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#with robin i just felt like it
masterofiodine · 3 months
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bbc ghosts modern au!!
making up their outfits was really fun (especially kitty and thomas, he would look great in skirt)
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clambuoyance · 2 months
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[DC] kon: has one (1) adventure with tim
kon: robin my best friend robin. did i mention we're besties
(+ meme ver)
based on this panel from superboy and the ravers #8. i just think its funny that hes going around telling people this (after only having just met tim in wf3 and he also only just met bart in the prev issue so this is pre-yj), only to struggle to become robins friend in the early yj comics. in his defense, tims like one of the first friends his age he met at the time. also double funny because this is from the "batman and robin are urban myths" era so like. they never believed him in the first place.
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silverwhittlingknife · 2 months
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poem: "accident report in the tall, tall weeds" by ada limón
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steviesbicrisis · 8 months
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Steve’s best relationship wasn’t even a relationship. He could barely call it a fling, a flirt. They never even went on a date. They never kissed.
Steve still thinks of it as the best whatever-it-is he has ever had with someone.
At the beginning it was mostly infuriating, how quickly Eddie managed to win the kids over, compared to Steve’s months of work as babysitter/nailbat swinger/monster fighter. Steve had to literally bleed multiple times to get an ounce of respect, Eddie only had to run a nerdy club about fictional bleeding and monster-fighting.
Then somehow, and Steve still has trouble pinpointing when and how it happened, everything changed.
Taking the kids back home from hellfire became something he impatiently waited for.
He and Eddie would barely talk for a few minutes and he would find himself replaying the conversation in his head for days. Anything he could say to get a reaction out of Eddie became fundamental, and if he started by picking subjects to piss him off, he ended learning about Eddie’s favorites, because few minutes after hellfire were never enough and Steve needed Eddie to talk as much as possible, until the kids were begging to drop it and go home.
Steve never questioned the change, most likely out of fear. He doesn’t think he ever was clueless, just really scared about what would potentially mean to be staring at another dude’s eyelashes as he goes on a rant about why Ozzy Osbourne is the best artist of his generation. Or blush whenever said dude would call him “baby”, or “sweetheart”.
Steve convinced himself that the thing he and Eddie were having was as good as it was going to get, nothing more.
Then Chrissy Cunningham died, Eddie ran, and Steve realized that the thing will never be enough for him.
He couldn’t not have Eddie. Not watch him as he entertains a bunch of freshmen, as he stomps with his worn out sneakers on top of forniture, as he puts his terrible music on to push away anyone who doesn’t care enough about him to stay.
Steve needed to see Eddie being alive, doing what his heart desires, and he needed to be next to him when he does.
Obviously, this realization came at the worst possible time.
Steve tried to tell him so many times: when they found him at the boathouse, when he was hiding at refer Rick’s house, when they were taking a stroll in the upside down, and even when they were driving a stolen trailer to a gunshop.
But, it seemed, Eddie had come to a realization just as important and he tried his best to avoid Steve at every given chance.
Steve tried to initiate the conversation as Eddie did his best to run away from it. And he ran until Steve had no chances left to tell him how he actually felt.
———
Steve doesn’t know if he’s allowed to say he lost something he never had. To mourn a relationship he never began. A partner that, technically, never became a partner.
After Eddie dies, Steve has no one to be next to but he can’t say he ever did.
Steve just exists waiting. He can’t tell if he’s waiting for the pain to go away or for Eddie to jump out of a bush and yell “ah! I got you sucker!! By the way, I’m in love with you too.”
For obvious reasons, that never happens.
What does happen, is a call.
It’s a normal Tuesday, as normal as you could define it after Hawkins almost collapsed into the upside down. Steve got into a routine, between checking on the ones at the hospital, helping out at the shelter, allowing Robin to check on him to see if he’s still alive.
The call happens while Robin is doing her kitchen check up - aka making sure he has food and that he’s eating it-, so she picks the phone like she did a million times before.
“Harrington residence, this is Robin” she says, cheerfully.
Steve doesn’t pay much attention to it as he’s folding his dad’s old clothes that intends to donate to the shelter, until he hears Robin’s loud gasp.
“What is it? Is it the hospital? Is it Max?” He rushes to the other room where Robin is.
She doesn’t answer but she gives him a look as she passes him the receiver.
Steve goes quiet, a million thoughts going through his head as he takes the phone from Robin.
