#Taysir Batniji
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Taysir Batniji: Suspended Time (2007)
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Taysir Batniji, The Sky Over Gaza, 2001-04
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Taysir Batniji, Interface (2014) / Grounds (2008-2019) / Memory of Water (2014)
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Partagé par Djamila pour compléter notre conversation
Le Petit Q : Bassem Youssef, la personnalité qui dérange (Quotidien sur TMC le 19/10/23)
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En sortant de l'exposition "Ce que la Palestine apporte au monde"
au moment où Tsahal pourrait entrer dans Gaza et où la France a affirmé son soutien sans réserve à l’État hébreu...
Taysir Batniji GH0809, 2011
Hazem Harb, Military zones (série), 2019
Parkour à Gaza 2011 Shady Alassar
dailymotion
Gaza - Parkour, les Palestiniens volants 2013 sur Arte (43')
#israel#gaza#hamas#Taysir Batniji#Hazem Harb#palestine#tragique#expos#institut du monde arabe#documentaire#photographie#parkour
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Palestinian Artist Taysir Batniji on His New Book, 'Disruptions'
By Olivia Snaije
In January of 2024, the Marseille- and London-based independent publishing house, Loose Joints, which focuses on contemporary photography, will publish a work by Palestinian artist Taysir Batniji.
Loose Joints and Batniji chose to reproduce his work Disruptions, 2015-2017, for the book. This series of pixelized images disrupted by poor bandwidth taken from WhatsApp…
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Monday's image: December 4, 2023
Taysir Batniji, Hannoun, Detail, Performance/Installation, color photograph (ink jet print) on poster paper (150 x 100 cm), pencils shavings, Dimensions variable, 1972-2009, Nadour Collection
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#medicalfreedom#TaysirBatniji#Hannoun#performance#installation#colorphotography#pencilshavings#VeniceBiennale2009#mixedmedia#NYTimes#crater#rowofspectators#Israeliairstrike#Rafah#southernGaza#rubble#terracottaearth#browndirt#silver#grey#DisplacedGazans#CrownSheltersHospitalsandStrangers'Homes#mapping#topography#Estimated1.8millionPalestiniansforcedtofleehomes#sincebombardmentofGaza#yellow:Minordamage#orange:Moderatedamage#red:Majordamage#borders
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Rural Australians For Refugees
Members of Rural Australians For Refugees protest the deportation of a Tamil family, Nades, Priya, and their daughters Kopika and Tharunicaa, in Ballarat Victoria, against a backdrop of artworks by Palestinian photographic artist Taysir Batniji.
The family have been accepted and welcomed by the small Queensland town of Biloela, who support them 100%. The government still wish to deport the family.
Taysir Batniji’s presentation “Watchtowers” is a part of the Ballarat International Foto Biennale, 2019.
#photographers on tumblr#rar#taysir batniji#bifb 2019#refugees#country victoria#original photography
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Taysir Batniji
Like Water, 2008Performance conceived for the exhibition ‘Water: Misery and Delight’ at IFA gallery in Stuttgart.
109 words meaning water in arabic language. This inventory was established by Mahmoud Darwish in his collection 'Memory for forgetfulness' - transcription with water on floor
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No Condition Is Permanent, 2014.
In 2007, Taysir Batniji was invited by the Swiss artist and commissioner Rayelle Niemann to attend a workshop in Amman entitled “No Condition is Permanent”, that he could not reach because of contretemps.
In 2014 he responded to the content of this workshop, realizing an ephemeral sculpture, composed of hundreds of soap bars, piled up on a wooden pallet, isolated in the middle of a room. The Arabic saying Dawam el Hal Men Al Mohal, which means « No condition is permanent » is engraved on each bar, with a stamp specially made for the installation.
In Arab countries, this sentence is used when people are confronted with painful situations, like the loss of an acquaintance. The adage brings comfort and hope in difficult moments by carrying the idea that pain will not last. But, in fact, this hopeful sentence carries its own contradiction, emphasizing the weight of relativity on human conscience. It sounds like a reminder of our own condition.
The fragility of this faith in better days is highlighted, not only by encouraging people to take away part of the art piece with them, but also by the fragility of the material itself. The artist previously touched upon the frailty of material in the installation Man Does Not Live on Bread Alone #2 (2012-2013), for which he engraved on household soaps the Universal Declaration of Human Rights’ article 13.
Contrary to a message engraved on stone, one stamped on a bar of soap is doomed to vanish with time and use
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Taysir Batniji, Al Aqsa Day, 1990
A painting/collage piece made to commemorate the Al Aqsa massacre of October 8, 1990 in which the Israeli military killed 20 Palestinians and injured 400
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GH0809, 2010 – Taysir Batniji
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Taysir Batniji, Watchtowers (Israeli military watchtowers in West Bank, Palestine), 2008
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