HH Characters x Physically Affectionate!Reader (Pt.2)
A/N: The last part. Enjoy, lol.
Bonus character: Zestial!
Warnings: Mention of sex on Adam’s and Vox’s part, but nothing explicit
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Sir Pentious
• he’s not used to it and is uncomfortable with it (he makes a weird face every time you touch him)
• he’ll be fine after you two become close, though
• but don’t try to overdo it
• if he likes you romantically, however, he blushes crazy every time you touch him
• he doesn’t really have a favorite one
• he turns red no matter what
• and his love language (receiving end) is more about words of affirmation, anyway
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Lucifer
• if you’re together with Lucifer, he’s likely smitten with you, so he becomes really giddy whenever you give him affection
• he probably starts stimming (doing little kicks or squealing)
• this guy loves to be held a lot
• oh, but he loves it when you nuzzle into him
• his favorite is forehead touching
• it’s really tender and he melts at that type of affection
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Adam
• usually, every time you touch him, he’ll think that you want to fuck
• so he’s fucking confused whenever you don’t escalate any further than a kiss
• he does that thing where even when you pull away, he’s still leaning toward you, eyes fluttering
• he’ll probably get used to it
• his favorite is when you just cling to him
• if you’re not short enough to do that, he loves it when you just put your head on top of his while you two are curling up on the couch (he finds it cute)
• he also loves getting massages from you
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Lute
• she’s not affectionate in general nor is she a fan of it
• so if she’s not that close to you, you better back the fuck up ’cause she’s going to take that as a genuine attack
• it’s worse if you do it out of nowhere (seriously, you will end up with a broken arm)
• but, if you two are sort of close and she’s used to your affections, she’s aloof to it all
• she will even start to initiate them herself unknowingly
• it’s because she mirrors the people she likes, which is not a lot, lol (everyone does this—I think—but Lute’s just more noticeable)
• back rubs are her favorite (not full-on massages, though, just a little rub after she got done training or something)
• she might like head pats, too (she feels praised whenever you do it. This works exceptionally well if you’re taller than her)
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Vox
• he’s not that physically affectionate
• unless it’s sexual
• he’d be pretty weirded out if you just wanted to hold hands or something
• but after he gets used to it, he becomes nonchalant about it
• he’ll start grabbing your hand on his own accord (it becomes instinctive)
• he’s fine with PDA, but don’t try to be all lovey-dovey when he’s in conversation or dealing with someone else
• his favorite is when you two are just snuggled up on the couch doing your own separate thing
———
Zestial
• I added him in because I wanted it to be even
• anyway, he’s more hand-kissing and linking arms type of gentleman
• and the most he’ll do in public is link arms
• he thinks displays of affection should be private
• even then, he’s not that physically affectionate
• he doesn’t have a favorite, but considering that he’s cold-blooded, he quite likes it when you snuggle onto him and make him warm (this only works well if you’re just as tall as him, lol)
———
This was relaxing to do. I’ll likely write more stuff like this in the future whenever I feel unmotivated to write.
The next three requests I’m going to post at a much later date will probably suck ass. Sorry to the ones who send those in. And for making you wait a long time as well. If they even remember…
My favorite ones to write from the two posts were…mostly everyone! These were so fun to write. I sort of had a writer panic midway, but it was still fun. It’s probably because I used too many parentheses and it bothered me or something.
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I still think that the ending of "Avatar: The Last Airbender" was poorly foreshadowed, specifically the lion turtles and the energy-bending. (Not Aang not killing Ozai! I like that part! It suits the themes, it suits the characters! That part is fine. I am glad that the last airbender found a way forward that respected his people and beliefs.)
Like, I saw ATLA when it was originally airing and I thought these things kind of "came out of nowhere" at the time. I have heard the arguments to the contrary over the years and I have never really been persuaded by them, while at the same time personally agreeing that the lion turtles and the energy-bending absolutely do fit the world and lore! They are fitting elements! They work! I like this ending at the same time that, in my personal opinion, I think it was poorly established.
I think that the story BEGINS to establish lion turtles and energy-bending well enough. We meet both many other spirit beings and bending-capable animals earlier on, including the Moon and Ocean Spirits who apparently gave the world water-bending. S2 introduces Ty Lee's chi-blocking techniques and Guru Pathik teaching Aang about chakras. There are also a handful of lion turtle easter eggs in the background of some episodes, the most prominent perhaps being on a scroll in Wan Shi Tong's library.
