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aniolc · 6 years

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Rànquing dels diputats catalans a Twitter

Avui 1 de març, coincidint amb dia de ple al Parlament de Catalunya m’he decidit a fer un anàlisi de la presència de tots els diputats i diputades de la cambra a Twitter.

Fa uns dies que busco rànquings interactius a Twitter però com que no n’he trobat cap que actualitzi automàticament les xifres de seguidors de determinats usuaris cada mes actualitzaré la taula mostrant l’increment o decreixement de followers. En les properes setmanes, a més, aprofondiré en cada partit.

Aquesta és la radiografia a data d’avui:

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Posició

Seguidors

NomCognomUsuariGrup

Demarcació

1673.025CarlesPuigdemont@KRLSJxCATBarcelona

2523.592OriolJunqueras@junquerasERCBarcelona

3395.819InésArrimadas@InesArrimadasC'sBarcelona

4285.881CarmeForcadell@ForcadellCarmeERCBarcelona

5285.323RaülRomeva@raulromevaERCBarcelona

6173.046MartaRovira@martaroviraERCBarcelona

7103.867JordiTurull@jorditurullJxCATBarcelona

893.190JosepRull@joseprullJxCATBarcelona

982.507MiquelIceta@miquelicetaPSCBarcelona

1082.286RogerTorrent@rogertorrentERCGirona

1168.768XavierDomènech@XavierDomenechsCECPBarcelona

1266.755ToniComín@toni_cominERCBarcelona

1365.718XavierGarc��a Albiol@Albiol_XGPPBarcelona

1458.094JordiSànchez@jordialapresoJxCATBarcelona

1557.104ErnestMaragall@ernestmaragallERCBarcelona

1655.844AndreaLevy@ALevySolerPPBarcelona

1736.825DolorsBassa@dolorsbassacERCGirona

1832.072ElsaArtadi@elsa_artadiJxCATBarcelona

1931.200CarlesRiera@carlesralCUPBarcelona

2029.986Fernando dePáramo@ferdeparamoC'sBarcelona

2127.166JosepCosta@josepcostaJxCATBarcelona

2223.297LauraBorràs@LauraBorrasJxCATBarcelona

2320.260Joan JosepNuet@NUETCECPBarcelona

2417.230AntoniCastellà@CastellaToniERCBarcelona

2516.131CarlosCarrizosa@carrizosacarlosC'sBarcelona

2615.147RubenWagensberg@wagensbergERCBarcelona

2714.385EduardPujol@PujolBonellJxCATBarcelona

2814.034MatíasAlonso@malonsocsC'sTarragona

2912.747JennDíaz@JnnDiazERCBarcelona

3012.299AlbaVergés@albavergesERCBarcelona

3112.264QuimTorra@QuimTorraiPlaJxCATBarcelona

3212.056VidalAragonés@VidalAragonesCUPBarcelona

339.714AlbertBatet@albertbatetJxCATTarragona

349.355GerardGómez del Moral@gerardgomezfERCBarcelona

359.260SergiSabrià@sergisabriaERCGirona

369.082FerranCivit@CivitiMartiERCTarragona

378.635EvaGranados@Eva_GranadosPSCBarcelona

388.551LluísSalvadó@LlSalvadoERCTarragona

398.475MariaSirvent@MariaSirvntCUPBarcelona

408.319José MaríaEspejo@jmespejosaavC'sBarcelona

417.984SoniaSierra@SoniaSierra02C'sBarcelona

427.084MartaMadrenas@MartaMadrenasJxCATGirona

436.965IgnacioMartín@NmartinblancoC'sBarcelona

446.938MartaRibas@martaribasfriasCECPBarcelona

456.904ElisabethAlamany@ElisendalamanyCECPBarcelona

466.808RamonEspadaler@Ramon_EspadalerPSCBarcelona

476.576Carmen deRivera@CarmendeRiveraC'sBarcelona

485.995Francesc deDalmases@francescdJxCATBarcelona

495.589LluísGuinó@lluisguinoJxCATGirona

505.525AuroraMadaula@Aurora_MadaulaJxCATBarcelona

515.482JosepRiera@PepRieraFontJxCATBarcelona

525.333LorenaRoldán@LroldansuC'sTarragona

535.297EusebiCampdepadrós@ECampdepadrosJxCATTarragona

544.891DavidCid@CiddavidCECPBarcelona

554.782AlíciaRomero@aliciarllPSCBarcelona

564.735FerranPedret@FerranPedretPSCBarcelona

574.695JéssicaAlbiach@jessicaalbiachCECPBarcelona

584.627DavidPérez@davidpscPSCBarcelona

594.483SantiRodríguez@santirodriguezPPBarcelona

604.285ÒscarPeris@oscarperisERCTarragona

614.165NatàliaSànchez@NataliadippCUPGirona

624.038EstherNiubó@eniuboPSCBarcelona

633.908Noemí de laCalle@Noemi_delaCalleC'sBarcelona

643.896JordiTerrades@jterradesPSCBarcelona

653.857SusanaBeltran@susanabeltrangaC'sBarcelona

663.838RaúlMoreno@raulmorenomPSCBarcelona

673.531GemmaGeis@GemmaGeisJxCATGirona

683.435JorgeSoler@jsolerCsC'sLleida

693.427MontserratFornells@mfornellsERCLleida

703.404JeanCastel@GironaJeanC'sGirona

713.197NajatDriouech@najat_driouechERCBarcelona

723.118MarcSolsona@solsona_marcJxCATLleida

733.116CarlesCastillo@CarlesTgnaPSCTarragona

743.007AlejandroFernández@alejandroTGNPPTarragona

752.954PolGibert@polgibertPSCBarcelona

762.946MònicaSales@mncslsJxCATTarragona

772.937BernatSolé@bernatsoleERCLleida

782.755JoanGarcía@joansabadellC'sBarcelona

