stranger things fic rec friday, 12/23/22
focus on the teens this time, mostly jonathan, with some nancy/jonathan and jonathan/steve/nancy thrown in
People Watching - frutescence (T, 4.5K)
if will and jonathan had one more chance to have that conversation after the piggyback. in between the “two days later” and really nicely well done!
try this trick and spin it - stoprobbers (T, 7.4K)
jonathan after will’s possession, grappling with the trauma of season 2. i will forever love those directly post-s2 fics, and this is no exception! from 2018
reminds you of innocence - dharmainitiative (T, 5.8K)
steve pov of nancy and jonathan and how he could ever fit into that with some speculative season 5 (steve/nancy/jonathan)
i love him well - scoutshonour ((T, 13K)
jonathan on brothers, fathers, and father figures over the years. close focus on family and this author has so many great fics!
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do you guys ever listen to a band so much that you end up making fake merch for it?
(reblogs greatly appreciated!!!!)
close ups and commentary under the cut!
about the poster itself: do you guys know how hard it is to make art for a band that hasn’t been active in 13 years? the answer is HARD (yes, i probably could done research and looked for old interviews for inspiration but who has time for that)
—> the icons related to “take a vacation!” are inspired by lyrics from the song “take a vacation!” (haha, did you see what I did there?) specifically, the lines “we’ll leave the waves at the ocean” and “we’ll leave the sand in a suitcase”
—> the Jon Walker and Ryan Ross icons are taken directly from the album cover (it took ten years off my life trying to figure out how to get them on here w/ the color palette—graphic design may be my passion but I never said i was GOOD at it)
—> the heart imagery comes from the fact that the band’s called “the young VEINS”—although it annoys me IMMENSELY that i technically drew more arteries than veins in the icons (my anatomy teacher would be so disappointed, but alas, anatomical accuracy had to be sacrificed to make it. yknow. look nice)
—> i did hand-lettering for all the text except for everything that’s in Helvetica (i did THAT in canva). the art program i use has a basically unusable text tool so I was forced to draw all of it, so I choose to believe that the reason why it doesn’t look. the best. is because of the caffeine shakes
some extra commentary: am I the only one who’s genuinely REALLY bad at listening to music? i don’t really get into bands as much as i just find songs that sound nice—to illustrate the extent of this issue: i did NOT know that Brendon Urie was a part of Panic! At the Disco. I’m not even kidding, I thought the artist who made Death of a Bachelor and the artist who made A Fever You Can’t Sweat Out were completely different and just. didn’t bother to check if I was right.
also, I’m not the type of person to be interested in band lore???? I rarely know the names of band members if even I’ve listened to the band for years (I really couldn’t care less in most situations)
case in point, i did not know who the FUCK Ryan Ross was!!! i knew he was in p!atd but that’s literally about it—before a couple of days ago if you asked to me pick out either Ryan Ross or Jon Walker from a line up I would not be able to get even CLOSE
anyway, my friend/manager is really into band lore, so I basically got a crash-course in all things “early to late 2000s emo band” and subsequently found out about the Young Veins (i was also extremely disappointed when I found out they only had one album and hadn’t been active in over a decade) THEN I realized that decade old, inactive bands don’t usually have merch, so I made my own! “merch” used lightly—i don’t think this is actually fit to sell lol
anyway that’s all k thanks byeee :D!! (and go stream the young veins!!)
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I realised I had to refine Ceroba for my au…
In the cowboy swap au, Ceroba is actually the Sheriff and leader of the Feisty Five. Clover is still the Deputy and goes by “Lucky Star”. He loves hanging around town with his Mama ☺️. I haven’t come up with a cool cowboy name for Ceroba yet, although she probably wouldn’t use one :/
Cowboy Swap Masterpost
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First concepts for human-ish ROTG characters
Can you tell which is my favorite?
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masc presenting transfems 🤝 fem presenting transmascs
^^^ the world is so beautiful
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(Milgram self-insert oc masterpost hehe)
Name: For the sake of posting online I’ll call her Rose!
Color: #E7355B [the pink in the art]
Age: I guess she’d be 20 given when Milgram started huh.
Status: Milgram Staff, Machine Technician
Symbols/imagery: ballet/musical theater, science experiments
Song genre: very similar to Mahiru's, something upbeat and extra pop-y
Tentatively she's number 011? She's not really prisoner but she's also not free to come and go, so I'm not actually sure if she'd get a number (Edit: I've decided she'll actually be 012. Staff is given the 01X range, and even though Es doesn't actively have a number they'd be staff member 011, making her 012.)