But the story then jumps from these various establishing elements all the way to "lion turtles are real and not extinct and telepathic and can also energy-bend and Aang has suddenly mastered this new art well enough to take someone else's bending away permanently, and these relatively new elements are going to resolve the main conflict of the show". It feels like "1+1=3" to me. I think that last jump in the story is too big. Like, we're REALLY close, but I personally needed another 1 in there somewhere to bridge that final gap and get to that 3.
(Includes some fic ideas / suggestions on how to maybe add to strengthen the foreshadowing under the cut.)
The fact that a lot of people, especially more casual viewers, were really confused by the way all of these elements suddenly came together at the end says to me that, no, the foreshadowing that WAS done (there WAS foreshadowing, I cannot rightfully say that it all came completely out of "nowhere", but it) was not good enough. Or maybe I should compare it to someone presenting me with all of the necessary ingredients for a cake and then telling me that it IS cake? Yes, all of the right ingredients are HERE, I agree, this COULD be a really great cake, but... you still have to mix it all together in a bowl and then put it in the oven to bake to get that specific cake. It's not quite cooked yet.
(Okay, wow, that sounds kind of mean. Maybe I should compare it more to a missing stair? We have MOST of the staircase, I just need one last step to get to the Deus Ex Machina at the top. To be clear: I don't think a "Deus Ex Machina" is inherently bad. I often like them a lot. I just wanted a little more foreshadowing than the stuff that is already there.)
In storytelling, there's this technique casually called "The Rule of Three". (And yes, of course, rules were made to be bent or broken depending on what story you're trying to tell, but usually, these rules exist because they are effective.) This rule is also sometimes known as "Introduction, Pattern, and Payoff". (It has other names, but that's how I remember it.)
Very loosely, this rule states that an important element of the story must appear at least three times. 1. It must be introduced / established in the world. 2. It must appear again to remind the audience that it exists / and establish a pattern such that the audience begins to expect it to appear again later. (And is hopefully excited for it.) 3. Payoff. The element returns in an important way, probably to resolve part of the plot. The previous two appearances have acted as foreshadowing for this ending.
There's also a "Rule of Two" version of this general storytelling technique. Like, "If this special crystal can zap the bad guy and save the day, we have to have shown or at least told the audience that it can do that BEFORE the big final fight scene."
In regards to ATLA, no, I don't think that a scroll in a library or a statue in the background of some scene served as adequate introduction and reminder for the existence of lion turtles, so it didn't necessarily feel like a payoff for me that they solved the main conflict. (It's the "solved the main conflict" that's most of the issue for me. If the lion turtles had just appeared in another episode as a random cool thing like those sea monsters by Kyoshi Island, I would not have cared.)
I actually think that the establishment of other spirits like the Moon Spirit and bending-capable animals like sky bison and dragons can serve as a decent enough "Step 1) Introduction". Though this does not establish that lion turtles specifically exist, we have established that powerful creatures similar to lion turtles exist. But I still needed a solid "Step 2) Pattern / Reminder" that would have established that lion turtles specifically exist and are important BEFORE one shows up at the end like that.
I think that there's at least one episode somewhere in Book 1 or Book 2 that could have been cut in favor of an episode where the Gaang meets and rescues a young lion turtle baby or something.
Maybe Guru Pathik could have learned his ways FROM a lion turtle? Aang could have gone to an isolated village somewhere (with more brown people besides just Guru Pathik?) where people are living in harmony with a lion turtle, or maybe even on the back of a lion turtle! That would be cool!
Concept: Aang encounters Guru Pathik living alone on the back of a lion turtle which doesn't talk to people anymore (Aang swims down to look at its face and it doesn't even look at him), because its kind have been hunted nearly to extinction and it's tired of violence. Guru Pathik learned his ways from his old teacher, who learned from his old teacher, all the way up the teaching lineage from a person who once learned from the lion turtle itself before it gave up on the world. Guru Pathik tends to this nearly empty temple on the back of a silent lion turtle who ignores him, because he will not forsake his teachings even when the world seems uninterested in hearing them and the old lion turtle seems like it could die any day now. The people in the fishing village on the shore think that Guru Pathik is crazy and most of them don't even believe that the floating island really is a lion turtle, it's just weird geography.
