Breaking 3 Writing âRulesâ:
If you have ADHD or ASC or are some other flavor of neurodivergent, the ârulesâ many big name authors post about how theyâve reached success can actually make you feel REALLY BAD because you canât always do the same thing.
Building a positive relationship with writing can make all the difference in getting you writing more.
âWrite every day.â - Donât write every day, write when the mood strikes. But you can trick your brain into work mode by trying different things. Put on your shoes when itâs time to write. Light a candle. Put on the same playlist every time. After a while, itâll be like a light-switch. When you light the candle, your brain will find writing easier. Just donât force it. When you try to force writing, you build up frustration and resentment if you donât get anything out. Some days just wonât be writing days. Thatâs FINE, lots of authors donât write every day (even if they say they do).
âI write 1000 words every day!â - Well, if you WANT to write and are struggling, a goal of 1000 words seems really far away. So do incremental goals. One sentence. One paragraph. 100 words. Usually by then youâre in the flow of things and you can write 1000 words pretty easy. And again, celebrate every single one of those goals so you want to keep doing it. One sentence, walk away, come back later, add another, GOOD JOB, two whole sentences!
âSit down and block out x hours every day just for writing.â - Actually, the best way Iâve found to write is to tell my brain the deadline or end time is really, really soon - so I write in 20-30 minute chunks, and then walk away or take breaks and come back if I want to later. By setting that arbitrary shorter deadline, my brain can see an end and will work harder and focus more because it knows itâs just for a little bit. If 20-30 minutes is too long, start with 15 minute chunks.
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The Dialectical Humanism of Big-Ass Robots: An Intro
âThereâs a deep, earnest seriousness to most mecha shows (especially within the âreal robotâ subgenre) that implores the audience to grapple with intricate ideas and themes drawn from philosophers like Aristotle, Nietzche, and Rousseau, oftentimes complete with allegorical mouthpieces for competing ideologies.â
My high school students always lose their shit when I tell them that I, Coach Werner, also watch anime. I kinda feel bad about it. By now, I know Iâll see the excitement die from their eyes little by little as they pepper me with questions, searching for a connection with show after show after show.Â
âCoach, have you seen Jojo?â
âNope.â
âWhat about DBZ or Naruto?â
âNot since before you were born.â
âAttack on Titan? Utena? Tokyo Ghoul?â
âNot yet, though theyâre on my list.â
âThe fuck Coach? I thought you said you watch anime!â
When I tell them I mostly watch mecha, they get confused. After I explain that mecha are the ones with jumbo-sized robots, they groan. Iâve even had one kid say that didnât count. As a general rule, I try to not let the opinions of 15 year olds hurt my feelings; I only docked his grade a couple points.Â
Whatever my students may think, oversized anthropomorphized robots have fascinated me since I was a kid. Over the years, as Iâve revisited shows from my youth and found new mechanized, cel shaded rabbit holes to tumble down, Iâve tried to figure out what exactly was so appealing about the genre. Thereâs definitely a bit of wish fulfillment, a sorta kaiju-sized power fantasy, sure, but thatâs not all of it. Same with intricate sci-fi world building, and of course the thrill of pew-pew dogfights and beam saber duels. But none of those alone seemed to account for the whole thing. Theyâre all fun set dressing, definitely worth a watch on their own but not enough, I donât think, to capture my imagination for nearly a quarter of a century.
This series, The Dialectical Humanism of Big-Ass Robots, started off as a rambling, borderline incoherent and definitely substance enhanced diatribe that tried to explain how excited I was for the first episodes of Mobile Suit Gundam: The Witch From Mercury. It feels right, though, both the name and the bigger through line.
Thereâs a deep, earnest seriousness to most mecha shows (especially within the âreal robotâ subgenre) that implores the audience to grapple with intricate ideas and themes drawn from philosophers like Aristotle, Nietzche, and Rousseau, oftentimes complete with allegorical mouthpieces for competing ideologies. Thereâs also the slightly goofy and always physics-defying ârule of coolâ concepts of the robots themselvesâI mean, who doesnât want to see a boom cannon with angel wings, or a crucified rage monster, or transforming karaoke jets?âthat can easily be laughed off as a kidâs cartoon. Any foolhardy (read: hubristic and dumbasstic) attempt to try to find unifying threads within such a wide and varied genre has to address both of those tendencies. Here, friend, you will find one such foolhardy attempt.Â
Mecha anime, more than any other subgenre, has a fundamental tension summarized by two infuriatingly simultaneous, contradictory truths:
Anthropomorphized mechs bring out the best in humanity, allowing us to overcome our flaws and leap forward into a better future.
Anthropomorphized mechs feed into the worst traits of humanity, allowing us to destroy ourselves in new and technologically advanced ways.
Those two overwhelmingly common truths, when taken together, can be summarized in fancy philosophy jargon with just two words: dialectical humanism.
Dialectics is a concept pioneered (in the West, at least) by Georg Wilhelm Friedrich Hegel during the late 18th and early 19th century. Thereâs literally a whole field of study called âHegelian Dialecticsâ that weâll touch on from time to time, but the main thing to know is that two mutually exclusive and contradictory ideas are often both true at the same time.Â
Humanism has a long, fraught history, but the most common Western interpretations stem from Enlightenment-era ideals. Essentially, humanism boils down to the belief that humankind can progress beyond its animalistic nature through a combination of empathy and rational thinking. Again, weâll be touching on a whole slew of humanist thinkers throughout this series.
So thatâs The Dialectical Humanism of Big-Ass Robots. I feel like mecha showsâfrom Astro Boy to Zeta Gundam, and almost everything in betweenâplay with this dialectic, where the mechs themselves represent humanityâs ultimate destruction and ultimate salvation simultaneously. Sometimes we struggle to survive, sometimes we overcome and thrive, and sometimes we find ourselves transformed into an ocean of pink goo.
In this series, weâll look at:
Magical Newtype Bullshit and radical empathy
Depression, memory, and trauma, and why Shinji canât just get in the fucking robot
The power of music (and love, hope, and propaganda) in a transforming space city
And much, much more.
Now, if youâll excuse me, I have to go watch a Tanuki pilot a Gundam.
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