#Camille squires

[fitz-higgins]

LGBT literature of the 1860s–1910s. Part 4

Well, it’s been a while. Here’s a new selection featuring three stories about love between students, lesbian poems, a comedy centered around a gay character, Proust's short story, and more

1. Bertram Cope’s Year, by Henry Blake Fuller (1919). Although this novel went unnoticed by its contemporaries, it is thought to be the first officially published American novel about homosexual men. It could be your perfect academia novel: Bertram, “no squire of dames”, is a self-conscious English teaching assistant at an Illinois university where he completes his thesis and tries to settle in life. Four women and three men are attracted to him, but Bertram is fond of “Dear Arthur”, his college friend Arthur Lemoyne who comes to live with him later. Interestingly, the story has a touch of comic and ironic, which was very rare for homosexual literature of that time. [Read online]

2. Le Monsieur Aux Chrysanthèmes (The Gentleman of Chrysanthemums), by Armory (Carle Dauriac; 1908). This is the first modern play (and a society comedy at that) that has a gay man as its main character. The character is Gill Norvège, a critic and writer, who uses a young widow Marthe Bourdon to get money. Marthe is hopelessly in love with Gill and borrows 30,000 francs from a poet Jacques Romagne, who, in turn, is hopelessly in love with Marthe. And then Gill sees Jacques one day and falls in love with him. [Read online in French or in English]

3. The Garden God: A Tale of Two Boys, by Forrest Reid (1905). Called “a classic of Uranian literature”, this story has it all: homoerotism, platonism, ancient gods and love at boarding school. In that school a fifteen years old Graham, who used to dream of friendship with a Greek god, meets Harold who looks exactly like that imaginary friend. But where there are gods there is also tragedy, so be prepared. [Read online]

4. Poems by Sofia Parnok. Parnok was the first open lesbian in Russian literature. She was in a relationship with another famous Russian poet, Marina Tsvetaeva, as well as with some other women to whom she dedicated a number of poems. Often called the Russian Sappho, she often refers to Sappho in her poetry and also used her famous phrase, “Someone, I tell you, in another time will remember us”. Some of Parnok’s poems are translated and more is available in Russian.

5. Teleny, or The Reverse of the Medal (1893). Not the first, but one of the earliest examples of English-language homosexual erotic novels (though rather sophisticated), its author is unknown, but some believe that it was written by Oscar Wilde. Here we have a tragedy again, a tragic love between a Frenchman and a Hungarian pianist, to be exact. There’s also something literally queer going on, because the Frenchman, Des Grieux, has a telepathic connection with the attractive pianist, Teleny. Eventually they meet, and Teleny introduces Des Grieux to the underground homosexual world of Paris. Bonus: the novel has a comic adaptation, Teleny and Camille, by Jay Macy, and also a “prequel”, Des Grieux, written in 1899. [Read online]

6. Anders als die Andern (Different from the Others), by Bill Forster (Hermann Breuer; 1904). The title is supposedly derived from a phrase that was popular among German gay men of that time, “We are, thank god, other than other people”. Herbert, the protagonist, falls in love with Ernst, the boy from his school. They go hiking together, and for some time they are close. But Ernst, although flattered by Herbert’s attention and feelings, rejects him twice, and it destroys Herbert’s life.

7. Avant la nuit (Before dark)by Marcel Proust (1893). A forgotten short story by Proust, written when he was only 22, despite what you might expect, tells about a lesbian woman. She is incredibly unhappy: she is in a relationship with a man, but wants to confess her true sexuality and suffers from her own dishonesty. Finally, she tells him the truth and asks for his compassion. In a way, this story defends homosexuality and explains why it cannot be condemned. [Read online]

8. The Prussian Officer, by D. H. Lawrence (1914). Praised as a masterpiece of short fiction by some critics, this story is rather grim. A captain slowly becomes attracted to his young, simple orderly. However, he represses his feelings and, instead of showing any kind of affection, turns aggressive and humiliates the young man. And it is not going to end well. [Read online]

9. Quelques Portraits-Sonnets de Femmes (Some Portrait-Sonnets of Women), by Natalie Clifford Barney (1900). One of the most famous lesbian poets of the 20th century, Barney wrote a chapbook of love poems to women that were so scandalous her father bought up all remaining copies and burned them. Two novels based on or about women’s affairs with Barney were also featured in previous chapters of this list. The book is not available online, but some poems can be found in English here and here.

10. The Intersexes: A History of Similisexualism as a Problem in Social Life, by Edward Prime-Stevenson (1906). Prime-Stevenson didn’t just write the first novel about gay men with a happy ending (featured in the previous part of the list), but also an interesting study, one of the earliest ones. Using science and history, he defenses homosexuality, which is why he is considered to be one of the first advocates for the rights of the LGBTQ community. A very progressive work for his time, it rejects the binary of masculine and feminine and insists that homosexuality is a natural result of human evolution. [Read online]

P.s. Previous parts are collected here.

#lgbt literature #queer history #dark academia #lesbian literature #oscar wilde #russian literature #natalie clifford barney #marcel proust #lgbt history #gay literature #lesbian history #gay history #victorian era #blog: history #blog: literature

[sweetcedar]

9. Yawn

ch: camille descatoire || wc: 778 || couldn't sleep, so i caught up on prompts with something utterly cavity-inducing. something something gay people, found family,

(photo source)

This little fire-spark would be Matriarch one day. Since the day she had met her, Camille had known of the service that would be required from the little girl now falling asleep in her lap. All families manage best if their shared dealings are well-organized. For a family as complicated as the Yunhaai and the greater Usinha, choosing one person to take point made sense to Camille. From matters of money to the cutthroat nature of politics to the sour scent of battle, all problems could be taken up to the Matriarch if they should become too large for one person to handle on their own.

Many such problems did just that, as Camille well knew. Her own role in her chosen family was twofold. Her obligations as wife and mother came first, and then obligations to the Matriarch as Watcher came next. One would expect the wife and the Watcher to be two separate people, but Iiwa had not given her the title-- and after all, Camille often joked that she was decent at multitasking. Both roles required the occasional wave of trout dishes or rolanberries under Iiwa’s nose to remind her to eat.

But it was not a bad life. Iiwa could work herself to the bone at any task that she had ever attempted, Camille mused. This fact did not mean that the next Matriarch would do the same— certainly not if her other mother could help it.

