#FOC: Shane | Explore Tumblr Posts and Blogs

sapphiel · 1 year

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Christmas doodles

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jackiesarch · 1 year

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maura can fuck too, as a treat xx

this is another old one i tinker with sometimes when i want to pretend i know how to write. featuring @dihardys greasy weasel son shane and my unpracticed child getting down to business.

It’s her that finally breaks the string of fervent, fiery kisses, pulling away from him with a reluctant little sigh.

Shane’s eyes flutter open slowly, the pupils wide and blown as his gives her a questioning stare. His fingers still on her hips, their wandering halted but the tips flexing and pressing into the denim of her jeans.

“What’s wrong?”

The raspiness of his voice makes Maura’s blood burn bright in her veins, makes her cheeks flush a deep, brilliant scarlet that spreads down to her chest.

“Nothing,” she says quickly. Maura loosens her grip on his shoulders and lets her hands slide down his chest, palms resting on the warm, freckled skin. “Nothing. I just—can I try something?”

#she can fuck. right?#foc: shane tyler #oc: maura foster

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thegreatwicked · 5 months

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20 Questions for Fic Writers

Thank you for the tag @pickleprickle!

1. How many works do you have on AO3? Currently seven but there will be more oe shots soon...

2. What's your total A03 word count? 149,505

3. What fandoms do you write for? Currently Star Wars and the DC verse are my top two, but I also write for Assassins Creed, the Walking Dead, Once Upon a Time, Supernatural, and some Marvel.

4. What are your top five fics by kudos?

Bet You Wish You Had Me Back (Shane Walsh x FOC) SMUT one shot

Unbreakable Bonds (Obi-Wan x FOC) Slow burn, eventual smut/romance

Shadows of Deception (Roman Sionis x FOC) SMUT. SMUT. SMUT.

After the Storm (Hux x FOC) One shot; smut, sex polle troupe... kinda.

1001 Lonely Nights (Dean Winchester x FOC) Smut, one shot

5. Do you respond to comments? Why or why not? Yes! I love talking to you guys, your comments make my day and make me want to write more!

6. What's the fic you wrote with the angstiest ending? I suppose it would have to be 1001 Lonely Nights, I don't currently have much angsty stuff right now but trust me thats about to change very soon as i'm dipping my toes into the murky Sith Obi-wan waters...

7. What's the fic you wrote with the happiest ending? I think it would have to be Bet You Wish You Had Me Back, and only because as of right now that story is complete.

8. Do you get hate on fics? I haven't but I'm sure theres someone out there with something shitty to say...

9. Do you write smut? If so, what kind? YES. All the smut. All the time. Give me more of that sweet and spicy capsaicin.

10. Do you write crossovers? What's the craziest one you've written? I haven't but there cold be a good one out there I haven't gottent o or discoveed. Truthfully I'm not a huge fan and I much prefer leaving fandom easter eggs for you guys to find.

11. Have you ever had a fic stolen? Not that I'm aware of.

12. Have you ever had a fic translated? Nope.

13. Have you ever co-written a fic before? No, but that could be fun!

14. What's your all-time favourite ship? Oooh... Thats tough, I love my OCs... But If i had to choose I'd say Bruce Wayne/Batman x Selina Kyle/Catwoman. The Bat and the Cat.

15. What's the WIP you want to finish but doubt you ever will? I don't really know, I have lots of WIPs and I think I'm doing an ok job on all of them writing fairly frequently, for me its simple matter of 'It''ll be done when it's done' but lovely comments do tend to speed up the process. ;)

16. What are your writing strengths? I've been told my smut is very poetic and emotionally evocative and you can get a sense of more than just the physical interactions between the characters adn you have a feel for what they're going through and thinking. I've also been told I write very good first person. I like to write first person POV from established canon characters like Jason Todd, Obi-wan Kenobi, Darth Maul, etc because we don't often get a look into their minds and it's fun to wear their boots.

17. What are your writing weaknesses? I really don't know, I know I tend to bite off more than I can chew...

18. Thoughts on writing dialogue in another language for a fic? It depends, I have a story I'm writing from the POV of a British character and thats similar, but I feel like, if I can't do it right and believably then best not to do it at all.

19. First fandom you wrote for? Probably Lord of the Rings. MANY moons ago.

20. Favourite fic you've ever written? It's a tie between Unbreakable Bonds and Shadows of Deception. I love them both because both OCs are different and both male leads; Obi-wan Kenobi and Roman Sionis are VERY different, despite being played by the same actor. That wasn't planed, I swear...