792.702SergioSanz@sergiobarcelonaC'sBarcelona

802.690AssumptaEscarp@aescarpPSCBarcelona

812.677FranciscoDomínguez@fjdominguez8C'sTarragona

822.654LauraVílchez@LauraVilchezSC'sBarcelona

832.613AdrianaDelgado@adrianadelgadohERCBarcelona

842.404AnnaGeli@geli_annaJxCATLleida

852.281DavidRodríguez@david_drgERCLleida

862.257DimasGragera@dimasciudadanoC'sBarcelona

872.250DavidMejía@davidmejiayraC'sBarcelona

882.189JordiMunell@jordimunellJxCATGirona

892.014AntonioEspinosa@aespiceC'sBarcelona

902.004ÒscarOrdeig@oscarordeigPSCLleida

911.755AlfonsoSánchez@asancfisacC'sGirona

921.625MaríaValle@mariavalle7C'sBarcelona

931.563NoemíLlauradó@nllauradoERCTarragona

941.556ElisabethValencia@evalmimC'sBarcelona

951.548CarlosSánchez@CarlosSM_CsC'sTarragona

961.535AnnaCaula@anna_caulaERCGirona

971.529ImmaGallardo@immagallardoJxCATLleida

981.501Josep MariaJové@jmjovelladoERCBarcelona

100

991.484AnnaTarrés@ATarresSincroJxCATBarcelona

101

1001.451JordiAlbert@SantandreuencERCBarcelona

102

1011.450MònicaPalacín@monicapalacin29ERCBarcelona

103

1021.444FrancescTen@ftencJxCATGirona

104

1031.393Rosa MariaIbarra@ROSA_M_IBARRAPSCTarragona

105

1041.373EvaBaró@evabarorERCBarcelona

106

1051.298FerranRoquer@tionroquerJxCATGirona

107

1061.243BeatrizSilva@BeaSilva9PSCBarcelona

108

1071.226MuniaFernández-Jordán@muniafjC'sBarcelona

109

1081.212MartínBarra@_martinbarraC'sBarcelona

110

1091.204ManuelRodríguez@MRodriguez_CsC'sBarcelona

111

1101.132RutRibas@RutRibasERCBarcelona

112

1111.103TeresaPallarès@mtpallaresJxCATTarragona

113

1121.070Josep MariaForné@JosepMForneJxCATLleida

114

113990MartaMoreta@MartaMoretaPSCBarcelona

115

114968AntoniMorral@MorralToniJxCATBarcelona

116

115935XavierQuinquillà@xaviquinquillaJxCATLleida

117

116919José MaríaCano@JoseMaria_CsC'sBarcelona

118

117861RafelBruguera@rafelbrugueraPSCGirona

119

118802GemmaEspigares@GemmaEspigaresERCLleida

120

119723SusannaSegovia@susannasegoviaCECPBarcelona

121

120646FrancescViaplana@xescoviaplanaERCLleida

122

121581HéctorAmelló@Hector_AmelloC'sGirona

123

122543YolandaLópez@YolandaPodemCECPTarragona

124

123428MarinaBravo@MarinaBS_CsC'sBarcelona

125

124345JavierRivas@jrivasescamillaC'sLleida

126

125311DavidBertran@dbertranromanC'sLleida

127

126285IreneFornos@IreneFornosERCTarragona

128

127258IsabelFerrer@MtnezdeBreaJxCATBarcelona

129

128227

María del Camino

Fernández@CaminoFernndezC'sGirona

130

129205Blanca VictoriaNavarro@blanca_vicC'sBarcelona

131

130134NarcísClara@narcis_claraJxCATGirona

132

13170MaialenFernández@MaialenfdezC'sTarragona

133

132-MontserratMacià-JxCATLleida

134

133-María LuzGuilarte-C'sBarcelona

135

134-LluísFont-JxCATBarcelona

136

135-SalouaLaouaji-JxCATBarcelona

Com podem veure dels 135 diputats del Parlament de Catalunya n’hi ha un total de 4 que no tenen compte a aquesta xarxa social, tres són de Junts per Catalunya i l’altre de Ciutadans. El que més m’ha sorprès, però, és que David Pérez (@davidpsc) del PSC i Josep Maria Jové (@jmjovellado) d’ERC tenen un compte privat i per tant només els poden veure els tweets aquells usuaris que ells autorizin com a seguidors! Realment el contrari del que s’hauria d’esperar d’un diputat amb perfil a aquesta xarxa.

La mitjana de seguidors dels diputats de la cambra és de 28.362 usuaris, tot i que si calculem la mediana aquesta xifra es redueix a 3.838. De fet si ens fixem en la distribució de seguidors veurem que hi ha uns pocs diputats que acumulen grans números de followers i després venen tota la resta.

L’usuari més seguit, com era de preveure, és el president de la Generalitat Carles Puigdemont (@KRLS). En segon lloc i a una distància de 150.000 usuaris trobem el vicepresident Oriol Junqueras (@junqueras). A uns 125.000 seguidors ja trobem a la cap de l’oposició, Inés Arrimadas (@InesArrimadas). Més enrere queden Raül Romeva i Carme Forcadell que entren al TOP 5 a molt poca distància entre ells.

La mitjana de seguidors de la demarcació de Barcelona és de 28.362 seguida per la demarcació de Girona 9.084 amb l’important ajuda del President Roger Torrent (@rogertorrent) i la consellera Dolors Bassa (@dolorsbassac), Lleida és que la puntua més baix amb 1.624 i finalment trobem Tarragona amb 3.663.

Espero que les dades puguin ser d’utilitat, properament aniré tractant-les des de més punts de vista!

