Julian Rad is an award winning creative who has realized experiences about cloud computing, built immersive environments about AI, unleashed theatrical stories about design, designed emotional journeys about products, shipped mobile products to spark memory, made machines to explain search, captured flickering pictures about being human and manifested staged tableaux about whales and imaginary planets. Not necessarily in that order.
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Alleviate Physiotherapy
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Welcome to the show
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Alex Scarf
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A Voice From Darkness
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fighting dreamer
Video
Holland Cotter of The New York Times says: “"nothing about life in the eight countries represented — Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru and Venezuela — seems ordinary at all, at least as seen through artists’ eyes.” Check out Urbes Mutantes at icphoto.
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Holland Cotter of The New York Times says: “”… nothing about life in the eight countries represented — Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru and Venezuela — seems ordinary at all, at least as seen through artists’ eyes.“ Check out Urbes Mutantes at the International Center of Photography. For more information, go to icp.org. icphoto
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Images from The Four Corners of Nowhere, written and directed by Steve Chbosky. https://vimeo.com/julianrad/4corners
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Trailer for The Four Corners of Nowhere. Written and Directed by Steve Chbosky, produced by Juilan Rad. https://vimeo.com/julianrad/4corners
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Subverse. https://vimeo.com/manage/videos/456776496
We’re building a shiny new world.
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#Styleframe #WIP for #Qualcomm CES presentation that I creative directed in 2011. https://www.behance.net/gallery/8321673/Qualcomm-CES-2012
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#Styleframe #WIP for the Reveal Video for the Windows Phone 8X/8S by HTC. Creative Directed by Me, styleframe by Motion Director Hyesung Park. https://www.behance.net/gallery/5468563/HTC-Windows-8X-and-8S-by-HTC
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From the archives… actor Eric Vesbit in The Four Corners of Nowhere, an indie film I made in 1992 that went to Sundance in 1995, played on Sundance Channel in 1996 and ended with me suing my distributor in 1997 who burned our assets and left the country after we won.
Ah, youth.
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1.59.24
One in a series of manipulated images exploring an evolved expression of nostalgia in a digital age utilizing Bit Torrent clients to recreate the experience of pornographic encounters in the early age of the internet.
https://www.voice.com/creation/100000001245006
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12.23.59
One in a series of manipulated images exploring an evolved expression of nostalgia in a digital age utilizing Bit Torrent clients to recreate the experience of pornographic encounters in the early age of the internet.
https://www.voice.com/creation/100000001245005
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1.59.10
One in a series of manipulated images exploring an evolved expression of nostalgia in a digital age utilizing Bit Torrent clients to recreate the experience of pornographic encounters in the early age of the internet.
https://www.voice.com/creation/100000001245004
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11.17.08
One in a series of manipulated images exploring an evolved expression of nostalgia in a digital age utilizing Bit Torrent clients to recreate the experience of pornographic encounters in the early age of the internet.
https://www.voice.com/creation/100000001245001
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11.14.06
One in a series of manipulated images exploring an evolved expression of nostalgia in a digital age utilizing Bit Torrent clients to recreate the experience of pornographic encounters in the early age of the internet.
https://www.voice.com/creation/100000001244997
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The fog of memory in a digital age.
Julian Rad
NYC, 24 January, 2022
Photograph, Bit Torrent, Photoshop
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Abandoned.
Site Survey at the former Flint (Genesee County) Jail, Michigan. On Location for my short film Two Faces, 1992.
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Wall art.
Site Survey at the former Flint (Genesee County) Jail, Michigan. On Location for my short film Two Faces, 1992.
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