“i hate it here” is peak escapism and hearing her talk about how she lives in a garden no one else has access to in her mind (unlike the rest of her life) for most of the year is sooooo. made up scenarios and imagining living in the 1800s… it’s giving the lakes except she’s alone and she can’t actually leave. so much of the album is about feeling stuck and this one is about feeling stuck in herself.
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someone tell my why im manic after miss maas posted #acowhatttt
that woman really has me gnawing on my arm, zooming in my room and making up the most insane shit like maybe we get a novella sometime in the fall lmaooooo💀
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strolling through the book flea market (II)
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An illustration I did in this week New Yorker for an article about feral cats in California by Jonathan Franzen.
https://www.newyorker.com/magazine/2024/01/01/how-the-no-kill-movement-betrays-its-name
AD Stephanie Wu
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with distinctive twisted branches, live oak trees flourish on Cumberland Island
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i just have to post these here bc i think about this DAILY
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Minster Gate Bookshop, York
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Wim Wenders and Otto Sander on the set of ‘Wings of Desire’ (1987)
I Am Collective Memories • Follow me, — says Visual Ratatosk
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palettes of a rose
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Posting this for the people who think that Tolkien's world-building was something complete and entire and finished before he started to write.
You always learn and discover your story and your world as you write. Sometimes you are just the first reader.
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the problem with reading and writing leading to a strong vocabulary is that you tend to know the vibe of words instead of their meanings.
if I used this word in a sentence, would it make sense? absolutely. if you asked me what it meant, could I tell you? absolutely not.
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Fall in Seattle
Camera: Canon A-1
Film: Kodak Portra 400
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