Guru Pathik could also have chi-blocking abilities! We could see him demonstrate them in self-defense! He could teach a few chi-blocking moves to Aang, who could later go on to use them occasionally in Book 3, and it would have been really cool to see Aang exploring non-bending skills. We don't need Guru Pathik to explicitly name energy-bending here, but I would like to connect him just a touch more strongly to chi-blocking. Like, he IS connected already by helping Aang clear chakras, which is kind of like a reverse of chi-blocking, but it would be nice to establish Guru Pathik as somewhat capable of the opposite but perhaps not liking to use the skill.
Aang really vibes with this dying culture of pacifists, but he still has to leave Guru Pathik before he can finish the training. Later on, he can encounter Guru Pathik and the silent lion turtle again, and he can confess to them how desperately he doesn't want to have to kill anyone, no matter what his past lives say. He just wants to STOP the violence and restore balance to the world without sacrificing himself. And THEN the lion turtle could wake up and gift him with energy-bending.
Or something like that! The foreshadowing doesn't have to be THAT heavy-handed, but SOME brief appearance by an actual lion turtle would have served as a better "Step 2) Pattern" to me.
Things like chi-blocking, chakras, water-bending healing, water-benders losing their bending when the Moon Spirit was killed, and even Zuko's spiritual turmoil serve as a good "Step 1) Introduction" to the concept of energy-bending to me. The ingredients are THERE. But again, I would have liked some clearer "Step 2) Pattern" that had actually baked the cake in regards to this being a skill Aang had specifically.
The above episode concept with Guru Pathik on the back of a lion turtle could have worked as a "Step 2) Pattern / Reminder" for energy-bending.
ANOTHER option would be to have Aang temporarily lose his bending at the beginning of Book 3, after Katara resurrects him with that special spirit water after Azula killed him at the end of Book 2.
I think Aang losing his bending for at least 3-4 episodes would have been really good for him / the show. So much of Aang's identity is tied up at this point in being the Avatar and the responsibilities of being the Avatar. Losing his bending, especially his AIR-BENDING, and his connection to the spirit world and his past lives would send him into a personal crisis. The Gaang could worry over whether or not a new Avatar has somehow been born or if the Avatar powers are gone forever. The characters could confront the fact that perhaps they've been relying too much on Aang as the Avatar and what they'll do now without the Avatar.
Also, it would be really funny if Aang woke up and picked up his glider to jump off that boat, then just fell into the ocean, and Katara needed to fish him out. (Which would then transition into the dramatic revelation that he has lost his bending!!!)
Katara could use her healing abilities to tell Aang that what's happened to him feels a lot like Ty Lee's chi-blocking. Katara would then probably try to emphasize with Aang, who gets angry with her and says she has no idea what this feels like! Katara could then have a really good intimate scene with Aang over how scary it was when the Moon Spirit was killed, what it physically felt like to lose that spiritual connection, and how scared she was even afterwards about what it would have been like to permanently lose that connection to her people and her culture. Aang then apologizes to Katara and they resolve to find his bending again.
Aang then goes on some spiritual journey with his friends to reconnect with his bending and his past lives as the Avatar. Probably some partially internal spiritual journey with Guru Pathik's teachings. Katara and Toph could both talk about what bending means to them personally as different people, and also what it feels like to them as they interact with the elements of the world around them.
Aang could have some cool fight scenes where he dodges some random thugs using all of his bending skills (martial arts) without the actual bending, air-bending techniques, water-bending techniques, and earth-bending techniques, and then finally some chi-blocking techniques that Guru Pathik showed him. There could be some scene where Aang saves a kid from these random thugs and realizes that he can still do good in the world even if he's not the Avatar! Even if he's not a bender anymore!
There could also be some REALLY funny scenes of Aang trying to get Appa and Momo to teach him how to reconnect with his air-bending. Aang mimicking their movements and so on. (Sokka: "Is that... working so far, buddy?" Aang: "NO! They're terrible teachers!!!" Cue sad Appa bleating and offended Momo chittering.)
You could even do it in a cycle of sorts, where Aang reconnects with his air-bending first using Guru Pathik's teachings and his friends' help. (He is OVERJOYED.) And then Aang slowly regains water-bending and earth-bending over the next few episodes, culminating in him having to face his fears learning fire-bending again. I think you could accomplish this storyline by squeezing it into about 3-4 episodes, or else starting off with losing then regaining air-bending plus the Avatar state in the first 2 episodes of the season and then threading relearning the other elements in the background through later episodes.