Story: Since the project is supposed to be realistic/present day, the mv machine would be brand new and unpredictable tech, so they’d want someone keeping up on maintenance and making sure the brain-invasive process won’t cause any harm to the prisoners. Rose was studying abroad in Japan working on some cool neuroscience tech (irl I know nothing about technology or brains but shh) and she stumbled upon some secret tech/plans from Milgram. Long story short, she was dragged into the experiment to make sure things ran smoothly.
Writer's Reasoning: She’s really fun for me to play around with, as she allows me to work with a character who has a tiny bit of pull over Es’ mindset in conversation but not the final decision (aka mirroring the voting system), and someone who is simultaneously trapped in the prison but has a reason to see all the canon content.* I really enjoy the character interactions and dynamics Milgram has set up so far, so it’s been super fun seeing how things change for better and worse when someone not quite aligned with either Milgram/the prisoners is thrown into the mix!
*As much as I love dramatic irony in fiction, it would drive me crazy if I knew every detail of of the vds/mvs but Rose didn't – and every single Milgram character is The Worst Communicator Ever so I couldn’t justify that she’d hear it secondhand from them...
Story roles:
She’s a bit conflicted -- she’s officially Milgram staff and knows she should remain neutral on the prisoners, since she won’t be allowed to interfere with the process/executions. At the same time, her job description is literally “make sure the machine doesn't hurt them and everyone's safe :)” and she's way too emotional to avoid getting hopelessly attached to everyone 😅
I really enjoy the theory that the machine extracts videos based off of priming, so one of Rose’s duties involves listening in on the interrogation and making sure there’s been enough material discussed/not too much time has passed overall (hence the ringing of the bell happening at different lengths for each vd -- That's her ringing it :3). She then watches the mvs along with Es to make sure there are no machine glitches, and know how to calibrate it better for next time.
(IEdit: I've since decided to add in official trial mvs, but before when I wasn't ready to tackle that:) She has to run some tests on the machine to make sure things are calibrated correctly, so she'd extract little things here and there. It gives me the opportunity to think up lyric snippets and recurring symbols for her without worrying about full encompassing music videos.
I'm not afraid to admit she can fall into Mary Sue territory every so often by being everyone's friend, because it's less about "aw everyone likes her" and more about "canon is too painful rn and I need a fix-it tool to take care of these guys and give them hugs and tell them someone forgives them and cares about them and unfortunately these characters wouldn't let anyone less than a friend do that." Rest assured she's definitely not perfect and will fuck everything up on occasion :3
Miscellaneous: Whenever I play around with normal au ideas she's still working on the machine (but in a public, more ethical setting), and she's Mahiru's roommate :) Her character isn't super focused on love, but if I had to pick a cover song it'd be Stickybug II. It's very much my vibe, the lyrics fit well enough (better than most songs, at least lol) and it's one of my favorites out of my limited knowledge of unchosen Deco songs! (Edit, I've actually given her non-deco cover songs hehe)
So yeah, I hope she's not too boring without a cool crime to decipher, but I wanted to share since I was really proud of her! It took a bit of tinkering to find a way to fit her into a perfect secret-third-thing role that runs very smoothly with all of canon, so I was very excited!
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Jonathan starts out the story with a very close-knit family unit, a mother and a brother who all love each other deeply but who have already faced a lot of hardship. this leads to him having a very batten-down-the-hatches, circle-the-wagons kind of approach to life. his circle expands (minutely) as the story progresses, to include Nancy and Argyle, but he always has a limited list of people he cares for, and his goal is to protect them. he’ll make sacrifices for them, he’ll shape his life with them in mind. his whole universe shrinks to fit the few people who matter, and everything else fades away—including the possibility that those people could find happiness in the wider world. the world is a threat, something to be guarded against. you can’t take on the world and win, it’s not going to change for the better no matter what you do, you just have to keep your head down and deal with the tragedy of it. he’s seen monsters, he’s known loss. he knows all too well that the picture-perfect happy family is an illusion painted over resentment and cruelty, or even just an illusion painted over the complications that come with loving flawed people. any other outlook is naivety—this is why Jonathan has so little patience for Bob Newby, who is decent but simple, buying into all the things that Jonathan has already seen aren’t unbreakable. and this is why Jonathan walks away from Steve and Nancy kissing in the high school halls in season 2, not out of jealousy, just out of impatience with how juvenile and unrealistic it seems to him. they’re playing into the image of what teenagers are supposed to be and do, the path they’re all meant to be on, and Jonathan doesn’t have any time for that. the image is a lie. the path where you try to fit into the world and put down roots there can only destroy you. when Will feels bombarded, Jonathan doesn’t tell him that he’s going to be happy and people will come to understand him; Jonathan tells Will that he understands him. Jonathan will do absolutely anything to be there for the people he loves; the world will do nothing for them but break them. their happiness, if they find it, is going to have the quality of escape: stepping outside the stifling boundaries of what’s expected and hiding out in a Castle Byers, somewhere they can be safe with the people they love, away from everything that wants to hurt them.
