#you are loved and you are valued and you are also allowed i think to hit at least one person who is rude to you with a fire hose this month

[most-datable-datable-bracket]

QUARTER-FINALS MATCH 3

Claude propaganda:

"To say Claude has trust issues is an understatement—you have to spend half the game earning his. (Claude isn't even his real name!) Once you have it, though, he's absolutely ride or die for you until the stars go out. He is so full of heart and ambition: He wants both sides of his heritage to get along, he wants to open borders and eliminate xenophobia and promote equality between commonfolk, and deep down, I think he craves a partner to stand with him at that new dawn, or an equal who sees his vision for the future and will fight for it just as hard. Nobody believed in him when he was a kid, but if you put your faith in him, he'll return it tenfold. Some people don't like that he's calculating, or has to leave the player character at the end of the game to go back to his homeland, but both are necessary elements for his goals to change things. He will always come back, and everyone who bets against him and his love for his companions is wrong with a big fat W. #KhalidForMostDatablePrez"

"Claude is a fun little onion of facades. He calls himself the embodiment of distrust, he acts like he's carefree and without worries, an unscrupulous schemer--and so many in universe buy into that hook line and sinker. He's used to others viewing him with suspicion and uses it as armor to obscure his not-so-dark truth: that he cares immensely, that he values minimizing the loss of life, and that above all he has so much hope that people will fundamentally choose to do better given the choice.

His front guards a center that his conflict filled world would be happy to tear apart. As the child of people from two nations in constant conflict--one of which is explicitly isolationist and dehumanizes those outside its church's reach--he hasn't really had a place where he can be without his facade. As a child he thought he could run, but when confronted with the fact that this hatred existed no matter where he ran, he chose to instead try to create a more just and kind world.

His inability to let others in beyond his facade at first may lead to a sense of distance, but isn't it then all the more satisfying when you're allowed in? All he wants is a little trust, a little faith, and--like what he wants to give everyone--a chance to be better.

And like that you got a charming young lad with a fun personality that your grandma would be thrilled to have stay forever."

Milo propaganda:

“they were in the last contest sure but i feel like they could get farther. like they're literally a nonbinary grim reaper that's also an influencer and sure sometimes the influencer stuff can get kinda overwhelming i feel like it's very clear that they care about you and want to be around you. you guys go on a reaping date. their eyes and nail colour change based on their mood too and i think it's a really cute detail!! also SLIGHT SPOILERS but they even reference rocky horror in their special ending. they are perfect to me and i love them and i believe they deserve a second chance <3”

"Vote for Milo because they deserve it

They're literally so attractive

- They are a social media influencer

- They are obsessed with an adorable little kitty and will do everything in their power to make this cat the most beloved creature in existence

- They love makeovers and helping their friends rebrand (this includes working with Damien and the PC to help Jerry the Murderer rebrand so that they really has a brand identity)

- They are a grim reaper and even help the PC plan the PC's own funeral (special ending) and they give a great speech and it's super sweet

- They will sometimes take the PC on reaping jobs with them and shenanigans ensues

So in summation, vote for Milo because, as I repeat, they deserve it"

#claude von riegan #fire emblem #fire emblem: three houses #FE:3H #milo belladonna #Monster Prom #Monster Camp #Quarter-Finals #MDDC 2

[atopvisenyashill]

I think the point that a lot of people miss with Arya is that the approval she craves the most is of her mother. People call her pretty, including her father and Jon. But she still doesn't think she is pretty because she doesn't measure up to her mother's expectations. We know it hurts her that unlike her siblings, she doesn't look like Catelyn. Which is funny to me because Catelyn despaired that none of her children looked like Ned, except Arya. So no Catelyn did not hate that Arya didn't have Tully looks (believe me I have seen that take numerous times), rather she wanted her to take care of herself and be presentable.

Yeah like, I would say it’s even a pretty common dynamic in real life, where you have a daughter that doesn’t quite fit in and a mother who does and they talk past each other a lot of the times. It’s not to say that I don’t wish Catelyn had taken a more gentle approach to Arya, or that it’s like, an okay thing that the system they live in forces the toxicity of this situation but I think people really gloss over the fundamental aspect of this (and like,,, most) mother-daughter relationships which is that Arya wants her mother to be proud of her and Catelyn wants Arya to be prepared for adulthood. Neither of them is acting out of a bad place here and neither is motivated by anything hostile. Catelyn just feels, pragmatically, that there are certain things Arya needs to know and understand about the world and the life she’ll be expected to live. While Arya wishes her mother could conceive of a world where Arya can just be whomever she wants without being forced into a specific mold or role.