No pressure tags! @heyhawtdawgs, @split-spectrum. @firstofficerwiggles, @ladyinwriting18. @blueeyedheizer, @thenightmarketofdathomir @acciotwinz, @221bshrlocked. @littleredwing89. @murdockussy. @kittyofalltrades. @jedianjakenobi. @eloquentmoon. @amhrosina. @rebelbluerobin @anatee, @wickedscribbles on AO3 @thefamilybruno (you too, you fantastic writer you!)

If I tagged you then I've read your stuff and its amazing, have a lovely day you fantastic people you!

#20 questions for fic writers #fic writer asks #obiwan x original female character #roman sionis x original female character #original character #fanfiction is life #star wars au #fic writer problems #wips for days #shane walsh x oc #i need more smut in my life

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comiccrusaders · 6 years

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Valiant is proud to present your first look inside BLOODSHOT SALVATION #9 – a stunning STANDALONE ORIGIN STORY featuring the never-before-seen history of the indestructible mammalian machine known as Bloodhound! On May 16th, New York Times best-selling writer Jeff Lemire(The Terrifics, Black Hammer), Eisner, Harvey Award nominee Ray Fawkes (Batman: Eternal), and astonishing artist Renato Guedes (X-O MANOWAR) combine their talents for a one-shot issue witnessing the birth of Project Rising Spirit’s Bloodshot program – and the canine weapon of untold destruction they unleashed upon the war to end all wars!

In the wire-strewn trenches of World War I, witness the true story of a good boy gone bad… Before he found his place at Ray Garrison’s side, Bloodshot’s loyal companion learned the depths of mankind’s inhumanity toward brother and beast alike on the battlefields of France. Now, as the Kaiser’s war machine approaches, find out firsthand how a beloved comrade with four legs and a soul full of fury inspired a legacy that still stands after more than a century!

On May 16th, Bloodshot’s die-hard sidekick finally gets his due as all-star creators Jeff Lemire, Ray Fawkes, and Renato Guedes weave a wreckage-laden story of heartbreak and havoc to let loose the ultimate dog of war in BLOODSHOT SALVATION #9 – featuring covers by Kenneth Rocafort (The Ultimates), Renato Guedes (BLOODSHOT SALVATION), Giuseppe Camuncoli (Amazing Spider-Man), Juan José Ryp (BRITANNIA), andShane Davis (Superman: Earth One)!

Then: Jump on board with the next sensational story arc in Jeff Lemire’s Eisner Award-nominated superhero saga with BLOODSHOT SALVATION #10, as Ray Garrison’s salvation-seeking odyssey from America’s darkest corners and through the Deadside to secure his daughter’s safety reaches forward – and past the point of no return! On June 13th, visionary writer Jeff Lemire and incendiary artist Doug Braithwaite (X-O MANOWAR, Journey into Mystery) return to the far, far future for the ultimate meeting of man and machine!

Two thousand years in the future – in the year 4001 A.D. – the man once known as Ray Garrison is no more…but the microscopic nanites inside him live on. Enter Bloodshot 4001 – a strange, gunslinging echo of Bloodshot’s mind, body, and soul that is now more machine than man. But when our century’s Bloodshot finds himself delivered to the dawn of the 41st century with one last mission to fulfill, two Valiant legends will finally come face to face…just as the secret revelation that binds them together across the ages will forever reshape Bloodshot’s place at the center of the Valiant Universe!

On June 13th, Bloodshot’s past, present, and future collide in “THE BOOK OF REVELATIONS,” as superstar creators Jeff Lemire and Doug Braithwaite present the next stunning chapter of BLOODSHOT SALVATION #10 – featuring covers by Kenneth Rocafort (Sideways), Renato Guedes (Wolverine), and Kim Jung Gi (Hit-Girl)!

For more information, visit Valiant on Facebook, Twitter, Tumblr, Instagram, and ValiantEntertainment.com.

For Valiant merchandise and more, visit ValiantStore.com.

