Between Art & Fashion
Photographs from the Collection of Carla Sozzani
Edited by Fabrice Hergott , foreword by Azzedine Alaïa
Ass. Azzedine Alaïa and Carla Sozzani Ed., 2016 , 2000 numbered copies, copy n.1160, 401 pages, 215 ill., 24x29cm, ISBN: 979-10-95313-03-8
euro 90,00
The exhibition «Between Art and Fashion» at the Azzedine Alaïa gallery, presents for the first time nearly 200 photos from the Carla Sozzani collection and selected by Fabrice Hergott.
Photographs from the 19th century to the present day, from Man Ray to Helmut Newton, from Moholy-Nagy to Francesca Woodman, from Daido Moriyama to Alfred Stiegliz: a vision of the world, of woman, of beauty. With more than 350 pages in uncoated paper, the book features the reproductions of all the pictures, a foreword by Azzedine Alaïa, a conversation led by Fabrice Hergott with Carla Sozzani, and seven essays by some of international contemporary critics and scholars like Barbara Carnevali, Germano Celant, Emanuele Coccia, William A. Erwing, Donatien Grau and Jean Louis Scheffer.
29/03/24
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NUS ? 11 VOLUMES - NUS LA BEAUTÉ DE LA FEMME, Daniel Masclet, 1933. Rousseurs. Un classique illustré par Man Ray, Drtikol, Boucher, Moholy-Nagy, Platt Lynes. - NUS, Pierre-Jean Amar, Nathan Images, 1990. Ex n°20/100 accompagné d'un tirage signé. - NAISSANCE D'APHRODITE, Lucien Clergue, 1966. Version américaine de Brussel & Brussel, sans la jaquette. On joint: NUS D'AUTREFOIS 1850-1900, Marcel Bovis, 1953; MEN / WOMEN, Herb Ritts, 1989. 2ème édition; DUO, Herb Ritts, 1991; MEN, Joseph Caprio, 1986; MORCEAUX CHOISIS, Pierre Jahan, 1955; CUIR & FANTASMES, Michel Guillot, 1982; PHOTOGRAPHY OF THE NUDE,...
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From our picture files: "Stealth", by Moholy Nagy
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The Manhattan Transcripts differ from most architectural drawings insofar as they are neither real projects nor mere fantasies. They propose to transcribe an architectural interpretation of reality. To this aim, they use a particular structure indicated by photographs that either direct or 'witness' events (some would say 'functions', others would call them 'programs'). At the same time, plans, sections, and diagrams outline spaces and indicate the movements of the different protagonists – those people intruding into the architectural 'stage set'. The effect is not unlike an Eisenstein film script or some Moholy-Nagy stage directions. Even if the Transcripts become a self-contained set of drawings, with its own internal coherence, they are first a device. Their explicit purpose is to transcribe things normally removed from conventional architectural representation, namely the complex relationship between spaces and their use; between the set and the script; between 'type' and 'program'; between objects and events. Their implicit purpose has to do with the twentieth-century city.
Bernard Tschumi, The Manhattan Transcripts
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E a história dos historiadores?
Excluindo nossos colegas que obtiveram informações nas pesquisas primárias em documentos e outros registros, todos (nós) os demais acumulam conhecimento por meio do que nos trazem os historiadores. E vamos, assim, conhecendo um a um, e tendo contato com diversas vertentes de interpretações dos fatos ocorridos. Eventualmente, conseguimos até deduzir algumas coisas sobre aqueles que nos dizem, o…
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László Moholy-Nagy, Construction, 1920
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László Moholy-Nagy
Harley Davidson
1921
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László Moholy-Nagy (Hungarian, 1895-1946) - Composition with three Circles, Coloured crayon, ink and pen on paper, 42,5 x 35 cm (1946)
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Laszlo Moholy Nagy - Self portrait
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Art is the sharpening stone of the senses, which sharpens the gaze, the mind and the perceptions.
László Moholy-Nagy
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Moholy-Nagy's Light Prop @ SBMA during "The Paintings of Moholy-Nagy: Th...
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László Moholy Nagy (Hungarian, 1895-1946), Space CH 4, 1938. Oil on canvas, 68.5 x 89 cm.
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Harley Davidson by László Moholy-Nagy. Old motorcycle. 1921
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Die Transformierung 1925 © Estate of László Moholy-Nagy
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