Steve starts out with a couple of merely surface-level friendships and no close family; he’s an only child, he has nowhere to direct his love and devotion, and no one giving that unconditional love to him. he’s already won everything small town high school life has to offer him, reputation and good looks and unsupervised freedom. when all of that is revealed to be vanity of vanities, useless trappings laid on top of an empty cynical life, he too sees monsters and comes to know loss. but his reaction to it is different. in season two, Steve still sees some value in going to a party and wearing the costumes he and Nancy worked hard on. he sincerely misses his girlfriend after an hour, without any cynicism, without needing to appear cool. he’s thinking about getting a job with benefits, so he can be someone to rely on. and as soon as anyone steps into his peripheral vision, Steve loves them. he loves Dustin who orders him around, he loves Robin who makes fun of him, he loves the kids who don’t listen to him, he loves Nancy who broke his heart. his perfect popular ordinary life was empty—so he fills it up with real things, that are still very much real ordinary things. he gives ice cream to the kids and watches movies with Robin, he remembers the song that the carousel horse plays, and through it all he keeps on looking for love and believing in love. the more darkness Steve sees, the more fully he throws himself into the world. it’s after he’s come very near to dying that he tells Nancy his deepest wish is to have a big family and see the world with them—he wants to bring MORE little people into existence and then he wants to introduce them to the whole of the world. he wants to have adventures with them, ordinary people in an extraordinary world, forging through it all together. and then, it’s in the oppressive hell of the upside down, where darkness is literally all around him, that he confesses that the dream is still tied up with her—not some picture-perfect fantasy, but a grounded hope, rooted in his real and abiding love for her, as he really sees her. the world is dark, and wilder and more complicated than it appears. but Steve finds his hope in the most ordinary thing there is: a husband and wife and their children. he is the sane man in a mad world that G.K. Chesteron talks about: the normal boy who becomes the fairy tale hero.
so what about Nancy? Nancy’s outlook on darkness and the world is very much “ride out and meet them”. she sees evil in the world, and chooses to face it head on, and then, as much as possible, she tries to shoot it in the face. not for nothing does she tell Jonathan in season one when he asks what they should do about the demogorgon, “I want to kill it.” she’s not just being dramatic. she means it. what Nancy most wants, from the moment she discovers the tragedy and violence of life, is to eliminate evil in the world. she wants to kill the demogorgon, she wants to root out the unprincipled men who let it loose and see them punished for the harm they caused, she wants to banish the mind flayer even if she has to chase him out with a hot poker, she wants to set vecna on fire and then pump him full of hot lead.
and so, initially, Jonathan’s perspective seems attractive to her, because he too is aware of precisely the evil that she wants to fight, whereas Steve seems to still be appreciating the shiny surface, the veneer of normalcy and happiness that has ugliness underneath it. “it’s all bullshit,” she tells him. she can’t play the role anymore, she can’t pretend everything is fine when everything that she once knew was poisoned by death. and not only is Jonathan aware of the darkness lurking under reality, his rejection of it is so total that he’s willing to reject the entire world along with it. he so hates the evil that Nancy wants to fight that he will turn away from everything else to hide away with just her and Will. that’s romantic. it is! eros loves to say “you and me against the world”, and the romanticism of that does win out in season two. Nancy picks Jonathan and the escape he offers, picks him because he sees the same world she does. but as the story progresses, we see that their worldviews don’t align perfectly. they’re not in agreement about how to deal with the world. Jonathan wants to get through his internship with a minimum of conflict and go home to his family; Nancy wants to prove herself, change people’s minds, make a lasting difference. Nancy is starting to imagine a life she can build with him, Jonathan can only see what he already has and wants to preserve.
so what we see starting to happen in season four is Steve’s perspective is becoming more and more appealing to Nancy. she’s surprised by that, and I think confused by it. it doesn’t make any sense to her, but suddenly his hopes and dreams don’t sound like bullshit anymore. the picture he paints for her of the life he wants sounds nice, especially because he knows what he’s talking about; he’s been quietly practicing for it, taking care of others younger and weaker than himself, attracting no attention and asking for no reward. it’s not bullshit, it’s not naive—it’s the dream she had before everything fell apart, and now it could be real. and why does Steve’s hope become steadily more and more attractive than Jonathan’s escape? because Jonathan can only retreat, into the safety and solitude of the Byers homestead or into a cloud of smoke. Steve can enter into the world and transform it, light it up from within. Steve can act, and Nancy is a woman of action.
