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#with its lines and dots
commsroom · 3 months
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... which oblivion has not yet swallowed up and buried. 🌊 (art by @hehearse, who is always wonderful.)
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a Mr. Beagle warmup for the masses! he continues to be so soft and soothing to scribble!
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kevin-weezhlewig-dot · 4 months
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i realized i've never drawn 4x outside of dumb doodles so i made. this.
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An Analysis of Alhaitham’s Story Quest In Its Relation To Kaveh & Queercoding In Pride and Prejudice
An inherently romantic connotation can be found in Alhaitham’s Story Quest, as the last quest of The Illusions of the Mob is entitled ‘Pride and Prejudice’. Firstly, the content of Alhaitham’s Story Quest and how it can be related to Kaveh will be explored in order to further identify the romantic connotations present here.
Within ‘The Illusions of The Mob’ similarities exist between Ilyas and Kaveh, not only in their views on conformity, but also in overcoming prejudices formed around Alhaitham’s character. As The Illusions of The Mob story quest deals with Alhaitham’s views on the individual as compared to the collective, just as expounded upon in his character stories. Considering this, it makes sense that Kaveh be of relevance within this story quest, since, as previously discussed, Kaveh and Alhaitham’s character stories are written in response to one another, particularly on their respective ideas on individual talent and the collective. Therefore, whilst these parallels between Alhaitham’s story quest and Kaveh are speculatory – lacking conclusive textual evidence that these links are deliberate – it is still relevant to discuss Ilyas’s character development within this quest, as it can be seen to closely align with that of the narrative push for Kaveh’s progression.
Ilyas is part of Siraj’s Hive Mind, in which he functions as an extension of Siraj and is therefore subject to Siraj’s thoughts and emotions. Ilyas consented to becoming part of the Hive Mind due to his longing to conform to a mass collective after reporting the fraud of a revered researcher, was labelled as a ‘hero’, and therefore was shunned by other scholars, ultimately misunderstood by those around him.
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In an attempt to avoid being singled out as ‘other’, he sought the collective as a means of comfort, and thus rejected his own merits and individualism. This mirrors that of Kaveh’s longing to fit in which stems from his prioritisation of others above himself, and with this, his rejection of the title as a ‘genius’, due to this ostracising himself from others.
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After the dismantlement of the Hive Mind, Ilyas reveals that where he initially wanted to conform in order to fit into the collective, he could not perpetually commit himself to do so, as his own differing opinions still set him apart. He realises that the collective is not “powerful” like he had previously thought, and this understanding encourages him to aspire to not care about conforming, “just like Alhaitham."
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In this sense, it is of note that Alhaitham asserts that the Hive Mind’s downfall was ultimately down to people’s differing thoughts and opinions, and that they were reminded of their own individuality due to Alhaitham’s promptings: “A few words were enough. Believe in the power of words...”
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Ilyas opting to reject the collective in favour of considering himself more mirrors that of Alhaitham’s desire for Kaveh to better prioritise himself in order to be free of expectations and obligations forced upon him by others (this is discussed more in detail here). It is how Ilyas is able to realise this which is of particular interest, as it is ultimately through Alhaitham’s words to him commenting on his own merits which led to downfall of the Hive Mind:  “… What I said to Ilyas was the trigger for all of this."
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Through Alhaitham, and through Alhaitham’s words, does Ilyas choose to prioritise himself. By drawing this parallel between Kaveh and Ilyas, a possibility can be surmised of what Kaveh could benefit from adopting this particular aspect of Alhaitham’s philosophy in the potential betterment of himself. However, this appears to only be possible through mutual understanding in expression (this is further explored here), as Alhaitham’s words and how he conveys his meaning can serve as the catalyst for Kaveh’s potential betterment, just as they serve Ilyas.