He’s still unprepared when he hears that unmistakable voice “Baby”.
Steve gasps for breath “Eddie?”
Is that really you? What happened? Are you hurt? Isn’t this impossible? Is what goes on in Steve’s head, but he ends up just asking “are you okay?”
He can hear a chuckle, Eddie’s wicked chuckle, a further confirmation that it is him, “I’m- hanging in there… are you okay?”
Steve finds the question absurd. He isn’t the one who got left in the upside down, the one that got eaten by demonic bats, the one who died before Steve had the chance to tell him how he felt.
He answers truthfully nonetheless, “I’m… I’m not okay.”
“I’ll be there soon, I promise.”
“Please Eddie, come quick.”
“I’ll break the sound barrier for you.”
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zuzuzuko · 5 months
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90s Tim save me… 90s Tim… save me 90s Tim…
Outfit inspo and also the original panel that I redrew
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cluescorner · 19 days
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Tim Drake has a weird fucking function
The thing about Tim that I find unique is that his life became SO MUCH WORSE after joining the heroing thing. Everybody else had a mid-to-shit life before becoming a hero/living with Bruce and mostly everybody (except Jason who LITERALLY DIED) had their life improved by being a hero/being Bruce's kid (or at least it is typically portrayed as such.
Tim had the exact opposite trajectory. His life wasn't perfect before he became Robin, but like...multi-millionaire/billionaire (canon is unclear, but he's within Gotham's upper-strata) kid with both natural intelligence + charisma and a bright future ahead of him and parents who were emotionally neglectful but nothing really beyond that (which is also a form of trauma, but all of the info we have indicates that the Drakes were no Arthur Brown or David Cain) and he still had other people he could rely on outside of them. He went to boarding school, which could be something horrible OR something amazing depending on your own thoughts/experiences. I grew up having a commute where we'd drive past a really pretty and rich af boarding school that literally everybody in our area DREAMED of going to, so to me the idea of going to boarding school sounds incredible but mileage may vary. Tim seems like the type of kid who would thrive in that though. Based on what we know in canon atm, his pre-robin life was fucking amazing.
And then he starts being the sidekick and working towards becoming Robin. His parents immediately get kidnapped and poison themselves through drinking tainted water; his mom dies and his dad is in a coma. This is not the fault of Robin, but Tim himself muses about the idea that Robin and dead parents are linked: to become Robin completely, you must lose your parents. And with how fate/destiny/canon events can operate in comics universes, maybe he isn't that far off. Once his dad wakes up, their relationship becomes strained as the man grieves the loss of his wife and realizes that his son has been doing vigilantism as a hobby. It is unclear exactly how good of a parent Jack was before the incident, but the results of Tim's involvement with the Robin mantle has definitely made things worse between father and son. Jack will also die within quick succession of 2 of Tim's best friends, his girlfriend, and his other father. He will also effectively lose like 1/2 his loved ones in the fallout of all of that mess including: his older brother, his other friends (both civilian and superhero), and the stepmother with whom he shared what I would argue is his best parent-child relationship (Dana also may have died, but it's left unclear). He has stopped pursuing higher education (the moment he even applied for college he 'died', and it seems he hasn't made another attempt since) and if he wasn’t a major focus of the media before he sure is now. He tries to quit briefly (in fact he initially was planning on quitting once someone more suited came along) and cannot bring himself to do so. Even when he does manage to get away for a while, his superhero life impacts the pre-robin life he is trying to go back to. Leaving is an impossibility, this is all there is for him now. He also isn’t allowed to make mistakes anymore, not when lives hang in the balance. The one who enforces that impossible standard the most (besides Bruce depending on who's writing) is himself. He’s got TRAUMA now and people want to hurt him constantly. He is constantly questioning his own sanity and morality and place in the world. He almost dies like every month. Tim grows colder and less grounded, he is becoming both a better and a worse version of himself at the same time. He’s saving lives in the same few issues as he’s setting up a Saw movie plot for the man who killed his father. He is haunted by the ghosts of his past and the looming figure of his future. His life becomes SO MUCH FUCKING WORSE after he becomes Robin. Some of it is the fault of others, some is the fault of circumstance, and some of it is due to his own actions. But basically all of Tim's worst traumas and life-changing moments are either tied to or caused by Robin. Dick's parents would still be dead, Jason would still be living on the streets, Stephanie would still have Arthur Brown for a father and a lot of other things that deserve their own posts/IDK if they've been retconned, and Damian would still have been raised in the eco-cult where death is a constant. Those are life circumstances that occur without the involvement of Robin, the only one who even needs Bruce involved at all in their series of events is Damian. But Tim? All of what is considered his 'worst' moments occur after he assumes the role.
