#HAVE TRAGIC BACKSTORIES INVOLVING THEIR FAMILY/DISAGREEING OR NOT FITTING IN WITH THEIR SOCIETY | Explore Tumblr Posts and Blogs

makeste · 4 years

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There's been a lot of talk about Mina's optimistic line about how they'll all be fine and back to class is a death flag, but if anything I think it's a desth flag for U.A. They'll be fine, but they won't be back to class as normal, because there won't BE a class to attend(RIP Shinsou)

seems like everyone in the fandom is talking about death flags and kids dying and society falling to pieces these days lol. fwiw, as I’m sure most people have seen by now, Viz’s translation showed that Mina was actually talking about Midnight, so if this really is a “famous last words” situation, it would apply to her rather than the kids.

but it seems like the speculation hasn’t really died down despite that! so since the whole “kids dying” thing keeps coming up, I’m gonna go ahead and weigh in on it again here and say that I don’t think it’s going to happen. so far I’ve mostly been trying to keep my reasoning short and sweet and leaving it at “it would be too dark”, but in truth, the real reason why I don’t see it happening is because I don’t think it would serve any purpose.

here’s the thing about character deaths: assuming that the writing is any good (which I would argue that it is, in BnHA’s case, although you are free to disagree!), they should always serve a purpose. and in most cases, that’s going to mean one of four things:

it serves as a way to write the character out of the story for whatever reason (for instance if the character is getting in the way of letting a plot be resolved, or if the actor is leaving, which of course doesn’t apply to BnHA but is a huge factor in a lot of other media). an example here would be Twice, who was written out of the story because his quirk would have prevented the heroes from having any chance at all of winning.

it sets the stakes and takes away the audience’s sense of security by establishing that No One Is Safe, and that People Can And Will Die. this is important in that it builds suspense and makes the audience more invested than they might otherwise be, because they can’t be 100% certain that their fave is going to make it out alive. a good example of this would be the recent massacre at Jakku, which showed in no uncertain terms how powerful Tomura has become, and also demonstrated that Horikoshi has no qualms whatsoever about killing off any number of pro hero characters in this arc.

it completes that character’s arc and serves as a fitting (if depressing) end to their story. this is probably the most controversial as far as “reasons for killing someone off” go, because it’s so easy to fuck up, and because someone will almost always argue that there were other, better ways for a character’s story to end. most “redemption” deaths fall under this category, as do the “character makes the ultimate sacrifice to protect their loved one” deaths. if Endeavor ends up dying there’s a good chance it will fall under this category. so far though, BnHA has been pretty light on these types of deaths, which tbh suits me just fine. ideally this sort of death is supposed to provide some sort of closure, but in practice it doesn’t always work out that way.

lastly, the death furthers the story in some way. it galvanizes another character into action, or serves as a motivation for them. or maybe the death shifts the political landscape of the story and sets new plots into motion. most tragic backstory deaths fall under this category; for example, pretty much the entire Shimura family (r.i.p.). this is another potentially controversial area though on account of there being many other ways to move the plot forward without resorting to killing someone off. not to mention that “fridging” deaths also fall under this category -- deaths where one character is used as a plot device to move another character’s development forward. Nana, unfortunately, is an example of this, but that’s another rant for another day.

anyway, so these are the four biggest reasons to kill off a character in a story. there are others as well, including simply adding some more tragedy and emotion to the story, but IMO that doesn’t really apply to this particular genre. BnHA isn’t a tragedy, nor is it the kind of bleak, grimdark narrative where killing off characters more frequently would make sense. this isn’t the kind of series where gratuitous character deaths are necessary to add shock value or realism. making the shift into that kind of writing this late in the game wouldn’t make much sense, and IMO would do a lot more harm than good.

so as far as I’m concerned, this means that if Horikoshi is going to kill someone off in this arc, that death needs to come under one of these four categories. oh, and something I forgot to mention before -- it should be necessary, as well. in other words, it accomplishes one of these four things, and is the only way that said thing can be accomplished. those are basically my criteria for a “good” character death.

