method actor boyfriend yuuta who gets a little too invested in his upcoming movie role. he’s playing some psycho character; someone calculated and manipulative; cunning; a stalker; eventually a killer. he’s always been a good actor, but sometimes he has to delve deep in order to portray a role to the best of his abilities.
you start to notice a difference in him after a while, though. he tells you he has to leave you for a few hours at a time, only for you to catch sight of his gaze lingering in the bushes outside of your home. or do you? you’re never really sure, always catching glimpses and glances that make the hairs on the back of your neck stand up. but you’re never really sure if you see him, his low stare, his tightly pulled mouth, the weapon his character uses slung over his shoulder.
he starts speaking to you differently, too. his vocabulary starts to be riddled with love and devotion and adoration, every chance he gets. he holds you close to him, too close, too tight, rests his face against your hairline, whispers against your skin, “don’t leave me—don’t ever leave me—I love you—you love me, don’t you?—don’t you?—you love me, right?”
sex with him isn’t really the same, either. he doesn’t even call it that anymore, calls it making love, and it wouldn’t be as unsettling if he didn’t look at you like that every time. like you hung the moon and the stars with your bare hands, like you breathed life into his very being, like you broke off a piece of your rib to place it so delicately inside his sternum.
his eyes get so rounded, so wide, seeing every inch of you, even the pieces hidden under the covers. his hands are so soft but they grip you so tightly, as if he’s scared that you might slip away if he blinks too long. his mouth constantly connected to your skin, whispering praises, his love for you, how you’re meant for him, how he can’t wait to be one.
he’s already inside of you, though. how else could he connect his body to yours? you know he’s playing a killer, someone willing to cut and scrape and bruise and maim the one he loves most. but he knows that it’s just a movie, right? that you’re not the star, that you’re his real partner, that he’s not actually like that? right?
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what’s crazy to me abt that anon is ur literally the only blog on here that i actually get so pumped when there’s a new fic 😭😭 like ur writing style scratches such an itch for me, ive read every critical role fic youve posted and ive literally never watched a single eps of critical role LMAO
like ur writing is genuinely good. youre able to portray characterization sooooo well that for me, critical role is literally thebest_medicine show. ur a great writer and that anon genuinely confused me bc im not sure they know how to read lol
this is such a sweet message to read omfg ok… thank you so much first of all.
me getting this tattoo’d on my eyelids lmao
ALSO though there’s quite a few other bangers of fics / writers out there for critical role but omg that is such a sweet and wonderful compliment thank you!
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So, I was just adding stuff to my ideas notes/lists (for scenarios I want to draw in the future + whatever OC ideas I have so I don't forget them later), and I accidentally got a little TOO into this Mourynn and Faolain scene that was originally just meant to be a funny and snarky jest exchange. But uh, it suddenly went a lot gayer than I was expecting, and now I REALLY wanna work on it laskjdflaskj (this is Firstborn era stuff before the Secondborn exist, for a bit of context)
(I mean, I'm still doing two big WIPs atm, and I don't wanna get caught in never ending WIP hell, but HNNG I really wanna do this... I COULD give myself three WIPs... how many WIPs is the minimum needed requirement needed to properly qualify for WIP hell...? I can get away with one more, right??? )
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15 + Aspen (or any of them tbh) for the OC thing
15. What places hold significant meaning or memories for your OC? Do they have a positive or negative association with those places?
Ohhhh no you hit the ramble button. Ok so. To answer that requires a pinch of lore and some Aspen background, which I'll put under a readmore because ilu all:
- Kelpies have to fully submerge themselves in water every few days to survive, for roughly an hour. Any body of water will do, and it doesn't have to be an hour all on one go, but failure to do so is fatal (thats just an oc thing afaik there's no folklore like that? Anyway.)
- Kelpies also have a tense relationship with humans. Most kelpies won't prey on humans. Many of them find it immoral, and those that don't still find it not worth the trouble. Even so, a minority WILL, and both groups often clash over bodies of fresh water, so they regard each other as a threat.
Alright, that out of the way:
When Aspen was a kid (not sure how old yet, but preteen at the latest) she and her family lived in a modest lake near a human village. Both parties were wary of each other, but had a tense truce to just share the fresh water that was crucial for both group's survival, and otherwise avoid each other.
But then a child goes missing, and after a few days of panicked searching, they find the kid's remains in the lake and jump to blaming Aspen's folks. (They had nothing to do with it - the kid was just a tragic accident. Aspen even tried to look for the kid when they caught wind that they'd gone missing)
The villagers are too scared to confront a couple full-grown Kelpies and their foals on their home turf, so they beg their god to take care of the kelpies for them. He agrees in exchange for great praise and tribute. He dispatches the kelpies in a needlessly cruel way: He sprouts a mass of tree limbs and vines from beneath them, ensnaring them and hoisting them up just out of reach of the water. Aspen's parents and younger brother are left to wither away over the course of three days, the water they need to live just barely out of reach. Aspen only escaped the same fate because she wasn't around when the god attacked them - she was still out looking for the lost kid.
She can't do anything for them, and they beg her to run away before the villagers/god find her too.
AL OF THIS TO SAY she holds very intense, complicated emotions about her home. There's lots of precious memories of her family and childhood there, but it's overshadowed by the cruelty and grief.
She has very intensely negative feelings specifically about the old, gnarled tree that's found by the eastern side of the lake, the bark of which still traces the forms of bones and fangs and hooves, that villagers revere as a sign of justice and their god but Aspen knows is nothing but a sick display of cruelty and murder.
She's a very cheery girl.
For a happier note...mm...there's a mountain lake in Keres' territory she likes visiting. The environment itself is pretty different but it still makes her think of home and her family, and she can feel secure in the knowledge that Keres well maintains her territory and just about nothing dares intrude it.
Sometimes Keres will join her, and the two will talk a bit and stargaze
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So with me getting a big art commission for ITNL, it makes me think about how I've never gotten any commissions for discacc... and like yes ok I've been neglecting my big baby (I'm Sorry,,,,) but my love for it remains. The 500k word count is testament to my dedication to it, even if it's currently on hiatus.
But for me putting actual real money into ITNL and not discacc...
Well...
It ultimately boils down to the fact that in discacc they still look just like their canon counterparts lol so there's really no point to doing a commission for it. ITNL Vash already looks different from his canon counterpart (due to the lightning scars, which are the main focal point of the commission).
So... no it is NOT me saying I love ITNL more. ITNL and discacc both are very dear to me. I'm just doing objectively crazier stuff in ITNL and Thus, big differences have happened. And so it goes.
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