ANOTHER option where Aang temporarily loses his bending is after the eclipse, because he has a spiritual crisis over the fact that he was resolved to kill someone and he really doesn't want to do that. I don't like this option so much because it feels a little too late in the season compared to kicking off Book 3 with the drama of Aang losing his bending(!!!), but it's an option.
See, if Aang temporarily loses his bending and has to find it again somehow, then the show could establish what this kind "energy-bending" and spiritual manipulation within a person looks like. If Aang has had to get his bending BACK, then it would better establish Aang then using this ability he has now practiced on himself to take bending away from another person. It's a pleasantly surprising twist that Aang figures out how to reverse a previously established energy-bending technique and successfully uses it against Ozai.
And then the ending, though arguably still in the realm of a Deus Ex Machina (which is cool), would feel more like "Step 3) Payoff" instead of "What just happened?"
Anyway! This post became way longer than originally intended! I hope this has made it clear that I like both the lion turtles and energy-bending as concepts. I think there are many elements in the show that begin to introduce lion turtles and energy-bending as Aang uses it as things that COULD exist. I just think that the show needed some kind of additional baking step in the middle to establish a pattern and use those ingredients to foreshadow that specific "an ancient lion turtle teaches Aang energy-bending" ending.
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TL;DR - How would you kick someone out of your house without involving police? and Should you?
My no-note blog is probably not the best place to ask this question, but maybe someone will come along and answer, who knows.
So in the ideal circumstance that we abolish the police, I've been wondering about a specific scenario. Say there is a person in your home, for whatever reason, who has no legal right to be there, and you do not want them there (again, for whatever reason) but they refuse to leave and you want to forcibly remove them from your home.
Most people nowadays would threaten to call the cops on them, and usually that alone is enough to get people to leave. I've never actually had this problem myself, but I've known numerous people who've talked about these kinds of situations (and coincidentally they were all middle class, if that tells you anything...) I, personally, would think twice (or a million times) about calling the cops on someone, especially if the person in question is particularly vulnerable to police brutality. So, even if the police aren't abolished, I still want to know the proper alternative to handle this kind of situation.
I'm a pretty weak, easily overpowered person, so my first instinct would be to like.. call someone I know or go get a strong neighbor or something to help me get this person off of my property.
I know that the specifics of the situation also play a key role here, too, on how to handle it. Like, if the person is reasonable, I would hope that just telling them to leave would get them to go - easy enough. But if they refuse to move.. what do I even do? If it's someone that I know very well, I might think to take a break and just walk away from them and hope we can sort things out once we've calmed down. If it's someone that I don't know very well, though, (not even necessarily an intruder, but just say someone who is overstaying their welcome) and especially if tensions are not even high, I wouldn't really know what to do. Some states even have squatters rights, so like.. sometimes you literally CAN'T do anything about this person being in your home, and in some cases they can even get you kicked out. I think it's kind of obvious that if the person clearly has violent intentions towards me, then I have a right to defend myself, but again, I am not going to be able to do that by myself, and I don't know what the legalities are around asking for help from another citizen, i.e. not a cop, if someone means to do you harm?
And what if you do ask for help and your helper ends up injuring the person in the process of trying to get them out?? I'd imagine it's still better than calling a cop, and risking getting a life-ruining criminal record, or worse, shot and killed. But I'd also imagine there could be grounds for them to sue if they get injured by the helper since the helper is not a professional of any kind and not protected in anyway. Only some states have protections against self defense anyway, and I don't know if it even counts if you invited the person into your home willingly and they weren't being violent to begin with. Like.. if they person is just stubbornly standing there and then your burly neighbor puts hands on them first, I don't think that even counts as self defense for the homeowner? At that point if the person fights back then they have a case for self-defense.
