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creativespaceworks · 2 years
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Halloween Activities
It is the perfect resource for anybody wanting to add some Halloween storytelling or creative writing to their lesson plans. This fun Halloween writing activity is great for several reasons. For one, it helps kids get over their creative writing struggles by providing them with specific prompts to get them started. Secondly, it helps with the organization of thoughts and ideas. By completing the…
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garadinervi · 1 year
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Adelaide Cioni: 'On Patterns', Texts by Daria Khan, Jennifer Higgie, Ilaria Puri Purini, Jareh Das, Agnieszka Gratza, and Cecilia Canziani, Mousse Publishing, Milano, 2023 [Exhibition: Adelaide Cioni: 'Ab ovo / On Patterns', Curated by Ilaria Puri Purini, Mimosa House, London, March 9 – April 25, 2023]
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donospl · 1 year
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PODSUMOWANIE ROKU 2022 - Literatura
PODSUMOWANIE ROKU 2022 – Literatura
KSIĄŻKA ROKU 2022 Sylwia Chutnik „Tyłem do kierunku jazdy” Wydawnictwo Znak HONOROWY DYPLOM UZNANIA: Wojciech Orliński “Kopernik” – Wyd. Agora Annie Ernaux „Lata” – Wyd. Czarne Alicja Urbanik-Kopeć „Matrymonium” – Wyd. Czarne Anna Bikont “Cena” – Wyd. Czarne Piotr Bernardyn “Hongkong” – Wyd. Czarne Damon Galgut “Obietnica” – Wyd. Czarne Sandor Marai “Porwanie Europy” – Wyd.…
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thevikingwoman · 7 months
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AO3 fic stats meme
tagged by @a-shakespearean-in-paris and @myreia thank youuuuu!
rules: give us the links to your fics with the most hits, second most kudos, third most comments, fourth most bookmarks, fifth most words, and fic with the fewest words.
I also thought it was interesting to add dates!
Fic with the Most Hits: Temporal Arrangements | Dragon Age: Inquisition | Solas x Iwyn Lavellan | longfic | written 2018-2020
Second Most Kudos: Home | Uprooted (Naomi Novik) | Agnieszka  x Sarkan | one-shot (book coda) | 2019
Third Most Comments: Hay | Dragon Age: Inquisition (modern AU) | Solas x Iwyn | longfic | written 2020-2021
Fourth Most Bookmarks: Home [again!!] | Uprooted (Naomi Novik) | Agnieszka  x Sarkan | one-shot (book coda) | 2019
Fifth Most Words: Bright Are The Stars Above | Dragon Age: Inquisition | Solas x Iwyn | short story collection | n/a
I wish I hadn't published my short stories as one story, but it's too late to change.
Fifth Most Words without shorts collections: Together | Dragon Age: Inquisition (Modern AU) | Solas x Iwyn Lavellan x Ellana Lavellan (unrelated) | short story | 2019
Fic with the Fewest Words: Bhrianna Osirion - Child of the Desert | Wayfarer IF | Wayfarer MC | microfic | 2022
I'm not surprised some of my most popular fics are my long fics - especially posing so many of my DA shorts in one story. I do wish I had the fortitude to write more longer fics, but the date ranges speak for themselves.
Endlessly humbled by Uprooted fans - it's not a very active fandom, but it's clear a lot of people are fans of the book (you should read it too) and enjoyed my little fic
tagging @galadrieljones @allaganexarch @buttsonthebeach @redinkofshame @roguelioness @kittlesandbugs @bearlytolerant and anyone else who wants to
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leahhuetemaines · 10 months
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FLP CHAPBOOK OF THE DAY: Into a Salt Marsh Heart by Marie-Louise Eyres
On SALE now! Pre-order Price Guarantee: https://www.finishinglinepress.com/product/into-a-salt-marsh-heart-by-marie-louise-eyres/
Into A Salt Marsh Heart at first glance, appears to be a straightforward #nature, or #ecologically driven collection of poems, and it is to some extent. But it is also about the sudden loss of the author’s father. The way she has arranged the work allows for that stark reality to dawn on you as a reader as you pass through the first few poems, and for you to experience both the sense of loss that such a sudden death brings, as well as touching on the complexities of family relationships. Before being gathered together to form this #chapbook, several of these #poems have already been highly commended or short listed in poetry prizes and placed in competition anthologies, including The Gingko Areas of Outstanding Natural Beauty, and the Bridport Prize, others have appeared in literary journals including Agenda, Ink Sweat & Tears, The Broken Spine and The Poet’s Republic.