In terms of prejudices, there exists a link between the pride and prejudice propagated within Siraj’s Hive Mind and that of the relationship between Kaveh and Alhaitham. In this, Ilyas can be viewed as a narrative foil for Kaveh. Whereas Ilyas’ prejudices and his innate “loathing” of Alhaitham stemmed from the leader of the Hive Mind, Siraj, he recognises that these prejudices he holds against Alhaitham are, actually, unfounded, as he finds Alhaitham to not be someone he would dislike to such an extent.
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Upon returning to the Hive, Ilyas’ personal perception of Alhaitham is introduced to the collective consciousness and thus contradicts the prejudices against Alhaitham that Siraj has propagated. This gives rise to “new conflict” as these two differing perceptions of Alhaitham struggle to co-exist. These juxtaposing impressions of Alhaitham act as the catalyst for the collapse of the Hive Mind.
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This contradiction of perceptions is interesting in considering Kaveh’s dual versions of Alhaitham, in which he appears to recognise that there is a mutual regard between him and Alhaitham in that they are ultimately known only, through and through, by the other, all the while believing that Alhaitham holds “disdain” for him and his ideologies.
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Ilyas’ prejudice against Alhaitham is founded on Siraj’s hatred of Alhaitham due to Alhaitham having once rejected Siraj’s research proposal. This caused Siraj to believe that Alhaitham saw himself as superior due to his perceived arrogance that comes from the title of being a ‘genius’.
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However, Alhaitham states that, contrarily, he never looked down upon Siraj and instead exercised objectivity, which Siraj misinterpreted to his particular way of thinking, and ultimately his own arrogance due to his need to be correct, and therefore his dependence on other people’s opinions of him.
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There are similarities present between the conception of Siraj’s prejudice against Alhaitham and that of Kaveh’s, both being formed from an assertion of their own ideals to be correct; that Alhaitham distancing himself from others is due to a perceived arrogance; and that Alhaitham’s rejection of their ideals is an assertion of this arrogance, and therefore a personal attack. Ilyas, then, harbouring Siraj’s hatred for Alhaitham is a prejudice, which Ilyas himself debunks once understanding why Alhaitham behaves in the way that he does, being that of objectivity rather than arrogance, and thus, this contradicts with Siraj’s impression of Alhaitham.
In this, Ilyas can be viewed as a narrative foil for Kaveh. Upon discovering that Siraj’s hatred of Alhaitham is unfounded, and that his prejudice is incorrect, Ilyas reinterprets Alhaitham through his own perspective, and decides, that he does not dislike Alhaitham, and ultimately, he admires that Alhaitham has no fear in not conforming to the collective in order to stay true to his ideologies.
With Kaveh holding dual versions of Alhaitham, his prejudices borne from a belief of Alhaitham’s arrogance must be surmounted in order to reinterpret Alhaitham, and with this, the meaning behind Alhaitham’s behaviour. Just as with Ilyas, as established, this has the potential to be achieved through communication, as with Alhaitham’s words does Ilyas understand why Alhaitham behaves the way he does. If communicated properly, it is possible that Kaveh can interpret Alhaitham’s comments on his detrimental philosophies as concern, rather than arrogance, and therefore forego the belief that Alhaitham holds “disdain” for him.
The parallels between Ilyas and Kaveh can further be drawn when the Traveler and Paimon are invited back to Alhaitham’s house, and Kaveh is introduced as Alhaitham’s roommate. Kaveh shows embarrassment over being discovered living with Alhaitham, due to his fronting as a successful architect, and begs the Traveler and Paimon not to disclose this information to others.
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Alhaitham follows this by stating that he has books on “collectives” at home, referring to them being the reason he invited the Traveller and Paimon over. Kaveh’s desperation in avoiding his financial situation to be discovered by others, the collective that he seeks to conform to, is directly tied in with the nature of Alhaitham’s story quest, being that of focussing on the individual rather than the collective.
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Returning to queercoding, romantic connotation can be located within a less speculatory aspect of The Illusions of The Mob and stems from its final quest title. The inherent nature of Alhaitham’s Story Quest pertaining to Kaveh and their miscommunication holds an explicit romantic connotation when considering the origin of the quest title ‘Pride and Prejudice’. This title serves as a reference to the novel of the same title by Jane Austen published in 1813.