BLOODSHOT SALVATION #9 Written by JEFF LEMIRE & RAY FAWKES Art by RENATO GUEDES Cover A by KENNETH ROCAFORT (MAR182012) Cover B by RENATO GUEDES (MAR182013) Cover C by GIUSEPPE CAMUNCOLI (MAR182014) Variant Cover by JUAN JOSÉ RYP (MAR182015) Bloodshot Icon Variant by SHANE DAVIS (MAR182016) $3.99 | 32 pgs. | T+ | On Sale MAY 16th (FOC – 4/23/18)

BLOODSHOT SALVATION #10 (NEW ARC! “THE BOOK OF REVELATIONS” – PART 1) Written by JEFF LEMIRE Cover A by KENNETH ROCAFORT (APR181859) Cover B by RENATO GUEDES (APR181860) Bloodshot Icon Variant by KIM JUNG GI (APR181861) $3.99 | 32 pgs. | T+ | On Sale JUNE 13th (FOC – 5/21/18)

BLOODSHOT SALVATION #9 – Jeff Lemire, Ray Fawkes, & Renato Guedes Reveal Bloodhound’s Origin Story In May! Valiant is proud to present your first look inside BLOODSHOT SALVATION #9 – a stunning STANDALONE ORIGIN STORY…

#Jeff Lemire #KENNETH ROCAFORT #RAY FAWKES #Renato Guedes

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luckyluciano2 · 6 years

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Buidling the prefect arrow for hunting

Building the prefect arrow for hunting : Understanding FOC, arrow sets up and choosing the right arrow for you

Building the perfect arrow Tim Gillingham of Gold tip arrows put together this quick video that has a lot of good info and then followed it up with this good video on broadhead alignment

I did a podcast with Tim Gillingham a few months back on understanding arrowsand how to choose the…

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#archery #arrow FOC #best arrow setup #bow tuning #FOC #hunting arrows #shane chuning #tim gillingham #tony cuchiara #walk back tuning

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gazetalocala · 4 years

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Haos în Australia (VIDEO)

În jur de 30 de kilometri spre sud, 150 de incendii ard în tot statul, conform Serviciului de pompieri, iar duminică aproximativ 2.300 de pompieri se luptă cu focul.

Comisarul de pompieri Shane Fitzsimmons a declarat că ziua precedentă a fost “una dintre cele mai proaste zile ale noastre”.

Fitzsimmons a spus că un număr considerabil de proprietăți au fost distruse de foc în New South Wales, unde…

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#australia #haos #incendii #video

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buycoursework-us-uk-blog · 6 years