Marie-Louise Eyres has had her poems widely published in journals internationally. She’s been recognized in poetry contests in the US and UK and in 2022, was a finalist in the James Tate Prize.
PRAISE FOR Into a Salt Marsh Heart by Marie-Louise Eyres
Into a Salt Marsh Heart is a deeply lyrical, sagacious, and sensual pamphlet. Its deft and delicate writing observes distance and living in a heady mix of a startling range of poems that take risks, stay silent, and sing.
–Agnieszka Studzinska, poet and author of Branches of a House, Shearsman, UK.
I am struck in these poems by the distinctive voice and, more than this, by the unique way of looking at the world, which changes in turn the way that we see. From the artful sequencing to the unforgettable lines, to the overall emotional impact, there is so much to admire in this work.
–Jonathan Edwards, poet and author of Gen & My Family and other Superheros, and former Editor of Poetry Wales.
Please share/please repost #flpauthor #preorder #AwesomeCoverArt #poetry #chapbook #read #poems #nature
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vodnoebalo · 1 year
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Vogue Polska
Hopes from fungarium Published: January 2022
Agnieszka Kulesza & Łukasz Pik - Photographer
Dominik Rosinski - Director
Lorna McGee - Fashion Editor/Stylist
Emil Zed - Hair Stylist
Marianna Yurkiewicz - Makeup Artist
Michał Zomer - Set Designer
Megan McCluskie - Casting Director
Kacper Godlewski - Director of Photography
Vlad Mykhnyuk - Producer
Signe Veiteberg - Model
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grazynasiedlecka · 2 years
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Ausnahmezustand. Polnische Fotokunst heute | exhibition opening
ZAK – Center for Contemporary Art at Zitadelle Spandau, 10.09.22- 01.01.23, Berlin, Germany
State of Emergency. Polish Photo Art Today offers an initial overview of the vital Polish contemporary photographic scene. The work of 27 participating photographers accumulates the limits and possibilities of artistic production, in particular contrast to the background of a worsening political situation and the progressive censorship of cultural processes.
Parallel to the exhibition there will be a program of lectures and discussion panels. A reading room with books from Fotograficzna Publikacja Roku 2020-2022 (Polish Photographic Publication of the Year 2020-2022) will be also available for visitors.
The exhibition will be accompanied by a book of the same name published by Mitteldeutscher Verlag, with approximately 160 pages in German and English along with an insert in Polish.
Artists:
Filip Berendt, Kuba Dąbrowski, Karolina Gembara, Weronika Gęsicka, Aneta Grzeszykowska, Magda Hueckel, Pawel Jaszczuk, Irena Kalicka, Anna Kieblesz, Zuza Krajewska, Adam Lach & Dyba Lach, Diana Lelonek, Michał Łuczak, Rafał Milach, Igor Omulecki, Anna Orłowska, Witek Orski, Zosia Promińska, Agnieszka Rayss, Łukasz Rusznica, Michał Siarek, Michał Szlaga, Dominik Tarabański, Łukasz Wierzbowski, Karolina Wojtas, Piotr Zbierski
Curators: Grażyna Siedlecka & Jens Pepper
Media Parter: Fresh From Poland
poster image - courtesy of Rafał Milach, Jednostka Gallery and Magnum Photos
opening evening photos - Katarzyna Roniek & Grazyna Siedlecka
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Just published: "Legacy of the East and Legacy of Alexander" by Krzysztof Nawotka and Wojciechowska Agnieszka (Editors)
Good morning everyone, happy weekend, I’m Elena from Italy and thank you for being on Alessandro III di Macedonia- your source about Alexander the Great and Hellenism. Today I’d like to point out a book that I just discovered has been released and it’s one of those books that I absolutely must buy: Legacy of the East and Legacy of Alexander by Krzysztof Nawotka and Wojciechowska Agnieszka…
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communityinclusion · 1 month
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ICI Research Highlights Importance of Real-Time Support for Employment Consultants
New research from the Institute for Community Inclusion analyzed how data-enabled feedback and micro-lessons embedded in the workflow can be an important part of organizational management and quality improvement for employment consultants.