And help her she could. For all of Camille’s current obligations, she had rarely enjoyed one so thoroughly as spending the day with her eldest. They still had so much to learn: cleaning a fish, baiting a lure, cleaning up when one pricked her own finger with the hook… Every moment spent alone together became another little lesson, eaten sweet like warm-weather fruit on the vines. These mountains were barely warmer than the ones Camille had grown up in, but how blessed she felt to feel the farewell kiss of summer once again. The mountain grasses burnt orange under the harvest-sun, and Camille had spent weeks this autumn chasing through them after the wildfire who set them off.

She was barely eight summers, now, and although she protested otherwise, Camille knew that she knew little of anything. She had demanded for nearly a turn now that Camille teach her to fight, but thusfar the besieged knight had been successful in delaying the inevitable. No child needed a sword, she believed: there was no dragonfire here, and no need to defend against it. The sight of gangly, growing children in their first sets of leather armor was a terrible one, and Camille meant to never see it again. She had been a squire before her first blood came, as had so many others, and a knight in truth near as soon as she was finishing her schooling.

How many warriors had been cut down by the time they were twenty? Only one was too many. Each of them was someone’s little darling, held just as close as she kept her daughter now. For just another summer, she promised herself, she would teach her only the hunt. She could wait to learn the bladework she would require in battles against other Spoken. Those lessons could come later. For now, she could barely clean a fish without crying for Camille to wash the entrails from her hands.

This was as it should be. For all that she was a brave little girl, she was allowed to be a little girl. Any child should be allowed to cry at the sight of a bug, or a disliked food, or a newborn sibling learning how to grab her hair. The constant refrain of “Mother—? Mama!?” was the way things should be. She should call, and someone else should answer.

But this morning, there was nothing to frighten her. They lay in a hammock woven by a hand they both loved well. They had caught a basketful of trout that day, and the little fisherwoman had presented them to the utter delight of both her mother and her grandfather. She had curled up against Camille’s broad chest thereafter, and the Watcher marveled momentarily that she was still able to pick her up. This was one of the many blessings of gaining a child through Nymeia’s good grace: if the girl were Camille’s by blood, she would certainly be too tall by now. Her younger siblings— only half miqo’te—  would outpace her entirely.

She kept herself busy by stroking her daughter’s dark hair, stick-straight under her fingers. After some time, she was given her reward in the form of a soft sound and a tail curling around her leg. “There’s a yawn. She’s finally tired,” Camille thought to herself. “… All it took was twelve fucking bells.”

#FFXIVWrite2022 #writing #ch: rarest of knights #i wish camille was MY lesbian father figure. #dont we all really. #whats the point of having an ebony darkness dementia raven way oc if she wouldnt drive an elementary schooler to hot topic.

[coldbrewkween]

#doug emhoff #inaguration #Twitter #repost #Camille squires #kamala harris

[mybluewindow]

Camille Kostek by Mark Squires

#Camille Kostek

[groupiesoutrageously]

Excerpts from a Nikki Squire interview by Paul Secord, 2000. From the Notes From the Edge website. 

PS: How did you get interested in music? 

NS: I always loved music, especially singing, so my friends and I would regularly put on shows in one of the houses in the street and all the children would come and I would be the singer. 

However, when I became a teenager, I knew that the East End wasn't where I wanted to be forever. I was ambitious and so I went to business school in the evenings, Corona School of Drama in the day, worked a Saturday job, eventually working in the West End. I started my own business and took piano lessons, always listening to music, some of that being: ska (Prince Buster), reggae, Woody Guthrie, Bob Dylan, Joan Baez, Joni Mitchell, Judy Collins, James Brown, Jimi Hendrix, Thelonious Monk, Charlie Mingus, Stevie Winwood, The Beatles, Crosby, Stills and Nash, Neil Young, Stravinsky, Holst, Bob Marley. All of these artists are as they come to mind not in order of time or preference and of course there are still others like Cream, Iron Butterfly, the Eagles, Led Zep (Kashmir being one of my favorites) — I’ll stop there!

PS: How and where did you first meet Chris Squire?

NS: Chris and I met in the then-famous Speakeasy Club. I think the best music club of that period, not a jazz club, but a place where Derek and the Dominos (Eric Clapton), Jimi Hendrix, Keith Moon, and others from the list I have already mentioned, played. 

Everyone in the business frequented the place, it was excellent, and on the evening of the 12th of August 1970, we began what was at first a friendship and the rest, as they say, is history! 

PS: What was your life with Chris like? 

NS: [...] In the very beginning Chris and Yes had not yet finished recording The Yes Album. There were only the two previous albums, Time and a Word and Yes, so full-on success and international success was yet to come. Therefore as a couple and with Carmen, a family, there were so many different dynamics to our lives, we were both around twenty-three and things were exciting. 

We lived in North London, then later in Notting Hill Gate in London. Chris was touring in America and Yes were becoming more and more successful. In those days we both disliked being separated but, as they say, it goes with the turf. Having said that, Carmen and I did go on tour quite a lot, Carmen would always sit on Chris' bass speaker with her little legs swinging in time with the band. 

In December 1972 we bought a house in Virginia Water in Surrey, known as "New Pipers.” Chandrika, our second daughter, was born a few months later, in February 1973. We set about renovating, and redesigning the home. We also built the recording studio under the house. Relayer was recorded there, along with Fish Out of Water, the Esquire album and many other projects — but both Chris, myself and the girls lived with builders for years! 

We tried, and succeeded in many ways, to have a normal family life, along with the builders, the recordings, rehearsals, touring, business meetings, school functions and family get-togethers — it was varied and never dull. 

[…] We were all vegetarians and lived on organic food (since about 1970) so food preparation was quite a big thing. In the grounds of the house we had a kitchen garden, so we had homegrown produce too. Chris and I took an active interest in matters of ecology and health and cultivated the land surrounding the house using organic methods. I studied health and diet extensively (I am involved in this still). It was incredibly busy sometimes and took a tremendous amount of organizing. Then in the summer of 1977 Camille was born — the youngest of the girls. We lived at home, toured together (whenever possible), lived in other countries together took holidays, we were, in every sense of the word, a family  — and we loved each other. 

PS: You mentioned your second daughter, Chandrika. That is a very interesting name; is there a story behind it? 

NS: When Chris was young, he had a very good friend called Darian. Darian's father was Indian and his mother English. They lived in Hampstead in London and were an extremely interesting family. Chris spent a lot of time at the family home and there was a bond between him and them. Chris and I had visited together, very artistic people I remember. They also had a daughter in this wonderful family called Chandrika, this name was passed on to our daughter. An Indian name by origin, Chandra (pronounced “chundra”) means Moon. So Chandrika means “Little Moon.”

