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#Niina Secrets
pimentadeacucar · 2 years
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cagethemunson · 8 months
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one day, I want to be rich enough to go to disney world with my entire family. every holiday, every opportunity. we would become those kind of people that know the best month to go there because we’re so familiar with it in so many ways…. 🥲
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feelingcomplet · 8 months
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E aí vem uma pessoa e muda tudo. Revira o que você tomava por certo, bagunça um pouco sua perspectiva das coisas, atropela seus medos mais internos pra longe e cria novos deles ao mesmo tempo. Faz com que o teu passado fique, pela primeira vez na vida, no passado. Enterra sua insegurança. Te leva a repensar tudo que costumava fazer de errado e também te dá vontade de melhorar. Alguém, enfim, te muda sem te forçar, algo que você com seu jeito marrento julgava impossível. O mundo parece muito distante quando ele tá por perto. Um dia desses você se vê no telefone às três da manhã, mesmo morrendo de sono, sorrindo pra parede e com a sensação de que não tem ninguém no mundo mais feliz do que você naquele momento.
E esse alguém te pega de jeito.
(Vinícius Kretek)
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nahhhlina · 10 months
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My first full-length poetry collection, Toska is out now from Deep Vellum! The gorgeous cover art is by Katy Horan.
You can find it at the following places:
Deep Vellum
Bookshop.org
City Lights
Open Books
Barnes & Noble
Target
Amazon
your favorite local bookstore, if you ask!
If you’d like an inscribed copy, please get in touch with me here.
These are poems about the untranslatable but essential concepts that form us, and Alina Pleskova is the interpreter of their simultaneous hold and flight: “What you call me in the dark / isn’t what I am / & that helps me float / above the moment.” Toska is a book of the immigrant daughter in her not-quite-own world, and a book of contempt for striving and capitalism—but the centripetal force that powers these poems is the nameless part of the self, “ruthlessly / down for whatever,” the locked room that nobody can open even while you long for a breach. Pleskova, generous and funny and modern, is a poet of forthright intimacy. —NIINA POLLARI, author of Path of Totality
Alina Pleskova’s debut collection is into grabbing things by the neck, & not always gently: eros in the ancient bedroom & the age of apps; transcendence & complacency & spirituality under capitalism. Pleskova’s poetics is deliciously generous, even in its moments of ambivalence; reading Toska is like chatting with your best friend about pursuing & evading pleasure while the American project unravels. These poems don’t just see to the heart of queer & immigrant subjectivities; they enact them. I sank with this book, was buoyed by this book—how it, like so many of us in America, experiences perpetual attempt, failed translation, the feeling that we are always missing something just beyond our reach. If only we could tighten our grip, want wanting itself, we might unearth language for identity & desire language, of course, being ephemeral, timeless, fleeting, & stunning, all at once. —RAENA SHIRALI, author of summonings and GILT
Alina Pleskova's Toska bears the burden of the eponymous longing melancholy of living even as it phases into the burn of real threats to human-and humane-existence. Writing from "The country where I live- / its surveillance of us surveilled by the country I'm from-" she counterpoints the impersonal gaze of the state and algorithms that follow our movements with the poet's infinitely careful attention to the flow of the everyday: "Made it this far / without mentioning the rain. // Here it is; it's perfect." Solace is found in community, the imperative to "Daydream what mutual care could do," the vast motions astrology tracks, ancient poet gossip. Overwhelmingly, too, in the mysteries of queer desire and its dream of transcendence, the desire to desire unbounded by intolerance, or worse-murder. These poems telegraph in a seductive whisper that keeping each other alive is enough-it's everything, because "I want the class wars to start, but everyone's so tired." The poet asks, "What song was playing when my heart's chambers I got thrown open to let these breezes in?" This book is the song, its frequencies coming through the voices of friends, lovers, family, the poets of the past, and Pleskova's tender plaint that would "Mourn the redwoods, fireflies, platypuses, permafrost, all else that deserves to outlive us & won't ..." In her hands, poetry is the hack for our earthly hangover, toska / saudade its secret sauce in whose ingredients hide the seeds of a new world. We'll be together there,' "covered in each other's hair." —ANA BOZICEVIC, author of New Life