I kinda scrapped this part of that Cat & Arya meta I wrote, but I had like a whole section wherein like, Catelyn knows that The Rules Of Men allowed her a lot of power - she was presumptive heir, acting lady, and now a lady of a great seat with a husband who adores her in part because of her willfulness and fiery temper. What Catelyn wants for Arya is for Arya to have the tools she needs to succeed as a willful, fiery girl in a World Of Men, so that Arya can find a man who loves her for who she is and find freedom in her home & marriage. But because while Arya and Catelyn may share temperaments, they don’t have a lot of overlap in skills, I think Arya sees more clearly and much sooner than it’s simply ridiculous and unfair that Arya has to have this really specific skill set to be worth anything, and that what she’s “worth” to a man shouldn’t be as important as what she’s worth to herself. But like, how do you even verbalize a concept you’re only slightly aware if you’re Arya? How do you tell your mother that the skills she’s honed for her whole life in the hopes that her life as a woman in a feudal system is happy, are like, ~useless~ and have no moral value, it’s just something Cat is good at vs something Arya is good at?? I mean the whole reason i CUT that section was because i felt like i wasn’t hitting the balance of explaining and validating both WHAT IT IS Catelyn wants for Arya out of the system and also WHY IT IS that Arya chafes so badly.

Ultimately, Arya wants to want what her mother wants for her because that’s her mom, she wants to be like her mom, she wants her mom to be proud of her, and also ultimately, Catelyn wants Arya to be safe, and alive, and thinks to herself that Arya would be good at running a household, and since running a household gave Catelyn power, it’s a sweet wish that Catelyn wants to set Arya up to be someone who is great with the only power Catelyn feels she can give her. But they see the world so differently, because they are both stubborn and willful while being Incredibly different & living very different childhoods, and before Catelyn can hold Arya and assure her that she would have wanted her back no matter what, even if her hair is messy and she’s dressing like a boy, even if she never fits in and has killed people, because Catelyn loves her enough to fight against that system that has benefit Cat all those years……but it’s too late, and Catelyn is gone before she can ever say the words I know she wanted to say, the words that Arya needed to hear.

#like once again HOW DOES THAT NOT HIT FOR YOU #asks #anons #mothers and daughters

[friedunicornstudio]

Happy Pride Month! I know things are rough out there, but we have each other, and we have each other’s backs.

#LGBTQIA #art #queer #pride #sword #shield #tank #support #weapons #We really wanted to redo our old protect trans lives sticker #and make it part of a full party #with a tank heals dps motif #these will be holographic stickers eventually if you are into that sort of thing #and no matter what hang in there this month #you are loved and you are valued and you are also allowed i think to hit at least one person who is rude to you with a fire hose this month

[kelpiemomma]

forgive the random idea, but I was thinking about how much I love stories about people with power and in power, able to destroy lives and countries without a thought, being immeasurably strong and deadly... Being so soft and gentle towards their child.

Ingo being a god, a god who's been around for millenia. He's seen nations rise and fall, people come into and out of power. He's been revered and feared and forgotten and renamed. He's lived inthe heavens and on the earth. He's been mortal as an immortal, living a human life before dying and returning to godhood. He is old and tired and powerful. He has caused forest fires and destroyed mountains. He has provided bountiful harvests and life saving rains.

And then one day a child is left on the floor of his temple. A pair of wanderers stayed the night, and with nothing else to their names they left their infant behind. Ingo has no idea who they were, barely noticed that they had lingered, but the disturbance of the child left behind - a taste of innocence that lingers on his tongue, like the breeze over a wheat field and the cleanliness of a newborn - has him going to see what was left.

He's never had a child left as an offering, as payment. Sacrifices? Yes. But this one is still alive. She is so small, her eyes so big, and she looks at him without fear. He can't remember the last time he was looked at without fear, without blind devotion. He hesitates to touch her, not sure how to be gentle, and she reaches out first. She grabs his finger and begins to chew on it.