PS: What kind of influence did you have on Chris' writing with Yes and his solo work? 

NS: In between all that I have already spoken of above, there would be many times where I would sing with Chris at the grand piano or Chris would sing something to me and I would give an opinion or an idea. The same with the guitar or the bass and downstairs in the studio it would be the same too, or I would watch him working and learn. Chris has a brilliant sense of harmony and is a fine musician, singer and bass player, so being there and taking it in has certainly influenced me! 

He would always carry stacks of 'out-take' cassettes from the studio and practice vocal harmonies to and from London, which was an hour long journey at least, I would be there and sing them with him, or make a suggestion perhaps, or simply be there. 

What influence I have had specifically on Chris is not for me to say, but we certainly shared a lot of musical and family life together. Creating music, by it's very nature, is a tapestry of people, times, moments, influences and inspiration, taken in by all we see around us —  therefore how could we not have influenced each other. 

PS: Did you and Chris ever write together? 

NS: Yes; it's very difficult to say all the small bits here and there that we may have contributed to each others songs, a few words, a line, or even one word, but all of the elements I have just mentioned have happened. 

For the most part, this question is answered above, but one song that does come to mind is "Red Light Ahead." We sang that song together so many times — I have always loved it. Some of the same lyrics feature on the closing vocal that Chris sings on “What You've Been Saying”, one of the tracks on the Esquire album. Although I write all my own lyrics, it wouldn't be unusual for Chris to make an appearance like that, with his lyrics and vice-versa, this being an example of one of the subtle crossovers that inevitably would occur in our life as it was. 

PS: What role did Chris play in the early days of Esquire? 

NS: Chris was always very supportive and would listen with interest to the developing demos. He was not staying at the house very much, sometimes living and recording in London and sometimes in the U.S., although I would often play him the tracks down the telephone line — to get his opinion on the tricky bits! 

If Chris was at a particular Esquire recording session, he would give his undivided attention as any dedicated musician would. Sometimes coaching me whilst singing — and he was tough, I had to do it perfectly and reach the high notes spot on. 

I always enjoyed working when Chris was around. I think Chris's influence was with me, whether he was there or not, always thinking if he would approve of my approach to a vocal, a lyric, a harmony etc., embracing a standard that I had not only admired in Chris but in Yes as a band and it's members. 

Chris and I worked closely on "To the Rescue" with Nigel and Charlie in a studio in California, called Record One. Although the song had already been written and was in demo form, Chris embellished the song tremendously as well as singing harmonies, some of those prominently in the middle eight. Then, of course, Chris and Esquire were together for all the mixing of the album at Ocean Way studio in California too. 

There were long times apart and long times together whilst the Esquire album was being written and recorded, but, as I have said, Chris's musical influence was there throughout for me personally, I think it always will be.

#nikki squire #type: girlfriend #chris squire #yes #yes band #photoset #edit

[charliedoylewrites]

Character Introductions

Camille Caswell

Face Claim:  Saoirse Ronan  Age: B: 16; S: 19 House Casswell

The younger sister of Lord Lorent Caswell, her father lamented that she was not born the son she should have been. A quirk of her birth had her be brilliant, able to recite anything the Maester told her. As a man, she could have proved ehrself capable of being the Hand of the King. But instead, she was left to her own devices while her elder brother was trained to be Lord of Bitterbridge. Not content in being left alone, she took to helping the Maester figure out how to make Bitterbridge more than the stop along the Rose Road. With its position, it could be an economic powerhouse. But plans change when she is asked to investigate the Starks by the House Tyrell. After the fateful marriage to Joffery, she is left with two choices: Return to Bitterbridge and live under her brother until he married her off, or stay with the Starks and become a traitor to her home. What is a woman to do?

Jayne Snow

Face Claim:  Annabel Scholey Age: B: 21; S: 24 House Bolton

Domeric wanted a brother, had for years. But with his wife still seemingly barren, he had none to provide save for the beast that was his bastard. A woman approached him, a trader from his lands, and offered up one of her daughters. She had too many mouths to feed, and maybe the young girl would be enough company for dear Domeric. For a short while, Jay was enough for her brother. She was learned alongside her brother, and it was joked that he was going to be the only “knight” with a lady squire. But she grew up to love her brother, and idolized him. In return, Domeric did love his sister.. A sister, however, is not a brother. And he did seek out his own. A move that lead to his death. All in the Dreadfort know that Ramsey killed Domeric, but what was to be done. With her Lord Father forced to bring the bastard to the Dreadfort, she had learned enough to be suspicious. Can a bastard survive a bigger one?

Ryanna Baratheon

Face Claim:  Adelaide Kane  Age: B: 19; S: 19 House Baratheon

Ryanna was a bastard from the North. Her mother loved her and loved the man she married. She even had another son, whom a young Ryanna loved, but lost many other children. When it got to be too much, she ended it. With her seeming father’s family not trusting the child of an unknown man, her uncle took her to Kings Landing to be recognized as Robert’s child. If her father recognized her, then the family would take her in. Arguing with his wife, Robert was looking for a way to get back at her. And when a young child, dark hair, strong boned, and dark grey eyed like his beloved Lyanna was presented to him as his own daughter, he took the chance. He recognized her, not just as his bastard but as his own. Even the hand could not talk the king from his decision. Queen Cersei convinced him to send the bastard away, sending her all over the Seven Kingdoms to keep her away from her siblings. But when her father is killed, and her siblings denounced by her uncle, Ryanna has a weight to her words unlike others. Can a Princess win a war?