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does nobody like repliku…??
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@fornhaus 【🖼】
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i feel like we as a society dont do enough with the fact that five had long hair for like, his whole life. Do i think he took care of it well enough for it to be possible to braid it? no. is that going to stop me from drawing it in a braid? of course not. Featuring delores judging five’s math skills and a mysterious hand injury bc i got sick of drawing five’s hand halfway through
[ID: A digital drawing of Five at approximately age 30 sitting crosslegged with his back mostly to the viewer. He is gesturing and probably talking about math to Delores, who is a human person sitting behind him and braiding his hair. There are little blue flowers in the braid. Delores is wearing a floral sundress and looks skeptical at whatever Five is saying, while Five is wearing heavily patched clothing and has two of his fingers bandaged. End ID.]
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Dragon!Mangkorn and Tiger!Yai, inspired by a still of one of their photo shoots and @scarefox comment that Mos looked very dragon-y in it (he did).
[if on mobile click for full quality]
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want them to beat the shit out of me honestly
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thank u to the person who called me a "transtrender" and said i'm faking it and not queer enough and learned about queerness through tiktok etc etc. all because i made the absolutely fucking buck wild claim that we should let bi lesbians live their lives in peace. wow
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Something that I have been secretly obsessing over for forever is the idea of a Ben 10 (or general Omnitrix wielder) that goes full superhero and goes and designs secret identities for EVERY transformation, seeing as how though perhaps the wielder themself is from a human perspective disguised behind the face of an alien, well- fairly certain that transformations have their own degree of recognisability themselves-
Find out more in the cut below-
I mean, from the perspective of a human Omnitrix wielder like Ben or many other characters from canon to original may focus on the visual aspect of recognition, so maybe species with more than one recognisable feature or a completely different set of recognition (vulpimancers may recognise scent and perhaps sound, pyronites may recognise - among sight - heat signature or temperature) are kinda looked over without actually putting their all into studying ‘what makes me recognisable’, but like- in all honesty this is just me rambling about what human masks would fit the Omnitrix translation to certain alien transformations without proving detrimental to any of their abilities.
What kind of mask would a lepidopterran wear, one that conserves confidentiality without detracting from mouth-based protectiles, what about piscciss volann with their biting? What about a mask with a beaded mouth covering, perhaps one with antennae (or lures) of it’s own? What kind of mask that a human can wear be safely used on a pyronite? Give em a flame retardant gas mask, one maybe with an open back just to maintain the flame headed aesthetic.
Can you even mask every transformation? Beyond the Omnitrix sample of arburian pelarota being the very few examples of the newly practically if not extinct species, can you mask a face that rests on the main body? Is recognition of Arburia dictacted in fact by the face of a pelarota or is it determined by shell and (apparently they have hair) fur patterns?
Well, perhaps in that case a superhero outfit is best for the situation!
What superhero mask doesn’t come it with it’s own superhero costume? Well perhaps you could outfit your arburian pelarota transformation with a cloth ‘mask’ that physically acts as the shirt, they do after all have ‘eyeless vision’, all in due part according to their sensory fur (how do you think they see when rolling rolling?). Why not pair our pyronite mask with a firefighter coat, make them seem like a heroic rescuer rather than a TF2 Pyro main, the chunkier and more Fire Force it looks the better. And what about another member or a near extinct species petrosapiens sporting layers of sound absorbing clothing, worn with perhaps a full head mask that also helps insulate from sound as a defense whilst keeping up an optimal level of anonymity.
Masks with bells, give them to aliens that recognise with sound. Masks with real flowers, give them to aliens that recognise with scent. Put a mask in the fridge or let it sit in the sun, give it to an alien that recognises temperature.
What degree does body shape affect alien recognition, how different do you want to make the body look, how does your superhero outfit work to perhaps benefit your transformation.
How do you mask an opticoid? Give them a lacy mask/shirt, they don’t give a shit about chest nudity! How do you costume a gourmand? Give them a jacket they can zip right open, maybe just straight up sleeves with extra material that MIMICS a jacket! How about a loboan? Give them a long-nosed eye mask, it doesn’t need to cover the mouth so long as it covers the top of the snout!
Ough I love masks so much-
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