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feralgodmothers · 6 days
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It’s always difficult to keep personal prejudice out of a thing like this. And wherever you run into it, prejudice always obscures the truth. 12 Angry Men (1957) dir. Sidney Lumet
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feralgodmothers · 6 days
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AARON TAYLOR-JOHNSON Giorgio Armani Acqua Di Giò
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feralgodmothers · 6 days
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"what do you do in spare time" i yearn and i dream about a life where im loved and nothings ever wrong and it takes up all of my evenings and weekends doing that
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feralgodmothers · 6 days
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White Chocolate Lucky Charms Treats
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feralgodmothers · 6 days
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The best quality a fictional man can have is being deeply, pathetically, wretchedly in love with someone, I think
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feralgodmothers · 6 days
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a study of hands from national galleries of scotland
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feralgodmothers · 6 days
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the songs Beyoncé writes about that man are crazy it's like watching someone build the sistine chapel for a possum they found in a gas station parking lot
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feralgodmothers · 6 days
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i feel like i have rabies but like emotionally
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feralgodmothers · 6 days
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online communities are so strange because people slip away so easily. you can be on here for years, folding people you've never met into the fabric of your daily life, and then they disappear, leaving only ghost posts scattered across tumblr behind. or their blog stays dormant, for weeks, months, years, until you're only still following them because you remember that they love sunflowers or they were kind to you when they didn't have to be or the last thing they posted was sad and raw and you still worry about them sometimes.
and sometimes they come back when you least expect it, years later, even, and there's this sudden rush of relief like there you are, there you are, even though you barely knew each other.
there's a strange kind of love to it. i don't know you and i want to hold your hand across miles and time zones and oceans. i can still see the imprint of you in this community you left. you don't think anyone will notice or care when you're gone, but we notice and we care and we wish you well.
i hope you're all okay out there. i hope the sun is shining on your face and you are breathing deeply. i miss you.
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feralgodmothers · 6 days
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this this this
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feralgodmothers · 6 days
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You should probably watch seasons 10-13 first. Watching the specials with context is better than going in blind. Especially when you get to WHY Tennant’s face came back.
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Okay anon, I trust you. I’ll just shove my overeagerness into a suitcase and watch those seasons first. 😮‍💨
It’s so funny - it never even occurred to me that there would be a reason why Ten’s face came back. I just saw David and was like
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feralgodmothers · 8 days
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The actual King Arthur could be resurrected and I'd still say 'not my Arthur' before pointing at Bradley James
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feralgodmothers · 8 days
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feralgodmothers · 8 days
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She saw me... she really saw me.
Renfield anniversary week, prompt 5: favourite ship. Sorry, but these two have my heart.
I'm fascinated with the idea of these two. They're fucked up in opposite directions, but are initially drawn to each other for the same reasons. They each see strength in the other that they envy.
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Rebecca's strength of will, her ability to stand firm and sass a guy with a gun to her head- that's something Robert admires deeply; so too, in this scene, does she admire his willingness to put his life on the line without personal stakes like hers.
I really do think he's among the first few people she feels comfortable trusting, after her dad. She speaks to him with a vulnerability we don't see with 90% of the other characters. I couldn't really get the without you that starts off this line, because of how the sub track is set up, but it's pretty emblematic of this to me.
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Rebecca lives a life where having rock-solid walls up is vital. Any vulnerability she shows is an opportunity for the corruption she's fighting against to chew her up and spit her out, and that's another reason why her and Robert work well together- they respect each other, in a way that neither gets anywhere else in their lives. They can see each other. And they like what they see.
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Robert listens to her, in a way that quite literally nobody else in the film does, not even Kate- compare and contrast his response to her venting vs Kate's when Teddy Lobo is let go again.
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The value of just having someone look you in the eye and say, for the first time, that must be awful. I don't think Rebecca has, herself, that freedom of emotion or ability to express affection- the same walls that protect her from the outside world are up inside her head.
It's why I like to HC them as falls first (Robert), falls harder (Rebecca), and part of why I think they work SO MUCH BETTER for not being canon on the final draft- by the end of the runtime, neither is quite ready to be normal about letting someone get close- but I feel like they will be soon. And when they are, they'll be perfect for each other.
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P.S: It's also important to me that Robert can talk back to her- she isn't entirely unlike his last partner, imo, he has something of a type (dominance)- but he's able to snark back at her. He's not scared of her.
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feralgodmothers · 8 days
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Feeling the urge to get a flower language book so I can buy my enemies hate bouquets 💐✨
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feralgodmothers · 8 days
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i already have a job and it's called keeping myself alive. why do i have to be employed on top of that
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feralgodmothers · 8 days
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