#Open’er Festival 2022

[ollywears]

Olly Alexander wearing Coach A/W 2022 shorts in an Instagram photo backstage at the Open’er Festival (June 30, 2022).

#Olly Alexander #Years & Years #Years and Years #style #Night Call #It's a Sin #Sweet Talker #Sooner or Later #Crave #Hallucination #Starstruck #shorts #coach #Coach A/W 2022 #Instagram #open'er festival #Open’er Festival 2022 #Backstage #poland

[definitelynotdamiano]

Måneskin on the road - The Series | EPISODE 2

EPISODE 2 | July 2022

Open’er (Gdynia) - Lollapalooza Stockholm (Gärdet) - Rock Werchter Festival (Werchter) - Circo Massimo (Roma) - Montreux Jazz Festival (Montreux) - Slottsfjell (Tønsberg) - Lollapalooza Paris (Paris) - KüçükÇiftlik Park (Istanbul)

#Youtube #maneskin #måneskin #damiano david #victoria de angelis #thomas raggi #ethan torchio

[thekingofgear]

Great site, thanks for all the inspiration. Quick question, do you know if Jonny’s ‘Smile’ amp is a ‘65 reissue Super reverb or the Tone Master? Thanks Frazer

Jonny has a used few Fender Super Reverb amps over the past decade. He first used a vintage early-70s silver-panel Fender Super Reverb to perform Electric Counterpoint at the 2013 Open’er Festival, but he hasn’t been seen with it otherwise so he probably rented it (rather than bring one all the way to Poland for one piece).

The first Super Reverb that Jonny has used most consistently is a vintage mid-60s black-panel Fender Super Reverb. The amp was first mentioned in Jonny’s recording notes for the backing track to Steve Reich’s Electric Counterpoint, which he shared on Vine in June 2014. He used the amp more than any other on the backing tracks. He subsequently used the amp when he played the lead part of Electric Counterpoint at the Glastonbury Festival on June, 2014, likely using the backing track he recorded earlier that month (Jonny mentioned in an interview that he re-records all the backing tracks each time he performs the piece live). Jonny also used that Super Reverb for a gig with the London Contemporary Orchestra in Oxford, so it seems he prefers to use that amp for gigs in the UK.

Jonny probably also used that mid-60s amp during the recording of A Light For Attracting Attention, since he used it for The Smile’s first tour rehearsals in December 2021. It was later seen in the background during The Smile rehearsals at RAK in January 2022.

A screenshot from The Smile's rehearsal of Thin Thing at RAK studio 1 in London on January 26, 2022 (Instagram) — that’s the same studio where Radiohead recorded The Bends. Jonny's mid-60s Super Reverb can be seen on the right, with an Ashdown ABM EVO II head resting on top of it. Notice how yellowed the grill cloth has become over the years. His newer Super Reverb can be seen behind him on the left, with a much brighter grill cloth.

Jonny’s current touring amp with The Smile is a '65 Reissue Super Reverb, as we explained in this post. He probably bought the amp specifically for live shows, since it’s brand new in photos from rehearsals and concerts in January 2022 — it even has the green "Jensen Equipped" tag hanging off the channel 1 volume control. That tag is found on both the ’65 Reissue on the Tone Master. But it seems very unlikely that Jonny would take the time to remove the “Tone Master” label from the amp’s grill cloth if he didn’t even bother to remove the tag. He's used that amp (probably with an identical backup) for all of The Smile's touring in 2022.

Jonny with his current '65 Reissue Super Reverb, during a rehearsal with The Smile at London's Magazine in January 2022.

A close-up of the control panel on Jonny's '65 Reissue Fender Super Reverb (photo by Y_Grrrr).

#Jonny Greenwood #The Smile #Steve Reich #Electric Counterpoint #a light for attracting attention

[eleonoraroginska]

Selected individual set/stage design projects archive

2023

Giant Loewe sunglasses sculpture for BlinkBlink.pl x Loewe event at Elektrownia Powiśle

Mery Spolsky "Erotik Era" album cover shoot by Adam Słaboń (Kayax)

Phlov by Anna Lewandowska autumn campaigns by Tomek Janus

Stage design for Hotel Maffija, Solar&Białas, Sobel at SBM Ffestival, Warsaw

Converse All Stars Workshop 

Kmag Magazine Editorial - photos by Natalia Skotnicka

Stage design and hand sculpted masks for Sobel concert at Sun Festival Kołobrzeg

Oshee x Mata - set design for campaign directed by Alex Pak (shootme)

God Save Queens photoshoot campaign by Rogier Alexander

Youtube Awards campaign directed my Mateusz Miszczyński (shootme)

Art Faces Warsaw Zine #2 „root” issue photoshoot by Max Gronowski

Editorial for Mariola Homoncik - photos by Natalia Skotnicka

Natalia Nykiel „Bye Bye” single cover shoot photos by Krystian Lipiec (Off The Records)

Young Leosia - „Jeden dzień” music video directed by Mac Adamczak

Open’er Festival 2023 video campaign directed by Mac Adamczak

Szpaku feat. Waima - „Crazy Frog” music video directed by Jan Dybus (Widok Kolektyw)