#Parlament #Catalunya #Data #Twitter #Diputats #Diputades #Articles #Rànquing #Comunicació Política #ComPol

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2700fstreet · 5 years

Photo

CLASSICAL / 2018-2019

NSO OPEN REHEARSAL WITH Q&A SESSION

STUDENT GUIDE

WITH LIONEL BRINGUIER (CONDUCTOR) AND GIL SHAHAM (VIOLIN)

School show: February 28

Teacher and Parent Guide: NSO Open Rehearsal

So, What’s Going On?

Instrumentalists sit tall, poised to play. The conductor lifts the baton and melodies float through the concert hall. Suddenly, the conductor cuts the instruments off. But why?

While attending an open rehearsal is like a concert in some ways, it’s very different in others. You’ll likely hear selections from all of the pieces the symphony plans to play at the concert, but unlike a concert, they won’t necessarily be played in order or from beginning to end. That’s because the purpose of a rehearsal is for the musicians to perfect their parts for an upcoming performance and practice as a cohesive group. You might notice that during the rehearsal, the conductor pauses to give instructions, speak to an instrument section or soloist, or even repeat part of the music. The conductor may give portions of a piece more attention than others, even leaving some portions out completely. That’s because, though there’s an audience, an open rehearsal isn’t really a performance, but a practice. It’s also an exciting way to learn about the behind-the-scenes effort that goes into a symphony performance.

During this rehearsal, conductor Lionel Bringuier (pronounced Bran-ghee-AY) will rehearse music from a program that features music by Albert Roussel (ROO-sel), Wolfgang Amadeus Mozart (MO-tzart), and Igor Stravinsky (struh-VIN-skee).

Here’s a preview…

The Spider’s Feast (symphonic fragments) was composed by Albert Roussel (1869–1937), a young French sailor who didn’t begin studying music until he was 25, when he became influenced by the work of impressionist composer Claude Debussy (deb-YOO-see).

Now if you hear “impressionism” and think of art, you’re not alone. Impressionist music was actually named for its similarities to the genre of painting known as impressionism which featured scenes from everyday life and nature. These painters captured life as if someone caught a quick glimpse of it. This “snapshot in time” was created with quick blurry strokes (instead of broad ones), lots of vibrant colors, and natural lighting. Simply put, the painter’s focus was on his or her quick “impression” of the subject as well as the object itself. And just like their artist friends, impressionistic composers set out to convey emotion and mood in a bold way.

Take a look at Claude Monet’s painting titled Impression, Sunrise. Learn more about the painting movement that inspired musical impressionism.

Now…back to music!

In 1912, Roussel wrote the music for the ballet Le Festin de l'Araignée (The Spider's Feast). Although he created the composition for the concert hall in “symphonic fragments,” he intended it to be performed as a complete work. As a ballet, it tells the story of a garden spider’s exploits and untimely death. It goes something like this:

A spider waits in a garden for its prey, while ants march across the garden, followed by two beetles. A butterfly dances the waltz, which is interrupted when it is caught in the spider’s web. Just as the spider begins its triumphant dance, an apple falls from a tree, returning the spider to its web. Two maggots bury themselves in the apple, while two praying mantises fight one another until they become tangled in the web. A mayfly hatches and dances, before collapsing, dead. The spider prepares to feast on its prey, but the beetles free one of the mantises, which kills the spider. The remaining insects give the mayfly a solemn funeral as night falls.

Listen to The Spider’s Feast and watch the accompanying imagery:

youtube

Violin Concerto No. 5 was composed by Wolfgang Amadeus Mozart (1756–1791), believed to be a musical prodigy and one of the greatest composers of all time. Mozart’s musical ability was the stuff of legends—he possessed “perfect pitch” and, even as a child, could virtually pick up any instrument and play it without lessons or instruction. In fact, he taught himself to play violin on a miniature instrument built by his father. Mozart composed everything from operas to symphonies, and concertos to chamber music. Though he didn’t live long—he died at just 35—Mozart left a lifetime of music as his legacy.

Mozart composed Violin Concerto No. 5 in 1775 at age 19. It is the fourth violin concerto he wrote in his “year of the violin.” It premiered in Salzburg, Austria, during the Christmas season and is known by the nickname The Turkish for the “exotic” accents Mozart uses in the finale. Oddly, these exotic sounds aren’t exactly Turkish. Most of the melodies are drawn from Hungarian folk songs, and one was written by Mozart many years earlier for the Hungarian ballet, Lucio Silla.

Listen to Violin Concerto No. 5 with soloist Gil Shaham (yep, the same guy from this performance) and the Schwetzinger Orchesterakademie:

youtube

Learn more about Violin Concerto No. 5 in A major.

Petrushka was composed by Igor Stravinsky (1882–1971), a Russian composer and musician whose works, including The Firebird and The Rite of Spring, are considered among the most influential of the 20th century. Stravinsky’s father was a famous opera singer, so young Igor spent many days at the St. Petersburg opera house. Still, he pursued a career in law, only giving up his legal studies after he saw success with his ballet, The Firebird. Nevertheless, Stravinsky’s music was considered controversial in his time. In fact, on the opening night of The Rite of Spring, the audience was so shocked by the music and the ballet’s choreography that there was a riot in the theater. (Really!)

Learn more about Stravinsky:

youtube

Petrushka (puh-TROOSH-kuh) was written in 1911 as a creative distraction when he was supposed to be composing The Rite of Spring. Playing around at his piano, he experimented with unusual chords, many of which were harsh and strange sounding. As hard as it is to imagine, the experiment evolved into music for Petrushka. For this ballet, Stravinsky collaborated with Alexandre Benois (ben-WAH) on the libretto (opera text) and Sergei Diaghilev (sur-GEY dee-AH-guh-lev), the Russian founder of the famous dance company Ballets Russes. The ballet was about Petrushka, a classic character from famous folktales all over the world. Known as Punch in England, Pulcinella in Italy, and Petrushka in Russia, the puppet is a trickster with a high, squeaky voice.