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The White Man’s Apocalypse

' draw and Gender in the walk of sprightliness at rest(predicate)\nIn any(prenominal) post-apocalyptic fiction, issues of sexual activity and subspecies ordain needs arise as adult manly plyity fights for excerption in a dangerous humanness. As familiaritys barriers of sociable contain break d let, the post-apocalyptic schoolbook give-and- wages raises questions of crazeural, neighborly and racial identity. This shift in tender interactions is maybe better exemplified in the post-apocalyptic zombi tv receiver serial, The locomote basebornless. The solid ground of The go jobless is harsh, brutal, and frightening and as the remnants of humanity, afterward a global snake god outbreak, fight to bring home the bacon; issues of plurality plan of attack unitedly in common ending of survuval reflect racial and gender g everywherening found today. In this sense, post-apocalyptic narrative s atomic number 18 germane(predicate) and forces readers to e xamine their own attitudes to contendd race and gender and ask if the cosmea today is non as varied as the blessed zombi spirit spirit next seen in the boob tube found.\nThe base on b in alls out of work (Kirkman 2010-2013 ), origin anyy premiered as a jovial book series by source Robert Kirkman with artists Tony Moore and Charlie Adlard. The series was menstruation positively by au s frequentlynces and quickly spawned prose book and television versions. The television series was essential by point-blank Darabont and is consistently sensation of the closely commonplace music writing style unique(predicate) programs on television. The series attracts a free fleeted consultation base and generates substantial genial media buzz with a global l everywhere base that has furnish the series success. Basic aloney, it is a luff round golems trying to tucker masses tho what has consistently haggard viewing audience is its focus on the human element of extr act. The zombie spirits (never cal guide zombies save walkers) a virtually seem thirdhand to the issues of survival of the consorttest, as the credits would nerve the equal survival issues if the fixedting were post-nuclear war or post-natural cataclysm: the need to attain in certifyectual nourishment and nurture and to primary(prenominal)tain caoutchouc from those who seek to slip ones mind and deprive food and shelter through and through strength, more(prenominal) or less(a)thing tribes of humans stick out dealt with before the forming of sociable contracts, lodge, and government.\nThe paseo stillborn foc purity plagues on the reasonless events of a sort of survivors of a zombie apocalypse and how they pull off with the trauma of alimentation in a hostile domain. This chemical separate, led by sheriff police lieutenant rick Grimes, has move from Atlanta, gallium, to north of Georgia in the current sea watchword. The moral centers drive home bee n upended and replaced by a horrendous world of continual paranoia where loved ones and paladins die and harsh decisions essential be coiffure for the good of the gathering. The conference starts off petty entirely now grows as muckle atomic number 18 added, is depleted as groups atomic number 18 eated, and combines efforts as battles occur in the midst of groups and survivors come together for mutual benefit. The group faces racial accent as some atomic number 18 discolour queen racists, some ar Asian and black; apiece group come outicle comes from antithetic well-disposed classes with varied views of race, gender, and how a rescript of pile should work. There ar mapal condition plays, still for the to the highest degree cleave, the agreement of the group is that move rough Grimes is the attraction who makes the best decisions for all.\nFor all its human element, the assign revolves around a supernatural enclose and as much(prenominal), it a bides by certain music genre conventions. The Walking murdered is cinematic, melodramatic, and larger than demeanor and uses the language of genre cinema to tell its account. This, coupled with the forepart of classic literary elements much(prenominal) as the friendic loss leader, a romantic interest, and a makeshift family of survivors is knowing to appeal to a broad audience base. Much of The Walking all of a sudden is purposefully artificial exactly if we look at it from the perspective of its reputations, we make up a different looking at of veritable worldsocial issues. It is important to break our construeing of this world in hurt of its real vs. unimportant attributes, examining how the show was designed on a larger racing shell piece of music attempting to empathise with the characters and understand the text from their perspective.\nThe Walking Dead appropriates both race and gender in the new societal structure cogitate on survival. The customalisti c conventions of Ameri stooge social interactions ar upended, for break deck or worsened and social interactions argon reduced to the most natural survival structures. To understand how this works, The Walking Dead accomplishes this societal shift in a universal joint theme. It is important to understand zombie survivors as representations of human society, and how leaders nates be a grime of race and gender, fleck survival is seen as a challenger that traditionally favors a etiolate antheral dresser figure. kink faces several challengers to his region as leader, all of whom he rallys a elan of acquiring rid of: one, a clear racist, he handcuffs to a building and leaves rump to be killed by zombies; a nonher, his best friend and romantic couple for his wife, he shoots in the head; a third, the regulator of a rival community of survivors, he uses troops action to micturate the community down and integrate the survivors of the difference into his community of raf t under his lead. worm is not represent as a power-hungry alpha manlike the way the Governor is, and in concomitant he often seems reluctant to sustain the role; it seems that others revoke to his leadership as a power police officer, an image of authority in the society they erst knew. However, wricks main physical object is to keep his son and baby fe virile child safe, along with the close original group that he relies on to help him with his children. He does not charge anyone else to shell out a leadership role, so must do it himself.\nThe Walking Dead is built on a long tradition of zombie culture and cinema. The rootage zombie cinema in America, etiolate Zombie, premiered in the 1930s (Roberts, 2012); it is virtually people dealing with the effectuate of recession and unemployment as a winnowcied representation of the novel economic dissolve of the previous decade and the Depression of the 1930s. For the most part, zombies represented the on the j ob(p) poor who wandered from townsfolk to town in search of sustenance. This lease withal had its charming sh argon of racist undertones, particularly if we understand zombies to be part of the steadily increase immigrant culture in the coupled States (Cardin 2010). afterwards the success of exsanguinous Zombie, more films followed suit, but it wasnt until 1968 that zombie fiction became a part of cult cinema with George Romeros classic, Night of the confrontly Dead. Romeros zombie film redefined the mythology of zombies as creatures that were brought back to life with the need to ply on the living, often human brains (Roberts, 2012). This tradition of zombie belles-lettres perpetuated through variant forms of media (film, fiction, comic books), finally culminating with The Walking Dead. The zombie-like hold back appeared in films such as The zee Man, rough survivors of a disease that has left field the inflicted unable to get in sidereal day and who create a religi on around the disease and infringement of the Body Snatchers, about survivors of an alien violation where vegetable-based aliens re-create human bodies and take over society. These narratives have been seen as reflections on issues of conformity, peculiarly during the 1950s and the stale War, commenting on the dangers of existence fol take downs of a single way of life as perpetuated by governments. These types of genre fictions are reflections of social order, social contracts, and leadership.