And Ingo is lost.

#Pokemon legends Arceus au #Dad ingo #God Ingo #I was just thinking about how I love stories about powerful men unintentionally adopting daughters #And turning into absolutely doting fathers #And I oop #(might I recommend 'becoming the dark hero's daughter' if you are also into that trope) #(it's adorable) #In the time period Akari was born in it is widely regarded that if you use/visit a temple you must #Leave something of value as thanks for being allowed to stay #Her parent/s were wanderers with barely clothes upon their backs #food was foraged and consumed throughout the day #The weather was deadly and they had no choice but to spend the night in Ingo's temple #Part of what caught Ingo's attention was their sincere prayers to him for their daughter's safety #Anyway. God Ingo au lol

[roobylavender]

had talia not been character assassinated do you think she and bruce should have gotten back together?

no. i hate to use the word "phase" bc that would seem to diminish the importance of what's between them, which is something that will always persist esp as their continued dedication to the same causes and their respect for each other remains. but i do think realistically bruce should be a phase in talia's life. at least in terms of consummated romances specifically. i do love the idea of them remaining allies, close friends, and co-parents, but i think allowing talia to walk away from ra's and bruce in the first place has to stand for something in the long term. before talia went her own way i think it was easier to imagine a potential future where she ended up with bruce bc it felt like the desirable option. she was in this very debilitating position where she had little to no freedom to act on her own desires and goals, the embodiment of which was none other than bruce. so when you frame her situation pre-tower of babel, obv wanting to be with bruce was appealing. he was as much the love of her life as he was a means of escape and freedom and talia having the scope to then act on her own desires. i think that's what subsequently makes dc #750 (or is it #570. i never get the numbers straight and i'm too lazy to check) a really clever issue, actually, bc it acknowledges that and the fact that bruce once again setting her free bc of his love for her actually gives her the courage to step out on her own where she never has before. the fact that she has the option to go back to gotham with bruce and presumably have everything she's ever wanted with him, but she leaves it anyway, is a really huge deal. it's a statement. she loves him, but not more than she loves herself. and sure, what talia puts herself through during lex corp era certainly begs the question of whether her version of loving herself is really viable or in any way healthy, and i would love to see bruce help her recognize that she's not alone and that she doesn't have to do it alone to prove that she's capable. all of this i agree with. but i don't think that really means she and bruce have to fall back on their once-imagined dream of playing house. even if talia did find methods of going about her work that were mentally healthier i don't really know what'd be in it for her to play house with bruce in gotham. bc that is what it would have to be, for their relationship to work in any way. bruce will never leave gotham and son of the demon didn't need to explore that issue bc it was never going to get there but trust that corny as the line about naming the baby thomas or martha was it was reflective of a reality: gotham is bruce's entire life. no matter where he goes, no matter what he does, no matter who he works with, in the end he will always belong to gotham. and i simply do not think that would ever work for talia bc there is so much more she is capable of. while her vision is aligned with bruce's her scope of access and ability is entirely distinct of his own and there is so much more that she can do aside from relegate herself to gotham (hence why lex corp as an arc makes so much sense, bc it capitalizes on that scope). and yeah every superhero couple is kinda crazy and they have teleportation and shit but idk i don't think it's really a relationship for each party to go on long missions with ill-defined parameters that give them the worst sleep schedules known to man and occasionally they share a bed. it really isn't. and that's something that bruce and talia have to live with. their duty is always going to come first even though they both have a passion for civilian life. for talia to be in a relationship again she would have to stop having the liberty of being able to go wherever the work carries her and for bruce to be in a relationship again he would have to have the equivalent of a robin-wife. neither of these things is ever going to happen. so