To reference Pride and Prejudice within Alhaitham’s Story Quest is to make direct parallels between Elizabeth Bennet and Mr. Darcy to Kaveh and Alhaitham, which are irrevocably romantic parallels. Elizabeth Bennet can be identified as the ‘Pride’ in the title, whereas Mr. Darcy is identified as ‘Prejudice’. Kaveh, then, can easily be assigned as ‘pride’ due to it being labelled as his shortcoming by Alhaitham in A Parade of Providence.
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The role of Mr. Darcy can then be assigned to Alhaitham, who, although may not be blinded by prejudice, shares common attributes of Mr. Darcy’s character, in being socially adverse and blunt in his manner of speaking, despite having great awareness of social etiquette, thus allowing for others to easily form misconceptions of him.
Relating this to the analysis of The Illusions of the Mob, then, the parallels between Ilyas and Kaveh can be used to ascertain a potential future for Alhaitham and Kaveh. Kaveh overcoming his pride borne from the “correctness” of his ideals, in comparison to those that Alhaitham perceivably once asserted over him, goes hand in hand with the overturning of the prejudices formed against Alhaitham – just as Elizabeth Bennet must overcome the misconceptions formed of Mr. Darcy’s character in order to better to both understand herself and Mr. Darcy.
The romantic connotation here is conceived from the alignment of Mr. Darcy and Elizabeth Bennett’s opposing viewpoints ultimately leading to matrimony. This future romantic attachment as a potentiality is generated upon the quest title of ‘Pride and Prejudice’, with Alhaitham and Kaveh being narratively assigned the roles of Mr. Darcy and Elizabeth Bennet. Considering this, the purpose of identifying this queercoding is not to allude to a potential canonical confirmation of a romantic relationship between the two, but instead highlight the romantic speculation that can be garnered by the game's referencing this novel.
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enden-k · 8 months
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its still so hot here despite my fans running and lounging in shorts n stuff and since i get sleepy from heat im just half dozing in my chair with my ipad over my knees and all i managed to draw so far is just al haithams tits.
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calkale · 8 months
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what if there was a shot of slider looking at mav at ices funeral that lingered a little too long and after mav learns he's no longer teaching the daggers he goes to ices grave to tell him but he can't get it out he just falls to his knees at ices headstone and slider comes up behind him and he puts his hand on mavs shoulder before mav stands up and slider pulls him in for a hug and puts his hand on the back of mavs head pulling him in as close as he can and mav tells slider he can't do this without ice he's never going to fly again and slider tells him thats bullshit mav is the one to decide when he's done not him not ice not cyclone not anyone and he's the only way these kids are gonna survive the mission
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goldenalbum · 5 months
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i hope every shipper and solo stan who hates any member(s) of bts knows their faves would fucking despise them 💗 i wish yall bitches a very terrible night
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arson-09 · 9 days
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I like feyre, even though sjm kinda killed her character i stand with my girl for the most part. emphasis on the most part because i will never recover from her manipulating tamlin to lash out in acomaf/acowar (sorry they all bleed together)🧍🏻
And people will say she was justified in what she did and that its tamlins fault that he lashed out. like it wasnt great on his part but it is a type of emotional manipulation from feyre to get him to do that. she had to push him to get that reaction, it wasnt a natural reaction and man. Sjm accidentally wrote 90% of my childhood experiences with shitty boys LIKE how did she do that ⁉️
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lesbonoi · 2 years
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ive been working on this for like. a couple weeks. i got the heights from the allspark almanac 2. generally arranged in height order but kibble and helmet bullshit make it kind of hard to tell. the line is based on op's back heel since he's used as the reference
some direct comparisons i know everyone's interested in plus a couple that interest ME specifically. any other comparisons u want shoot me an ask
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screenshot of the original page w the charts i used
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also please dont comment any like. height difference/size kink whatever in the tags or replies
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yuri-cosmos · 9 months
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i love pokemon horizons so much bc it just looks like dot who is trying desperately to come out to liko vs liko who has never met a gay person in her life (while being gay af)
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bees-n-bones · 2 months
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dungeonFebruary: a retrospective
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here they are, all four maps edited together into a single dungeon over two floors!