This idea is what I find the coolest and most fascinating about Tim as a character. Being a hero is usually portrayed as either an outright awesome thing or a righteous duty that one must fulfill or (maybe in a grimmer and/or more grounded story) a sacrifice to your interpersonal relationships/mental health that is made for the greater good. For Tim, being a superhero actively ruined his life (both because of the general circumstances surrounding being a kid vigilante and the choices he made as part of that role). It's never portrayed that way in canon because we need to come out of issues going 'wow being a superhero is so cool! I'm gonna buy the next issue!', but when you just look at Tim's life literally everything really bad that we know of occurred after he became Robin.
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weaverofink · 1 year
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idk maybe it was just the name but the instant i saw this Gerard Donelan comic i instantly thought of Them
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an-au-blog · 5 months
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Franky and Robin rarely have the opportunity to go on proper dates. Sure, lounging on deck and having brunch together is nice, but it's not a proper date.
So he promised her, that when they reach the next island, he'd take her dancing. She said that he doesn't need to and that she wasn't one for dancing. But he insisted.
They finally spot the island both of them start getting ready. Franky fixes his hair and Robin does her makeup. It's almost sunset when they drop the anker. They each head out to town for their own thing. Franky goes around town and comes back to puck Robin up after a few hours. He's rented a weird-looking motorbike and bought her flowers. She leaves them on the ship but it was a nice gesture.
They drive around a bit and Franky parks on top of a hill where they could see the city from the top. All the little lights and people roaming around. He brought a little snack he stole from Sanji before heading out.
Once they walk down into town they enter a small corner shop. Robin is a bit confused until Franky nods at the owner and turns to tell Robin that "I've been asking around for the coolest underground club here," the owner took the further in and opened a closet door with a stairway downstairs. There was music and lights coming from the room. "It's literally under ground, wow!" Franky exclaimed and Robin couldn't help but find his enthusiasm extremely charming.
They got a light cocktail as a start off and then danced for a bit. That is until they heard a familiar voice shouting "YOU!"
They turned to see Sanji on the verge of angry tears (out of jealousy, don't worry, he'll get over it). Brook, Nami, Usopp and Luffy were behind him. (The rest stayed on the ship)
At first Franky was sad he finally had the chance to take Robin out properly, but now it couldn't be just the two of them... But then he saw her having fun with the rest of the crew. She pulled him aside and gave him a peck on the cheek, thanking him for doing this for her and telling him she's happy and not to worry. That was all he needed to know.
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trashmakerarticle · 6 months
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I keep thinking of tim having rusty bones when he has spent too much time at the bat commuter or smth, he cracks them like he’s a glow stick and everyone is just wondering if he’s bones are okay,
Tim, standing up from the bat computer having his bones crack as he stands: *old man sounds*
Tim, twisting his body in weird ways to crack his bones: *old man noises enhances*
Everyone in the batcave: tim what the fu-
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kedreeva · 2 years
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genuinely do not understand the number of people who think Steve Harrington has not seen Star Wars at all, much less not multiple times. He literally has a secret handshake with Dustin involving lightsabers- a handshake STEVE initiates when they're reunited, implying he's not just playing along with Dustin, he's excited about it. When Keith asks him about his top movies, and he says Star Wars and then is kind of a ditz about what they're about, it's not because he's lying and they aren't his favorite. It's not because he's never seen them and he's trying to get the job or look cool to Keith. They're literally some of his favorite movies because he watched them with Dustin and he loves that little shit. And yeah, he probably genuinely didn't Get everything about them, but he doesn't need to. He gets enough to know that watching them with Dustin may have genuinely been one of the best experiences of his life.
Because, like, how do you think Tommy and Carol watched movies? I can guarantee you it wasn't with their whole hearts. I can guarantee you it wasn't with wonder. I can also guarantee you that Steve wasn't allowed to watch things that way in their presence, either, not with "aww king steve has a heart" carol, not with Tommy cackling over him showing one (1) emotion. Dustin nerding out over, like, basically everything, getting genuinely excited about the special effects or the plot or the characters, and encouraging Steve when he thinks the fight scenes are cool or when Steve tentatively makes a connection about something in the plot? Steve actually feeling like he has common ground with Dustin? Hell, Steve finally feeling like he has common ground at all with the person watching along with him? Don't even get me started on the fact that he got so comfortable in his love for them that he blurted out "the one with the teddy bears!" to Keith, as if he has just been allowed to like the cute, fluffy Ewoks not only without being judged, but alongside someone else that enjoys them- because I'd bet Dustin likes them, too.