#outbox #i realize this sounds somewhat hypocritical bc then it's like. but what about damian! wouldn't the same apply to him! #and idk i don't think it would. your kid is different from your lover #obv i imagine talia would try to be around for damian as much as possible #but as i've discussed a lot of times even that i think would be tricky for her. she was willing to say she lost her baby #bc she thought if she didn't the world would lose batman #she's like. craaaaazy dedicated to her work so yeah i do think she'd try to coparent with whatever capacity she could #and her love would be genuine and overflowing etc etc #but at the end of the day she's not going to settle in gotham solely for the purpose of raising him #or for the purpose of appeasing bruce's notions of pathetic puppy dog romance #her liberty is too impt to her #ironically enough this is funny to talk about in context of that batman & robin panel from yesterday bc like #had they not character assassinated her that's really how it might've gone. at least imo #like it's a shame they had to resort to all of these racist and orientalist tropes about her being an abusive mother #to somehow justify why bruce should be the resident parent instead #when you literally could've just followed the thread of talia valuing her independence #versus bruce being desperate for any remaining semblance of normal civilian life like it's an oxygen tank and he's losing air #not only would that have been realistic it would also have carried nuance and allowed insight into bruce and talia's psyches #and more than anything. it would have been funny #but i DIGRESS. tldr yes talia would coparent but even that would be with certain limitations #i think she's the kind of person / mom who like. leaves her love everywhere but can't necessarily stand where she leaves it. yknow #like i could even bring jason into this #i really do think she'd do everything in her power to try to get jason to break from the red hood persona and heal etc #and she'd have immense affection for him #but she's not going to sit and play house and babysit him once she's free and once she knows he's free too #she's very big on personal accountability #so she'd check up on him and the love would be there but like. the bigger picture would always interfere #anywayyyy. thank you for the question i love to ramble about this stuff LOL

[exhausted-archivist]

In regards to my last reblog on the scale of Thedas, latitude and stuff. I’ve been thinking about how much thought I give all this. Especially because this topic is one I’ve been talking with a lot of people about lately. It crops up a lot with people who, like me enjoy natural world building or are fanfic writers. Or really anyone who sits down and reads the lore at length. More times then not the question of Thedas’s scale comes up.

So, I want to establish I am very well aware that I’m likely giving it more thought than the devs. I have that luxury as a fan and consumer of the series. It is extremely relevant for me because I like making maps for the series, plotting out travel paths, and scaling things for da ttrpg campaigns I write.

So because I think about it a lot, I notice all the many different scales of Thedas in terms of travel time. How the scale they gave the ttrpg doesn’t match up with any scale they established in the main games or books. I think if the devs sat down and thought about establishing a standard scale and also considering just basic stuff we also wouldn’t have the Deep Roads be 2-4 miles / 3.21-6.43 km below sea level and display a lack of geothermal qualities. I think they’d consider how they built a world with at least 9.1 million people and tons of mega fauna such as giants and dragons and 14’/4.26 m tall bears that hunt dragons, all squished into roughly 1/4 of Europe and how much that isn’t really sustainable. How there would be much more impact if nature encroachment in civilization and how common things like that would be in places. Which they do consider it to a degree, I’m not saying they don’t. But I think if they thought about it just to make the world something that holds up a little better to idle musings, it wouldn’t be a bad thing. That the world would feel more real and alive and also narratively give them more to work with.

The contradictions and lack of consideration for the natural world has always been one of my critiques of Dragon Age, among other things. The reason why that is, is mostly because of a noticeable trend the lack of natural world building in fantasy. It’s a topic that has been discussed elsewhere and at length by other people, but to summarize nature is slowly having less and less impact in fantasy even in an ambient quality. Obviously this isn’t a universal statement, nor a universally required thing for a story to explore and have. That there are things that do focus on and explore it, but speaking in general terms, it is a trend in the majority of media.

Which for me is a bummer as it is an aspect of writing and world building I enjoy. I really like themes of man vs nature and to have that you need to have a basic level of natural world building. Which BioWare doesn’t really explore in Dragon Age despite having elements of it - such as how regular raw lyrium is explosive, mages get sick around all lyrium unless it is diluted to a safe amount for mages, and raw lyrium straight up kills them if they’re in the same room.

So then you have questions of how do mages go/handle being underground with such a risk? Dwarves have stone sense but would mages be able to tell when they’re getting close to large lyrium deposits because they’re getting sick? Does this impact grey warden mages? Darkspawn mages?