it was a lot of fun to draw it, highlights (of both rooms and monsters) and further thoughts under the cut :D
first things first; some rooms
(you might need to click on each picture to read/see the whole thing)
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just some personal favorites, rooms 15, 21, and 25 are stolen from references to stuff (if you recognize what: <3), 6 and 20 were both really fun to put together, and room 29 is the last possible trap of the dungeon :3
next up; monsters!
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the first two are room spesific, the latter three random encounters, hence the numbers being written different, picking out just 5 to share was kinda hard, but im really happy with theese, yet again some of theese are stolen from inspired by stuff
now; for my thoughts on this whole thing
i had a lot of fun drawing and designing this, so much so that im kinda sad to be done, the ritual of sitting down to draw each day or to catch up on a few days was nice, and i really like designing silly little rooms and filling them with references i know my players wont pick up on
i might pick this format back up for a month or two this year and im Definetly doing dungeon25 next year, but im really happy i did this instead of trying to catch up on dungeon24 in full, doing it this way let me figure out stuff like how i want to format my notes for a larger dungeon, how many extra notebooks ill need (one for ideas and one beastiary, for now), and some general design rules for myself
all in all if you have read this far and think it looks kinda fun i say go for it! you dont need to follow a spesific month/year, thats just something i feel like doing, the point is to have a little creative challange to do each day for a set amount of days :D
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distraughtlesbian · 28 days
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literally the best part of this whole stupid book iwlove weird obsessed horndogs thee villain archetype of all time. he’s so silly. “we could’ve had a life together”, he says to his lesbian ex-neighbour who he’s just shot with a crossbow bolt meanwhile her girlfriend who he’s also just shot is half dead across the room. god i love it here he said me and the bad bitch im going to fumble
#WHAT A FUCKING FREAK IJBOL!!!!!!#MORE PSYCHOSEXUALLY OBSESSED WEIRDO VILLAINS PIXELBERRY I KNOW YOU HAVE IT IN U.#their villains are usually so cringe and one note at least this one is memorable#mind you this could have used more buildup. up until like chapter 19 he still had the benefit of the doubt#his ass was NOT beating the twist villain allegations but the fucking freak allegations were a whole separate beast#and he could be presumed innocent in those. like sure i guess these are just average fanatic werewolf hunter antics.#like EYE had my suspicions. him sending that frat bro to sexually harass mc was a fucking freak move#but like in general he was coming off as someone who was just a normal amount of concerned about a friend of theirs falling in w a cult#like girl why am i following my cringe fwb into the pool house to be all ‘babe this isnt u :(’#i dont CARE i wanna go engage with the twist antagonist who at this point my mc still thinks is kind of normal/their friend!!!#but alas that’s just pb for you. we WILL NOT stick a landing ever. they make all the new writers swear to never write a villain that makes#sense or is well foreshadowed. ONLY side characters who you would never suspect bc they have like 5 lines in the whole book.#like you’ll never be duffy veilofsecrets you’ll never recapture that magic.#anyway. markus choicesalpha the fucking weirdo cringefail stalker incel loser you could have been…kermit looking out rainy window dot png#maeve speaks#playchoices#choices#pixelberry#choices alpha#channing lowe#markus barnes#side note this whole thing probably has a Much different vibe with a male mc#but as it is it’s like ijbol. channing is cringe and emotionally unavailable but how could you POSSIBLY compare to a buff werewolf bitch#he is so completely not a contender that its comedic to me. you think WE could have had a LIFE TOGETHER?#even if my mc had never ever met channing SHE IS A LESBIAN!!!! SHES GAY DUDE STOP IT LOL#and with a female mc and male channing its like yeah whatever average incel number 10 billion. wow youre going to kill me bc some other guy#is hotter than you? eyeroll. at least channing canonically gives great head.