And like. idk how many of you have seen Animal House, it's an old movie. It's a comedy about frat house shenanigans, and an obvious choice for who Steve used to be because you need zero thoughts to watch it. Of course that's the first thing out of his mouth, he's probably watched it a dozen times with Tommy, doesn't even have to really think. But when Keith makes him focus and actually think? And he names Star Wars? Listen I've seen the original movies at least 20 times each, my best friend when I was a kid was (and is) obsessed with those movies (when I grew up it was only those three). We biked around pretending to be xwings. He had every star wars toy it seemed like. We played a computer game where you ran missions as a pilot and he'd fly and I'd man the keyboard so we could turn the 1-person 1st-person shooter into a two person play. Like, my childhood was jurassic park and star wars. And I genuinely couldn't tell you the sub-titles of the three movies, definitely not the order. The fact that Steve doesn't immediately recognize "a new hope" as the title of one of the movies doesn't mean he didn't LOVE them.
idk man! I just love the thought of Steve actually really liking Star Wars. And maybe he doesn't really Get them in the same way Dustin or the other kids, or even Eddie and Robin would Get them, but I think he genuinely does like them in his own Steve way, and I think it's only half because they're good movies. I think a lot of it has to do with having seen them with Dustin and the bonding experience that came with it.
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pinkeoni · 8 months
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The Perception of Will Both In & Out of the Show
Right now I'm working on a whole post dedicated to looking at how Hawkins views Will, and something that I've noticed is how this in-universe perception is reflective of how the audience views him as a character.
Will the Crybaby vs. Will the Villain
tl;dr for a post I haven't even posted yet, but my assertion is that generally the town has two modes for how they see Will, prey or predator. He's either the sensitive, weak "fairy" who is assumed to be the target of violence based on these qualities, or he is the predatory "Zombie Boy" who is going to spread death and disease to the rest of the town.
Many of the critiques levied against Will's character from fans after season four was "all he does is cry!"
And in the same breath, after it was revealed that Will was going to be the focus for next season, the claim about Will's character was "he's going to be the villain!"
So Will is both the overly sensitive crybaby and at the same time, somehow going to be the villain of the final season.
I do think that GA opinion is actually more diversified then people give it credit for, so it would be inaccurate of me to say that this is widely agreed upon amongst fans of the show, although both of these statements, especially that of Will’s villain arc, did go around enough to be mentioned in articles about the season.
Starting with Will's sensitivity, it is one of his character traits. It's important enough for Joyce to mention this when describing him in episode one. Noah often gives Will really big reactions with weepy eyes and a quivering lip— he's a feeler!
Some push back against this critique of character, especially on here, was sometimes met with “But Will doesn’t cry that much! He’s tough! Look at this scene he knows how to shoot a gun!” which is kind of missing the point. It’s not that Will isn’t soft and sensitive, it’s that being soft and sensitive isn’t a problem.
The villain!Will claim, while maybe a fun idea for fanon material, seems to grossly mischaracterize him. Will, from the constant mistreatment he has faced, will turn vengeful and join Vecna to become a villain alongside him. You mean the same Will Byers who told D’Artagnan that he wasn’t going to hurt him? That Will Byers is going to seek revenge?
I don’t think that any of these takes are intentionally trying to be this way, but there is a subconscious undertone of homophobia coming from both of them. It’s a bad thing for Will to be soft and emotional, but he’s also going to become the vindictive “big bad.” The prey or the predator.
There seems to be a refusal from some fans to view Will in a hero role
This I can’t really fault them much for. I had a good back and forth with an anon awhile ago who stated that if the audience does not perceive the story as being Will's or Will as a main character, then this is a pitfall from the show. Which I agreed with. If the show is failing to communicate something, then this is a fault of the writing of the show. (I did, however, offer a counter argument to a claim they made saying that the show did not offer any substantial proof of this at all, in which I said that Will being the center in the first season was a good piece of evidence among some others)
I should note that I say "hero" but I don't mean this in a masculine way, just that Will is going to be the one to save the day, be that in his own way. He doesn't need to "man up" in order to be the hero.