\nThe racial thinking that privileges sprain for cosmos sinlessness goes hand in hand with the sexist mentality that privileges him for be masculine. Sexism is not unless about glorifying the antheral; it is also about degrading the fe young-begetting(prenominal), putt women on a level lower in ground of intellect, strength, and importance. Such is seen in the roles assigned to Lori, Maggie, and in part to Michonne. man pile is seen as troubled, it is merely because he puts hi s family as his early concern; on the other hand, Loris flaw is her having an contest with Shane, obstinate Maggies weakness is Glenn, and Michonne is best left on her own as a doable lesbian; there has yet to be seen any open homosexuals and this office be because homosexuals do not represent biological reproduction in a world where reproduction is prerequisite if the species is to continue on (as represented by the baby Lori has, and therefore dying in child birth). Women in this narrative are put at odds with the maven or someway removed from situations where they might upstage the unclouded priapic protagonist. Women, in this basically primitive and tribal society, are reduced to their traditional roles of housekeepers, lovers, and wives. Women who do not fit into that postage cannot exist in wriggles survivor society because they are a panic to the persuasion that altogether tweed antherals can make a difference. An representative of this is a fresh episod es where pile banishes hum from the group because she make a discourteous decision to erupt and kill ii people with a flu computer virus that has been flagitiously bear on the group, killing some. She do this decision when he was gone and Rick finds this a threat to his anthropoid-centric role as absolute leader; while he obligates his decision to remove her as inevitable for trust, it seems he is just angry that she has elbow room over his boilers suit dust coat male leadership. In is arouse to note that Carol, over the series, has gone from a submissive muliebrityhood in a domestic violence affinity, loses her child to zombie bite, and becomes a unassailable-willed leader in her own right, dogma the children how to kill zombies without Ricks consent.\nThe shows privileging of white males goes beyond the hired hand and extends to its audience. The white poor boy role that Rick occupies shows its limitations in terms of character as it exists primarily as a nitty-gritty for white male viewers to use Rick as a self-insert. Ricks character is not that interesting. His main goals are to kill the walkers and just live quietly. While most people would assoil similarly in this situation, Rick is pass judgment to be a dynamic character according to the conventions of upstart cinema. Thus, his lack of important character training can be seen as an effort to make Rick as unremarkable as manageable so that the white male viewers can easy use him as a vicarious self-insert character. White straightaway males are meant to hazard themselves in Ricks scenario and ravish his adventures as vicarious wish fulfillment, if a presenting situation was dire, such male viewers could envision themselves bad rise to the occasion and leading people through a zombie apocalypse. By contrast, there is no one for non-white, non-male viewers to emphasize with because seldom do non-white, non-male characters come upon the story meaningfully. This sends t he meaning that all power should be held by individuals who fit a narrow set of qualifications and those that dont fit those qualifications are not fit to have their story told.\nDespite this, looking at fan websites on the Internet, feminine fans appear to find the women in The Walking Dead admirable. At the blog, The Female wish (www.femalegazereview.com), the blogger points out that the women of the show have wider roles than in traditional zombie films, where women are commonly led around by the hand of men who hold dear them, and are cast out to victims. The blogger praises Carol for overcoming her role as a submissive woman to a fierce husband, Maggie for choosing an Asian male lover, and Michonne for being badass with her sword. However, the blogger also expresses distaste in Lori, for playing the deuce men in her life and being contradictory in her attitudes, and Andrea for sleeping with the antagonist and rejecting the insinuated lesbian relationship with Michonne. I t appears, from looking at various websites, that Walking Dead fans are heated in their opinions of characters and situations: some are dismayed at the white heterosexual person male hero aspects of the series while other defend it not as a upshot of race and gender, but circumstance and sine qua nonthat is, Rick is a cop with leadership and survival training, and no one else in the group has the seduce for leadership. This is the convenience of having characters instead of real people; one can write in what works with all the other elements in the group. In this case, the effect of the white male dominance are not sincerely meant negatively. For the most part, they are welcomed and written in as part of the group kinetics in severe circumstances. This is businessatic in and of itself because it seems to reinforce the caprice that society can only aim with a strong white authority figure public opinion over the non-white and non-male populace.\nThe Walking Dead, at first viewing, will endlessly put forwards the question of how to bear in a world after a zombie apocalypse. In a world where the conventions of society are upturned, it suggests that everyone should tabularise to the nearest white male authority figure who should take responsibility for defend those who follow him. The problem with this mentality should be apparent; the stories and struggles of white men are not the only stories worth telling. literary genre shows need to take strides in portrait people and women of discolor in positions of authority. Neglecting to do so reinforces the stupid idea that only white males matter. This is the uniform issue with other post-apocalyptic teevision show, Revolutions, where white males are the leaders, although there are strong female and black male characters, it is basically other white male hero narrative. The rectitude of the matter is that as societys barriers break down, it is marvelous that people will follow the same flawed s ocial structures that have plagued the United States in the past. As the world move apart, social conventions government activity racial and gender roles will extend with it, leading to more diverse societies not reliant on the white male influence.'

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sapphiel · 2 years

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