Things that don’t get fully acknowledged or explored despite being mentioned casually in codices most people don’t read. And they don’t for a couple of reasons such as potential coding issues but also all the questions you’d have to ask:

How would you implement that as a mechanic? Would you lock mage players out of entire areas featuring raw lyrium? Would they take environmental damage if you wanted the players to explore it regardless? Would it be a mechanic only applied by in harder difficulty modes? Do you acknowledge it in banter but not in any other way? Create a way to explain why the pc mage and their mage companions aren’t dropping dead?

BioWare’s answer seems to seemingly just ignore it because it would make gameplay too challenging/punishing and likely might not be fun for a player to deal with. But they compromise by keeping the lore active in the canon through codices and low impact additions. Which is a completely okay solutions, not my preferred but I get why they do it.

When I approach this lore, I do so without expecting them to fully flesh out each nation or know which city has the most resources and the geologically rich lands in said country. Dragon Age, and BioWare in general, relies on semi-soft world building. The world was after all designed for a game. They only need to build out what they need and what hopefully won’t paint them into a corner with future installments.

Additionally, the writing style for Dragon Age doesn’t suit the hard world building that I prefer, I’m quite aware of that but also know that when it comes to talk about world building in any media, there is always the issue of people (like me) who world build for fun and consider all these small aspects but ultimately they aren’t always needed and necessary for the story a game like Dragon Age is telling.

Dragon Age is told with the intention of things being given from an unreliable narrator. Built on the concept of: there’s three sides to the truth, what x thinks happens, what y thinks happens, and then what actually happened. Which works and I love the premise.

That said, I think that it also impacts lore that shouldn’t be subjected to the unreliable narrator. Foundation or anchor lore points to be specific. Which, as we know, BioWare has always struggled with consistency in their lore, particularly with Dragon Age.

Distance is one of those foundational points that shouldn’t change, and it’s also one of those points that you don’t have to give exact travel times. You can leave it vague and stick to the official statements like the ones we have of Ferelden being the size of England (or Ireland depending on the source you use). If you’re going to be giving specifics, then I think being consistent with how long it travels to get to point a to b and not changing it multiple times in one game should be a basic expectation that is met.

Other ones the series has and is pretty consistent with is how we know Thedas has 24 hours a day, they have seasons like we expect, and are in the southern hemisphere.

Do they sometimes slip up because editing doesn’t catch they’ve made a reference that applies only to the northern hemisphere? Yeah, and that’s not bad. There are a lot of people working on the project and things slip through.

I know I have the luxury to think about Thedas in a capacity that allows for the hard world building that I like. I also know I focus on and enjoy aspects of lore that are not exactly popular for their main audience and are pretty niche.

I don’t expect BioWare to world build how I do because I’m not world building for a massive and varied audience. Not even when I do world building for my tabletop games, because I’m catering to a smaller and more specific audience.

Still I think it’s valid and worth pondering these little elements of the world building. For fun, appreciation, and to nurture one’s own creativity and understanding of media, the world, and what they think makes a believable world.

Devs might not have time to consider it but we sure do and that’s half the fun of enjoying media I think.

#dragon age #archi is musing #long post #I saw some people on my older posts while I was writing this talk about how its ‘not that deep’ and not everything needs to be explained #and like I’m aware of that lol #I’m just critiquing how logic and immersion breaking it can be to not be consistent on the fundamentals #how much I personally don’t enjoy a world built that starts crumbling if you think too hard on all the provided lore #love the game and the series but evaluating the media you consume and engage with is a good practice to have #as a creative who world builds knowing what I value and like in world building allows me to grow as one #I also think dragon age has a lot of really cool and under used elements of natural world building and while I would love to focus on that #BioWare gives the curve ball where I’m sent down a rabbit hole often because I realize it doesn’t make sense in context of the lore

[obstinatecondolement]

Not to be all "this is an Only Murders in the Building blog now" but apparently since yesterday I have reached a point of no longer being satisfied with being part of a two-person fandom irl with my sister and I need to Discuss things with you all.

Anyway. Currently thinking about how Theo Dimas is a) Greek and b) Deaf—both cultures that are very physically demonstrative—and that he is. Like that.