Johnnie Walker Blonde campaign directed by Mac Adamczak (Warsaw Production)

Pepsi europe photoshoot by Kuba Bors (Analog Digital TV)

Danucera campaign directed by Tala Dołgowska (Warsaw Creatives)

Kacperczyk „Pokolenie Końca Świata” album cover by Adam Słaboń (SBM)

key visual and set design for Bizneswoman Roku 2023

Relab „Museum of Dinosaurs and Nothing Special” set design for campaign by Zulu Kuki

Waima photoshoot by Michał Mazurek

Molton SS23 campaign by Marta Sinior

Fashion Magazine cover shoot with Maffashion - photos by Dawid Klepadło

Sizeer x New Balance campaign by Karol Pojman

Editorial for Nasty Magazine, photos by Natalia Skotnicka

Żywiec campaign directed by Nathaniel Czarnecki (Spokój Film)

Shopee campaign directed by Michał Jagiełło

2022:

Białas „Głowa Rodziny” EP cover by Piotr Pytel (SBM)

Shopee christmas campaign directed by Nathaniel Czarnecki (Truskavka)

Doda „Aquaria” album cover by Klaudia Piekarska (Universal Music)

Otsochodzi feta OKI - „KFC” music video directed by @yungssebv

Warsaw Shore campaign by Dawid Klepadło (MTV)

Young Igi x Oki „Pleasure” music video directed by @yungssebv

Coca Cola x Kubota campaign by Klaudia Piekarska

White2115 - „Pretty Boy” album cover by Paweł Miśko (SBM)

Otsochodzi x Oskar83 - „Wwa Melanż” music video directed by @yungssebv

Margaret „Cry in my Gucci” music video directed by Alex Pak

Bella Fit SS22 campaign by Natasha Ivanova

Warsaw Sneaker Store campaign by Hien Dinh Ngoc

Włodi4444 x Klarna photoshoot by Paweł Miśko 

Jan Rapowanie - „Bufor” album cover by Zulu Kuki

Mrozu x Jan Rapowanie „Dym” music video directed by Magda Zielińska (Propeller Film)

Friz „Vanilla” music video directed by Filip Celen Krupa (Porobione Studio)

Julia Rocka x Kukon „Blow-Up” directed by Olaf Zażembłowski

Żołądkowa DeLuxe Campaign (Lemon Film)

Białas x Słoń „Klękaj przed Panem” music video directed by Kote & Pak

2021:

Speed Games Garage by Kuba Przygoński studio design

InPost campaign directed by Marek Sobkiewicz - Hirsch

Beata Kozidrak & Justyna Steczkowska - „Między Nami” music video directed by Olga Czyżykiewicz

Stage design for Żabson & guests concert

Sobel - „Drobna Zabawa” music video directed by Hien Dinh Ngoc

Tymek „Marilyn Monroe” music video directed by Adrian Obręczarek

Tymek „Cielo Blu” music video directed by Adrian Obręczarek

Hodak x Paluch - „C.R.E.A.M.” music video directed by Hien Dinh Ngoc

Tymek photoshoot for VOGUE Polska by Adrian Obręczarek

Garaż Acoustic studio design 

Ballantines x newonce summer campaign

[zwebplm]

Open’er Festival 2022 przedstawia kolejne gwiazdy, które wystąpią w Gdyni. Do składu kolejnej edycji dołączają między innymi: The Smile, Playboi Carti i Doja Cat.

Już 29 czerwca wystąpi Doja Cat wystąpi na Open’er Festival 2022. Jest to jedna z obecnie najpopularniejszych artystek na świecie i pojawi się na Orange Main Stage.

Kto wystąpią w Gdyni na Open’er Festival 2022?

#the smile #Open’er Festival 2022 #doja cat

[kiss-this]

One last thing... for those desperate that Måneskin are going to the USA first, just remeber that they're goingo to have a very busy European summer thanx to the festivals

June 2022 Germany @ Rock Am Ring/Rock Im Park

June 2022 Austria @ Nova Rock (Day TBC)

June 2022 Netherlands @ Pink Pop

June 2022 Polonia @ Open’er Festival

July Belgium @ Rock 2022 Werchter

July 2022 Sweeden @ Lollapalooza Stockholm

July 2022 France@ Lollapalooza Paris

July 2022 Spain@ Diversity Festival

August 2022 UK@ Reading & Leeds Festival

September Brasil @ Rock in Rio (Yeah, I know this is not Europe but it's so cool I just can't)

#and I know coachella comes first but april is not summer :P #måneskin #summer 2022

[taylorswifh]

Dear Taylor

I decided to write you this letter on behalf of all international fans to speak with you about what we swifties are facing with the organization of the European festivals. We understood your decision to cancel the festivals and given what’s happening we support you and thank you for thinking of our safety and yours. However, we can’t understand why you only spoke about the American and Brazilian shows in your statement, as if the European shows didn’t exist and didn’t count - as well as international fans, meaning all the fans around the world that aren't Americans, don’t seem to exist when it comes to events, meet and greets, shipping costs and prices.