In an article published in the academic journal Intellectual and Developmental Disabilities, researchers detailed how they made a tool called ES-Coach (Employment Support Coach) available to employment consultants so they could visualize their implementation of supported and customized employment, reflect, set goals, and take action. The ICI staffers worked with 11 managers and 56 employment consultants from nine organizations over six months, asking them daily questions about their work activities and providing micro-lessons on best practices through videos, tips, data, and articles.
“It’s very helpful to discuss things and through that process, identifying things that we didn't think we were doing well that we didn't realize we were doing as well,” a manager told researchers.
The researchers found this helped assign hard numbers to goals and service delivery, making it easier for managers to quantify the relationship between staff time investments and outcomes and helping lead to improvements in organizational staffing and management. Results from the study didn’t show an observable change in employment consultant behaviors or outcomes, but researchers said both managers and employment providers found value in using data-enabled feedback to support planning and continuous quality improvement.
One manager told researchers, “It’s hard to quantify in this field what we’re doing, and to have this data to back it up is just fantastic!”
According to the researchers, this study extends a limited body of research on both the implementation of supported and customized employment, and the importance of investing in real-time implementation support rather than relying solely on training.
“Changes to our investments in training and implementation support are needed. Formal training is important, but it is not enough,” the researchers wrote. “These investments need to be reflected in provider qualifications and in state capacity building investments.”
This also has implications for funding, as rate structures need to account for the time invested in data-enabled coaching as a complement to training. The researchers said this will require state funding agencies and management information system vendors to work together to assist in document the implementation of supported and customized employment while reducing the administrative burden on programs.
Future research will also need to dig more into high-value activities and develop strategies for better embedding data-based feedback and coaching into organizations.
The researchers said that although the recommendations may take time to implement, employment programs can take steps now to improve the implementation of best practices by setting goals like what participants in the pilot identified. This include getting to know job seekers through observation and activities; finding jobs through networking, informational interviews, business tours, and job negotiation; facilitating natural support; and streamlining administrative tasks.
According to the research, the next step is to scale up adoption of ES-Coach or similar data-enabled feedback interventions among service delivery systems for continuous quality improvement.
“This pilot highlighted the importance of data-enabled feedback in the workflow as a tool for supporting employment consultants implementing supported and customized employment,” the researchers wrote.
Authors of the journal article include John Butterworth, Alberto Migliore, Oliver Lyons, Jill Eastman, Britni Miles, Paul Foos, and Agnieszka Zalewska, as well as Danielle C. Mahoehney of the Institute on Community Integration at the University of Minnesota.
To learn more about this research, check out the full journal article on the Intellectual and Developmental Disabilities website or visit https://www.es-coach.org/.
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raducotarcea · 6 months
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creativespaceworks · 2 years
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WRITE AND DRAW COMPOSITION NOTEBOOK FOR KIDS
writing and drawing composition notebooks for kids
This Primary Journal for grades K-2 (ages 5-8) has a colorful design, appealing to children of all ages. Perfect for preschoolers and children in kindergarten through grades 2 and 3, this primary journal composition notebook features a blank area for drawing at the top of each page, half-space for pictures and a line-writing area at the bottom, half-spacing between lines (with dotted…
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antonio-velardo · 8 months
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Antonio Velardo shares: The Award-Winning Polish Film That Poland’s Leaders Hate by Monika Pronczuk
By Monika Pronczuk The director Agnieszka Holland says her movie “Green Border” encourages empathy with migrants trying to enter Poland. But the government has likened it to Nazi propaganda. Published: September 28, 2023 at 11:18AM from NYT Movies https://ift.tt/opsEvq0 via IFTTT
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finishinglinepress · 10 months
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FLP CHAPBOOK OF THE DAY: Into a Salt Marsh Heart by Marie-Louise Eyres
On SALE now! Pre-order Price Guarantee: https://www.finishinglinepress.com/product/into-a-salt-marsh-heart-by-marie-louise-eyres/
Into A Salt Marsh Heart at first glance, appears to be a straightforward #nature, or #ecologically driven collection of poems, and it is to some extent. But it is also about the sudden loss of the author’s father. The way she has arranged the work allows for that stark reality to dawn on you as a reader as you pass through the first few poems, and for you to experience both the sense of loss that such a sudden death brings, as well as touching on the complexities of family relationships. Before being gathered together to form this #chapbook, several of these #poems have already been highly commended or short listed in poetry prizes and placed in competition anthologies, including The Gingko Areas of Outstanding Natural Beauty, and the Bridport Prize, others have appeared in literary journals including Agenda, Ink Sweat & Tears, The Broken Spine and The Poet’s Republic.