And I don't know what the leftist attitude is towards personal property like that anyway, like should we even have a right to our own home? I don't know the leftist view on that, I get the idea that individualism is not the move, but like.. do we still have our own personal space? Space that we are allowed to bar others from entering? Even if that space extends to the entirety of a 2-bedroom home? I'm asking sincerely, because I really haven't read enough socialist theory, so I don't know what the opinions are on home ownership in general. Like in an ideal society, would we supposedly just allow the person to stay for as long as they like, as long as they aren't hurting anything? That's another part of it, like what if they aren't doing any harm but I still don't want them there? Am I wrong for wanting them to leave, even if I don't know them? Supposing even if they are an intruder, if they haven't stolen anything or hurt me or my animals, but they just... won't leave, should I even be mad about that?
But again, forget an ideal society, let's take it back to reality, assuming that I live in the US and the laws are exactly the same as they are in this moment, police are not abolished, but I am choosing to not involve the police in this matter... what is the right thing to do???? Should I just resolve myself to accept that this person lives with me now?? I don't even live in a state with squatters rights, so I don't legally have to, but.. should I?
(more thoughts and anecdotes if the tags if you feel like reading)
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Mafia!Simon x Bartender!Reader
Part 1 | Part 2 | Part 3 | Part 4 | Part 5
You've been working here for ages, in this once rusty old bar which is now adorned by lively colors and music, turned into the best nightclub in the city, serving the best drinks and entertainments with the most beautiful dancers.
All in all, you have witnessed the worst and the best of this place.
And you have come to know the people who own the place.
In fact, you know them like the back of your hand, even better than themselves one might say.
You're bright and perceptive, and working as a bartender in a place like this where it is jam-packed with important people all the time has its own perks.
With a little bit of booze and honeyed words you bring out everyone’s hidden side and in no time, they’re spilling their deepest darkest secrets to who seems like just a sweet, harmless bartender.
“Here you go.” you say to Simon, placing his usual Kentucky Bourbon on the counter, “Thanks, dove.” he says and brings the glass to his lips.
“You know... I say don’t fuck around with the Russians!” you remark while drying the cups and placing them on the shelves.
They asked your opinion on the matter since you’re their most trusted ally outside the group. As a matter of fact, they consider you part of the group by now.
He chuckles before saying “That’s what I told Price.”
“So why is he doing this?” you ask regarding cutting a deal with the Russians and Simon shrugs.
You’ve had a weird feeling about it since they mentioned it to you.
“Well, if any of you care about my opinion, don’t do it. It just doesn’t feel right to me.” you say with a shrug and look over to find him deep in thought, eyebrows furrowed and gorgeous brown eyes focused on somewhere far away.
Gods, he’s so handsome! You've been fond of him for some time now, and by the looks and little touches he gives you, you’d say the feeling is somewhat mutual.
Out of all of them, he’s always been the closest to you.
And he’s been your biggest protector all throughout this wild ride you’ve been on together.
He always keeps an eye on you in case any of the customers gets too close and makes you uncomfortable; God forbid if any of them gets touchy, they’d be digging their own grave by doing that.
You come back from your daydreams after hearing him clear his throat.
You notice you’ve been staring far too long, choosing to ignore the faint smirk on his lips.
“Sorry... just thinking about the deal.” you lie and dip your head, busying yourself with cleaning the cups and hoping he won’t notice your burning cheeks.
“Well, I'm off to meet John now. I'll make sure to give him your opinion too.” he says while standing from his chair, “Thanks for the drink.” he offers a small smile with a nod.
“You’re welcome, Si... and I'm sure he won’t listen to me. His mind is set on the idea and that’s that. Not that I would ever question his decisions. I have too much respect for the man to do that. He must know something that we don’t.” you mention while grabbing his glass and placing it in the sink.
“I can assure you that he values your opinion just as much as you do his. He'll think about it. Don't worry.” he says while gathering his stuff and placing your tip on the counter, a hefty envelope, so generous as always.
“Simon! I can’t accept this! This is... too much! You do this every time!” you exclaim with a frown, nudging the envelope in his direction.
“Take it. I insist. You can renovate your apartment. Last time I was there, it was a bloody mess!” he teases with a playful smirk.
“HEY!” you say in mock annoyance while throwing the rag in your hand at him.
“My apartment is fine as it is, thank you very much!” you retort, failing to hide the smile forming on your lips.
You take the envelope hesitantly after so much persuasion on his part and wave him goodbye, feeling butterflies dance in your belly as thoughts of him linger in your mind.
You dip your head and go on with what you were doing, lost in your own world and not noticing the dark shadow lurking in the distance and standing in a corner, carefully observing the place, and most importantly... you.
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