#I love Theo Dimas so fucking much #the poorest and littlest of meow meows #haven't we all committed accidental manslaughter and allowed someone else to go to prison for it? #have we not all in our time robbed valuables from dead people's bodies? #and consider this: he was very sad about it #and he is so sweet and has such a delightfully quiet and affectionate friendship with mabel #who he kidnapped that one time and who wrongly accused him of murder on a podcast that lead to his arrest #neither of which they hold against each other because they are fellow traumatised disaster millennials who haven't got their shit together #also I think maybe they should kiss about it??? #because he has stuck around a lot longer than any of her canon love interests #and! she is learning asl so clearly values the relationship and wants to make it easier to communicate on his terms #and mabel is famously guarded and slow to trust #(but also a real 'once my walls are down I will love you forever' type) #so her being like 'I want to talk to you and I want that enough and to do it often enough that I want to meet you half way #and not just expect you to always lip-read and write things down for me #because I don't want understanding me and being understood by me to be as much work as it would be if I didn't make any effort to sign' #is like... a very significant indication of how she feels about having theo in her life imo #also they are both very cute and ping bi4bi to me and honestly that would have been more than enough for me #only murders in the building #omitb #omitb spoilers #only murders in the building spoilers

[moonbittern]

in network effect murderbot is starting to get the hang of talking about its feelings for mensah (with mensah herself but also with amena!! love that) but not in a human ritualized way, just like. using its own words to describe its own feelings instead of using someone else’s words to approximate them. it’s good

#i just really like you not in a weird way #thiago thinks you love my second mom/not the way he thinks #i don't want to not see you again #AUGH #as an aro autistic person all i want is relationships where i am allowed to just. use the words that seem appropriate to me #and those words being taken at face value instead of as part of the weird talking-around-things that allistic people are so into #(which is not to say that asking for clarification is inappropriate - actually the opposite. ASK if you're not sure. don't assume) #(not the way he thinks. exactly) #but also murderbot having room to not know exactly how to describe its feelings and that being okay #i love that farai's response to murderbot saying it doesn't really know what to call its relationship with mensah is 'thank you' #instead of getting frustrated - she understands that murderbot is being honest and is grateful for that!!! #i want farai and murderbot to be friends #murderbot diaries tag #mensah and murderbot

[musical-chick-13]

I know SO many people who hated The Sound of Music back when I was still trying to make a living as a Stage Performer, but I don't think I can EVER articulate just how much the line, "Just because you love this man doesn't mean you love God any less" did for me in regard to starting the process of unlearning all of the self-destructive things I had begun to internalize from the Catholic church.

#also I'd still love the show even if it weren't for that maria and the captain are great characters and the score slaps #I need to stay up another couple hours for Sleep Study so this is like. NOT a fully-formed thought but basically. to small teenage me: #Loving God was synonymous with Being A Good Person. so seeing this proved you can care about non-religious things and not devote your life #to the church and still be a good person. loving someone and wanting to make them a priority in your life doesn't make you evil #and from there (along with a few other things) I was able to extrapolate a bunch of OTHER stuff that did Not Actually Make Me #A Bad Person. like basically this show drove home that the most important thing is to consider your own values and live according to them i #a way that allows you to foster compassion and spread kindness. whatever that looks like. and it will look different for everyone. #idk I think this musical is neat #naysayers are wrong #go listen to 'something good' from the movie then maybe you'll feel better #mc13 lore

[pissfizz]

Very frustrated!!!

#still thinking about that irl like. god. i love you but this is Plaguing me #like. people don’t owe you their medical diagnosis for you to decide whether them being unhygienic is valid or not. especially when you - #-have the same problems. you shouldn’t shit talk people and say you hate people who don’t take care of themselves when you don’t know - #-anything about them. there’s millions of reasons for that you don’t know!! it makes me so uncomfortable that they’re so judgy about this #things like this always happen. and they can be so opinionated about everything but the second I try and imply that that’s wrong or just - #-plain rude of them they get so mad and I hate it. why do you get to have these opinions on people but I can’t have any? #idk they’re like a strange hybrid of very liberal but also very white mom in their values. which confuses me and makes me very frustrated #idk!! idk. i love them a lot they’re one of my best friends ever but it is so uncomfortable sometimes. #it feels like they’re allowed to be opinionated and have a ton of personal issues and things to accommodate but I’m Not even if they say #like yknow what I mean?? #idk I have a lot of thoughts and frustrations rn #vent

[gayvampcentral]

Has anyone made a post about how the memes making fun of the german language sounding stupid/funny actually (I assume unknowingly) perpetuate (post) WWII US propaganda yet or is that up to me?