Marie-Louise Eyres has had her poems widely published in journals internationally. She’s been recognized in poetry contests in the US and UK and in 2022, was a finalist in the James Tate Prize.
PRAISE FOR Into a Salt Marsh Heart by Marie-Louise Eyres
Into a Salt Marsh Heart is a deeply lyrical, sagacious, and sensual pamphlet. Its deft and delicate writing observes distance and living in a heady mix of a startling range of poems that take risks, stay silent, and sing.
–Agnieszka Studzinska, poet and author of Branches of a House, Shearsman, UK.
I am struck in these poems by the distinctive voice and, more than this, by the unique way of looking at the world, which changes in turn the way that we see. From the artful sequencing to the unforgettable lines, to the overall emotional impact, there is so much to admire in this work.
–Jonathan Edwards, poet and author of Gen & My Family and other Superheros, and former Editor of Poetry Wales.
Please share/please repost #flpauthor #preorder #AwesomeCoverArt #poetry #chapbook #read #poems #nature
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Western European and Domestic Historiographical Contexts The anti-Jesuit literature in Poland–Lithuania was not born in a historical (or historiographical) vacuum. Indeed, the earliest Jesuit historiography outside the Society—what I call trans-Jesuit historiography as opposed to cis-Jesuit historiography that Jesuits themselves created from the early times—was born within the context of confessional and/or political controversy (just as in Poland–Lithuania, as we shall see below), starting probably with the German Lutheran theologian Martin Chemnitz (1522–86), who in his Theologiae jesuitarum praecipua capita (Main tenets of Jesuit theology, 1562) describes the Jesuits as a papal offspring that invaded Germany, spreading their nests throughout. As we shall see below, Chemnitz’s image of the Jesuits, sometimes tweaked and modified, was very popular among Polish anti-Jesuit writers. Similar anti-Jesuit propaganda also pervades the work of the French Catholic political writer Étienne Pasquier (1529–1615), who in his influential Le Catéchisme des jésuites (Ville-Franche, 1602)—whose first English modern annotated translation has been published recently in the Brill’s book series of 11 For further reference on the history of this period, see Józef A. Gierowski, The Polish– Lithuanian Commonwealth in the XVIIIth Century: From the Anarchy to Well-Organized State (Cracow: pau, 1996); Robert I. Frost, “‘Obsequious Disrespect’: The Problem of Royal Power in the Polish–Lithuanian Commonwealth under Vasas, 1587–1668,” in The Polish–Lithuanian Monarchy in European Context, c.1500–1795, ed. Richard Butterwick (Basingstoke: Palgrave Macmillan, 2001), 150–71; Andrzej Sulima Kamiński, Republic vs. Autocracy: Poland–Lithuania and Russia 1686–1697 (Cambridge, MA: Harvard University Press, 1993); Anna Grześkowiak-Krwawicz, Queen Liberty: The Concept of Freedom in the Polish–Lithuanian Commonwealth (Leiden: Brill, 2012); Dorota Pietrzyk-Reeves, Polish Republican Discourse in the Sixteenth Century (Cambridge: Cambridge University Press, 2020); Urszula Augustyniak, Informacja i propaganda w Polsce za Zygmunta iii (Warszawa: pwn, 1981); Augustyniak, Wazowie i “królowie rodacy”: Studium władzy królewskiej w Rzeczypospolitej xvii wieku (Warszawa: Semper, 1999); Agnieszka Pawłowska-Kubik, Rokosz sandomierski 1606–1609 (Toruń: Wyd. umk, 2020); Edward Opaliński, “Rokosz Zebrzydowskiego: Element antysystemu ustrojowego czy nieudana rewolucja?,” Przegląd sejmowy 25, no. 4 (2017): 53–69
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petnews2day · 1 year
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Robot dogs among 100 artists to be unleashed on Melbourne for 2023 NGV Triennial | National Gallery of Victoria (NGV)
New Post has been published on https://petn.ws/tgn9c
Robot dogs among 100 artists to be unleashed on Melbourne for 2023 NGV Triennial | National Gallery of Victoria (NGV)
National Gallery of Victoria (NGV) Painter Agnieszka Pilat and her trained robots join a lineup that includes Yoko Ono, Tracey Emin and fashion house Schiaparelli The National Gallery of Victoria is set to welcome a group of unexpected artists in residence: three Boston Dynamics robot dogs, which will be trained to autonomously paint a work […]
See full article at https://petn.ws/tgn9c #DogNews
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romualddem · 1 year
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How the Ruler is Made
Agnieszka Grodzińska
@ Rodriguez Gallery, Poznań May 11—Jun 7, 2023
artist talk Jun 2, 2023, 7 PM