#fyeahgotocs #game of thrones oc #got oc #asoiaf oc #is this fandom dead??? #possibly #but these three will not leave me alone #so there is that #do i ahve ships in mind for them #yes #but its not set in stone yet #project: evergreen #im also working on test chapters for them #so lets go #ch: camille caswell #ch: jayne snow bolton #ch: ryanna baratheon

[revolutionrosen]

Part 10⁣: ⁣ [ Content Notice: Discussions of racism, especially anti-Black language, imagery, and hxstory and current events, such as slavery, including mass incarceration, and police. Ableist language towards people with color blindness. References to substance use and sex work. Discussions of politics, including the presidential election. Mentions of food. ]⁣ ⁣ “I settle for fries and a burger when I have no energy to make pizza. I don't settle for presidents.” by Rosen T. Gordon (pronouns: zhe, zhir, and zhirs)⁣ ⁣ References (Continued)⁣ ⁣ United States Presidential Debate on October 22, 2020⁣ ⁣ United States Census Bureau https://www.census.gov/quickfacts/fact/table/US/RHI225219#RHI225219⁣ ⁣ “Racism without Racists: Color-Blind Racism and the Persistence of Racial Inequality in America” by Dr. Eduardo Bonilla-Silva (2017)⁣ ⁣ “Kamala Was a Cop. Black People Knew It First.” (2019) by Camille Squires https://www.motherjones.com/politics/2019/12/kamala-was-a-cop-black-people-knew-it-first/⁣ ⁣ “Unpacking Kamala Harris's Record on Trans and Sex Work Issues” by Wren Sanders (2020)⁣ https://www.them.us/story/kamala-harriss-record-on-trans-and-sex-work-issues⁣ ⁣ “Police Origins: A History of Anti-Blackness” by Jeremiah Headen http://blackorganizingproject.org/police-origins-a-history-of-anti-blackness/⁣ ⁣ [ Image Description: The Tuxedo Winnie the Pooh meme format is used. Pooh in a crop top has an indifferent facial expression to the statement, “Settle for Biden: Trite, White, with no bite.” Pooh in a tuxedo has an intrigued facial expression to the statement,“Settle for Fries and a Burger: Yummy in my tummy!” ]⁣ ⁣ Hashtags: ⁣ #NoMorePresidents #BlackLivesMatter #DecriminalizePoverty #EndtheSchooltoPrisonPipeline #EndSchooltoConfinementPathways #DecriminalizeSexWork #EndtheWaronDrugs #ProtectTransLives #FreeThemAll #BlueLivesDontMatter https://www.instagram.com/p/CHD8Q9igWQ5/?igshid=q1oczr34ekun

#rhi225219 #nomorepresidents #blacklivesmatter #decriminalizepoverty #endtheschooltoprisonpipeline #endschooltoconfinementpathways #decriminalizesexwork #endthewarondrugs #protecttranslives #freethemall #bluelivesdontmatter

[andthewinneris23]

70 e cérémonie des Bafta

Meilleur film

La La Land

Premier Contact (Arrival)

Moi, Daniel Blake (I, Daniel Blake)

Manchester by the Sea

Moonlight

Meilleur film britannique

Moi, Daniel Blake (I, Daniel Blake)

American Honey

Le Procès du siècle (Denial)

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them)

Notes on Blindness

Under the Shadow

Meilleur réalisateur

Damien Chazelle pour La La Land

Denis Villeneuve pour Premier Contact (Arrival)

Ken Loach pour Moi, Daniel Blake

Kenneth Lonergan pour Manchester by the Sea

Tom Ford pour Nocturnal Animals

Meilleur acteur

Casey Affleck dans Manchester by the Sea

Andrew Garfield dans Tu ne tueras point (Hacksaw Ridge)

Jake Gyllenhaal dans Nocturnal Animals

Ryan Gosling dans La La Land

Viggo Mortensen dans Captain Fantastic

Meilleure actrice

Emma Stone dans La La Land

Amy Adams dans Premier Contact (Arrival)

Emily Blunt dans La Fille du train (The Girl on the Train)

Meryl Streep dans Florence Foster Jenkins

Natalie Portman dans Jackie

Meilleur acteur dans un second rôle

Dev Patel dans Lion

Aaron Taylor-Johnson dans Nocturnal Animals

Hugh Grant dans Florence Foster Jenkins

Jeff Bridges dans Comancheria (Hell or High Water)

Mahershala Ali dans Moonlight

Meilleure actrice dans un second rôle

Viola Davis dans Fences

Hayley Squires dans Moi, Daniel Blake (I, Daniel Blake)

Michelle Williams dans Manchester by the Sea

Naomie Harris dans Moonlight

Nicole Kidman dans Lion

Meilleur scénario original

Manchester by the Sea – Kenneth Lonergan

Comancheria (Hell or High Water) – Taylor Sheridan

Moi, Daniel Blake (I, Daniel Blake) – Paul Laverty

La La Land – Damien Chazelle

Moonlight – Barry Jenkins

Meilleur scénario adapté

Lion – Luke Davies

Premier Contact (Arrival) – Eric Heisserer

Tu ne tueras point (Hacksaw Ridge) – Andrew Knight et Robert Schenkkan

Les Figures de l'ombre (Hidden Figures) – Allison Schroeder et Theodore Melfi

Nocturnal Animals – Tom Ford

Meilleurs décors

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them) – Stuart Craig et Anna Pinnock

Doctor Strange – Charles Wood et John Bush

Ave, César ! (Hail, Caesar!) – Jess Gonchor et Nancy Haigh

Nocturnal Animals – Shane Valentino et Meg Everist

La La Land - David Wasco et Sandy Reynolds-Wasco

Meilleurs costumes

Jackie – Madeline Fontaine

Alliés (Allied) – Joanna Johnston

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them) – Colleen Atwood

Florence Foster Jenkins – Consolata Boyle

La La Land – Mary Zophres

Meilleurs maquillages et coiffures

Florence Foster Jenkins – J. Roy Helland et Daniel Phillips

Doctor Strange – Jeremy Woodhead

Tu ne tueras point (Hacksaw Ridge) – Shane Thomas

Nocturnal Animals – Donald Mowat and Yolanda Toussieng

Rogue One: A Star Wars Story –

Meilleure photographie

La La Land – Linus Sandgren

Premier Contact (Arrival) – Bradford Young

Comancheria (Hell or High Water) – Giles Nuttgens

Lion – Greig Fraser

Nocturnal Animals – Seamus McGarvey

Meilleur montage

Tu ne tueras point (Hacksaw Ridge)

Premier Contact (Arrival)

La La Land

Nocturnal Animals

Manchester by the Sea

Meilleurs effets visuels

Le Livre de la jungle (The Jungle Book)

Premier Contact (Arrival)

Doctor Strange

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them)

Rogue One: A Star Wars Story

Meilleur son

Premier Contact (Arrival)

Deepwater (Deepwater Horizon)

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them)

Tu ne tueras point

La La Land

Meilleure musique de film

La La Land

Premier Contact (Arrival)

Jackie

Lion

Nocturnal Animals

Meilleur film en langue étrangère

Le Fils de Saul (Saul fia)