Stravinsky’s Petrushka draws on Russian folklore to tell the story of a puppet who comes to life and falls in love with a ballerina. Beginning in St. Petersburg’s Shrovetide Fair, Petrushka opens with three characters—a Ballerina, a Moor, and Petrushka—on a stage.

Caption: Along with co-writing the libretto with Stravinsky, Alexandre Benois worked on the set designs and costumes for Petrushka. This is his depiction of the Shrovetide Fair. (image source)

The Moor and Petrushka both love the Ballerina, but she rejects Petrushka, who becomes jealous and fights with the Moor. Petrushka is banished to his cell, which is dark and dank.

Caption: Petrushka’s Room as drawn by Benois. (image source)

The Ballerina enters, but Petrushka’s frantic movements scare her away, and he cries desperately. The scene changes to the Moor’s colorful room, where the Ballerina and the Moor are together. Petrushka, who has broken free from his cell, enters and attacks the Moor unsuccessfully.

The final scene takes the audience back to the Shrovetide Fair in the evening. The Moor chases and kills Petrushka, whose ghost later appears on the rooftop, mocking the audience and show master.

Another interesting note...

Petrushka was choreographed by Michel Fokine (fuh KEEN), the resident choreographer for Ballets Russes. Fokine created the ballet for Vaslav Nijinsky (ni-ZHIN-skee), considered one of the greatest and most original male dancers of the 20th century.

Caption: Vaslav Nijinsky as Petrushka.

Who’s Who

National Symphony Orchestra (NSO) is made up of 96 musicians who perform around 150 concerts each year. Currently in its 87th season, the NSO performs across the country, but the Kennedy Center functions as its home base. The NSO has performed at the Kennedy Center every year since the KC opened in 1971. The orchestra is committed to music education and audience engagement.

Credit: Simon Pauly

Lionel Bringuier is among the most respected and engaging conductors of his generation. After studying cello and conducting at the Paris Conservatoire (beginning at age 13), he has appeared with ensembles across the globe, including the Chicago Symphony Orchestra, London Symphony Orchestra, and Munich Philharmonic. He saw his professional premiere at age 14 and was the youngest Assistant Conductor of the Los Angeles Philharmonic. Bringuier continues to prove that classical music is for all—young people included.

Credit: Luke Ratray

Gil Shaham is a renowned musician, known for immaculate technique combined with warm emotion. He is a Grammy® Award-winner and was named Musical America’s “Instrumentalist of the Year.” Though he was born in Illinois, Shaham grew up and began his musical studies in Jerusalem, debuting as a soloist with the Jerusalem Symphony at age 10. After studying at Julliard and Columbia University, he has performed with many of the world’s premier orchestras.

Check This Out…

The Spider’s Feast (symphonic fragments) is one of Roussel’s earlier works and is heavily influenced by the impressionist style. You’ll hear music that stretches the rules of tonality (notes that “sound good” together) and has less defined sections.

Listen for…

Roussel’s unique orchestration: two flute parts (with a piccolo that doubles one flute an octave higher), two oboe parts (and one English horn that doubles an oboe part), two clarinets, bassoons, horns, trumpets, timpani, percussion, harp, celeste, and strings.

uneven rhythms that make the piece interesting.

vivid representations of the story. See if you can pick out the ants’ march, the butterfly’s graceful flying, and the mayfly’s lively dance and solemn funeral. Roussel paints a picture with the music, even without the story being staged in ballet form.

Hear Roussel “paint a musical picture” of a butterfly dancing in “Danse du Papillon” (or “Dance of the Butterfly”):

youtube

Hear the final “scene” of the piece, titled “Night falls on the solitary garden,” in which Roussel’s unusual harmony is on display:

youtube

Mozart’s Violin Concerto No. 5 has three movements (parts of the musical composition). One interesting thing about this concerto is the orchestration—the instruments Mozart chose for the work. The piece was originally scored for two oboes, two French horns, and strings (violin I, violin II, viola, cello, and bass). Here are some features to listen for in each movement:

I. Allegro aperto – Adagio – Allegro aperto

Listen for…

the opening tempo. Allegro means “brisk,” while aperto translates to “open.” Listen for the fast pace of the orchestra and its fullness.

the violin’s solo entrance. Notice the tempo change between the opening and this slow, dreamy section (marked as Adagio, or slow).

the exciting return to the Allegro aperto. In the cadenza—a solo inserted into the end of the section—the violin plays unaccompanied by the orchestra.

Hear the energetic Allegro aperto that opens the piece:

youtube

II. Adagio (E major)

Listen for…

long, beautiful melodies. This movement is regarded among Mozart’s most lovely passages.

the orchestra fade into the background as the melody features the solo violin.

Watch the first part of the Adagio:

youtube

III. Rondeau – Tempo di minuetto

Listen for…

a dance-like beginning to the movement in triple time (counted ONE-two-three, think a waltz or minuet).

an interruption. In this movement, Mozart employs a French rondo finale, which is traditionally “interrupted” by a section that is extremely contrasting. In this case, that interruption is a frenzied Allegro dance theme in duple meter (2 beats per measure… think ONE-two ONE-two, and so on). This is the “Turkish” style that gives the piece its nickname. Watch for the cellos and basses as they strike their strings with the wood of their bows to create the percussive sounds characteristic of Eastern European music.

Listen to the rondo movement. See if you can hear the difference between the opening minuet and the “Turkish” section that the piece is named for (hint: what do you hear at 3:41 in the video?):

youtube

To hear the entire concerto, check out American violinist Hilary Hahn’s take on the soloist’s part:

youtube

Stravinsky's Petruska was composed in four scenes or tableaux.

