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#Alzate
novocaine-01 · 1 year
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"No te voy a dar el gusto que me veas sufrir por ti, me dedicaré a vengarme de los dos sin compasión"
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solopezoncillos · 3 months
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JUAN CAMILO ALZATE
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amatesura · 1 year
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Luz: The Flower of Evil (2019)
dir. Juan Diego Escobar Alzate
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pgfone · 2 years
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Scusate ma è troppo bello per essere vero!
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brody75 · 2 years
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Luz: The Flower of Evil (2019)
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petalodiseta · 11 months
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Immobile, ti attendo.
I respiri sospesi, controllati mentre la pelle brucia dall'interno, trepidi si fanno i pensieri che tamburano la carne e spasmodica diventa la mia voglia.
Ma attendo come mi hai insegnato.
La tua mano che padrona prepara il paradiso.
Luana Valeri
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i-m-pazzire · 1 year
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@ interblr io propongo una colletta per il pass annuale a user @intertriste e user @brvzovic così con loro a san siro almeno in casa meno danni
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fenixupp · 1 year
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Soy buen hombre, no güevon!!
Mi venganza - Alzate
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eccleston · 2 years
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LAST MAN STANDING | Sn 6 Ep 9
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as-rare-as-trees · 2 years
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Ma da quando sta gente italiana parla inglese così bene??
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Also, Leviathan (1989) has a lot of good whump in it… the plot is also ripped directly from the first Alien movie.
Even the name is similar: one word which describes the monster.
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bagnabraghe · 4 months
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La stampa fascista e la scuola introdussero, in questo periodo, un nuovo elemento di indottrinamento
Uno scorcio del Lago di Como. Foto: Eleonora Maini Piuttosto modesta fu la vita culturale e ricreativa in Alta Brianza e Vallassina, come pure nel comasco, durante il periodo della Repubblica Sociale. La crisi economica ed alimentare, i bombardamenti e i mitragliamenti, l’intensificarsi dell’attività criminale, lasciavano poco spazio allo svago. Ben altri erano i problemi cui prestare attenzione…
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collasgarba · 4 months
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La stampa fascista e la scuola introdussero, in questo periodo, un nuovo elemento di indottrinamento
Uno scorcio del Lago di Como. Foto: Eleonora Maini Piuttosto modesta fu la vita culturale e ricreativa in Alta Brianza e Vallassina, come pure nel comasco, durante il periodo della Repubblica Sociale. La crisi economica ed alimentare, i bombardamenti e i mitragliamenti, l’intensificarsi dell’attività criminale, lasciavano poco spazio allo svago. Ben altri erano i problemi cui prestare attenzione…
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sloshed-cinema · 6 months
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Luz: The Flower of Evil [Luz, la flor del mal] (2019)
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What exactly is the doctrine of El Señor? The central message of this religious horror western seems to fluctuate from scene to scene, moment to moment. Though in a way, I suppose that is the nature of cult leaders: make shit up as you go along so you can stay ahead of the group. The problem is, El Señor is a terrible cult leader. Even from the outset it seems apparent that this compound is in its final days. Early on, his methods of control are fairly conventional. A cassette tape player that his daughter Laila found is an instrument of the Devil, the soothing strains of the Mozart Clarinet Quintet insidious messages of his evil. The girls don’t even understand the concept of music in general. El Señor installs a Messiah in a boy he’s kidnapped, evidently a move he’s pulled before on several occasions, all to little avail. But from here things change. Nature, initially a harbinger of evil in the dark forest, is now a testament to God’s holiness, to be venerated above all. El Señor’s faith takes on an almost pagan bent as he speaks to the duality of good and evil in one form. He wants to make God real in the form of this newfound Jesus, and yet also encourages the killing of God as a first step to the divine. He’s all over the place. Perhaps the only continuity comes in his obsession with light, also the name of his deceased wife. She is the holy of holies, and he is adrift without her. Perhaps this is all some sort of masochistic coping mechanism.
The color timing and aesthetic of the world of the film certainly maintains in keeping with the sudden turn for naturalism in the spirituality of this compound. Skies are often impossibly blue and at night the moon and Milky Way loom large and vivid. Rainbows are painted into the background. In its visuals and editing the film looks like a perfume ad in beats, imagery of these earthly angels on horseback as narration mulls the mysteries of the divine. Again, the film doesn’t quite seem to know where it wants to head, repeating the same basic beats time and again as the plot advances, looping back to try and tackle the issue from a different angle. It’s more beautiful than the harshness of the descriptions of this apparently cursed land would have you believe, but just as empty.
The boy and the goat represent sole sources of ambiguity in this film about everything and nothing. Goats have of course Baphomet baggage, and the appearance of the figure in the film remains ambiguous and inconsistent, giving it an otherworldly quality. So too is the boy off-putting in his blankness. He never speaks, and his expression is often one of vague despair. And yet sometimes he seems to have ulterior motives. Is he truly the Devil incarnate, or is he just dealing with the deep trauma of being kidnapped and having his mother assaulted in front of him? Let’s be honest, it’s probably the latter, but the editor would like to pretend it’s not.
THE RULES
SIP
Someone says 'Devil' or 'angel'.
A cassette tape appears in a scene.
Luz is named.
Someone rides on horseback in a scene.
BIG DRINK
The Mozart Clarinet Quintet starts to play.
El Señor's voice starts to get all echoey.
That goat is up to no good!
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conandaily2022 · 6 months
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Lluvia Alzate biography: 13 things about Miss Texas USA 2023
Lluvia Alzate is an American beauty queen from Texas, United States. Here are 13 more things about her:
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fdmlovesfashion · 6 months
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Artist Don Hershman Premieres “The Art of Code Switching” Exhibition at Salomon Arts Gallery in New York City
Following his last sold-out show in New York, ‘Donald and Victor:  Under the Influence,’ visionary artist Don Hershman has again turned his passion to purpose with his newest exhibition. Artist Don Hershman premieres 20 new paintings at “The Art of Code Switching” Exhibition at Salomon Arts Gallery in Manhattan’s Tribeca district, New York.  The artwork uses single and double imagery, color and…
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