Toni Erdmann

Mustang

Dheepan

Julieta

Meilleur film d'animation

Kubo et l'Armure magique (Kubo and the Two Strings)

Le Monde de Dory (Finding Dory)

Vaiana : La Légende du bout du monde (Moana)

Zootopie (Zootropolis)

Meilleur film documentaire

13th d'Ava DuVernay

The Beatles: Eight Days a Week de Ron Howard

La Jeune fille et son aigle d'Otto Bell

Notes on Blindness de James Spinney et Peter Middleton

Weiner de Josh Kriegman et Elyse Steinberg

Meilleur court métrage

Home

Consumed

Mouth of Hell

The Party 2016

Standby

Meilleur court métrage d'animation britannique

A Love Story

The Alan Dimension

Tough

Meilleur nouveau scénariste, réalisateur ou producteur britannique

Outstanding Debut by a British Writer, Director or Producer

Babak Anvari (scénariste/réalisateur), Emily Leo, Oliver Roskill and Lucan Toh (Producteurs) – Under The Shadow

Mike Carey (scénariste) et Camille Gatin (producteur) pour The Girl with All the Gifts

George Amponsah (scénariste/réalisateur/producteur) et Dionne Walker (scénariste/producteur) pour The Hard Stop

Peter Middleton (scénariste/réalisateur/producteur), James Spinney (scénariste/réalisateur) and Jo-Jo Ellison (producteur) – Notes on Blindness

John Donnelly (scénariste) and Ben A. Williams (réalisateur) – The Pass

EE Rising Star Award

Meilleur espoir. Résulte d'un vote du public.

Tom Holland

Anya Taylor-Joy

Laia Costa

Lucas Hedges

Ruth Negga

Outstanding British Contribution to Cinema

Remarquable contribution au cinéma britannique

Curzon (chaîne de salles de cinémas d'art et d'essai britannique)

Academy Fellowship

BAFTA d'Honneur

Mel Brooks

[awardseason]

2017 BAFTA Awards - Nominations

Best Film Arrival  I, Daniel Blake La La Land Manchester By The Sea  Moonlight

Director Arrival, Denis Villeneuve I, Daniel Blake, Ken Loach La La Land, Damien Chazelle Manchester By The Sea, Kenneth Lonergan Nocturnal Animals, Tom Ford

Leading Actor Andrew Garfield, Hacksaw Ridge Casey Affleck, Manchester By The Sea Jake Gyllenhaal, Nocturnal Animals Ryan Gosling, La La Land Viggo Mortensen, Captain Fantastic

Leading Actress Amy Adams, Arrival Emily Blunt, The Girl On The Train Emma Stone, La La Land Meryl Streep, Florence Foster Jenkins Natalie Portman, Jackie

Supporting Actor Aaron Taylor-Johnson, Nocturnal Animals Dev Patel, Lion Hugh Grant, Florence Foster Jenkins Jeff Bridges, Hell Or High Water Mahershala Ali, Moonlight

Supporting Actress Hayley Squires, I, Daniel Blake Michelle Williams, Manchester By The Sea Naomie Harris, Moonlight Nicole Kidman, Lion Viola Davis, Fences

Outstanding British Film American Honey  Denial  Fantastic Beasts And Where To Find Them I, Daniel Blake Notes On Blindness  Under The Shadow 

Outstanding Debut By A British Writer, Director Or Producer The Girl With All The Gifts: Mike Carey (Writer), Camille Gatin (Producer) The Hard Stop: George Amponsah (Writer/director/producer), Dionne Walker (Writer/producer) Notes On Blindness: Peter Middleton (Writer/director/producer), James Spinney (Writer/director), Jo-jo Ellison (Producer) The Pass: John Donnelly (Writer), Ben A. Williams (Director) Under The Shadow: Babak Anvari (Writer/director), Emily Leo, Oliver Roskill, Lucan Toh (Producers)

Film Not In The English Language Dheepan Julieta Mustang  Son Of Saul  Toni Erdmann 

Documentary 13th The Beatles: Eight Days A Week- The Touring Years The Eagle Huntress  Notes On Blindness  Weiner 

Animated Film Finding Dory  Kubo And The Two Strings  Moana  Zootropolis 

Original Screenplay Hell Or High Water, Taylor Sheridan I, Daniel Blake, Paul Laverty La La Land, Damien Chazelle Manchester By The Sea, Kenneth Lonergan Moonlight, Barry Jenkins

Adapted Screenplay Arrival, Eric Heisserer Hacksaw Ridge, Robert Schenkkan, Andrew Knight Hidden Figures, Theodore Melfi, Allison Schroeder Lion, Luke Davies Nocturnal Animals, Tom Ford

Original Music Arrival, Jóhann Jóhannsson Jackie, Mica Levi La La Land, Justin Hurwitz Lion, Dustin O'halloran, Hauschka Nocturnal Animals, Abel Korzeniowski

Cinematography Arrival, Bradford Young Hell Or High Water, Giles Nuttgens La La Land, Linus Sandgren Lion, Greig Fraser Nocturnal Animals, Seamus Mcgarvey

Editing Arrival Hacksaw Ridge La La Land Manchester By The Sea Nocturnal Animals

Production Design Doctor Strange Fantastic Beasts And Where To Find Them  Hail, Caesar! La La Land  Nocturnal Animals

Costume Design Allied  Fantastic Beasts And Where To Find Them  Florence Foster Jenkins  Jackie La La Land

Make Up & Hair Doctor Strange Florence Foster Jenkins  Hacksaw Ridge Nocturnal Animals Rogue One: A Star Wars Story

Sound Arrival  Deepwater Horizon  Fantastic Beasts And Where To Find Them  Hacksaw Ridge  La La Land 

Special Visual Effects Arrival Doctor Strange Fantastic Beasts And Where To Find Them The Jungle Book Rogue One: A Star Wars

Ee Rising Star Award (Voted For By The Public)  Anya Taylor-Joy Laia Costa Lucas Hedges Ruth Negga Tom Holland

#bafta awards #bafta 2017 #nominees

[thearabkhaleesi]

BAFTAs 2017 WINNERS

Best Film

Arrival

I, Daniel Blake

WINNER: La La Land

Manchester by the Sea

Moonlight

Best Actress

Amy Adams (Arrival)

Emily Blunt (The Girl on the Train)

WINNER: Emma Stone (La La Land)

Meryl Streep (Florence Foster Jenkins)

Natalie Portman (Jackie)