See excerpts from Petrushka played by the National Youth Orchestra of Great Britain. Watch the conductor’s facial expression and body language. How does it help the instrumentalists (and you) interpret the music?

youtube

First Tableau: The Shrovetide Fair

Listen for…

the use of Russian folk song melodies and dances.

the sound of a fuller orchestra, representing the public nature of the fair.

Listen to an example of a Russian dance included in this tableau:

youtube

Hear the entire First Tableau:

youtube

Second Tableau: Petrushka’s Room

Listen for…

a smaller “feel” to the instrumental ensemble, representing the private nature of the puppet’s room and Petrushka’s feelings. The bassoon conveys his sobs, while the trumpet’s screams accompanied by full orchestra represent Petrushka’s rage.

Watch the Second Tableau in the ballet Petrushka’s Room:

youtube

The “Petrushka chord,” a polytonal (using more than one musical key) chord that Stravinsky identified as Petrushka’s “insult to the public.” The first time it appears, the chord is played by pairs of clarinets; it is later reprised by the shrillness of trumpets as Petrushka’s emotions intensify.

Third Tableau: The Moor’s Room

Listen for…

the waltz representing the Moor and Ballerina’s dance together. Note how this Austrian dance music differs in rhythms and sound from Stravinsky’s style. This waltz is heavily borrowed from Austrian composer Joseph Lanner.

the chaotic quarrel after Petrushka escapes his cell and enters, introduced by muted trombones.

Listen to the Third Tableau:

youtube

Fourth Tableau: The Shrovetide Fair (Toward Evening)

Listen for…

the frenzy of the crowd, represented in Stravinsky’s busy instrumentation.

the moment Petrushka is killed by the Moor, noted musically with a dropped tambourine, then the dying sounds of the puppet (flute and piccolo).

the trumpets’ return as Petrushka’s voice when the puppet’s ghost reenters the stage.

Let’s hear it:

youtube

Think About This…

What do you feel is the biggest difference between attending an open rehearsal and a performance? What can you learn about the music from witnessing it in practice? Violin soloist Gil Shaham has said, “I think music has a way of capturing time.” Think of that statement in terms of what you’ve learned about the music of Albert Roussel. How did his music capture the time that he lived in France? How is the statement true in your own life? What music that you listen to or perform is symbolic of a particular time in your life?

Stravinsky changed people’s beliefs about what classical music should be or sound like—for both musicians and audiences. While his work was considered shocking during his lifetime, it is recognized today for expanding what classical music could be. Have you ever discovered music that challenged your perceptions? What was it, and how did it help you grow?

Take Action: Age Is Just a Number

Caption: Young Wolfgang Amadeus Mozart (image source)

The musicians and composers represented in this open rehearsal all have one thing in common: They each defied the probabilities for what is expected of a musician at their age. Lionel Bringuier is among the youngest modern conductors to find worldwide success; Gil Shaham was performing professionally at age 10. Stravinsky composed Petrushka before he was 30, and Mozart completed a lifetime of work before he died prematurely at 35. Roussel defied the expected in a different way. He didn’t enter the field of music until well after the age when others had already found success.

Where do you fit in? Perhaps you haven’t studied music or another type of art yet, or maybe you’re well on your way to becoming a professional artist. Either way, the examples of the composers in this rehearsal have something similar to offer: Age is just a number and it’s never too early or too late to find your passion and develop your talent. What is your passion? Perhaps you long to become a famous artist. Maybe you simply want to learn the guitar to jam with your friends. Brainstorm a plan for chasing your passion, then write it down. Share your brainstorm with a trusted friend or adult.

Top Photo by Stefano Pasqualetti

Writer: Tori Friedrich

Content Editor: Lisa Resnick

Logistics Coordination: Katherine Huseman

Producer and Program Manager: Tiffany A. Bryant

David M. Rubenstein Chairman

Deborah F. Rutter President

Mario R. Rossero Senior Vice President Education

Gianandrea Noseda Music Director National Symphony Orchestra

David M. Rubenstein is the Presenting Underwriter of the NSO.

NSO Open Rehearsals are made possible in part by the generous support of A. James & Alice B. Clark Foundation; the Kimsey Endowment; The Morris and Gwendolyn Cafritz Foundation; Park Foundation, Inc.; and U.S. Department of Education.

Major support for educational programs at the Kennedy Center is provided by David M. Rubenstein through the Rubenstein Arts Access Program.

Kennedy Center education and related artistic programming is made possible through the generosity of the National Committee for the Performing Arts.

#classical #nsoat2700f

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julio-viernes · 7 years

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Emmylou Harris en The Gey Old Whistle Test impulsada por el increíble picker Albert Lee (Chris Farlowe and the Thunderbirds, Heads Hands & Feet) y la Hot Band a todo tren.

“Luxury Liner” es el clásico de Gram Parsons que tituló el cuarto LP de Emmylou, uno de sus elepés de mitad de los 70 en la línea versátil de nuevo country en la que versionaba sin complejos a artistas contemporáneos (Townes Van Zandt, Rodney Crowell), a clásicos del country (Buck Owens, Don Gibson) o a maestros pop como Burt Bacharach y Lennon-McCartney, y que fue decisiva para la filia country de gente como Elvis Costello. Su polémica incursión country “Almost Blue” de 1981 nunca hubiera sido igual sin los LPs de Emmylou y los de Gram, posiblemente ni hubiera llegado a existir.

Como curiosidad, “Luxury Liner” es una de las pocas canciones que grabaron los Remains en su breve reunión de 1976 en versión muy pubrockera.

Cuatroca hillbilly boy.

#emmylou #the hot band #albert lee #the remains #elvis costello #gram parsons #videos #canciones

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085885888835-blog · 6 years

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junker-town · 6 years

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2018 World Juniors rosters and key players to watch

The tournament begins Tuesday in Buffalo.