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Agnieszka Grodzińska, How the Ruler Is Made, courtesy of the artist and Rodriguez Gallery Photo by Joanna Czarnota
Instead of speaking directly about her works, Agnieszka Grodzińska prefers to leave clues, fragments of forms or thoughts from which a story can be pieced together. The term ‘deformity’ (polish: odkształt), which she often uses, can be read as a negative trace on the surfaces of prints and sculptural pieces. The artist works with a found image, just as she uses the term ‘found footage’ from cinema. Grodzińska selects photographic images from various sources, collects excerpts from texts, and enlarges the images with a photocopier, duplicates them, and creates scaled images with a clear grid. The central element of the exhibition is the installation How the Ruler Is Made, which occupies the gallery and transforms its architecture while hiding smaller graphic works and porous sculptures from recent years. Works such as Quiet Quitting, Full Time Sunday, Nonsense & Inconsistency are soft objects made of denim, nylon, string and metal tubes. Semi-transparent layers of fabric, contrasted with accents in red, navy blue and black, interact with the paintings, creating cascading, geometrical structures and screens. Other works have perforations with geometric or text-like shapes. On the surface of some paintings are forms resembling woven networks of veins or webs, which establish their own structure. Only when we get closer can we look inside the artist’s works and recognize the patterns that have been “imprinted” on them, with the help of overlapping stencils. We can also notice blurred outlines – traces of tools with intriguing shapes that bring to mind phantoms of erotic gadgets. It seems that the exhibition is a pretext for arranging all the elements in order of similarity, creating one spatial composition. The works are repetitive, but also disciplined: their rhythm in space is emphasized by axes and interwoven patterns. In Grodzińska's work, one can find references to, e.g,. illustrations from socialist school textbooks or propaganda books about birth and upbringing that were published in Eastern and Central Europe. One of the artist’s references is Modern Man in the Making by Otto Neurath, a sociologist-economist and pioneer of pictograms, which are still in common use today. When it was published in 1939, and for the following decades, it was deeply believed that everything could be designed. The schematically visualized figures are a kind of legend superimposed on the world map, which goes hand in hand with the Western tendency towards the standardization of society. Heads and masks are a frequent motif in the exhibition, with different variants appearing in the form of prints and patterns in works made of industrial rubber. The artist knows the properties of this material intimately and exploits its plasticity and rawness. She knows how it ‘behaves.’ The basis for the paintings is denim, which was once used forwork and military clothing and whose texture is as visible as the patterns used by the artist. They are applied with acrylic and fabric paints on a thick material, often in red, navy blue, white, black and gray tones. Grodzińska describes herself as a “collector of reproductions,” which can be understood as obsessively collecting existing images and their secondary versions. One of the leitmotifs that appear in many of the artist's sculptures and assemblages are patterns of multiplied pictograms that schematically show a figure in action forging shapes, columns, houses, and children. Reproduction, the term for duplication, acquires a biopolitical dimension. Another pattern is the outline of a house, a refuge, which just like the normative concept of  family, no longer seems accessible to everyone, and instead becomes a privilege. The artist draws attention to the problem of interpreting half-truths that are considered obvious and that are hidden behind commonly used ideas. With her own artistic language she also refers to personal observations: the repetition and rhythm of the placement of works in space can be interpreted as disciplined, and a constant attempt to control, improve, and create order, even where this is not necessary. Perhaps the futility of monitoring an individual, the pressure of belonging to a group, and the difficulty of functioning in a community, has finally become visible here. While the old order excludes and takes away, the new, potentially better order, has yet to come. Or maybe it is already occurring and is repeating all the same mistakes. Text by Romuald Demidenko
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