El, for good reason, is seen as the hero of the story. If the next season is supposed to revolve around Will now, then he must either be A) A victim that El needs to save or B) A villain that El needs to defeat. (I made a post about El and Will's roles next season here)
This isn't always brought up, but a lot of the times the love triangle is talked about in relation to this because it goes along with the underlying homophobia. If Will is the focus next season and he is also the hero then there's an implication that he may be successful in "getting the guy" so to speak, just going off of typical narrative tropes. If El is the hero and Will is either the victim or villain then he either A) is saved by El and, out of gratefulness to her, is able to accept that that he won't have Mike and is able to accept the two being together (which wouldn't make sense considering this is the position he is already in) or B) El defeats the evil gay boy who is after her man, putting him in his place. These people can't seem to wrap their head around the possibility of Will getting the love interest in the end and El, still important to the main plot, ending up solo and it being a positive for both characters.
The problem with villain!Will especially is that, along with the fact that it relies on a mischaracterization of Will, is that there has to come a point where the villain has to lose and be put in their place in order for the hero to succeed. I see even fans of Will claiming that they want Will to have a villain arc because of everything that he's gone through. And yeah, Will has been through a lot and he has been treated unfairly by people around him, but he can't have a triumphant ending if he is the villain of the story.
I guess it has to do with framing. In simplified terms, Will, in some way, tries to fight for a better life for himself. If Will is the villain then he must learn to be complacent with the life he already has. If he is the hero, however, then he deserves and gets to earn this better life. If Will is the victim who is saved by El then he must learn to be grateful to her. Neither make sense for a story where Will is supposed to come of age. He has to be the hero and he also has to be one to save himself.
I want to say again that I'm not trying to use hero in a masculine sense, wherein I'm picturing a Conan the Barbarian or Rambo-esque buff!byers fighting in the Upside Down, but rather I just mean using his qualities that others deem weak as his strength. Will is the hero, just in his own way. @therainscene had a really great addition to a similar post I made while I was drafting this one. To quote a genius mind—
It's wild that Will is seen as weak, because he's the toughest motherfucker in the show -- not in spite of being soft and sensitive, but because of it. Being a sensitive gay boy in 1980's America is playing life on hard mode: he's punished for refusing to conform to traditional masculinity, both in-universe and by the audience, and his response is to doggedly continue refusing to conform. He's crying and throwing up the whole time he's doing it but he just keeps on doing it.
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give-grian-rights · 3 months
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can someone tell me why im being abnormal about a character i've barely touched the content of. like yay yippie i watched like 20 hours of you. there's fucking 80 years of content get me OUT OF HERE?
#yeah this is about nightwing. yes im a freak about him no i don't do well with comics#shout out to duke thomas in the we are robin comic i've had in my browser tabs for three weeks now#sorry king.#i mean i guess it makes sense because theres So many characters in media that you can't even get 20 hours out of . but. BUT ITS NOT FAIR.#i want to read comics so bad. i try to. i have. i've started several#blue beetle 2009 nightwing 2016... superman & batman world's finest#i was able to finish teen titans world's finest but that was only. like. six issues#comics as a medium just has this thing where. you're dropped in and it kinda expects you to know what's happening#and leaves you feeling like you started on the wrong page. like blue beetle. loved you but man that was not the greatest first comic to rea#wait i forgot i read hawkeye 2011(?) and that also had the same issue. but more so each installment like#felt like it was starting on a point AFTER something happened like i was meant to be reading another comic before i got to that issue.#i got. like. idk 18? 19? comics into that one. and 12 into nightwing. nightwing wasn't as bad but it just. gah. like several-issue long#stories carried across batman and nightwing and its like.OUGH.#i know im mutuals with a comic person. hi. i know you're cringing.#there are so many good characters to come out of comics. its just SO HARD to get into.#rn i dont have an excuse with We Are Robin. just that i've been infected with needing to play the sims for 8 hours a day.#mika-posts
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I think Damian would be a big fan of Card Captor Sakura NGL.
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snowangeldotmp3 · 1 year
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i am so serious when i say i think nancy wheeler should get her own YA novel like max and robin and lucas.
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boyblundering · 6 months
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they asked for NO PICKLES 😠😠😠😠
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mimigoey · 8 months
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Happy Birthday dear Robin sensei 💚
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