If you needed a warmup to get into international hockey before the 2018 Winter Olympics, the best young players in the world will have you covered at the 2018 World Junior Championship tournament. The United States will be looking to defend its title on home ice in Buffalo after a thrilling victory in Montreal a year ago.

The World Juniors is an annual under-20 tournament featuring junior national teams full of top prospects. It’s a great chance to watch some extremely gifted players in an intense competition as they represent their countries. Even if it’s not quite star-studded like an NHL-backed Olympic tournament would be, the talent level will be high.

And for NHL fans, the tournament is always a stellar opportunity to keep up with the future of the game. Many of the players in Buffalo will go on to become NHL stars. If you want to get a leg up on your friends when discussing the 2018 draft, then following the World Juniors is a good place to start.

With that in mind, here’s a quick look at every team competing in the 2018 World Juniors, along with a key player to watch on each roster. NHL rights are included in parenthesis.

United States

Roster

Forwards: Ryan Poehling (MTL), Brady Tkachuk, Josh Norris (SJS), Casey Mittelstadt (BUF), Joey Anderson (NJD), Kailer Yamamoto (EDM), Patrick Harper (NSH), Logan Brown (OTT), Kieffer Bellows (NYI), Riley Tufte (DAL), Trent Frederic (BOS), Max Jones (ANA)

Defensemen: Ryan Lindgren (BOS), Quinn Hughes, Adam Fox (CGY), Dylan Samberg (WPG), Scott Perunovich, Andrew Peeke (CBJ), Mikey Anderson (LAK)

Goaltenders: Jake Oettinger (DAL), Joseph Woll (TOR), Jeremy Swayman (BOS)

Key player to watch: Quinn Hughes

There are a lot of must-see talents on Team USA, including Mittelstadt, Norris, and Yamamoto, but Hughes stands out because you’ve probably never seen him before. The University of Michigan star is a top prospect for the 2018 NHL Draft, and projects as a possible top-five pick. He’s undersized but makes up for it with amazing skating and puck handling. This will be the first chance for a lot of fans to see him up close, which should be exciting.

Canada

Roster

Forwards: Dillon Dube (CGY), Jonah Gadjovich (VAN), Boris Katchouk (TBL), Maxime Comtois (ANA), Taylor Raddysh (TBL), Tyler Steenbergen (ARI), Drake Batherson (OTT), Michael McLeod (NJD), Brett Howden (TBL), Sam Steel (ANA), Alex Formenton (OTT), Jordan Kyrou (STL), Robert Thomas (STL)

Defensemen: Jake Bean (CAR), Conor Timmins (COL), Cal Foote (TBL), Cale Makar (COL), Dante Fabbro (NSH), Kale Clague (LAK), Victor Mete (MTL)

Goaltenders: Carter Hart (PHI), Colton Point (DAL)

Key player to watch: Robert Thomas

Team Canada lacks the usual star power you’d expect from the world’s biggest hockey powerhouse, but it’s still a solid roster full of top prospects. Thomas, the No. 20 overall pick in the 2017 draft, stands out given his scorching start in the OHL. The versatile center has 46 points in 27 games for the London Knights after averaging a point per game last season.

Sweden

Roster

Forwards: Marcus Davidsson (BUF), Tim Soderlund (CHI), Glenn Gustafsson, Elias Pettersson (VAN), Linus Lindstrom (CGY), Fredrik Karlstrom (DAL), Alexander Nylander (BUF), Isac Lundestrom, Jesper Boqvist (NJD), Axel Jonsson Fjallby (WAS), Lias Andersson (NYR), Fabian Zetterlund (NJD), Oskar Steen (BOS)

Defensemen: Rasmus Dahlin, Erik Brannstrom (VGK), Timothy Liljegren (TOR), Linus Hogberg (PHI), Gustav Lindstrom (DET), Jesper Sellgren, Jacob Moverare (LAK)

Goaltenders: Filip Gustavsson (PIT), Filip Larsson (DET), Olle Eriksson Ek (ANA)

Key player to watch: Rasmus Dahlin

Get ready to hear his name over and over. Rasmus Dahlin. It’s a great name for a prospect so talented he’s like the Connor McDavid of defensemen. Dahlin already has a treasure trove of ridiculous highlights on YouTube and he doesn’t turn 18 until April. The consensus projected No. 1 overall pick for the 2018 NHL Draft is a special prospect, and he’ll be a leader for Sweden despite being one of the youngest players on the team. Expect this to be a fun precursor to his leading role in Pyeongchang before he makes his NHL debut next fall.

Russia

Roster

Forwards: Vitali Abramov (CBJ), Andrei Altybarmakan (CHI), Georgi Ivanov, Artur Kayumov (CHI), Klim Kostin (STL), Mikhail Maltsev (NJD), Artyom Manukyan, Alexei Polodyan, German Rubtsov (PHI), Marsel Sholokhov, Dmitri Sokolov (MIN), Andrei Svechnikov

Defensemen: Nikolai Knyzhov, Nikita Makeyev, Artyom Minulin, Dmitri Samorukov (EDM), Alexander Shepelev, Vladislav Syomin, Anatoli Yelizarov, Yegor Zaitev (NJD)

Goaltenders: Vladislav Sukhachyov, Mikhail Berdin (WPG), Alexei Melnichuk

Key player to watch: Andrei Svechnikov

There’s little doubt who will be the star player for Russia in Buffalo. Svechnikov is widely expected to be the first forward selected in the 2018 NHL Draft. The 18-year-old has 14 goals in 16 games with the OHL’s Barrie Colts this season, and could be a prime contender to lead the tournament in scoring if Russia can make a deep run. Between Dahlin, Svechnikov, and Hughes, you’ll potentially be able to see the top three draft picks for next year.