#I'm only slightly lying when I say that I hate to be the guy that goes 'no fun allowed' but #kinda think it's also just interesting bc I feel like with any other language people would not be AS comfortable with #continously making jokes about how weird it sounds #I mean who knows maybe 'greek sounds awful' might be the next big meme hit but you know #I doubt it #and before anyone tells me it'S not that deep #I'm aware of how deep it is thank you #also last note just like. linguistically speaking I kinda just don't love value being attached to language this way #but whatever #also this isn't about anyone in particular reblogging anything specific to be perfectly clear #just smth that has been on my mind for a while #marshall's thoughts

[cyrsed]

you ever think about how mainstream gaming is the way it is bc it evolved from arcade games?

#like the focus on Skill(tm) that values reflexes/reaction time/competition/speed #obvs there's other influences too tho #like rpgs #and then there's a sorta parallel thing going on with early computer games (remember when Computer Games and Video Games were different?) #w people like cyan wanting to make 'video games for adults' lol like myst #and there's always been artsy games and stuff but mainstream-wise i just think sometimes about how like #strange (neutral) it is that you have this medium that's debatably art but also like. not always considered by players or devs to be art? #in a way that books and movies aren't /exactly/ altho there's comparisons to like blockbuster movies for sure #esp bc i think about how the people making a lot of mainstream games were guys who grew up in the 80s/90s and loved 80s action movies #and got to make worlds where you play as those action dudes #like obviously snake who's not even trying to not be snake plissken ghlskdjf #resident evil also obvs #or isaac being inspired by whatshisname in die hard #ther's an implicit power fantasy #but also it opens up interesting artistic/storytelling paths that other mediums can't explore as easily? #isaac is an interesting example of it imo bc of the tension between his ultra-masculine voice/hyper-competence/cool suit #and 1. the survival horror setting but also 2. the fact that he's actually incredibly brittle & the impression #of him we get is based on assumptions when really his independence/determination is a flaw & his 'togetherness' was a facade the whole time #ofc the way it gets expressed in ds2/3 feels like it's still limited by sexist ideas about what emotions men are allowed to express #and how imo #but idk i think it's interesting to play with that #and in an interactive setting you get to do that in a way that other media can't #but back to my original point lol #those are (imo) really interesting things that do get explored sometimes #but like gaming culture at large sometimes feels like it #explicitly rejects reading anything deeper into a game than 'hero shoot bad guy'? #and i feel like in part that comes from what players value and gaming culture puts Skill really high and can sometiems treat story/characte #like set dressing #(obvs there are exceptions) #(and it makes sense i mean. it's a Game it's supposed to be Fun To Play

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

#shut up e #long post #Saturday thoughts #this has been in my drafts for a week haha #also this is the heart of why AI art feels so wrong #forget the discussion of copyright and theft etc - even if models were only trained on public domain they would still feel very wrong #because they’re not art. art is the labor of creation #even commercial art and art commissioned by the popes and kings of history: there is humanity in the labor of it #unrelated: I did not know living in the Bronx was now something to brag about. How the fuck do y’all New Yorkers afford this city???

[kazoologist]

now listen i know i really need to spend more time with durkheim before im any good at actually talking about the man. but as ive inched ever closer and closer towards more silly sociology stuff and reading ive really come to appreciate how totally value-neutral all the stuff i've ever read on collective effervescence was.

#well ok value neutral might be imprecise and not optimal wording on my part #kazoo noises #the captain goes down with his scholarship #like okay. im a person who finds ritual and togetherness very interesting and lowkey a really fun part of being alive. right #so like my friend who was explaining this to me years ago used the examples of collective effervescence as 1) watching a sports game/match #together #or watching a public execution #like idk i know im a sap so i tend to probably lean towards the more happy side of things but that allowance of both things most people #regard as good and like. moral i guess. but also understand that like. public executions via vigilante justice are commonplace in us histor #idk i just really like that so much is allowed to be contained in a single thing being studied. i like that everyone ive ever met #whos into sociology and social science and shit is always so kind and fond of being alive even though theyre full of rage and spend their #lives studying some of the things that make being alive and people so so so difficult #like. every sociology prof ive ever spoken too has just been. so kind. so very full of love. just endlessly. like it costs them nothing to #give so much to the world around them. but they spend their life studying just. some of the worst outcomes you can have. its wild. #i should probably read and see if theres a way they can do that. i burn out emotionally way too fast for someone in library science. #anyway. this is my rant as i do my readings for class. #idk man im thinking about human elements and shit today