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karamazovanon · 7 months
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mama, my chemical romance // crime and punishment, fyodor dostoevsky (tr. pevear & volokhonsky)
part one (part two)
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ekholocationn · 6 months
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holy shit guys. i just had a brain moment
something ive always loved about omori is how its horror doesn't rely on jumpscares. like yeah there are some jumpscares in there, but like. in black space specifically, all of the horror elements are built around suspense. there's uncanny stuff happening all around you, but its all suspense. im thinking back and the amount of actual visual jumpscares in the black space rooms (black space 2 included) is actually really small when you think about it (this doesn't include the fear polaroids since i dont play on console lmao).
a lot of the times, the big deformed monsters youll see in black space don't move an inch. theyre just still images. but the game has a way of building suspense to make you THINK theyre going to move. so you stand there staring at it for a moment. thinking to yourself, 'is this thing going to move' or 'is there going to be a jump here'
you're waiting for something to happen.
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nilesmoon · 6 months
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actually yknow what I will Not stop talking about amprule 4th anniversary art because I know Uri (the artist who designed amprule) puts so much detail into each drawing they make of them so let's break down this banger artwork together
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Let's start simple! A pink rose! Pink roses signify elegance and deeper colored ones can signify appreciation! While the characters themselves are Korean, their artist is Japanese, so I also looked up what they mean in Hanakotoba (Japanese flower language) they signify trust, happiness and confidence! Considering their dynamic, these could be the meanings they were going for!!
Up next the dog & the cat. They are possibly a Maine Coon and a Pyrenean Mountain Dog!
From what I've gathered the Pyrenees are used as a livestock guardian. Because of this they are rather protective of their family, as well as loyal and loving but also do not get along well with strangers. All of which work for a rather good descriptor of Chungsung considering how he has dedicated himself to taking care of and protecting Dongha.
Maine Coons, from what I know of them, are curious cats who'll follow you around and try to get included in whatever their owners are doing. So basically, they're giant cats that are clingy. Which, again, works well with Dongha, since he clings to the people he loves! He is afraid of being left behind by Chungsung and he has always been clinging to support he had provided for him.
Now this part might be a reach but when it comes to Uri's art I'm not leaving any idea unsaid. Compared to how the dog is sleeping peacefully in Dongha's lap, the cat is looking at somewhere else, possibly showing how Dongha is desperately trying to get his father's approval?
I would also like to add that in the extra art Uri posted, it is pretty much made clear that the animals are supposed to represent each other, thus signifying the trust they have for one another.
And at last, the color swap. It is my favorite part of the whole thing ngl. Colors mean a lot of for Amprule in my opinion, green means Dongha and red means Chungsung. In their original designs Chungsung's reds are Dongha's accessories, they're eye catching and are mostly associated with hearts. Meanwhile Dongha's greens are naturally blended into Chungsung's clothes with a gorgeous pattern inside his coat. In this illustration however they covered in each other's colors! Hell, in Dongha's case he's covered head to toe in pink!! And this is a Huge Thing especially considering how their main colors contrast each other (but when two colors are contrasting they are also complementary).
But also gold means Dongha and silver means Chungsung. In an interview with Uri, they talk about how they used the gold & silver accessories to show their power imbalance. While it's not a complete swap, bronze & pearl keeps it similar to the colors of gold & silver without losing their difference in monetary value.
It's Dongha's brooch that sums it all up perfectly, green & red and bronze & pearls together in one beautiful piece of jewelry. Put a crown on top of it and that's Amprule.
In the end, I think this is the perfect illustration to showcase how Amprule has changed and will keep changing!! And here's to hoping that sometime soon they'll wear each others colors in not so muted tones.
[if you're here because you read this whole thing, thank you 💚❤️]
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misterradio · 3 months
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Jumper [2008, dir. Doug Liman]
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