Most of Lover Fest shows are European. Ten, precisely. And for the first time after so many years you decided to visit countries that have supported you all along, such as: Belgium, Germany, Norway, UK, Denmark, Poland, France, Spain and Portugal. International fans bought tickets - including me - in the hope of finally seeing you after years, even fans with financial difficulties who have been saving money since forever for the tour, sacrificing other things. But no one, including you, could have predicted something so bad as this global emergency which is not only causing health issues but also financial issues, as you could see. Despite this, American and Brazilian fans have the certainty to see you next year because the shows are confirmed, they will be reorganized and fans can even keep their tickets because they will be valid for next year. This won’t happen for European fans tho, because you didn’t mention our shows, so the only words we can count on are those coming directly from those who organized these festivals and unfortunately they aren’t giving us any kind of hope to either see you or getting our money back, money that we could really use in a tough moment like this.

Here’s what we know about the organization of the European festivals:

⁃ WERCHTER BOUTIQUE, BELGIUM: they’re giving everyone a voucher to use in 2021 and 2022 exclusively for this festival. If we don’t use it within those two years, they won’t give us our money back. Fans bought this ticket because you were the special guest, they did it to see you and listen to your music, so they’re hoping you’ll reconfirm your presence in 2021 for this festival so that they won’t lose their money. ⁃ THE WALDBÜHNE, GERMANY: also Germany made a law that all concert tickets may be refunded as vouchers so that's what we're expecting for this event too; ⁃ OSLO SOMMERTID, NORWAY: tickets won’t be used for 2021 but fortunately they’re giving fans their money back. ⁃ GLASTONBURY FESTIVAL, UK: they’re giving the deposit back or the deposit can be reused for 2021. ⁃ ROSKILDE FESTIVAL, DENMARK: fans can use the ticket for 2021 or ask for a refund. ⁃ OPEN’ER FESTIVAL, POLAND: they’re waiting before cancelling the show. ⁃ FESTIVAL DE NÎMES, FRANCE: fans can use the ticket for 2021 or ask for a refund. ⁃ MAD COOL FESTIVAL, SPAIN: they didn’t cancel the festival and you can get the money back only if you certify you’re sick, otherwise you lose the money. ⁃ NOS ALIVE, PORTUGAL: they haven’t decided anything yet. ⁃ BST HYDE PARK, UK: fans can get a refund.

As you can see we don’t have much hope of either seeing you in 2021 or getting our money back. We want to write you this letter in the hope you’ll be able to read it and change things. We European fans, just like American and Brazilian fans, want to be included in this narrative and want to be equally considered. You are a global artist and the whole world loves you. You have so many international fans and you get more and more of them every year. We deserve more. We deserve a pop-up shop when you release a new album. We deserve more than one secret session, because we are so many. We deserve events and opportunities to meet you like the Chicago event because it’s your dream to meet us. But above all, we deserve to be part of Lover Fest because it’s our dream. Please, if you read this letter, do something, give us hope.

We love you and we hope you’re staying safe and healthy!

#thanks to purpleswift who helped me #taylor swift #a;

[swiftstyles1989]

Hiii, if I’ve got any people from Poland following me, I’m selling 2 1-day tickets for Open’er festival in Gdynia for July 1st 2022 - Dua Lipa, Martin Garrix and Megan Thee Stallion are performing on that day. (I bought it when Taylor announced her performance 2 years ago but the list of performers has changed since then and I’m no longer interested to go. But the tickets are updated and it says on the ticket that the access is for 1.7.2022)

I’m selling them for 115 euros for both. If you’re interested, send me a message.

#meee #my post

[weshootmusic]

United Arts Festival 2022

United Arts Festival 2022

A lot of festivals this summer in Tri-City. Mystic Festival, Open’er, Fladra, Globaltica, Soundrive, and now for a second year in a row, we have United Arts Festival, which just announced its new location at the Polstat Plus Arena, surely the most beautiful stadium in Poland! 4 days of outstanding artists on two main stages and with the highest quality sound and lighting. And just like last…

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[ollywears]

Olly Alexander wearing a Coach A/W 2022 t-shirt in an Instagram photo backstage at the Open’er Festival (June 30, 2022).

#Olly Alexander #Years and Years #Years & Years #style #Night Call #It's a Sin #Sweet Talker #Crave #Sooner or Later #Hallucination #STARSTRUCK #tshirt #t-shirt #coach #Coach A/W 2022 #Instagram #Backstage #open'er festival #Open’er Festival 2022 #festival #poland

[ollywears]

Olly Alexander wearing a Coach S/S 2022 Dice Beaded choker necklace in an Instagram photo backstage at the Open’er Festival (June 30, 2022).

#Olly Alexander #Years & Years #Years and Years #style #Night Call #It's a Sin #Sweet Talker #Sooner or Later #Hallucination #Crave #Starstruck #jewelry #jewellery #coach #Coach S/S 2022 #dice beaded chocker necklace #necklace #choker #Instagram #Backstage #open'er festival #festival #@bartosz_sader #poland #Open’er Festival 2022