[transgender-png]

fuck it. shout out to "high functioning" neurodivergents

the ones who can mask easily, the ones who can get social cues, the ones who have managed to go most of their life not even knowing they were ND because they didn't present as the stereotypical ND person.

the ones who can pay attention in class, understand social etiquette, who understand societial expectations

the ones who don't feel neurodivergent enough bc they don't struggle in the same ways/areas a lot of NDs do, or they can't relate to other NDs' experiences because they always understood these things easily

the ones with high empathy, the ones who DO get the joke, the ones who are constantly told that they can't possibly be neurodivergent because they don't act like what you'd expect a neurodivergent person to act like.

you are neurodivergent enough. you are valid, and so are your experiences. not struggling as much as others do in some places doesn't mean you dont struggle at all. your condition and diagnosis is valid. your symptoms are valid. YOU ARE VALID. not checking all the supposed boxes doesn't mean you aren't neurodivergent. you are enough. you are valid. you are loved. you are valued. you matter. you belong in neurodivergent spaces, you deserve to use whatever resources are available to you, you are allowed to take up space in these communities. and i am so, so proud of you.

feel free to, and actually, i encourage you to reblog this with your experiences. we belong in this community as much as anyone else. please also tag this w/ any neurodivergent conditions i may have forgotten 💙

since this is getting lots of notes I'd like to add, even if you're undiagnosed or maybe self diagnosed, for whatever reason, (i.e. can't get access to a diagnosis, not being taken seriously, or just not wanting an official diagnosis, etc.) this still applies to you. actually especially to you folks. don't think for a second you're not valid just bc you don't have the paperwork or whatever to say it

#neurodivergent #neurodiversity #nd #autism #adhd #ocd #dyslexia #dyscalculia #asd #autism spectrum disorder #tourettes #tourettes syndrome #dyspraxia #hyperlexia #synesthesia #down syndrome #sensory processing disorder #schizophrenia #borderline personality disorder #bpd

[inkskinned]

i think one of the reasons glass onion is so fun is that it just... loves the audience back.

so many popular movies and shows these days thrive on a sort of bitter engagement with their fans - where the fans are dismissed as being stupid, annoying, and needlessly angry. we are constantly positioned as being less intelligent as the writers.

so much of "spoiler-free" movie-making relies on writers getting away with one twist in their work, regardless of if that twist was earned. the work doesn't actually have any rewatch value or interesting writing - because they think "good writing" is about "pulling one over" on the audience. they don't focus on making interesting characters or storylines or good endings - they focus on fooling you. glass onion, meanwhile, has faith that the audience has figured the ending out, and that we'll watch anyway, because we love the characters.

so many adaptions of older works... kind of seem to hate the original work. they're done without passion. they're done almost as if checking off a box. so many of them openly mock the audience for enjoying the original, almost directly telling us that we are fools for ever having loved something.

but glass onion. loves the audience. it knows that many of the people watching are mystery-lovers. it is an homage that feels love towards the original works it references. it knows we also love those works; and instead of trying to disparage those works, it allows us to celebrate them.

one of my favorite things about it - and maybe why i found it so satisfying - is that this movie isn't trying to tell you it's the smartest, bestest, most-clever detective story. instead, it asks itself what is satisfying and exciting for the audience? and actually gives us that payoff. it's bright, colorful, and fucking fun.

just... more of this please. i'm very bored of nihilism and grittiness and "shock value" writing. put the love back in. let us love unironically. have your work say i love you too. thank you for sharing this story.

#is this bc i keep thinking about bbc sherlock and how we were all done dirty? #yeah :/ #does this make sense? #i know there are other examples of movies like this that love the audience but i just #was inspired by this particular example #since it COULD have been a 'gritty version of a thing u love'