Best Actor

Andrew Garfield (Hacksaw Ridge)

WINNER: Casey Affleck (Manchester by the Sea)

Jake Gyllenhaal (Nocturnal Animals)

Ryan Gosling (La La Land)

Viggo Mortensen (Captain Fantastic)

Best Director

Denis Villeneuve (Arrival)

Ken Loach (I, Daniel Blake) 

WINNER: Damien Chazelle (La La Land)

Kenneth Lonergan (Manchester By the Sea)

Tom Ford (Nocturnal Animals)

Best Supporting Actor

Aaron Taylor-Johnson (Nocturnal Animals)

WINNER: Dev Patel (Lion)

Hugh Grant (Florence Foster Jenkins)

Jeff Bridges (Hell or High Water)

Mahershala Ali (Moonlight)

Best Supporting Actress

Hayley Squires (I, Daniel Blake)

Michelle Williams (Manchester by the Sea)

Naomie Harris (Moonlight)

Nicole Kidman (Lion)

WINNER: Viola Davis (Fences)

Best Animated Film

Finding Dory

WINNER: Kubo and the Two Strings

Moana

Zootropolis

EE Rising Star award

Anya Taylor-Joy

Laia Costa

Lucas Hedges

Ruth Negga

WINNER: Tom Holland

Best Original Screenplay

Hell or High Water 

I, Daniel Blake

La La Land

WINNER: Manchester By the Sea

Moonlight

Best Adapted Screenplay

Arrival

Hacksaw Ridge

Hidden Figures

WINNER: Lion

Nocturnal Animals

Best Cinematography

Arrival 

Hell or High Water

WINNER: La La Land

Lion

Nocturnal Animals

BAFTA Fellowship

Mel Brooks

Best Debut by a British Writer, Director or Producer

The Girl With All the Gifts – Mike Carey (writer), Camille Gatin (producer) 

The Hard Stop – George Amponsah (writer/director/producer), Dionne Walker (writer/producer) 

Notes on Blindness - Peter Middleton (writer/director/producer), James Spinney (writer/director), Jo-Jo Ellison (producer) 

The Pass – John Donnelly (writer), Ben A Williams (director) 

WINNER: Under the Shadow – Babak Anvari (writer/director), Emily Leo, Oliver Roskill, Lucan Toh (producers)

Best Documentary

WINNER: 13th

The Beatles: Eight Days a Week – The Touring Years

The Eagle Huntress

Notes on Blindness

Weiner

Best Film Not in the English Language

Dheepan

Julieta

Mustang

WINNER: Son of Saul

Toni Erdmann

Outstanding British film

American Honey

Denial

Fantastic Beasts and Where to Find Them

WINNER: I, Daniel Blake

Notes on Blindness

Under the Shadow

Best Special Visual Effects

Arrival

Doctor Strange

Fantastic Beasts and Where to Find Them

WINNER: The Jungle Book

Rogue One: A Star Wars Story

Best Make-Up & Hair

Doctor Strange

WINNER: Florence Foster Jenkins

Hacksaw Ridge

Nocturnal Animals

Rogue One: A Star Wars Story

Best Original Music

Arrival 

Jackie

WINNER: La La Land 

Lion

Nocturnal Animals

Best Costume Design

Allied

Fantastic Beasts and Where to Find Them

Florence Foster Jenkins

WINNER: Jackie

La La Land

Best Sound

WINNER: Arrival

Deepwater Horizon

Fantastic Beasts and Where to Find Them

Hacksaw Ridge

La La Land

Best British Short Animation

The Alan Dimension

WINNER: A Love Story

Tough

Best British Short Film

Consumed

WINNER: Home

Mouth of Hell

The Party

Standby

Best Editing

Arrival

WINNER: Hacksaw Ridge

La La Land

Manchester by the Sea

Nocturnal Animals

Best Production Design

Doctor Strange

WINNER: Fantastic Beasts and Where to Find Them

Hail, Caesar! 

La La Land

Nocturnal Animals

#bafta 2017 #baftas 2017 #award #award show #awards show

[movietvtechgeeks]

Latest story from https://movietvtechgeeks.com/la-la-land-wins-big-baftas-2017-politics/

'La La Land' wins big at Baftas 2017 with some politics

It's just two weeks before the Oscars hit, but the BAFTA's took center stage (well right before the Grammy's) Sunday night with "La La Land" winning five awards. Not bad as it had eleven nominations and won for Best film, best actress and best director. "Manchester By the Sea" continued its winning streak for Casey Affleck as best actor and Ken Loach won the best British film award for "I, Daniel Blake." Emma Stone, who won for Best Leading Actress in "La La Land" took her acceptance speech as a moment for her political statement. It was obvious how emotional this was for her as she stumbled slightly giving her message. “It feels like the world is going through a bit of a time right now… “Sorry, I’m losing my words, this always happens… “I don’t know if you’ve realized this, but right now this country and the U.S. and the world seems to be going through a bit of a time. Just a bit,” she said. “In a time that’s so divisive, I think it’s really special that we are all able to come together tonight thanks to BAFTA to celebrate the positive effect of creativity and how we can transcend borders and how we can help people to feel a little less alone.” Emma also acknowledged the BAFTA community for voting for her, telling them: “Thank you so much for this, this is an unbelievable honor.” Viola Davis, who won best supporting actress for "Fences" had a message supporting Meryl Street, whose impassioned speech at the Golden Globes resulted in a nasty Donald Trump tweet tantrum. “Anyone who labels Meryl Streep an overrated actress obviously doesn’t know anything about acting. That’s just the way it is. And that’s not even just directed towards Donald Trump. That’s directed towards anyone,” she told reporters in the press room following her win. “This is someone who is the master at her skill and she has lasted for 40 years — in a very difficult profession might I add. She continued: “I have never met anyone who has been in her presence who she has not made feel like a star in their own lives. That is a rock. Very humble, very gracious human being.”