Finland

Roster

Forwards: Juha Jaaska, Janne Kuokkanen (CAR), Otto Koivula (NYI), Kristian Vesalainen (WPG), Joona Koppanen (BOS), Eetu Tuulola (CGY), Eeli Tolvanen (NSH), Markus Nurmi (OTT), Aapeli Rasanen (EDM), Joni Ikonen (MTL), Aleksi Heponiemi (FLA), Jere Innala, Rasmus Kupari

Defensemen: Miro Heiskanen (DAL), Robin Salo (NYI), Eemeli Rasanen (TOR), Juuso Valimaki (CGY), Olli Juolevi (VAN), Urho Vaakanainen (BOS), Henri Jokiharju (CHI), Kasper Kotkansalo (DET)

Goaltenders: Ukko-Pekka Luukkonen (BUF), Lassi Lehtinen, Niilo Halonen

Key player to watch: Miro Heiskanen

The Heiskanen hype train rolls into Buffalo this week. The Stars’ 2017 first-round pick is already playing a starring role in Finland’s top league at age 18 and will likely be the country’s top defenseman for the 2018 Winter Olympics in February. Heiskanen has elite-level NHL upside, and this will be his first chance to put it all on display for a North American audience.

Czech Republic

Roster

Forwards: Filip Chytil (NYR), Filip Helt (STL), Martin Kaut, Krystof Hrabik, Petr Kodytek, Daniel Kurovsky, Jakub Lauko, Albert Michnac, Martin Necas (CAR), Radovan Pavlik, Kristian Reichel, Ostap Safin (EDM), Marek Zachar, Filip Zadina

Defensemen: Vojtech Budik (BUF), Jakub Galvas (CHI), Libor Hajek (TBL), Filip Kral, Radim Salda, Ondrej Vala (DAL)

Goaltenders: Milan Kloucek, Josef Korenar (SJS), Jakub Skarek

Key player to watch: Filip Zadina

The Czech Republic boasts a pair of 2017 first-round picks in Chytil and Necas, but its best player may be Zadina, the 2018 draft-eligible prospect who projects as a potential top-five pick. He’s been adjusting to the North American game this season with 46 points in 32 games in the QMJHL, and NHL.com gives him a (likely unreasonable) comparison to Patrick Kane. This could be a breakout opportunity for the 18-year-old.

Denmark

Roster

Forwards: Jacob Schmidt-Svejstrup, Valdemar Ahlberg, Christian Mathiasen-Wejse, Jonas Rondbjerg (VGK), Lucas Andersen, Nikolaj Krag (STL), Joachim Blichfeld (SJS), Daniel Nielsen, Andreas Grundtvig, David Madsen, Magnus Molge, Phillip Schultz, Christoffer Gath

Defensemen: Oliver Larsen, Malte Setkov (DET), Christian Larsen, Jakob Jessen, Jeppe Mogensen, Rasmus Heine, Lasse Mortensen

Goaltenders: Emil Gransoe, Mads Soegaard, Kasper Krog

Key player to watch: Jonas Rondbjerg

One of just two Golden Knights prospects in the tournament, Rondbjerg will also likely be Denmark’s best player. The 2017 third-round pick is already playing a steady role with the Vaxjo Lakers in the SHL, Sweden’s top league, as an 18-year-old. He has seven points in 25 games this season.

Slovakia

Roster

Forwards: Erik Smolka, Samuel Bucek, Viliam Cacho, Filip Krivosik, Milos Kelemen, Adam Liska, Marian Studenic (NJD), Peter Kundrik, Adam Ruzicka (CGY), Samuel Solensky, Alex Tamasi, Milos Roman

Defensemen: Tomas Hedera, Martin Bodak, Martin Fehervary, Marek Korencik, David Matejovic, Michal Ivan, Vojtech Zelenak, Samuel Fereta

Goaltenders: David Hrenak, Jakub Kostelny, Roman Durny

Key player to watch: Adam Ruzicka

Part of the dying breed of big-bodied power forwards, Ruzicka might’ve gone higher than No. 109 overall in the 2017 draft if he had been playing this well a year ago. The 6’4, 203-pound winger has a team-leading 20 goals and 142 shots on goal in 34 games for the OHL’s Sarnia Sting. He’ll be leaned on heavily on the power play for a team looking to improve upon last year’s eighth-place finish.

Belarus

Roster

Forwards: Viktor Bovbel, Vladislav Ryadchenko, Alexander Lukashevich, Igor Martynov, Arseni Astashevich, Sergei Pishuk, Yegor Sharangovich, Ivan Drozdov, Vladislav Mikhalchuk, Maxim Sushko (PHI), Artyom Anisimov, Ilya Litvinov, Dmitri Grinkevich

Defensemen: Andrei Gostev, Vladislav Sokolovski, Dmitri Deryabin, Vladislav Martynyuk, Vladislav Yeryomenko, Dmitri Burovtsev, Vladislav Gabrus

Goaltenders: Dmitri Rodik, Andrei Grishenko, Vikita Tolopilo

Key player to watch: Maxim Sushko

Belarus only has one player whose rights are held by an NHL team, so it’s not difficult to pick which player to focus on. Sushko, the Flyers’ 2017 fourth-round pick, is a talented winger with 16 goals in 28 games for the OHL’s Owen Sound Attack this season. He’s not going to get much help in Buffalo, but he’s worth keeping an eye on.

