharp and dangerously well hidden by the cardigan and folksy charm of her accent.

It was personal for the woman before him, Jason realized. Maybe not Crime Alley specifically, but something about the whole situation. The treatment the neighborhood and its residents received from the city at large, from those even beyond it.

Crime Alley wasn’t a place that received much in the way of charitable thought. The average joe with their house in Somerset and job at some corporate shithole hating every second of their life but thinking at least I don’t live in Crime Alley. Those asshole hoity-toites in city hall throwing money around equally between shit that’d get them re-elected and their off-shore slush funds in the Caymens doing their damn level best to pretend the black mark on the other end of the city just didn’t exist. Bruce, flooding the entire city with charitable programs and carefully constructed infrastructures shying away from the manifested grief and trauma that was the place he watched his parents get murdered.

For the most part no one from outside of the Alley gave a shit about the Alley other than as a place to avoid at all costs. And most of the time those natives that manages to claw their way out into better and brighter lives didn’t ever turn to glance back. Orpheus could have learned a thing or to from an ex-Alley Kid who managed to eek out a steady 9-to-5 and move to Burnley.

And something about that seemed to piss Dr. Jasmine Nightingale Psy. D right the fuck off.

He could see why Bill said he liked her enough to let her in.

“Alright.” He said, tilting his head, watching the woman seated across from him carefully, “Still doesn’t explain what you’re doing here. Why you’re trying to get on my payroll.”

“I’m not trying to get on your payroll.” She said, some of the glinting edge softening, but the steel remaining. Strong and unyielding. “I’m trying to get into your community outreach program.”

Jason thanked god and all the saints once again for the gift of his helmet. That baby had saved his ass more times than he could count both by keeping his head in one piece and keeping his stupefied expressions wrapped up and hidden from view. Dr. Nightingale was one hell of a woman to make him have to rely on that fact twice in one conversation.

“Wasn’t aware that was something I had.”

Nightingale, not fortunate enough to have a full face covering helmet of her own, had nothing to hide her stupefied expression behind. Jason had a feeling she might have removed it to make sure he saw even if she did though. She looked like she had caught him eating glue like it was a cheese stick.

“Yes you do.” She said, sounding deeply confused but unshakable confident in what she was saying. “I’ve seen it. The soup kitchens, the shelters, the collection boxes for donating old clothes, the after school day care.” Nightingale ticked off on her fingers, “I’ve lived here for less than two weeks and I’ve lost count of all the things I’ve seen setup to help people struggling in the area that I’ve been very reliably informed you and your organization are behind.”

Oh.

Those.

“Those aren’t part of some community outreach program.” He said, “We are simply locals offering services for our neighbors.”

He watched as her caught-him-eating-glue expression shifted into one that said she’d stumbled upon him licking electrical sockets for a mid-day pick-me-up instead. He had to give it to her, the woman was not afraid to let one of the most dangerous men in the city know she thought he was a fucking idiot.

“Let me see if I understand this right.” She said, and he appreciated that there wasn’t any kind of condescension in her voice, even though she very clearly thought he’d been dropped on his head as a baby. Possibly from the top of a three story building. “You have a large group of people working together to plan, organize and execute multiple services in your area - your community, if you will - that provide aid and support to those that otherwise would not receive it. Reaching out with your available time and resources to offer these services, that you provide. For free.”

Alright, Jason got it. He had stumbled ass backwards into creating a community outreach program. But he wasn’t just going to let her think she won this one. He was Red Hood, he had a reputation to uphold here.

“What makes you think any of that is free?” He tilted his head at just the right angle, the one that cast shadows across the planes of his helmet and made him look hell-touched and terrifying. “Just because we don’t charge money, doesn’t mean there isn’t a price to pay.”

Dr. Nightingale, dressed like a damn kindergarten teacher, laughed at him.

#dpxdc #jazz fen #jason todd #social worker jazz #social worker jazz fenton #anger management ship #anger management #pre anger management #jason todd x jazz fenton #i don't know why i keep writing scenes where Jazz writes resumes to apply to work for crime bosses but it just feels right in my soul okay #the real reason Jason wears a full face helmet is so people can't tell when he utterly fails to hide his emotions about something #the idea of social worker jazz working in crime alley has completely consumed me mind body and soul

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actual-changeling · 7 months

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Aziraphale sees Crowley standing next to his their car and he hesitates; this is his last chance, the last possible moment to change his mind about leaving.