2017 BAFTAs Winners List (winners are bolded):

BEST FILM ARRIVAL Dan Levine, Shawn Levy, David Linde, Aaron Ryder I, DANIEL BLAKE Rebecca O’Brien LA LA LAND Fred Berger, Jordan Horowitz, Marc Platt – WINNER MANCHESTER BY THE SEA Lauren Beck, Matt Damon, Chris Moore, Kimberly Steward, Kevin J. Walsh MOONLIGHT Dede Gardner, Jeremy Kleiner, Adele Romanski OUTSTANDING BRITISH FILM I, DANIEL BLAKE Ken Loach, Rebecca O’Brien, Paul Laverty – WINNER AMERICAN HONEY Andrea Arnold, Lars Knudsen, Pouya Shahbazian, Jay Van Hoy DENIAL Mick Jackson, Gary Foster, Russ Krasnoff, David Hare FANTASTIC BEASTS AND WHERE TO FIND THEM David Yates, J.K. Rowling, David Heyman, Steve Kloves, Lionel Wigram NOTES ON BLINDNESS Peter Middleton, James Spinney, Mike Brett, Jo-Jo Ellison, Steve Jamison UNDER THE SHADOW Babak Anvari, Emily Leo, Oliver Roskill, Lucan Toh OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER The Girl With All the Gifts: MIKE CAREY (Writer), CAMILLE GATIN (Producer) The Hard Stop: GEORGE AMPONSAH (Writer/Director/Producer), DIONNE WALKER (Writer/Producer) Notes on Blindness: PETER MIDDLETON (Writer/Director/Producer), JAMES SPINNEY (Writer/Director), JO-JO ELLISON (Producer) The Pass: JOHN DONNELLY (Writer), BEN A. WILLIAMS (Director) Under the Shadow: BABAK ANVARI (Writer/Director), EMILY LEO, OLIVER ROSKILL, LUCAN TOH (Producers) – WINNER FILM NOT IN THE ENGLISH LANGUAGE DHEEPAN Jacques Audiard, Pascal Caucheteux JULIETA Pedro Almodóvar MUSTANG Deniz Gamze Ergüven, Charles Gillibert SON OF SAUL László Nemes, Gábor Sipos – WINNER TONI ERDMANN Maren Ade, Janine Jackowski DOCUMENTARY 13th Ava DuVernay – WINNER THE BEATLES: EIGHT DAYS A WEEK- THE TOURING YEARS Ron Howard THE EAGLE HUNTRESS Otto Bell, Stacey Reiss NOTES ON BLINDNESS Peter Middleton, James Spinney WEINER Josh Kriegman, Elyse Steinberg ANIMATED FILM FINDING DORY Andrew Stanton KUBO AND THE TWO STRINGS Travis Knight – WINNER MOANA Ron Clements, John Musker ZOOTROPOLIS Byron Howard, Rich Moore DIRECTOR ARRIVAL Denis Villeneuve I, DANIEL BLAKE Ken Loach LA LA LAND Damien Chazelle – WINNER MANCHESTER BY THE SEA Kenneth Lonergan NOCTURNAL ANIMALS Tom Ford ORIGINAL SCREENPLAY HELL OR HIGH WATER Taylor Sheridan I, DANIEL BLAKE Paul Laverty LA LA LAND Damien Chazelle MANCHESTER BY THE SEA Kenneth Lonergan – WINNER MOONLIGHT Barry Jenkins ADAPTED SCREENPLAY ARRIVAL Eric Heisserer HACKSAW RIDGE Robert Schenkkan, Andrew Knight HIDDEN FIGURES Theodore Melfi, Allison Schroeder LION Luke Davies – WINNER NOCTURNAL ANIMALS Tom Ford LEADING ACTOR ANDREW GARFIELD Hacksaw Ridge CASEY AFFLECK Manchester by the Sea – WINNER JAKE GYLLENHAAL Nocturnal Animals RYAN GOSLING La La Land VIGGO MORTENSEN Captain Fantastic LEADING ACTRESS AMY ADAMS Arrival EMILY BLUNT The Girl on the Train EMMA STONE La La Land – WINNER MERYL STREEP Florence Foster Jenkins NATALIE PORTMAN Jackie SUPPORTING ACTOR AARON TAYLOR-JOHNSON Nocturnal Animals DEV PATEL Lion – WINNER HUGH GRANT Florence Foster Jenkins JEFF BRIDGES Hell or High Water MAHERSHALA ALI Moonlight SUPPORTING ACTRESS HAYLEY SQUIRES I, Daniel Blake MICHELLE WILLIAMS Manchester by the Sea NAOMIE HARRIS Moonlight NICOLE KIDMAN Lion VIOLA DAVIS Fences – WINNER ORIGINAL MUSIC ARRIVAL Jóhann Jóhannsson JACKIE Mica Levi LA LA LAND Justin Hurwitz – WINNER LION Dustin O’Halloran, Hauschka NOCTURNAL ANIMALS Abel Korzeniowski CINEMATOGRAPHY ARRIVAL Bradford Young HELL OR HIGH WATER Giles Nuttgens LA LA LAND Linus Sandgren – WINNER LION Greig Fraser NOCTURNAL ANIMALS Seamus McGarvey EDITING ARRIVAL Joe Walker HACKSAW RIDGE John Gilbert – WINNER LA LA LAND Tom Cross MANCHESTER BY THE SEA Jennifer Lame NOCTURNAL ANIMALS Joan Sobel PRODUCTION DESIGN DOCTOR STRANGE John Bush, Charles Wood FANTASTIC BEASTS AND WHERE TO FIND THEM Stuart Craig, Anna Pinnock – WINNER HAIL, CAESAR! Jess Gonchor, Nancy Haigh LA LA LAND Sandy Reynolds-Wasco, David Wasco NOCTURNAL ANIMALS Shane Valentino, Meg Everist COSTUME DESIGN ALLIED Joanna Johnston FANTASTIC BEASTS AND WHERE TO FIND THEM Colleen Atwood FLORENCE FOSTER JENKINS Consolata Boyle JACKIE Madeline Fontaine – WINNER LA LA LAND Mary Zophres MAKE UP & HAIR DOCTOR STRANGE Jeremy Woodhead FLORENCE FOSTER JENKINS J. Roy Helland, Daniel Phillips – WINNER HACKSAW RIDGE Shane Thomas NOCTURNAL ANIMALS Donald Mowat, Yolanda Toussieng ROGUE ONE: A STAR WARS STORY Nominees tbc SOUND ARRIVAL Claude La Haye, Bernard Gariépy Strobl, Sylvain Bellemare – WINNER DEEPWATER HORIZON Mike Prestwood Smith, Dror Mohar, Wylie Stateman, David Wyman FANTASTIC BEASTS AND WHERE TO FIND THEM Niv Adiri, Glenn Freemantle, Simon Hayes, Andy Nelson, Ian Tapp HACKSAW RIDGE Peter Grace, Robert Mackenzie, Kevin O’Connell, Andy Wright LA LA LAND Mildred Iatrou Morgan, Ai-Ling Lee, Steve A. Morrow, Andy Nelson SPECIAL VISUAL EFFECTS ARRIVAL Louis Morin DOCTOR STRANGE Richard Bluff, Stephane Ceretti, Paul Corbould, Jonathan Fawkner FANTASTIC BEASTS AND WHERE TO FIND THEM Tim Burke, Pablo Grillo, Christian Manz, David Watkins THE JUNGLE BOOK Robert Legato, Dan Lemmon, Andrew R. Jones, Adam Valdez – WINNER ROGUE ONE: A STAR WARS STORY Neil Corbould, Hal Hickel, Mohen Leo, John Knoll, Nigel Sumner BRITISH SHORT ANIMATION  THE ALAN DIMENSION Jac Clinch, Jonathan Harbottle, Millie Marsh A LOVE STORY Khaled Gad, Anushka Kishani Naanayakkara, Elena Ruscombe-King – WINNER TOUGH Jennifer Zheng BRITISH SHORT FILM CONSUMED Richard John Seymour HOME Shpat Deda, Afolabi Kuti, Daniel Mulloy, Scott O’Donnell- WINNER MOUTH OF HELL Bart Gavigan, Samir Mehanovic, Ailie Smith, Michael Wilson THE PARTY Farah Abushwesha, Emmet Fleming, Andrea Harkin, Conor MacNeill STANDBY Charlotte Regan, Jack Hannon EE RISING STAR AWARD (voted for by the public) TOM HOLLAND – WINNER ANYA TAYLOR-JOY LAIA COSTA LUCAS HEDGES RUTH NEGGA