Reading Toska was a spiritual and whole-body experience. I laughed, I screamed, I teared up, I nearly bought a one-way ticket back to Moldova, I called my mom. No one captures the poetics of eros and diasporic longing amid our late-stage capitalist hellscape like Alina Pleskova. 'Assuring various robots / that I'm not a robot several times daily' does not prevent our speaker from 'stockpil[ing] intimacies almost too ephemeral to clock.' And what a gift this book of intimacies is. Toska is a tender and wry instruction manual for navigating desire and the void. I will follow Alina Pleskova anywhere. —RUTH MADIEVSKY, author of All-Night Pharmacy
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fabioperes · 21 days
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Lançamento nova paleta Niina Secrets verde via YouTube https://www.youtube.com/watch?v=bP8kZ1bI-BQ
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aboutbeauty93 · 2 months
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Recomendações de produtos de maquiagem
Protetor Solar: indicação Marca Isdin. Sérum: indicação da Marca La Roche-Posay Vitamina C10 Hidratante: indicação da Marca CeraVe Esfoliante: Indicação da Marca Labotrat '' rosto e corpo'' Sabonete de rosto: variado para o seu tipo de pele, Marca indicada Neutrogena Base: indicação da Marca Bruna Tavares Corretivo: corretivo da Marca Nars Pó Translúcido: indicação da Marca Melu Blush: indicação da Marca Bauny Rímel: indicação da Marca da Eudora Iluminador: indicação da Marca Océane Paleta de Sombras: indicação da Marca Niina Secrets Batom/Gloss: indicação da Marca Franciny Ehlke.
#indicações#produtos#makes#boaqualidade#superindico
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achadinhossho · 3 months
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Creme para Pentear Seda Colágeno e Vitamina C by Niina Secrets 300ml http://dlvr.it/T2y4K4
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grazicosmeticos · 4 months
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EUDORA CICLO 02/2024 A PARTIR DO DIA CICLO - LANÇAMENTO MAQUIAGEM NIINA SECRETS Visite nosso site: https://www.grazicosmeticos.com.br/eudora Sob encomenda também para todo o Brasil pelo Whatsapp: (19) 99159-2870 #EUDORA5MINUTOSVOLUME #EUDORAKISSMEMORE #eudoraAUDAZ #lançamentoeudora #guiaeudora #revistaeudora #catalogoeudora #euqueroEudora #Eudoramaquiagem #eudorahidratante #niinasecrets #presenteEudora #diadosnamoradosEudora
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moraltiming · 4 months
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Niina secrets por Mahogany Brasil
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Flores roxas de um chefe
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nenestansunsthings · 4 months
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kou has no idea who airi's crush is. he knows it's a boy but this doesn't narrow it down at all. because shes friends with arashi and niina and shitara and the secret character who is just some dude and ruka.
HDJSUWKDUEKDHWKRJEMEKWLIE
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pimentadeacucar · 5 months
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Protetor Solar Facial Antioleosidade FPS 70 Niina Skin Eudora!
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cagethemunson · 8 months
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the feminine urge to buy every single makeup product you see your favorite beauty influencer using on a tutorial
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littlewomenpodcast · 8 months
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Niina: You know I was thinking about that earlier today, that the way Jo collects these boys around her, she is like Wendy and the lost boys.
Melodie: Her lost boys. Exactly! and I was thinking about you know the way she interacts with Laurie in this chapter, she is like cradling him practically and touching his hair. It makes me think of this mother-type figure, that is not a real mother. It is a child pretending to be a mother. To this boy who pretends basically to be a man. So that made me think, this is like Peter Pan and Wendy and of course Peter Pan, it was first a play and then it became a novel, but it wasn’t written, until the beginning of 1900s. So it’s like 40 years after Little Women basically so then I started thinking, ”I wonder if JM Barrie was influenced by Louisa May Alcott at all” because between the relationship that Laurie and Jo have to the next book where, Jo has this group of these boys, so I did a search and what I found on a google search was that somebody had actually made their thesis on a similar idea. Thesis was written by someone named Leah Marie Kirkpatrick and it was titled ”Hidden Kisses, Walled Gardens and Angel Kinder” ”A story of Victorian and Edwardian conductions of motherhood and childhood in Little Women, in Secret Garden and Peter Pan”. So if someone else has had these similar ideas then I must be on to something. Now, I only just found this today so I have not read it yet because it is 148 pages long.
Niina: All right.