and as far as I can see, none of the kids’ deaths would currently fall into that “necessary” category, or meet any of those other four criteria. none of the kids are so powerful that they need to be written out of the story (and even if they were, there are other ways to do that with AFO and the quirk-be-gone bullets now in play). they don’t need to be killed off in order to raise the stakes; clearly, fandom is already very convinced on that front already, or people wouldn’t constantly be freaking out over death flags and such in the first place. and none of the kids is anywhere near the completion of their respective story arcs. maybe if one or more of them had been featured more often recently, and there was some actual buildup, like we saw with Mirio right before he lost his quirk, or with Nighteye before he was killed. but we haven’t seen anything like that recently for any of the kids, with the possible exception of Bakugou (hence why I’m still pretty certain that he’s currently heading towards what Aizawa would call a “death”, with quotation marks, i.e. the loss of his quirk).

so that just leaves us with “their death would further the narrative in some way”, which is probably the most open to interpretation of the four. but for the life of me I just can’t think of any way that the death of a kid would advance the plot in a way that couldn’t be achieved by other means. want society to freak out about children being involved in a war? just injure a bunch of them, or have one of them lose their quirk on live TV with the world watching. want to traumatize the other child soldier characters for some reason? kill off one of the teachers, then. or, again, take away one of their friends’ quirks, and have them feel some misplaced guilt over not being able to stop it. this was the winning formula for the Basement arc, so I don’t see why it wouldn’t work here as well.

tbh a lot of this does depend on what exactly Horikoshi’s goals for this arc are, which still aren’t 100% clear even this late in the game. I’m not sure right now what he’s planning for the aftermath of this thing. will it be like Kamino and Fukuoka, where society is shaken up but still rallying behind the heroes and giving them their support? or are we instead building up towards a scenario where society’s faith in heroes finally crumbles and people are left totally demoralized in the wake of yet another brutal attack, and the total decimation of the Billboard Top 10? the latter outcome is seeming more and more likely to me, but an awful lot of it depends on how the next few chapters play out.

my best guess is that we end up with a scenario where the heroes succeed in staving off total disaster, but at a heavy cost. a lot of the pros are either dead or out of commission, Tomura and the League are still at large, and everyone is basically just sitting around trying to process what just happened and figure out what to do next while they wait for the other shoe to drop. word gets out that the kids were pretty much the only reason the battle didn’t end in even greater disaster, and as a result they get swept up in the ensuing political drama. the HPSC tries to parade them around as the next big thing; humanity’s hope for the future. but meanwhile a growing faction of the general public is furious at the government getting children involved in a war, and start arguing that the hero program should be shut down and U.A. should close its doors. and in the midst of all this, the kids try to lick their wounds and deal with the aftermath, and enter their second year very much unsure of what the future will hold.

anyway, so this all got very long-winded and out of hand as usual, but to sum up, I don’t think any of the kids is going to die here, and I think there will still be a year two of U.A., but that it’s going to feel very different from the U.A. we’ve known up to this point. if the threat of Tomura is still looming over everyone’s heads I very much doubt the kids will be able to focus much on their studies. but it may also be a case of them trying to cling to what little semblance of normalcy they have left. the teachers might decide to press on simply because it’s the only thing they can do. basically I’m anticipating something very similar to the aftermath of Kamino, but with the tension ramped up to 11, and with the adults fighting a losing battle to keep the kids from getting caught up in the middle of it all.

in other words, I don't think it’s an actual death-death we need to worry about here. rather, it’s going to be a much slower and much more subtle death by a thousand cuts. but it’ll be the kind of angst the characters can still work under; the kind that, rather than suffocating them, instead makes them grit their teeth and find a way to push forward. so yeah! anyways though, now that I’ve said all this, watch as Horikoshi goes and fucking decapitates Aoyama next week or some shit. lol maybe I should knock on wood just in case.

#bnha 279 #bnha #boku no hero academia #bnha meta #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #asks #anon asks #long post

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