Switzerland

Roster

Forwards: Nicolas Muller, Guillaume Maillard, Marco Miranda, Justin Sigrist, Ken Jager, Valentin Nussbaumer, Axel Simic, Sven Leuenberger, Nando Eggenberger, Philipp Kurashev, Andre Heim, Marco Cavalleri, Dario Rohrbach

Defensemen: Simon le Coultre, Davyd Barandun, Tobias Geisser, Nico Gross, Elia Riva, Tim Berni, Dominik Egli

Goaltenders: Matteo Ritz, Akira Schmid, Philip Wuthrich

Key player to watch: Tobias Geisser

Switzerland is a candidate for relegation by the end of this tournament, and its lack of potential NHL talent is a bit reason why. Nico Hischier is no longer around to carry this group, which finished seventh a year ago. The one guy who stands out is Geisser, a 2017 fourth-round pick by the Capitals who brings a ton of size (6’4, 201 pounds) and a big shot to the table.

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aniolc · 6 years

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Anàlisi dels diputats de Junts per Catalunya a Twitter

Com alguns de vosaltres ja sabreu, l’1 de març vaig decidir fer un rànquing dels diputats del Parlament de Catalunya a Twitter. Aquestes setmanes estic fent anàlisis específic de cada partit, en aquest cas li toca Junts per Catalunya per haver quedat segona força amb 34 diputats a les passades eleccions del 21D.

Tot seguit podeu trobar el rànquing dels diputats de Junts per Catalunya, amb la seva posició respecte el grup parlamentari i la posició global entre els 135 diputats. La mitjana de seguidors és de 35.692 i la mediana de 5.297.

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Posició a JxCat

Posició global

Seguidors

NomCognomUsuariGrup

Demarcació

11673025CarlesPuigdemont@KRLSJxCATBarcelona

27103867JordiTurull@jorditurullJxCATBarcelona

3893190JosepRull@joseprullJxCATBarcelona

41458094JordiSànchez@jordialapresoJxCATBarcelona

51832072ElsaArtadi@elsa_artadiJxCATBarcelona

62127166JosepCosta@josepcostaJxCATBarcelona

72223297LauraBorràs@LauraBorrasJxCATBarcelona

82714385EduardPujol@PujolBonellJxCATBarcelona

93112264QuimTorra@QuimTorraiPlaJxCATBarcelona

10339714AlbertBatet@albertbatetJxCATTarragona

11427084MartaMadrenas@MartaMadrenasJxCATGirona

12485995Francesc deDalmases@francescdJxCATBarcelona

13495589LluísGuinó@lluisguinoJxCATGirona

14505525AuroraMadaula@Aurora_MadaulaJxCATBarcelona

15515482JosepRiera@PepRieraFontJxCATBarcelona

16535297Eusebi

Campdepadrós

@ECampdepadros

JxCATTarragona

17673531GemmaGeis@GemmaGeisJxCATGirona

18723118MarcSolsona@solsona_marcJxCATLleida

19762946MònicaSales@mncslsJxCATTarragona

20842404AnnaGeli@geli_annaJxCATLleida

21882189JordiMunell@jordimunellJxCATGirona

22971529ImmaGallardo@immagallardoJxCATLleida

23991484AnnaTarrés@ATarresSincroJxCATBarcelona

241021444FrancescTen@ftencJxCATGirona

251051298FerranRoquer@tionroquerJxCATGirona

261111103TeresaPallarès@mtpallaresJxCATTarragona

271121070Josep MariaForné@JosepMForneJxCATLleida

28114968AntoniMorral@MorralToniJxCATBarcelona

29115935XavierQuinquillà@xaviquinquillaJxCATLleida

30127258IsabelFerrer@MtnezdeBreaJxCATBarcelona

31130134NarcísClara@narcis_claraJxCATGirona

32132-MontserratMacià-JxCATLleida

33134-LluísFont-JxCATBarcelona

34135-SalouaLaouaji-JxCATBarcelona

A dalt de tot de la llista hi trobem el president de la Generalitat Carles Puigdemont, que de fet és el diputat amb més seguidors de tots. Va acompanyat dels membres del govern que encara són diputats, Jordi Turull (segon) i Josep Rull (tercer). De ben segur que si l’ex-consellera Txell Borràs hagués anat a llistes o Lluís Puig, Clara Ponsatí i Quim Forn no haguessin renunciat a l’acta apareixerien a la part alta de la taula. En el seu lloc hi trobem Jordi Sánchez, que queda quart amb 58.094 seguidors. Aquí cal destacar el fet que he tingut en compte el perfil creat un cop va entrar a Soto del Real i gestionat pel seu equip (@jordialapreso) enlloc del que utilitzava amb anterioritat i ara es troba inactiu (@jordisanchezp). De fet, aquest és el perfil que el twitter oficial del Parlament té a la llista de Twitter de la XII legislatura.

Avall de tot trobem el diputat Narcís Clara amb 134 seguidors i els tres diputats de Junts per Catalunya sense Twitter: Montserrat Macià, Lluís Font i Saloua Laouaji.

Així queda el pes que aporta cada diputat de Junts per Catalunya:

Carles Puigdemont s’endú un 60% de la presència a xarxes del grup parlamentari, una xifra molt elevada però que en comparació amb la cap de l’oposició (Inés Arrimadas s’endú el 73% tal i com vam veure a l’anàlisi de Ciutadans) resulta un percentatge més equilibrat.

Tot seguit passo a analitzar d’una altra manera el mateix fenomen: l’equilibri o desequilibri que hi ha entre tots els diputats d’aquest grup parlamentari. Per fer-ho he agrupat el 25% més seguit, he fet un altre grup amb aquells que es troben al mig de la taula i finalment un altre grup amb el 25% menys seguit. Per entendre’ns: un 25-50-25. Així podem veure la pendent de la següent línia, que malgrat ser pronunciada ho és menys que en el cas de Ciutadans:

Moltes gràcies per llegir-me!

Aniol Costa

#Parlament #Catalunya #Data #Twitter #Junts per Catalunya #JxCAT #Comunicació Política #ComPol #Articles

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