It’s a thesis but I thought how interesting because it seems like her main point is the idea how in this era, both ideas of childhood and motherhood are an angelic sort of situation. You become a saint like a mother. You are an angel as a child. This kind of a celebration of innocence within both of these ideas but, I think it is something to look at more. The idea is that in a way Laurie and Jo are kinds of a Peter and Wendy situation.
Niina: That is super interesting. I was talking in an earlier episode with somebody who said that when Jo takes care of Beth, she almost has a maternal relationship with Beth. She is almost Beth’s secondary mother as well.
Melodie: Yes
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mulheresqueusammake · 9 months
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Confira esta postagem… "Maquiagem Pin-up inspiração ".
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nahhhlina · 11 months
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Two more weeks until Toska!
Preorder here. (Or yr book retailer of choice.)
Here are some very nice things that writers I admire have said about it:
These are poems about the untranslatable but essential concepts that form us, and Alina Pleskova is the interpreter of their simultaneous hold and flight: “What you call me in the dark / isn’t what I am / & that helps me float / above the moment.” Toska is a book of the immigrant daughter in her not-quite-own world, and a book of contempt for striving and capitalism—but the centripetal force that powers these poems is the nameless part of the self, “ruthlessly / down for whatever,” the locked room that nobody can open even while you long for a breach. Pleskova, generous and funny and modern, is a poet of forthright intimacy. —NIINA POLLARI, author of Path of Totality
Alina Pleskova’s debut collection is into grabbing things by the neck, & not always gently: eros in the ancient bedroom & the age of apps; transcendence & complacency & spirituality under capitalism. Pleskova’s poetics is deliciously generous, even in its moments of ambivalence; reading Toska is like chatting with your best friend about pursuing & evading pleasure while the American project unravels. These poems don’t just see to the heart of queer & immigrant subjectivities; they enact them. I sank with this book, was buoyed by this book—how it, like so many of us in America, experiences perpetual attempt, failed translation, the feeling that we are always missing something just beyond our reach. If only we could tighten our grip, want wanting itself, we might unearth language for identity & desire language, of course, being ephemeral, timeless, fleeting, & stunning, all at once. —RAENA SHIRALI, author of summonings and GILT
Alina Pleskova's Toska bears the burden of the eponymous longing melancholy of living even as it phases into the burn of real threats to human-and humane-existence. Writing from "The country where I live- / its surveillance of us surveilled by the country I'm from-" she counterpoints the impersonal gaze of the state and algorithms that follow our movements with the poet's infinitely careful attention to the flow of the everyday: "Made it this far / without mentioning the rain. // Here it is; it's perfect." Solace is found in community, the imperative to "Daydream what mutual care could do," the vast motions astrology tracks, ancient poet gossip. Overwhelmingly, too, in the mysteries of queer desire and its dream of transcendence, the desire to desire unbounded by intolerance, or worse-murder. These poems telegraph in a seductive whisper that keeping each other alive is enough-it's everything, because "I want the class wars to start, but everyone's so tired." The poet asks, "What song was playing when my heart's chambers I got thrown open to let these breezes in?" This book is the song, its frequencies coming through the voices of friends, lovers, family, the poets of the past, and Pleskova's tender plaint that would "Mourn the redwoods, fireflies, platypuses, permafrost, all else that deserves to outlive us & won't ..." In her hands, poetry is the hack for our earthly hangover, toska / saudade its secret sauce in whose ingredients hide the seeds of a new world. We'll be together there,' "covered in each other's hair." —ANA BOZICEVIC, author of New Life
Reading Toska was a spiritual and whole-body experience. I laughed, I screamed, I teared up, I nearly bought a one-way ticket back to Moldova, I called my mom. No one captures the poetics of eros and diasporic longing amid our late-stage capitalist hellscape like Alina Pleskova. 'Assuring various robots / that I'm not a robot several times daily' does not prevent our speaker from 'stockpil[ing] intimacies almost too ephemeral to clock.' And what a gift this book of intimacies is. Toska is a tender and wry instruction manual for navigating desire and the void. I will follow Alina Pleskova anywhere. —RUTH MADIEVSKY, author of All-Night Pharmacy
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fabioperes · 2 months
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LANÇAMENTOS LINHA NIINA SECRETS LUMINOUS #linhaniinasecrets #eudora #lançamento via YouTube https://www.youtube.com/watch?v=nR5To7fgXuU
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