Movie TV Tech Geeks News

#BAFTAs #Casey Affleck #Emma Stone #Featured #Fences #La La Land #Manchester By the Sea #Viola Davis

[yahoonewsdigest-us-extra]

BAFTA Awards: 'La La Land' Leads Nominations

Entertainment

BAFTA Awards: 'La La Land' Leads Nominations

See the list of nominations below FILM La La Land Arrival I, Daniel Blake Manchester By the Sea Moonlight BEST ACTRESS Amy Adams – Arrival Emily Blunt – The Girl on the Train Emma Stone – La La Land Meryl Streep – Florence Foster Jenkins Natalie Portman – Jackie BEST ACTOR Andrew Garfield – Hacksaw Ridge Casey Affleck – Manchester by the Sea Jake Gyllenhaal – Nocturnal Animals Ryan Gosling – La La Land Viggo Mortensen – Captain Fantastic BEST SUPPORTING ACTRESS Hayley Squires – I, Daniel Blake Michelle Williams – Manchester by the Sea Naomie Harris – Moonlight Nicole Kidman – Lion Viola Davis – Fences BEST SUPPORTING ACTOR Aaron Taylor-Johnson – Nocturnal Animals Dev Patel – Lion Hugh Grant – Florence Foster Jenkins Jeff Bridges – Hell or High Water Mahershala Ali – Moonlight OUTSTANDING BRITISH FILM American Honey – Andrea Arnold, Lars Knudsen, Pouya Shahbazian, Jay Van Hoy Denial – Mick Jackson, Gary Foster, Russ Krasnoff, David Hare Fantastic Beasts and Where to Find Them – David Yates, J.K. Rowling, David Heyman, Steve Kloves, Lionel Wigram I, Daniel Blake – Ken Loach, Rebecca O’Brien, Paul Laverty Notes on Blindness – Peter Middleton, James Spinney, Mike Brett, Jo-Jo Ellison, Steve Jamison Under the Shadow – Babak Anvari, Emily Leo, Oliver Roskill, Lucan Toh FILM NOT IN ENGLISH LANGUAGE Dheepan – Jacques Audiard, Pascal Caucheteux Julieta – Pedro Almodóvar Mustang – Deniz Gamze Ergüven, Charles Gillibert Son of Saul – László Nemes, Gábor Sipos Toni Erdmann – Maren Ade, Janine Jackowski DOCUMENTARY 13th – Ava DuVernay The Beatles: Eight Days A Week – The Touring Years Ron Howard The Eagle Huntress – Otto Bell, Stacey Reiss Notes on Blindness – Peter Middleton, James Spinney Weiner – Josh Kriegman, Elyse Steinberg ANIMATED FILM Finding Dory – Andrew Stanton Kubo and the Two Strings – Travis Knight Moana – Ron Clements, John Musker Zootopia – Byron Howard, Rich Moore DIRECTOR Denis Villeneuve – Arrival Ken Loach – I, Daniel Blake Damien Chazelle – La La Land Kenneth Lonergan – Manchester By The Sea Tom Ford – Nocturnal Animals BEST CINEMATOGRAPHY Bradford Young – Arrival Giles Nuttgens – Hell or High Water Linus Sandgren – La La Land Greig Fraser – Lion Seamus McGarvey – Nocturnal Animals OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR, OR PRODUCER The Girl With All the Gifts – Mike Carey (Writer), Camille Gatin (Producer) The Hard Stop – George Amponsah (Writer/Director/Producer), Dionne Walker (Writer/Producer) Notes on Blindness – Peter Middleton (Writer/Director/Producer), James Spinney (Writer/Director), Jo-Jo Ellison (Producer) The Pass – John Donnelly (Writer), Ben A. Williams (Director) Under the Shadow – Babak Anvari (Writer/Director), Emily Leo, Oliver Roskill, Lucan Toh (Producers) ORIGINAL SCREENPLAY Taylor Sheridan – Hell or High Water Paul Laverty – I, Daniel Blake Damien Chazelle – La La Land Kenneth Lonergan – Manchester by the Sea Barry Jenkins – Moonlight ADAPTED SCREENPLAY Eric Heisserer – Arrival Robert Schenkkan, Andrew Knight – Hacksaw Ridge Theodore Melfi, Allison Schroeder – Hidden Figures Luke Davies – Lion Tom Ford – Nocturnal Animals EDITING Joe Walker – Arrival John Gilbert – Hacksaw Ridge Tom Cross – La La Land Jennifer Lame – Manchester By the Sea Joan Sobel – Nocturnal Animals PRODUCTION DESIGN John Bush, Charles Wood – Doctor Strange Stuart Craig, Anna Pinnock – Fantastic Beasts and Where to Find Them Jess Gonchor, Nancy Haigh – Hail, Caesar!

#yahoo news digest #Entertainment