Do you think he feels the sunshine on his hands, against his stomach, and remembers how warm Crowley had been in his arms? How warm he had felt beneath his palms even through several layers of fabric?

How for the first time in his existence his body had felt complete, like there was no longer something— someone missing?

Do you think he sees him standing in the sun, all shining fire-red and hidden golden eyes, and regrets not sliding his hand to the back of his neck, up into his hair? Do you think he regrets not taking the chance to feel it silken soft and familiar between his fingers?

Do you think he remembers all the times they enjoyed a warm, sunny day together and the way the star seems to remember that Crowley had put its siblings into the sky? Do you think he remembers rays of sunlight caressing his cheekbones and wishes it had been his fingertips instead?

'Anything you need?' the Metatron asks him, and he is still looking at Crowley with the sun on his skin.

I need you, he thinks, and even though his eyes are hidden away, he knows Crowley is looking at him.

Do you think Aziraphale remembers the kiss, remembers the love he could taste on his tongue, the six millennia of do that, please, kiss me, the slow, painful minute of do that again, please, right now?

(The realization that he won't.)

He almost stays. Almost. But the Metatron is already walking away, and he looks at Crowley again, looks past sunset conversations and sunrise breakfasts and the heart-shaped star in Crowley's chest, and feels his pain.

(Their pain.)

Do you think that's why he leaves anyway? Not just because heaven needs fixing but because all that pain, all the hurt they caused each other, can't have been for nothing?

I can't leave him— no, I don't want to leave him.

No.

No, I want to go back to him.

Do you think he takes his anger and holds onto it until it burns his palm because it is easier to be angry at Crowley, at himself, than to think about everything they just took from each other? Everything they just lost?

Everything they could have been?

Aziraphale takes the memory of sunshine on his skin (Crowley's lips on his) and locks it away in a golden cage made out of faith; faith that Crowley will be there when he comes back.

Once he does (because he will, he will, he has to), there will be sunshine and warmth and Crowley, and they will finally be able to love each other with the sun and the whole universe as their witness.

No more shadows or shades of grey. Just the two of them in the light where they belong.

#alex writes good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable divorce #the final fifteen #good omens kiss #aziraphale meta #fuck the metatron #idk what to call this flavour of post #character analysis and ficlet in one with some heartbreaking screenshots #see this is what happens when i watch the kiss scene frame by frame

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seefasterdraws · 3 months

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from the homumiko mines

#dgs #tgaa #dgs spoilers #tgaa spoilers #homumiko #idk why mikotoba is taller in the kiss. hes on his tiptoes #the first one is inspired by the moment when sholmes puts his hands on ryu's neck so he can feel how cold they are from blood loss lol #anyway i continue to be deeply fascinated with early years homumiko #i feel like my view of their relationship is more slowburn than most #like. they were both not at their best when they met and i can very much see a scenario where they start living together w/out necessarily #liking each other #the last one in based on a line in 1-5 where gregson (?) says that after an hour of blood loss even sholmes piped down or something #which makes me think he would not shut up beforehand. and i think he'd say some stuff He Really Shouldn't Have #but susato wrote it off as delirium + she was too worried abt her dad and messing with the crime scene #que like 5 months later her going .........ohhhhhh #thats not how you write que i think. anyway

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sanctus-ingenium · 9 months

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moths in the university's anatomy department what will they do (they don't know what a skeleton is)

#setting: thera #when i put the WIP on patreon i also put the writing of this scene in it lol #a weird and horrible scene to illustrate? yes!!#monster design

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mummer · 11 months

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just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

#you’re the wife who played my actor :(#posthumus #asteroid city #imagine youre in love with a playwright and he writes a play before he even meets you about how you cant get over his death which hasnt #happened yet. id go insane too #im going to see it again to see how this informs the whole thing because its driving me crazy #rewatching the performances knowing that they're performing people performing. augh.#remember when bryan cranston accidentally appears in frame. rending my garments #also ‘you cant wake up until you fall asleep’ confused me a bit but then i remembered that the margot robbie scene was supposed to be put o #as a dream sequence and it makes sense now. thanks #aliens are the new fairytale monster symbol of death. the ultimate Unknowable #EDIT okay i read the wikipedia summary got some facts wrong adrien brody is sleeping in the theatre during rehearsals so its not because of #the playwright’s death he’s just like that.

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